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Med festivalom bodo Ljubljano za nekaj dni obiskali zanimivi gosti. Srečavali se bomo na projekcijah in na sproščenih večernih pogovorih v Jazz Clubu Gajo.

Obiskali nas bodo:
Birol Ünel – glavni igralec uvodnega filma Transilvanija (Transylvania),
Paulus Manker – popularni avstrijski igralec, ki bo predstavljal film Postopanje (Slumming),
Feliks Falk – poljski režiser Rubežnika (The collector),
Goran Dukić – režiser hrvaškega rodu, ki ustvarja v Združenih državah, k nam pa prihaja s filmom Picerija Kamikaze (Wristcutters: A Love Story),
Christophe Ali in Nicolas Bonilauri – režiserja francoskega Divjega kampiranja (Wild camp),
Hrvoje Hribar – hrvaški režiser  Kaj je moški brez brkov? (What is a man without moustache?),
Dominique Deruddere – belgijski režiser, ki je na Liffe že prejel nagrado občinstva, prihaja z Ohcetjo (The Wedding party),
Marzia Tedeschi – glavna igralka iz filma Za ljubi kruhek (For bread alone),
Mohammad Foroutan – glavni  igralec iranskega filma  Postopoma (Gradually…).
In še mnoga druga zanimiva imena.
','','',''),(82,'','','Eagerly looking forward to spending chilly November evenings in dark cinemas, watching masterpieces of new or already asserted filmmakers, festival activities are in full swing now. Once again, a colourful overview of the latest films is awaiting us. As the Festival is still a good month away, let us drop just a couple of hints.

Among the blockbusters travelling from festival to festival, we can expect those of the German giant Tom Tykwer, whose films we already saw at Liffe years ago. Pedro Almodovar\\\'s Volver, rewarded in Cannes, La tigre e la neve Roberto Begnini\\\'s latest masterpiece. The freshest Lars Von Trier, Direktoren for det hele, which was first shown end September at the Copenhagen film festival.
We will pay special tribute to the veteran Marco Bellocchio in cooperation with the Italian Cultural Institute of Ljubljana. Focus will be French-coloured.

Eager to mingle with filmmakers, we are impatiently expecting interesting guests from all over the world to arrive to Ljubljana for a couple of days. Dominique Deruddere, who won the audience award in 2001, will try to conquer spectators again with the already rewarded film The wedding Party. Goran Dukić, a Croatian director living in New York, will be in competition with his film Wristcutters: A Love Story.

After the already traditional talks with our guests after projections, we will this year continue our evening film gatherings in Jazz Club Gajo.
See you at the Liffe.
','','',''),(83,'','','Do začetka festivala nas loči še mesec dni. Letos bo v programu ponovno več kot sto filmov, ki bodo razdeljeni v 10 sekcij.

Filmski program bomo objavili predvidoma 24. oktobra, urnik bo objavljen na spletni strani 26. oktobra ob polnoči. Da se izognete čakalnim vrstam si priskrbite cenejše karte v predprodaji, ki bo potekala le v Cankarjevem domu.

Tudi letos se bodo filmi potegovali za nagrade. Za glavno nagrado vodomec tekmujejo filmi iz sekcije Perspektive. Za zlati kolut, nagrado občinstva, filmi iz sekcije Obzorja. Najboljši film na temo človekovih pravic bo prejel nagrado Amnesty International Slovenije. V sekciji Jug – jugovzhodno pa bo mednarodna žirija Svetovnega združenja filmskih kritikov in novinarjev podelila nagrado FIPRESCI.

Vas - ljubitelje filmov pa ponovno toplo vabimo k sodelovanju, da izberete zmagovalca občinstva v sekciji Obzorja, kjer bo letos na ogled 24 filmov iz različnih držav. Po filmskih projekcijah boste v dvoranah lahko poklepetali z ustvarjalci filmov, v večernih urah pa se bomo vsi skupaj družili v Jazz Clubu Gajo. ','','',''),(92,'','','

SOBOTA, 11. 11.


Led je prebit, filmske projekcije potekajo, vse več filmov je razprodanih in na festivalu je vedno več zanimivih filmskih ustvarjalcev.

Danes prihajajo:
režiser filma Pot lubenic Branko Schmidt
s producentom Stanislavom Babićem ter
Ahmed Rhuhel in Rasul Shafiq, preživela heroja znamenitega zapora Guantanamo na Kubi, ki bosta ob filmu Pot v Guanatanamo (na sporedu v nedeljo) povedala več o svoji življenjski izkušnji.

Večer bomo v sproščenem filmskem razpoloženju sklenili v Jazz Clubu Gajo. Pogovarjali se bomo z Birolom Ünelom, glavnim igralcem Transilvanije, in Brankom Scmidtom, režiserjem filma Pot lubenic. Spoznali bomo še dva Iranca, igralko Fatemeh Motamed Arya in igralca Ahmada Alija Hameda iz filma Ljudje pri delu. Vabljeni.

','','',''),(91,'','','

Saturday, 11 November


The ice has been broken, screenings are ongoing, more and more films are sold out and more and more interesting guests are visiting the festival.

Coming today:
Branko Schmidt, director of The Melon Route, together with producer Stanislav Babić.
Ahmed Rhuhel and Rasul Shafiq, two surviving heroes of the well-known Guantanamo prison in Cuba. They will tell us more about their life experience after the screening of The Road to Guantanamo this Sunday. 

We will close the evening in a relaxed film atmosphere in Jazz Club Gajo, where we will talk to Birol Ünel, protagonist of Transylvania, and Branko Schmidt, director of The Melon Route. Two guests are coming from Iran, actress Fatemeh Motamed Arya and actor Ahmad Ali Hamed, both form Men At Work. Join us. 


 

','','',''),(80,'','','

V veliki želji po preživljanju hladnih novembrskih večerov v zatemnjenih kinodvoranah, ob gledanju mojstrovin novih ali že uveljavljenih filmarjev, je festivalsko dogajanje že v polnem teku. Ponovno se nam obeta pester filmski pregled zadnjega leta, zato le nekaj namigov, saj nas od festivala loči še dober mesec dni.


Od uspešnic, ki potujejo naokrog po filmskih festivalih, pričakujemo dela mojstrov, kot je nemški velikan Tom Tykwer – njegova dela smo pred leti že gledali na LIFFe–; v Cannesu nagrajeni Volver Pedra Almodovarja; La tigre e la neve zadnjo mojstrovino Italijana Roberta Benignija; čisto sveži Direktoren for det hele Larsa Von Trierja, konec septembra premierno prikazan na filmskem festivalu v Köbenhavnu.


V sodelovanju z italijanskim inštitutom v Ljubljani bomo počastili veterana Marca Bellocchia, fokus bo letos zavit v francoske barve.

Željni druženja s filmskimi ustvarjalci nestrpno pričakujemo zanimive goste z različnih delov sveta, ki se bodo nekaj dni zadržali v Ljubljani. Leta 2001 nagrajenec občinstva, Dominique Deruddere, bo ponovno skušal osvojiti naklonjenost gledalcev z že nagrajenim The Wedding Party. Goran Dukić, hrvaški režiser, živeč v New Yorku, bo tekmoval z Wristcutters: A Love Story.


Po že tradicionalnih pogovorih z gosti po projekcijah bomo letos večerno filmsko druženje nadaljevali v Jazz Clubu Gajo.


Se vidimo na LIFFe.

','','',''),(84,'','','

We are a month away from the start of the Festival. This year, our programme will again include more than hundred films, divided into ten sections.

The film programme is anticipated to be published on 24 October. The time schedule will be published on our web page on 26 October at midnight. In order to avoid queuing, you can purchase cheaper tickets during advance sale, which will only take place in Cankarjev dom.

This year, films will again compete for awards. Kingfisher, the main award, will be presented to the best film within the Perspectives section. Golden Reel, the audience award, will be bestowed to one of the films within the Horizons. Best human rights film will receive the Amnesty International Slovenia award. An international jury of the world association of film critics and journalists will choose the best film of the South by Southeast section and bestow the FIPRESCI award.

You, the film lovers, are again kindly invited to participate in selecting the winner of  the Horizons section, where there will be films shown from 24 different countries this year. After the screenings, you will be able to talk to the guests and mingle in the Jazz Club Gajo in the evenings.

','','',''),(123,'','','

Filmski program Cankarjevega doma pa ostaja še naprej pester.

Francoski film Transilvanija režiserja Tonyja Gatlifa v distribuciji CD bo prikazan 2. januarja.

Spomladi napovedujemo:
prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,
cikel sodobnega turškega filma med 22. in 24. marcem
ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.

Vabljeni!

','','',''),(124,'','','

Spomladi napovedujemo:

prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,

cikel sodobnega turškega filma med 22. in 24. marcem

ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.


Vabljeni!

','','',''),(126,'','','

POZIV PROSTOVOLJCEM!


ČE
… imate radi film
… nestrpno pričakujete november in z njim 18.
LIFFe
… si želite pridobiti izkušnje pri organizaciji festivala in k njej prispevati svoj delež
… želite podrobneje spoznati tuje režiserje in druge festivalske goste


POLEG TEGA
imate primerno znanje, čas in voljo do dela


POTEM
vas vabimo k sodelovanju


PRI
– prodaji vstopnic
– spremljanju festivalskih gostov
– organizaciji spremljevalnih dogodkov
– urejanju festivalskih lokacij
– pridobivanju promocijskega gradiva za filme
– tehnični izvedbi festivala ter
– pri drugih organizacijskih in izvedbenih nalogah


OGLASITE SE
in se nam predstavite
sporočite tudi predloge za izboljšanje organizacije
navedite področja, na katerih bi želeli sodelovati

Svoje elektronsko sporočilo naslovite na natasa.bucar@cd-cc.si.

','','',''),(127,'','','Announcements

March
9th International Documentary Film Festival
A diversified insight into contemporary world documentary film production, which is becoming increasingly more incisive and topical, deeply stirring the nucleus of major social and political issues and probing all walks of life. ','','',''),(128,'','','

INVITATION TO VOLUNTEERS!


IF YOU
Like film
Are eagerly awaiting November and the 18th LIFFe
Wish to acquire experience in festival organisation and become an indispensable morsel in its puzzle
Would like to meet foreign directors and other festival guests


AND
Have appropriate knowledge and time
Don’t find work a hassle,


THEN
You are cordially invited to become a member of our festival team.


YOUR CONTRIBUTION TO THE FOLLOWING AREAS WOULD BE APPRECIATED
Ticket sales
Accompaniment of festival guests
Organisation of accompanying events
Arrangement of festival locations
Acquisition of promotional material
Technical realisation
And other organisation and realisation tasks


CONTACT US
And introduce yourself
Send us your suggestions for improved organisation
State the areas to which you would like to contribute


Contact: natasa.bucar@cd-cc.si

','','',''),(114,'','','

Sreda, 22. 11.

Danes v Ljubljano  prispeta Sergej Stanojkovski in Tomislav Pinter, ki bosta predstavila film Stik.

Z nami je tudi belgijski režiser Dominique Deruddere, ki vas bo pozdravil po filmu Ohcet.

Po predvajanju filma Tako lepa dežela v Cankarjevem domu vam bo več o filmu povedal režiser Eyal Halfon.


Jutri vas vse vabimo na filmsko druženje v Jazz Club Gajo, kjer se bomo pogovarjali z Dominiquom Derudderom, Cristianom Vararujem, Eyalom Halfonom, Sergejem Stanojkovskim in Tomislavom Pinterjem.
Vabljeni!


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:

22.11. ob 15:00 Bele dlani, Linhartova dvorana
22.11. ob 18:45 Uro, Vič
22.11. ob 19:30 Bele dlani, Kinodvor
22.11. ob 23:10 Zver v srcu, Komuna
23.11. ob 11:00 Ohcet, Kinodvor
21.11. ob 14:30 Čudovito! Zgodba gejevskega filma, Kosovelova dvorana
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(115,'','','

Četrtek, 23. 11.


Kmalu bomo začeli odštevati ure do zaključka festivala.

Danes je z nami v Ljubljani kar lepo število gostov. Belgijski režiser  Dominique Deruddere vas bo pozdravil po filmu Ohcet, izraelski režiser Eyal Halfon po filmu Tako lepe dežele, romunski igralec Cristian Vararu po filmu Kako sem preživel konec sveta, Sergej Stanojkovski in Tomislav Pinter po filmu Stik, iranski režiser Ali Reza Amini po filmu Zamrznjen čas, hrvaški režiser Hrvoje Hribar po filmu Kaj je moški brez brkov? ter Oleg Novković in Milena Marković po filmu Jutri zjutraj.


Zvečer ste vsi vabljeni na pogovor in druženje v Jazz Club Gajo.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:

23.11. ob 11:00 Ohcet, Kinodvor
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(116,'','','Thursday, 23 November

We will soon start to countdown the hours till the end of the Festival.

A lot of guests are visiting us today. Belgian director Dominique Derrudere will be with you after the screening of The Wedding Party, Israeli director Eyal Halfon after the screening of What a Wonderful Place, Romanian actor Cristian Vararu after the screening of The Way I spent the End of the World, Sergej Stanojkovski and Tomislav Pintar after the screening of Contact, Iranian director Ali Reza Amini after the screening of Time Froze, Croatian director Hrvoje Hribar after the screening of What is a Man Without a Moustache? and Oleg Novković and Milena Marković after the screening of Tomorrow Morning. You are all kindly invited to join us in Jazz Club Gajo in the evening.

The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.

23.11. at 11:00 The Wedding Party, Kinodvor Cinema
23.11. at 15:00 Warchild, Linhart Hall
23.11. at 17:30 Contact, Linhart Hall
23.11. at 23:10 What a Wonderful Place, Komuna Cinema
24.11. at 14:30 Facing The Day, Kosovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovel Hall
24.11. at 23:10 Contact, Komuna Cinema 25.11. at 19:00 Warchild, Linhart Hall ','','',''),(117,'','','

Petek, 24. 11.

Danes zvečer bomo sklenili naše štirinajstdnevno filmsko popotovanje.


Trudimo se, da bodo na slovesni podelitvi z nami nagrajenci: torej dobitnik glavne nagrade vodomec iz sklopa Perspektive,
dobitnik nagrade fipresci iz Jug–jugovzhodno in nagrajenec za najboljši film na temo človekovih pravic, ki jo bo podelila Amnesty International.


Vse obiskovalce festivala v soboto vabimo na ogled še dveh projekcij.

Ob 19. uri si boste lahko ogledali nemško-slovensko koprodukcijo, film Izginuli režiserja Christiana Wagnerja, v katerem nastopa tudi naša Milena Zupančič.

Ob 21. uri pa bomo predvajali še dobitnika nagrade vodomec.
Vabljeni!


Zmagovalni film iz sekcije Perspektive bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:

24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(118,'','','

Friday, 24 November

Our two-week film journey will conclude tonight.

We did our best to have the winners present at the gala bestowal of awards tonight – the winner of the Kingfisher Award (Perspectives), the winner of the Fipresci Award (South by Southeast), and the winner of the Human Rights Award granted by Amnesty International.


There will be two more screenings on Saturday – at 19:00 Warchild, a German-Slovene coproduction by Christian Wagner, with Milena Zupančič in one of the roles; and at 21:00 the winner of the Kingfisher Award.
Welcome!


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


24.11. at 14:30 Facing The Day, Kosovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovel Hall
24.11. at 23:10 Contact, Komuna Cinema 25.11. at 19:00 Warchild, Linhart Hall 
 

','','',''),(119,'','','

Sobota, 25. 11.


Festival smo uspešno zaključili.

Zmagovalci so znani,
filmski program Cankarjevega doma pa ostaja še naprej pester.

Zmagovalni film iz sekcije Perspektive 1:1 Ena proti ena bomo predvajali danes, v soboto 25. novembra, ob 21. uri v Linhartovi dvorani.

V decembru bomo predvajali film Moški brez brkov hrvaškega režiserja Hrvoja Hribarja v distribuciji Blitza, ki bo tudi novoletna projekcija.

Francoski film Transilvanija režiserja Tonyja Gatlifa v distribuciji CD bo prikazan 2. januarja.
Vse seveda pozivamo, da spremljate program.

Spomladi napovedujemo:
prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,
cikel sodobnega turškega filma med 22. in 24. marcem
ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.
Vabljeni!

','','',''),(120,'','','Festival smo uspešno zaključili.

Zmagovalci so znani,
filmski program Cankarjevega doma pa ostaja še naprej pester.

V decembru bomo predvajali film Kaj je moški brez brkov? hrvaškega režiserja Hrvoja Hribarja v distribuciji Blitza, ki bo tudi novoletna projekcija.

Francoski film Transilvanija režiserja Tonyja Gatlifa v distribuciji CD bo prikazan 2. januarja.

Vse seveda pozivamo, da spremljate program.

Spomladi napovedujemo:
prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,
cikel sodobnega turškega filma med 22. in 24. marcem
ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.

Vabljeni! ','','',''),(121,'','','

Saturday, 25 November

The winning film of Perspectives section will be screened today at 21:00 in Linhart Hall.

Announcements


February
1st International Mountain Climbing Film Festival
Approximately 30 first-rate Slovenian and foreign mountain and adventure films
The selected films will compete for the main prize presented by the City of Domžale, as well as for best film, best mountain-climbing culture film, best environmental and mountain sports film, as well as for audiences’ choice film.


March
9th International Documentary Film Festival 
A diversified insight into contemporary world documentary film production, which is becoming increasingly more incisive and topical, deeply stirring the nucleus of major social and political issues and probing all walks of life.

','','',''),(122,'','','

Announcements


February
1st International Mountain Climbing Film Festival
Approximately 30 first-rate Slovenian and foreign mountain and adventure films
The selected films will compete for the main prize presented by the City of Domžale, as well as for best film, best mountain-climbing culture film, best environmental and mountain sports film, as well as for audiences’ choice film.


March
9th International Documentary Film Festival 
A diversified insight into contemporary world documentary film production, which is becoming increasingly more incisive and topical, deeply stirring the nucleus of major social and political issues and probing all walks of life.

','','',''),(125,'','','

Filmski program Cankarjevega doma pa ostaja še naprej pester.

Napovedujemo cikel sodobnega turškega filma med 22. in 24. marcem

ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.


Vabljeni!

','','',''),(112,'','','

Tuesday, 21 November


Oleg Novković, director of Serbian Tomorrow Morning, and scriptwriter Milena Marković will arrive to Ljubljana today. You will be able to talk with them after the screenings in Kinodvor today and in Cankarjev dom on Thursday. In the evening, they will join us in Jazz Club Gajo.


Actor Cristian Vararu will present us the Romanian film How I Spent the End of the World. His film will be screened today and on Thursday, when he will also be available for questions after the screening in Cankarjev dom.


You are kindly invited to join us in Jazz Club Gajo after the evening screenings tonight. Also there will be: director Milena Andonova and actress Bonka Ilieva-Boni, Cristian Vararu, Hrvoje Hribar and Ali Reza Amini. Be there.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


21.11. at 12:30 Facing The Day, Kosovelovel Hall
21.11. at 21:00 Monkeys in Winter, Vič Cinema
21.11. at 22:00 Days of Glory, Linhart Hall
22.11. at 15:00 White Palms, Linhart Hall
22.11. at 18:45 Uro, Vič Cinema
22.11. at 19:30 White Palms, Kinodvor Cinema
22.11. at 23:10 Don\\\'t Tell, Komuna Cinema
23.11. at 11:00 The Wedding Party , Kinodvor Cinema
21.11. at 14:30 Fabulous! The Story of Queer Cinema, Kosovelovel Hall
23.11. at 15:00 Warchild , Linhart Hall
23.11. at 17:30 Contact, Linhart Hall
23.11. at 23:10 What a Wonderful Place, Komuna Cinema
24.11. at 14:30 Facing The Day, Kosovelovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovelovel Hall
24.11. at 23:10 Contact, Komuna Cinema
25.11. at 19:00 Warchild, Linhart Hall

','','',''),(113,'','','

Wednesday, 22 November


Sergej Stanojkovski and Tomislav Pintar arrive to Ljubljana today to present the film Contact.

Belgian director Dominique Derrudere will be with us after the screening of The Wedding Party.

Director Eyal Halfon will tell us more about his film What a Wonderful Place after the screening in Cankarjev dom. 


You are all invited to join us in Jazz Club Gajo tomorrow evening, when we will talk to Dominique Derrudere, Cristian Vararu, Eyal Halfon, Sergej Stanojkovski and Tomislav Pintar.
Welcome.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


22.11. at 15:00 White Palms, Linhart Hall
22.11. at 18:45 Uro, Vič Cinema
22.11. at 19:30 White Palms, Kinodvor Cinema
22.11. at 23:10 Don\\\'t Tell, Komuna Cinema
23.11. at 11:00 The Wedding Party, Kinodvor Cinema
21.11. at 14:30 Fabulous! The Story of Queer Cinema, Kosovel Hall
23.11. at 15:00 Warchild, Linhart Hall
23.11. at 17:30 Contact, Linhart Hall
23.11. at 23:10 What a Wonderful Place, Komuna Cinema
24.11. at 14:30 Facing The Day, Kosovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovel Hall
24.11. at 23:10 Contact, Komuna Cinema
25.11. at 19:00 Warchild, Linhart Hall

','','',''),(106,'','','

Sobota, 18. 11.

Danes v Ljubljano prihajata francoska režiserja filma Divje kampiranje, Christophe Ali in Nicolas Bonilauri.

Z njima se boste lahko pogovarjali po projekcijah v Kinodvoru in kinu Komuna.
Po filmu Ahlam v Linhartovi dvorani boste lahko zastavljali vprašanja Ianu Watsonu, montažerju tega arabskega filma. Za vse zamudnike bo film na sporedu še v nedeljo v Kinuklubu Vič.

Zvečer se bomo v Jazz Clubu Gajo družili z vsemi gosti, ki so danes v Ljubljani.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Filmi po znižani ceni:
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič

','','',''),(107,'','','

Sunday, 19 November


The Festival got through the first half successfully and there are six more film days ahead of us. We invite all viewers to vote for their favourite film of the Horizons.


You will be able to talk with Ian Watson, editor of Iraqui film Ahlaam after the screening tonight in Kinoklub Vič.


The following guests are coming soon:  director Milena Andonova and actress Bonka Ilieva-Boni of Monkeys in Winter, director Ali-Reza Amini and his assistant Farnaz Ramshidi Mogadam of Iranian Time Froze. And there will be many more…


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45 Uro, Kinoklub cinema


','','',''),(108,'','','

Nedelja, 19. november


Festival je uspešno preživel prvo polovico, čaka nas še šest filmskih dni. Vse obiskovalce pozivamo, da glasujete za svoj najljubši film iz Obzorij.


Z montažerjem iraškega filma Ahlam, Ianom Watsonom, se boste lahko pogovarjali po projekciji filma danes zvečer v Kinoklubu Vič.


V naslednjih dneh pa prihajajo: režiserka filma Opice pozimi, Milena Andonova, ter igralka Bonka Ilieva-Boni, s filmom Zamrznjen čas prihajata Iranca Ali Reza Amini, režiser filma, ter njegov asistent Farnaz Ramshidi Mogadam. In še mnogi drugi.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.



Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Filmi po znižani ceni:
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič

','','',''),(109,'','','

Monday, 20 November


The Festival is slowly approaching its end, but quite a few guests will still arrive to Ljubljana until the end of the week.


Coming today are two extremely interesting guests: Milena Andonova, director of Monkeys in Winter, and actress Bonka Ilieva-Boni. You will be able to meet them after the screenings in Cankarjev dom and Kinodvor today and in Kinoklub Vič tomorrow.

Eyal Halfon, director of Israeli What a Wonderful Place, is also coming today. The film will be screened on Wednesday and Thursday and we will talk with him after the screenings.

In the following days, we are expecting Hrvoje Hribar, Oleg Novković and Milena Marković, Cristian Vararu, Dominique Derruder and many others.

The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


22.11. at 18:45 Uro, Kinoklub cinema

','','',''),(110,'','','

Ponedeljek, 20. 11.


Festivalske dni bomo počasi začeli odštevati, vendar bo do konca tedna Ljubljano obiskalo še kar lepo število gostov.


Danes v Ljubljano pripotujeta dve izredno zanimivi ustvarjalki, režiserka filma Opice pozimi, Milena Andonova, in igralka Bonka Ilieva-Boni. Z njima se boste lahko pogovarjali po projekcijah filma v Cankarjevem domu in Kinodvoru, jutri pa še v Kinuklubu Vič.

Film Zamrznjen čas nam bosta predstavila iranski režiser Ali Reza Amini in njegov asistent Farnaz Ramshidi Mogadam. Film bo na sporedu jutri in v četrtek.


Danes prispe še Eyal Halfon, režiser izraelskega filma Tako lepa dežela. Film bo na urniku v sredo in četrtek, takrat pa se bomo z njim pogovarjali tudi po projekcijah v dvorani.

V naslednjih dneh  pričakujemo še Hrvoja Hribarja, Olega Novkovića in Mileno Marković, Cristiana Vararuja, Dominiqua Derruderja in še mnoge druge.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:
20.11. ob 19:30 Opice pozimi, Kinodvor
20.11. ob 23:10 Kronika pobega, Komuna
21.11. ob 10:00 Narod hitre prehrane, Vič
21.11. ob 12:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
21.11. ob 21:00 Opice pozimi, Vič
21.11. ob 22:00 Domorodci, Linhartova dvorana
22.11. ob 15:00 Bele dlani, Linhartova dvorana
22.11. ob 18:45 Uro, Vič
22.11. ob 19:30 Bele dlani, Kinodvor
22.11. ob 23:10 Zver v srcu, Komuna
23.11. ob 11:00 Ohcet, Kinodvor
21.11. ob 14:30 Čudovito! Zgodba gejevskega filma, Kosovelova dvorana
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(111,'','','

Torek, 21. 11.


