Ne zamudite!
V Festivalski kavarni danes lahko spoznate:
– Veita Helmerja, režiserja filma Izhod za nebesa, ob 16. uri;
– ekipo filma Sivi kamion rdeče barve – ob 16.45. uri se bodo predstavili režiser Srdjan Koljević, igralka Aleksandra Balmazović in direktor fotografije Goran Volarević;
– Jovana Arsenića, režiserja Povratnika, ob 20.30. uri.
Pozdravna pijača s Češkim veleposlaništvom po predvajanju filma Češke sanje ob 22. uri.
15. Liffe in Cankarjev dom z veseljem objavljata veselo novico, da je izjemni film Z glavo v zid Fatiha Akina prejel kar pet nominacij za evropsko filmsko nagrado v kategorijah:
– najboljši film: Z glavo v zid
– najboljši režiser: Fatih Akin
– najboljša glavna igralka: Sibel Kekilli
– najboljši glavni igralec: Birol Ünel
– najboljši scenarij: Fatih Akin
Obveščamo vas, da v soboto, 13. novembra 2004, ne bo tretje ponovitve projekta DemoKino – virtualna biopolitična agora avtorja Davida Grassija.
14. 11.
Ne zamudite!
Danes se v Festivalski kavarni srečajte s:
Andersom Ronnow-Klarlundom, režiserjem filma Niti ob 16.45. uri
Teono Strugar Mitevsko, režiserko filma Kako sem ubil svetnika ob 21.30. uri.
Don’t miss!
Meet in the Festival Cafe today:
Veit Helmer, director of Gate to Heaven at 4 p.m.
The crew of The Red-coloured Grey Truck - director Srdjan Koljevic, actress Aleksandra Balmazovic and director of photography Goran Volarevic at 4.45 p.m.
Jovan Arsenic, director of Homecoming at 8.30 p.m.
Happy Hour with the Czech Embassy after the screening of Czech Dreams, at 10 p.m., 1st Foyer of CD.
15th Liffe and Cankarjev Dom are pleased to announce the happy news that Fatih Akin’s outstanding Head-on has received as many as five nominations for the European Film Awards:
Film: Gegen die Wand/Head-on
Director: Fatih Akin
Actress: Sibel Kekilli
Actor: Birol Ünel
Screenwriter: Fatih Akin
On Saturday, 13 November 2004, the third performance of DemoKino – A Virtual Biopolitical Agora by Davide Grassi has been cancelled.
14 Nov
Don’t miss!
Meet in the Festival Cafe today:
Anders Ronnow-Klarlund, director of Strings at 4.45 p.m.
Teona Strugar Mitevska, director of How I Killed a Saint at 9.30 p.m.
Don\\\'t miss!
15 Nov
Meet Lee Kang-Sheng after the screening of The Missing in Kinodvor, 10 p.m.
16 Nov
Kino Otok Party, Tuesday 16 November, in celebration of Festival guests Lee Kang-sheng and Tsai Ming-liang who are dear friends of Kino Otok, all admirers of their work are invited. From 3 p.m. onwards, tea with Kino Otok in the First Foyer, in front of Linhart Hall, 10 p.m.; Daktari Club, special Thai party.
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
Ne zamudite!
15. 11.
Ob 22. uri, po predvajanju filma Pogrešana, se v Kinodvoru srečajte z Li Kang-šengom.
16. 11.
Zabava Kina Otok v torek, 16. 11., v čast festivalskima gostoma Li Kang-šenga in Caj Ming-ljanga, ki sta dobra prijatelja Kina Otok. Vabljeni ste vsi občudovalci njune umetnosti. Ob 15. uri čaj s Kinom Otok pred Linhartovo dvorano v Prvem preddverju CD; ob 22. uri v Klubu Daktari posebna tajska zabava.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
16. 11.
Danes ne zamudite!
Srečajte Li Kang-šenga in Caj Ming-ljanga po predvajanju filma Pogrešana ob 18. uri v Festivalski kavarni, Prvo preddverje CD, in zopet ob 21.30. uri po predvajanju filma Koliko je tam ura?
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
16 Nov
Don\\\'t miss today!
Meet Lee Kang-sheng and Tsai Ming-liang after the screening of The Missing at 6 p.m. in the Festival Cafe, I Foyer CD and again at 9.30 p.m. after the screening of What Time is it There?
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
17. 1.
Danes ne zamudite!
V Festivalski kavarni se srečajte z gostoma:
Kostjo Ullmannom, igralcem v filmu Poletna nevihta, ob 21.45. uri in
Stephanom Vuilletom, režiserjem filma 25 stopinj pozimi, ob 23.45. uri.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
17 Nov
Dont’ miss today!
Meet in Festival Cafe:
Marco Kreuzpaintner, director of Summer Storm at 9.45pm
Stephane Vuillet, director of 25 Degrees in Winter at 11.45pm
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
18 Nov
Don’t miss today!
Meet in the Festival Cafe:
Stijn Coninx, director of Sea of Silence at 4.15 p.m.
Andrew Horn, director of Nomi Song at 6.20 p.m.
Hassan Yektapanah, director of Story Undone at 9.30 p.m.
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
18. 1.
Danes ne zamudite!
V Festivalski kavarni se srečajte s:
Stijnom Coninxom, režiserjem filma Morje tišine ob 16.15. uri,
Andrewom Hornom, režiserjem filma Nomijeva pesem ob 18.20. uri in
Hasanom Jektapano, režiserjem filma Nedokončana zgodba ob 21.30. uri.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
19. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte z:
Zrinkom Ogrestom, režiserjem filma Tukaj, ob 16. uri,
Romanom Knizko, igralcem v filmu Dvojčici, ob 19. uri in
Igorjem Sekulićem, režiserjem filma Mladi, lepi in zadeti, ob 20.40. uri.
Po predvajanju filma Popolni preobrat kozarček vina z Avstralskim konzulatom ob 22.00. uri.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
19 Nov
Don’t miss today!
Meet in the Festival Cafe:
Zrinko Ogresta, director of Here at 4 p.m.,
Roman Knizka, actor in Twin Sisters at 7 p.m. and
Igor Sekulic, director of Young, Beautiful and Screwed Up at 8.40 p.m.
Happy Hour with Australian Consulate at 10pm, after the screening of
Somersault
20 Nov
Meet in the Festival Café:
Tibor Gaspar, actor in After the Day Before at 5 p.m.,
Zivko Zalar, cinematographer, Alma Prica, Actress, Marusa Bilisko, producer of Witnesses at 7 p.m.
20. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte s:
– Tiborjem Gasparjem, igralcem v filmu Po dnevu pred tem, ob 17. uri,
– snemalcem Živkom Zalarjem, igralko Almo Prica in producentko filma Priče, Marušo Bilisko, ob 19. uri.
21. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte s:
Tomom Schillingom, igralcem v filmu Napola, ob 18.10. uri in
Mitjo Okornom, režiserjem filma Tu pa tam, ob 20.35. uri.
NAGRADNA IGRA KODAK
Vsi obiskovalci 15. LIFFe, ki bodo v nedeljo, 21. novembra 2004, v Cankarjevem domu kupili vstopnico za kateri koli film, bodo ob nakupu prejeli tudi nagradni kupon. Med izpolnjenimi in oddanimi kuponi bomo izžrebali 20 dobitnikov Kodakovih nagrad.
Imena nagrajencev bomo objavili na spletni strani festivala v ponedeljek, 22. novembra.
','','',''),(20,'','','21 Nov
Don’t miss today!
Meet in the Festival Cafe:
Tom Schilling, actor in Napola, at 6.10 p.m. and
Mitja Okorn, director of Here and There, at 8.35 p.m.
22. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte z:
Davidom Gleesonom, režiserjem filma Kavboji in angeli, ob 19.00. uri in
Marjanom Hintereggerjem, režiserjem filma Izginevanje in igralci Christianom Lessjakom, Gerhardom Dorferjem, Dunjo Wutte, ob 23.35. uri.
22 Nov
Don’t miss today!
Meet in the Festival Cafe:
David Gleeson, director of Cowboys and Angeles, at 7 p.m. and
Marjan Hinteregger, director, Christian Lessjak, Gerhard Dorfer, Dunja Wutte, actors in Disappearing at 11.35 p.m.
23 Nov
Don’t miss today!
Meet in Kinodvor:
Janez Burger, director of Ruins, at 12.40 p.m. and
At Cinema Komuna
Nives Ivankovic and Dara Vukic, actresses in Beautiful Split Night at 6 p.m.
','','',''),(25,'','','SPOŠTOVANI OBISKOVALCI 15. LIFFe
Obveščamo vas, da si boste po končanem 15. ljubljanskem mednarodnem filmskem festivalu lahko ogledali vse tri zmagovalne filme:
– 25. 11. ob 21. uri, Linhartova dvorana – zmagovalni film sekcije Perspektive po izboru mednarodne žirije;
– 26. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film sekcije Obzorja po izboru občinstva;
– 27. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film po izboru združenja filmskih kritikov Fipresci.
24. 11.
Javna predstavitev rezultatov delavnice Poetika bo 24.11. ob 17. uri v dvorana E2. Vstop na predstavitev je prost.
23. 11.
Danes ne zamudite!
V Kinodvoru se srečajte z:
Janezom Burgerjem, režiserjem filma Ruševine, ob 12.40. uri in
v Kinu Komuna
pogovor z igralci iz filma Čudovita splitska noč: Nives Ivanković, Dara Vukić, Vicko Bilandžić ob 18. uri.
DEAR VISITORS TO 15TH LIFFE
Please note that all three award-winning films will be available for viewing after the 15th LIFFe has been concluded.
25 November at 21.00 h, Linhart Hall – Kingfisher Award-winning film of the Perspectives, selected by an international jury.
26 November at 21.00 h, Kosovel Hall – People’s Choice Award-winning film of the Horizons.
27 November at 21.00 h, Kosovel Hall - award-winning film of the Fipresci Association of Film Critics
24 Nov
Public Presentation of Poetics Workshop Productions to be held on 24 Nov at 17.00 h in E2 Hall. Admission free.
All three 15th LIFFe award-winning films are available for viewing on:
25 November at 21.00 h, Linhart Hall – SOMERSAULT by Cate Shortland, Australia 2004, Kingfisher Award-winning film of the Perspectives, selected by an international jury.
26 November at 21.00 h, Kosovel Hall – LES CHORISTES by Christophe Barratier (France, Switzerland, Germany 2004); the People’s Choice film from the Horizons, winner of the Golden Reel Award.
27 November at 21.00 h, Kosovel Hall – documentary film CZECH DREAMS by Filip Remunda and Vít Klusák, Czech Republic 2004 – Grand Prix-winner, granted by the Fipresci International Federation of Film Critics.
Po končanem 15. ljubljanskem mednarodnem filmskem festivalu lahko ogledali vse tri zmagovalne filme:
– 25. 11. ob 21. uri, Linhartova dvorana – zmagovalni film sekcije Perspektive;
Nagrado VODOMEC za najboljšega mladega avtorja po mnenju strokovne žirije prejme
film POPOLNI PREOBRAT/SOMERSAULT
režiserke Cate Shortland, Avstralija 2004
– 26. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film sekcije Obzorja;
ZLATI KOLUT, nagrado občinstva za najboljši film prejme
celovečerni film ZBORISTI/LES CHORISTE
režiserja Christopha Barratiera, Francija,Švica, Nemčija, 2004
– 27. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film po izboru mednarodnega svetovnega združenja filmskih kritikov;
Nagrado FIPRESCI za najboljši film uradne sekcije Perspektive prejme
dokumentarni film ČEŠKE SANJE/ CESKÝ SEN
režiserjev Filipa Remunde in Víta Klusáka, Češka 2004.
Nagrado FIPRESCI mednarodnega svetovnega združenja filmskih kritikov
za najboljši film uradne sekcije Perspektive prejme
dokumentarni film ČEŠKE SANJE/ CESKÝ SEN
režiserjev Filipa Remunde in Víta Klusáka, Češka 2004.
ZLATI KOLUT, nagrado občinstva za najboljši film sekcije Obzorja prejme
celovečerni film ZBORISTI/LES CHORISTE
režiserja Christopha Barratiera, Francija,Švica, Nemčija, 2004
Nagrado VODOMEC za najboljšega mladega avtorja uradne sekcije Perspektive po mnenju strokovne žirije prejme
film POPOLNI PREOBRAT/SOMERSAULT
režiserke Cate Shortland, Avstralija 2004
Strokovna žirija je posebno omembo namenila filmu
POGREŠANA/ BU JIAN
režiserja Li Kang-šenga in producenta Caj Ming-ljanga, Tajvan 2003
Final Statistics – 15th LIFFe
110 films
284 film screenings
27 sold-out screenings
55 guests
29 talks with the festival guests
147 accredited members of the press
18 foreign journalists
12 receptions for the guests and visitors to festival
35 films will predictably be released in Slovenian cinemas
Over 50,000 spectators
Končna statistika 15. LIFFe
110 filmov
284 filmskih projekcij
27 razprodanih pojekcij
55 gostov
29 pogovorov z gosti festivala
147 akreditiranih novinarjev
18 novinarjev iz tujine
12 sprejemov za goste in obiskovalce festivala
35 filmov bo predvidoma prišlo na reden spored kinematografov
Več kot 50 000 obiskovalcev
701.747 klikov na spletnih straneh
Tudi Jelka Stergel je bila na festivalu v Karlovih Varih. Srečala se je z direktorico festivala na Portugalskem FestTroia in ameriškim igralcem Michaelom Madesonom. Na zaključku festivala sta se dogovorili, da bo Fernanda da Silva članica letošnje mednarodne žirije v Ljubljani. Michael Madeson pa tako ali tako že zaseda platna po Sloveniji s filmom Sin City.
Izrazil je željo, da bi igral v evropskem filmu in da išče dober scenarij.
Slovenski režiserji, pozor!
Vabilo prostovoljcem
16. LIFFe
Delovni izziv
Če imate radi kulturo in umetnost,
če vas še posebej zanima film,
če si želite pridobiti izkušnje na področju organizacije in promocije velike festivalske prireditve, kot je Ljubljanski mednarodni filmski festival,
potem vas vabimo, da se kot prostovoljka/prostovoljec pridružite projektni skupini 16. LIFFe.
Posredujte nam svojo predstavitev in nam zaupajte, kakšna vloga v festivalski ekipi bi se vam prilegala. Če se bodo vaša pričakovanja ujela z našimi, vas bomo povabili k sodelovanju že v začetku oktobra.
Prijava: E natasa.novak@cd-cc.si
','','',''),(35,'','','
Jelka Stergel, Liffe Festival Director, attended the festival in Karlovy Vary, where she met Fernanda da Silva, the Portuguese FestTroia Festival Director, and American actor Michael Madeson. At the closing ceremony they agreed da Silva to be appointed jury member of this year\\\'s Ljubljana Film Festival, while Madeson has been drawing attention with his Sin City throughout Slovenia. He expressed his wish to play in a European film and said he was looking for a good script.
Slovenian directors, pay heed!
Ne zamudite!
V Festivalski kavarni danes lahko spoznate:
– Veita Helmerja, režiserja filma Izhod za nebesa, ob 16. uri;
– ekipo filma Sivi kamion rdeče barve – ob 16.45. uri se bodo predstavili režiser Srdjan Koljević, igralka Aleksandra Balmazović in direktor fotografije Goran Volarević;
– Jovana Arsenića, režiserja Povratnika, ob 20.30. uri.
Pozdravna pijača s Češkim veleposlaništvom po predvajanju filma Češke sanje ob 22. uri.
15. Liffe in Cankarjev dom z veseljem objavljata veselo novico, da je izjemni film Z glavo v zid Fatiha Akina prejel kar pet nominacij za evropsko filmsko nagrado v kategorijah:
– najboljši film: Z glavo v zid
– najboljši režiser: Fatih Akin
– najboljša glavna igralka: Sibel Kekilli
– najboljši glavni igralec: Birol Ünel
– najboljši scenarij: Fatih Akin
Obveščamo vas, da v soboto, 13. novembra 2004, ne bo tretje ponovitve projekta DemoKino – virtualna biopolitična agora avtorja Davida Grassija.
14. 11.
Ne zamudite!
Danes se v Festivalski kavarni srečajte s:
Andersom Ronnow-Klarlundom, režiserjem filma Niti ob 16.45. uri
Teono Strugar Mitevsko, režiserko filma Kako sem ubil svetnika ob 21.30. uri.
Don’t miss!
Meet in the Festival Cafe today:
Veit Helmer, director of Gate to Heaven at 4 p.m.
The crew of The Red-coloured Grey Truck - director Srdjan Koljevic, actress Aleksandra Balmazovic and director of photography Goran Volarevic at 4.45 p.m.
Jovan Arsenic, director of Homecoming at 8.30 p.m.
Happy Hour with the Czech Embassy after the screening of Czech Dreams, at 10 p.m., 1st Foyer of CD.
15th Liffe and Cankarjev Dom are pleased to announce the happy news that Fatih Akin’s outstanding Head-on has received as many as five nominations for the European Film Awards:
Film: Gegen die Wand/Head-on
Director: Fatih Akin
Actress: Sibel Kekilli
Actor: Birol Ünel
Screenwriter: Fatih Akin
On Saturday, 13 November 2004, the third performance of DemoKino – A Virtual Biopolitical Agora by Davide Grassi has been cancelled.
14 Nov
Don’t miss!
Meet in the Festival Cafe today:
Anders Ronnow-Klarlund, director of Strings at 4.45 p.m.
Teona Strugar Mitevska, director of How I Killed a Saint at 9.30 p.m.
Don\\\'t miss!
15 Nov
Meet Lee Kang-Sheng after the screening of The Missing in Kinodvor, 10 p.m.
16 Nov
Kino Otok Party, Tuesday 16 November, in celebration of Festival guests Lee Kang-sheng and Tsai Ming-liang who are dear friends of Kino Otok, all admirers of their work are invited. From 3 p.m. onwards, tea with Kino Otok in the First Foyer, in front of Linhart Hall, 10 p.m.; Daktari Club, special Thai party.
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
Ne zamudite!
15. 11.
Ob 22. uri, po predvajanju filma Pogrešana, se v Kinodvoru srečajte z Li Kang-šengom.
16. 11.
Zabava Kina Otok v torek, 16. 11., v čast festivalskima gostoma Li Kang-šenga in Caj Ming-ljanga, ki sta dobra prijatelja Kina Otok. Vabljeni ste vsi občudovalci njune umetnosti. Ob 15. uri čaj s Kinom Otok pred Linhartovo dvorano v Prvem preddverju CD; ob 22. uri v Klubu Daktari posebna tajska zabava.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
16. 11.
Danes ne zamudite!
Srečajte Li Kang-šenga in Caj Ming-ljanga po predvajanju filma Pogrešana ob 18. uri v Festivalski kavarni, Prvo preddverje CD, in zopet ob 21.30. uri po predvajanju filma Koliko je tam ura?
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
16 Nov
Don\\\'t miss today!
Meet Lee Kang-sheng and Tsai Ming-liang after the screening of The Missing at 6 p.m. in the Festival Cafe, I Foyer CD and again at 9.30 p.m. after the screening of What Time is it There?
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
17. 1.
Danes ne zamudite!
V Festivalski kavarni se srečajte z gostoma:
Kostjo Ullmannom, igralcem v filmu Poletna nevihta, ob 21.45. uri in
Stephanom Vuilletom, režiserjem filma 25 stopinj pozimi, ob 23.45. uri.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
17 Nov
Dont’ miss today!
Meet in Festival Cafe:
Marco Kreuzpaintner, director of Summer Storm at 9.45pm
Stephane Vuillet, director of 25 Degrees in Winter at 11.45pm
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
18 Nov
Don’t miss today!
Meet in the Festival Cafe:
Stijn Coninx, director of Sea of Silence at 4.15 p.m.
Andrew Horn, director of Nomi Song at 6.20 p.m.
Hassan Yektapanah, director of Story Undone at 9.30 p.m.
Hot last-minute tickets!
Some tickets are booked for all screenings – also the sold-out ones. If the accredited journalists do not collect them, they are offered for sale 15 minutes before a show.
18. 1.
Danes ne zamudite!
V Festivalski kavarni se srečajte s:
Stijnom Coninxom, režiserjem filma Morje tišine ob 16.15. uri,
Andrewom Hornom, režiserjem filma Nomijeva pesem ob 18.20. uri in
Hasanom Jektapano, režiserjem filma Nedokončana zgodba ob 21.30. uri.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
19. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte z:
Zrinkom Ogrestom, režiserjem filma Tukaj, ob 16. uri,
Romanom Knizko, igralcem v filmu Dvojčici, ob 19. uri in
Igorjem Sekulićem, režiserjem filma Mladi, lepi in zadeti, ob 20.40. uri.
Po predvajanju filma Popolni preobrat kozarček vina z Avstralskim konzulatom ob 22.00. uri.
Vroče vstopnice
Za vse filmske projekcije – tudi za razprodane – je vedno nekaj vstopnic rezerviranih; če jih akreditirani novinarji ne prevzamejo, jih 15 minut pred predstavo ponudimo v prosti prodaji.
19 Nov
Don’t miss today!
Meet in the Festival Cafe:
Zrinko Ogresta, director of Here at 4 p.m.,
Roman Knizka, actor in Twin Sisters at 7 p.m. and
Igor Sekulic, director of Young, Beautiful and Screwed Up at 8.40 p.m.
Happy Hour with Australian Consulate at 10pm, after the screening of
Somersault
20 Nov
Meet in the Festival Café:
Tibor Gaspar, actor in After the Day Before at 5 p.m.,
Zivko Zalar, cinematographer, Alma Prica, Actress, Marusa Bilisko, producer of Witnesses at 7 p.m.
20. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte s:
– Tiborjem Gasparjem, igralcem v filmu Po dnevu pred tem, ob 17. uri,
– snemalcem Živkom Zalarjem, igralko Almo Prica in producentko filma Priče, Marušo Bilisko, ob 19. uri.
21. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte s:
Tomom Schillingom, igralcem v filmu Napola, ob 18.10. uri in
Mitjo Okornom, režiserjem filma Tu pa tam, ob 20.35. uri.
NAGRADNA IGRA KODAK
Vsi obiskovalci 15. LIFFe, ki bodo v nedeljo, 21. novembra 2004, v Cankarjevem domu kupili vstopnico za kateri koli film, bodo ob nakupu prejeli tudi nagradni kupon. Med izpolnjenimi in oddanimi kuponi bomo izžrebali 20 dobitnikov Kodakovih nagrad.
Imena nagrajencev bomo objavili na spletni strani festivala v ponedeljek, 22. novembra.
','','',''),(20,'sl','','21 Nov
Don’t miss today!
Meet in the Festival Cafe:
Tom Schilling, actor in Napola, at 6.10 p.m. and
Mitja Okorn, director of Here and There, at 8.35 p.m.
22. 11.
Danes ne zamudite!
V Festivalski kavarni se srečajte z:
Davidom Gleesonom, režiserjem filma Kavboji in angeli, ob 19.00. uri in
Marjanom Hintereggerjem, režiserjem filma Izginevanje in igralci Christianom Lessjakom, Gerhardom Dorferjem, Dunjo Wutte, ob 23.35. uri.
22 Nov
Don’t miss today!