Danes v Ljubljano pripotujeta Oleg Novković, režiser srbskega filma Jutri zjutraj, in scenaristka Milena Marković. Z njima se boste lahko pogovarjali danes po projekciji v Kinodvoru in v četrtek po projekciji v Cankarjevem domu, zvečer pa bosta z nami tudi na pogovoru v Jazz Clubu Gajo.


Romunski film Kako sem preživel konec sveta nam bo predstavil igralec Cristian Vararu. Njegov film bo na sporedu danes in v četrtek, ko vam bo na voljo za pogovor po filmu v Cankarjevem domu.


Danes po večernih projekcijah vas vabimo, da se nam pridružite na pogovoru v Jazz Clubu Gajo. Z nami bodo: režiserka Milena Andonova in igralka Bonka Ilieva-Boni, Cristian Vararu, Hrvoje Hribar in Ali Reza Amini. Vabljeni!


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:
21.11. ob 10:00 Narod hitre prehrane, Vič
21.11. ob 12:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
21.11. ob 21:00 Opice pozimi, Vič
21.11. ob 22:00 Domorodci, Linhartova dvorana
22.11. ob 15:00 Bele dlani, Linhartova dvorana
22.11. ob 18:45 Uro, Vič
22.11. ob 19:30 Bele dlani, Kinodvor
22.11. ob 23:10 Zver v srcu, Komuna
23.11. ob 11:00 Ohcet, Kinodvor
21.11. ob 14:30 Čudovito! Zgodba gejevskega filma, Kosovelova dvorana
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(100,'','','

Wednesday, 15 November


Only one guest is arriving to Ljubljana today - Senad Bašić, actor of Nafaka. He and director Jasmin Duraković, who arrived yesterday, will tell us more about the film after the screening in Kinodvor and Kinoklub Vič. They will be available for questions.

Marzia Tedeschi, Italian actress of For Bread Alone, will answer your questions after the screenings in Kinodvor and Komuna cinema.

We are expecting guests from Wristcutters: A Love Story and Bye Bye Berlusconi on Thursday.

The jury will also arrive in the next days and select the best film of the Perspectives, which will be bestowed the Kingfisher award.  The best human rights film will receive the Amnesty International award.  The best film of the South by Southeast section will be bestowed the Fipresci award.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

Today\\\'s tickets at a reduced price are available an hour before each screening:
10:00 All for Free, Vič cinema
14:30 Solidarity, Solidarity… , Kosovel Hall
15:00 Jandabyne, Linhart Hall
19: 45 Shortbus, Linhart Hall
21:00 Flandres, Komuna cinema
23:10 Come Into the Light, Komuna cinema

','','',''),(101,'','','Četrtek, 16. 11.

Tudi danes v Ljubljano prihaja nekaj zanimivih gostov. Najprej režiser Goran Dukić in igralka Mikal Lazarev iz filma Picerija Kamikaze – z njima se boste lahko pogovarjali po projekcijah v Cankarjevem dvoru in Kinodvoru ter ponovno v petek v Cankarjevem domu.

Film Zbogom, Berlusconi bo predstavila igralka Lucia Chiarla, ki vam bo po projekciji v Cankarjevem domu povedala več o filmu. V petek vam bo na voljo še v Kinodvoru in Kinoklubu Vič.

Režiser Feliks Falk (Rubežnik) vas bo pozdravil po projekciji v Cankarjevem domu.

Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.

Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).

Filmi po znižani ceni:
16.11. ob 10:00 Shortbus, Kino Vič
16.11. ob 14:30 Popolnoma Wilson, Kinodvor
16.11. ob 16:00 Jindabyne, Kinodvor
16.11. ob 16:45 Solidarnost, solidarnost…, Kosovelova dvorana
16.11. ob 21:00 Popolnoma Wilson, Kino Vič
17.11. ob 11:00 Solidarnost, solidarnost, Kinodvor
17.11. 0b 16:00 Gostitelj, Komuna
17.11. ob 14:30 Mala Noche, Kosovelova dvorana
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič ','','',''),(102,'','','

Thursday, 16 November


New interesting guests are coming to Ljubljana today. Director Goran Dukić and actress Mikal Lazarev (Wristcutters: A Love Story) will be available for questions after the screenings in Cankarjev dom and Kinodvor today and again on Friday in Cankarjev dom.

The film Bye Bye Berlusconi will be presented by actress Lucia Chiarla. She will tell us more about the film after the screening in Cankarjev dom and will join us again on Friday in Kinodvor and Kinoklub Vič. Feliks Falk will be available for questions after the screening in Cankarjev dom.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


16.11. at 10:00 Shortbus, Vič cinema
16.11. at 14:30  Absolute Wilson, Kinodvor cinema
16.11. at 16:00 Jindabyne, Kinodvor cinema
16.11. at 16:45 Solidarity, Solidarity… , Kosovel Hall
16.11. at 21:00 Absolute Wilson, Vič cinema
17.11. at 11:00 Solidarity, Solidarity… , Kinodvor cinema
17.11. at 16:00 The Host , Komuna cinema
17.11. at 14:30 Mala Noche, Kosovel Hall
18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45  Uro, Kinoklub cinema

','','',''),(105,'','','

Saturday, 18 November


Cristophe Ali and Nicolas Bonilauri, French directors of Wild Camp, are arriving to Ljubljana today. You will be able to talk with them after the screenings in Kinodvor and Komuna cinema.

After the screening of Ahlaam in Linhart Hall, Ian Watson, editor of this Arab film, will be available for questions. For all of you who missed it, the film will be screened again in Kinoklub Vič on Sunday.

In the evening, we will hang around with all the guests who are currently in Ljubljana – join us in Jazz Club Gajo.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45 Uro, Kinoklub cinema
 

','','',''),(103,'','','Friday, 17 November

International jury is coming to Ljubljana to choose the winning films of individual sections. Kingfisher Award for best director of the Perspectives will be chosen by Jay Jeon, Ana Maria Percavassi and Marjan Strojan.

Amnesty International Award will be bestowed to best human rights film by Hans van Gerven, Aleksandar Manić and Hanna Slak.

The jury of the World Association of Film Critics and Journalists will choose the best film of the South by Southeast section and bestow it the Fipresci Award. Members of the jury: Janine Euvrard, Janusz Wróblewski and Damir Radič. Golden Reel will be awarded to best film of the Horizons (chosen by the audience).

Also arriving today is Ian Watson, editor of Iraqui film Ahlaam.

The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.

17.11. at 11:00 Solidarity, Solidarity… , Kinodvor cinema
17.11. at 16:00 The Host , Komuna cinema
17.11. at 14:30 Mala Noche, Kosovel Hall
18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45 Uro, Kinoklub cinema ','','',''),(104,'','','

Petek, 17. 11.


V Ljubljano prihaja mednarodna žirija, ki bo izbirala zmagovalce posameznih programskih sklopov.


Nagrado vodomec za najboljšega režiserja filma iz Perspektiv bodo izbrali člani žirije Jay Jeon, Ana Maria Percavassi in Marjan Strojan.

Žirija, ki jo sestavljajo Hans van Gerven, Aleksandar Manić in Hanna Slak, bo najboljšemu filmu na temo človekovih pravic podelila nagrado Amnesty International.

Iz sklopa Jug–jugovzhodno bo žirija Svetovnega združenja filmskih kritikov in novinarjev podelila nagrado fipresci, ki jo sestavljajo Janine Euvrard, Janusz Wroblewski in Damir Radić. Nagrado občinstva zlati kolut pa dobi film iz Obzorij, ki bo najbolj všeč obiskovalcem festivala.

Obiskal nas bo tudi Ian Watson, montažer iraškega filma Ahlam.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Filmi po znižani ceni:
17.11. ob 11:00 Solidarnost, solidarnost, Kinodvor
17.11. 0b 16:00 Gostitelj, Komuna
17.11. ob 14:30 Mala Noche, Kosovelova dvorana
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič

','','',''),(96,'','','

Monday, 13 November


The festival is alive!


Three new guests are coming to Ljubljana today:
Marzia Tedeschi, Italian actress of For Bread Alone, Meike Hauck, scriptwriter of Pingpong, and Feliks Falk, director of The Collector and one of directors of the omnibus Solidarity, Solidarity... You will be able to talk with them in the following days after the screenings of their films.


Today, the following guests will be available for short talks after the screenings: Paulus Manker, protagonist of Slumming, Meike Hauck, scriptwriter of Pingpong, and Mohammad Reza Foroutan, Iranian actor of Gradually. Join us!

Today\\\'s reduced-price tickets can be purchased for the following films:

10:00, Kinoklub Vič  cinema, Ofsajd
11:00, Kinovor cinema, Slumming
16:30, Kinoklub Vič cinema, Winter Journey
23:10, Komuna  cinema, Winter Journey

','','',''),(97,'','','

Torek, 14. 11.


Festival se nadaljuje. Novi gostje prihajajo vsak dan, od nekaterih smo se tudi že poslovili.

Danes v Ljubljano prihaja Jasmin Duraković, bosanski režiser filma Nafaka.
Z njim bomo lahko poklepetali po filmu zvečer v Kosovelovi dvorani ter v sredo po projekcijah v Kinodvoru in Kinoklubu Vič. Takrat se nam bo pridružil še igralec iz filma Senad Bašić.


Po projekcijah filmov se bomo v dvoranah pogovarjali z Meike Hauck, scenaristko Namiznega tenisa, Feliksom Falkom, režiserjem Rubežnika, z enim od režiserjev omnibusa Solidarnost, solidarnost, ter z Marzio Tedeschi, igralko iz filma Za ljubi kruhek.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.

Vstopnice po znižani ceni za današnji dan so na voljo uro pred predstavo:
16:00 Rubežnik, Kinodvor
16:45 Policajevo območje, Kosovelova dvorana
21:00 Rubežnik, Kino Vič
22:10 Flandrija, Kinodvor

','','',''),(98,'','','

Tuesday, 14 November


The festival is continuing - new guests are arriving every day, some of them have already said goodbye.

Jasmin Duraković, Bosnian director of Nafaka, is coming to Ljubljana today. We will talk to him this evening after the screening in Kosovel Hall and on Wednesday after the screenings in Kinodvor and Kinoklub Vič. Senad Bašić, actor of this film, will also join us then.


After the evening screenings, we will be hosting: Meike Hauck, scriptwriter of Pingpong, Feliks Falk, director of The Collector and one of directors of the omnibus Solidarity, Solidarity, and Marzia Tedeschi, actress of For Bread Alone.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

Today\\\'s tickets at a reduced price are available an hour before each screening:
16:00 The Collector, Kinodvor cinema
16:45 Police Beat, Kosovel Hall
21:00 The Collector, Vič cinema
22:10 Flandres, Kinodvor cinema

','','',''),(99,'','','

Sreda, 15. 11.


Danes v Ljubljano prispe le en gost, to je igralec Senad Bašić iz filma Nafaka. Po projekcijah v Kinodvoru in Kinoklubu Vič bosta z režiserjem Jasminom Durakovićem, ki je prispel že včeraj, povedala več o filmu. Zastavili jima boste lahko tudi kakšno vprašanje.

Marzia Tedeschi, italijanska igralka iz filma Za ljubi kruhek, vam bo za pogovor na voljo po projekcijah v Kinodvoru in kinu Komuna.

V četrtek pričakujemo še goste iz filma Picerija kamikaze in Zbogom, Berlusconi.

V naslednjih dneh pripotuje tudi žirija, ki bo v Perspektivah izbrala najboljši film za glavno nagrado vodomec. Najboljšemu filmu na temo človekovih pravic bo podeljena nagrada Amnesty International. Nagrado fipresci bo dobil film iz sklopa Jug–jugovzhodno.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).

Filmi po znižani ceni:
15.11. ob 10:00 Vse zastonj, Kino Vič
15.11. ob 14:30 Solidarnost, solidarnost, Kosovelova dvorana
15.11. ob 15:00 Jandabyne, Linhartova dvorana
15.11. ob 19: 45 Shortbus, Linhartova dvorana
15.11. ob 21:00 Flandrija, Komuna
15.11. ob 23:10 Pri belem dnevu, Komuna
16.11. ob 10:00 Shortbus, Kino Vič
16.11. ob 14:30  Popolnoma Wilson, Kinodvor
16.11. ob 16:00 Jindabyne, Kinodvor
16.11. ob 16:45 Solidarnost, solidarnost…, Kosovelova dvorana
16.11. ob 21:00 Popolnoma Wilson, Kino Vič
17.11. ob 11:00 Solidarnost, solidarnost, Kinodvor
17.11. 0b 16:00 Gostitelj, Komuna
17.11. ob 14:30 Mala Noche, Kosovelova dvorana
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45  Uro, Kinoklub Vič

','','',''),(93,'','','

Nedelja, 12. 11.


Filmski koluti se na vseh petih lokacijah obračajo s polno paro. Da pa bodo filmi še bolj zanimivi, vam sporočamo: danes v Ljubljano prihaja Hans Steinbichler, režiser Zimskega potovanja. Po popoldanski projekciji v  Kosovelovi dvorani ga boste lahko kaj zanimivega povprašali.


Filmu Pot v Guantanamo ob 16.30. uri bo sledila okrogla miza na temo človekovih pravic, ki jo pripravljamo skupaj z Amnesty International, na kateri nam bosta Ahmed Rhuhel in Rasul Shafiq, preživela heroja znamenitega zapora Guantanamo na Kubi, predstavila svojo življenjsko izkušnjo.


V Jazz Clubu Gajo po 22. uri sledi še sproščen pogovor s Paulusom Mankerjem, avstrijskim igralcem iz filma Postopanje, z Mohammadom Rezom Foroutanom, iranskim igralcem iz filma Postopoma, ter s Hansom  Steinbichlerjem, režiserjem Zimskega potovanja.

Vabljeni.

','','',''),(94,'','','Sunday, 12 November

All five venues have films rolling at full speed. In order to make the film experience even more interesting, we would like to let you know the following: Hans Steinbichler, director of  The Winter Journey, is coming to Ljubljana today. You will be able to ask him questions after the afternoon screening in Kosovel Hall. After the screening of The Road to Guantanamo at 16:30 you are welcome to participate in the round table organised together with Amnesty International, during which Ahmed Rhuhel and Rasul Shafiq, surviving heroes of the famous Guantanamo prison in Cuba, will present us their life experience. A relaxed talk with interesting Paulus Manker, Austrian actor of Slumming, Mohammad Reza Foroutan, Iranian actor of Gradually, and Hans Steinbichler, director of The Winter Journey, will follow after 22:00 in Jazz Club Gajo. Join us! ','','',''),(95,'','','

Ponedeljek, 13. 12.


Festivalsko dogajanje je zaživelo!


Danes v Ljubljano prihajajo kar trije novi gosti:
Marzia Tedeschi, italijanska  igralka iz filma Za ljubi kruhek, Meike Hauck, scenaristka iz filma Namizni tenis, ter Feliks Falk, režiser Rubežnika in eden od režiserjev omnibusa Solidarnost, solidarnost … Z njimi se boste lahko v prihodnjih dneh pogovarjali po njihovih projekcijah v dvoranah.


Danes bodo po projekcijah filmov za kratek pogovor v dvorani na voljo: Paulus Manker, glavni igralec iz filma Postopanje, Meike Hauck, scenaristka filma Namizni tenis, ter Mohammad Reza Foroutan, iranski igralec iz filma Postopoma.  Vabljeni!

Filmi po znižani ceni za današnji dan so:
10:00, Ofsajd,  Kinoklub Vič  
11:00 Postopanje, Kino Dvor       
16:30 Zimsko potovanje, Kinoklub Vič   
23:10 Zimsko potovanje, Kino Komuna 

','','',''),(78,'','','

POZIV PROSTOVOLJCEM!


ČE
… imate radi film
… nestrpno pričakujete november in z njim 17.
LIFFe
… si želite pridobiti izkušnje pri organizaciji festivala in k njej prispevati svoj delež
… želite podrobneje spoznati tuje režiserje in druge festivalske goste


POLEG TEGA
imate primerno znanje, čas in voljo do dela


POTEM
vas vabimo k sodelovanju


PRI
– prodaji vstopnic
– spremljanju festivalskih gostov
– organizaciji spremljevalnih dogodkov
– urejanju festivalskih lokacij
– pridobivanju promocijskega gradiva za filme
– tehnični izvedbi festivala ter
– pri drugih organizacijskih in izvedbenih nalogah


OGLASITE SE
in se nam predstavite
sporočite tudi predloge za izboljšanje organizacije
navedite področja, na katerih bi želeli sodelovati

Svoje elektronsko sporočilo naslovite na natasa.bucar@cd-cc.si.

','','',''),(79,'','','

INVITATION TO VOLUNTEERS!


IF YOU
Like film
Are eagerly awaiting November and the 17th LIFFe
Wish to acquire experience in festival organisation and become an indispensable morsel in its puzzle
Would like to meet foreign directors and other festival guests


AND
Have appropriate knowledge and time
Don’t find work a hassle,


THEN
You are cordially invited to become a member of our festival team.


YOUR CONTRIBUTION TO THE FOLLOWING AREAS WOULD BE APPRECIATED
Ticket sales
Accompaniment of festival guests
Organisation of accompanying events
Arrangement of festival locations
Acquisition of promotional material
Technical realisation
And other organisation and realisation tasks


CONTACT US
And introduce yourself
Send us your suggestions for improved organisation
State the areas to which you would like to contribute


Contact: natasa.bucar@cd-cc.si

','','',''),(86,'','','We would like to inform all film lovers, who impatiently count the days remaining till the beginning of the 17th Ljubljana International Film Festival – LIFFe, that this year\\\'s programme and the schedule have already been published on www.liffe.si .

During the festival, interesting guests will be visiting Ljubljana for a couple of days. We will meet at the screenings and during relaxed evening talks in Jazz Club Gajo.

Our guests will be:
Birol Ünel – protagonist of the opening film Transylvania
Paulus Manker – popular Austrian actor (Slumming).
Feliks Falk – Polish director of The Collector
Goran Dukić – director of Croatian origin, working in the USA, presenting the film Wristcutters: A Love Story
Christophe Ali and Nicolas Bonilauri – directors of the French film Wild Camp
Hrvoje Hribar - Croatian director of the film What is a Man Without a Moustache?
Dominique Deruddere - Belgian director who already won the audience award at LIFFe is presenting his film The Wedding Party
Marzia Tedeschi – protagonist of the film For Bread Alone
Mohammad Foroutan – protagonist of the Iranian film Gradually…
...and many other interesting people.
','','',''),(87,'','','

Že odštevamo dni do začetka festivala. Vsi ljubitelji filma in zvesti obiskovalci ste že pregledali objavljeni spored 112 filmov in si priskrbeli vstopnice za svoje favorite v predprodaji. Ta bo potekala v Prvem preddverju Cankarjevega doma vse do začetka festivala.

Naj vas spomnimo še na tradicionalni festivalski časopis, ki ga pripravljamo v sodelovanju s časopisno hišo Delo in bo dnevno na voljo na vseh festivalskih prizoriščih. V njem boste brali ekskluzivne intervjuje s filmskimi ustvarjalci, kritike filmov in napovedi gostov, ki bodo obiskali Ljubljano.

Z zanimivimi filmskimi ustvarjalci se bomo po projekcijah pogovarjali v dvoranah in festivalsko druženje nadaljevali v Jazz klubu Gajo na Beethovnovi ulici 8, kjer bomo v sproščenem razpoloženju klepetali z gosti vse do 2. ure zjutraj.

O vseh festivalskih novicah ter o tem, kdo in kdaj bo obiskal Ljubljano, vas bomo sproti obveščali na naši spletni strani. Se vidimo.

','','',''),(88,'','','


Countdown to the beginning of the festival has already begun. All film lovers and loyal visitors have already looked over the published programme of 112 films and purchased tickets for your favourites in advance sale, which will take place in the first foyer of Cankarjev dom until the beginning of the festival.

Let us remind you of the traditional festival newspaper prepared together with the editorial of Delo daily. It will be available each day at all festival venues, providing you exclusive interviews with filmmakers, film reviews, and announcements of guests visiting Ljubljana.

We will talk to interesting filmmakers after screenings of their films and mingle with them in Jazz club Gajo (Beethovnova 8) until the early morning hours.

We will keep you updated on all festival news as well as who and when is visiting Ljubljana on our web page. See you!


','','',''),(89,'','','

PETEK, 10. 11.

Pa se je začel … štirinajstdnevni filmski maraton, ki ga bodo popestrili številni filmski gostje.

V Ljubljano že danes prihajajo: Birol Ünel, glavni igralec začetnega filma Transilvanija; Antonio Nuić in Nataša Janjić bosta predstavila film Vse zastonj – zadržala se bosta le en večer, a ju bo mogoče videti na pogovoru po večerni projekciji v kinu Komuna. Tudi iranskih gostov bo letos kar nekaj; film Ljudje pri delu bosta v Kinoklubu Vič predstavila igralca Fatemeh Motamed Arya in Ahmad Ali Hamed. Danes prihajata še Mohammad Reza Foroutan, igralec iz filma Postopoma, in Paulus Manker, znameniti avstrijski igralec iz filma Postopanje.
V naslednjih dneh prispejo še mnogi drugi, s katerimi boste poklepetali po projekcijah filmov, v soboto zvečer pa tudi v Jazz Clubu Gajo.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR). Filmi, za katere bomo ponudili »vroče vstopnice« bodo objavljeni na spletni strani vsak dan do 13. ure.

Filmi po znižani ceni so:                
10.11. ob 22:10, Ljudje pri delu, Kinodvor        
10.11. ob 23:10, Isabella, Kino Komuna   
11.11. ob 10:00,  Homburški princ, Kinoklub Vič    

','','',''),(90,'','','

FRIDAY, 10 November


A two-week film marathon has begun. Numerous interesting guests will make it even more appealing.

Visiting Ljubljana today:
Birol Ünel, protagonist of the opening film Transylvania. Antonio Nuić and Nataša Janjić are presenting the film All For Free. They will only be here one evening and it will be possible to talk to them after the evening screening in Komuna cinema. Quite a few Iranian guests will visit us this year. Actors Fatemeh Motamed Arya and Ahmad Ali Hamed will present the film Men at Work in Kinoklub Vič cinema. Also coming today: Mohammad Reza Foroutan, actor of Gradually, and Paulus Manker, renowned Austrian actor, presenting Slumming. 

There will be many more guests in the following days and you will be able to talk with them after the screenings of their films and in Jazz Club Gajo this Saturday night.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening. The films for which »hot tickets« will be available will be published on our web page each day before 13:00.

Today\\\'s reduced-price tickets can be purchased for the following films:
10 Nov at 10:00 Vič cinema, The Libertine
10 Nov at 22:10 Kinodvor cinema, Men At Work
10 Nov at 23:10 Komuna Cinema, Isabella
11. Nov at 10:00 Kinoklub Vič cinema, The Prince of Homburg

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/*!40000 ALTER TABLE `catentitypreview` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `catentitypreviewlang` -- DROP TABLE IF EXISTS `catentitypreviewlang`; CREATE TABLE `catentitypreviewlang` ( `idcatentity` bigint(20) NOT NULL default '0', `idlanguage` varchar(30) NOT NULL default '', `text1` text, `text2` text, `text3` text, `text4` text, `text5` text, PRIMARY KEY (`idcatentity`,`idlanguage`) ) TYPE=MyISAM; -- -- Dumping data for table `catentitypreviewlang` -- LOCK TABLES `catentitypreviewlang` WRITE; /*!40000 ALTER TABLE `catentitypreviewlang` DISABLE KEYS */; INSERT INTO `catentitypreviewlang` VALUES (85,'sl','','Filmoljube, ki nestrpno odštevate dni do začetka 17. ljubljanskega mednarodnega filmskega festivala – LIFFe obveščamo, da so na spletni strani že na voljo vse programske vsebine in urnik letošnjih filmov. Danes se je začela predprodaja vstopnic.

Med festivalom bodo Ljubljano za nekaj dni obiskali zanimivi gosti. Srečavali se bomo na projekcijah in na sproščenih večernih pogovorih v Jazz Clubu Gajo.

Obiskali nas bodo:
Birol Ünel – glavni igralec uvodnega filma Transilvanija (Transylvania),
Paulus Manker – popularni avstrijski igralec, ki bo predstavljal film Postopanje (Slumming),
Feliks Falk – poljski režiser Rubežnika (The collector),
Goran Dukić – režiser hrvaškega rodu, ki ustvarja v Združenih državah, k nam pa prihaja s filmom Picerija Kamikaze (Wristcutters: A Love Story),
Christophe Ali in Nicolas Bonilauri – režiserja francoskega Divjega kampiranja (Wild camp),
Hrvoje Hribar – hrvaški režiser  Kaj je moški brez brkov? (What is a man without moustache?),
Dominique Deruddere – belgijski režiser, ki je na Liffe že prejel nagrado občinstva, prihaja z Ohcetjo (The Wedding party),
Marzia Tedeschi – glavna igralka iz filma Za ljubi kruhek (For bread alone),
Mohammad Foroutan – glavni  igralec iranskega filma  Postopoma (Gradually…).
In še mnoga druga zanimiva imena.
','','',''),(84,'sl','','

We are a month away from the start of the Festival. This year, our programme will again include more than hundred films, divided into ten sections.

The film programme is anticipated to be published on 24 October. The time schedule will be published on our web page on 26 October at midnight. In order to avoid queuing, you can purchase cheaper tickets during advance sale, which will only take place in Cankarjev dom.

This year, films will again compete for awards. Kingfisher, the main award, will be presented to the best film within the Perspectives section. Golden Reel, the audience award, will be bestowed to one of the films within the Horizons. Best human rights film will receive the Amnesty International Slovenia award. An international jury of the world association of film critics and journalists will choose the best film of the South by Southeast section and bestow the FIPRESCI award.

You, the film lovers, are again kindly invited to participate in selecting the winner of  the Horizons section, where there will be films shown from 24 different countries this year. After the screenings, you will be able to talk to the guests and mingle in the Jazz Club Gajo in the evenings.

','','',''),(80,'sl','','

V veliki želji po preživljanju hladnih novembrskih večerov v zatemnjenih kinodvoranah, ob gledanju mojstrovin novih ali že uveljavljenih filmarjev, je festivalsko dogajanje že v polnem teku. Ponovno se nam obeta pester filmski pregled zadnjega leta, zato le nekaj namigov, saj nas od festivala loči še dober mesec dni.


Od uspešnic, ki potujejo naokrog po filmskih festivalih, pričakujemo dela mojstrov, kot je nemški velikan Tom Tykwer – njegova dela smo pred leti že gledali na LIFFe–; v Cannesu nagrajeni Volver Pedra Almodovarja; La tigre e la neve zadnjo mojstrovino Italijana Roberta Benignija; čisto sveži Direktoren for det hele Larsa Von Trierja, konec septembra premierno prikazan na filmskem festivalu v Köbenhavnu.


V sodelovanju z italijanskim inštitutom v Ljubljani bomo počastili veterana Marca Bellocchia, fokus bo letos zavit v francoske barve.

Željni druženja s filmskimi ustvarjalci nestrpno pričakujemo zanimive goste z različnih delov sveta, ki se bodo nekaj dni zadržali v Ljubljani. Leta 2001 nagrajenec občinstva, Dominique Deruddere, bo ponovno skušal osvojiti naklonjenost gledalcev z že nagrajenim The Wedding Party. Goran Dukić, hrvaški režiser, živeč v New Yorku, bo tekmoval z Wristcutters: A Love Story.


Po že tradicionalnih pogovorih z gosti po projekcijah bomo letos večerno filmsko druženje nadaljevali v Jazz Clubu Gajo.


Se vidimo na LIFFe.

','','',''),(83,'sl','','Do začetka festivala nas loči še mesec dni. Letos bo v programu ponovno več kot sto filmov, ki bodo razdeljeni v 10 sekcij.

Filmski program bomo objavili predvidoma 24. oktobra, urnik bo objavljen na spletni strani 26. oktobra ob polnoči. Da se izognete čakalnim vrstam si priskrbite cenejše karte v predprodaji, ki bo potekala le v Cankarjevem domu.

Tudi letos se bodo filmi potegovali za nagrade. Za glavno nagrado vodomec tekmujejo filmi iz sekcije Perspektive. Za zlati kolut, nagrado občinstva, filmi iz sekcije Obzorja. Najboljši film na temo človekovih pravic bo prejel nagrado Amnesty International Slovenije. V sekciji Jug – jugovzhodno pa bo mednarodna žirija Svetovnega združenja filmskih kritikov in novinarjev podelila nagrado FIPRESCI.

Vas - ljubitelje filmov pa ponovno toplo vabimo k sodelovanju, da izberete zmagovalca občinstva v sekciji Obzorja, kjer bo letos na ogled 24 filmov iz različnih držav. Po filmskih projekcijah boste v dvoranah lahko poklepetali z ustvarjalci filmov, v večernih urah pa se bomo vsi skupaj družili v Jazz Clubu Gajo. ','','',''),(93,'sl','','

Nedelja, 12. 11.


Filmski koluti se na vseh petih lokacijah obračajo s polno paro. Da pa bodo filmi še bolj zanimivi, vam sporočamo: danes v Ljubljano prihaja Hans Steinbichler, režiser Zimskega potovanja. Po popoldanski projekciji v  Kosovelovi dvorani ga boste lahko kaj zanimivega povprašali.


Filmu Pot v Guantanamo ob 16.30. uri bo sledila okrogla miza na temo človekovih pravic, ki jo pripravljamo skupaj z Amnesty International, na kateri nam bosta Ahmed Rhuhel in Rasul Shafiq, preživela heroja znamenitega zapora Guantanamo na Kubi, predstavila svojo življenjsko izkušnjo.


V Jazz Clubu Gajo po 22. uri sledi še sproščen pogovor s Paulusom Mankerjem, avstrijskim igralcem iz filma Postopanje, z Mohammadom Rezom Foroutanom, iranskim igralcem iz filma Postopoma, ter s Hansom  Steinbichlerjem, režiserjem Zimskega potovanja.

Vabljeni.

','','',''),(92,'sl','','

SOBOTA, 11. 11.


Led je prebit, filmske projekcije potekajo, vse več filmov je razprodanih in na festivalu je vedno več zanimivih filmskih ustvarjalcev.

Danes prihajajo:
režiser filma Pot lubenic Branko Schmidt
s producentom Stanislavom Babićem ter
Ahmed Rhuhel in Rasul Shafiq, preživela heroja znamenitega zapora Guantanamo na Kubi, ki bosta ob filmu Pot v Guanatanamo (na sporedu v nedeljo) povedala več o svoji življenjski izkušnji.

Večer bomo v sproščenem filmskem razpoloženju sklenili v Jazz Clubu Gajo. Pogovarjali se bomo z Birolom Ünelom, glavnim igralcem Transilvanije, in Brankom Scmidtom, režiserjem filma Pot lubenic. Spoznali bomo še dva Iranca, igralko Fatemeh Motamed Arya in igralca Ahmada Alija Hameda iz filma Ljudje pri delu. Vabljeni.

','','',''),(94,'sl','','Sunday, 12 November

All five venues have films rolling at full speed. In order to make the film experience even more interesting, we would like to let you know the following: Hans Steinbichler, director of  The Winter Journey, is coming to Ljubljana today. You will be able to ask him questions after the afternoon screening in Kosovel Hall. After the screening of The Road to Guantanamo at 16:30 you are welcome to participate in the round table organised together with Amnesty International, during which Ahmed Rhuhel and Rasul Shafiq, surviving heroes of the famous Guantanamo prison in Cuba, will present us their life experience. A relaxed talk with interesting Paulus Manker, Austrian actor of Slumming, Mohammad Reza Foroutan, Iranian actor of Gradually, and Hans Steinbichler, director of The Winter Journey, will follow after 22:00 in Jazz Club Gajo. Join us! ','','',''),(91,'sl','','

Saturday, 11 November


The ice has been broken, screenings are ongoing, more and more films are sold out and more and more interesting guests are visiting the festival.

Coming today:
Branko Schmidt, director of The Melon Route, together with producer Stanislav Babić.
Ahmed Rhuhel and Rasul Shafiq, two surviving heroes of the well-known Guantanamo prison in Cuba. They will tell us more about their life experience after the screening of The Road to Guantanamo this Sunday. 

We will close the evening in a relaxed film atmosphere in Jazz Club Gajo, where we will talk to Birol Ünel, protagonist of Transylvania, and Branko Schmidt, director of The Melon Route. Two guests are coming from Iran, actress Fatemeh Motamed Arya and actor Ahmad Ali Hamed, both form Men At Work. Join us. 


 

','','',''),(82,'sl','','Eagerly looking forward to spending chilly November evenings in dark cinemas, watching masterpieces of new or already asserted filmmakers, festival activities are in full swing now. Once again, a colourful overview of the latest films is awaiting us. As the Festival is still a good month away, let us drop just a couple of hints.

Among the blockbusters travelling from festival to festival, we can expect those of the German giant Tom Tykwer, whose films we already saw at Liffe years ago. Pedro Almodovar\\\'s Volver, rewarded in Cannes, La tigre e la neve Roberto Begnini\\\'s latest masterpiece. The freshest Lars Von Trier, Direktoren for det hele, which was first shown end September at the Copenhagen film festival.
We will pay special tribute to the veteran Marco Bellocchio in cooperation with the Italian Cultural Institute of Ljubljana. Focus will be French-coloured.

Eager to mingle with filmmakers, we are impatiently expecting interesting guests from all over the world to arrive to Ljubljana for a couple of days. Dominique Deruddere, who won the audience award in 2001, will try to conquer spectators again with the already rewarded film The wedding Party. Goran Dukić, a Croatian director living in New York, will be in competition with his film Wristcutters: A Love Story.

After the already traditional talks with our guests after projections, we will this year continue our evening film gatherings in Jazz Club Gajo.
See you at the Liffe.
','','',''),(127,'sl','','Announcements

March
9th International Documentary Film Festival
A diversified insight into contemporary world documentary film production, which is becoming increasingly more incisive and topical, deeply stirring the nucleus of major social and political issues and probing all walks of life. ','','',''),(128,'sl','','

INVITATION TO VOLUNTEERS!


IF YOU
Like film
Are eagerly awaiting November and the 18th LIFFe
Wish to acquire experience in festival organisation and become an indispensable morsel in its puzzle
Would like to meet foreign directors and other festival guests


AND
Have appropriate knowledge and time
Don’t find work a hassle,


THEN
You are cordially invited to become a member of our festival team.


YOUR CONTRIBUTION TO THE FOLLOWING AREAS WOULD BE APPRECIATED
Ticket sales
Accompaniment of festival guests
Organisation of accompanying events
Arrangement of festival locations
Acquisition of promotional material
Technical realisation
And other organisation and realisation tasks


CONTACT US
And introduce yourself
Send us your suggestions for improved organisation
State the areas to which you would like to contribute


Contact: natasa.bucar@cd-cc.si

','','',''),(115,'sl','','

Četrtek, 23. 11.


Kmalu bomo začeli odštevati ure do zaključka festivala.

Danes je z nami v Ljubljani kar lepo število gostov. Belgijski režiser  Dominique Deruddere vas bo pozdravil po filmu Ohcet, izraelski režiser Eyal Halfon po filmu Tako lepe dežele, romunski igralec Cristian Vararu po filmu Kako sem preživel konec sveta, Sergej Stanojkovski in Tomislav Pinter po filmu Stik, iranski režiser Ali Reza Amini po filmu Zamrznjen čas, hrvaški režiser Hrvoje Hribar po filmu Kaj je moški brez brkov? ter Oleg Novković in Milena Marković po filmu Jutri zjutraj.


Zvečer ste vsi vabljeni na pogovor in druženje v Jazz Club Gajo.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:

23.11. ob 11:00 Ohcet, Kinodvor
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(116,'sl','','Thursday, 23 November

We will soon start to countdown the hours till the end of the Festival.

A lot of guests are visiting us today. Belgian director Dominique Derrudere will be with you after the screening of The Wedding Party, Israeli director Eyal Halfon after the screening of What a Wonderful Place, Romanian actor Cristian Vararu after the screening of The Way I spent the End of the World, Sergej Stanojkovski and Tomislav Pintar after the screening of Contact, Iranian director Ali Reza Amini after the screening of Time Froze, Croatian director Hrvoje Hribar after the screening of What is a Man Without a Moustache? and Oleg Novković and Milena Marković after the screening of Tomorrow Morning. You are all kindly invited to join us in Jazz Club Gajo in the evening.

The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.

23.11. at 11:00 The Wedding Party, Kinodvor Cinema
23.11. at 15:00 Warchild, Linhart Hall
23.11. at 17:30 Contact, Linhart Hall
23.11. at 23:10 What a Wonderful Place, Komuna Cinema
24.11. at 14:30 Facing The Day, Kosovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovel Hall
24.11. at 23:10 Contact, Komuna Cinema 25.11. at 19:00 Warchild, Linhart Hall ','','',''),(117,'sl','','

Petek, 24. 11.

Danes zvečer bomo sklenili naše štirinajstdnevno filmsko popotovanje.


Trudimo se, da bodo na slovesni podelitvi z nami nagrajenci: torej dobitnik glavne nagrade vodomec iz sklopa Perspektive,
dobitnik nagrade fipresci iz Jug–jugovzhodno in nagrajenec za najboljši film na temo človekovih pravic, ki jo bo podelila Amnesty International.


Vse obiskovalce festivala v soboto vabimo na ogled še dveh projekcij.

Ob 19. uri si boste lahko ogledali nemško-slovensko koprodukcijo, film Izginuli režiserja Christiana Wagnerja, v katerem nastopa tudi naša Milena Zupančič.

Ob 21. uri pa bomo predvajali še dobitnika nagrade vodomec.
Vabljeni!


Zmagovalni film iz sekcije Perspektive bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:

24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(118,'sl','','

Friday, 24 November

Our two-week film journey will conclude tonight.

We did our best to have the winners present at the gala bestowal of awards tonight – the winner of the Kingfisher Award (Perspectives), the winner of the Fipresci Award (South by Southeast), and the winner of the Human Rights Award granted by Amnesty International.


There will be two more screenings on Saturday – at 19:00 Warchild, a German-Slovene coproduction by Christian Wagner, with Milena Zupančič in one of the roles; and at 21:00 the winner of the Kingfisher Award.
Welcome!


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


24.11. at 14:30 Facing The Day, Kosovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovel Hall
24.11. at 23:10 Contact, Komuna Cinema 25.11. at 19:00 Warchild, Linhart Hall 
 

','','',''),(119,'sl','','

Sobota, 25. 11.


Festival smo uspešno zaključili.

Zmagovalci so znani,
filmski program Cankarjevega doma pa ostaja še naprej pester.

Zmagovalni film iz sekcije Perspektive 1:1 Ena proti ena bomo predvajali danes, v soboto 25. novembra, ob 21. uri v Linhartovi dvorani.

V decembru bomo predvajali film Moški brez brkov hrvaškega režiserja Hrvoja Hribarja v distribuciji Blitza, ki bo tudi novoletna projekcija.

Francoski film Transilvanija režiserja Tonyja Gatlifa v distribuciji CD bo prikazan 2. januarja.
Vse seveda pozivamo, da spremljate program.

Spomladi napovedujemo:
prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,
cikel sodobnega turškega filma med 22. in 24. marcem
ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.
Vabljeni!

','','',''),(120,'sl','','Festival smo uspešno zaključili.

Zmagovalci so znani,
filmski program Cankarjevega doma pa ostaja še naprej pester.

V decembru bomo predvajali film Kaj je moški brez brkov? hrvaškega režiserja Hrvoja Hribarja v distribuciji Blitza, ki bo tudi novoletna projekcija.

Francoski film Transilvanija režiserja Tonyja Gatlifa v distribuciji CD bo prikazan 2. januarja.

Vse seveda pozivamo, da spremljate program.

Spomladi napovedujemo:
prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,
cikel sodobnega turškega filma med 22. in 24. marcem
ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.

Vabljeni! ','','',''),(121,'sl','','

Saturday, 25 November

The winning film of Perspectives section will be screened today at 21:00 in Linhart Hall.

Announcements


February
1st International Mountain Climbing Film Festival
Approximately 30 first-rate Slovenian and foreign mountain and adventure films
The selected films will compete for the main prize presented by the City of Domžale, as well as for best film, best mountain-climbing culture film, best environmental and mountain sports film, as well as for audiences’ choice film.


March
9th International Documentary Film Festival 
A diversified insight into contemporary world documentary film production, which is becoming increasingly more incisive and topical, deeply stirring the nucleus of major social and political issues and probing all walks of life.

','','',''),(122,'sl','','

Announcements


February
1st International Mountain Climbing Film Festival
Approximately 30 first-rate Slovenian and foreign mountain and adventure films
The selected films will compete for the main prize presented by the City of Domžale, as well as for best film, best mountain-climbing culture film, best environmental and mountain sports film, as well as for audiences’ choice film.


March
9th International Documentary Film Festival 
A diversified insight into contemporary world documentary film production, which is becoming increasingly more incisive and topical, deeply stirring the nucleus of major social and political issues and probing all walks of life.

','','',''),(123,'sl','','

Filmski program Cankarjevega doma pa ostaja še naprej pester.

Francoski film Transilvanija režiserja Tonyja Gatlifa v distribuciji CD bo prikazan 2. januarja.

Spomladi napovedujemo:
prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,
cikel sodobnega turškega filma med 22. in 24. marcem
ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.

Vabljeni!

','','',''),(124,'sl','','

Spomladi napovedujemo:

prvi mednarodni festival gorniškega filma med 7. in 10. februarjem,

cikel sodobnega turškega filma med 22. in 24. marcem

ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.


Vabljeni!

','','',''),(125,'sl','','

Filmski program Cankarjevega doma pa ostaja še naprej pester.

Napovedujemo cikel sodobnega turškega filma med 22. in 24. marcem

ter festival dokumentarnega filma, ki bo na sporedu med 15. in 21. marcem.


Vabljeni!

','','',''),(126,'sl','','

POZIV PROSTOVOLJCEM!


ČE
… imate radi film
… nestrpno pričakujete november in z njim 18.
LIFFe
… si želite pridobiti izkušnje pri organizaciji festivala in k njej prispevati svoj delež
… želite podrobneje spoznati tuje režiserje in druge festivalske goste


POLEG TEGA
imate primerno znanje, čas in voljo do dela


POTEM
vas vabimo k sodelovanju


PRI
– prodaji vstopnic
– spremljanju festivalskih gostov
– organizaciji spremljevalnih dogodkov
– urejanju festivalskih lokacij
– pridobivanju promocijskega gradiva za filme
– tehnični izvedbi festivala ter
– pri drugih organizacijskih in izvedbenih nalogah


OGLASITE SE
in se nam predstavite
sporočite tudi predloge za izboljšanje organizacije
navedite področja, na katerih bi želeli sodelovati

Svoje elektronsko sporočilo naslovite na natasa.bucar@cd-cc.si.

','','',''),(112,'sl','','

Tuesday, 21 November


Oleg Novković, director of Serbian Tomorrow Morning, and scriptwriter Milena Marković will arrive to Ljubljana today. You will be able to talk with them after the screenings in Kinodvor today and in Cankarjev dom on Thursday. In the evening, they will join us in Jazz Club Gajo.


Actor Cristian Vararu will present us the Romanian film How I Spent the End of the World. His film will be screened today and on Thursday, when he will also be available for questions after the screening in Cankarjev dom.


You are kindly invited to join us in Jazz Club Gajo after the evening screenings tonight. Also there will be: director Milena Andonova and actress Bonka Ilieva-Boni, Cristian Vararu, Hrvoje Hribar and Ali Reza Amini. Be there.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


21.11. at 12:30 Facing The Day, Kosovelovel Hall
21.11. at 21:00 Monkeys in Winter, Vič Cinema
21.11. at 22:00 Days of Glory, Linhart Hall
22.11. at 15:00 White Palms, Linhart Hall
22.11. at 18:45 Uro, Vič Cinema
22.11. at 19:30 White Palms, Kinodvor Cinema
22.11. at 23:10 Don\\\'t Tell, Komuna Cinema
23.11. at 11:00 The Wedding Party , Kinodvor Cinema
21.11. at 14:30 Fabulous! The Story of Queer Cinema, Kosovelovel Hall
23.11. at 15:00 Warchild , Linhart Hall
23.11. at 17:30 Contact, Linhart Hall
23.11. at 23:10 What a Wonderful Place, Komuna Cinema
24.11. at 14:30 Facing The Day, Kosovelovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovelovel Hall
24.11. at 23:10 Contact, Komuna Cinema
25.11. at 19:00 Warchild, Linhart Hall

','','',''),(113,'sl','','

Wednesday, 22 November


Sergej Stanojkovski and Tomislav Pintar arrive to Ljubljana today to present the film Contact.

Belgian director Dominique Derrudere will be with us after the screening of The Wedding Party.

Director Eyal Halfon will tell us more about his film What a Wonderful Place after the screening in Cankarjev dom. 


You are all invited to join us in Jazz Club Gajo tomorrow evening, when we will talk to Dominique Derrudere, Cristian Vararu, Eyal Halfon, Sergej Stanojkovski and Tomislav Pintar.
Welcome.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


22.11. at 15:00 White Palms, Linhart Hall
22.11. at 18:45 Uro, Vič Cinema
22.11. at 19:30 White Palms, Kinodvor Cinema
22.11. at 23:10 Don\\\'t Tell, Komuna Cinema
23.11. at 11:00 The Wedding Party, Kinodvor Cinema
21.11. at 14:30 Fabulous! The Story of Queer Cinema, Kosovel Hall
23.11. at 15:00 Warchild, Linhart Hall
23.11. at 17:30 Contact, Linhart Hall
23.11. at 23:10 What a Wonderful Place, Komuna Cinema
24.11. at 14:30 Facing The Day, Kosovel Hall
24.11. at 16:30 Contact, Vič Cinema
24.11. at 16:45 Uro, Kosovel Hall
24.11. at 23:10 Contact, Komuna Cinema
25.11. at 19:00 Warchild, Linhart Hall

','','',''),(114,'sl','','

Sreda, 22. 11.

Danes v Ljubljano  prispeta Sergej Stanojkovski in Tomislav Pinter, ki bosta predstavila film Stik.

Z nami je tudi belgijski režiser Dominique Deruddere, ki vas bo pozdravil po filmu Ohcet.

Po predvajanju filma Tako lepa dežela v Cankarjevem domu vam bo več o filmu povedal režiser Eyal Halfon.


Jutri vas vse vabimo na filmsko druženje v Jazz Club Gajo, kjer se bomo pogovarjali z Dominiquom Derudderom, Cristianom Vararujem, Eyalom Halfonom, Sergejem Stanojkovskim in Tomislavom Pinterjem.
Vabljeni!


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:

22.11. ob 15:00 Bele dlani, Linhartova dvorana
22.11. ob 18:45 Uro, Vič
22.11. ob 19:30 Bele dlani, Kinodvor
22.11. ob 23:10 Zver v srcu, Komuna
23.11. ob 11:00 Ohcet, Kinodvor
21.11. ob 14:30 Čudovito! Zgodba gejevskega filma, Kosovelova dvorana
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(108,'sl','','

Nedelja, 19. november


Festival je uspešno preživel prvo polovico, čaka nas še šest filmskih dni. Vse obiskovalce pozivamo, da glasujete za svoj najljubši film iz Obzorij.


Z montažerjem iraškega filma Ahlam, Ianom Watsonom, se boste lahko pogovarjali po projekciji filma danes zvečer v Kinoklubu Vič.


V naslednjih dneh pa prihajajo: režiserka filma Opice pozimi, Milena Andonova, ter igralka Bonka Ilieva-Boni, s filmom Zamrznjen čas prihajata Iranca Ali Reza Amini, režiser filma, ter njegov asistent Farnaz Ramshidi Mogadam. In še mnogi drugi.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.



Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Filmi po znižani ceni:
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič

','','',''),(109,'sl','','

Monday, 20 November


The Festival is slowly approaching its end, but quite a few guests will still arrive to Ljubljana until the end of the week.


Coming today are two extremely interesting guests: Milena Andonova, director of Monkeys in Winter, and actress Bonka Ilieva-Boni. You will be able to meet them after the screenings in Cankarjev dom and Kinodvor today and in Kinoklub Vič tomorrow.

Eyal Halfon, director of Israeli What a Wonderful Place, is also coming today. The film will be screened on Wednesday and Thursday and we will talk with him after the screenings.

In the following days, we are expecting Hrvoje Hribar, Oleg Novković and Milena Marković, Cristian Vararu, Dominique Derruder and many others.

The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


22.11. at 18:45 Uro, Kinoklub cinema

','','',''),(110,'sl','','

Ponedeljek, 20. 11.


Festivalske dni bomo počasi začeli odštevati, vendar bo do konca tedna Ljubljano obiskalo še kar lepo število gostov.


Danes v Ljubljano pripotujeta dve izredno zanimivi ustvarjalki, režiserka filma Opice pozimi, Milena Andonova, in igralka Bonka Ilieva-Boni. Z njima se boste lahko pogovarjali po projekcijah filma v Cankarjevem domu in Kinodvoru, jutri pa še v Kinuklubu Vič.

Film Zamrznjen čas nam bosta predstavila iranski režiser Ali Reza Amini in njegov asistent Farnaz Ramshidi Mogadam. Film bo na sporedu jutri in v četrtek.


Danes prispe še Eyal Halfon, režiser izraelskega filma Tako lepa dežela. Film bo na urniku v sredo in četrtek, takrat pa se bomo z njim pogovarjali tudi po projekcijah v dvorani.

V naslednjih dneh  pričakujemo še Hrvoja Hribarja, Olega Novkovića in Mileno Marković, Cristiana Vararuja, Dominiqua Derruderja in še mnoge druge.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:
20.11. ob 19:30 Opice pozimi, Kinodvor
20.11. ob 23:10 Kronika pobega, Komuna
21.11. ob 10:00 Narod hitre prehrane, Vič
21.11. ob 12:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
21.11. ob 21:00 Opice pozimi, Vič
21.11. ob 22:00 Domorodci, Linhartova dvorana
22.11. ob 15:00 Bele dlani, Linhartova dvorana
22.11. ob 18:45 Uro, Vič
22.11. ob 19:30 Bele dlani, Kinodvor
22.11. ob 23:10 Zver v srcu, Komuna
23.11. ob 11:00 Ohcet, Kinodvor
21.11. ob 14:30 Čudovito! Zgodba gejevskega filma, Kosovelova dvorana
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(111,'sl','','

Torek, 21. 11.


Danes v Ljubljano pripotujeta Oleg Novković, režiser srbskega filma Jutri zjutraj, in scenaristka Milena Marković. Z njima se boste lahko pogovarjali danes po projekciji v Kinodvoru in v četrtek po projekciji v Cankarjevem domu, zvečer pa bosta z nami tudi na pogovoru v Jazz Clubu Gajo.


Romunski film Kako sem preživel konec sveta nam bo predstavil igralec Cristian Vararu. Njegov film bo na sporedu danes in v četrtek, ko vam bo na voljo za pogovor po filmu v Cankarjevem domu.


Danes po večernih projekcijah vas vabimo, da se nam pridružite na pogovoru v Jazz Clubu Gajo. Z nami bodo: režiserka Milena Andonova in igralka Bonka Ilieva-Boni, Cristian Vararu, Hrvoje Hribar in Ali Reza Amini. Vabljeni!