Meet in the Festival Cafe:
David Gleeson, director of Cowboys and Angeles, at 7 p.m. and
Marjan Hinteregger, director, Christian Lessjak, Gerhard Dorfer, Dunja Wutte, actors in Disappearing at 11.35 p.m.
23 Nov
Don’t miss today!
Meet in Kinodvor:
Janez Burger, director of Ruins, at 12.40 p.m. and
At Cinema Komuna
Nives Ivankovic and Dara Vukic, actresses in Beautiful Split Night at 6 p.m.
','','',''),(25,'sl','','SPOŠTOVANI OBISKOVALCI 15. LIFFe
Obveščamo vas, da si boste po končanem 15. ljubljanskem mednarodnem filmskem festivalu lahko ogledali vse tri zmagovalne filme:
– 25. 11. ob 21. uri, Linhartova dvorana – zmagovalni film sekcije Perspektive po izboru mednarodne žirije;
– 26. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film sekcije Obzorja po izboru občinstva;
– 27. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film po izboru združenja filmskih kritikov Fipresci.
24. 11.
Javna predstavitev rezultatov delavnice Poetika bo 24.11. ob 17. uri v dvorana E2. Vstop na predstavitev je prost.
23. 11.
Danes ne zamudite!
V Kinodvoru se srečajte z:
Janezom Burgerjem, režiserjem filma Ruševine, ob 12.40. uri in
v Kinu Komuna
pogovor z igralci iz filma Čudovita splitska noč: Nives Ivanković, Dara Vukić, Vicko Bilandžić ob 18. uri.
DEAR VISITORS TO 15TH LIFFE
Please note that all three award-winning films will be available for viewing after the 15th LIFFe has been concluded.
25 November at 21.00 h, Linhart Hall – Kingfisher Award-winning film of the Perspectives, selected by an international jury.
26 November at 21.00 h, Kosovel Hall – People’s Choice Award-winning film of the Horizons.
27 November at 21.00 h, Kosovel Hall - award-winning film of the Fipresci Association of Film Critics
24 Nov
Public Presentation of Poetics Workshop Productions to be held on 24 Nov at 17.00 h in E2 Hall. Admission free.
All three 15th LIFFe award-winning films are available for viewing on:
25 November at 21.00 h, Linhart Hall – SOMERSAULT by Cate Shortland, Australia 2004, Kingfisher Award-winning film of the Perspectives, selected by an international jury.
26 November at 21.00 h, Kosovel Hall – LES CHORISTES by Christophe Barratier (France, Switzerland, Germany 2004); the People’s Choice film from the Horizons, winner of the Golden Reel Award.
27 November at 21.00 h, Kosovel Hall – documentary film CZECH DREAMS by Filip Remunda and Vít Klusák, Czech Republic 2004 – Grand Prix-winner, granted by the Fipresci International Federation of Film Critics.
Po končanem 15. ljubljanskem mednarodnem filmskem festivalu lahko ogledali vse tri zmagovalne filme:
– 25. 11. ob 21. uri, Linhartova dvorana – zmagovalni film sekcije Perspektive;
Nagrado VODOMEC za najboljšega mladega avtorja po mnenju strokovne žirije prejme
film POPOLNI PREOBRAT/SOMERSAULT
režiserke Cate Shortland, Avstralija 2004
– 26. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film sekcije Obzorja;
ZLATI KOLUT, nagrado občinstva za najboljši film prejme
celovečerni film ZBORISTI/LES CHORISTE
režiserja Christopha Barratiera, Francija,Švica, Nemčija, 2004
– 27. 11. ob 21. uri, Kosovelova dvorana – zmagovalni film po izboru mednarodnega svetovnega združenja filmskih kritikov;
Nagrado FIPRESCI za najboljši film uradne sekcije Perspektive prejme
dokumentarni film ČEŠKE SANJE/ CESKÝ SEN
režiserjev Filipa Remunde in Víta Klusáka, Češka 2004.
Nagrado FIPRESCI mednarodnega svetovnega združenja filmskih kritikov
za najboljši film uradne sekcije Perspektive prejme
dokumentarni film ČEŠKE SANJE/ CESKÝ SEN
režiserjev Filipa Remunde in Víta Klusáka, Češka 2004.
ZLATI KOLUT, nagrado občinstva za najboljši film sekcije Obzorja prejme
celovečerni film ZBORISTI/LES CHORISTE
režiserja Christopha Barratiera, Francija,Švica, Nemčija, 2004
Nagrado VODOMEC za najboljšega mladega avtorja uradne sekcije Perspektive po mnenju strokovne žirije prejme
film POPOLNI PREOBRAT/SOMERSAULT
režiserke Cate Shortland, Avstralija 2004
Strokovna žirija je posebno omembo namenila filmu
POGREŠANA/ BU JIAN
režiserja Li Kang-šenga in producenta Caj Ming-ljanga, Tajvan 2003
Final Statistics – 15th LIFFe
110 films
284 film screenings
27 sold-out screenings
55 guests
29 talks with the festival guests
147 accredited members of the press
18 foreign journalists
12 receptions for the guests and visitors to festival
35 films will predictably be released in Slovenian cinemas
Over 50,000 spectators
Končna statistika 15. LIFFe
110 filmov
284 filmskih projekcij
27 razprodanih pojekcij
55 gostov
29 pogovorov z gosti festivala
147 akreditiranih novinarjev
18 novinarjev iz tujine
12 sprejemov za goste in obiskovalce festivala
35 filmov bo predvidoma prišlo na reden spored kinematografov
Več kot 50 000 obiskovalcev
701.747 klikov na spletnih straneh
Tudi Jelka Stergel je bila na festivalu v Karlovih Varih. Srečala se je z direktorico festivala na Portugalskem FestTroia in ameriškim igralcem Michaelom Madesonom. Na zaključku festivala sta se dogovorili, da bo Fernanda da Silva članica letošnje mednarodne žirije v Ljubljani. Michael Madeson pa tako ali tako že zaseda platna po Sloveniji s filmom Sin City.
Izrazil je željo, da bi igral v evropskem filmu in da išče dober scenarij.
Slovenski režiserji, pozor!
Vabilo prostovoljcem
16. LIFFe
Delovni izziv
Če imate radi kulturo in umetnost,
če vas še posebej zanima film,
če si želite pridobiti izkušnje na področju organizacije in promocije velike festivalske prireditve, kot je Ljubljanski mednarodni filmski festival,
potem vas vabimo, da se kot prostovoljka/prostovoljec pridružite projektni skupini 16. LIFFe.
Posredujte nam svojo predstavitev in nam zaupajte, kakšna vloga v festivalski ekipi bi se vam prilegala. Če se bodo vaša pričakovanja ujela z našimi, vas bomo povabili k sodelovanju že v začetku oktobra.
Prijava: E natasa.novak@cd-cc.si
','','',''),(35,'sl','','
Jelka Stergel, Liffe Festival Director, attended the festival in Karlovy Vary, where she met Fernanda da Silva, the Portuguese FestTroia Festival Director, and American actor Michael Madeson. At the closing ceremony they agreed da Silva to be appointed jury member of this year\\\'s Ljubljana Film Festival, while Madeson has been drawing attention with his Sin City throughout Slovenia. He expressed his wish to play in a European film and said he was looking for a good script.
Slovenian directors, pay heed!
festivali, nagrade (izbor)
Newport 2004 (najboljši scenarij; nagrada žirije)
Mladi Shane se po očetovi smrti pvič osamosvoji in odseli od doma. Potem ko si je v Limericku našel službo v javnem sektorju, si skuša najti stanovanje. Najemnine so drage, sploh v centru mesta, zato si omisli sostanovalca, nekdanjega sošolca Vincenta, študenta modnega oblikovanja, ki brez sramu razglaša svojo gejevsko nagnjenost. Fanta se po začetnem nelagodju počasi spoprijateljita. Vincent skuša togega in sramežljivega Shana malce socializirati in spremeniti njegov vaški slog oblačenja, kar slednji zadržano sprejme. Težave se pojavijo, ko Shane v finančni stiski sprejme ponudbo soseda Kirka, da bi zanj iz Dublina prepeljal večjo količino droge ...
','festivals, awards (selection)
Newport 2004 (best screenplay; jury award)
Young Shane leaves home after his father\'s death and attains independence. After finding employment as a civil servant, he begins to search for a flat. The rents are sky-high, especially downtown, and so he finds himself a room-mate, Vincent, his former school mate and a student of fashion design, who shamelessly propagates his gay affinities. After the initial inconveniences, they gradually become friends. Vincent sets about freeing the rigid and bashful Shane from his social inhibitions and altering his hillbilly attire, which the subject of transformation consents to after some hesitation. The trouble starts when Shane, being in financial difficulty, accepts his neighbour Kirk\'s offer to transport a considerable amount of drugs from Dublin …
','35 mm',89,2003,NULL,'images/events/event1.jpg','images/events/event1_t.jpg',600,450,'angleščina',NULL),(2,11,'Nomijeva pesem','The Nomi Song','The Nomi Song','festivali, nagrade (izbor)
Berlin 2004 (teddy: najboljši dokumentarec
Klaus Nomi je bil kultna osebnost na subkulturni glasbeni sceni osemdesetih let. Bil je tenorist, ki je pop glasbo združeval z opero; njegova podoba je bila tako spektakularna, da so gledalci na koncertih noreli, še preden je odprl usta. S prihodom MTV-ja in videospota se je glasbena industrija korenito spremenila, zdelo se je, da je Klaus Nomi rojen za videozvezdo. Njegov vzpon pa je tragično končala bolezen, o kateri se je v zgodnjih osemdesetih le malo govorilo.
','festivals, awards (selection)
Berlin 2004 (teddy: Teddy Award: best documentary)
Klaus Nomi was a cult figure of the underground music arena in the 1980\'s. A tenor blending pop music and opera, with such a spectacular appearance that concert audiences became frantic with excitement even before he uttered his first sound. With the advent of MTV and video spots, the music industry experienced a pronounced change, and Klaus Nomi appeared to be a born video star. His rise to fame and success was tragically and untimely ended by an illness that was considered a taboo topic in the early 1980\'s.
festivali, nagrade (izbor)
Berlin 2004 (nagrada bralcev Berliner Morgenpost), Malaga 2004
V belgijski prestolnici je morda koledarska zima, toda zunaj je vroče. Po mestni vpadnici z veliko hitrostjo drvi vozilo z logom turistične agencije. V avtu sedijo tri ženske in moški: Miguel, njegova pretirano radovedna sedemletna hči, dominantna mati in Sonja, mlado dekle iz Ukrajine, ki ji je uspelo ilegalno prestopiti mejo, da bi našla svojega moža, ki je pred časom izginil neznano kam. Miguel mora klientu izročiti pomembne dokumente, toda kako bo opravil posel, ko pa ima ob sebi nemogočo mater in dekle, ki pričakuje, da ji bodo vsi pomagali? »Ko spoznavamo dramo, je po mojem mnenju vedno bolje najti voljo do smeha, nekakšen način, kako skriti bolečino, najti voljo, da se ne zatekamo k solzam, temveč ravno nasprotno, odločiti se za življenje, se opredeliti, da se mu bomo smejali, ali pa še bolje, nasmejali druge.« (Stéphane Vuillet) »25 stopinj pozimi je čudovit film, pri katerem se neprestano bojimo, da bo ušel z vajeti, pa nikoli ne. Skupaj se znajdejo različni junaki vseh slojev, filmu pa uspe gledalcem prikazati ne samo, kako nečloveško se ravna s priseljenci v številnih državah, temveč tudi da smo pravzaprav vsi priseljenci od nekod.« (Chris Parry)
festivals, awards (selection)
Berlin 2004 (Berliner Morgenpost Award), Malaga 2004
Brussels, 12 January. Although by calender it was winter in the Belgium capital, the weather is hot. A vehicle carrying a tourist agency logo is speeding down the city by-pass. There are three women and a man in the vehicle. Miguel and his over-inquisitive 7-year-old daughter, his bossy mother, and Sonia, a young illegal immigrant from the Ukraine in search of her husband, who recently disappeared into thin air. Miguel has to deliver important documents to a client, but how can he perform his tasks with a nuisance of a mother and a girl who expects help from everybody pestering him?
festivali, nagrade (izbor)
Cannes 2004
Francija, 1975. Bogataška hči Lili se zaljubi v fanta arabskega porekla. Nato nekega dne zazvoni telefon: fant ji sporoči, da je s prijateljem ravno oropal banko in nekoga ubil. Lili roparjema ponudi začasno zatočišče v prostornem stanovanju svojih premožnih staršev, nakar skupaj z njima in s še enim dekletom pobegne v Španijo. Mednarodne tiralice pahnejo mladostnike v beg brez postanka, iz Španijo v Maroko in nazadnje Grčijo, kjer se morajo ločiti. Lili v Atenah ostane sama, brez denarja in svojega fanta ...
»Vrnili so se filmski spomini: Bonnie in Clyde (Bonnie and Clyde) Arthurja Penna, They Live by Night Nicholasa Raya in Badlands Terrencea Malicka. Vendar se ob pisanju scenarija nisem obremenjeval s tem, da mora biti moj film za vsako ceno drugačen. Zanimalo me je, kako naj gledalcu prikažem misli in čustvovanja tega dekleta, ne da bi se zadovoljil s klasičnim filmskim upovedovanjem.« (Benoît Jacquot)
»To dekle ima dušo. Prevzela me je njena gorečnost, njena svoboda. Ni lahko biti svoboden. Nenehno se je treba bojevati, da bi bili lahko svobodni ter da bi takšni tudi ostali. Umetnost in srečanja pripomorejo k svobodi. Film je tako navdušujoč in poln poleta tudi zaradi lepote in svobode sloga ter prepričljivosti svojih junakov.« (Isild Le Besco)
','festivals, awards (selection)
Cannes 2004
France, 1975. Silver-spooned Lili falls in love with a boy of Arabian descent. One day he phones to tell her that he and his friend have just robbed a bank and killed a man. Lili provides provisional shelter to the robbers in the spacious apartment of her affluent parents, then flees with them and another girl to Spain. International warrants propel them into endless flight to Spain, Morocco, and finally to Greece, where they are separated due to desperate circumstances. Lili finds herself alone in Athens, penniless and without her boyfriend …
»Cinema memories came back to me: Arthur Penn\'s Bonnie and Clyde, Nicholas Ray\'s They Live by Night, Terrence Malick\'s Badlands. But I worked on the screenplay without worrying about doing it differently to them, for better or worse. What interested me was how to represent the mental landscape of this girl without falling back on cinematic devices.« (Benoît Jacquot)
»This girl has a soul. I was enthralled by her fervour, her freedom. It is not easy to be free. One needs to fight constantly for his or her freedom and to stay free. The arts and encounters contribute to freedom. Thanks to beauty and freedom of style and the truthfulness of characters, the novel can inspire such enthusiasm.« (Isild Le Besco)
','35 mm',95,2004,NULL,'images/events/event4.jpg','images/events/event4_t.jpg',600,450,'francoščina',NULL),(5,6,'Čakalnica','The Waiting Room','Bekleme Odasi','festivali, nagrade (izbor)
Carigrad 2004 (najboljši režiser); Valencia 2004 (nagrada fipresci)
Filmski režiser Ahmet pripravlja filmsko priredbo Zločina in kazni po Dostojevskem. Ljudje okrog njega ga vidijo kot idealista, v resnici pa je samo osamljen in nedostopen. Vse manj mu je do svojega projekta, sedi doma, gleda televizijo, ignorira celo svoje dekle Serap, ki misli, da se je od nje oddaljil zaradi druge ženske. Po dolgem nočnem prepiru ji Ahmet prizna, da je v njegovem življenju drugo dekle. Medtem se njegova asistentka pripravlja na snemanje: preizkuša igralce, primerne za vlogo Razkolnikova, vendar Ahmet vse kandidate zavrne. Odloči se, da bo vlogo dodelil človeku, ki je pred kratkim skušal vlomiti v njegovo hišo. Zdaj ga mora le še najti.
festivals, awards (selection)
Carigrad 2004 (best director), Valencia 2004 (Fipresci Prize)
Film director Ahmet is making a film based on Dostoevsky\'s Crime and Punishment. People see him as an idealist, though he is but a lonely and unapproachable man. Losing interest in his project, he sits at home, watches TV, even ignores his girlfriend Serap, who believes he is distant owing to his love for another. After a prolonged night row, Ahmet confesses to Serap that there is another woman in his life. Meanwhile, Ahmet\'s assistant makes arrangements for the shooting and conducts the casting for Rodya Raskolnikov, but Ahmet rejects every one of the candidates as inappropriate. He decides to give the role to the man who has recently attempted to break into his house. All he has to do is find him.
Anglija, dvajseta leta 20. stoletja. Adam potrebuje denar, da bi se poročil s svojo izbranko, prelepo Nino. Sam je brez prebite pare, preživlja se z igrami na srečo, pisanjem scenarijev in prispevkov za rumeni tisk, pri katerem ustvarja izmišljene zvezdnike, toda ima dobre zveze v umetniških in aristokratskih krogih. Njegovi prijatelji so v neprestanem iskanju novih in hitrejših senzacij hudo ekscentrični, divji pripadniki samodestruktivne mlade generacije, nad katero se starejši zgražajo. V neprestanem zabavanju in odzivanju na najnovejše modne smernice se nikdar ne ustavijo. V javnosti in medijih, ki jih neprestano zasledujejo in iščejo pikantne podrobnosti, so znani kot The Bright Young Things.
','festivals, awards (selection)England, the 1920\\\\\\\'s. Adam requires wealth to wed his bethrothed, beautiful Nina. He is absolutely penniless, making ends meet by gambling, writing scripts and articles for the yellow press and sensationalizing fictitious celebrities, but is well connected in artistic and aristocratic circles. In constant pursuit of new and faster thrills, his friends are eccentric, wild representatives of the self-destructive young generation, provoking indignation among the old. Endlessly partying and falling victim to fashion crazes. They are referred to as The Bright Young Things in the media, who are constantly pursuing them in search of juicy details.
festivali, nagrade (izbor)
Sundance 2003 (velika nagrada žirije), Locarno 2003
Leta 1988 je policija na Long Islandu aretirala 56-letnega Arnolda Friedmana in njegovega 18-letnega sina Jesseja, ker naj bi sodelovala v otroški pornografiji in spolno nadlegovala Arnoldove dijake, ki jih je doma inštruiral računalništvo. Sodni proces je bil medijsko odmeven dogodek, javnost in policija sta si o obeh obtoženih vnaprej izoblikovala mnenje, zato nobenemu ni preostalo drugega, kot da pred sodiščem priznata svojo krivdo in upata na milo kazen.
','festivals, awards (selection)
Sundance 2003 (grand jury prize), Locarno 2003
In 1988 on Long Island, the police arrested 56-year-old Arnold Friedmann and his 18-year-old son Jesse, who were allegedly engaged in child pornography and sexual abuse of Arnold\'s students, who received home tutorials in computer sciences. The trial received a lot of media attention, the public and the police had preconceived opinions, and so the defendants had no choice but to plead guilty and hope for lenient punishment.
festivali, nagrade (izbor)
Berlin 2004, Seul 2004
Anna je teologija in je v ženskem zaporu v Köbenhavnu pravkar zamenjala tamkajšnjega duhovnika. Poročena je s Frankom, oba bi rada imela otroka, toda Bog je odločil drugače. V službi Anna skrbi za zapornice, ki ne slovijo ravno po pobožnosti; njeno pozornost pa kmalu pritegne Kate, za katero sojetnice pravijo, da ima čudežno moč. Po nekaj pogovorih z njo Anna ugotovi, da je noseča. S Frankom se veselita naraščaja, toda čez čas ju zdravnik seznani z resnim problemom: Annina nosečnost je kritična, obstaja celo možnost, da se bo otrok rodil z motnjami …
','festivals, awards (selection)
Berlin 2004, Seul 2004
Anna is a theologist who has just replaced the priest of the women\'s prison in Copenhagen. She is married to Frank and they both want to have children, but God works in mysterious ways. Anna provides spiritual comfort to prisoners, who are far from being pious and god-fearing. Her attention is soon attracted by Kate, who is said to have magical powers. After a few conversations with Kate, Anna realizes that she is pregnant. Frank and Anna look forward to the happy event, but in time their doctor has some bad news: Anna\'s condition is critical, there is even the possibility of a congenital anomaly …
festivali, nagrade (izbor)
Karlovi Vari 2004
Moški prispe v odročno vas, da bi našel posestvo, ki ga je podedoval po daljnem sorodniku. Pokrajina je topla in barvita, z redko posejanimi hišami in čudaškimi prebivalci. Med vožnjo z motornim kolesom počasi spoznava nenavadne lastnosti, ki jih prinaša osamitev, med drugimi neprijaznost in nasprotovanje domačinov. Na bencinski črpalki opazi moškega, ki preganja zaljubljen par. Ko končno prispe do hiše, mu postane jasno, da v vasi nekaj ni v redu. Dekle so našli umorjeno. Je bila ona tista, ki je bežala s črpalke? In kdo je bil skrivnostni moški?
','festivals, awards (selection)
Karlovy Vary 2004
A man comes to a remote village in order to find the property he inherited from a distant relative. The landscape is warm and colourful, with isolated houses and eccentric local people. During his journey by motorcycle he discovers unusual characteristics brought by isolation, such as the unfriendliness and contentiousness of the local people. At a gas station, he notices a man chasing away two young lovers. When he finally arrives at the house, he realises that things are not the way they should be in the village. A young girl was found dead. Was that the girl he had seen running away at the gas station? And who was the mysterious man?
festivali, nagrade (izbor)
San Sebastian 2003, Rotterdam 2004
Julien je urar pri štiridesetih, ki se odloči, da bo izsiljeval skrivnostno Madame X. Ima dokaze, da je njena uspešna industrija s kitajsko svilo v resnici ponarejena. Ne zaveda pa se, da Madame X s seboj nosi skrivnost, ki ga bo povezala z Marie, dekletom, v katerega se je zaljubil pred letom dni in se je pred kratkim vrnilo v njegovo življenje. Zdi se, da je Marie nesposobna čustvene ljubezni, njeno občutje se naglo spreminja, kljub temu pa je Julien zanjo in za skupno srečo pripravljen storiti vse.
festivals, awards (selection)
San Sebastian 2003, Rotterdam 2004
Julien is a 40-something clockmaker who decides to blackmail a mysterious Madame X. He has evidence to prove that her successful company, which trades in Chinese silk, is actually fictitious. He fails to realize, though, that Madame X guards a secret that will lead him to Marie, a girl he fell in love with a year ago and has recently come back into his life. It seems that Marie is incapable of emotional love, experiences abrupt changes of mood, yet Julien is nonetheless willing to climb every mountain for her and their happiness together.
festivali, nagrade (izbor)
Moskva 2004, Karlovi Vari 2004 (FIPRESCI prize)
Julik je svoji ženi Riti pravkar priznal, da je pred leti ljubimkal z drugo žensko in da ima nezakonskega otroka. Kot naročen v tem času na njegova vrata potrka dvajsetletni Pavel, sin, ki ga Julik nikoli ni priznal za svojega. Pavlov oče je umrl pred letom dni, sam je v vojski izgubil levo oko. Zdaj čaka na operacijo, toda poseg, s katerim bi dobil umetno oko, je zelo drag. Medtem skuša sprejeti očetovo družino ter njegova zakonita otroka Anjo in Igorja. Njegovo duševno stanje pa je zaradi posledic vojne nestanovitno, zato se Pavel zapleta v vse hujše konflikte z ljudmi okrog sebe.
festivals, awards (selection)
Moskva 2004, Karlovi Vari 2004 (FIPRESCI prize)
Yulik has just confessed to his wife, Rita, that he had an affair with another woman some years ago and that he was the father of an illegitimate child. Talk of the devil, he then receives a call from his son, 20-year-old Paul, whom he has never recognized as his own. Paul\'s step?father died a year ago, and Paul lost his left eye in the war. Now he awaits surgery, but the implantation of an artificial eye is quite costly. Meanwhile he is attempting to assimilate with his father\'s family and his two legitimate children, Anya and Igor. His physical condition is unstable due to the repercussions of the war, and so Paul exhibits violent behaviour and comes into increasing conflict with his environment.
festivali, nagrade (izbor)
Karlovi Vari 2004 (najboljši igralec: Max Riemelt), Montreal 2004
Berlin, 1942. Friedrichu Weimerju je sedemnajst let in je ravno končal šolo. Prihaja iz revne družine, zato sanjari, da bi v življenju uspel. Edina stvar, ki ga res veseli, je ljubiteljsko boksanje. Svojo priložnost dobi, ko spozna Voglerja, s katerim ju druži strast do boksa in ki uči na elitni nacistični šoli Nationalpolitische Erziehungsanstalt (Napola). Friedricha sprejmejo v šolo in Vogler ostane njegov mentor. Spoprijatelji se z Albrechtom, sinom visokega nacističnega oficirja, krhkim dečkom, ki vse bolj dvomi v prevladujočo ideologijo.