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Film po znižani ceni:
21.11. ob 10:00 Narod hitre prehrane, Vič
21.11. ob 12:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
21.11. ob 21:00 Opice pozimi, Vič
21.11. ob 22:00 Domorodci, Linhartova dvorana
22.11. ob 15:00 Bele dlani, Linhartova dvorana
22.11. ob 18:45 Uro, Vič
22.11. ob 19:30 Bele dlani, Kinodvor
22.11. ob 23:10 Zver v srcu, Komuna
23.11. ob 11:00 Ohcet, Kinodvor
21.11. ob 14:30 Čudovito! Zgodba gejevskega filma, Kosovelova dvorana
23.11. ob 15:00 Izginuli, Linhartova dvorana
23.11. ob 17:30 Stik, Linhartova dvorana
23.11. ob 22:10 Bele dlani, Kinodvor
23.11. ob 23:10 Tako lepa dežela, Komuna
24.11. ob 14:30 Kaj početi sam s seboj čez dan, Kosovelova dvorana
24.11. ob 16:30 Stik, Vič
24.11. ob 16:45 Uro, Kosovelova dvorana
24.11. ob 23:10 Stik, Komuna
25.11. ob 19:00 Izginuli, Linhartova dvorana

','','',''),(106,'sl','','

Sobota, 18. 11.

Danes v Ljubljano prihajata francoska režiserja filma Divje kampiranje, Christophe Ali in Nicolas Bonilauri.

Z njima se boste lahko pogovarjali po projekcijah v Kinodvoru in kinu Komuna.
Po filmu Ahlam v Linhartovi dvorani boste lahko zastavljali vprašanja Ianu Watsonu, montažerju tega arabskega filma. Za vse zamudnike bo film na sporedu še v nedeljo v Kinuklubu Vič.

Zvečer se bomo v Jazz Clubu Gajo družili z vsemi gosti, ki so danes v Ljubljani.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Filmi po znižani ceni:
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič

','','',''),(107,'sl','','

Sunday, 19 November


The Festival got through the first half successfully and there are six more film days ahead of us. We invite all viewers to vote for their favourite film of the Horizons.


You will be able to talk with Ian Watson, editor of Iraqui film Ahlaam after the screening tonight in Kinoklub Vič.


The following guests are coming soon:  director Milena Andonova and actress Bonka Ilieva-Boni of Monkeys in Winter, director Ali-Reza Amini and his assistant Farnaz Ramshidi Mogadam of Iranian Time Froze. And there will be many more…


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45 Uro, Kinoklub cinema


','','',''),(101,'sl','','Četrtek, 16. 11.

Tudi danes v Ljubljano prihaja nekaj zanimivih gostov. Najprej režiser Goran Dukić in igralka Mikal Lazarev iz filma Picerija Kamikaze – z njima se boste lahko pogovarjali po projekcijah v Cankarjevem dvoru in Kinodvoru ter ponovno v petek v Cankarjevem domu.

Film Zbogom, Berlusconi bo predstavila igralka Lucia Chiarla, ki vam bo po projekciji v Cankarjevem domu povedala več o filmu. V petek vam bo na voljo še v Kinodvoru in Kinoklubu Vič.

Režiser Feliks Falk (Rubežnik) vas bo pozdravil po projekciji v Cankarjevem domu.

Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.

Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).

Filmi po znižani ceni:
16.11. ob 10:00 Shortbus, Kino Vič
16.11. ob 14:30 Popolnoma Wilson, Kinodvor
16.11. ob 16:00 Jindabyne, Kinodvor
16.11. ob 16:45 Solidarnost, solidarnost…, Kosovelova dvorana
16.11. ob 21:00 Popolnoma Wilson, Kino Vič
17.11. ob 11:00 Solidarnost, solidarnost, Kinodvor
17.11. 0b 16:00 Gostitelj, Komuna
17.11. ob 14:30 Mala Noche, Kosovelova dvorana
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič ','','',''),(102,'sl','','

Thursday, 16 November


New interesting guests are coming to Ljubljana today. Director Goran Dukić and actress Mikal Lazarev (Wristcutters: A Love Story) will be available for questions after the screenings in Cankarjev dom and Kinodvor today and again on Friday in Cankarjev dom.

The film Bye Bye Berlusconi will be presented by actress Lucia Chiarla. She will tell us more about the film after the screening in Cankarjev dom and will join us again on Friday in Kinodvor and Kinoklub Vič. Feliks Falk will be available for questions after the screening in Cankarjev dom.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.


It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


16.11. at 10:00 Shortbus, Vič cinema
16.11. at 14:30  Absolute Wilson, Kinodvor cinema
16.11. at 16:00 Jindabyne, Kinodvor cinema
16.11. at 16:45 Solidarity, Solidarity… , Kosovel Hall
16.11. at 21:00 Absolute Wilson, Vič cinema
17.11. at 11:00 Solidarity, Solidarity… , Kinodvor cinema
17.11. at 16:00 The Host , Komuna cinema
17.11. at 14:30 Mala Noche, Kosovel Hall
18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45  Uro, Kinoklub cinema

','','',''),(105,'sl','','

Saturday, 18 November


Cristophe Ali and Nicolas Bonilauri, French directors of Wild Camp, are arriving to Ljubljana today. You will be able to talk with them after the screenings in Kinodvor and Komuna cinema.

After the screening of Ahlaam in Linhart Hall, Ian Watson, editor of this Arab film, will be available for questions. For all of you who missed it, the film will be screened again in Kinoklub Vič on Sunday.

In the evening, we will hang around with all the guests who are currently in Ljubljana – join us in Jazz Club Gajo.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.


18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45 Uro, Kinoklub cinema
 

','','',''),(103,'sl','','Friday, 17 November

International jury is coming to Ljubljana to choose the winning films of individual sections. Kingfisher Award for best director of the Perspectives will be chosen by Jay Jeon, Ana Maria Percavassi and Marjan Strojan.

Amnesty International Award will be bestowed to best human rights film by Hans van Gerven, Aleksandar Manić and Hanna Slak.

The jury of the World Association of Film Critics and Journalists will choose the best film of the South by Southeast section and bestow it the Fipresci Award. Members of the jury: Janine Euvrard, Janusz Wróblewski and Damir Radič. Golden Reel will be awarded to best film of the Horizons (chosen by the audience).

Also arriving today is Ian Watson, editor of Iraqui film Ahlaam.

The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening.

17.11. at 11:00 Solidarity, Solidarity… , Kinodvor cinema
17.11. at 16:00 The Host , Komuna cinema
17.11. at 14:30 Mala Noche, Kosovel Hall
18.11. at 22:00, Taxidermia, Linhart Hall
18.11. at 23:10 Vitus, Komuna cinema
22.11. at 18:45 Uro, Kinoklub cinema ','','',''),(104,'sl','','

Petek, 17. 11.


V Ljubljano prihaja mednarodna žirija, ki bo izbirala zmagovalce posameznih programskih sklopov.


Nagrado vodomec za najboljšega režiserja filma iz Perspektiv bodo izbrali člani žirije Jay Jeon, Ana Maria Percavassi in Marjan Strojan.

Žirija, ki jo sestavljajo Hans van Gerven, Aleksandar Manić in Hanna Slak, bo najboljšemu filmu na temo človekovih pravic podelila nagrado Amnesty International.

Iz sklopa Jug–jugovzhodno bo žirija Svetovnega združenja filmskih kritikov in novinarjev podelila nagrado fipresci, ki jo sestavljajo Janine Euvrard, Janusz Wroblewski in Damir Radić. Nagrado občinstva zlati kolut pa dobi film iz Obzorij, ki bo najbolj všeč obiskovalcem festivala.

Obiskal nas bo tudi Ian Watson, montažer iraškega filma Ahlam.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).


Filmi po znižani ceni:
17.11. ob 11:00 Solidarnost, solidarnost, Kinodvor
17.11. 0b 16:00 Gostitelj, Komuna
17.11. ob 14:30 Mala Noche, Kosovelova dvorana
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45 Uro, Kinoklub Vič

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Torek, 14. 11.


Festival se nadaljuje. Novi gostje prihajajo vsak dan, od nekaterih smo se tudi že poslovili.

Danes v Ljubljano prihaja Jasmin Duraković, bosanski režiser filma Nafaka.
Z njim bomo lahko poklepetali po filmu zvečer v Kosovelovi dvorani ter v sredo po projekcijah v Kinodvoru in Kinoklubu Vič. Takrat se nam bo pridružil še igralec iz filma Senad Bašić.


Po projekcijah filmov se bomo v dvoranah pogovarjali z Meike Hauck, scenaristko Namiznega tenisa, Feliksom Falkom, režiserjem Rubežnika, z enim od režiserjev omnibusa Solidarnost, solidarnost, ter z Marzio Tedeschi, igralko iz filma Za ljubi kruhek.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.

Vstopnice po znižani ceni za današnji dan so na voljo uro pred predstavo:
16:00 Rubežnik, Kinodvor
16:45 Policajevo območje, Kosovelova dvorana
21:00 Rubežnik, Kino Vič
22:10 Flandrija, Kinodvor

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Tuesday, 14 November


The festival is continuing - new guests are arriving every day, some of them have already said goodbye.

Jasmin Duraković, Bosnian director of Nafaka, is coming to Ljubljana today. We will talk to him this evening after the screening in Kosovel Hall and on Wednesday after the screenings in Kinodvor and Kinoklub Vič. Senad Bašić, actor of this film, will also join us then.


After the evening screenings, we will be hosting: Meike Hauck, scriptwriter of Pingpong, Feliks Falk, director of The Collector and one of directors of the omnibus Solidarity, Solidarity, and Marzia Tedeschi, actress of For Bread Alone.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

Today\\\'s tickets at a reduced price are available an hour before each screening:
16:00 The Collector, Kinodvor cinema
16:45 Police Beat, Kosovel Hall
21:00 The Collector, Vič cinema
22:10 Flandres, Kinodvor cinema

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Sreda, 15. 11.


Danes v Ljubljano prispe le en gost, to je igralec Senad Bašić iz filma Nafaka. Po projekcijah v Kinodvoru in Kinoklubu Vič bosta z režiserjem Jasminom Durakovićem, ki je prispel že včeraj, povedala več o filmu. Zastavili jima boste lahko tudi kakšno vprašanje.

Marzia Tedeschi, italijanska igralka iz filma Za ljubi kruhek, vam bo za pogovor na voljo po projekcijah v Kinodvoru in kinu Komuna.

V četrtek pričakujemo še goste iz filma Picerija kamikaze in Zbogom, Berlusconi.

V naslednjih dneh pripotuje tudi žirija, ki bo v Perspektivah izbrala najboljši film za glavno nagrado vodomec. Najboljšemu filmu na temo človekovih pravic bo podeljena nagrada Amnesty International. Nagrado fipresci bo dobil film iz sklopa Jug–jugovzhodno.


Zmagovalni film bomo predvajali v soboto, 25. novembra, ob 21. uri v Linhartovi dvorani.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR).

Filmi po znižani ceni:
15.11. ob 10:00 Vse zastonj, Kino Vič
15.11. ob 14:30 Solidarnost, solidarnost, Kosovelova dvorana
15.11. ob 15:00 Jandabyne, Linhartova dvorana
15.11. ob 19: 45 Shortbus, Linhartova dvorana
15.11. ob 21:00 Flandrija, Komuna
15.11. ob 23:10 Pri belem dnevu, Komuna
16.11. ob 10:00 Shortbus, Kino Vič
16.11. ob 14:30  Popolnoma Wilson, Kinodvor
16.11. ob 16:00 Jindabyne, Kinodvor
16.11. ob 16:45 Solidarnost, solidarnost…, Kosovelova dvorana
16.11. ob 21:00 Popolnoma Wilson, Kino Vič
17.11. ob 11:00 Solidarnost, solidarnost, Kinodvor
17.11. 0b 16:00 Gostitelj, Komuna
17.11. ob 14:30 Mala Noche, Kosovelova dvorana
18.11 ob 22:00, Taxidermija, Linhartova dvorana
18.11. ob 23:10 Vitus, Komuna
22.11. ob 18:45  Uro, Kinoklub Vič

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Wednesday, 15 November


Only one guest is arriving to Ljubljana today - Senad Bašić, actor of Nafaka. He and director Jasmin Duraković, who arrived yesterday, will tell us more about the film after the screening in Kinodvor and Kinoklub Vič. They will be available for questions.

Marzia Tedeschi, Italian actress of For Bread Alone, will answer your questions after the screenings in Kinodvor and Komuna cinema.

We are expecting guests from Wristcutters: A Love Story and Bye Bye Berlusconi on Thursday.

The jury will also arrive in the next days and select the best film of the Perspectives, which will be bestowed the Kingfisher award.  The best human rights film will receive the Amnesty International award.  The best film of the South by Southeast section will be bestowed the Fipresci award.


The winning film will be screened on Saturday, 25 November, at 21:00 in Linhart Hall.

Today\\\'s tickets at a reduced price are available an hour before each screening:
10:00 All for Free, Vič cinema
14:30 Solidarity, Solidarity… , Kosovel Hall
15:00 Jandabyne, Linhart Hall
19: 45 Shortbus, Linhart Hall
21:00 Flandres, Komuna cinema
23:10 Come Into the Light, Komuna cinema

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Ponedeljek, 13. 12.


Festivalsko dogajanje je zaživelo!


Danes v Ljubljano prihajajo kar trije novi gosti:
Marzia Tedeschi, italijanska  igralka iz filma Za ljubi kruhek, Meike Hauck, scenaristka iz filma Namizni tenis, ter Feliks Falk, režiser Rubežnika in eden od režiserjev omnibusa Solidarnost, solidarnost … Z njimi se boste lahko v prihodnjih dneh pogovarjali po njihovih projekcijah v dvoranah.


Danes bodo po projekcijah filmov za kratek pogovor v dvorani na voljo: Paulus Manker, glavni igralec iz filma Postopanje, Meike Hauck, scenaristka filma Namizni tenis, ter Mohammad Reza Foroutan, iranski igralec iz filma Postopoma.  Vabljeni!

Filmi po znižani ceni za današnji dan so:
10:00, Ofsajd,  Kinoklub Vič  
11:00 Postopanje, Kino Dvor       
16:30 Zimsko potovanje, Kinoklub Vič   
23:10 Zimsko potovanje, Kino Komuna 

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Monday, 13 November


The festival is alive!


Three new guests are coming to Ljubljana today:
Marzia Tedeschi, Italian actress of For Bread Alone, Meike Hauck, scriptwriter of Pingpong, and Feliks Falk, director of The Collector and one of directors of the omnibus Solidarity, Solidarity... You will be able to talk with them in the following days after the screenings of their films.


Today, the following guests will be available for short talks after the screenings: Paulus Manker, protagonist of Slumming, Meike Hauck, scriptwriter of Pingpong, and Mohammad Reza Foroutan, Iranian actor of Gradually. Join us!

Today\\\'s reduced-price tickets can be purchased for the following films:

10:00, Kinoklub Vič  cinema, Ofsajd
11:00, Kinovor cinema, Slumming
16:30, Kinoklub Vič cinema, Winter Journey
23:10, Komuna  cinema, Winter Journey

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POZIV PROSTOVOLJCEM!


ČE
… imate radi film
… nestrpno pričakujete november in z njim 17.
LIFFe
… si želite pridobiti izkušnje pri organizaciji festivala in k njej prispevati svoj delež
… želite podrobneje spoznati tuje režiserje in druge festivalske goste


POLEG TEGA
imate primerno znanje, čas in voljo do dela


POTEM
vas vabimo k sodelovanju


PRI
– prodaji vstopnic
– spremljanju festivalskih gostov
– organizaciji spremljevalnih dogodkov
– urejanju festivalskih lokacij
– pridobivanju promocijskega gradiva za filme
– tehnični izvedbi festivala ter
– pri drugih organizacijskih in izvedbenih nalogah


OGLASITE SE
in se nam predstavite
sporočite tudi predloge za izboljšanje organizacije
navedite področja, na katerih bi želeli sodelovati

Svoje elektronsko sporočilo naslovite na natasa.bucar@cd-cc.si.

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INVITATION TO VOLUNTEERS!


IF YOU
Like film
Are eagerly awaiting November and the 17th LIFFe
Wish to acquire experience in festival organisation and become an indispensable morsel in its puzzle
Would like to meet foreign directors and other festival guests


AND
Have appropriate knowledge and time
Don’t find work a hassle,


THEN
You are cordially invited to become a member of our festival team.


YOUR CONTRIBUTION TO THE FOLLOWING AREAS WOULD BE APPRECIATED
Ticket sales
Accompaniment of festival guests
Organisation of accompanying events
Arrangement of festival locations
Acquisition of promotional material
Technical realisation
And other organisation and realisation tasks


CONTACT US
And introduce yourself
Send us your suggestions for improved organisation
State the areas to which you would like to contribute


Contact: natasa.bucar@cd-cc.si

','','',''),(86,'sl','','We would like to inform all film lovers, who impatiently count the days remaining till the beginning of the 17th Ljubljana International Film Festival – LIFFe, that this year\\\'s programme and the schedule have already been published on www.liffe.si .

During the festival, interesting guests will be visiting Ljubljana for a couple of days. We will meet at the screenings and during relaxed evening talks in Jazz Club Gajo.

Our guests will be:
Birol Ünel – protagonist of the opening film Transylvania
Paulus Manker – popular Austrian actor (Slumming).
Feliks Falk – Polish director of The Collector
Goran Dukić – director of Croatian origin, working in the USA, presenting the film Wristcutters: A Love Story
Christophe Ali and Nicolas Bonilauri – directors of the French film Wild Camp
Hrvoje Hribar - Croatian director of the film What is a Man Without a Moustache?
Dominique Deruddere - Belgian director who already won the audience award at LIFFe is presenting his film The Wedding Party
Marzia Tedeschi – protagonist of the film For Bread Alone
Mohammad Foroutan – protagonist of the Iranian film Gradually…
...and many other interesting people.
','','',''),(87,'sl','','

Že odštevamo dni do začetka festivala. Vsi ljubitelji filma in zvesti obiskovalci ste že pregledali objavljeni spored 112 filmov in si priskrbeli vstopnice za svoje favorite v predprodaji. Ta bo potekala v Prvem preddverju Cankarjevega doma vse do začetka festivala.

Naj vas spomnimo še na tradicionalni festivalski časopis, ki ga pripravljamo v sodelovanju s časopisno hišo Delo in bo dnevno na voljo na vseh festivalskih prizoriščih. V njem boste brali ekskluzivne intervjuje s filmskimi ustvarjalci, kritike filmov in napovedi gostov, ki bodo obiskali Ljubljano.

Z zanimivimi filmskimi ustvarjalci se bomo po projekcijah pogovarjali v dvoranah in festivalsko druženje nadaljevali v Jazz klubu Gajo na Beethovnovi ulici 8, kjer bomo v sproščenem razpoloženju klepetali z gosti vse do 2. ure zjutraj.

O vseh festivalskih novicah ter o tem, kdo in kdaj bo obiskal Ljubljano, vas bomo sproti obveščali na naši spletni strani. Se vidimo.

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Countdown to the beginning of the festival has already begun. All film lovers and loyal visitors have already looked over the published programme of 112 films and purchased tickets for your favourites in advance sale, which will take place in the first foyer of Cankarjev dom until the beginning of the festival.

Let us remind you of the traditional festival newspaper prepared together with the editorial of Delo daily. It will be available each day at all festival venues, providing you exclusive interviews with filmmakers, film reviews, and announcements of guests visiting Ljubljana.

We will talk to interesting filmmakers after screenings of their films and mingle with them in Jazz club Gajo (Beethovnova 8) until the early morning hours.

We will keep you updated on all festival news as well as who and when is visiting Ljubljana on our web page. See you!


','','',''),(89,'sl','','

PETEK, 10. 11.

Pa se je začel … štirinajstdnevni filmski maraton, ki ga bodo popestrili številni filmski gostje.

V Ljubljano že danes prihajajo: Birol Ünel, glavni igralec začetnega filma Transilvanija; Antonio Nuić in Nataša Janjić bosta predstavila film Vse zastonj – zadržala se bosta le en večer, a ju bo mogoče videti na pogovoru po večerni projekciji v kinu Komuna. Tudi iranskih gostov bo letos kar nekaj; film Ljudje pri delu bosta v Kinoklubu Vič predstavila igralca Fatemeh Motamed Arya in Ahmad Ali Hamed. Danes prihajata še Mohammad Reza Foroutan, igralec iz filma Postopoma, in Paulus Manker, znameniti avstrijski igralec iz filma Postopanje.
V naslednjih dneh prispejo še mnogi drugi, s katerimi boste poklepetali po projekcijah filmov, v soboto zvečer pa tudi v Jazz Clubu Gajo.


Vstopnice za nekatere filmske projekcije bo mogoče uro pred začetkom projekcije kupiti po ugodnejši enotni ceni 700 SIT (2,92 EUR). Filmi, za katere bomo ponudili »vroče vstopnice« bodo objavljeni na spletni strani vsak dan do 13. ure.

Filmi po znižani ceni so:                
10.11. ob 22:10, Ljudje pri delu, Kinodvor        
10.11. ob 23:10, Isabella, Kino Komuna   
11.11. ob 10:00,  Homburški princ, Kinoklub Vič    

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FRIDAY, 10 November


A two-week film marathon has begun. Numerous interesting guests will make it even more appealing.

Visiting Ljubljana today:
Birol Ünel, protagonist of the opening film Transylvania. Antonio Nuić and Nataša Janjić are presenting the film All For Free. They will only be here one evening and it will be possible to talk to them after the evening screening in Komuna cinema. Quite a few Iranian guests will visit us this year. Actors Fatemeh Motamed Arya and Ahmad Ali Hamed will present the film Men at Work in Kinoklub Vič cinema. Also coming today: Mohammad Reza Foroutan, actor of Gradually, and Paulus Manker, renowned Austrian actor, presenting Slumming. 

There will be many more guests in the following days and you will be able to talk with them after the screenings of their films and in Jazz Club Gajo this Saturday night.

It will be possible to purchase tickets for some film screenings at a better price 700 SIT (2,92 EUR) one hour before the screening. The films for which »hot tickets« will be available will be published on our web page each day before 13:00.