','festivals, awards (selection)
Karlovi Vari 2004 (best actor: Max Riemelt), Montreal 2004
Berlin, 1942. Friedrich Weimer is 17 and has just finished his schooling. Coming from a poor family, he dreams of success. The only thing that really fills him with pleasure is non-professional boxing. He seizes an opportunity when he meets Vogler, who shares his passion for boxing and teaches at the elite Nazi school Nationalpolitische Erziehungsanstalt (Napola). Friedrich is accepted to the school and Vogler remains his mentor. He makes friends with Albrecht, the son of a Nazi officer, a sensitive boy who has growing doubts about the prevailing ideology.
festivali, nagrade (izbor)
Locarno 2003, Rotterdam 2004
Črna komedija o izgubljencih v argentinski prestolnici. Vsi liki – povečini mali čudaki – so izgubljeni depresivci, ki iščejo izhod in smisel v življenju. Taksist Alejandro se je pravkar razšel z dekletom Cecilio. Ona postane odvisna od tablet, on pa se po srečanju s starim kolegom Sergiem nastani v stanovanju njegovega brata, pornozvezdnika na »začasnem delu« v Kanadi. Ko gre Cecilia za teden dni v zdravilišče v Brazilijo, Alejandro spozna njeno kolegico, stevardeso s čarterja, in z njo začne razmerje. In ko Argentino nenadoma preplavi arktični mraz, ga Sergio prepriča, naj proda svoj stari avto – taksi in se z njim poda v tvegan posel.
','festivals, awards (selection)
Locarno 2003, Rotterdam 2004
A black comedy on lost souls in the Argentinian capital. All the characters – mostly small eccentrics – are lost down-in-the-mouths looking for a way out and the meaning of life. Taxi driver Alejandro has just split up with his girlfriend Cecilia. She becomes a pill addict. Upon meeting his old friend Sergio, Alejandro finds shelter in his brother\'s flat, a porn star engaged in »temporary employment« in Canada. When Cecilia goes to a health resort in Brazil for a week, Alejandro meets her friend, a charter stewardess, and becomes involved with her. And when Argentina is suddenly enshrouded in polar weather, Sergio convinces him to sell his old taxi and invest in a risky business.
festivali,nagrade (izbor)
San Sebastian 2003 (najboljši mladi režiser), Cottbus 2003 (nagrada Don Quixote), Pesaro 2004
Eva in njen mož Peter sta se pred kratkim preselila v vasico na slovaško-madžarski meji. Oba sta glasbenika, Eva pianistka, Peter skladatelj. Medtem ko on novo in mirno okolje sprejme z navdušenjem, saj je idealno za skladanje, je ona manj zadovoljna, saj kot koncertna pianistka nima veliko možnosti za napredovanje. Naenkrat se počuti brez korenin; oddaljila se ni le od svojih staršev, temveč tudi od prijateljev in ljubljene Prage.
','
festivals, awards (selection)
San Sebastian 2003 (best new director), Cottbus 2003 (Don Quixote award), Pesaro 2004
Eva and her husband Peter have just moved to a village on the Slovakian/Hungarian border. Both are musicians, Eva a pianist, Peter a composer. While Peter quickly and enthusiastically adapts to the new calm and peaceful environment, which is ideal for his composing, Eva is not quite satisfied, as she has little opportunity to develop her career as a concert pianist. She feels as if she has suddenly been stripped of her roots; not only has she distanced herself from her parents, but has lost her friends and her beloved Prague.
festivali, nagrade (izbor)
Berlin 2004 (nagrada za izjemen umetniški dosežek)
Tri epizode, polne grotesknih detajlov, se na koncu združijo ter povzamejo zgodbe laži, prevar in drugih človeških nečednosti. Agnes in Rickard se nameravata preseliti v drugo mesto. Pred odhodom k sebi domov na poslovilno zabavo povabita prijatelje. Do jutra je njuno razmerje porušeno do temeljev. Anders je po poklicu zidar. Da bi svoji družini lahko priskrbel spodobno življenje, dela noč in dan. Nekega večera mu ostarel zakonski par ponudi delo na črno, ki ga preprosto ne more zavrniti. Anita svojega nekdanjega moža ni videla tri leta, medtem se je on poročil s 25 let mlajšim dekletom. Anita izkoristi priložnost in ga obišče, da bi dobila odgovore na nekaj pomembnih vprašanj.
','festivals, awards (selection)
Berlin 2004 (outstanding artistic achievement)
Three episodes, full of grotesque details, merge at the end, culminating in an overview of lies, deceipt and other human indecencies. Agnes and Rickard are planning to move to another town. They invite their friends to a going-away party. By morning, their relationship is completely uprooted. Anders is a mason. To provide for his family, he works incessantly. One night, an elderly married couple offer him some moonlighting work, which is simply too tempting to refuse. Anita has not seen her ex-husband for three years. Meanwhile, he has married a girl 25 years his junior. Anita seizes the opportunity to visit her ex to get answers to some important questions.
festivali, nagrade (izbor)
Cannes 2004
14-letnega Mustafa zaradi slabega zdravstvenega stanja kličejo Šiza. Šolo je pustil že pred časom, s posredovanjem materinega ljubimca zdaj spoznava svet kazahstanskega podzemlja. Najprej zgolj prisostvuje nelegalnim boksarskim dvobojem, ki stavcem lahko prinašajo veliko denarja, potem novači sveže borce, ki so se za zgledne vsote pripravljeni v ringu boriti do konca – dokler eden ne obleži v krvi. Po smrti enega od boksarjev Šiza izpolni njegovo poslednjo željo: njegovemu dekletu Zinki izroči denar od dvoboja. Hkrati se odloči, da bo njej in njenemu sinu pomagal tudi v prihodnje.
','festivals, awards (selection)
Cannes 2004
Mustafa is a 14-year-old who, owing to his bad health, has been nicknamed Schizo. He dropped out of school a while ago and has been initiated into the Kazakhstan underground by his mother\'s lover. At first, he merely attends illegal boxing fights which bring high returns to gamblers, then scouts new fighters who for handsome sums are willing to fight to the last breath – until one of them is knocked unconscious in a pool of blood. When one of the boxers dies, Schizo fulfills his last wish and delivers the prize money to his girlfriend Zinka. At the same time, he decides to help Zinka and her son in future.
festivali, nagrade (izbor)
München 2004 (nagrada občinstva)
Tobi in Achim, ponos krajevnega taborniškega kluba, sta najboljša prijatelja, prepričana, da nič ne more uničiti njune vezi. Z veseljem pričakujeta poletni kamp in tekmovanje v veslanju, ki ju pripravlja njuno društvo. Toda Achimovo razmerje s Sandro postaja vse resnejše, zato z njo preživlja vedno več časa, kar dela Tobija ljubosumnega. Tobi je čustveno in spolno vse bolj razdvojen, stvari ne izboljša niti Anke, ki daje vedeti, da ji je Tobi všeč. Potem na kamp iz Berlina prispe skupina gejevskih tekmovalcev, kar Tobija popolnoma zmede.
festivals, awards (selection)
München 2004 (audience award)
Tobi and Achim, the pride and joy of the local scout organization, are best friends, convinced that nothing can come in the way of their friendship. They are looking forward to summer camp and the rowing sprint race organized by their scout society. Achim\'s affection for Sandra is growing stronger, and they are spending more and more time together, which has aroused jealousy in Tobi. Tobi is emotionally and sexually frustrated, and not even Anke, who has subtly suggested they become an item, cannot remedy the situation. Then a group of gay racers arrive at the camp, rendering Toni completely confused.
festivali, nagrade (izbor)
Toronto 2003, Cleveland 2003 (najboljši film), Newport Beach 2003 (najboljši dokumentarec)
Film se osredotoča na osem mladih tekmovalcev, ki se potegujejo za prvo nagrado na National Spelling Bee, državnem tekmovanju v izvoru besed, njihovem memoriziranju in izgovorjavi. Film spremlja tako zasebno življenje kot priprave na ultimativno intelektualno tekmovanje, na katerem se razkrivajo njihove individualne osebnosti, obsesivne študijske navade in vsakodnevna dinamika. Mladi tekmovalci od Teksasa, Conneticuta do Washingtona se pripravljajo na spopad z nemogoče zapletenimi besedami.
festivals, awards (selection)
Toronto 2003, Cleveland 2003 (best film), Newport Beach 2003 (best documentary)
The film follows eight young men competing for a bee in the National Spelling Bee competition in etymology, memorization and word pronounciation. Their personal lives as well as preparations for the ultimate intellectual competition are shown, disclosing their individual personalities, obsessive study habits and daily routines. From Texas and Connecticut to Washington, the young competitors are preparing for the challenge of impossibly complex words.
festivali, nagrade (izbor)
Pulj 2003, Berlin 2004 (nagrada ekumenske žirije), Karlovi Vari (nagrada Philip Morris)
Hrvaška, 1992. Karlovec je tik za frontno črto. Trije hrvaški vojaki se pripravljajo, da bodo napadli hišo, ko se pri vratih pojavi srbski lastnik. Streli se sprožijo bolj iz presenečenja kot iz želje po ubijanju, toda lastnik obleži mrtev. Naslednji dan policija preiskuje incident; ugotovijo, da se je zgodil umor in vse kaže, da obstaja tudi naključna priča dogodka. Medtem si skušajo trije vojaki priskrbeti alibi. Joško je prepričan, da mu bo mama pomagala, njegov vplivni stric prav tako. Inšpektor Barbir hoče, da je pravici zadoščeno, a kot lokalnega prebivalca ga je vojna tako zaznamovala, da je spremenil moralne poglede na svet. V okolici se znajde še novinarka Lidija, ki prav tako išče resnico.
festivals, awards (selection)
Pulj 2003, Berlin 2004 (prize of the ecumenical jury), Karlovi Vari ( Philip Morris award)
Croatia, 1992. Karlovac is right behind the enemy lines. Three Croatian soldiers are preparing to ambush a house when the Serbian owner appears on the doorstep. The guns are fired more out of surprise than the desire to kill, yet the owner falls dead. The next day the police investigates the incident and establishes that a murder has been committed. There seems to have been an accidental witness to the crime. The soldiers are desperate to get alibis. Joško is convinced his mother would provide one, as well as his influential uncle. Inspector Barbir wants justice to be served, yet as a local he is changed by the war and has thus also changed his moral views. A journalist, Lydia, appears on the scene in search of the truth …
festivali, nagrade (izbor)
Benetke 2003, Rotterdam 2004
1933, ameriška gospodarska depresija je na vrhuncu, v rojstno mestece Winnipeg se z ženo vrne propadel broadwayski impresarij Chester Kent. Takoj pade v neblagoglasje bogate nagradne igre, ki si jo v sodelovanju z lokalno pivovarno kot trženjsko strategijo za prodajo alkohola pred odpravo prohibicije zamisli invalidna, a spretna in podjetna lady Port-Huntly. 25.000 dolarjev bo prejel glasbeni izvajalec, ki bo zaigral »najbolj žalostno pesem na svetu«.
','festivals, awards (selection)
Venice 2003, Rotterdam 2004
1933, the American Depression is at its peak. Chester Kent, a bankrupt Broadway impresario, returns with his wife to his home town of Winnipeg. He is instantly immersed in the excited buzz (bustling excitement) aroused by a competition for a valuable prize, concocted as a marketing strategy by the disabled, yet skilful and enterprising, Lady Port-Huntly, in cooperation with the local brewery before the end of the Prohibition in order to boost liquor sales. 25,000 dollars will be awarded to the performer of »the saddest music in the world«.
festivali, nagrade (izbor)
Rotterdam 2004, Berlin 2004 (stekleni medved)
Capetown, po apartheidu. Mladeniča postopata ob železniški progi, ko z vlaka pade moški in obleži mrtev. Iz njegovega kovčka padeta videokamera in pištola. Madiba pobere kamero, Sipho se odloči za pištolo. Njuno prihodnost bosta zaznamovala »podarjena« predmeta. Madiba kamero skrije v leseno škatlo in snema ljudi okrog sebe, vedno pijanega očeta, svoje mesto. Sipho postane vodja tolpe. Čeprav ostaneta prijatelja, se njuni poti počasi začneta razhajati.
festivals, awards (selection)
Rotterdam 2004, Berlin 2004 (Glass Bear)
Capetown, post Apartheid period. Two young men linger about the railway tracks when a man falls from the train, stone dead. A video camera and a gun fall from his suitcase. Madiba picks up the camera, Sipho opts for the gun. Their future will be determined by these »presented« objects. Madiba hides the camera in a wooden box and records the people in his vicinity, his constantly drunk father, his town. Sipho becomes a gang leader. Although they remain friends, their paths slowly drift apart.
festivali, nagrade (izbor)
Pulj 2003 (zlata arena), Karlovi Vari 2004 (posebna nagrada žirije)
Zgodba o omahljivem mladeniču iz vasice, ki jo je razdejala državljanska vojna. Njegova zgodba je prva v seriji šestih minidram (o osamljenem upokojencu, mladem narkomanu in njegovi sestri, zapiti igralki, vojaku, ki se je vrnil domov), v katerih se prav tako pojavlja. Tistim, ki so ostali doma, ne gre nič bolje kot onim, ki so oblekli uniformo in se po koncu vojne vrnili. Vojna je spremenila vsakogar, marsikoga je usodno zaznamovala do te mere, da ni gotovo, ali se bodo zares vrnili. Tak je Lale, nekdanji poveljnik, ki se ne more znebiti spominov, ki ga dušijo v nočnih morah.
festivals, awards (selection)
Pulj 2003 (Golden Arena), Karlovi Vari 2004 (special jury prize)
The story of a mentally unstable young man from a village divided by civil war. His story is the first in a series of six mini dramas (a lonely retired man, a young drug addict and his sister, an alcoholic actress, a soldier who has returned home) in which he also appears. The lives of those who remained at home were just as tough as the lives of soldiers returning from war. The war has changed everybody, and many a person was fatally marked to the point where his return is uncertain. Lale, a former commander, has been indelibly transformed and cannot cast away the memories stifling him in his nightmares.
festivali, nagrade (izbor)
Hongkong 2003, Palm Springs 2004, Giffoni 2004
Nizozemska, 1969. Američani so na poti na Luno, mlada Caro pa v strogo katoliškem duhu odrašča na podeželju. Njen zapiti oče, goreč kristjan, deklici ne more razložiti dosežkov znanosti in najnovejših tehnoloških dognanj. Mati je sita očetovega popivanja, razmišlja celo o ločitvi, zato Caro, ki med vrstnicami ni ravno priljubljena, odgovore išče drugod. Po očetovem srčnem napadu počasi spoznava, da vseh odgovorov življenja ni lahko najti ter da bo živela srečno le, če bo pozabila na stvari, ki jih nima v nadzoru.
','festivals, awards (selection)
Hongkong 2003, Palm Springs 2004, Giffoni 2004
The Netherlands, 1969. The Americans have rocketted themselves to (landed on) the moon, and young Caro is receiving a Catholic upbringing in the Dutch countryside. Her inebriate father, an ardent Christian, is at a loss when it comes to explaining the state-of-the-art scientific achievements and latest technological phenomena to the curious young girl. Her mother is fed up with her father\'s drunken sprees, and even contemplates divorce. And so Caro, who is not exactly popular among her peers, searches for answers elsewhere. After her father suffers a heart attack, Caro gradually realises that life\'s mysteries are not within easy grasp, and that freeing her mind from ruminations on things beyond her apprehension is the only answer to a happy existence.
festivali, nagrade (izbor)
The Arab Film Festival 2004
Film skozi oči matere in njene hčerke, ki se skrivata pred lokalnimi teroristi, je zgodba o stari in novi Alžiriji. 27-letna Goucem se giblje po urbani džungli sodobne Alžirije; svojo različico svobodnega vsakdanjika promovira s humorjem in adrenalinom. Njena mati Papicha je nekdanja pevka; toži se ji po stari Alžiriji in kabaretu, v katerem je nekoč pela. Obe se vsak dan ukvarjata s podobnimi težavami: srečati hočeta pravega moškega, zaslužiti za najemnino in preživeti na kritičnem območju.
','festivals, awards (selection)
The Arab Film Festival 2004
A film shot from the perspective of a mother and daughter hiding from local terrorists, showing the old and the new Algeria. 27-year-old Goucem is a native of the urban jungle of present-day Algeria; with humour and high-strung intensity she proposes her view of the free-lived, unencumbered quotidian. Her mother Papicha is a former singer, nostalgic for the erstwhile Algeria and her old cabaret. They both face similar daily problems, looking for true love, scraping to pay the rent, and surviving a critical situation.
festivali, nagrade (izbor)
Berlin 2004 (zlati medved; nagrada FIPRESCI)
Cahit, čigar številni samomorilski poskusi so ga pripeljali na psihiatrični oddelek bolnišnice, se pri štiridesetih odloči začeti novo življenje, čeprav njegova duša še vedno hrepeni po alkoholu in drogah, ki bi mu olajšali bolečine. Sibel, mlado dekle – tako kot Cahit turškega porekla – po drugi strani ljubi življenje. Kot muslimanka, ki bi se rada rešila vezi svoje konzervativne družine, nekega dne uprizori poskus samomora, ki pa ji ne prinese svobode, temveč sramoto. Zdaj jo lahko reši le poroka, zato Sibel prosi Cahita, če bi jo vzel za ženo. Ta ponudbo skeptično sprejme, verjetno le zato, da bi jo rešil. Morda pa tudi zato, da bi v življenju storil kakšno dobro stvar. Skupaj najameta stanovanje, sicer živita vsak po svoje ...
Akinov Z glavo v zid prejel največ nominacij za evropsko filmsko nagrado 2004 v kategorijah:
– najboljši film: Z glavo v zid
– najboljši režiser: Fatih Akin
– najboljša glavna igralka: Sibel Kekilli
– najboljši glavni igralec: Birol Ünel
– najboljši scenarij: Fatih Akin
festivals, awards (selection)
Berlin 2004 (/golden bear; FIPRESCI prize)
Cahit, who has been institutionalised in a psychiatric ward owing to his repeated suicide attempts, decides at the age of 40 to start off with a clean slate. Nevertheless, he still desperately craves for the intoxicating daze induced by alcohol and drugs to alleviate the pain. Unlike Cahit, Sibel, a young girl, also of Turkish descent, loves life. As a Muslim endeavouring to free herself from the conservative constraints of her family, she one day fakes a suicide attempt. However, this does not liberate her, but brings her shame. Now the only way out is marriage, and so she asks Cahit to wed her. Cahit accepts the proposal with distrust, probably for the mere reason of saving her. Perchance also to do a good deed. They rent a flat together, but live separate lives.
Fatih Akin’s outstanding Head-on has received as many as five nominations for the European Film Awards:
Film: Gegen die Wand/Head-on
Director: Fatih Akin
Actress: Sibel Kekilli
Actor: Birol Ünel
Screenwriter: Fatih Akin
festivali, nagrade (izbor)
Cannes 2004 (nagrada sekcije Teden dni kritike)
Sedemnajstletna Claire nenadoma izve, da je v petem mesecu nosečnosti. Ne postavlja si odvečnih vprašanj, temveč se takoj odloči, da bo otroka obdržala. Novice ne pove ne družini ne prijateljem in svojemu fantu, temveč stopi do gospe Melikian, vezilje, ki je pravkar izgubila sina. Ta poskrbi, da Claire uspešno skriva svojo nosečnost. Dan za dnem, šiv za šivom, se njun odnos razvija v nekaj več kot zgolj umetnost vezenja ...
','festivals, awards (selection)
Cannes 2004 (Critics Week Grand Prize)
17-year-old Claire suddenly learns she is 5 months pregnant. She does not ponder over this, but immediately resolves to keep the baby. She does not break the news to her family, nor to her freinds and boyfriend, but finds a haven at Madame Melikian\'s, an embroideress who has just lost her son. Madame Melikian helps Claire hide her pregnancy. Day by day, thread by thread, their relationship develops into something much larger than the art of embroidery …
','35 mm',89,2004,NULL,'images/events/event26.jpg','images/events/event26_t.jpg',600,450,'francoščina',NULL),(27,10,'Rekonstrukcija','Reconstruction','Reconstruction','festivali, nagrade (izbor)
Cannes 2003 (zlata kamera za najboljši prvenec), Čikago/Chicago 2003 (najboljša fotografija), Rotterdam 2004
Alex in Aimee se nekega dne srečata v lokalu in takoj ugotovita, da sta si usojena. Čeprav je ona poročena z romanopiscem Augustom, on pa je v resnem razmerju s Simone, preživita strastno noč. Toda naslednji dan se Alexu začnejo dogajati čudne stvari: vhod v njegovo stanovanje je zazidan, njegovi prijatelji in sosedje ga ne prepoznajo več, celo za Simone je zgolj tujec, ki ga vidi prvič v življenju. Z Aimee se zmenita, da se ponovno srečata zvečer, toda zaradi usodnih naključij se zdi, da je njuno snidenje ogroženo ...
','festivals, awards (selection)
Cannes 2003 (camera d\'or - best first feature), Čikago/Chicago 2003 (best cinematography), Rotterdam 2004
Alex and Aimee meet one day in a bar, immediately realising they were meant for each other. Although she is married to novelist August, who is having a serious relationship with Simone, they spend a passionate night together. The next day, though, strange things start happening to Alex; the door to his apartment has been walled in, his friends and neighbours do not recognize him any longer, even Simone considers him a stranger she has never met before. He has another date with Aimee that night, but due to strange coincidences it seems their rendez-vous might not be destined …
','35 mm',91,2003,NULL,'images/events/event27.jpg','images/events/event27_t.jpg',600,450,'angleščina',NULL),(28,3,'Vzgojitelji','The Edukators','Die Fetten Jahren sind vorbei','festivali, nagrade (izbor)
Cannes 2004, Karlovi Vari 2004, Montreal 2004
Jan in Peter, mladeniča iz Berlina, se razlgašata za »edukatorja«, anarhičen duo revolucionarnih idej in protiglobalizacijskega utripa, ki ima med mladimi vse več simpatizerjev. Njune misije so preproste, a – vsaj po njunem prepričanju – učinkovite; ponoči vlamljata v vile bogatašev, preurejata njihovo notranjost in puščata pomenljiva sporočila, »da so njihovi dnevi obilja šteti«. Nikdar ničesar ne ukradeta, v bogataših želita zgolj naseliti strah in občutek negotovosti. Stvari se obrnejo, ko v njuno življenje vstopi Jule, Petrovo dekle, ki se med njegovo odsotnostjo Janu pridruži v akcijah.
','festivals, awards (selection)
Cannes 2004, Karlovy Vary 2004, Montreal 2004
Jan and Peter, two young men from Berlin, proclaim themselves to be “The Edukators”, an anarchistic duo with revolutionary ideas and an anti-global beat, who have a growing number of supporters among young people. Their missions are simple, yet – at least in their belief – effective. At night they break into rich people’s villas, rearranging their interiors and leaving dubious messages that their “days of plenty are numbered”. They never steal anything, but only wish to install fear and a feeling of insecurity in rich people’s minds. Yet the course of action suddenly changes when Peter’s girlfriend Jule steps into their lives and joins Jan in his activities while Peter is away.
','35 mm',127,2004,NULL,'images/events/event28.jpg','images/events/event28_t.jpg',600,450,'neznan',NULL),(29,4,'Pot v Koktebel','Roads to Koktebel','Koktebel','festivali, nagrade (izbor)
Moskva/Moscow 2003 (posebna nagrada žirije), Karlovi Vari 2003 (nagrada Philip Morris), Berlin 2004
Letalski inženir se po smrti svoje žene in izgubi službe s sinom odpravi na jug Rusije, proti Črnemu morju, kjer bi rad obiskal svojo sestro. Pot je težavna; potujeta brez denarja in pravega prevoznega sredstva, na poti srečujeta ljudi, ki jima v stiski pomagajo ali jima ponudijo začasno delo. Ko oče sreča mlajšo žensko in je očitno, da bi rad ostal pri njej, se sin odloči pot nadaljevati sam ...
','festivals, awards (selection)
Moskva/Moscow 2003 (special jury prize), Karlovy Vary 2003 (Philip Morris award), Berlin 2004
The story of a father and son who pack up and hit the road from Moscow to the Crimean city of Koktebel will surely, more than most Russian films, appeal to American taste. A little more than a feeling of restlessness spurred by a sense of loss and painful memories has sent the father packing, while the 11-year-old son’s willingness to follow along is thankfully taken for granted rather than explained. The lure of the road, the exposure of the Russian countryside and its eccentric inhabitants, and the tension between the aims of father and son add up to a film of uncommon emotional power. That it’s the feature debut of Boris Hlebnikov and Alexei Popogrebsky makes it all the more remarkable.
','35 mm',105,2003,NULL,'images/events/event29.jpg','images/events/event29_t.jpg',600,450,'ruščina',NULL),(30,1,'Do kosti','Down to the Bone','Down to the Bone','festivali, nagrade (izbor)
Sundance 2004 (nagrada režiserjev; posebna nagrada žirije: Vera Farmiga), Deauville 2004
Irene z možem Stevom in sinovoma živi severno od New Yorka. Plača prodajalke v trgovini ne zadostuje za vzdrževanje njene skrivne odvisnosti od kokaina, zato išče nadomestne vire, med drugim krade svojim otrokom. Irene sčasoma spozna, da vzgajanje otrok in zasvojenost z mamili ne gresta skupaj, zato se odloči za zdravljenje. Tako spozna Boba, asistenta na kliniki in nekdanjega preprodajalca ...
»Zgodba me je pritegnila zaradi vprašanj, ki jih zastavlja: Zakaj nekateri ljudje vztrajajo, medtem ko drugi odnehajo? Zakaj se nekateri spremenijo in kako to storijo? Zakaj nekateri od nas vztrajamo z ljudmi, ki na nas slabo vplivajo? Zakaj oseba postane nevarna do drugih? Kdaj je varno zaupati? Zakaj je toliko ljudi nagnjenih k zasvojenosti? Zakaj ljudje ponavljamo iste napake?« (Debra Granik)
»Premišljenost filma Down to the Bone pripomore k temu, da zgodba poteka naravno in včasih hladno. Odločitev Granikove, da uporabi resnična prizorišča, še dodatno podpre zgodbo in ne nazadnje dovoljuje gledalcu, da se potopi v slepo ulico sveta, v katerem živijo protagonisti filma. Vendar je resnična moč filma v tem, da ne dopušča vmesnih rešitev. Srečne konce je pač težko najti, saj se mora vsakdo po svoje najprej spopasti s svojimi pomanjkljivostmi in porazi.« (Pete Vonder Haar)
festivals, awards (selection)
Sundance 2004 (director\\\\\\\'s award; special jury prize: Vera Farmiga), Deauville 2004
Irene lives north of New York with her husband Steve and their two sons. A shop assistant’s wage does not allow her to support her secret drug addiction, so she starts searching for alternative sources, among others also stealing from her own children. Gradually, Irene realises that raising children and her cocaine addiction do not go hand in hand and therefore decides to go in for rehabilitation. During her treatment, Irene meets Bob, an assistant at the clinic and a former drug dealer…
»I was drawn to this story because of the questuions that it raises. Why do some people keep going and others give up? Why do some people change and how do they do it? Why so some of us run with people who are not good for us? When does a person become dangerous to another? When is it safe to trust? Why are so many people prone to addictive patterns? Why do people relapse?« (Debra Granik)
»The deliberate pace of Down to the Bone helps the story play out in a natural, if occasionally glacial, fashion. Granik’s decision to use real locations grounds the story as well, and ultimately allows the audience to become immersed in the dead-end world the characters occupy. But the film’s real strength lies in its lack of pat resolutions. Happy endings are somewhat hard to find as everyone is forced to deal with each of their particular failings in their own way.« (Pete Vonder Haar)
festivali, nagrade (izbor)
San Francisco 2004, Moskva 2004
Po frankfurtskem letališču se vsak dan pretaka tisoče potnikov. Za Alekseja in Nišo je taisti prostor mesto v malem. Aleksej je s pomočjo letališkega tehnika Daka pred časom prebil območje za ilegalne prebežnike; zdaj se, ker bi rad postal pilot potniškega letala, giblje v podzemnem letališkem labirintu. Na drugi strani se mlada Indijka Niša vidi kot stevardesa. Njena resničnost je drugačna, na letalo stopa le kot čistilka ... Par se nekega večera sreča v praznem potniškem letalu, kjer sanjata po svoje. Niša Alekseju zaupa svojo največjo željo: svojega sina bi rada iz Indije pripeljala Nemčijo.
','festivals, awards (selection)
San Francisco 2004, Moscow 2004
Millions of people pass through the Frankfurt Airport every day. For Alexei and Nisha, however, the airport is a city – their own. With the help of an airport technician, Dak, Alexei breaks out of the holding area for refugees; now Alexei, who yearns to become a pilot, moves around an underground labyrinth of the airport. On the other hand, a young Indian woman, Nisha, pictures herself as a flight attendant, but the only time she ever boards a plane is to clean it… One night the two meet inside an empty jet as they are both acting out their dreams. Nisha reveals to Alexei her biggest desire, which is to bring her son from India to Germany.
','35 mm',90,2003,NULL,'images/events/event31.jpg','images/events/event31_t.jpg',600,450,'nemščina',NULL),(32,1,'Kako sem ubil svetnika','How I Killed a Saint','Kako ubiv svetec','festivali, nagrade (izbor)
Rotterdam 2004, Karlovi Vari 2004, Valencia (posebna omemba žirije)
Makedonija, 2001. Viola se po treh letih življenja v ZDA vrne v domovino, ki je na robu etnične vojne med Makedonci in albansko manjšino. Natove čete skušajo ohranjati mir in zakon, vendar se na vsakem vogalu gibljejo oboroženi uporniki. Violina družina je prav tako v razsulu. Njen mlajši brat Kokan je idealističen anarhist, ki s prijatelji napada Natove konvoje in sodeluje z lokalno mafijo. Mati prosi Violo, naj s svojim vplivom umiri mlajšega brata. Viola je odločena pomagati, hkrati pa najbližjim prikriva pravi vzrok za svojo vrnitev v domovino ...
','festivals, awards (selection)
Rotterdam 2004, Karlovy Vary 2004, Valencia (special jury mention)
Macedonia, 2001. After living in the U.S. for three years, Viola returns home to find her country on the verge of ethnic war between the Macedonians and the Albanian minority. NATO military forces try to secure peace and order, but armed rebels move around every corner. Viola’s family has collapsed as well. Her younger brother Kokan is an idealistic anarchist, who attacks NATO convoys together with his friends and also cooperates with the local mafia. Viola’s mother begs her to influence and calm down her younger brother. Viola is determined to help, at the same time hiding the true reason for her return home…
','35 mm',82,2003,NULL,'images/events/event32.jpg','images/events/event32_t.jpg',600,450,'makedonščina',NULL),(33,1,'Popolni preobrat','Somersault','Somersault','festivali, nagrade (izbor)
Cannes 2004, Edinburg 2004, Brisbane 2004
Mladoletna Heidi je skušala sestri speljati ljubimca, zato jo ta nažene iz hiše. Heidi se brez denarja in vizije odpravi v gorsko smučarsko središče, kjer skuša najti začasno službo in nekako preživeti. Sprva se je usmili starejša hotelirka, ki ji ponudi začasno prenočišče, še isto noč pa v nočnem klubu spozna Joeja. Heidi od njunega hipnega razmerja pričakuje nekaj več, on pa se je vse bolj izogiba …
','festivals, awards (selection)Heidi, an adolescent, tried to seduce her sister\'s boyfriend and was thus thrown out of her sister\'s house. Short on cash and devoid of vision, she heads to the nearby mountain resort, where she tries to find a temporary job and somehow survive. She is taken in by an elderly hotel manager, who offers her temporary shelter. The same night, Heidi meets Joe in a night club. She expects more from the one-night stand, while Joe starts to avoid her more and more…
','35 mm',106,2004,NULL,'images/events/event33.jpg','images/events/event33_t.jpg',600,450,'angleščina',NULL),(34,1,'Simetrija','Symmetry','Symetria','festivali, nagrade (izbor)
Karlovi Vari 2004
Študenta Lukasza nekega večera na poti domov aretira policija; obtožijo ga nasilnega napada na starko, grozi mu večletna zaporna kazen. Lukasz nima trdnega alibija, saj je bil med napadom v kinu, njegove zgodbe ne more potrditi nihče. Povrhu vsega ga priča prepozna kot napadalca. Med čakanjem na sodno obravnavo Lukasza zaprejo, sodnik možnost plačila varščine zavrne. Znajde se v celici s še petimi zaporniki, kjer vladajo posebna pravila in hierarhija. Po več mesecih čakanja se spreminja tudi Lukasz. Ko ga odvetnik preseneti z novico, da bodo njegov primer zaradi pomanjkanja dokazov verjetno opustili, njega pa izpustili, je Lukasz povsem drug človek.
','festivals, awards (selection)On his way home one evening, a student named Lukasz is arrested by the police and accused of assaulting an elderly woman, and now faces a long prison sentence. Lukasz does not have a solid alibi, because he was in the cinema at the time of the assault and thus nobody can confirm his story. Moreover, the witness recognised him as the attacker. While waiting for his court hearing, Lukasz is jailed because the judge refused to grant bail. Together with five other inmates, he ends up in a prison cell where he is subjected to special rules and hierarchy. After several months of waiting, Lukasz changes as well. When his lawyer surprises him with the news that the charges will be dropped due to insufficient evidence and that he shall be released, Lukasz is a completely different man.
','35 mm',99,2003,NULL,'images/events/event34.jpg','images/events/event34_t.jpg',600,450,'poljščina',NULL),(35,1,'Čudovita splitska noč','The Beautiful Split Night','Ta divna splitska noć','festivali, nagrade (izbor)
Pula 2004 (najboljši prvenec); Sarajevo 2004 (posebna nagrada žirije; najboljša igralka: Marija Skaričić)
Split, tik pred polnočjo na silvestrovo. V temačnih in odročnih ulicah se križajo tri zgodbe, ki z novoletnim praznovanjem nimajo nobene povezave. Trije zaljubljeni pari se znajdejo v bližini Peristila: Nike, mali preprodajalec, in Maria, vdova z otrokom; mlada marihuanarka Maja in razočaran mornar Franky; ter Luka in Angela, naivna in zelo zaljubljena mladostnika. Vsi iščejo izhod iz skrajnega položaja, v katerega so bili pahnjeni in je usodno spremenil njihovo življenje. Mladenič ubije ljubimca svoje mame, trije ameriški mornarji iščejo prostitutko za svojega prijatelja, dekle svojemu fantu naznani, da želi nedolžnost izgubiti pred polnočjo ...
','festivals, awards (selection)Split, just before midnight on New Year\'s Eve. In the dark and desolated streets, three interwoven stories unwind, having no connection with the New Year’s Eve celebration. Three amorous couples find themselves around Peristil – Nike, a small-time dealer, and Maria, a widow with a child; Maja, a young marihuana addict and Franky, a disappointed sailor; and a teenage couple, Luka and Angela, who are naďve and very much in love. They all try to find a way out of the extreme situations that they have been pushed into and which have changed their lives irreversibly. A young man kills his mother’s boyfriend, three American sailors look for a prostitute for their friend, and a girl announces to her boyfriend that she wants to lose her virginity by midnight…
','35 mm',100,2004,NULL,'images/events/event35.jpg','images/events/event35_t.jpg',600,450,'hrvaščina',NULL),(36,10,'Povratnik','Homecoming','Povratnik','festivali, nagrade (izbor)
Karlovi Vari 2004
Marko se po treh letih, ki jih je kot srbski vojak preživel na bojiščih, vrne v domače mesto. Medtem se je veliko spremenilo: mati se je preselila, njegovo dekle Anja se ga je naveličalo čakati, večina prijateljev je odšla. Predvsem pa se je spremenil Marko. Ljudje okrog njega ga imajo za čudaka in se ga izogibajo. Ko sreča Anjo in skuša obnoviti razmerje, se ga ta izogiba, saj ji je njen oče prepovedal vsakršne stike z njim.
','festivals, awards (selection)
Karlovy Vary 2004
After surviving three years on a battlefield as a Serbian soldier, Marko returns to his hometown. A lot of things have changed while he was away; his mother has moved house, his girlfriend Anja has given up on him, and most of his friends have left. But above all, Marko has changed. The people around him think he is eccentric and avoid him. When he sees Anja and tries to renew their relationship, she tries to avoids him, since her father forbid her to have any contacts with Marko.
','35 mm',68,2003,NULL,'images/events/event36.jpg','images/events/event36_t.jpg',600,450,'srbščina',NULL),(37,10,'Proti vsem','One Against All','Contra Todos','festivali, nagrade (izbor)
Cinemanila 2004
Teodoro živi s svojo drugo ženo Claudio in hčerko Soninho v predmestjih Săo Paula. Vsakdanjik družine iz srednjega družbenega sloja temelji na lažeh. Teodoro se za masko pobožnosti preživlja kot poklicni morilec, pretepa svojo uporniško hčer in se spogleduje s Terezinho, s katero obiskuje cerkev. Claudia, nezadovoljna s svojim zakonom, ima razmerje z Juliem, sinom mesarja iz soseske. Stvari se zaostrijo, ko Julia najdejo umorjenega. Claudia umora obtoži Teodora, uniči hišo in zbeži. Tedoro namerava zapustiti Săo Paulo, se poročiti s Terezino, Soninho pa poslati k babici. Načrti obeh pa se kmalu izjalovijo.
','festivals, awards (selection)Teodoro lives with his second wife, Claudia, and their daughter, Soninha, in the suburbs of Sao Paulo. But the daily life of this lower middle-class family is built on lies. Behind the mask of religiosity, Teodoro makes a living as a professional murderer, beats his rebellious daughter Soninha, and flirts with Terezinha, his church-going companion. Claudia, unsatisfied with her marriage, has an affair with Julio, son of the neighbourhood butcher. Things are triggered off when Julio is found dead. Blaming her husband, Claudia destroys the house and runs away. Teodoro intends to leave Sao Paulo, marry Terezinha, and send Soninha to her grandmother’s house. But nothing goes as planned.
','35 mm',95,2003,NULL,'images/events/event37.jpg','images/events/event37_t.jpg',600,450,'portugalščina',NULL),(38,6,'Moolaade','Moolaade','Moolaade','festivali, nagrade (izbor)
Cannes 2004 (nagrada sekcije Posebni pogled)
V mali afriški vasici se Colee, mati sedemletne deklice, odloči, da svoje hčerke ne bo podvrgla tradicionalnemu, mučnemu in bolečemu obredu obrezovanja, kakor nalaga islamska vera. V svoje varstvo vzame še tri deklice iz vasi in jih zaščiti z izrekom »moolaade«. Vasica je naenkrat razcepljena; starešine zahtevajo preklic Coleeninega izreka in vztrajajo pri obrezovanju, sicer se nobena od deklet ne bo mogla poročiti. V tem času se iz Francije vrne mladenič, ki naj bi se poročil s Coleenino hčerko; zadrti tradicionalizem starešin in strogo patriarhalno ozračje ga odbijata, zato se zoperstavi svojemu očetu.
','festivals, awards (selection)In the small African village of Colle, the mother of a seven-year-old daughter refuses to allow her daughter to be subjected to the traditional, tormenting and painful circumcision ritual as imposed by the Islamic religion. Colle assumes protection of three other girls from the village, and protects them with the saying "moolaade". Her actions set the whole village in motion: the older generation demands the withdrawal of Colle’s saying and insists on circumcision, otherwise none of the girls will be able to marry. At this time, a young man who is to marry Colle’s daughter returns from France. The tight traditionalism of the older generation and the strict patriarchal atmosphere repulse him, and he makes a stand against his own father.
','35 mm',120,2004,NULL,'images/events/event38.jpg','images/events/event38_t.jpg',600,450,'bambarščina',NULL),(39,1,'Vojak','Private','Private','festivali, nagrade (izbor)
Locarno 2004 (zlati leopard; najboljši igralec: Mohammad Bakri)
Mohamed je profesor angleške literature, skupaj z ženo in petimi otroki živi v Palestini. Njegova hiša stoji med palestinsko vasico in izraelsko vojaško bazo. Zaradi neprestanega obstreljevanja na obeh straneh postane strateško pomembna točka, zato jo izraelska stran okupira. Mohamed kljub navzočnosti izraelskih vojakov noče zapustiti svojega doma; v svojem mirovniškem prepričanju verjame, da lahko z Izraelci najde skupen jezik. Hiša je hitro razdeljena na tri dele: dnevno sobo, kamor vojaki ponoči zaprejo Mohamedovo družino, pritličje, kjer družina živi podnevi, in prvo nadstropje, kjer si vojska uredi poveljstvo.
','festivals, awards (selection)Mohammad is a professor of English literature and lives with his wife and five children in Palestine. His house stands between a Palestinian village and an Israeli military base. Due to constant bombardments on both sides, his village becomes an important strategic point and os thus occupied by the Israeli side. Despite the presence of Israeli soldiers, Mohammad refuses to leave his home. According to his pacifist principle, he believes that he can find common language with Israeli soldiers. His house is quickly divided into three areas: the living room, where Mohammad’s family is locked in every night by soldiers; the ground floor, where the family is only allowed to stay during the day, and the first floor, where the soldiers set up their headquarters.
','35 mm',92,2004,NULL,'images/events/event39.jpg','images/events/event39_t.jpg',600,450,'ang./arab./jidiš',NULL),(40,3,'Družba','The Company','The Company','festivali, nagrade (izbor)
Toronto 2003
Film ponuja vpogled v svet baleta. Režiser je dobil popolno podporo Joffrey Balleta iz Čikaga ter spremlja zgodbe različnih plesalcev, njihove osebne izkušnje in vsakodnevne vaje. V ospredju je mlada Ry, nadarjena, a težavna članica plesne skupine, ki se ji ponuja možnost, da postane prva plesalka v novi plesni predstavi. Kadar Ry ne pleše, se spogleduje s fanti in se otepa svoje dominantne matere. Predvsem pa neprestano prihaja v konflikte z Albertom Antonellijem, diktatorskim umetniškim vodjo.
','festivals, awards (selection)The film offers an insight into the world of ballet. Altman has received wholhearted and complete approval from the Joffrey Ballet of Chicago and presents the stories of different dancers, their personal experiences and daily training. In the limelight is young Ry, a talented, yet difficult dance company member who may become the prima ballerina in the new dance show. When she does not dance, Ry flirts with boys and tries to reason with her dominant mother. Above all, she keeps falling out with Alberto Antonelli, the despotic Company artistic director.
','35 mm',112,2003,NULL,'images/events/event40.jpg','images/events/event40_t.jpg',600,450,'angleščina',NULL),(41,3,'Čudovita dežela','The Beautiful Country','The Beautiful Country','festivals, awards (selection)
Berlin 2004, Karlovi Vari 2004
Mlad Vietnamec se odloči, da bo našel svojega ameriškega očeta. Dvajsetletni Binh, ki v svoji vasi velja za obstranca, je odraščal pri krušni materi in o svojih pravih starših ne ve veliko. Vse, kar ima, je stara fotografija očeta in mame. Nekega dne se odloči, da bo šel v Hošiminh. Tam z veliko sreče najde svojo mamo, ki dela kot gospodinja pri bogati družini. O njegovem očetu mu lahko pove le naslednje: imel je velika stopala in bil je iz Teksasa. Binh se s svojim polbratom čez nekaj časa vkrca na ladjo na Malezijo, v upanju, da bo njegova končna postaja Amerika ...
','
Berlin 2004, Karlovy Vary 2004
A young Vietnamese decides to find his American father. 20-year-old Binh, who is an outsider in his village, has been brought up by his foster mother and knows little of his real parents. All that he has is an old photograph of his father and mother. One day he decides to go to Ho Chi Minh. With a great deal of luck, he there finds his mother, who works as housekeeper for a wealthy family. The only thing she can tell him about his father is: he had big feet and came from Texas. Hoping he might arrive in America, Binh soon boards a boat for Malaysia with his stepbrother.
','35 mm',126,2004,NULL,'images/events/event41.jpg','images/events/event41_t.jpg',600,450,'angleščina',NULL),(42,3,'5x2','5x2','5x2','festivali, nagrade (izbor)
Benetke 2004
Ozon v petih epizodah oriše pet stopenj v razmerju dveh zakoncev, Gillesa in Marion – pet stopnic, ki ponazarjajo, kako težko je ohranjati ljubezensko in čustveno razmerje. Film se začne z ločitvijo in delitvijo premoženja, nakar se z vsako epizodo vračamo v »mladost« njunega razmerja. V drugi epizodi se Gilles in Marion znajdeta na zasebni zabavi z gejevskim prijateljem, ki predstavi svojega novega ljubimca; v tretji Marion prezgodaj rodi otroka, Gilles pri porodu ni navzoč; v četrti se poročita, na poročno noč pa neznanec ob jezeru dvori Marion; v peti se par na počitnicah v Italiji spozna.