Today\\\'s reduced-price tickets can be purchased for the following films:
10 Nov at 10:00 Vič cinema, The Libertine
10 Nov at 22:10 Kinodvor cinema, Men At Work
10 Nov at 23:10 Komuna Cinema, Isabella
11. Nov at 10:00 Kinoklub Vič cinema, The Prince of Homburg

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`cmssectionpreviewlang` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `country` -- DROP TABLE IF EXISTS `country`; CREATE TABLE `country` ( `idcountry` varchar(16) NOT NULL default '', `description` varchar(80) default NULL, `description2` varchar(80) default NULL, PRIMARY KEY (`idcountry`) ) TYPE=MyISAM; -- -- Dumping data for table `country` -- LOCK TABLES `country` WRITE; /*!40000 ALTER TABLE `country` DISABLE KEYS */; INSERT INTO `country` VALUES ('af','Afghanistan','Afganistan'),('al','Albania','Albanija'),('dz','Algeria','Alžirija'),('as','American Samoa','Ameriška Samoa'),('ad','Andorra','Andora'),('ao','Angola','Angola'),('ai','Anguilla','Anguilla'),('aq','Antarctica','Antarktika'),('ag','Antigua And Barbuda','Antigva in Barbuda'),('ar','Argentina','Argentina'),('am','Armenia','Armenija'),('aw','Aruba','Aruba'),('au','Australia','Avstralija'),('at','Austria','Avstrija'),('az','Azerbaijan','Azerbajdžan'),('bs','Bahamas','Bahami'),('bh','Bahrain','Bahrajn'),('bd','Bangladesh','Bangladeš'),('bb','Barbados','Barbados'),('by','Belarus','Belorusija'),('be','Belgium','Belgija'),('bz','Belize','Belize'),('bj','Benin','Benin'),('bm','Bermuda','Bermudi'),('bt','Bhutan','Butan'),('bo','Bolivia','Bolivija'),('ba','Bosnia and Herzegovina','Bosna in Hercegovina'),('bw','Botswana','Bocvana'),('bv','Bouvet Island','Bouvetov otok'),('br','Brazil','Brazilija'),('io','British Indian Ocean Territory','Britansko ozemlje Indijskega oceana'),('bn','Brunei','Sultanat Brunej'),('bg','Bulgaria','Bolgarija'),('bf','Burkina Faso','Burkina Faso'),('bi','Burundi','Burundi'),('kh','Cambodia','Kambodža'),('cm','Cameroon','Kamerun'),('ca','Canada','Kanada'),('cv','Cape Verde','Zelenortski otoki'),('ky','Cayman Islands','Kajmanski otoki'),('cf','Central African Republic','Srednjeafriška republika'),('td','Chad','Čad'),('cl','Chile','Čile'),('cn','China','Kitajska'),('cx','Christmas Island','Božični otok'),('cc','Cocos (Keeling) Islands','Kokosovi'),('co','Colombia','Kolumbija'),('km','Comoros','Komori'),('cg','Congo','Kongo'),('cd','Democractic Republic of the Congo','Kongo, demokratična republika'),('ck','Cook Islands','Cookovi otoki'),('cr','Costa Rica','Kostarika'),('zw','Zimbabwe','Zimbabve'),('ci','Cote D Ivoire (Ivory Coast)','Slonokoščena obala'),('hr','Croatia','Hrvaška'),('cu','Cuba','Kuba'),('cy','Cyprus','Ciper'),('cz','Czech Republic','Češka republika'),('dk','Denmark','Danska'),('dj','Djibouti','Džibuti'),('dm','Dominica','Dominika'),('do','Dominican Republic','Dominikanska republika'),('tp','East Timor','Vzhodni Timor'),('ec','Ecuador','Ekvador'),('eg','Egypt','Egipt'),('sv','El Salvador','Salvador'),('gq','Equatorial Guinea','Ekvatorialna Gvineja'),('er','Eritrea','Eritreja'),('ee','Estonia','Estonija'),('et','Ethiopia','Etiopija'),('fk','Falkland Islands (Islas Malvinas)','Falklandski otoki'),('fo','Faroe Islands','Ferski otoki'),('fj','Fiji Islands','Fidži'),('fi','Finland','Finska'),('fr','France','Francija'),('gf','French Guiana','Francoska Gvajana'),('pf','French Polynesia','Francoska Polinezija'),('tf','French Southern Territories','Francosko južno ozemlje'),('ga','Gabon','Gabon'),('gm','The Gambia','Gambija'),('ge','Georgia','Gruzija'),('de','Germany','Nemčija'),('gh','Ghana','Gana'),('gi','Gibraltar','Gibraltar'),('gr','Greece','Grčija'),('gl','Greenland','Grenlandija'),('gd','Grenada','Grenada'),('gp','Guadeloupe','Gvadalupe'),('gu','Guam','Guam'),('gt','Guatemala','Gvatemala'),('gn','Guinea','Gvineja'),('gw','Guinea-Bissau','Gvineja Bissau'),('gy','Guyana','Gvajana'),('ht','Haiti','Haiti'),('hm','Heard and McDonald Islands','Heardov otok in McDonaldovi otoki'),('hn','Honduras','Honduras'),('hk','Hong Kong','Hongkong'),('hu','Hungary','Madžarska'),('is','Iceland','Islandija'),('in','India','Indija'),('id','Indonesia','Indonezija'),('ir','Iran','Iran'),('iq','Iraq','Irak'),('ie','Ireland','Irska'),('il','Israel','Izrael'),('it','Italy','Italija'),('jm','Jamaica','Jamajka'),('jp','Japan','Japonska'),('jo','Jordan','Jordanija'),('kz','Kazakhstan','Kazahstan'),('ke','Kenya','Kenija'),('ki','Kiribati','Kiribati'),('kr','South Korea','Južna Koreja'),('kp','North Korea','Severna Koreja'),('kw','Kuwait','Kuvajt'),('kg','Kyrgyzstan','Kirgizistan'),('la','Laos','Laos'),('lv','Latvia','Latvija'),('lb','Lebanon','Libanon'),('ls','Lesotho','Lesoto'),('lr','Liberia','Liberija'),('ly','Libya','Libija'),('li','Liechtenstein','Lihtenštajn'),('lt','Lithuania','Litva'),('lu','Luxembourg','Luksemburg'),('mo','Macau','Macao'),('mk','Macedonia','Makedonija'),('mg','Madagascar','Madagaskar'),('mw','Malawi','Malavi'),('my','Malaysia','Malezija'),('mv','Maldives','Maldivi'),('ml','Mali','Mali'),('mt','Malta','Malta'),('mh','Marshall Islands','Marshallovi otoki'),('mq','Martinique','Martinikve'),('mr','Mauritania','Mavretanija'),('mu','Mauritius','Mauritius'),('yt','Mayotte','Mayotte'),('mx','Mexico','Mehika'),('fm','Micronesia','Mikronezija'),('md','Moldova','Moldavija'),('mc','Monaco','Monako'),('mn','Mongolia','Mongolija'),('ms','Montserrat','Montserrat'),('ma','Morocco','Maroko'),('mz','Mozambique','Mozambik'),('mm','Myanmar','Mjanmar'),('na','Namibia','Namibija'),('nr','Nauru','Nauru'),('np','Nepal','Nepal'),('an','Netherlands Antilles','Nizozemski Antili'),('nl','The Netherlands','Nizozemska'),('nc','New Caledonia','Nova Kaledonija'),('nz','New Zealand','Nova Zelandija'),('ni','Nicaragua','Nikaragva'),('ne','Niger','Niger'),('ng','Nigeria','Nigerija'),('nu','Niue','Niue'),('nf','Norfolk Island','Norfolški otok'),('mp','Northern Mariana Islands','Severni Marianski otoki'),('no','Norway','Norveška'),('om','Oman','Oman'),('pk','Pakistan','Pakistan'),('pw','Palau','Palau'),('pa','Panama','Panama'),('pg','Papua new Guinea','Papua Nova Gvineja'),('py','Paraguay','Paragvaj'),('pe','Peru','Peru'),('ph','Philippines','Filipini'),('pn','Pitcairn Island','Pitcairn'),('pl','Poland','Poljska'),('pt','Portugal','Portugalska'),('pr','Puerto Rico','Porto Rico'),('qa','Qatar','Katar'),('re','Reunion',NULL),('ro','Romania','Romunija'),('ru','Russia','Rusija'),('rw','Rwanda','Ruanda'),('sh','Saint Helena','Sveta Helena'),('kn','Saint Kitts And Nevis','Saint Kitts in Nevis'),('lc','Saint Lucia','Saint Lucija'),('pm','Saint Pierre and Miquelon','Saint Pierre in Miquelon'),('vc','Saint Vincent And The Grenadines','Saint Vincent'),('ws','Samoa','Samoa'),('sm','San Marino','San Marino'),('st','Sao Tome and Principe','Sao Tome in Principe'),('sa','Saudi Arabia','Saudova Arabija'),('sn','Senegal','Senegal'),('cs','Serbia and Montenegro','Srbija in Črna gora'),('sc','Seychelles','Sejšeli'),('sl','Sierra Leone','Sierra Leone'),('sg','Singapore','Singapur'),('sk','Slovakia','Slovaška'),('si','Slovenia','Slovenija'),('sb','Solomon Islands','Salomonovi otoki'),('so','Somalia','Somalija'),('za','South Africa','Južna Afrika'),('gs','South Georgia','Južna Georgija'),('es','Spain','Španija'),('lk','Sri Lanka','Šrilanka'),('sd','Sudan','Sudan'),('sr','Suriname','Surinam'),('sj','Svalbard And Jan Mayen Islands',NULL),('sz','Swaziland','Svazi'),('se','Sweden','Švedska'),('ch','Switzerland','Švica'),('sy','Syria','Sirija'),('tw','Taiwan','Tajvan'),('tj','Tajikistan','Tadžikistan'),('tz','Tanzania','Tanzanija'),('th','Thailand','Tajska'),('tg','Togo','Togo'),('tk','Tokelau','Tokelau'),('to','Tonga','Tonga'),('tt','Trinidad And Tobago','Trinidad in Tobago'),('tn','Tunisia','Tunizija'),('tr','Turkey','Turčija'),('tm','Turkmenistan','Turkmenistan'),('tc','Turks And Caicos Islands','Otoki Turks in Caicos'),('tv','Tuvalu','Tuvalu'),('ug','Uganda','Uganda'),('ua','Ukraine','Ukrajina'),('ae','United Arab Emirates','Združeni arabski emirati'),('uk','United Kingdom','Velika Britanija'),('us','United States','Združene države Amerike'),('um','United States Minor Outlying Islands','Stranski zunanji otoki Združen'),('uy','Uruguay','Urugvaj'),('uz','Uzbekistan','Uzbekistan'),('vu','Vanuatu','Vanuatu'),('va','Vatican City State (Holy See)','Sveti sedež'),('ve','Venezuela','Venezuela'),('vn','Vietnam','Vietnam'),('vg','Virgin Islands (British)','Deviški otoki'),('vi','Virgin Islands (US)','Deviški otoki'),('wf','Wallis And Futuna Islands','Otoki Wallis in Futuna'),('ye','Yemen','Jemen'),('yu','Yugoslavia','Jugoslavija'),('zm','Zambia','Zambija'); /*!40000 ALTER TABLE `country` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `docdocument` -- DROP TABLE IF EXISTS `docdocument`; CREATE TABLE `docdocument` ( `iddocument` bigint(20) NOT NULL default '0', `filename` varchar(80) NOT NULL default '', `description` varchar(150) default NULL, `owner` bigint(20) NOT NULL default '0', `dateuploaded` date NOT NULL default '0000-00-00', `datemodified` date default NULL, PRIMARY KEY (`iddocument`) ) TYPE=MyISAM; 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(`idfolder`,`iddocument`) ) TYPE=MyISAM; -- -- Dumping data for table `docfolderdocument` -- LOCK TABLES `docfolderdocument` WRITE; /*!40000 ALTER TABLE `docfolderdocument` DISABLE KEYS */; /*!40000 ALTER TABLE `docfolderdocument` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `docuserdocument` -- DROP TABLE IF EXISTS `docuserdocument`; CREATE TABLE `docuserdocument` ( `iddocument` bigint(20) NOT NULL default '0', `iduser` bigint(20) NOT NULL default '0', `event` int(11) NOT NULL default '0', PRIMARY KEY (`iddocument`,`iduser`) ) TYPE=MyISAM; -- -- Dumping data for table `docuserdocument` -- LOCK TABLES `docuserdocument` WRITE; /*!40000 ALTER TABLE `docuserdocument` DISABLE KEYS */; /*!40000 ALTER TABLE `docuserdocument` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `docusertypefolder` -- DROP TABLE IF EXISTS `docusertypefolder`; CREATE TABLE `docusertypefolder` ( `idfolder` bigint(20) NOT NULL default '0', `idusertype` bigint(20) NOT NULL default '0', `permissionread` int(11) NOT NULL default '0', `permissionmodify` int(11) NOT NULL default '0', `permissionupload` int(11) NOT NULL default '0', PRIMARY KEY (`idfolder`,`idusertype`) ) TYPE=MyISAM; -- -- Dumping data for table `docusertypefolder` -- LOCK TABLES `docusertypefolder` WRITE; /*!40000 ALTER TABLE `docusertypefolder` DISABLE KEYS */; /*!40000 ALTER TABLE `docusertypefolder` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `fmail` -- DROP TABLE IF EXISTS `fmail`; CREATE TABLE `fmail` ( `idfmail` bigint(20) NOT NULL auto_increment, `name` varchar(80) NOT NULL default '', `notify` smallint(6) NOT NULL default '0', `preview` smallint(6) NOT NULL default '0', `istext` smallint(6) NOT NULL default '0', `subject` varchar(150) default NULL, `encoding` varchar(80) default NULL, `fromaddress` varchar(80) default NULL, `replytoaddress` varchar(80) default NULL, `notifyistext` smallint(6) default NULL, `notifysubject` varchar(80) default NULL, `notifyencoding` varchar(80) default NULL, `notifyfromaddress` varchar(80) default NULL, `notifyreplytoaddress` varchar(80) default NULL, PRIMARY KEY (`idfmail`), UNIQUE KEY `name` (`name`) ) TYPE=MyISAM; -- -- Dumping data for table `fmail` -- LOCK TABLES `fmail` WRITE; /*!40000 ALTER TABLE `fmail` DISABLE KEYS */; INSERT INTO `fmail` VALUES (3,'en_filmi',1,0,0,'17. LIFFe film application','win-1250','liffe@cd-cc.si','',0,'17. LIFFe film application','win-1250','liffe@cd-cc.si',''),(2,'sl_filmi',1,0,0,'17. LIFFe prijava filmov','win-1250','liffe@cd-cc.si','',0,'17. LIFFe prijava filmov','win-1250','liffe@cd-cc.si',''),(4,'sl_obrazec',1,0,0,'17. LIFFe kontakt','win-1250','liffe@cd-cc.si','',0,'17. LIFFe kontakt','win-1250','liffe@cd-cc.si',''),(5,'en_obrazec',1,0,0,'17. LIFFe contact','win-1250','liffe@cd-cc.si','',0,'17. LIFFe contact','win-1250','liffe@cd-cc.si',''),(6,'sl_vprasanjazagoste',1,1,0,'Vprašanja za goste','win-1250','liffe@cd-cc.si','',0,'Vprašanja za goste','win-1250','liffe@cd-cc.si',''),(7,'en_vprasanjazagoste',1,1,0,'Question for the quests','win-1250','liffe@cd-cc.si','',0,'Question for the quests','win-1250','liffe@cd-cc.si',''),(8,'sl_mnenja',1,0,0,'Mnenja in pripombe','win-1250','liffe@cd-cc.si','',0,'Mnenja in pripombe','win-1250','liffe@cd-cc.si',''),(9,'en_mnenja',1,0,0,'Comments and remarks','win-1250','liffe@cd-cc.si','',0,'Comments and remarks','win-1250','liffe@cd-cc.si',''),(10,'en_akreditacijanov',1,0,0,'Press accreditation','win-1250','liffe@cd-cc.si','',0,'Press accreditation','win-1250','liffe@cd-cc.si',''),(11,'sl_akreditacijanov',1,0,0,'Novinarska akreditacija','win-1250','liffe@cd-cc.si','',0,'Novinarska akreditacija','win-1250','liffe@cd-cc.si',''),(12,'sl_akreditacijafilm',1,0,0,'Akreditacija za filmske profesionalce','win-1250','liffe@cd-cc.si','',0,'Akreditacija za filmske profesionalce','win-1250','liffe@cd-cc.si',''),(13,'en_akreditacijafilm',1,0,0,'Accreditation for film professionals','win-1250','liffe@cd-cc.si','',0,'Accreditation for film professionals','win-1250','liffe@cd-cc.si',''),(14,'sl_nagradna',0,1,0,'Nagradna igra Finance','win-1250','liffe@cd-cc.si','',0,'','','liffe@cd-cc.si',''); /*!40000 ALTER TABLE `fmail` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `fmailreceipient` -- DROP TABLE IF EXISTS `fmailreceipient`; CREATE TABLE `fmailreceipient` ( `idfmail` bigint(20) NOT NULL default '0', `email` varchar(150) NOT NULL default '', PRIMARY KEY (`idfmail`,`email`) ) TYPE=MyISAM; -- -- Dumping data for table `fmailreceipient` -- LOCK TABLES `fmailreceipient` WRITE; /*!40000 ALTER TABLE `fmailreceipient` DISABLE KEYS */; INSERT INTO `fmailreceipient` VALUES (2,'backup@spletnastran.com'),(2,'darinka.hvalec@cd-cc.si'),(2,'i1@rsklan.com'),(2,'natasa.bucar@cd-cc.si'),(3,'backup@spletnastran.com'),(3,'darinka.hvalec@cd-cc.si'),(3,'i1@rsklan.com'),(3,'natasa.bucar@cd-cc.si'),(4,'backup@spletnastran.com'),(4,'darinka.hvalec@cd-cc.si'),(5,'backup@spletnastran.com'),(5,'darinka.hvalec@cd-cc.si'),(6,'backup@spletnastran.com'),(6,'natasa.bucar@cd-cc.si'),(7,'backup@spletnastran.com'),(7,'i1@rsklan.com'),(7,'natasa.bucar@cd-cc.si'),(8,'backup@spletnastran.com'),(8,'darinka.hvalec@cd-cc.si'),(9,'backup@spletnastran.com'),(9,'darinka.hvalec@cd-cc.si'),(10,'backup@spletnastran.com'),(10,'janina.pintar@cd-cc.si'),(10,'stiki@cd-cc.si'),(11,'backup@spletnastran.com'),(11,'janina.pintar@cd-cc.si'),(11,'stiki@cd-cc.si'),(12,'backup@spletnastran.com'),(12,'i1@rsklan.com'),(12,'natasa.bucar@cd-cc.si'),(13,'backup@spletnastran.com'),(13,'i1@rsklan.com'),(13,'natasa.bucar@cd-cc.si'),(14,'backup@spletnastran.com'),(14,'liffe-finance@rsklan.com'),(14,'natasa.bucar@cd-cc.si'); /*!40000 ALTER TABLE `fmailreceipient` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `koncms` -- DROP TABLE IF EXISTS `koncms`; CREATE TABLE `koncms` ( `idkoncms` varchar(64) NOT NULL default '', PRIMARY KEY (`idkoncms`) ) TYPE=MyISAM; -- -- Dumping data for table `koncms` -- LOCK TABLES `koncms` WRITE; /*!40000 ALTER TABLE `koncms` DISABLE KEYS */; INSERT INTO `koncms` VALUES ('accompanyingprogramme'),('aktualno'),('arhiv'),('contact'),('domov'),('fotografijeinslikovnagradiva'),('glasovanje'),('guests'),('industrijskaakreditacija'),('konCMS'),('nagrade'),('news'),('oglasevanje'),('partnerjiinclanstvo'),('pogovorizgosti'),('pokrovitelji'),('predstavitev'),('pressconference'),('pressreleases'),('programmebill'),('sponsors'),('test'),('tickets'); /*!40000 ALTER TABLE `koncms` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `koncmslang` -- DROP TABLE IF EXISTS `koncmslang`; CREATE TABLE `koncmslang` ( `idkoncms` varchar(64) NOT NULL default '', `idlanguage` varchar(6) NOT NULL default '', `description` text NOT NULL, PRIMARY KEY (`idkoncms`,`idlanguage`) ) TYPE=MyISAM; -- -- Dumping data for table `koncmslang` -- LOCK TABLES `koncmslang` WRITE; /*!40000 ALTER TABLE `koncmslang` DISABLE KEYS */; INSERT INTO `koncmslang` VALUES ('konCMS','en','asdasasda S SDF ASFFAFD
'),('partnerjiinclanstvo','en','
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Partners

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Kolosej cinemas

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Slovenian Cinematheque - Kinodvor

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The U.S. Embassy in Ljubljana

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French Institute Charles Nodier

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MEDIA

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Amnesty International

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Goethe Institut

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British Council

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CEFF, Coordination of European Film Festivals, Brussels

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Eurimages/Europa Cinemas, European Film Exhibitors Association, Paris

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MPA, Motion Pictures Association, Brussels

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'),('predstavitev','en','

LIFFe ALWAYS FINDS THE WAY

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“Life always finds a way,” said the doctor in Jurassic Park, silently witnessing human downfall; luckily it was only a film, one might add, embarking on the quest for life featured in new world film production.
Featuring approximately one hundred selected films.

Presented at five halls in the centre of Ljubljana, from Cankarjev dom to Cinema Vič and Kinodvor. Viewers will be able to decide whether French cinematography is still the most influential in Europe. And whether it is the co-productions that make it influential. They will become acquainted with other cinematographies and find out whether Asian film is still prominent and if American independent film will hold ground in the face of the unbearable predominance of mega studio production...

Numerous foreign and domestic guests – auteurs – will be invited to speak about their first steps in film and share their film experiences.

A lecture on film digitalisation and the characteristics and possibilities of new productions will be delivered by Carl Schoenfeld, a British senior lecturer and producer (My Brother Tom, Sarajevo Diary).

The festival will close with the world premiere of a new Slovenian film, Ljubljana je ljubljena (Beloved Ljubljana), by one of the most notable Slovenian filmmakers, director Matjaž Klopčič. The gala screening will also be attended bythe film crew under the patronage of the Arsmedia production house.

Programme Sections:

Perspectives – the official competitive section of newauthors competing for Mobitel’s Kingfisher Award. Films by promisingand original first- or second-time directors. Recent years’ winners: Bread and Milk by Jan Cvitkovič, Sabado by Juan Villegas, The Return by Andrei Zviagintsev, Somersault by Cate Shortland, and Special Jury Mention to Missing by Lee Kang-sheng.

Avant-premieres – carefully selected highlights of European and other major cinematographies, films by established film virtuosos, a selection of films purchased for distribution.

Horizons – an overview of recent world production blockbusters; films by renowned film directors. The section bestows the Golden Reel people’s choice award honouring the best film with the Slovenian distribution. Last year’s winner: Les Choristes (Christophe Barratier).

Documentaries – an overview of contemporary documentary films which explore thorny issues. Highlighted this year will be the Romany. Fipresci awarded last year’s prize to the documentary Czeck Dream by Filip Remunda.

Extravaganza – introducing artists of idiosyncratic film aesthetics and their exciting and unpredictable film quests.

Tribute – to world-class film authority, Wim Wenders, a celebrated filmmaker who has received a fair share of festival and media attention.

Off-the-wall – low-budget productions of the emerging young generation which predominantly addresses its peers and confronts topical issues with a trendy, directorial approach.

A selection of short films – up to ten short, sterling achievements selected from a multitude of entered films. In cooperation with the Maremetraggio Festival Trieste.

Exhibition – a display of photographs and posters accompanying the oeuvre of one of the Slovene filmmakers featured at the annual Festival of Slovenian Film. Last year, the Badjura Award was bestowed on Vojko Duletič.

Accompanying programme – talks with Festival guests (open press conferences) and film workshop.

'),('aktualno','en',''),('nagrade','en','

AWARDS CEREMONY

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24 November
Awards ceremony will be followed by a world premiere of Ljubljana the Beloved, a film by Matjaž Klopčič (Arsmedia 2005 production).

In co-operation with the Film Fund of RS.

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AWARDS

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Kingfisher Award
The international jury composed of Fernanda Silva, Director of Festroia International Film festival, actor Slavko Štimac and director Metod Pevec will bestow the Kingfisher Award, granted by the main sponsor of the festival, Mobitel d.d., to best film of Perspectives.

Golden Reel Award
This year the viewers will again present the Golden Reel Award to best film of Horizons. President of the voting commission is Cate Shortland, director of Somersault which last year reaped the laurels and took the Kingfisher Award. Apart from regular voting by tickets upon exit from the theatre, the spectators will be able to submit their pick also by text messaging over the Mobitel phone network. SMS-voting has been enabled by the Festival\\\'s general sponsor, Mobitel, d.d.

After each Horizons film screening, evaluations are to be submitted by 6 a.m. of the following day to phone number 2929. The message should read: LIFFe (interspace), film code (interspace) and given rating from 1 to 5.

The film code will be printed on the respective ticket, as well as displayed on the Festival website. Only one vote per film can be cast from the same phone number.

The voting results will be announced on the Festival website the following day by 11 a.m. at the latest.

Votes can be cast by Mobitel and Debitel network users. Messages are charged according to the operator’s current price list.

The FIPRESCI Award
International jury of international federation of film critics presents festival award at a series of international festivals. For the second time at LIFFe (in The South by Southeast section).

New - Amnesty International Film Award
Amnesty International Slovenia, the Slovenian section of internationalnon-governmental human rights organisation, has appointed a three-memberinternational jury to bestow human rights film award; for the first time at the16th LIFFe. Jury members are Allan Berg Nielsen, independent writer, lecturer and advisor on featuredocumentaries, Hans van Gerven, editor, reporter and director, and Maja Weiss, director, scriptwriter and president of the Slovenian Society of Filmmakers.

Further information S: www.amnesty.si/liffe

'),('industrijskaakreditacija','en',''),('domov','en','

The audience and the juries chose something different

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17th LIFFe was brought to an end with the bestowal of awards and the screening of Marco Bellochio\\\'s latest film The Wedding Director (part of this year\\\'s Special Tribute section).
The sounds of accordeon (Janez Dovč) and saxophone (Vasko Atanasovski) opened tha gala ceremony. The seventh art was brought to us by the story of a monk who persistently watered his tree until one day it miraculously started to bloom – Andrei Tarkovsky\\\'s film classic. This metaphor reflects exceptional film productions of this year\\\'s festival, the best of which were awarded by three international juries and loyal festival audience.

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Janine Euvrard, president of the three-member Fipresci jury bestowed the Fipresci Award to the best film of the South by Southeast section – Hungarian drama White Palms. The jury was especially impressed by a powerful story and an exceptional psychological portrait of protagonists. The award was received by the deputy Hungarian ambassador.

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The receiver of the Amnesty International Award also enraptured the audience with a powerful and elaborated story. This award has been bestowed for the second time now to the best film dealing with the problem of human rights. Offside depicts the story of Iranian soccer fans who are not allowed to enter the stadium. The award was given away by Hans van Gerven, president of the jury, who highlighted an interesting and positive story, depicting the issues of the emancipation of women in Iran in a fresh way. In his speech, director Jafar Panahi presented us the autobiographical basis of the film – he and his daughter are both big soccer fans. He dedicated the award to women\\\'s organisation White Scarfs, which fights for emancipation and dignity of Iranian women.

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The Golden Reel was, as every year, bestowed by the audience to the best film of the Horizons. Director of Tobačna Ljubljana (donor) and Aleksandra Balmazović (president of the commission) joined us on stage. »This selection proves that the Slovene are not xenophobes – at least when it comes to foreigners on the big screen« said Balmazović. The award went to the Irish-British comedy Breakfast on Pluto, which got the highest average grade - 4,7 – and was received by the deputy Irish ambassador.

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The selection of films also enraptured the jury of the Kingfisher Award, which is bestowed each year to the best film of the Perspectives section by Mobitel. The jury gave Special Mention to the family drama Pingpong. Its well constructed storyline and vigorous support of talented young actors lays bare the semblance of middleclas decency under which lurks the invariable threat of moral and physical violence. The award was given away by Jelka Stergel, LIFFe\\\'s programme director, and received by actor Clemens Berg. He said he was thrilled by the award as this was his first film role and that the credits go to the entire crew.  The prestigious Kingfisher Award was bestowed to 1:1, which enraptured the jury with an exceptional story on interracial conflicts in culturally mixed democracies of modern Europe. Annamaria Percavassi, president of the jury, stressed the excellent achievement of director Annete K. Olesen and the entire team of actors. In her speech, the director stressed that the film went beyond interracial problems and wanted to show that emotions, common to all, were stronger than cultural differencies.

After the bestowal of awards, short film Vagabond Shoes and The Wedding Director served as a way of saying good-bye to the main Slovene film festival for yet another year.

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Tina Bilban

'),('nagrade','sl','

ZAKLJUČNA SLOVESNOST

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24. novembra

Ob zaključku festivala bo poleg slovesne podelitve nagrad svetovna premiera filma Ljubljana je ljubljena režiserja Matjaža Klopčiča (produkcija Arsmedia 2005).

V sodelovanju s Filmskim skladom RS.