','festivals, awards (selection)In five episodes, Ozon shows five stages in the relationship of Gilles and Marion, five steps illustrating the difficulties of nurturing love and an emotional relationship. The film begins with a divorce and distribution of wealth, then each episode takes us back to the \'infancy\' of the relationship. In the second episode, Gilles and Marion are at a private party with their gay friend, who introduces his new lover. The third episode shows Marion giving birth to a child prematurely, Gilles is not present at the delivery. In the fourth episode they get married, and on their wedding night a stranger courts Marion by the lake. In the fifth, the couple meet on holidays in Italy.
',NULL,90,2004,NULL,'images/events/event42.jpg','images/events/event42_t.jpg',600,450,'francoščina',NULL),(43,1,'Stanje zamaknjenosti','Garden State','Garden State','festivali, nagrade (izbor)
Sundance 2004
Andrew Largeman je mladost preživel na tabletah. Dokler ni umrla njegova mati in se ni odločil, da bo za trenutek odnehal, ter videl, kaj se bo zgodilo. Zadnja leta živi v Los Angelesu, kjer je povprečno uspešen televizijski igralec. Domov se ni vrnil že skoraj deset let, in čeprav ga od New Jerseyja loči več tisoč kilometrov, nikoli ni mogel ubežati vplivu svojega dominantnega očeta. Ko se po dolgem času vrne domov, spet sreča stare znance. Predvsem pa spozna Sam, dekle, ki je njegovo čisto nasprotje, vrelec toplih čustev in pozitivne energije ...
','
Sundance 2004
Andrew Largeman has been on the pill all his youth. Until the death of his mother and his decision to stop for a moment and see what happens. Lately, he has lived in Los Angeles as a mediocre TV actor. He has not returned home for almost ten years, and although tens of thousands of kilometres separate him from New Jersey, he has never been able to break free from his dominant father\'s influence. When he finally returns home after a long while, he meets his old acquaintances. But, above all, he meets Sam, a girl who is his exact opposite, a fountain of warm feelings and positive energy …
','35 mm',109,2004,NULL,'images/events/event43.jpg','images/events/event43_t.jpg',600,450,'angleščina',NULL),(44,1,'Nedokončana zgodba','Story Undone','Dastaneh natamam','festivali, nagrade (izbor)
Locarno 2004 (srebrni leopard)
Iranski režiser in njegov snemalec hočeta posneti dokumentarec o nelegalnih izseljencih. Trgovcem z belim blagom ponudita veliko vsoto denarja, če jih lahko snemata pri delu, ter predlagata, naj imajo obraze zamaskirane. Potovanje z avtobusom se komaj začne, ko emigranti že protestirajo in zahtevajo umik filmske kamere. Njihove zahteve trgovce prepričajo, zato režiserja in snemalca odvržejo sredi opustele pokrajine. Filmarja se odločita, da bosta kljub težavnim razmeram nadaljevala snemanje.
','
festivals, awards (selection)
Locarno 2004 (Silver Leopard)
An Iranian director and his cameraman want to make a documentary on illegal emigrants. They offer huge sums of money to white slavers for allowing themselves to be filmed during their work, and suggest that they cover their faces. No sooner does the bus journey begin than the emigrants start protesting and demanding that film camera be removed. Their demands convince the traffickers, so they throw the director and the cameraman off the bus in the middle of a deserted countryside. The two film-makers decide to continue filming the documentary despite the difficult circumstances.
','35 mm',89,2004,NULL,'images/events/event44.jpg','images/events/event44_t.jpg',600,450,'iranščina',NULL),(45,3,'Marija milosti polna','Maria Full of Grace','Maria, llena eres de gracia','festivali, nagrade (izbor)
Sundance 2004 (nagrada občinstva), Berlin 2004 (najboljša igralka: Catalina Sandino Moreno), Deauville 2004 (nagrada občinstva)
Sedemnajstletna Maria živi z mamo, babico in sestro v mestecu severno od Bogote. Vsak dan dela na plantaži, kjer s prijateljico Blanco z vrtnic odstranjujeta trnje in jih pripravljata za izvoz. Delo je utrujajoče in enolično, edina zabava v Marijinem življenju so zabave na mestnem trgu, kamor gre ob vikendih s svojim fantom Juanom. Maria se nekega dne spre s šefom, pusti delo in odide v mesto. Starši ne vedo, da je noseča. V mestu sreča starega znanca Franklina, ki ji ponudi delo kurirke; za dobro plačilo Maria pogoltne majhne pakete heroina in jih pretihotapi v ZDA.
','festivals, awards (selection)17-year-old Maria lives with her mother, grandmother and sister in a small town north of Bogota. Each day she works at a plantation, where she and her friend Blanca remove thorns from roses and prepare them for exportation. The work is exhausting and monotonous, the only enjoyment Maria savours are the city square parties, which she attends with her boyfriend Juan. One day, Maria quarrels with her boss, leaves work and goes to town. Her parents are unaware of her pregnancy. In town she meets an old acquaintance, Franklin, who offers her the job of \'courier\': for a handsome sum Maria swallows small packs of heroine and smuggles them to the USA.
','35 mm',101,2004,NULL,'images/events/event45.jpg','images/events/event45_t.jpg',600,450,'španščina',NULL),(46,1,'Lepa kot slika','Like an Image','Comme Un Image','festivali, nagrade (izbor)
Cannes 2004 (najboljši scenarij)
V ospredju filma je odnos med očetom, slavnim pisateljem Étiennom Cassardom, in dvajsetletno hčerko Lolito, ki sovraži ves svet, saj še zdaleč ni podobna anoreksičnim lepoticam na naslovnicah modnih časopisov niti svoji mladi mačehi. Vse, kar si Lolita želi, je, da bi bila lepa v očeh svojega očeta, če bi jo ta sploh utegnil opaziti. Oče, tudi sam ekshibicionistično hlepeč po pozornosti in brezpogojni naklonjenosti drugih, je prezaposlen sam s seboj in svojo mlado ženo, ki jo ima za trofejo. Obenem spremljamo zgodbo o zaradi neuveljavljenosti načetem pisatelju Pierru Milletu, ki se mu končno uspe preriniti v svet francoske intelektualno-boemske meščanske scene, kar usodno skrha njegovo dotedanjo preprostost in skromnost. Ter o njegovi ves čas solidarni ženi Karine, učiteljici petja, ki usmeri pozornost k varovanki Loliti šele potem, ko ugotovi, da je hči pisatelja, ki ga obožuje.
»Ko pišem, že nastaja muzikal. In to povsem instinktivno, le najti moraš prave besede, izraze, ki ti ustrezajo. Tako pri pripovedovanju zgodbe kot pri glasbi je pomemben občutek za ritem. (…) Nismo želeli biti preveč demonstrativni. Čeprav nam je ideja sporočila in zornega kota tega filma všeč, smo si želeli predvsem to, da bi se lahko kar najbolj iskreno postavili na stran opisanih karakterjev, in se obenem ne preveč oddaljili od bistva.« (Agnčs Jaoui, Jean-Pierre Bacri)
»Lepa kot slika, v katerem ima glasba pomembno vlogo, se ukvarja s temo, ki jo srca zakonskih parov dobro poznajo: družbeno in intelektualno licemerje; pa tudi z igro moči, ne s stališča tiranov, temveč tistih, ki jih morajo trpeti.« (Agnčs Jaoui, Jean-Pierre Bacri)
','festivals, awards (selection)
Cannes 2004 (best screenplay)
In the foreground of the film is the relationship between a father, the famous writer Etienne Cassard, and his twenty-year old daughter, Lolita, who hates the whole world because she doesn\'t even remotely look like an anorexic model from magazine covers or like her young step-mother. All Lolita wants is to be beautiful in the eyes of her father, if he had time to notice her at all. The father, who is yearning for the attention and unconditional dedication of others, is too preoccupied with himself even for his young wife, whom he treats as a trophy. Then there is the story of writer Pierre Millet, who had actually been fading away because he never became an established writer, but is suddenly catapulted into the world of the French intellectually-bohemian bourgeoisie, which fatally crumbles his simplicity and modesty. Then there is the story of his always supporting wife, Karine, a singing teacher who channels her attention to one of her protégées, Lolita, only after finding out that the girl is the daughter of the writer she admires.
»When I write, it\'s already musical. It\'s instinctive: you have to find the right words, like expressions that suit you. Storytelling and music share a sense of rhythm. (...) We wanted to be less demonstrative. Even if we liked the idea of a message, of a point of view, we wanted above all to stand up for our characters the most sincerely as possible, without labouring the point.« (Agnčs Jaoui, Jean-Pierre Bacri)
»Comme une image, in which music plays an important role, deals with subjects close to the couple\'s hearts: social and intellectual hypocrisy, as well as power, not from the point of view of the tyrant, but those who put up with him.« (Pierre Desnay)
','35 mm',110,2004,NULL,'images/events/event46.jpg','images/events/event46_t.jpg',600,450,'francoščina',NULL),(47,4,'Zaupne besede tujca','Intimate Strangers','Confidences trop intimes','festivali, nagrade (izbor)
Berlin 2004
Anna na poti k svojemu psihoanalitiku nekega dne potrka na napačna vrata; ne mine trenutek, ko svoje zakonske težave izpove finančnemu svetovalcu Williamu Fabru. Ta je ganjen nad njeno izpovedjo, zato – tudi zaradi njenega neprestanega govorjenja – sprejme priložnostno vlogo psihoanalitika. Čez čas se med Fabrom in mladenko razvije nenavaden ritual, še več, njuna obojestranska naklonjenost se krepi z vsako novo seanso. William je navdušen nad tem, s kakšno lahkoto mu Anna zaupa skrivnosti, ki se jih navadno drži zase. Potem Anna izve, kdo je v resnici Fabre ...
','festivals, awards (selection)On the way to her psycho-analyst, Anna knocks on the wrong door and, in an instant, confides her marital problems to a financial consultant, William Faber. He is moved by her confession, so he uses the occasion to take up the role of psycho-therapist, also because of her non-stop talking. After a while, an unusual ritual develops between the young woman and Faber; their mutual devotion becomes stronger by every new session. William is fascinated at how easily Anna confides her secrets, which are usually kept to oneself. And then Anna discovers William\'s identity…
','35 mm',104,2004,NULL,'images/events/event47.jpg','images/events/event47_t.jpg',600,450,'francoščina',NULL),(49,5,'Udarna novica','Breaking News','Dai si gein','festivali, nagrade (izbor)
Cannes 2004
Po javnem polomu, ko je dobro organizirana skupina kriminalcev pred naključno navzočimi televizijskimi kamerami javno osmešila policijsko enoto, se vodilni odločijo, da mora policija popraviti svoj ugled in prebivalce šestmilijonskega Hongkonga prepričati, da je življenje v mestu še vedno varno. Ko vodstvo policije dobi obvestilo o skrivališču kriminalcev, se inšpektorica Rebecca odloči, da bo akcijo, s katero pričakuje popoln uspeh, v celoti prenašala po televiziji. Specialci imajo na čeladah pritrjene kamere, policija iz nadzorne baze medijem vsake pol ure pošilja sveže zmontirane posnetke, ki prikazujejo dogajanje. A kriminalci ne sedijo križem rok, temveč vrnejo udarec ...
','festivals, awards (selection)
Cannes 2004
After a public debacle in which a well-organised group of criminals publicly degrade a police unit and are witnessed by a by-passing TV crew, the authorities decide that the city police force should improve its image and repute and convince the 6 million citizens of Hong Kong that life in the city is still safe. When the police headquarters receive information on the criminals\' hide-out, Inspector Rebecca decides to go live with the entire operation, which she is confident will succeed. The special unit forces have cameras attached to their helmets, every half hour the police send freshly edited shots of the goings-on to the media. Yet the criminals are not sitting pretty, they strike back …
','35 mm',90,2004,NULL,'images/events/event49.jpg','images/events/event49_t.jpg',600,450,'kantonščina (hong ko',NULL),(50,3,'Zadeni kot Beckham','Bend It Like Beckham','Bend It Like Beckham','festivali, nagrade (izbor)
Locarno 2002 (nagrada občinstva) Toronto 2002
Jess je indijska mladenka, ki odrašča v predmestju Londona. Njena starejša sestra se pripravlja na poroko in življenje v indijski tradiciji, Jess pa obsedata nogomet ... in David Beckham. S prijatelji vsak dan brca žogo v parku, potem pa jo opazi Jules, igralka v amaterski ženski nogometni ekipi, in jo povabi na preizkus. Trener Joe v njen vidi sposobnosti, zato jo sprejme v ekipo. Novica o Jessinih nogometnih ambicijah pa ne razveseli njenih staršev, saj menijo, da bi se morala zresniti, pustiti nogomet in si najti indijskega zaročenca.
','festivals, awards (selection)Jess is an young Indian woman growing up in the London suburbs. Her older sister is preparing for her wedding and life in the Indian tradition, while Jess is obsessed with football… and David Beckham. She plays football with her friends each day in the park, when she is noticed by Jules, an amateur football league player who suggests that Jess audition. The coach, Joe, believes she has potential and takes her into his team. The news of Jess\' football ambitions does not please her parents, who believe she should pull herself together, leave football and find an Indian fiancé.
','35 mm',112,2002,NULL,'images/events/event50.jpg','images/events/event50_t.jpg',600,450,'angleščina',NULL),(52,4,'Viski','Whisky','Whisky','festivali, nagrade (izbor)
Cannes 2004 (nagrada FIPRESCI)
Zgodba o 60-letnem Jacobu, lastniku propadajoče tekstilne delavnice iz Montevidea, in njegovi asistentki, dvanajst let mlajši Marti, ki profesionalno sodelujeta že vrsto let. V tem času sta drug od drugega postala tako rekoč soodvisna, čeprav se nikoli nista spustila v intimno razmerje. Ko Jacobo izve, da ga bo obiskal brat, Marto prosi, če bi se lahko pretvarjala, da je njegova ljubimka ...
','
Cannes 2004 (FIPRESCI prize)
The story of 60-year-old Jacobo, the owner of a soon-to-be-racked-and-ruined textile workshop in Montevideo, and his assistant Marta, who is twelve years his senior. The two have been colleagues for years, during which time they have developed a sort of symbiosis, though never having explored their relationship sexually. When Jacob learns that his brother is coming to visit, he asks Marta to pretend to be his lover …
',NULL,95,2004,NULL,'images/events/event52.jpg','images/events/event52_t.jpg',600,450,'španščina',NULL),(53,11,'Super veliki jaz','Super Size Me','Super Size Me','festivali, nagrade (izbor)
Sundance 2004 (nagrada za režijo), Edinburg 2004 (najboljši novi režiser)
Amerika se ukvarja z vse hujšo zdravstveno težavo, pretirano debelostjo prebivalcev. Povečana telesna teža ter z njo povezane okvare in bolezni so postale za kajenjem drugi najpogostejši vzrok smrti. Režiser Morgan Spurlock se je lotil nenavadnega poskusa: odločil se je, da bo mesec dni jedel le v McDonald\'sovih restavracijah in sproti preverjal svoje zdravje. Pred začetkom obišče tri specialiste, ki potrdijo, da je njegovo zdravstveno stanje brezhibno. Po tednu dni hitrega prehranjevanja pa Spurlock že kaže prve kritične znake, povečano količino holesterola, zvišani pritisk, pogoste glavobole, utrujenost in celo znake depresije ...
','festivals, awards (selection)America is confronting a pressing and serious health issue, the exoneous obesity of its population. Increased body weight – and the defects and diseases induced by this condition – has, after smoking, become the second most frequent cause of death. Director Morgan Spurlock has embarked on an unusual experiment: for a month he ate only in McDonald\'s restaurants and checked his health condition regularly. Before the experiment, he visited three specialists who confirmed that he was in top shape. After a week of fast food, Spurlock\'s body showed signs of worsening - increased cholesterol levels, increased blood pressure, frequent headaches, fatigue and even signs of depression …
festivali, nagrade (izbor)
Benetke 2003
Coffee and Cigarettes je serija enajstih kratkih filmov, ki tvorijo celoto na temo pitja kave in kajenja cigaret. Vsaka epizoda gosti nekaj likov, ki sedijo okrog mize, kadijo, pijejo in se pogovarjajo o vsakdanjih stvareh. Ali o kofeinskih tabletah, komikih Abbottu in Costellu, teorijah zarote v zvezi z Elvisovo smrtjo, pravilni pripravi angleškega čaja, izumih Nikola Tesla, fiktivni rock skupini SQÜRL, Parizu v dvajsetih letih ... ter uporabi nikotina kot insekticida.
','festivals, awards (selection)The film is an omnibus of short films on the subject of drinking coffee and smoking cigarettes. Each episode has several characters sitting round a table, smoking, drinking and discussing mundane affairs. Or topics such as caffeine pills, Abbott and Costello, conspiracy theories regarding Elvis\' death, the real way of preparing English tea, Nikola Tesla\'s inventions, the fictitious rock group SQÜRL, Paris in the 1920\'s… and the use of nicotine as an insecticide.
','35 mm',95,2003,NULL,'images/events/event54.jpg','images/events/event54_t.jpg',600,450,'angleščina',NULL),(55,5,'Oko','The Eye','Jian Gui','festivali, nagrade (izbor)
Rotterdam 2002, Sitges 2002 (najboljša fotografij), hongkonška filmske nagrade (najboljša igralka: Angelica Lee)
Dvajsetletna Nak je pri dveh letih izgubila vid, zdaj ji ga bodo zdravniki s transplantacijo očes povrnili. Operacija uspe, toda za dekle se kmalu začnejo težave; ugotovi namreč, da okrog sebe vse pogosteje videva nenavadne duhove. Sčasoma ugotovi, da se ji prikazujejo duše pravkar umrlih in da lahko celo napoveduje človekovo smrt. S svojim psihologom se iz Hongkonga odpravi v Bangkok, da bi spoznala mater umrle deklice, ki je Nak podarila svoje oči. Razlogi njenih videnj so bržkone v travmatičnih dogodkih iz njene preteklosti.
','festivals, awards (selection)
Rotterdam 2002, Sitges 2002 (best cinematography), Hong Kong Film Award (best actress: Angelica Lee)
20-year-old Nak lost her sight at the age of two. To regain it, the doctors will now perform an eye transplant. The operation is successful, but the girl soon encounters problems; she often sees unusual spirits floating around her. In time, she realises that these visions are the souls of the recently departed and that she can even foretell a person\'s death. She heads for Bangkok with her therapist from Hong Kong to meet the mother of a dead girl who donated her eyes to Nak. The reasons for her \'visions\' most certainly lie in the traumatic events of her past …
festivali, nagrade (izbor)
Kopenhagen 2004
Joey je po tretji nesrečni romanci povsem na tleh. V samomorilskem obupu pogoltne veliko količino tablet, vendar jo v bolnišnici rešijo. Tam Joey izve, da je noseča. Ne zaveda pa se, da ima zaradi nedavne zastrupitve sposobnost videnja duhov. Sprva se ne odziva na veliko število skrivnostnih ljudi, ki jih neprestano videva okrog sebe, navadno blizu nosečnic ali dojenčkov, čez čas pa se začne spraševati, če je dogajanje okrog nje normalno. Kako to, da drugi ne vidijo množice ljudi, ki se vseskozi giblje okrog nje?
','festivals, awards (selection)
Kopenhagen 2004
After her third unsuccessful romantic relationship, Joey is completely downhearted. In a suicidal attempt, she swallows a huge amount of pills, but is saved in a hospital. There Joey learns that she is pregnant. She does not realise, though, that owing to recent intoxication she has become a psychic. At first she does not react to an increasing number of mysterious people who continuously hover around her, usually next to pregnant women or babies. In time she begins to wonder whether all this is normal. How come others are unable to see the crowds of persons poised around her day and night?
','DVD 1 regija',95,2004,NULL,'images/events/event56.jpg','images/events/event56_t.jpg',600,450,'kantonsko/tajsko/man',NULL),(57,3,'Slaba vzgoja','Bad Education','La Mala Educacion','festivali, nagrade (izbor)
Cannes 2004
Madrid, 1980. Uspešen filmski režiser Enrique Goded, ki ne skriva svoje homoseksualne usmerjenosti, išče temo za svoj novi film. V njegovo pisarno vstopi bradati Ignacio, ki je v šestdesetih letih z Enriquom obiskoval katoliški internat. Moža se nista videla petnajst let, Ignacio – z umetniškim imenom Ángel – je medtem postal igralec v tretjerazredni potujoči skupini. S seboj je prinesel scenarij o njunem odraščanju v katoliškem internatu, prvih homoerotičnih stikih in težavah s pedofilskim učiteljem Manolom. Enrique je nad scenarijem navdušen, odloči se, da ga bo posnel. Težave nastanejo, ko Ignacio izrazi željo, da bi odigral vlogo transvestita Zahare.
','festivals, awards (selection)Madrid, 1980. A successful film director, Enrique Goded, who does not conceal his homosexuality, is looking for a topic for his new film. One day, a bearded man called Ignacio, with whom he attended a catholic boarding school in the sixties, walks into his office. The two men have not seen each other for fifteen years. Ignacio, whose artistic name is Angel, has in the meantime become an actor in a third-class travelling theatre group. Ignacio brings a script with him - the story of their growing up in the catholic boarding school, the first homoerotic experiences, and the troubles with their paedophilic teacher, Manolo. Enrique finds the script superb and decides to make a film out of it. The trouble starts when Ignacio expresses his desire to play the role of a transvestite called Zahara.
','35 mm',110,2004,NULL,'images/events/event57.jpg','images/events/event57_t.jpg',600,450,'španščina',NULL),(58,5,'Večno sonce brezmadežnega uma','Eternal Sunshine of The Spotless Mind','Eternal Sunshine of The Spotless Mind','festivali, nagrade (izbor)
Deauville 2004
Joel nekega dne zgrožen ugotovi, da si je dala Clementine, njegovo nekdanje dekle, izbrisati spomine na njuno viharno razmerje. Iz frustracije, ker se ga ženska, ki jo še vedno ljubi, sploh ne spomni več, obišče očeta eksperimentalnega psihiatričnega procesa, dr. Howarda Mierzwaika, in zahteva, naj še njemu izbriše spomine na Clementine. Joelovi spomini na njuno razmerje so med posegom vse šibkejši, nenadoma pa se odloči, da Clementine vseeno noče pozabiti, zato jo tihotapi v predele spomina, kamor v resnici sploh ne sodi ...
','festivals, awards (selection)
Deauville 2004
One day, Joel finds out in horror that his former girlfriend, Clementine, had her memories of their turbulent relationship erased. Out of frustration because the woman he was still in love with had no memory of him at all, he visits the \'father\' of this experimental psychological process, Dr. Howard Mierzwaik, and asks him to erase his memories of Clementine. As Joel\'s memories of the relationship become weaker and weaker, he suddenly decides that he doesn\'t want to forget Clementine, so he smuggles her into parts of his memory where she doesn\'t really belong at all.