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NAGRADE

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Vodomec
Nagrada 5000 evrov za najboljši film Perspektiv po oceni mednarodne žirije. Člani žirije so: Fernanda Silva, direktorica mednarodnega filmskega festivala Festroia, igralec Slavko Štimacin, režiser Metod Pevec. Nagrado režiserju podeljuje Mobitel, d.d., glavni pokrovitelj LIFFe.

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Zlati kolut
Nagrada občinstva za najboljši film v sekciji Obzorja. Predsednica komisije je režiserka Cate Shortland, lanska dobitnica vodomca (za film Popolni preobrat).

Gledalci boste glasove lahko oddali na glasovalnih lističih ob odhodu iz dvorane ali pa boste za film glasovali po prenosnem telefonu. Način glasovanja prek SMS sporočil je omogočil glavni pokrovitelj festivala, Mobitel, d.d.

Ocene boste lahko po projekcijah filmov sekcije Obzorja posredovali do 6. ure zjutraj na telefonsko številko 2929. V sporočilo je treba vpisati LIFF (presledek), šifro filma (presledek) in oceno od 1 do 5.

Šifro filma boste našli na vstopnici, urniku in festivalski spletni strani. Z iste telefonske številke je za vsak film mogoče glasovati le enkrat.

Izidi glasovanja bodo objavljeni na spletni strani festivala prihodnji dan, najpozneje ob 11. uri.

Glasujejo lahko uporabniki Mobitela in Debitela. Poslana sporočila se obračunajo po veljavnem ceniku operaterja.

FIPRESCI
Mednarodna žirija svetovnega združenja filmskih kritikov in novinarjev, ki na večjih filmskih festivalih izbere najboljši film, bo letos že drugo leto zapored svoj film izbrala tudi na LIFFe (v sekciji Jug jugovzhodno).

Novost festivala – nagrada Amnesty International
Organizacija Amnesty International Slovenije bo na letošnjem LIFFe podelila nagrado najboljšemu filmu na temo človekovih pravic. Zmagovalni film bo izbrala mednarodna žirija. Njeni člani so Allan Berg Nielsen, neodvisni pisatelj, predavatelj in svetovalec za celovečerne dokumentarce, Hans van Gerven, urednik, poročevalec in režiser, ter režiserka,scenaristka in predsednica Društva filmskih ustvarjalcev Slovenije Maja Weiss.

Več informacij na S www.amnesty.si/liffe

'),('partnerjiinclanstvo','sl','

Partnerji

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Kolosej kinematografi

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Slovenska kinoteka - Kinodvor

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Veleposlaništvo ZDA v Ljubljani

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Francoski inštitut Charlesa Nodiera

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MEDIA

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Amnesty International

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Goethe Institut

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British Council

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Coordination of European Film Festivals, Bruselj

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Europa Cinemas, združenje predvajalcev evropskega filma, Pariz

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MPA, Motion Pictures Association, Bruselj

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SPOROČILO MEDIJEM 16

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Nocoj, v petek, 24. novembra, ob 20. uri bomo na sklepni prireditvi 17. LIFFe razglasili tudi letošnje nagrajence.

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Nagrada vodomec (5000 EUR)
1:1 (Ena na ena)
Režija Annette K. Olesen

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Obrazložitev:
Film je prejel nagrado za močan in koherenten prikaz težavnega problema medrasnih odnosov v kulturno mešanem okolju evropske demokratične družbe. Žirijo sta posebej navdušila režija Annette K. Olesen in kreativni prispevek igralske ekipe filma.

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Nagrado bo podelil Zoran Janko, direktor področja za finance in kontroling v družbi Mobitel, d.d.

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Posebna omemba žirije za vodomca
Namizni tenis
Režija Matthias Luthard

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Obrazložitev:
Film z dobro zgrajeno zgodbo in močno igralsko podporo z obrazov dobro stoječe družine snema masko spodobnosti, pod katero preži stalna grožnja psihološkega in fizičnega nasilja.

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Priznanje bo podelila  Jelka Stergel

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Nagrada Amnesty International Slovenija za najboljši film na temo človekovih pravic
Ofsajd
Režija: Jafar Panahi

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Obrazložitev:
Gre za film, v katerem je vprašanje ženske emancipacije v Islamski republiki Iran preoblikovano v spretno zasnovano pripoved, polno vzpodbudnega in prisrčnega humorja. Zgodba je preprosta, vendar zelo ganljiva in pozitivna, ter daje slutiti spremembe. 

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Nagrado bo podelil član žirije Hans van Gerven

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Nagrada FIPRESCI
Bele dlani
Režija Szabolcs Hajdu

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Obrazložitev:
Žirija se je odločila za zmagovalca zaradi odličnega občutka za ravnotežje, združevanja psiholoških in profesionalnih situacij ter zaradi človeških vrednot, ki so v njem prikazane.

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Nagrado bo podelila članica žirije Janine Evrard.

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Nagrada občinstva zlati kolut
Zajtrk na Plutonu
Režija Neil Jordan

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Izid glasovanja bo razglasila Aleksandra Balmazovič, nagrado bo podelila Breda Brezovar Papež, direktorica področja za korporativne zadeve v Tobačni Ljubljana, d.o.o..

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______________________________________________________________________

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Informacije: Janina Pintar T (01) 2417 146, 041 617 732 E janina.pintar@cd-cc.si 
_______________________________________________________________________

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Novinarske akreditacije
Akreditirani novinarji lahko prevzemate vstopnice za oglede filmov za en dan vnaprej, najpozneje pa uro pred začetkom projekcije pri festivalski blagajni v Prvem preddverju Cankarjevega doma za vse festivalske dvorane.
Če se projekcije ne utegnete udeležiti, morate vstopnico vrniti najpozneje uro pred začetkom projekcije.
Vstop v dvorane je mogoč le z imensko značko, ki ni prenosljiva.

'),('pressconference','sl','

Dodana vrednost življenja

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Najbolj zagledani v film že težko čakamo 10. november,
ko bo slovenska prestolnica za dva tedna postala tudi središče svetovnega filmskega dogajanja.

Da si boste v teh štirinajstih dneh lahko ogledali kar največ filmskih in spremljevalnih dogodkov, vas
26. oktobra ob 11. uri vabimo v Klub Cankarjevega doma
na novinarsko konferenco,
na kateri vam bodo snovalci programa predstavili letošnji 17. LIFFe.

Pričakujemo vas!
_____________________________________________________________________
Informacije: Janina Pintar T (01) 24 17 146 E janina.pintar@cd-cc.si

'),('pressconference','en','

Life\\\'s added value

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Those who are most in love with film can hardly wait for the 10 November to arrive. 
For two weeks, Slovene capital will then become the world centre of film happening.

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In order to be able to see as many films and accompanying events during this fortnight,
we are kindly inviting you to join us at the
 press conference held in the Cankarjev dom Club on 26 October at 11:00, 
where the 17th LIFFe will be presented to you.

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We are looking forward to seeing you there!
______________________________________________________________________________________
Information: Janina Pintar T (01) 24 17 146 E janina.pintar@cd-cc.si

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'),('news','sl','

4. november

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Že odštevamo dni do začetka festivala. Vsi ljubitelji filma in zvesti obiskovalci ste že pregledali objavljeni spored 112 filmov in si priskrbeli vstopnice za svoje favorite v predprodaji. Ta bo potekala v Prvem preddverju Cankarjevega doma vse do začetka festivala.

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Naj vas spomnimo še na tradicionalni festivalski časopis, ki ga pripravljamo v sodelovanju s časopisno hišo Delo in bo dnevno na voljo na vseh festivalskih prizoriščih. V njem boste brali ekskluzivne intervjuje s filmskimi ustvarjalci, kritike filmov in napovedi gostov, ki bodo obiskali Ljubljano.

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Z zanimivimi filmskimi ustvarjalci se bomo po projekcijah pogovarjali v dvoranah in festivalsko druženje nadaljevali v Jazz klubu Gajo na Beethovnovi ulici 8, kjer bomo v sproščenem razpoloženju klepetali z gosti vse do 2. ure zjutraj.

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O vseh festivalskih novicah ter o tem, kdo in kdaj bo obiskal Ljubljano, vas bomo sproti obveščali na naši spletni strani. Se vidimo.

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30. oktober

Filmoljube, ki nestrpno odštevate dni do začetka 17. ljubljanskega mednarodnega filmskega festivala – LIFFe obveščamo, da so na spletni strani že na voljo vse programske vsebine in urnik letošnjih filmov. Danes se je začela predprodaja vstopnic.

Med festivalom bodo Ljubljano za nekaj dni obiskali zanimivi gosti. Srečavali se bomo na projekcijah in na sproščenih večernih pogovorih v Jazz Clubu Gajo.

Obiskali nas bodo:
Birol Ünel – glavni igralec uvodnega filma Transilvanija (Transylvania),
Paulus Manker – popularni avstrijski igralec, ki bo predstavljal film Postopanje (Slumming),
Feliks Falk – poljski režiser Rubežnika (The collector),
Goran Dukić – režiser hrvaškega rodu, ki ustvarja v Združenih državah, k nam pa prihaja s filmom Picerija Kamikaze (Wristcutters: A Love Story),
Christophe Ali in Nicolas Bonilauri – režiserja francoskega Divjega kampiranja (Wild camp),
Hrvoje Hribar – hrvaški režiser Kaj je moški brez brkov? (What is a man without moustache?),
Dominique Deruddere – belgijski režiser, ki je na Liffe že prejel nagrado občinstva, prihaja z Ohcetjo (The Wedding party),
Marzia Tedeschi – glavna igralka iz filma Za ljubi kruhek (For bread alone),
Mohammad Foroutan – glavni igralec iranskega filma Postopoma (Gradually…).
In še mnoga druga zanimiva imena.

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24. oktober
Festivalsko dogajanje je že v polnem teku. v četrtek bo objavljen urnik in začela se bo predprodaja vstopnic.
Med festivalom bodo Ljubljano za nekaj dni obiskali zanimivi gosti. Srečavali se bomo na projekcijah in na sproščenih večernih pogovorih v Jazz Clubu Gajo.

Obiskali nas bodo:
Birol Ünel – glavni igralec uvodnega filma Transilvanija (Transylvania),
Paulus Manker – popularni avstrijski igralec, ki bo predstavljal film Postopanje (Slumming),
Feliks Falk – poljski režiser Rubežnika (The collector),
Goran Dukić – režiser hrvaškega rodu, ki ustvarja v Združenih državah, k nam pa prihaja s filmom Picerija Kamikaze (Wristcutters: A Love Story),
Christophe Ali in Nicolas Bonilauri – režiserja francoskega Divjega kampiranja (Wild camp),
Hrvoje Hribar – hrvaški režiser Kaj je moški brez brkov? (What is a man without moustache?),
Dominique Deruddere – nemški režiser, ki je na Liffe že prejel nagrado občinstva, prihaja z Ohcetjo (The Wedding party),
Cécile De France – Francozinja z glavno vlogo v filmu Parter (Orchestra Seats),
Marzia Tedeschi – glavna igralka iz filma Za ljubi kruhek (For bread alone),
Mohammad Foroutan – glavni igralec iranskega filma Postopoma (Gradually…).
In še mnoga druga zanimiva imena.

12. oktober 2006
Do začetka festivala nas loči še mesec dni. Letos bo v programu ponovno več kot sto filmov, ki bodo razdeljeni v 10 sekcij.

Urnik bo objavljen na spletni strani 26. oktobra ob polnoči. Da se izognete čakalnim vrstam si priskrbite cenejše karte v predprodaji, ki bo potekala le v Cankarjevem domu.

Tudi letos se bodo filmi potegovali za nagrade. Za glavno nagrado vodomec tekmujejo filmi iz sekcije Perspektive. Za zlati kolut, nagrado občinstva, filmi iz sekcije Obzorja. Najboljši film na temo človekovih pravic bo prejel nagrado Amnesty International Slovenije. V sekciji Jug – jugovzhodno pa bo mednarodna žirija Svetovnega združenja filmskih kritikov in novinarjev podelila nagrado FIPRESCI.

Vas - ljubitelje filmov pa ponovno toplo vabimo k sodelovanju, da izberete zmagovalca občinstva v sekciji Obzorja, kjer bo letos na ogled 24 filmov iz različnih držav. Po filmskih projekcijah boste v dvoranah lahko poklepetali z ustvarjalci filmov, v večernih urah pa se bomo vsi skupaj družili v Jazz Clubu Gajo.

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3. oktober 2006
V veliki želji po preživljanju hladnih novembrskih večerov v zatemnjenih kinodvoranah, ob gledanju mojstrovin novih ali že uveljavljenih filmarjev, je festivalsko dogajanje že v polnem teku. Ponovno se nam obeta pester filmski pregled zadnjega leta, zato le nekaj namigov, saj nas od festivala loči še dober mesec dni.
Od uspešnic, ki potujejo naokrog po filmskih festivalih, pričakujemo dela mojstrov, kot je nemški velikan Tom Tykwer – njegova dela smo pred leti že gledali na LIFFe–; v Cannesu nagrajeni Volver Pedra Almodovarja; La tigre e la neve zadnjo mojstrovino Italijana Roberta Benignija; čisto sveži Direktoren for det hele Larsa Von Trierja, konec septembra premierno prikazan na filmskem festivalu v Köbenhavnu.

V sodelovanju z italijanskim inštitutom v Ljubljani bomo počastili veterana Marca Bellocchia. Fokus bo letos zavit v francoske barve.

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Željni druženja s filmskimi ustvarjalci nestrpno pričakujemo zanimive goste z različnih delov sveta, ki se bodo nekaj dni zadržali v Ljubljani. Leta 2001 nagrajenec občinstva, Dominique Deruddere, bo ponovno skušal osvojiti naklonjenost gledalcev z že nagrajenim The Wedding Party. Goran Dukić, hrvaški režiser, živeč v New Yorku, bo tekmoval z Wristcutters: A Love Story.

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Po že tradicionalnih pogovorih z gosti po projekcijah bomo letos večerno filmsko druženje nadaljevali v Jazz Clubu Gajo.

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Se vidimo na LIFFe.


1. julij 2006
POZIV PROSTOVOLJCEM!

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ČE
… imate radi film
… nestrpno pričakujete november in z njim 17.

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LIFFe
… si želite pridobiti izkušnje pri organizaciji festivala in k njej prispevati svoj delež
… želite podrobneje spoznati tuje režiserje in druge festivalske goste

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POLEG TEGA
imate primerno znanje, čas in voljo do dela

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POTEM
vas vabimo k sodelovanju

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PRI
– prodaji vstopnic
– spremljanju festivalskih gostov
– organizaciji spremljevalnih dogodkov
– urejanju festivalskih lokacij
– pridobivanju promocijskega gradiva za filme
– tehnični izvedbi festivala ter
– pri drugih organizacijskih in izvedbenih nalogah

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OGLASITE SE
in se nam predstavite
sporočite tudi predloge za izboljšanje organizacije
navedite področja, na katerih bi želeli sodelovati

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Svoje elektronsko sporočilo naslovite na natasa.bucar@cd-cc.si.

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'),('news','en','

November 3rd

Countdown to the beginning of the festival has already begun. All film lovers and loyal visitors have already looked over the published programme of 112 films and purchased tickets for your favourites in advance sale, which will take place in the first foyer of Cankarjev dom until the beginning of the festival.

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Let us remind you of the traditional festival newspaper prepared together with the editorial of Delo daily. It will be available each day at all festival venues, providing you exclusive interviews with filmmakers, film reviews, and announcements of guests visiting Ljubljana.

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We will talk to interesting filmmakers after screenings of their films and mingle with them in Jazz club Gajo (Beethovnova 8) until the early morning hours.

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We will keep you updated on all festival news as well as who and when is visiting Ljubljana on our web page. See you!

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October 30th

We would like to inform all film lovers, who impatiently count the days remaining till the beginning of the 17th Ljubljana International Film Festival – LIFFe, that this year\\\'s programme and the schedule have already been published on www.liffe.si .

During the festival, interesting guests will be visiting Ljubljana for a couple of days. We will meet at the screenings and during relaxed evening talks in Jazz Club Gajo.

Our guests will be:
Birol Ünel – protagonist of the opening film Transylvania
Paulus Manker – popular Austrian actor (Slumming).
Feliks Falk – Polish director of The Collector
Goran Dukić – director of Croatian origin, working in the USA, presenting the film Wristcutters: A Love Story
Christophe Ali and Nicolas Bonilauri – directors of the French film Wild Camp
Hrvoje Hribar - Croatian director of the film What is a Man Without a Moustache?
Dominique Deruddere - Belgian director who already won the audience award at LIFFe is presenting his film The Wedding Party
Marzia Tedeschi – protagonist of the film For Bread Alone
Mohammad Foroutan – protagonist of the Iranian film Gradually…
...and many other interesting people.

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October 24th
Festival activities are in full swing now. The schedule will be published on Thursday and the advance sale of tickets will begin.
During the festival, interesting guests will be visiting Ljubljana for a couple of days. We will meet at the screenings and during relaxed evening talks in Jazz Club Gajo.

Our guests will be:
Birol Ünel – protagonist of the opening film Transylvania
Paulus Manker – popular Austrian actor (Slumming).
Feliks Falk – Polish director of The Collector
Goran Dukić – director of Croatian origin, working in the USA, presenting the film Wristcutters: A Love Story
Christophe Ali and Nicolas Bonilauri – directors of the French film Wild Camp
Hrvoje Hribar - Croatian director of the film What is a Man Without a Moustache?
Dominique Deruddere - German director who already won the audience award at LIFFe is presenting his film The Wedding Party
Cécile De France – French protagonist of the film Orchestra Seats
Marzia Tedeschi – protagonist of the film For Bread Alone
Mohammad Foroutan – protagonist of the Iranian film Gradually…
...and many other interesting people.

October 12th
We are a month away from the start of the Festival. This year, our programme will again include more than hundred films, divided into ten sections.

The time schedule will be published on our web page on 26 October at midnight. In order to avoid queuing, you can purchase cheaper tickets during advance sale, which will only take place in Cankarjev dom.

This year, films will again compete for awards. Kingfisher, the main award, will be presented to the best film within the Perspectives section. Golden Reel, the audience award, will be bestowed to one of the films within the Horizons. Best human rights film will receive the Amnesty International Slovenia award. An international jury of the world association of film critics and journalists will choose the best film of the South by Southeast section and bestow the FIPRESCI award.

You, the film lovers, are again kindly invited to participate in selecting the winner of  the Horizons section, where there will be films shown from 24 different countries this year. After the screenings, you will be able to talk to the guests and mingle in the Jazz Club Gajo in the evenings.

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October 3rd
Eagerly looking forward to spending chilly November evenings in dark cinemas, watching masterpieces of new or already asserted filmmakers, festival activities are in full swing now.
Once again, a colourful overview of the latest films is awaiting us. As the Festival is still a good month away, let us drop just a couple of hints.

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Among the blockbusters travelling from festival to festival, we can expect those of the German giant Tom Tykwer, whose films we already saw at Liffe years ago. Pedro Almodovar\\\'s Volver, rewarded in Cannes, La tigre e la neve Roberto Begnini\\\'s latest masterpiece. The freshest Lars Von Trier, Direktoren for det hele, which was first shown end September at the Copenhagen film festival.
We will pay special tribute to the veteran Marco Bellocchio in cooperation with the Italian Cultural Institute of Ljubljana. Focus will be French-coloured.

Eager to mingle with filmmakers, we are impatiently expecting interesting guests from all over the world to arrive to Ljubljana for a couple of days. Dominique Deruddere, who won the audience award in 2001, will try to conquer spectators again with the already rewarded film The wedding Party.
Goran Dukić, a Croatian director living in New York, will be in competition with his film Wristcutters: A Love Story.

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After the already traditional talks with our guests after projections, we will this year continue our evening film gatherings in Jazz Club Gajo.
See you at the Liffe.

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July 1st 2006
INVITATION TO VOLUNTEERS!

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IF YOU
Like film
Are eagerly awaiting November and the 17th LIFFe
Wish to acquire experience in festival organisation and become an indispensable morsel in its puzzle
Would like to meet foreign directors and other festival guests

AND
Have appropriate knowledge and time
Don’t find work a hassle,
THEN
You are cordially invited to become a member of our festival team.

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YOUR CONTRIBUTION TO THE FOLLOWING AREAS WOULD BE APPRECIATED
Ticket sales
Accompaniment of festival guests
Organisation of accompanying events
Arrangement of festival locations
Acquisition of promotional material
Technical realisation
And other organisation and realisation tasks

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CONTACT US
And introduce yourself
Send us your suggestions for improved organisation
State the areas to which you would like to contribute

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Contact: natasa.bucar@cd-cc.si

'),('contact','sl','

 

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Kontaktni podatki

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16. liffe
Cankarjev dom
Prešernova cesta 010
SI - 1000 Ljubljana
T: 01/ 2417 147
F: 01/ 2417 298
E:liffe@cd-cc.si

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Programska direktorica festivala
Jelka Stergel
T 01/ 2417 150
F 01/ 2417 298
E jelka.stergel@cd-cc.si

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Vodja projekta
Dunja Kukovec
T 01/ 2417 148
F 01/ 2417 298
E dunja.kukovec@cd-cc.si

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Odnosi z javnostmi
Nataša Bučar
T 01/ 2417 167/170
F 01/ 2417 298
E natasa.bucar@cd-cc.si

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Služba za goste
Barbara Glauning
T +49 893 8190 419
E office@glauning.com

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Urednica spletnih strani
Darinka Hvalec
T 01/ 2417 153
F 01/ 2417 298
E darinka.hvalec@cd-cc.si

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Prodaja vstopnic
T 01/ 2417 299/300
F 01/ 2417 322
E info@cd.cc.si

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'),('contact','en','

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Contacts
 

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15. liffe
Cankarjev dom
Prešernova cesta 010
SI - 1000 Ljubljana
T: +386 1 2417 147
F: +386 1 2417 298
E: 15liffe@cd-cc.si

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Programme Director
Jelka Stergel
T +386 1 2417 150
F +386 1 2417 298
E jelka.stergel@cd-cc.si

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\\\"\\\" \r\n

Project Manager
Dunja Kukovec
T +386 1 2417 148
F +386 1 2417 298
E dunja.kukovec@cd-cc.si

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Press
Nataša Bučar
T +386 1 2417 167/170
F +386 1 2417 298
E natasa.bucar@cd-cc.si

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Guests Department and Hospitality
Barbara Glauning
T +49 893 8190 419
E office@glauning.com

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Web page editor
Darinka Hvalec
T 01/ 2417 153
F 01/ 2417 298
E darinka.hvalec@cd-cc.si

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Ticket sales
T +386 1 2417 299/300
F +386 1 2417 322
E info@cd.cc.si

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'),('industrijskaakreditacija','sl','

Industrijska akreditacija

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Akreditacija je na voljo vsem, ki se profesionalno ukvarjate s filmom.

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Filmski profesionalci, prosimo vas, da nam na festivalski naslov pošljete podatke o svojem podjetju in navedete svoj položaj v njem, mi pa vam bomo po elektronski pošti poslali prijavnico. To nam, izpolnjeno in podpisano, vrnite po pošti ali faksu.

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Prosimo vas tudi za fotografijo, ki jo potrebujemo za vašo festivalsko priponko. Lahko nam jo pošljete v digitalni obliki na naš elektronski naslov ali pa fotografijo za dokumente priložite prijavnici, ki jo boste poslali po pošti. Fotografija mora biti na hrbtni strani opremljena z vašim imenom in priimkom.

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V kolikor imate vprašanja glede vaše zasebnosti preberite pravna obvestila ali nas kontaktirajte na elektronski naslov natasa.bucar@cd-cc.si.

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Z akreditacijo ste upravičeni do:
 
brezplačnega vstopa na filmske projekcije
 
prostega vstopa na začetno in zaključno slovesnost, sprejeme in posebne dogodke
 
brezplačnega izvoda festivalskega kataloga
 
Stroški akreditacije znašajo 9000 SIT, poravnate jih ob prevzemu priponke. Ko prejmemo vašo izpolnjeno prijavnico, je akreditacija nepreklicna. Na zahtevo vam izdamo račun.
 
Priponke bodo na voljo od 10. novembra naprej na prodajnem mestu v Prvem preddverju Cankarjevega doma, ki bo od četrtka, 10., do četrtka, 24. novembra, odprto od 9. ure do začetka zadnje projekcije.
 
Zadnji rok za oddajo prijavnic je 28. oktober 2005.
 
Vstopnice
Akreditirani filmski profesionalci, ki pri blagajni pokažete svojo festivalsko priponko, ste upravičeni do vstopnic za vse filmske projekcije. Vstopnice so na voljo dva dni pred predstavo. Blagajna bo za festivalske goste, novinarje in filmske profesionalce odprta v novinarskem središču od 10. novembra naprej.
 