','35 mm',108,2004,NULL,'images/events/event58.jpg','images/events/event58_t.jpg',600,450,'angleščina',NULL),(60,10,'Zlobna struga','Mean Creek','Maen Creek','festivals, awards (selection)
Sundance 2004, Deauville 2004
Vse se začne v mestecu v Oregonu. Plašen Sam svojemu starejšemu bratu Rockyju zaupa, da ga v šoli vsakodnevno nadleguje krajevni silak George. Skupaj se odločita za odlično izpeljano maščevanje; Georgea povabita na zabavo na reki, kjer naj bi ga dokončno osmešila. Na izletu se jim pridružijo še Samovo dekle Millie in Rockyjeva prijatelja. Pot po reki pa prinese nepričakovana presenečenja: George se pokaže v povsem novi luči, kot osamljen fant v iskanju prijateljstva in pozornosti, zato bi Sam rad odpovedal pripravljeno dejanje ...
','festivals, awards (selection)
Sundance 2004, Deauville 2004
It all begins in a small town in Oregon. Timid Sam confesses to his older brother Rocky that he is constantly being bullied at school by a local ruffian, George. Together they devise a wonderfully cunning revenge: they will invite George to a river picnic, and humiliate him completely. Sam\'s girlfriend Millie and two of Rocky\'s friends come along for the outing. Yet the journey down the river is replete with unexpected surprises. They see George in a new light, as a lonely boy desirous of attention and friendship, which is why Sam wants to abort the planned mission …
','35 mm',89,2004,NULL,'images/events/event60.jpg','images/events/event60_t.jpg',600,450,'angleščina',NULL),(61,6,'Hiša letečih bodal','The House of Flying Daggers','Shi mian mai fu','festivali, nagrade (izbor)
Cannes 2004
Film se dogaja na Kitajskem leta 849. Nekoč cvetoča dinastija Tang je v razsulu, upori odpadniških skupin se vrstijo, skorumpirana oblast se bori z vse močnejšo opozicijo. Največja in najnevarnejša uporniška skupina se imenuje Hiša letečih bodal, zato general cesarjeve vojske kapetanoma, Džinu in Leu, naroči, naj jo razkrijeta in uničita. Kapetana pripravita zvit načrt: Džin se bo izdajal za osamljenega bojevnika po imenu Veter, rešil zaprto revolucionarko Mei in si pridobil njeno zaupanje, da ga bo pripeljala v bazo Hiše letečih bodal. Vse kaže, da bo načrt uspel, toda general za pobeglima Mei in Vetrom pošlje svoje vojake, ki ne vedo za dvojno kapetanovo igro.
','festivals, awards (selection)The story unfolds in China in 1849. The once thriving Tang dynasty is in a state of decadence, the riots of rebellious resistance groups are growing daily by the number, and the corrupt authorities are facing increasingly more severe opposition. The biggest and most dangerous group of renegades is called »The House of Flying Daggers«. The general of the Emperor\\\'s army orders two commanders, Jin and Leo, to uncover and destroy this group. The two commanders develop a cunning plan: Jin will impersonate a lonely warrior named the Wind, save an imprisoned revolutionary, Mei, and win her trust to take him to the headquarters of The House of Flying Daggers. When it already seems that the plan will succeed, the general\\\'s soldiers, who are unaware of their commanders\\\' cloak-and-dagger operations, are sent after the fleeing Mei and Wind...
','35 mm',119,2004,NULL,'images/events/event61.jpg','images/events/event61_t.jpg',600,450,'mandarinščina',NULL),(62,4,'Zlomljeno steklo','Shattered Glass','Shattered Glass','festivali, nagrade (izbor)
National Society of Film Critics (najboljša stranska moška vloga: Peter Sarsgaard)
Stephen Glass je mlad novinar pri vplivnem washingtonskem tedniku The New Republic. Čeprav so njegovega urednika Michaela Kellyja pred časom odpustili, nadaljuje serijo člankov o nenavadnih pojavih v ameriškem vsakdanjiku. Novi urednik Chuck Lane mu daje vsak teden še več prostora kot predhodnik; zdi se, da je njegova kariera v strmem vzponu. Potem pa novinar spletnega časnika v Glassovem članku o znanem računalniškem hekerju in njegovem izsiljevanju korporacij odkrije nelogičnosti in pomanjkljivosti v dejstvih. Viri, ki jih Glass navaja, so nedosegljivi ali sploh ne obstajajo, nazadnje zaplet pritegne tudi urednika Chucka Lana. Sprva noče verjeti, da bi njegov novinar lahko prirejal ali si celo izmišljal podatke, Glassova zadrega pri potrjevanju virov pa nazadnje tudi njemu vzbudi sum.
','festivals, awards (selection)
National Society of Film Critics (best supporting actor: Peter Sarsgaard)
Stephen Glass is a young reporter at an influential Washington weekly, The New Republic. Although his editor, Michael Kelly, has recently been fired, he continues his series of articles on unusual events in the American quotidian. The new editor, Chuck Lane, is now giving him even more elbow room than his predecessor, so it seems his career can go nowhere but straight up. Then a reporter for a web newspaper discovers incoherencies and factual deficiencies in Glass\' article on a notorious computer hacker and his blackmailing of large corporations. The sources that Glass quotes are unavailable or nonexistent, and the intrigue is finally brought to the attention of his editor, Chuck Lane. At first he refuses to believe that one of his reporters could adjust or even fabricate information, but the shadow of doubt appears when Glass has difficulty revealing his sources …
','DVD 1 regija',99,2003,NULL,'images/events/event62.jpg','images/events/event62_t.jpg',600,450,'angleščina',NULL),(63,4,'Ostajam!','I\\\'m Staying!','Je reste!','Marie-Do je deset let prenašala kaprice svojega moža Bertranda, s kolesarstvom obsedenega inženirja in ženskarja, ki je poslovna potovanja vedno izkoriščal za spogledovanje s stevardesami. Potem Marie-Do nekega dne spozna scenarista Antoina in se hipoma zagreje zanj. Odloči se, da bo zapustila svojega dolgočasnega moža. Bertrand sprevidi, da je vsa ta leta zanemarjal ženo, zato skuša ponovno pridobiti njeno naklonjenost. Med drugim se spoprijatelji z Antoinom, ki bi bil o njuni ljubezenski izkušnji pripravljen napisati filmski scenarij.
','Marie-Do has for ten years been putting up with the whimps of her husband Bertrand, a cycling-obsessed engineer and womanizer, who has availed himself of business trips for passing flirtations with stewardesses. Then one day, Marie-Do meets scriptwriter Antoine and is instantaneously beguiled by him. She decides to leave her dull and dreary husband. Bertrand realises that all these years he has been neglecting his wife, and attempts to regain her affection. Among others, he makes friends with Antoine, who would be willing to write a film script on their romantic experience.
','35 mm',102,2003,NULL,'images/events/event63.jpg','images/events/event63_t.jpg',600,450,'francoščina',NULL),(64,4,'Dobrodošli v Švici','Welcome to Switzerland','Bienvenue en Suisse','festivali, nagrade (izbor)
Cannes 2004
Thierry nekega dne izve žalostno vest, da je umrla njegova babica, ki je živela v Švici. Z ženo Sophie se brez posebnega veselja odpravita na pot; ne zavoljo babičine smrti, temveč iz preprostega razloga, ker nimata ničesar skupnega s Thierryjevimi togimi švicarskimi sorodniki. Ob prihodu ga čaka presenečenje, babica je svojim trem vnukom zapustila veliko premoženje, ki so ga prinesli družinski posli s čokolado. Je le ena težava: strica morajo prepričati, da nameravajo z dediščino ravnati odgovorno in gospodarno.
','festivals, awards (selection)Thierry one day receives the sad news of his Swiss grandmother\\\\\\\'s decease. Disheartened, he and his wife Sophie embark on a journey to Switzerland. Their lack of enthusiasm cannot be ascribed to grandma\\\\\\\'s death, but to the dismal prospect of meeting Thierry\\\\\\\'s starchy Swiss relatives. Upon their arrival they are up for a surprise; to her three grandchildren grandmother has namely bequeathed a considerable fortune made by the family chocolate business. There is but one problem: they have to convince the uncle that they will prudently, responsibly and efficiently manage their inheritance.
','35 mm',105,2004,NULL,'images/events/event64.jpg','images/events/event64_t.jpg',600,450,'francoščina',NULL),(65,6,'Tropska bolezen','Tropical Malady','Sud pralad','festivali, nagrade (izbor)
Cannes 2004 (nagrada žirije)
Film se poetično ukvarja z obstojem paralelnih svetov, duha-mesa, civilizacije-džungle, in se razcepi na enakovredna dela: prvi prikazuje zgodbo srečne ljubezni med mladim vojakom in vaškim fantom, drugi se začne z zatemnitvijo, izginotjem fanta in strašljivo ljudsko pripovedko o duhu vrača, ki prihaja ujet v telesu tigra v vas pobirat krvni davek. V drugem delu vojak v džungli vročično išče svojo izgubljeno ljubezen.
','festivals, awards (selection)The film poetically treats the existence of two parallel principles, spirit/flesh, and civilisation/jungle, and splits them into two equal entities: the first one showing the story of a joyous and happy love affair between a young soldier and a village boy, the second starting with a blackout, the disappearance of a boy, and the frightening folk tale of a shaman spirit that has come, trapped in the body of a tiger, to collect blood tax in the village. In the second part, a soldier in a jungle feverishly searches for his lost love.
festivali, nagrade (izbor)
Benetke 2001, Rotterdam 2002
Film se osredotoči na tri adolescente, dva fanta in dekle, ki v zgodnjih sedemdesetih letih odraščajo v Južni Koreji, kjer vojaške baze ameriške vojske še vedno nadzorujejo politično dogajanje.Vsi trije junaki so nekako paralizirani. Čang-Guk je »mešanec«, sin temnopoltega ameriškega vojaka in korejske prostitutke, ki z materjo živi v predelanem avtobusu ameriške vojske. Džihum je sin invalidnega veterana iz vojne in se preživlja kot pomočnik v delavnici slikarja, tretja pa je Eunok, ki je očeta izgubila v vojni, svoje desno oko pa v bratovi igri z doma narejeno pištolo.
','festivals, awards (selection)The film treats three adolescents, two boys and a girl, who are growing up in the early 1970\'s in South Korea, where American military bases still have control over the political situation. All three characters are in a certain way paralysed. Chang-Guk is a \'half-breed\', son of a black American soldier and a Korean prostitute, who lives with his mother in a remodeled American army bus. Jihum is the son of a disabled war veteran, making his living as an assistant in a painter\'s workshop, and the third is Eunok, who lost her father in the war and her right eye while she and her brother were playing with a home-made gun.
',NULL,117,2001,NULL,'images/events/event66.jpg','images/events/event66_t.jpg',600,450,'korejščina',NULL),(67,7,'Obalna straža','Coast Guard','Hae anseon','festivali, nagrade (izbor)Kang Han-Čol, fanatičen vojaški oficir, namerava razkriti vohuna na prepovedanem območju med Severno in Južno Korejo. Neke noči Kang brezglavo ustreli nedolžnega mladeniča, ki je po naključju stopil na območje skupaj s svojo ljubimko. Njo zločin povsem iztiri, medtem ko Kang prejme odlikovanje za hrabrost na službeni dolžnosti. Toda njegova ubijalska strast je za nadrejene vedno hujša težava. Po novih neprijetnih dogodkih Kanga vržejo iz vojske, česar sam ne priznava. Z ukradenim orožjem še naprej tava po območju in napada nekdanje kolege.
','festivals, awards (selection)
Karlovi Vari 2003 (FIPRESCI prize)
Kang Han-chol, a fanatic army officer, intends to expose a spy in the forbidden zone between North and South Korea. One night, Kang heedlessly shoots an innocent young man, who accidentally entered the zone together with his lover. The latter is utterly disconcerted by the crime, while Kang receives a medal for bravery during his line of duty. His trigger-happy passion for killing presents an increasingly grave problem for his superiors. When new incidents occur, Kang is suspended from the army, which he refuses to acknowledge. With some stolen fire arms he continues to roam the zone, attacking his former colleagues …
',NULL,91,2002,NULL,'images/events/event67.jpg','images/events/event67_t.jpg',600,450,'korejščina',NULL),(68,7,'Samaritanka','Samaritan Girl','Samaria','festivali, nagrade (izbor)
Berlin 2004 (srebrni medved)
Mladenki Jeo-džin in Džae-joung, najboljši prijateljici, bi radi zaslužili za letalski vozovnici za Evropo, zato se Džae-joung vdaja kot mladoletna prostitutka, Jeo-džin pa nastopa kot njena posrednica. Ob policijski raciji v hotelu pa se Jeo-džin na begu smrtno ponesreči. Potrta Džae-joung se odloči obiskati vse njene stranke, se jim predati in jim vrniti denar, ki so ga plačali za seks z Jeo-džin. Medtem njen oče, policijski inšpektor, odkrije hčerkino skrivnost ...
','festivals, awards (selection)Two young women and best friends, Yeo-jin and Jae-young, want to earn money for a plane ticket to Europe. The under-aged Jae-young engages in sexual intercourse for money, while Yeo-jin tries to attract customers, acting as a go-between. During a police raid in a hotel, Yeo-jin is fatally injured during the escape. Devastatingly agitated, Jae-young decides to pay a visit to all her clients, offer her body to them and repay the money they paid for sex with Yeo-jin. In the meantime her father, a police inspector, discovers her daughter\'s secret …
','35 mm',95,2004,NULL,'images/events/event68.jpg','images/events/event68_t.jpg',600,450,'korejščina',NULL),(69,4,'Krasnija','Niceland','Naesland','festivali, nagrade (izbor)
Karlovi Vari 2004
Idealistični mladenič Jed in njegovo dekle Chloe si obljubita, da se bosta nekega dne poročila. Potem Jed po nesreči povzroči smrt Chloejine mačke, kar dekle pahne v depresijo. Jeda noče več videti, zato se obupani fant zateče po duhovno pomoč. Zateče se k ekscentričnemu Maxu, ki je na televiziji nedavno razglabljal o smislu življenja. Jed obišče Maxa v prikolici na smetišču in hitro sprevidi, da ima tudi on za seboj travmatično izkušnjo ...
','festivals, awards (selection)An idealistic young man, Jed, and his girlfriend, Chloe, are betrothed to be married one day. Then Jed accidentally causes the death of Chloe\'s cat, casting the girl in a state of depression. She refuses to talk to Jed, so in desperation he opts for spiritual guidance. He employs the services of the eccentric Max, who recently pondered over the meaning of life on TV. Jed visits Max in his trailer at a rubbish dump and is quick to find out that Max, too, has had a traumatic experience …
',NULL,87,2004,NULL,'images/events/event69.jpg','images/events/event69_t.jpg',600,450,'angleščina',NULL),(70,3,'2046','2046','2046','festivali, nagrade (izbor)
Cannes 2004
Osrednji lik v zgodbi je boemski pisatelj Čov, ki je nekoč v Singapurju, kjer je delal kot novinar, imel razmerje s poročeno žensko. Zdaj živi v hotelu v Hongkongu, piše futuristični roman 2046, večino časa pa preživlja v barih, kazinojih in s (pre)številnimi ženskami. Njegova težava, o kateri piše tudi roman – o skrivnostnem vlaku, ki vozi v leto 2046, v katerem se nikoli nič ne spremeni in kamor hodijo tisti, ki bi radi živeli v spominih –, je čustvena neulovljivost, zaradi katere zgolj ponavlja tisti singapurski ljubezenski vzorec: ljubezen je strastna, strah pred njo še močnejši ...
','festivals, awards (selection)The protagonist is a bohemian writer, Chow, who once had a relationship with a married woman while working as a reporter in Singapore. Now he lives in Hong Kong and is writing a futuristic novel, 2046, and mostly hopping bars, casinos and entertaining (too) many women. He is also preoccupied with translating this fixation into his novel, a mysterious train going into 2046, where nothing ever alters and where people desirous of life and enshrouded in memories travel to, an emotional fleetingness compelling that same Singapore love pattern: love is passionate, fear from loving stronger yet …
',NULL,120,2004,NULL,'images/events/event70.jpg','images/events/event70_t.jpg',600,450,'kant./japon./mandar.',NULL),(71,3,'Ne premikaj se','Don\'t Move','Non ti mouvere','festivali, nagrade (izbor)
David 2004 (najboljši igralec: Sergio Castellitto; najboljša igralka: Penélope Cruz)
Nekega deževnega dne se mlado dekle ponesreči na motorju. Rešilno vozilo jo pelje proti bolnišnici, v kateri njen oče Timotheo dela kot kirurg. Hudo ranjeno dekle prevzame njegov kolega, sam pa nestrpno čaka pred vrati. Groza tega skrajnega trenutka razkrije povsem drugačnega Timothea: ne kot suverenega in ciničnega očeta in moža, temveč kot čudaškega nasilneža, ki je svojo ženo varal z mlado Italio. V poskusih, da bi tišino kome napolnil z besedami, smrt pa z življenjem, se Timotheo zaziblje v spomine; v namišljenem pogovoru s hčerko razkrije bolečo skrivnost.
','festivals, awards (selection)One rainy day, a young girl is injured in a biking accident. The ambulance rushes her to hospital, where her father Timotheo works as a surgeon. The gravely injured girl is given immediate medical treatment by his colleague, while he waits in front of the operating room in agony. In this state of extreme nervous strain, a new Timotheo is revealed: not a self-confident and cynical father and husband, but a bizarre brute who has been unfaithful to his wife with young Italia. In an attempt to fill the silence of the coma with words and death with life, Timotheo is enveloped in memories. In an imaginary dialogue with his daughter he discloses a painful secret.
',NULL,125,2004,NULL,'images/events/event71.jpg','images/events/event71_t.jpg',600,450,'italijanščina',NULL),(72,10,'Mladi, lepi in zadeti','Young, Beautiful and Screewed Up','Les Gaous','festivali, nagrade (izbor)
Rim2004 (najboljša komedija)
Mladenič Maurice živi in dela na kmetiji na jugu Francije. Njegov šef mu daje zahtevne naloge, ga malo plačuje in zelo izkorišča. Maurice preživlja tudi svojo mamo, ki živi v gozdni baraki; očeta ni nikoli srečal, šolo je pustil pri šestnajstih. Nekega dne pariška deklina in njen rasistični fant zaideta in se znajdeta v vasi. Maurice se hipoma zaljubi v dekle; ko par odide, se odloči, da bo punci sledil v Veliko mesto. Njegova naivnost in srečna naključja mu prinesejo uspeh in zabavo, o čemer še pred časom ni mogel niti sanjati ...
','festivals, awards (selection)A young man by the name of Maurice lives and works on a farm in the south of France. His exploitative boss gives him difficult, but poorly-paid assignments. Maurice supports his mother, who lives in a shed in the woods. He never knew his father and dropped out of school at the age of 16. One day, a Paris missy and her racist boyfriend lose their way and find themselves in the village. Maurice is instantly swept away by the girls\' charms. When the couple leaves, Maurice decides to follow the girl into the big city. Owing to his naivety and a string of lucky coincidences, Maurice gets his share of fun and success which a short while ago he could only have dreamt of…
',NULL,92,2004,NULL,'images/events/event72.jpg','images/events/event72_t.jpg',600,450,'francoščina',NULL),(73,3,'Namišljeni junaki','Imaginary Heroes','Imaginary Heroes','festivali, nagrade (izbor)
Toronto 2004, Čikago 2004
Družina Travis je ravnokar izgubila najstarejšega sina, ki je pred kratkim storil samomor. Člani družine se že prej niso najbolj razumeli, zdaj so odnosi še bolj skrhani. Vase zaprti sin Tim, črna ovca družine, gre skozi vsakdanjik, kot da se je znašel v nočni mori. Njegova sestra študira daleč proč, toda ko se vrne domov, postane jasno, da tudi sama ni v najboljšem stanju. Mama Sandy ugotovi, kako marihuana blagodejno vpliva na duševne bolečine. Medtem se Ben, glava družine, popolnoma umakne; zdi se, da hodi naokrog kot mesečnik.
','festivals, awards (selection)The Travis family has just lost their eldest son, who committed suicide. The family members did not get along as it was, now the atmosphere is even more strained. The introverted Tim, the black sheep of the family, lives through his days like in a nightmare. His sister is studying at a remote university, yet upon returning home her poorly state is revealed. The mother, Sandy, discovers the beneficial effects of marihuana in alleviating physical pain, while Ben, the head of the family, is antically disposed and totally distant, as if being a sleepwalker.
',NULL,112,NULL,NULL,'images/events/event73.jpg','images/events/event73_t.jpg',600,450,'angleščina',NULL),(74,3,'Dvojčici','Twin Sisters','De Tweeling','festivali, nagrade (izbor)
Nizozemski filmski festival 2003 (najboljši film), Palm Springs 2004
Nemčija, 1926. Šestletni sestri dvojčici, Anno in Lotte Bamberg, po smrti staršev ločijo. Anna ostane v Nemčiji, kjer živi v slabih razmerah na kmetiji strica Heinricha, medtem ko se Lotte, ki boleha za tuberkulozo, preseli na Nizozemsko k premožnemu sorodniku Ferdinandu. Čeprav skušata deklici ohraniti stike, jima krušni starši preprečujejo vsakršno komuniciranje. Leta minevajo; Lotte, ki se je zaljubila v Davida, judovskega študenta glasbe, nekega dne odkrije resnico o vseh neodposlanih pismih svoji sestri, zato se na predvečer druge svetovne vojne odloči obiskati Anno. Leta prisilne ločitve in Annina pripadnost nacističnemu režimu pa sestri takoj ob srečanju še bolj razdvojijo.
','festivals, awards (selection)Germany, 1962. 6-year-old twin sisters, Anna and Lotte Bamberg, are separated after their parents’ death. Anne stays in Germany and lives on her uncle Heinrich\'s farm in difficult conditions, while Lotte, suffering from tuberculosis, moves to the Netherlands to live with her affluent relative, Ferdinand. Although the girls try to keep in touch, their foster parents prevent them from communicating in any way. Several years pass. Lotte, who has fallen in love with David, a Jewish music student, one day discovers the truth about the unsent letters to her sister, and decides on the eve of the Second World War to visit Anna. The years of forced separation and Anna’s adherence to the Nazi regime broadens the gap between the two sisters upon their reunion.
',NULL,135,2002,NULL,'images/events/event74.jpg','images/events/event74_t.jpg',600,450,'nizozem./nemščina/an',NULL),(75,3,'Niti','Strings','Strings','festivali, nagrade (izbor)
Benetke 2004
Vladar Hebalona je pravkar umrl. S seboj v grob je odnesel grozljivo zapuščino; vsi se namreč bojijo, da bodo večni sovražniki Zeriti znova napadli njihovo mesto. Razglašeno je obsedeno stanje, masivna vrata Hebalona se nepredušno zaprejo. Vladarjev naslednik, mladi in neizkušeni Hal Tara, priseže, da se bo maščeval za očetovo smrt. Preobleče se v reveža in – oborožen z očetovim mečem – v družbi bojevnika Erita zapusti zastraženo mesto. Hal pa se ne zaveda, da njegovemu kraljestvu preti nevarnost od znotraj ...