Za dodatne informacije se obrnite na
Ljubljanski mednarodni filmski festival:
Cankarjev dom
Prešernova 10, 1000 Ljubljana, Slovenija
T +386 1 24 17 167/170
F + 386 1 24 17 298

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E natasa.bucar@cd-cc.si

'),('accompanyingprogramme','en','

Accompanying programme

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ROUND TABLES
12 November at 16:30
Human Rights in the Context of Fight against Terrorism – at the premiere of The Road to Guantanamo
M1, admission free

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13 November at 11:00
Round table: THE SPIRIT OF CONTEMPORARY STORY IN FILM AND LITERATURE
As part of the initiative Let’s write a film, three eminent associations – Association of Slovene Filmmakers, Directors Guild of Slovenia, and Slovene Writers’ Association – in cooperation with the MEDIA desk Slovenia are organizing round tables on literature and film and scriptwriting workshops.
Participants: Marko Naberšnik and Andrej Košak (both Association of Slovene Filmmakers), Maja Weiss and Metod Pevec (both Directors Guild of Slovenia), Maja Novak and Dušan Šarotar (both Slovene Writers’ Association). The discussion will be hosted by Martin Srebotnjak.
M1, admission free

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23 November
International Days for the Elimination of Violence against Women in Slovenia
M1, admission free

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13 November at 15:00
Expert meeting
SUCCESSFUL COOPERATION BETWEEN PRODUCERS, DIRECTORS, AND WRITERS
The European perspective of connecting writers and filmmakers in theory and practice
M1, applications to be submitted to mediadesk.slo@film-sklad.si

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15 November at 18:00
Film projection
Marco Bellocchio: Fist in his Pocket/I pugni in tasca (1965)
The Italian Institute, Kongresni trg 13, admission free

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16 November at 20:00
Concert of the RTV SLOVENIA SYMPHONY ORCHESTRA
and screening of the silent film THE NEW BABYLON
Conductor: Helmut Imig
Silent film with live music by Dmitri Shostakovich.
The New Babylon (Novyj Babilon / Novyj Babilon / Shturm neba) (Soviet Union, 1929, 80 min., 35mm)

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Written and directed by Grigori Kozinstev and Leonid Trauberg. Cinematography: Andrei Moskvin. Art director: E. Enei. Original music: Dmitri Shostakovich. Cast: Yelena Kuzmina, Pyotr Sobolevsky, David Gutman, Sofya Magarill, Sergei Gerasimov, S. Gusev, Yanina Zheimo, A.Glushkova, Yevgeni Chervyakov, Andrei Kostrichkin, A. Zarzhitskaya, Vsevolod Pudovkin, Oleg Zhakov, Lyudmila Semyonova, A. Arnold.
Founders of the legendary FEKS (Factory of the Eccentric Actor) in Leningrad, directorial team Kozintsev and Trauberg extracted outrageous performances from their actors for this masterpiece set during the Franco-Prussian War. The exhilarating depiction of the 1871 Paris Commune contrasts capitalism and communism by way of a romance between a worker in a Parisian department store and a young soldier at the barricades. But The New Babylon is no typical historical costume drama; stylized performances, inventive editing techniques and fantastic shot compositions render an entirely refreshing approach to the genre.
Gallus Hall, 4.000, 3.200, 2.400, 1.600, 1.200* SIT (16’69, 13’35, 10’01, 6’68, 5* EUR)

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23 November at 11:00
Panasonic projectors – presentation
Linhart Hall, admission free

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AWARDS CEREMONY
24 November at 20:00

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Pokrovitelji

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Glavni pokrovitelj:
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Mobitel d.d.
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Medijski pokrovitelji:
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RS Klan, Jazbec & co., d.n.o.
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Sponsors

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General sponsor:

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Mobitel d.d.

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Media sponsor:

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Delo d.d.

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Festival is supported by:

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Media

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Website sponsor:

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RS Klan, Jazbec & co., d.n.o.

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Sponsors:

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Official festival carrier:

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Autocommerce d.d.

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Admission and information

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Screenings before 18:00 - 900 SIT (3,76 EUR); after 18:00 – 1.100 SIT (4,59 EUR).

ADVANCE TICKET SALES: 26 October – 9 November inclusive
Discounts:
Secondary and university students for screenings before 18:00 - 700 SIT (2,92 EUR); after 18:00 - 900 SIT (3,76 EUR);
Set of 6 tickets for different films 20%;
Set of 9 tickets for different films 25%;
Set of 12 tickets for different films 30% as well as the 17th Liffe catalogue.

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REGULAR TICKET SALES: 10 – 24 November
Discounts:
Secondary and university students for screenings before 18:00 - 700 SIT (2,92 EUR); after 18:00 - 900 SIT (3,76 EUR);
Set of 6 tickets for different films 10%;
Set of 9 tickets for different films 15%;
Set of 12 tickets for different films 20% as well as the 17th Liffe catalogue.
Discounts are non-combinable.  

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Points of sale
Advance sales: 26 October - 9 November inclusive
CD Information centre until 2 November during regular business hours (workdays 11:00 – 13:00 and 15:00 – 20:00; Saturdays 11:00 – 13:00);
Festival Box Office in the 1st Foyer of CD from 2 November until 9 November inclusive (11:00 – 20:00);
Web page www.liffe.si (MasterCard Eurocard, Visa, Diners, Ivanka, Moneta);
By phone 01 24 17 300 (workdays from 9:00 until 18:00).

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Regular sales: 10 – 24 November
Festival Box Office 1st Foyer CD from 11:00 until the beginning of the last screening;
Cinema Komuna weekdays from 9:00 until the beginning of the last screening, Saturdays and Sundays an hour before the first screening and until the beginning of the last one;
Kinoklub Vič an hour before a screening;
Kinodvor an hour before a screening and from 15:00 until the beginning of the last screening;
 Web page www.liffe.si (MasterCard Eurocard, Visa, Diners, Ivanka, Moneta);
By phone 01 24 17 300.

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Information during the festival:
www.liffe.si;
CD Information centre (01 2417 299) during regular business hours (workdays 11:00 – 13:00 and 15:00 – 20:00; Saturdays 11:00 – 13:00);
Festival Box Office 1st Foyer CD (01 2417 400) from 11:00 until the beginning of the last screening;
Cinema Komuna weekdays from 9:00 until the beginning of the last screening, Saturdays and Sundays an hour before the first screening and until the beginning of the last one (01 241 84 00);
Kinoklub Vič an hour before a screening (01 241 84 10);
Kinodvor an hour before a screening (01 434 25 48).
It will be possible to purchase tickets for some of the screenings at a better price one hour before the screening.
Tickets can also be purchased via vstopnice@cd-cc.si

'),('domov','sl','

Gledalce in žirije je prepričala drugačnost

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S podelitvijo nagrad in predvajanjem Režiserja porok, zadnjega filma režiserja Marca Bellocchia, ki mu je bila posvečena sekcija Posebni poklon, se je končal letošnji LIFFe.

V slavnostno ozračje sta nas z zvoki harmonike in saksofona vpeljala Janez Dovč in Vasko Atanasovski, v sedmo umetnost pa smo prestopili z zgodbo o menihu, ki vztrajno zaliva svoje drevo, dokler to čudežno ne zacveti ─ klasika filmske umetnosti Andreja Tarkovskega. V tej metafori se zrcalijo tudi izjemne filmske produkcije z letošnjega festivala, katerih najboljše so nagradili tri mednarodne žirije in zvesta festivalska publika.

Nagrado fipresci za najboljši film iz sklopa Jug─jugovzhodno je v imenu tričlanske žirije njena predsednica Janine Euvrard podelila madžarski drami iz sveta gimnastike ─ Bele dlani. Žirijo sta prepričala predvsem močna zgodba in izreden psihološki izris glavnih likov, nagrado pa je prevzel namestnik madžarskega veleposlanika.

Z močno in dodelano filmsko zgodbo je navdušil tudi prejemnik nagrade Amnesty International, ki že drugo leto nagrajuje filme s problematiko človekovih pravic. Film Offside prikazuje zgodbo iranskih nogometnih navijačic, ki jim je prepovedan vstop na stadion. Nagrado je podelil predsednik žirije Hans Van Gerven ter poudaril zanimivo in pozitivno filmsko zgodbo, ki kot glavno odliko filma na novo izpostavlja boj iranskih žensk za emancipacijo. Režiser Jafar Panahi je v zahvalnem govoru predstavil avtobiografsko podlago filma, saj sta velika oboževalca nogometa tako on sam kot njegova hči. Nagrado je posvetil ženski organizaciji Bele rutke, ki se bori za emancipacijo in dostojanstvo žensk v Iranu.

Tudi letos smo zlati kolut filmom v sklopu Obzorij podeljevali gledalci. Na odru sta se nam pridružili generalna direktorica Tobačne Ljubljana, Pia Barborič Jurjaševič (darovalke nagrade) in Aleksandra Balmazović, predsednica komisije. »Ta izbor dokazuje, da Slovenci nismo ksenofobi ─ vsaj kadar gre za tujce na filmskem platnu,« je ob podelitvi povedala Balmazovićeva. Nagrado je prejela irsko-britanska komedija Zajtrk na Plutonu, ki so jo gledalci ocenili z izjemno visoko povprečno oceno 4,7, prevzel pa jo je namestnik irskega veleposlanika.

Filmski izbor je navdušil tudi žirijo nagrade vodomec, ki jo filmom iz sklopa Perspektive vsako leto podeljuje Mobitel. Po mnenju žirije si je posebno omembo zaslužila družinska drama Namizni tenis, ki z močno zgodbo ter z izjemno dobro izdelanimi in odigranimi liki snema masko navidez urejeni družini in prikazuje nasilje, ki se skriva pod njo. Nagrado je podelila programska direktorica LIFFe Jelka Stergel, prevzel pa jo je igralec Clemens Berg in poudaril, da je nad nagrado navdušen, saj je to njegova prva filmska vloga, zasluge zanjo pa gredo vsekakor celotni ekipi. Prestižno nagrado vodomec pa je prejel film 1:1, ki je žirijo navdušil z izjemno zgodbo, ki prikazuje medrasne konflikte v sodobni demokratični Evropi. Ana Maria Percavassi, predsednica žirije, je med predstavitvijo zmagovalca poudarila predvsem odlično delo režiserke Annete K. Olesen in celotne igralske ekipe. Režiserka je v zahvalnem govoru poudarila, da je to film, ki presega medrasno problematiko in prikazuje, da so čustva, ki so vsem skupna, močnejša od kulturnih razlik.

Po podelitvi nagrad sta sledili projekciji kratkega filma Potepuški čevlji in Režiserja porok, s katerima smo se filmoljubi še za eno leto poslovili od osrednjega slovenskega filmskega festivala.

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Tina Bilban

'),('predstavitev','sl','

Življenje vedno najde pot/ Life always finds the way

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»Življenje vedno najde pot,« je rekel doktor iz filma Jurski park in postal nema priča človeške katastrofe; k sreči je bil samo film, bi dodali mi in se podali k iskanju življenja v novih produkcijah z vsega sveta.
Izbrali smo jih okoli sto.
Gledali jih boste lahko v petih dvoranah v središču Ljubljane, od Cankarjevega doma do Kinokluba Vič in Kinodvora ter ugotavljali, ali je francoska kinematografija res najmočnejša v Evropi. Preverili, ali jo delajo močno koprodukcije. Ob tem spoznali delo drugih kinematografij in spoznali, ali je Azija še v prednosti in ali se bo ameriški neodvisni film obdržal nad gladino neznosne utečenosti mega studijske produkcije ...
Za vas smo privabili številne tuje in domače goste, ustvarjalce, ki bodo razložili, zakaj so se lotili filma in z vami delili filmske izkušnje.
Imeli bomo predavanje o digitalizaciji filma, značilnostih in možnostih nove produkcije, ki ga bo vodil Carl Schoenfeld, univerzitetni profesor in producent iz Velike Britanije (My Brother Tom, Sarajevo Diary).
Prav posebna vloga bo pripadla svetovni premieri novega slovenskega filma, ki bo sklenil festival, Ljubljana je ljubljena enega največjih filmskih ustvarjalcev pri nas, režiserja Matjaža Klopčiča.

SEKCIJE IN FILMI (z režiserji)

PERSPEKTIVE: Doo Wop David Lanzmann; Iluzija Svetozar Ristovski; Ivana Kornél Mundruczó; Mali Jeruzalem Karin Albou; Maser Brillante Mendoza; Obljubljena dežela Vimukthi Jayasundara; Pasje sanje Angelos Frantzis; Pastir bizonov Minh Nguyen-Vo; Pekel Danis Tanović; Pogled z Eifflovega stolpa Nikola Vukčević; Prikoličar Ramin Bahrani; Skriti adut Dagur Kari; Ultranova Bouli Lanners; Velika ekstaza Roberta Charmichaela Thomas Clay; Veter zemlje Vincenzo Marra; Železni otok Mohamed Rasoulof

PREDPREMIERE: Morski sadeži Olivier Ducastel, Jacques Martineau; Otrok Jean-Pierre Dardenne, Luc Dardenne; Palica za golf Ki-duk Kim; Skrito Michael Haneke; Strti cvetovi Jim Jarmush; Tragedija v Omaghu Pete Travis; Trčenje Paul Haggis; Večna ljubezen Roger Michell; Zadnji dnevi Gus Van Sant

OBZORJA: Adam in Paul Leonard Abrahamson; Antares Goetz Spielmann; Čevlji umrlega Shane Meadows; Dallas med nami Adrian Robert Pejo; Devetdnevnica Bernard Emond; Deveti dan Volker Schlöndorff; Divji in zadeti Stephen Woolley; Draga Wendy Thomas Vinterberg; Garpastum Alexey Guerman; Kilometer nič Hiner Saleem; Kino, aspirini in mrhovinarji Marcelo Gomes; Kitajec Henrik Ruben Genz; Kjer resnica laže Atom Egoyan; Kockarji Frédéric Balekdjian; Kralji in kraljica Arnaud Desplechin; Lovec Serik Aprymov; Manderlay Lars von Trier; Moj Angel Serge Frydman; Moj Nikifor Krzysztof Krauze; Mrak Jannik Johansen; Najdeni predmeti S. Arsenijević, N. Koseva, M. Laas, K.Mundruczó; Nepokopani človek Marta Meszaros; Nora ljubezen Ventura Pons; Obala šepetanj Margarida Cardoso; Padem gor Jan Hrebejk; Proti jugu Laurent Cantet; Redna ljubimca Philippe Garrel; Ritem, ko je zastalo moje srce Jacques Audiard; Ruske lutke Cédric Klapisch; Slikati ali se ljubiti Arnaud Larrieu, Jean-Marie Larrieu; Soba Kyle Henry; Šanghajske sanje Xiaoshuai Wang; Štiri Ilja Hržanovski; Tapas José Corbacho/Juan Cruz; Willenbrock Andreas Dresen; Zveza kebab Anno Saul

V IMENU OČETA: Alice Marco Martins; Mladi Jud Tony Krawitz; Pojdi domov Li Chensheng; Veliko potovanje Ismael Ferroukhi; Življenje z očetom Sébastien Rose

NAŠI: Odgrobadogroba Jan Cvitkovič – otvoritveni film 16. LIFFe; Na domačem vrtu Bratko Bibič – otvoritveni program 16. LIFFe; Delo osvobaja Damjan Kozole; Razdružene države Amerike Sašo Podgoršek; Ljubljana je ljubljena Matjaž Klopčič – zaključek 16. LIFFe

VELIKE ZGODBE MALIH LJUDI (primerno tudi za otroke): Čarovnik Howl in gibljivi grad Hayao Miyazaki; Mongolski namizni tenis Ning Hao; Potepuški psi Marzieh Meshkini

PROTI VETRU: Bitka na nebu Carlos Reygadas; Čarobno ogledalo Manoel de Oliveira; Padla Fred Kelemen; Pojoč za zastori Ermanno Olmi; Tony Takitani Jun Ichikawa; Vsiljivec Claire Denis

EKSTRAVAGANCA: Cmočki Fruit Chan; Muhasti oblak Ming-liang Tsai; Notranje vražje zadeve Wai Keung Lau, Siu Fai Mak

POSVEČENO WIM WENDERS IN MARC ROTHEMUND: Dežela obilja, Ne pridi mi trkat: oba filma Wim Wenders; Ljubezenski prizori s planeta Zemlja, Upanje umre zadnje, Zadnji dnevi Sophie Scholl: vse Marc Rothemund

DOKUMENTARNI: 2 ali 3 stvari, ki jih vem o njem Malte Ludin; Afrika United Olaf de Fleur Johannesson; Aven Chavora Filip Robar Dorin; Cinévardaphoto Agnes Varda; F.A.Q. Stefan Hafner, Alexander Binder; George Michael: Drugačna zgodba Southan Morris; Šutka Aleksandar Saša Manić; Zvok Istanbula Fatih Akin

JUG JUGOVZHODNO: Jug jugovzhodno Milutin Petrović; Kaj je Iva posnela 21. oktobra 2003 Tomislav Radić; Kukumi Isa Qosja; Povsem osebno Nedžad Begović; Smrt gospoda Lazarescuja Cristi Puiu; Ugrabitev Constantine Giannaris; Vstajenje od mrtvih Miloš Radivojevič

KRATKI: Enosmerna vozovnica Ulrike Grote; Ljubezen po turško Yildrim Ozgur; Presahla zemlja Taras Tomenko; Skrivnost Luis Antonio Pereira; Tak je Calypso Bruno Collet; V tvojih sanjah Blandine Lenoir

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\\\"\\\"15. LIFFe
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Nakup vstopnic, prodajna mesta in informacije

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Vstopnice: za projekcije do 18. ure 900 SIT (3,76 EUR), pozneje 1100 SIT (4,59 EUR)

Predprodaja od 26. 10. do vključno 9. 11.
Popusti:
za dijake in študente: za projekcije do 18. ure 700 SIT (2,92 EUR), pozneje 900 SIT (3,76 EUR)
pri nakupu 6 vstopnic za različne filme 20 %
9 vstopnic za različne filme 25 %
12 vstopnic za različne filme 30 %

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Redna prodaja od 10. do 24. 11.
Popusti:
za dijake in študente: za projekcije do 18. ure 700 SIT (2,92 EUR), pozneje 900 SIT (3,76 EUR)
pri nakupu 6 vstopnic za različne filme 10 %
9 vstopnic za različne filme 15 %
12 vstopnic za različne filme 20 %
Popusti se ne seštevajo.
Ob nakupu 12 vstopnic za različne filme podarimo tudi katalog 17. LIFFe.

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Prodajna mesta
Predprodaja od 26. 10. do vključno 9. 11.
Informacijsko središče CD do 2. 11. v rednem poslovnem času (ob delavnikih od 11. do 13. in od 15. do 20. ure, ob sobotah od 11. do 13. ure)
festivalska blagajna v Prvem preddverju CD od 2. do vključno 9. 11. od 11. do 20. ure
spletna stran www.liffe.si (MasterCard Eurocard, Visa, Diners, Ivanka, Moneta)
po telefonu (01) 24 17 300 ob delovnikih od 9. do 18. ure

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Redna prodaja od 10. do 24. 11.:
festivalska blagajna v Prvem preddverju CD od 11. ure do začetka zadnje projekcije
Kino Komuna med tednom od 9. ure do začetka zadnje projekcije, ob sobotah in nedeljah uro pred prvo projekcijo in do začetka zadnje
Kinoklub Vič uro pred projekcijo
Kinodvor uro pred prvo projekcijo in od 15. ure do začetka zadnje
spletna stran www.liffe.si (MasterCard, Eurocard, Visa, Diners, Ivanka, Moneta)
po telefonu (01) 2417 300


Navodila za nakup vstopnic za komplete 6/9/12 filmov prek spleta

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Ker kupcem kompletov ob nakupu prek spleta še ne moremo zagotoviti popustov, smo pripravili nov način nakupa – prek spleta v povezavi s telefonsko prodajo – ki te popuste omogoča.
V prilogi spodaj najdete obrazec, v katerega vpišete seznam filmov, za katere bi želeli kupiti vstopnice, ter nam ga posredujete po e-pošti vstopnice@cd-cc.si. Dopišite svojo telefonsko številko, na kateri ste dosegljivi, in v 24 urah vas bomo poklicali, poprosili za številko kreditne kartice in njeno veljavnost ter izvedli nakup po telefonu. Vstopnice boste lahko s podpisom prevzeli pred prvo projekcijo izbranega filma pri festivalski blagajni v Prvem preddverju Cankarjevega doma.

Obrazec

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Nakup z Ivanko in Moneto ter s plačilnimi karticami po spletu.

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Informacije med festivalom:
S www.liffe.si
Informacijsko središče CD po telefonu (01) 2417 299 v rednem poslovnem času (ob delavnikih od 11. do 13. in od 15. do 20. ure, ob sobotah od 11. do 13. ure)
festivalska blagajna v Prvem preddverju CD po telefonu (01) 2417 400 od 11. ure do začetka zadnje projekcije
Kino Komuna med tednom od 9. ure do začetka zadnje projekcije, ob sobotah in nedeljah uro pred prvo projekcijo in do začetka zadnje po telefonu (01) 241 84 00
Kinoklub Vič po telefonu (01) 241 84 10 uro pred projekcijo
Kinodvor po telefonu (01) 434 25 48 uro pred prvo projekcijo
Vstopnice za nekatere festivalske filmske projekcije bo mogoče uro pred začetkom kupiti po ugodnejši ceni. Več o tem dnevno na spletni strani www.liffe.si.
Obiskovalci lahko kupijo vstopnice tudi prek S vstopnice@cd-cc.si.

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Pokrovitelji

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Glavni pokrovitelj:

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Mobitel d.d.

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Medijski pokrovitelji:

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Delo d.d.

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Festival podpira:

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Pokrovitelj spletne strani:

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RS Klan, Jazbec & co., d.n.o.

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Pokrovitelji:

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Uradni prevoznik festivala:

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Autocommerce d.d.

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'),('oglasevanje','sl','

VAŠ OGLAS V GLAVNI VLOGI

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Mednarodni ljubljanski filmski festival, največja slovenska filmska prireditev, odmevna tudi v tujini, bo letos že petnajstič v dvorane privabil vse, ki imajo radi dobre filme in želijo biti na tekočem s svetovnim filmskim dogajanjem. Festival bo potekal od 10. do 24. novembra 2005, priprave nanj pa so že v polnem teku, med drugimi tudi – tako kot vsako leto doslej – priprave obsežnega in vsebinsko bogatega kataloga, v katerem vam po sprejemljivih cenah nudimo oglasni prostor.

Za lažjo odločitev vam lahko navedemo nekaj prepričljivih dejstev:


AKTUALNOST
Podatki o filmskih avtorjih in igralcih ter o njihovih najnovejših stvaritvah.

NADČASOVNOST
Katalog ima za poznavalce in ljubitelje filma dokumentarno vrednost in po koncu festivala ne roma v koš za smeti, kot to velja za druge kataloge in revije.

CILJNA SKUPINA
Obiskovalci filmskega festivala, ki jih je vsako leto več (lani rekordnih 52.000), so glede na starost, izobrazbo, poklic, kraj bivanja in način življenja zelo raznolika in zanimiva skupina, ki je verjetno ne povezuje skoraj nič drugega kot ljubezen do filma. Pomislite, kje drugje bi jih še lahko našli »pod eno streho«.

MEDIJSKA ODMEVNOST FESTIVALA
LIFFe napoveduje in spremlja vedno večje število medijev, kar nedvomno priča o ugledu prireditve.
V katalogu LIFFe je vaš oglas torej na prestižnem mestu.

DOSTOPNOST
Vsem ljubiteljem filma je katalog na voljo v Informacijskem središču CD, recepciji festivala, v Koloseju, kinih Vič in Komuna ter Kinoteki, prejmejo ga akreditirani domači in tuji novinarji, vse medijske hiše, kulturne ustanove po Sloveniji, domači in tuji gostje festivala ter poslovni partnerji in programski sodelavci Cankarjevega doma.

JEZIK
Katalog je dvojezičen. Vsa besedila so v slovenščini in angleščini.
Morda bo tudi vaš oglas odmevnejši v dveh jezikih ...

CENE OGLASOV
Oglasni prostor v katalogu 16. LIFFe je v primerjavi s cenami v podobnih publikacijah in revijah ugodnejši. Oglejte si naš cenik in se o tem prepričajte sami.

Cenik oglasov
Velikost    Barvno
1/1         195.000 SIT
½           145.000 SIT
¼           110.000 SIT

Tehnični podatki: Katalog velikosti A4 bo izšel v 5000 izvodih; končni format je 210 x 297 mm, 60-linijski raster, CD-rom za PC, v formatu TIFF, EPS.


Vaš prostor na velikem platnu!
Poleg oglasnega prostora v katalogu 16. LIFFe vam ponujamo tudi možnost oglaševanja na velikem platnu pred posameznimi filmskimi predstavami v Linhartovi (LD) in Kosovelovi dvorani (KD) Cankarjevega doma. V dveh festivalskih tednih je bilo lani v obeh skupaj 284 filmskih projekcij. Oglašujete lahko tudi na projekcijskem platnu v Prvem preddverju Cankarjevega doma, ki je središče raznovrstnega festivalskega dogajanja (sprejemi, srečanja z gosti, tiskovno središče, družabni prostor za obiskovalce …).

Projiciranje oglasov na filmsko platno v eni dvorani

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1 dan:    15.000 SIT
1 teden: 60.000 SIT
2 tedna: 85.000 SIT

Predvajanje filmskih spotov
1 teden: 110.000 SIT

Predvajanje filmskih spotov v eni dvorani *
2 tedna: 195.000 SIT

* dolžina do 30 sekund, format 35 mm, BETA SP, MINI DV, DVD-disku, VHS

DDV ni vštet v cene oglaševanja.
Oglasni prostor je treba rezervirati do 14. OKTOBRA 2005.
Oglasno gradivo v obliki filmov je treba oddati najpozneje do 20. OKTOBRA 2005.
Oblikovanje in izdelavo filmov po naročilu naročnika zaračunavamo posebej.