','festivals, awards (selection)Hebalone’s ruler has just passed away. He has handed down a horrifying legacy; his subjects are afraid that their eternal enemy, the Zeritis, will again attack the city. A state of siege has been declared, the massive doors of Hebalone are locked airtight. The successor to the throne, young and inexperienced Hal Tara, swears to revenge his father’s death. Armed with his father’s sword, he disguises himself as a beggar and – accompanied by a warrior, Erito – leaves the guarded city. Hal does not realise, though, that his kingdom is threatened from the inside.
',NULL,85,2004,NULL,'images/events/event75.jpg','images/events/event75_t.jpg',600,450,'angleščina',NULL),(76,3,'Zlo','Evil','Ondskan','festivali, nagrade (izbor)
Viareggio 2003 (nagrada FIPRESCI), Šanghaj 2003 (najboljši igralec; najboljša fotografija), Pusan 2003
Švedska, petdeseta leta 20. stoletja. Šestnajstletni Erik je nasilnež, ki redno nadleguje svoje vrstnike. Šola, ki stavi na tradicionalne vrednote, njegovega obnašanja ne dopušča več, zato ga vodstvo šole izključi. Kot poslednjo možnost za nadaljevanje šolanja ga premestijo v deški internat, kjer se mladih nasilnežev starejši gojenci lotevajo sistematično. Se bo Erik lahko uprl neprestanemu nadlegovanju starejših, ne da bi prekršil pravila in znova tvegal izključitev?
','
festivals, awards (selection)
Viareggio 2003 (FIPRESCI prize), Shanghai 2003 (best actor; best cinematography), Pusan 2003
',NULL,114,2003,NULL,'images/events/event76.jpg','images/events/event76_t.jpg',600,450,'švedsko/finsko',NULL),(77,4,'Zadnji rez','The Final Cut','The Final Cut','
festivali, nagrade (izbor)
Berlin 2004, Deauville 2004 (najboljši scenarij)
Alan Hackman je vrhunski montažer v družbi Zoe Technologies, ki je pred kratkim na trg poslala t. i. Zoejin vsadek, čip, ki strankam prinaša nesmrtnost. Čip novorojenčku vsadijo v možgane, nakar snema vse, kar se človeku zgodi v življenju. Ob njegovi smrti montažerji Zoe Technologies izberejo najlepše trenutke njegovega življenja in jih pripravijo za žalno slovesnost. Hackman je postal najboljši in najbolj zaželen režiser vizualnih oporok. Ko mu nekega dne zaupajo montažo življenja enega vodij Zoe Technologies, med gradivom odkrije podobo, ki ga preganja od zgodnjega otroštva.
','
festivals, awards (selection)
Berlin 2004, Deauville 2004 (best screenplay)
Alan Hackman is a first-rate cutter employed at the Zoe Technologies corporation, which has recently launched the so-called Zoe\'s implant, an integrated circuit chip that \'gives immortality\' to clients. The chip is implanted in a newborn baby\'s brain, where it records the person\'s history during his lifetime. When the person dies, the cutters at Zoe Technologies select the best moments of his/her life and arrange them for the funeral ceremony. Hackman has become the most efficient and in-demand director of \'visual last wills\'. When, one day, he is asked to edit the life of one of the managers of Zoe Technologies, he discovers an image that has been haunting him since early childhood.
',NULL,105,2004,NULL,'images/events/event77.jpg','images/events/event77_t.jpg',600,450,'neznan',NULL),(78,4,'Sveto dekle','Holy Girl','La Nina Santa','
festivali, nagrade (izbor)
Cannes 2004
V razpadajočem hotelu v Cienagi poteka medicinska konferenca. Med gosti, osebjem in prebivalci kraja se začnejo razvijati nenavadna razmerja. Helena, lastnica hotela, naveličana rutinskega zakona, se zagleda v dr. Jana, enega od udeležencev konference, in upa na morebitno afero. Dr. Jano po drugi strani pade na čare njene hčerke, 16-letne Amalie, ki skupaj z vrstnicami obiskuje verski pouk in poje v zboru. V Cienagi je zima, bežna, neoprijemljiva razmerja pa številne like pahnejo v paranojo.
','
festivals, awards (selection)
Cannes 2004
In a delapidated hotel in Cienaga, a medical conference is being held. Unusual relationships began to form among the guests, hotel staff and local inhabitants. Helena, the hotel owner, tired of her routine marriage, falls for Dr Jano, a conference delegate, and has her hopes up for a potential affair. Dr Jano, on the other hand, is captured by the charms of her daughter, 16-year-old Amalia, who attends Sunday school and sings in a choir. It is winter in Cianaga, and the fleeting, indeterminable relationships push numerous characters into a state of psychosis.
',NULL,106,2004,NULL,'images/events/event78.jpg','images/events/event78_t.jpg',600,450,'španščina',NULL),(79,4,'Zboristi','Choruses','Les Choristes','festivali, nagrade (izbor)
Karlovi Vari 2004
Priznani dirigent Pierre Morhange čaka na večerni koncert v New Yorku. Njegovo zbranost zmoti telefonski klic: izve, da njegova mati v Franciji umira, zato se nemudoma vrne v domovino. Tam sreča nekdanjega sošolca Pépinota, ki mu pove, da je pred časom umrl tudi njun profesor glasbe, ter da je pred smrtjo Pierru zapustil svoj učiteljski dnevnik. Pierra branje dnevnika takoj vrne daleč v preteklost, v leto 1949. Skozi oči svojega učitelja Clémenta Mathieuja podoživlja hude čase povojne Francije, ko je Mathieu, nadarjeni glasbenik, zaradi pomanjkanja dela moral sprejeti službo asistenta učitelja na gimnaziji za težavne dečke.
','
festivals, awards (selection)
Karlovy Vary 2004
A reputed conductor, Pierre Morhange, is preparing for an evening concert in
festivali, nagrade (izbor)
San Sebastian 2004 (posebna nagrada žirije
Nekdanji kaznjenec Lazar se po desetih letih vrne domov. Danes je drugačen človek, odloči se, da bo breme preteklosti pustil za seboj in zaživel povsem na novo. V svojem stanovanju pa presenečen najde ženski, ki sta se nelegalno vselili v njegov dom: begunki iz Bosne, samohranilko Jasno in njeno avtistično hčer Jovano. Lazar hoče sprva obe ženski nagnati, toda ko spozna, v kakšnih razmerah bi bili obe prisiljeni živeti, si premisli.
','festivals, awards (selection)Lazar, a former convict, returns home after 10 years in jail. Now a different man, he decides to cast aside the burdens of the past and make a new living for himself. To his surprise, he finds two squatters living in his flat. These are refugees from Bosnia – a single mother, Jasna, and her autistic daughter, Jovana. At first, Lazar is keen on getting rid of the women, but upon realising the appalling conditions of their existence, he reconsiders his actions.
',NULL,95,2004,NULL,'images/events/event80.jpg','images/events/event80_t.jpg',600,450,'srbščina',NULL),(81,1,'Svatba','The Wedding','Wesele','festivali, nagrade (izbor)
Locarno 2004 (nagrada žirije mladih)
Poljska danes. Lastnik kmetije se pripravlja na poroko svoje hčerke. Za poročno darilo ji – tudi s pomočjo lokalnega župnika, ki mu priskrbi popust – kupi novega Audija TT. Kmet na poti od cerkve do banketa župnikovemu sorodniku izplača večino dolga za luksuzni avtomobil. Manjši dolg pa vendarle ostaja: delček zemlje, ki naj bi jo kmet kot plačilo prepisal na upnika, je namreč v lasti nevestinega dedka, ki se ne namerava odreči svoji zemlji. Upnik v dvomih zadrži papirje, kmet pa mu obljubi, da se bo stvar razrešila. Med tradicionalno poljsko poročno zabavo se začnejo huda pogajanja za končno izplačilo ...
','
festivals, awards (selection)
Locarno 2004 (youth jury award)
Present-day
festivali, nagrade (izbor)
Locarno 2004
Veteranska režiserka se spopada z ustvarjalno krizo; prepričana je, da je za režiserja filmsko snemanje literarne predloge jasen znak kreativnega zatona, še posebno če gre za znan in dober roman. Režiserka je Laetitia Masson in natanko to ji ponudi edini režiser, ki še verjame v njeno delo: priredbo izredno zahtevnega romana Pourquoi (pas) le Brésil?. Avtorica romana in njena prijateljica ji ne lajšata dela, sama pa nima izbire: potrebuje denar, knjiga ji je všeč, občuduje avtorico in zaupa producentu. Loti se dela, a že na začetka se pojavijo težave: s pisanjem, predprodukcijo, izbiro igralcev ...
','
festivals, awards (selection)
Locarno 2004
Confident that an adaptation of a literary work is a clear sign of creative decline for a director, especially if the novel is famed and first-rate, an old-hand director is grappling with a creative impotence phase. The director is Laetitia Masson, and this is precisely what she is offered by the only director who still believes in her work: an adaptation of a complicated novel, Pourquoi (pas) le Brésil?. The authoress, who is her friend, does not make her work any easier, and Masson has no other alternative: she needs the money, likes the book, admires the authoress, and trusts the producer. She commences work, yet from the very beginning problems begin to pile up - with writing, pre-production, casting …
',NULL,92,2004,NULL,'images/events/event82.jpg','images/events/event82_t.jpg',600,450,'francoščina',NULL),(83,6,'Kavarna Lumiere','Cafe Lumiere','Coffee jikou','festivali, nagrade (izbor)
Benetke 2004, Toronto 2004
Novinarka Joko se je s Tajvana pravkar vrnila domov na Japonsko. Ob vrnitvi sreča v knjigarni Hadžimija, ki nabira literaturo. Z njim se počasi spoprijatelji, občasno ga spremlja ob njegovem nenavadnem početju, snemanju zvokov japonskih železnic. Ob srečanju z mamo in očetom jima Joko zaupa, da je s svojim tajskim fantom zanosila, vendar se tja ne namerava vrniti; otroka namerava vzgajati sama.
','
festivals, awards (selection)
Venice 2004, Toronto 2004
Yoko, a reporter, has just returned to
festivali, nagrade (izbor)
Cannes 2004 (nagrada ekumenske žirije), San Sebastian 2004 (nagrada občinstva)
Januarja 1952 se mladeniča, 29-letni Alberto Granado in 23-letni Ernesto Guevara, oba študenta medicine tik pred diplomo, odločita, da bosta za hip prekinila študij in spoznala svojo celino, Južno Ameriko. S starim motorjem, ki mu ljubkovalno pravita »La Poderosa« (Močna ženska), nameravata prepotovati Argentino, Čile, Peru in Venezuelo. Med potjo pa socialne krivice in revščina malih ljudi prizadenejo predvsem Ernesta, ki se po obisku čilske bolnišnice, v kateri bolne in zdrave ločuje reka, odloči, da se bo odslej boril za pravice zapostavljenih.
','festivals, awards (selection)Jaunary, 1952. Two young men, 29-year-old Alberto Granado and 23-year-old Ernesto Guevara, both graduate students of medicine, decide to take a break and visit South America, the land of their ancestors. On an old bike, which they lovingly nickname "La Poderosa" (Strong Woman), they intend to travel through Argentina, Chile, Peru and Venezuela. On their journey they see countless social injustices and the grinding poverty of the little people. This particularly affects Ernesto, who, after visiting the Chilean hospital, where a river divides the ill and the healthy, decides to fight for the rights of the deprived and discriminated.
',NULL,128,2004,NULL,'images/events/event85.jpg','images/events/event85_t.jpg',600,450,'španščina',NULL),(87,5,'Stari dečko','Oldboy','Oldboy','festivali, nagrade (izbor)
Cannes 2004 (velika nagrada žirije)
Dae-suja, očeta in vzornega moža, leta 1988 neznanec zapre v dobro izolirano in opremljeno stanovanje ter ga tam obdrži celih petnajst let. Nihče mu ne pove, zakaj je zaprt ne koliko časa bo tam. V tem času Dae-su po televiziji izve, da je bila njegova žena umorjena, hčer so dale oblasti v varstvo. Po petnajstih letih je izpuščen; v kovčku, ki ga čaka pri izhodu, pa najde mobitel in veliko vsoto denarja. Neznani glas ga pokliče in ga izzove, naj ugotovi, kdo ga je zaprl – in predvsem zakaj.
','festivals, awards (selection)Dae-su, a father and exemplary husband, is locked up in a well-insulated and furnished flat in 1988 and kept there for a full 15 years. He has no idea why and for how long he will be held there. During this time, he learns from the TV news that his wife has been murdered and his daughter placed in custody by the authorities. After 15 years he is released and finds, in a case left for him at the door, a mobile phone and a large sum of money. A stranger calls to provoke him into finding out who kept him locked up and, mostly, why …
festivali, nagrade (izbor)
Pusan 2003 (nagrada New Currents), Rotterdam 2004 (zlati tiger)
Zgodba povezuje duši v tajvanski prestolnici, ki sta obe pred kratkim izgubili ljubljeno osebo. Babica v mestnem parku izgubi svojega vnuka; za minuto je skočila na stranišče, ko se je vrnila, pa v vrvežu ni več našla triletnega malčka, zato se odpravi na obupano iskanje. Na drugi strani mesta mladeniču umre dedek, svojo žalost pa utaplja v videoigrah in brskanju po internetu. Njuni zgodbi se postopoma združita.
','festivals, awards (selection)The story joins two souls in the capital of Taiwan, both have recently lost a loved one. Grandmother has lost her grandson in a city park. She just popped into the public conveniences for a second, and upon her return is unable to find a three year-old toddler amidst the hustle and bustle of the park. She starts desperately to search for the boy. On the other side of town, a young man\'s grandfather has just died and now he is drowning his sorrow in video games and internet browsing. The stories gradually merge.
',NULL,82,2003,NULL,'images/events/event88.jpg','images/events/event88_t.jpg',600,450,'mandarinščina',NULL),(89,1,'Druga stran ulice','The Other Side of The Street','O Outro Lado da Rua','Regina je 65-letnica in živi na Copacabani. Čeprav je upokojena, opravlja posebno delo; pod psevdonimom Sneguljčica za policijskega inšpektorja ovaja male kriminalce, tatove in vse sumljive osebe, ki se gibljejo v njeni četrti. Nekega večera z okna svojega stanovanja opazi moškega, ki skuša – po njenem mnenju – umoriti svojo ženo. Policijska akcija se sprevrže v farso, izkaže se namreč, da je šlo za sodnika, čigar žena je bila hudo bolna. Inšpektor se zahvali za Reginine usluge in jo odslovi. Prepričana je, da je sodnik zločinec, zato namerava njegovo skrivnost razkriti na svojo pest ...
','Regina is a 65-year-old woman living on Copacabana. Despite being retired, she has a special job: she has an assumed name ‘Snow White’ and is a police informant, denouncing small crooks, thieves and suspicious persons lurking in her neighbourhood. One evening she notices from her window a man who is assumingly trying to murder his wife. The police mission turns into a travesty, for it is found that this was a judge whose wife is gravely ill. Dismissing her, the inspector thanks Regina for her services. She is nonetheless confident that the judge is a criminal, so intends to expose his secret by her own means …
',NULL,97,1997,NULL,'images/events/event89.jpg','images/events/event89_t.jpg',600,450,'portugalščina',NULL),(90,1,'Izginevanje','Disappearing','Verfluechtigung','Suzana, mlada študentka psihologije v Celovcu, je v nenehnem konfliktu z mamo, s katero živita sami. Vztrajno išče sebi primernega sopotnika, a zaradi samosvojega in resno-nepovršnega načina doživljanja življenja pogosto ostaja sama. Šele ko spozna skrivnostnega in nenavadnega umetnika Mika, najde človeka, s katerim si lahko zamisli skupno življenje. Ko Mike nenadoma umre in Suzana odkrije, da je bil umorjen, se pred njenimi očmi prične odvijati povsem nova dimenzija stvarnosti ...
','Suzana, a young psychology student in Klagenfurt, is in constant conflict with her mother, with whom she lives. She is persistently searching for a suitable \'companion\'. Due to her truly meticulous perception of life, she often remains alone. But when she meets a mysterious and unusual artist, Mike, she believes this to be the man she can imagine sharing her life with. When Mike suddenly dies and Suzana discovers he was murdered, a completely new dimension of reality starts unfolding before her eyes…
','Beta Digital',80,2004,NULL,'images/events/event90.jpg','images/events/event90_t.jpg',600,450,'slovensko/nemški',NULL),(91,3,'Gracijin otok','Gracia\\\'s Island','Respiro respiro','festivali, nagrade (izbor)
Cannes 2002 (velika nagrada Tedna kritike), Toronto 2002
Zgodba se dogaja v majhni, izolirani skupnosti otoka Lampedusa, kjer se je čas navidez ustavil. Grazia je poročena z ribičem Pietrom in imata skupaj tri otroke. Njeno ekstravagantno in čudaško obnašanje je v močnem nasprotju s strogimi pravili male skupnosti. Najstarejši sin Pasquale Grazio navadno brani pred obtožbami someščanov, po njenem zadnjem izpadu pa se družina odloči, da jo bo poslala na zdravljenje. Ko naslednji dan na obali najdejo ostanke njenih oblačil, so meščani prepričani, da so ubogo dekle pahnili v samomorilsko dejanje.
','festivali, nagrade (izbor)The story unfolds in a small, isolated community of Lampredusa Island, where time has seemingly stopped. Grazia is married to a fisherman, Pietro, with whom she has three children. Her extravagant and bizarre behaviour is constantly clashing with the strict rules of the small community. Her eldest son Pasquale usually defends Grazia against the accusations of villagers, but after her last antics, the family decides to send her in for treatment. When, the following day, the remains of her clothing are found on the beach, the villagers are confident that they drove the poor woman into committing suicide.
',NULL,95,2002,NULL,'images/events/event91.jpg','images/events/event91_t.jpg',600,450,'italijanščina',NULL),(92,5,'Luknja v srcu','A Hole In My Heart','Ett hal i mitt hjarta','festivali, nagrade (izbor)
San Sebastian 2004, Toronto 2004, Vancouver 2004
Eric je vase zaprt mladenič, ki vse dni životari v svoji zatemnjeni sobi, posluša glasbo in ne govori z nikomer. Mati je umrla v rani mladosti, oče Rickard je zapit režiser pornografskih filmov. Svojo produkcijo je nedavno preselil kar v dnevno sobo stanovanja, pomaga mu srbski prijatelj in glavni igralec njegovih filmov, Geko. Med produkcijo novega porniča se Rickard in Geko začneta vse bolj izživljati nad starleto Tess ...
','festivals, awards (selection)Eric is a taciturn young man who dillydallies all day in his darkened room, listening to music, refusing all kinds of communication. His mother died when he was very young, his father Rickard is a crapulent director of pornographic films. He has recently moved the production process into their living room, aided by Geko, his Serbian friend and the leading actor in his films. During the shooting of the latest porn film, Rickard and Geko start making excessive sexual assaults against their starlet Tess …
',NULL,98,2004,NULL,'images/events/event92.jpg','images/events/event92_t.jpg',600,450,'švedščina',NULL),(93,1,'Ples v treh korakih','Three-Step Dance','Ballo a Tre Pasi','festivali, nagrade (izbor)
Benetke/Venice 2003 (nagrada isvema), Rotterdam 2004, David 2004 (najboljši mladi režiser)
Film obdeluje štiri zgodbe iz štirih letih časov, neločljivo povezane s sardinskim svetom. Spomladi štirje otroci prvič zagledajo morje. Poleti mlad pastir sreča dekle, ki je z letalom pravkar pristalo na plaži; zaljubi se in doživi prvo spolno izkušnjo. Jeseni se mlada nuna vrne v svoj domači kraj, da bi prisostvovala poroki svoje sestrične. Pozimi se starec sredi noči sprehaja po mestnih ulicah in išče prostitutko, da bi jo odpeljal k sebi domov.
','festivals, awards (selection)The film shows four stories in four seasons, inseparably connected to the \'Sardinian world\'. In spring, four children see the sea for the first time. In summer, a young shepherd meets a girl who has just landed on a beach in her airplane; he falls in love and has his first sexual experience. In autumn, a young nun returns to her home town to be present at the wedding of her cousin. In winter, an old man walks the city streets at night, looking for a prostitute to bring home.
','35 mm',107,2003,NULL,'images/events/event93.jpg','images/events/event93_t.jpg',600,450,'sardinščina/francošč',NULL),(94,5,'Dogodivščine jeklene muce','The Adventures of the Iron Pussy','Hua jai tor ra nong','festivali, nagrade (izbor)
Berlin 2004, Vancouver 2004
Jeklena muca dobi pomembno nalogo najti skrivališče tujega denarja, ki se je pojavil v tajskih bankah. Gre za denar od prodaje drog? Finančna podpora terorizmu? Naša neustrašna (in vedno brezhibno oblečena) junakinja se mora pod krinko sobarice Lamduan vtihotapiti v hišo dame iz višjih krogov, Madame Pomidoy. Vendar pa Jeklena muca ni samo sobarica, je tudi odlična pevka ter pojem idealne tajske ženske! Ko se sprijeni sin Madame Pomidoy Tang zaljubi vanjo (in ona vanj) Jeklena muca odkrije resnico o Tangu … in sebi! V presunljivem in veličastnem koncu na pomoč pride Pew, pomočnica Jeklene muce, in Madame Pomidoy, Tang in Jeklena muca nikoli več ne bodo to, kar so bili!
»Pri liku Jeklene muce sem se navdihoval pri treh virih. Prvi je moja mati – po videzu sem ji popolnoma podoben –, ki je bila nekdaj filmska zvezda, vendar ji kariere ni uspelo nadaljevati zaradi otrok. Zdelo se mi je odlično, da ji ponudim možnost, da odsanja svoje sanje. Druga vira sta japonska televizijska nanizanka Playgirls in filmska zvezda Diana Rigg, bondovo dekle v filmu On Her Majesty\'s Secret Service, vendar je najbolj znana po svoji vlogi gospodične Peel v Maščevalcih. Riggova je bila dolgo moja najljubša junakinja.« (Michael Shaowanasai)
','festivals, awards (selection)
Berlin 2004, Vancouver 2004
A blatant parody on cheap Thai films that combines elements of adventure film, musical, soap opera and kung fu, and tells the story of a secret agent, a transsexual Iron Pussy, who infiltrates into the den of a brutal terrorist, Henry, and a socialite, Madame Pompidoy. The purpose of this exploit is to find out whether the secret cache of foreign money comes from money laundering or financing terrorism. Iron Pussy in the role of maid and occasional singer Lamudan meets Pompidoy’s son Tang and soon receives some shocking news …
»The character of Iron Pussy was drawn from three different sources. The first one is my mother - I look exactly like my mother, who used to be a movie star, but she didn\'t make it because she had a career and children. I thought it would be great, to provide closure, really, for that dream of hers. The other sources were Japanese TV series Playgirls and film star Diana Rigg, a Bond girl in On Her Majesty\'s Secret Service but best-known for the role of Miss Peel in The Avengers. Rigg was my long-time heroine.« (Michael Shaowanasai)
','Beta SP',90,2003,NULL,'images/events/event94.jpg','images/events/event94_t.jpg',600,450,'tajščina',NULL),(95,1,'Ruševine','Ruins','Ruševine','Karizmatični gledališki režiser in avtor Herman pripravlja novo predstavo, ki naj bi bila presežek njegovih dotedanjih uspehov. K sodelovanju povabi vse svoje znance in sodelavce, vključno s svojim dekletom, igralko Žano, in dolgoletnima prijateljema, igralcem Gregorjem in scenografom Milošem. Spektakularna predstava, s katero naj bi odprli prestižni gledališki festival, bo odigrana na prostem, direktor gledališča Lukman pa naj bi jo z razkošnim sprejemom predstavil festivalskemu občinstvu, kritikom in tujim gostom. Že na sprejemu, še posebej pa pozneje, na vajah, se začno razkrivati številne skrivnosti in manipulacije, s katerimi se želi Herman ponorčevati iz razmerij, ki jih imajo nastopajoči igralci v njegovi predstavi. Poleg tega se razkrije, da je tudi dramsko besedilo, ki ga je Herman predstavil kot senzacionalno odkritje srednjeveške islandske dramatike, le še ena v nizu njegovih manipulacij ...
»Ruševine so ljubezenski film. Ne o ljubezni do ženske, ampak o ljubezni do fascinacije. In lastnega ega. Ženska je tu drugotnega pomena. Zato je tudi konec tak, kakršen je.« (Janez Burger)
Film ne nastopa v tekmovalni sekciji.
','The carismatic theatre director and author Herman is creating a new performance, which is supposed to be better than all of his successful projects thus far. He invites all of his friends and the people he has worked with until then to participate, including his girlfriend, the actress Žana, as well as his old friends, Gregor the actor and Miloš the set designer.
A spectacular performance, which is supposed to open a prestigious theatre festival, is to be performed in the open, and the manager of the theatre Lukman presents it to the audience of the festival, to the theatre critics and guests from abroad with a magnificent reception.
As soon as at the reception and especially later at the rehearsals, many secrets and manipulations are exposed, with which Herman wishes to bring to light and to make fun of the relationships between the performers in his performance. In addition to this, it turns out that the drama text that Herman uncovered as a sensational discovery from medieval Iceland theatre is only one of the many Herman\\\'s manipulations …
»The Ruins is a love film. It is not about love for a woman, it\\\'s about love for a fascination. And for one\\\'s own ego. The woman here is of the secondary meaning. This is the reason the end is the way it is.« (Janez Burger)
The film is not in the competitive section.
','35 mm',100,2004,NULL,'images/events/event95.jpg','images/events/event95_t.jpg',600,450,'slovenščina',NULL),(96,10,'Tu pa tam','Here and There','Tu pa tam','Štirje zadetki si od lokalne mafije sposodijo večjo vsoto denarja, z namenom »da bi se v lajfu šli novodobne podjetnike«. Nesposobni kot so, izposojeni denar seveda še isti trenutek izgubijo in se zaradi tega nehote znajdejo v surovem provincialnem podzemlju "Kranjsterdama". Tu pa tam z dilanjem, kockanjem, izsiljevanjem in podobnimi, bolj ali manj posrečenimi idejami poskušajo dobiti denar nazaj. Če denarja v sedmih dneh z obrestmi vred ne vrnejo...
Celovečerni »no budget« prvenec »TU PA TAM«, režiserja Mitje Okorna, je preprosta, natančno zamišljena akcijska komedija, z dobrimi, enostavnimi dialogi, podprtimi s pravim črnim humorjem.
"Za dogajanje smo vzeli naš rodni kraj – tako imenovani »Kranjsterdam«, čeprav vemo, da ima prav vsako mesto in vsaka država svoj »Kranjsterdam« in svojo »klopco« na kateri se zbirajo tako imenovani lokalni luzerji, ki to prav gotovo niso. Tako je za naše pojme nastal prvi pravi slovenski »street« film, v katerem ni pomemben ne denar (zato smo v njem tudi pustili nemške marke) in ne zgodba, temveč prijateljstvo med glavnimi štirimi junaki, dialogi in humor, ki vse to povezuje."
','Four ‘enterprising’ young men borrow a larger sum of money from the local mob with the intention of embarking on a modern-day entrepreneurship. Utterly incompetent, they lose the money like a shot, and are thus immediately thrust into the rough, provincial underground of the so-called ‘Kranjsterdam’. By dealing, gambling, blackmailing and implementing other more or less ingenious ideas, they endeavour to regain the money. But if they do not return their debt with interest within seven days, the future will be all but bright for them …
“After many long years of boredom at watching Slovenian films, we decided to write and make a film that would have the audiences laughing and relaxed. That would, for a change, have them entertained by a Slovenian film. We decided to make a film on urban youth in an interesting, genre-employing and most entertaining way. I believe that after Kekec, to exaggerate somewhat, there has not been a true Slovenian youth film for years, particularly one that would employ a simple story and a great deal of black humour to depict the lives of modern youth and what life really brings to urban youngsters.” (Mitja Okorn)
festivali, nagrade (izbor)
Wiesbaden 2004, Krakov 2004
Blokovsko naselje. Ljudje postopajo naokrog, se pogovarjajo, popivajo in pretepajo. Med njimi sta tudi Pjotr in Marek, ki se neprestano pogovarjata o vsem in ničemer, predvsem o tem, kako najti delo. Nenadoma dobita idejo, da bi se preselila v Anglijo, kjer bi lažje našla službo. Znanec jima obljubi, da jima bo tam priskrbel zvezo, zato se pospešeno učita angleškega jezika. Proti vsem pričakovanjem jima pot na Zahod celo uspe. Toda tam ju čaka usoda mnogih emigrantov, njuna pričakovanja padejo na trdna tla. Dovoljenje za delo stane, služba, ki naj bi ju čakala, ne obstaja. Prepuščena sta ulici, polna domotožja, a z izdelanimi sanjami o svojem baru, ki bi ga rada odprla na postaji Victoria.
festivals, awards (selection)
Wiesbaden 2004, Krakow 2004
A tower block district. People loiter in idle talk, intemperance and fights. Among them are also Pjotr and Marek, endlessly discussing everything and nothing, mostly the options for finding employment. Suddenly they have a brainwave to move to England, where work is easier to come by. An acquaintance promises them he will contact a people smuggler, and so they enthusiastically start learning English. Against all odds, their Go-West breakthrough is successful. But awaiting them there is the shared destiny of countless immigrants, and their expectations are thwarted. A work permit is expensive, the promised employment is nonexistent. They are left to their own devices, homesick yet full of dreams of having their own bar at the Victoria Station.
Pretresljiv portret ilegalnih ubežnikov, ki v Franciji čakajo na vkrcanje za Veliko Britanijo.
(v sodelovanju z IDFA)
','Penetrating portrait of illegal immigrants who are waiting in France to embark on the last stage of their long journey to the United Kingdom.
(in cooperation with IDFA)
festivali, nagrade (izbor)
Locarno 2004, Karlovi Vari 2004
V zadnjih petih letih je na Češkem odprlo vrata več kot 125 hipermarketov. Socialne navade sodobnega Čeha so se korenito spremenile; nakupovanje je nadomestilo zasebne in družinske dejavnosti. Pričujoča resničnostna oddaja je neposreden odziv na sodobni položaj na Češkem. Avtorja sta v izmišljenih vlogah vrhunskih menedžerjev znani oglaševalski agenciji naročila kampanjo za odprtje fiktivnega hipermarketa Češke sanje; vsebovala je televizijske in radijske spote, 400 osvetljenih panojev, nešteto brošur ter oglaševanje v časopisih in na internetu. 31. maja 2003 je več tisoč prebivalcev Prage prišlo na kraj, kjer naj bi stalo novo nakupovalno središče ...
festivals, awards (selection)
Locarno 2004, Karlovy Vary 2004
In the last five years, 125 hypermarkets have opened their doors in the Czech Republic. The social habits of contemporary Czechs have changed radically; shopping has taken the place of private and family activities. This reality-show is a direct reaction to the present situation in the Czech Republic. In the fictitious roles of top-class managers, the authors commission an advertising campaign with an established advertising agency for the opening of a fictitious hypermarket called ‘Czech dreams’. The campaign includes television and radio commercials, 400 billboards, countless brochures, as well as ads in newspapers and on the Internet. On 31 May 2003, several thousands inhabitants of Prague turn up at the location where this new shopping mall should have been standing…
festivali, nagrade (izbor)
Berlin 2004
Režiser Mucha se potika po srednji in vzhodni Evropi ter išče zemljepisno središče Stare celine. Kje je središče Evrope? V Avstriji, Nemčiji, na Slovaškem, Poljskem ali v Latviji? Domačini posameznih mest, ki jih razglašajo za središče in tako večajo obisk, ga skušajo prepričati, da so pravilni samo njihovi izračuni. Drugi so zajeli še zgodovinski dejavnik; Napoleon naj bi med osvajanjem bavarsko mestece sam razglasil za središče Evrope! Tretji štejejo samo države Evropske unije. Četrti računajo meje Evrope od Urala do Portugalske. Peti iščejo središče kar z mobitelom in GPS-sistemom! Kdo ve?
festivals, awards (selection)
Berlin 2004
A director called Mucha is travelling around central and eastern Europe in search of the geographical centre of the Old Continent. Where is the geographical centre of Europe? In Austria, Germany, Slovakia, Poland or in Latvia? The local people in towns claim to live in the »centre«, and thus increase the tourist ratings as well as try to convince the director that their calculations are correct. Others also include the historical factor, since Napoleon had apparently conquered this? (which town?) Bavarian town and proclaimed it to be the centre of Europe! The third type of people consider only the countries of the European Union. The fourth type consider the borders from the Ural to Portugal. And there are also people who search for the centre with their mobile phones and GPS system. Who knows?
festivali, nagrade (izbor)
Leipzig 2003
Kinematografsko potovanje pripoveduje zgodbo petih beguncev, ki na različnih koncih Evrope živijo ilegalno. Zakari je Alžirec, ki je pred časom dezertiral iz vojske. Edita je transseksulna prostitutka, ki živi in dela v Parizu. Malika prihaja iz Moskve, sicer je Čečenka. Prince, trenutno je zaprt na Nizozemskem, bo po prestani kazni pregnan nazaj v Nigerijo. Omar skuša prestopiti evropske meje čez Ceuto. Režiser je peterico s presledki spremljal leto dni. Film o ljudjeh, ki živijo med nami, vendar jih redko opazimo. Pripovedujejo o svojih sanjah, iskanju sreče in ljubezni, ter o težavah, s katerimi so se srečevali na poti.
','festivals, awards (selection)
Leipzig 2003
The cinematic journey narrates a story of five refugees who are illegal immigrants in different parts of Europe. Zakari is an Algerian who has deserted from the army. Edita is a transsexual prostitute who lives and works in Paris. Chechnyan Malika comes from Moscow. Prince, currently imprisoned in the Netherlands, will be deported to Nigeria after he has served his sentence. Omar tries to cross the European borders at the Ceuta separation barrier. The director follows his five subjects on and off for a year. These people live among us, yet we rarely notice them, They tell us of their dreams, their quest for love and happiness, and of the predicaments they have encountered on their journey.
','Beta SP',92,2003,NULL,'images/events/event101.jpg','images/events/event101_t.jpg',600,450,'nemščina',NULL),(102,11,'Smrt v Gibraltarski ožini','Tarifa Traffic','Tarifa Traffic - Death in The Straits of Gibraltar','festivali, nagrade (izbor)
Locarno 2003, IDFA 2003, Duisburg 2003 (nagrada občinstva)
Na ožini med Marokom in Španijo leži Tarifa, špansko turistično središče, raj za deskarje in jadralce na vodi, ki v poletnih mesecih brezskrbno uživajo v soncu in valovih. Letovišče pa ima tudi svojo tragično plat; tja z afriške celine skoraj vsak dan prihajajo ilegalni izseljenci, katerih krhki čolni se zaradi visokih valov in kamnite obale nemalokrat raztreščijo, slabi plavalci pa ob tem utonejo. Režiser Demmer spremlja uradnike španske obalne straže, socialne delavce, ljudi v mrtvašnicah; ti se ukvarjajo z nesrečniki brez identitete, tistimi, ki jih morje naplavi na obalo, ter tistimi, ki jih preprosto razglasijo za pogrešane.
','festivals, awards (selection)
Locarno 2003, IDFA 2003, Duisburg 2003 (audience award)
Tarifa, lying in the strait between Morocco and Spain, is a well-known Spanish tourist resort and a surfer\'s paradise where enthusiasts enjoy the sun and waves in summer months. However, Tarifa also has a tragic side: every single night, numerous refugees arrive here from the African continent, their fragile boats often being shattered by the huge waves or battered against the rocks, causing poor swimmers to drown. Director Demmer accompanies the Spanish bay watch, relief workers and people working in the morgue who have to deal with these miserables without identity, with all those who are washed up by the sea, and those who are simply declared missing.
festivali, nagrade (izbor)
Berlin 2004
Skupina Američanov, ki se ne strinja s politiko Združenih držav in vodilnih ekonomskih velesil, ustanovi zafrkantsko protestno skupino z imenom »The Yes Men«. Po svoje simpatizirajo s protiglobalističnimi gibanji, vendar se zavedajo, da so njihovi protesti povečini jalovi. Njihov namen je z inteligentnimi in duhovitimi akcijami izvajati subverzivne dejavnosti in razkrivati dvoličnost ekonomskih gigantov. V letu 2002 se osredotočijo na Svetovno trgovinsko organizacijo (WTO); najprej izdelajo spletno stran, enako njihovi uradni, s čimer tako med naključnimi obiskovalci kot med predstavniki stroke povzročijo nemalo zmede. Naenkrat začnejo »The Yes Men« na naslov svoje alternativne spletne strani WTO prejemati vabila na uradne konference o svetovnih trgovskih trendih, ki se jim z veseljem odzivajo – po svoje subverzivno. Pod izmišljenimi imeni korporativnim odličnežem v imenu Svetovne trgovinske organizacije predavajo na vseh koncih sveta, od New Yorka, Finske, Francije do Avstralije.
','festivals, awards (selection)
Berlin 2004
A group of Americans do not agree with the policies of the U.S. and leading economic superpowers, and establish a protest-mocking group called The Yes Men. They support anti-global movements, being well aware that their protests are mostly in vain. Their intention is to engage in subversive activities and disclose double-dealings of economic giants through intelligent and humorous actions. In 2002, they focused on the World Trade Organisation. First they designed a web site identical to their (WTO’s) official site, causing a great deal of confusion among coincidental web visitors as well as experts. All of a sudden, The Yes Men start receiving invitations to official conferences on world trade trends, to which they gladly respond in their own subversive way. Under false names, they give lectures to distinguished corporate executives all over the world, from New York, Finland, France to Australia, all in the name of WTO.
festivali, nagrade (izbor)
Locarno 2003, Rotterdam 2004
Nihče ni zavarovan pred močjo letnih časov in njihovim letnim ciklom rojstva, rasti in razkrajanja. Niti budistična puščavnika, ki skupaj preživljata samoto ob idiličnem ribniku, obdanem z gorami. Menjavanje letnih časov prežema njuni življenji z napetostjo, ki vodi tako v višje sfere duhovnosti kot tudi v tragedijo. Tudi meniha sta namreč dovzetna za vse pasti življenja, za hrepenenje, trpljenje in strasti, ki jih pozna vsak človek. Mladi menih pod budnim očesom starega izkusi razblinjenje ideala nedolžnosti, ko se otroška igra spreobrne v krutost ... prebujenje ljubezni, ko v njun zaprti svet vstopi ženska ... morilsko moč ljubosumja in obsedenosti ... ceno odpuščanja ... razsvetljenstvo izkušnje.
»Z menjavo letnih časov in življenjem puščavnika, ki živi v jezerskem templju, obdanem z neokrnjeno naravo, sem nameraval upodobiti veselje, jezo, žalost in užitke življenja. Pet zgodb o menihu dečku, menihu mladeniču, odraslem, starejšem in starem menihu se neločljivo prepleta s podobami letnih časov. Spreminjajoče se človeške vrednote, pomembnost zrelosti v življenju, krutost otroške nedolžnosti, obsedenost s poželenjem, bolest morilskega naklepa in postopna osvoboditev z duševnimi boji.« (Ki-duk Kim)
»Pot do nirvane v filmu Pomlad, poletje, jesen, zima … in pomlad, mojstrskem portretu letnih časov življenja, spremljajo napake in zmeda. Korejski režiser Kim Ki-duk povezuje vizualno lepoto in brezmejna čustva ter ohrabrujoče govori o tem, da duhu ni treba biti čist, da je vreden. Kim Ki-duk zgodbo o boju duha navda z mirno gladino. Budistični samostan sredi jezera je popolna podoba mirnosti, še zlasti v dolgih prizorih jezera, ki se blešči v soncu, in njegovi zeleni obali. Kot nam pove režiser med filmom, samostan nima resničnega temelja, ampak na kraju ostaja zaradi vztrajnosti vere.« (Carla Meyer)
','festivals, awards (selection)
Locarno 2003, Rotterdam 2004
Nobody is safe from the power of the seasons and their cycles of birth, growth and decay. Not even the Buddhist hermits sharing their solitude by an idyllic pond, in the midst of mountains. The changing of the seasons has imbued their lives with tension, leading into higher spheres of spirituality as well as tragedy. The monks themselves are not unsusceptible to life’s lures – to yearning, suffering and passion - common to any human. The Young Monk, under the vigilant eye of the Old Monk, experiences the disillusionment of the ideal of innocence when child’s play turns into cruelty … emotional arousal when a woman enters their enclosed world … the murderous power of jealousy and obsession … the price of forgiveness … the enlightenment of experience.
“I wanted to show the joy, anger, sadness and pleasures of our lives through the changing of the seasons and the life of a hermit who lives in a lake temple surrounded by pristine nature. Five stories of a monk-boy, monk-young man, grown-up monk, older monk and aged monk are inseparably intertwined with the images of the seasons. The changing human values, the importance of maturity in our lives, the cruelty of a child’s innocence, the obsession of lust, the pain of murderous intentions and gradual liberation by means of mental struggle.” (Kim Ki-duk)
»Mistakes and confusion dot the path to nirvana in Spring, Summer, Fall, Winter ... and Spring, a masterful portrait of the seasons of a life. Combining visual luster and stunning emotion, Korean filmmaker Kim Ki Duk endorses the heartening idea that a spirit need not be pristine to be worthy. Kim provides a calm surface for his tale of roiling spiritual conflict. A Buddhist monastery sitting on a lake looks the picture of serenity, especially in long shots of the sun-kissed water and verdant shoreline surrounding it. As Kim establishes during the course of the film, the monastery lacks a literal foundation but stays in place through persistence of belief.« (Carla Meyer)
',NULL,103,2003,NULL,'images/events/event113.jpg','images/events/event113_t.jpg',600,450,'korejščina',NULL),(114,3,'Sivi kamion rdeče barve','The Red Colored Grey Truck','Sivi kamion crvene boje','festivali, nagrade (izbor)
Montreal 2004, Mannheim 2004
Beograd, junij 1991. Jugoslavija je tik pred razpadom, v zraku je vojna, v kamionu na poti proti Dubrovniku pa se srečata voznik Ratko, nekdanji kaznjenec in daltonist, kar pomeni, da svet vedno vidi malce drugače, in Suzana, divja deklina, ki je ravnokar izvedela, da je noseča in bi si ob morju rada malce odpočila. Na poti, ki jo prekinjajo številne cestne zapore, vojaške patrulje in oborožene civilne enote, počasi spoznavata, da do Dubrovnika ne bosta prišla zlahka, zato se domislita, da bi izpolnila svoje sanje in obiskala Italijo.
','festivals, awards (selection)
Montreal 2004, Mannheim 2004
Belgrade, June 1991. The downfall of Yugoslavia is imminent and war is in the air. Two people are brought together in a truck on its way to Dubrovnik – the driver Ratko, a former convict and Daltonist, always seeing the world in a different perspective, and Suzana, a wild lass who has just learned that she is pregnant and wants to smooth her feathers by the sea. On the way, interrupted by numerous road blocks, army patrols and armed civil forces, they slowly realise that Dubrovnik might be a far-fetched wish, and so they decide to fulfill their dreams and visit Italy.
Mlado dekle ne živi pri starših. S fantom preživlja divje čase mladostništva in uporništva.Obišče jo oče in želi, da se vrne domov. Se bo odločila za očeta ali fanta?
','A young girl has moved out of her parents’ house. She and her boyfriend are going through a period of wild youthfulness and rebellion. Her father wants her to return home. Will she choose the father or the boyfriend?
',NULL,15,2004,NULL,NULL,NULL,NULL,NULL,NULL,NULL),(202,12,'Popolnost','Perfection','Perfection','Obsedeni fizik si prizadeva potrditi hipotezo, da svet deluje po natančno določenih pravilih. Ko ugotovi, da ni tako, se mu sesuje svet ...','An obsessed physicist is striving to prove the hypothesis that the world operates according to precisely defined principles. Upon realising he is in the wrong, his whole world is shattered to pieces …festivali, nagrade (izbor)
Benetke, Telluride 2004, Toronto 2004
Louise se je po desetih letih zakona razšla s Petrom. Kljub temu sta ostala prijatelja in ohranjata stalne stike. Med pregledom prijav za študij umetnosti na newyorški kolumbijski univerzi Louise pritegne ime mladega F. Scotta, za katerega meni, da bi utegnil biti z njo v sorodu. Louise in F. Scott se ob srečanju navkljub starostni razliki zaljubita na prvi pogled. A Louise je še vedno nekako v dvomih, F. Scotta vseskozi vidi kot reinkarnacijo pred časom umrlega sorodnika Scotta. Še več, nanj oči vrže tudi Louisina najboljša prijateljica Missy ...
festivals, awards (selection)
Venice 2004, Telluride 2004, Toronto 2004
After ten years of marriage Louise separates with Peter. They remain friends and still keep in touch. Browsing through the enrolment forms for art history courses at the New York City Columbia University, Louise’s attention is caught by young F. Scott, whom she believes might be her relative. Louise and F. Scott fall in love at first glance despite their age difference. Nevertheless Louise is in an unsettled state of mind and sees in F. Scott an reincarnation of her recently deceased relative Scott. What’s more, Louise’s best friend Missy becomes sexually interested in him …
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\r\n\r\nHvala
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for table `subject` -- DROP TABLE IF EXISTS `subject`; CREATE TABLE `subject` ( `idsubject` bigint(20) NOT NULL auto_increment, `idsubjecttype` bigint(20) NOT NULL default '0', `idpostaloffice` bigint(20) default NULL, `idcountry` varchar(16) default NULL, `street` varchar(150) default NULL, `streetno` varchar(30) default NULL, `postalcode` varchar(20) default NULL, `postaloffice` varchar(80) default NULL, `phone` varchar(80) default NULL, `cellularphone` varchar(80) default NULL, `email` varchar(80) default NULL, `taxno` int(11) default NULL, `ddvliable` smallint(6) default NULL, `fax` varchar(30) default NULL, `accountno` varchar(30) default NULL, `accountopenedat` varchar(80) default NULL, `remarks` text, `url` varchar(80) default NULL, PRIMARY KEY (`idsubject`) ) TYPE=MyISAM; -- -- Dumping data for table `subject` -- LOCK TABLES `subject` WRITE; /*!40000 ALTER TABLE `subject` DISABLE KEYS */; INSERT INTO `subject` VALUES 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