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Za objavo oglasa potrebujemo vašo naročilnico, ki jo pošljete na naslov:

CANKARJEV DOM
Služba za trženje programa in odnose z javnostmi
Kulturni in kongresni center Prešernova 10, Ljubljana
Kontaktna oseba: Zvezdana Lazar Bursać
tel. 01/2417 170, faks 01/2417 298
e-pošta: zvezdana.lazar@cd-cc.si

'),('pogovorizgosti','sl','

Pogovori z gosti\r\n

 

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 Vsi pogovori z gosti bodo v Prvem preddverju Cankarjevega dom (razen, kjer je navedeno drugače).\r\n

 

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 Jan Cvitkovič, režiser filma Odgrobadogroba v petek, 11. 11.,  ob 11. uri         

 August Diehl, igralec v filmu Deveti dan v petek, 11. 11., ob 19.15 uri  \r\n

 

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Angelos Frantzis, režiser in scenarist filma Pasje sanje v petek, 11. 11., ob 20.30 uri\r\n

 

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Joseph Lang, producent filma Velika ekstaza Roberta Charmichaela v petek, 11. 11., ob 21.20 uri  \r\n

 

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Aleksej German, ml., režiser filma Garpastum v soboto, 12. 11., ob 17. uri\r\n

 

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Nedžad Begović, režiser filma Povsem osebno v soboto, 12. 11., ob 18. uri                                 \r\n

 

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Čedomir Kolar, producent filma Pekel v soboto, 12. 11., ob 21.20 uri\r\n

 

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Anno Saul, režiser filma Zveza Kebab v nedeljo, 13. 11., ob 19.15 uri\r\n

 

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Udo Kier, igralec v filmu Manderlay v nedeljo, 13. 11., ob 21. uri v Kinoklubu Vič                          \r\n

 

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Tomislav Radić, režiser filma Kaj je Iva posnela 21. oktobra 2003 v ponedeljek, 14. 11., ob 18.15 uri\r\n

 

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Götz Spielmann, režiser filma Antares v ponedeljek, 14. 11., ob 16.30 uri\r\n

 

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Stefan Arsenijević, Nadejda Koseva, Jasmina Žbanić, režiserji, in Nikolaj Nikitin, producent omnibusa filmov Najdeni predmeti v torek, 15. 11., ob 16.45 uri\r\n

 

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Miloš Radivojević, režiser in scenarist ter Svetozar Cvetković, igralec v filmu Vstajenje od mrtvih v torek, 15. 11., ob 19. uri\r\n

 

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Nikola Vukčević, režiser in scenarist ter Svetozar Cvetković, igralec v filmu Pogled z Eifflovega stolpa v torek, 15. 11., ob 21.15 uri\r\n

 

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Ventura Pons, režiser filma Nora ljubezen v sredo, 16. 11., ob 16. 10 uri\r\n

 

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Vincenzo Marra, režiser in scenarist filma Veter zemlje v sredo, 16. 11., ob 20.30\r\n

 

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Stefan Hafner, režiser, in Alex Binder direktor fotografije filma F.A.Q. v četrtek, 17. 11., ob 18. uri\r\n

 

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Svetozarj Ristovski, režiserjem makedonskega filma Iluzija, 17.11.  ob 20.50 uri v festivalski kavarni. \r\n

 

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Laila Stieler, scenaristka filma Willenbrock v petek, 18. 11., ob 16.15 uri\r\n

 

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Olivier Ducastel in Jacques Martineau režiserja filma Morski sadeži v soboto, 19. 11., ob  17.uri\r\n

 

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Michael Gallagher, resnična oseba iz filma Tragedija v Omaghu v soboto, 19. 11., ob 11.45 v Kinuklubu Vič

Serge Frydman, režiser filma Moj angel v soboto, 19. 11., ob 16.10 uri \r\n

 

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Marc Rothemund, režiser filmov Upanje umre zadnje, Zadnji dnevi Sophie Scholl, Ljubezenski prizori s planeta Zemlja v soboto, 19. 11., ob 21.45 uri\r\n

 

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Frédéric Balekdjian, režiser filma Kockarji v soboto, 19. 11., ob 19. uri\r\n

 

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Lajos Kantor, producent filma Dallas med nami v nedeljo, 20. 11., ob 16.30 uri\r\n

 

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Isa Qosija, režiserka filma Kukumi v nedeljo, 20. 11., ob 18.30\r\n

 

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Mark O\\\'Halloran, igralec iz filma Adam in Paul v ponedeljek, 21. 11., ob 16.30  \r\n

 

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Jan Hrebejk, režiser filma Padem gor v ponedeljek, 21. 11., ob 17. uri\r\n

 

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llya Khrazhanovsky, režiser filma Štiri v ponedeljek, 21. 11., ob 19.30 uri\r\n

 

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David Lanzmann, režiser, in Mikael Fitoussi, igralec v filmu Doo Wop v ponedeljek, 21. 11., ob 20.30 uri\r\n

 

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Stephen Woolley, režiser filma Divji in zadeti v ponedeljek, 21. 11., ob 20.20 uri v Kinoklubu Vič\r\n

 

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Damjan Kozole, režiser filma Delo osvobaja v torek, 22. 11., ob 18. uri             \r\n

 

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Aleksandar Manić, režiser filma Šutka v sredo, 23. 11., ob 20.15 uri\r\n

 

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Matjaž Klopcič, režiser filma Ljubljana je ljubljena, v sredo, 23. 11., ob 18. uri v Kinoklubu Vič\r\n

 

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Tony Krawitz režiser filma Mladi Jud v četrtek, 24. 11., ob 16.uri\r\n

 

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Malte Ludin režiser in scenarist filma 2 ali 3 stvari, ki jih vem o njem in Iva Švarcová, producentka v četrtek, 24. 11., ob 18. uri \r\n

 

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'),('fotografijeinslikovnagradiva','sl','

FOTOGRAFIJE IN SLIKOVNA GRADIVA

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2 ali 3 stvari, ki jih vem o njem - 2 or 3 Thing I Know About Him
Adam in Paul - Adam & Paul
Africa United - Africa United
Alice - Alice
Antares - Antares
Aven Čhavora - Aven Chavora
Bitka na nebu - Battle In Heaven
Carovnik Howl in gibljivi grad - Howl\\\'s Moving Castle
Cevlji umrlega - Dead Man\\\'s Shoes
Cinevardaphoto - Cinevardaphoto
Cmočki - Dumplings
Dallas med nami - Dallas Among Us
Delo osvobaja - Labor Equals Freedom
Devetdnevnica - The Novena
Deveti dan - The Ninth Day
Dežela izobilja - Land Of Plenty
Divji in zadeti - Stoned
Doo Wop - Doo Wop
Draga Wendy - Dear Wendy
Enosmerna vozovnica - One Way Ticket
F.A.Q - F.A.Q
Garpastum - Garpastum
George Michael, Drugačna zgodba - George Michael, A Different Story
Iluzija - Mirage
Ivana - Joan
Jug jugovzhodno - South Southeast
Kar je Iva posnela 21. oktobra 2003 - What Iva Recorded on October 21st 2003

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Kilometer nič - Kilometre Zero
Kino, aspirini in mrhovinarji - Cinema, Aspirins And Vultures
Kitajec - Chinaman
Kjer resnica laže - Where The Truth Lies
Kockarji - Gamblers
Kralji in kraljica - Kings and Queen
Kukumi - Kukumi
Ljubezen po turško - Turkish Love
Ljubezenski prizori s planeta Zemlja - Love Scenes From The Planet Earth
Ljubljana je ljubljena - Ljubljana is Loved
Lovec - The Hunter
Mali Jeruzalem - Little Jerusalem
Manderlay - Manderlay
Maser - The Masseur
Mladi Jud - Jewboy
Moj Angel - My Angel
Moj Nikifor - My Nikifor
Mongolski namizni tenis - Mongolian Ping Pong
Morski sadeži - Mariscos Beach
Mrak - Murk
Muhasti oblak - The Wayward Cloud
Na domačem vrtu - In The Family Garden
Najdeni predmeti - Lost and Found
Ne trkaj, ko prideš - Don\\\'t Come Knocking
Nepokopani človek - The Unburied Man
Nora ljubezen - Idiot Love
Notranje zadeve - Infernal Affairs 1
Obala šepetanj - The Murmuring Coast
Obljubljena dežela - The Forsaken Land
Odgrobadogroba- Gravehooping
Otrok - The Child
Padem gor - Up and Down
Padla - Fallen
Palica za golf - 3-Iron
Pasje sanje - A dog\\\'s Dream
Pastir bizonov - Buffalo Boy
Pekel - Hell
Pogled z Eifflovega stolpa - A View From Eiffel Tower
Pojdi domov - Go Home
Pojoč za zastori - Singing Behind Screens
Potepuški psi - Stray Dogs
Povsem osebno - Totally Personal
Presahla zemlja - The Parched Land
Prikoličar - Man Push Cart
Proti jugu - Heading South
Razdružene države Amerike - Divided States of America, Laibach 2004 Tour
Redna ljubimca - Everyday Lovers
Ruske lutke - Russian Dolls
Sanghajske sanje - Shanghai Dreams
Skriti adut - Dark Horse
Skrito - Hidden
Skrivnost - The Secret
Slikati ali se ljubiti - To Paint Or To Make Love
Smrt gospoda Lazarescuja - The Death of Mister Lazarescu
Soba - Room
Somrak - Twilight
Stiri - Four
Strti cvetovi - Broken Flowers
Šutka - The Shutka Book of Records
Tak je Calypso - Calypso Is Like So
Tapas - Tapas
Tony Takitani - Tony Takitani
Tragedija v Omaghu - Omagh
Trčenje - Crash
Ugrabitev - Hostage
Ultranova - Ultranova
Upanje umre zadnje - Hope Dies Last
Utrip, ki ga je preskočilo moje srce - The Beat That My Heart Skipped
V tvojih sanjah - In Your Dreams
Vecna ljubezen - Enduring Love
Velika ekstaza Roberta Charmichaela - The Great Ecstasy Of Robert Charmichael
Veliko potovanje - The Big Journey
Veter zemlje - Land Wind
Večna ljubezen - Enduring Love
Vsiljivec - The Intruder
Vstajenje od mrtvih - Awakening From The Dead
Willenbrock - Willenbrock
Zadnji dnevi - Last Days
Zadnji dnevi Sophie Scholl - Sophie Scholl - The Final Days
Zelezni otok - Iron Island
Zivljenje z očetom - Life With My Father
Zveza kebab - Kebab Connection
Zvok Istanbula - Crossing The Bridge, The Sounds Of Istanbul
Čarobno ogledalo - The Magic Mirror

'),('programmebill','sl','

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PROGRAMSKI LIST

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Na povezavi si lahko ogledate in natisnete programski list.

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PROGRAMME BILL

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Click link to view and print the programme bill.

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PRESS RELEASE 1

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Life\\\'s added value

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For two weeks this autumn (10 – 24 November), Slovene capital will again be the centre of world\\\'s film happening, always attracting more than 50.000 film fans. The Ljubljana International Film Festival (LIFFe), Slovene\\\'s biggest event of this sort, will illuminate the screens of Cankarjev dom, Kinodvor, Kino Komuna and Kinoklub Vič with selected achievements of the latest European and world film production for the seventeenth consecutive time. Special attention is paid to best-quality auctorial works which are distinctively original and interesting in terms of content and realisation.

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The Festival\\\'s programme features around 100 films, divided into following sections

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PERSPECTIVES – the official competitive section of new authors competing for Mobitel\\\'s Kingfisher Award. Films by promising and original first- or second-time directors. The award is bestowed by a three-member international jury comprised of two foreign film professionals and joined by a Slovene filmmaker or critic.

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AVANT-PREMIERES – carefully selected highlights of European or other major cinematographies, films by established film virtuosos.

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HORIZONS – an overview of recent world production blockbusters, suited more for festivals and art cinema network than regular cinematic viewing; films by renowned film directors. The Horizons section features the audience’s award, honouring best film with the Golden Reel Award.

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DOCUMENTARIES – an overview of contemporary documentary films which explore thorny issues.

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EXTRAVAGANZA – the category introducing artists of idiosyncratic film aesthetics and their exciting and unpredictable film quests; giving room to forms that are not part of the obvious category of feature films.

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TRIBUTE – to one of the auctorial meteors. This year the section will present the Italian director Marco Bellocchio and the films made by Lita Stantič, Argentinian producer of Slovene origin.

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AGAINST THE WIND – a set of authors who cultivate their own film poetics and are recognised by their special approach to the film language in defiance of the prevailing trends.

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A SELECTION OF SHORT FILMS – a selection from the programme of the European Coordination of Film Festivals.

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SOUTH BY SOUTHEAST – an overview of the cinematic production of the Balkans.

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Awards

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KINGFISHER, the international jury award granted by the general sponsor, presented to the best film of the Perspectives section;
GOLDEN REEL, the audiences choose best film of Horizons which is granted Slovene distribution; FIPRESCI, award presented by an international jury of the World Association of Film Critics and Journalists;
AMNESTY INTERNATIONAL, award bestowed to best human rights film.

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Voting

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The audience will select the best film in the Horizons section. Spectators will hand in their votes when leaving the hall or via their mobile phones. Voting via SMS messages will be enabled by the main sponsor of the Festival - Mobitel d.d.

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Guests

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Each year, the Festival hosts more than sixty guests – directors, actors, screenplay writers and producers. They are presented to the audience at screenings of their films.

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Accompanying programme

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Exhibition: SKETCHBOOK OF A PHOTOGRAPHER Fellini\\\'s film through the images of Franco Pinna Prepared by: the Institute of Scientific Research of Photo Journalism/the Archives of Franco Pinna from Rome in cooperation with the Emzin magazine.

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Press conference

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You will be informed about a detailed programme and course of this year\\\'s LIFFe at the press conference taking place on 26 October at 11:00 in the CD Club. We are kindly inviting you to join us.

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Sponsors and partners

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Partners of the 17th LIFFe:
Kolosej kinematografi/Kolosej Cinemas and Slovenska kinoteka/The Slovenian Cinematheque. Main Sponsor: Mobitel, d.d. Donor: Tobačna Ljubljana, d.o.o. Media Sponsor: Delo, d.d.

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Membership

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Europa Cinemas, Združenje predvajalcev evropskega filma, Pariz/Association of European Film Exhibitors, Paris ECFF, Evropska koordinacija filmskih festivalov, Bruselj/ European Coordination of Film Festivals, Brussels MPA, Kinematografska zveza, Bruselj/Motion Pictures Association, Brussels S www.liffe.si

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Admission and information

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Tickets: screenings before 18:00 h - 900 SIT; after 18:00 h - 1100 SIT
Advance ticket sales: 26 Oct – 9 Nov
Discounts: – Secondary and university students for screenings before 18:00 h - 700 SIT; after 18:00 h - 900 SIT – Set of 6 tickets for different films grants 20%; – Set of 9 tickets for different films grants 25%; – Set of 12 tickets for different films grants 30%.
Regular ticket sales: 10 Nov – 24 Nov
Discounts: – Secondary and university students for screenings before 18:00 h - 700 SIT; after 18:00 h - 900 SIT – Set of 6 tickets for different films grants 10%; – Set of 9 tickets for different films grants 15%; – Set of 12 tickets for different films grants 20%. Discounts are non-combinable.
When purchasing 12 tickets for different films, you will also be given the 17th LIFFe catalogue. Sales points Advance ticket sales: 26 Oct – 9 Nov • CD Information Centre during regular business hours until 2 Nov (workdays 11:00 – 13:00 and 15:00 – 20:00; Saturdays 11:00 – 13:00); •
Festival Box Office in the 1st Foyer of CD from 2 – 9 Nov (11:00 – 20:00); •
Web page www.liffe.si (MasterCard/Eurocard, Visa, Diners, Ivanka, Moneta); •
By phone 01 24 17 300 workdays from 9:00 – 18:00.

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Information

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 Janina Pintar T (01) 2417 146 E janina.pintar@cd-cc.si

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Press accreditation

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The simplest and the quickest way to submit your application is via www.liffe.si (press/accreditation). We would appreciate it very much if you could use this method for submitting your application. It will also be possible to submit your application for accreditation at the press conference taking place on 26 October in Cankarjev dom. Application deadline: 29 October 2006. Due to technical problems, we are kindly asking journalists who submitted their applications before 22 September to fill out the accreditation form again. Thank you for your understanding.

'),('oglasevanje','en','

YOUR STARRING AD!

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The Ljubljana International Film Festival, the largest and mostsignificant Slovenian film event, also with widespread foreignpopularity and coverage, will for the sixteenth time capture attentionof film aficionados, craving to savour some first-rate artisticcreativity as well as kept abreast with the latest world film trends.The Festival will run from 10 – 24 November 2005, while the preliminaryactivities – among others the extensive catalogue, with affordableadvertising space – are at their acme.

Why is LIFFe a golden opportunity for advertising? Below are some convincing facts:

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Topicality
Data on filmmakers and their latest production.

Timelessness
Having high documentary value, the catalogue is cherished and collected by the film buffs and connoisseurs.

The target group
Film Festival visitors, the number of which is gradually rising (it hitan all-time record of 52,000 last year), are a heterogeneous andinteresting group in view of their age, education, profession, place ofresidence and style of life, predominantly sharing merely the love offilm. Consider the options of finding such a group ‘under one roof’elsewhere.

Substantial media coverage
An increasing number of news media announces and covers LIFFe events,which attests to the indisputable goodwill and repute of the Festival.The catalogue thus ensures your ad to be in the prestigious company ofthe finest and attract a substantial attention.

Widespread distribution
The catalogue is available at the CD Information Centre, the FestivalReception, cinema Kolosej as well as Cinemas Vič, Komuna and Kinoteka(Slovenian Cinematheque), and is granted to accredited Slovenian andforeign members of the press, Slovenian media houses and culturalinstitutions, domestic and foreign Festival guests and businesspartners as well as CD programme board.

Language
The catalogue is bilingual, printed in Slovenian and English. It justmight be that your ad will draw wider attention in two languages.

Prices
The prices of ads in 16th Liffe catalogue are quite affordable comparedto similar publications. Below, please find our current price list:

Price list


Size   Colour
1/1 195,000 SIT
½   145,000 SIT
¼   110,000 SIT

Technical data: A4 catalogue in 5000 copies; format 210 x 297 mm, 60-line raster, CD-ROM for PC, format TIFF, EPS.

Your Place on the Silver Screen!
Patrons of the arts are offered a chance to run their sponsored ads in between film screenings in Linhart (LH) and Kosovel Halls (KH) of Cankarjev dom. There were 284 screenings in CD during the Festival fortnight last year. Ads can also be projected on the screen in the 1st Foyer of Cankarjev dom, the centre of diverse Festival events (receptions, chats with guests, press centre, spectators’ socializing area, etc.).

Projection of ads on the film screen in a hall
1 day: 15.000 SIT
1 week: 60,000 SIT
2 weeks: 85,000 SIT

Exhibition of spots
1 week: 110,000 SIT

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(commercials) in a hall
2 weeks*: 195,000 SIT

* length up to 30 sec, format 35 mm, BETA SP, MINI DV, DVD, VHS


VAT is not included.
Ad space to be booked by 14 OCTOBER 2005.
Advertising material is to be submitted by 20 OCTOBER 2005 at the latest.
Order-made films/ads are charged extra.
Order form should accompany the ad and is to be sent to:

CANKARJEV DOM
Cultural and Congress Centre
PR and Marketing Department
Prešernova 10, SI-1000 Ljubljana
Contact: Zvezdana Lazar Bursać
phone +386 1 2417 170, fax +386 1 2417 298
e-mail: zvezdana.lazar@cd-cc.si

'),('arhiv','en','

Archives

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\\\"\\\"15. LIFFe
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\r\n 		14. LIFFe
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\r\n 		11. LIFFe
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\r\n 		10. LIFFe
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\r\n 		9. LIFFe
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TALKS WITH THE GUESTS
LIFFe annually hosts compelling international filmmakers – directors, scriptwriters, actors, producers. They will available for informal interviews and tete-a-tetes at the Festival cafe in the 1st foyer of CD.
Updated information on the arrivals of guests and their press conferences will be supplied via the media and at www.liffe.si\r\n

 

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So far attendance has been confirmed by: \r\n

 

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Stefan Arsenijević, Nadejda Koseva directors of Lost and Found    
Nedžad Begović, director of Totally Personal  
Alexander Binder and Stefan Hafner, directors of F.A.Q.      
Svetozar Cvetković, actor in Awakening from the Dead
August Diehl, actor in Ninth Day
Olivier Ducastel and Jacques Martineau, directors of Mariscos Beach
Ismail Ferroukhi, director of Big Journey
Michael Fitoussi, actor in Doo Wop  
Angelos Frantzis, director of A Dog\\\'s Dream  
Serge Frydman, dirctor of My Angel     
Alexey German, Jr., director of Garpastum   
Jan Hrebejk, director of Up and Down
Olaf de Fleur Johannesson, director of Afrika United   
llja Hržanovski, director of Four 
Čedomir Kolar, producer of Hell      
Tony Krawitz, director of Jewboy  
David Lanzmann, director of Doo Wop    
Malte Ludin, director of 2 or 3 Things I Know About Him  
Aleksandar Manić, director of Shutka Book of Records      
Marco Martins, director of Alice        
Nikolaj Nikitin, producer of Lost and Found   
Mark O\\\'Halloran, actor in Adam & Paul  
Milutin Petrović, director of South By Southeast   
Ventura Pons, director of Idiot Love  
Isa Qosija, director of Kukum
Tomislav Radić, director of What Iva recorded on 21st October 2003    
Miloš  Radivojević, director of Awakening from the Dead
Marc Rothemund, director of Love Scenes From Planet Earth, Sophie Scholl – The Final Days, Hope Dies Last
Anno Saul, director of Kebab Connection      
Götz Spielmann, director of Antares         
Nikola Vukčević, director of View From the Eiffel Tower    
Stephen Woolley, director of Stoned    
Jasmila Zbanić, director of Lost and Found  

'),('accompanyingprogramme','sl','

Spremljevalni program

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OKROGLE MIZE
12. novembra ob 16.30. uri
Človekove pravice v kontekstu boja proti terorizmu ob premieri filma Pot v Guantanamo
M1, prosti vstop

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23. novembra
Mednarodni dnevi boja proti nasilju nad ženskami v Sloveniji
M1, prosti vstop

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13. novembra ob 11. uri
DUH DANAŠNJE ZGODBE V FILMU IN LITERATURI
V okviru pobude Napišimo film tri ugledna stanovska društva – Društvo slovenskih filmskih ustvarjalcev, Društvo slovenskih režiserjev in Društvo slovenskih pisateljev – v sodelovanju z MEDIA deskom Slovenija na LIFFe pripravljajo okrogle mize na temo literature in filma ter scenaristične delavnice.
Na okrogli mizi z naslovom Duh današnje zgodbe v filmu in literaturi bodo sodelovali Marko Naberšnik in Andrej Košak (DSFU), Maja Weiss in Metod Pevec (DSR) ter Maja Novak in Dušan Šarotar (DSP). Pogovor bo vodil Martin Srebotnjak.
M1, prosti vstop

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13. novembra ob 15. uri
Strokovno srečanje
USPEŠNO SODELOVANJE PRODUCENTOV, REŽISERJEV IN PISCEV
M1, prijave na elektronskem naslovu mediadesk.slo@film-sklad.si.

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15. novembra ob 18. uri
Projekcija filma
Marco Bellocchio: Pest v žepu/I pugni in tasca (1965)
Italijanski inštitut, Kongresni trg 13, prosti vstop

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16. novembra ob 20. uri
KONCERT RTV SIMFONIKOV
in projekcija nemega filma NOVI BABILON
Dirigent: Helmut Imig
Nemi film z živo glasbeno spremljavo Dmitrija Šostakoviča.
Novi Babilon (Novyj Vavilon/Shturm neba) Sovjetska zveza, 1929, 80 min, 35mm
Scenarij in režija: Grigorij Kozincev in Leonid Trauberg. Fotografija: Andrej Moskvin. Izvirna glasba: Dimitrij Šostakovič. Zasedba: Jelena Kuzmina, Pjotr Sobolevski, David Gutman, Sofia Magarill, Sergej Gerasimov in drugi.
Ustanovitelja legendarnega FEKS (Factory of the Eccentric Actor/Tovarna ekscentričnih igralcev), režiserski par Kozincev in Trauberg, sta iz svojih igralcev v tej mojstrovini, ki se dogaja med francosko-prusko vojno, izvabila nezaslišane igralske stvaritve. Razveseljiva upodobitev Pariške komune leta 1871 v romanci med prodajalko v pariški veleblagovnici in mladim vojakom na barikadah nasproti postavlja kapitalizem in komunizem. Vendar pa Novi Babilon ni tipična zgodovinska kostumska drama. Stilizirana igra, domiselne tehnike montaže in fantastična sestava posnetkov prinašajo popolnoma osvežujoč pristop k zvrsti.
Gallusova dvorana, 4000, 3200, 2400, 1600, 1200* SIT (16’69, 13’35, 10’01, 6’68, 5* EUR)

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23. novembra ob 11. uri
Predstavitev projektorjev Panasonic
Linhartova dvorana, prosti vstop

ZAKLJUČEK
24. novembra ob 20. uri
Slovesna podelitev nagrad.

'),('glasovanje','sl','

Glasovanje

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Nagrado izbira občinstvo med filmi v sekciji Obzorja. Gledalci bodo svoje glasove oddali na glasovalnih lističih ob odhodu iz dvorane ali pa bodo za film glasovali prek mobilnikov. Način glasovanja prek sporočil SMS je omogočil glavni pokrovitelj festivala Mobitel d.d.

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Ocene boste lahko po projekcijah filmov sekcije Obzorja posredovali do 6. ure zjutraj na telefonsko številko 2929. V sporočilo je treba vpisati LIFF (presledek), šifro filma (presledek) in oceno od 1 do 5.

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Mesto \r\n

 

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Naslov filma \r\n

 

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Ocena\r\n

 

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ZAJTRK NA PLUTONU\r\n

 

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4,7\r\n

 

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PRI BELEM DNEVU\r\n

 

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4,68\r\n

 

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VITUS\r\n

 

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4,65\r\n

 

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TAKO LEPA DEŽELA\r\n

 

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4,6\r\n

 

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OHCET\r\n

 

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4,56\r\n

 

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HOKEJSKA ZVEZDA\r\n

 

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4,55\r\n

 

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VETER, KI TRESE JEČMEN\r\n

 

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HIŠA NA SIPINI  \r\n

 

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KRONIKA POBEGA\r\n

 

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4,49\r\n

 

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ZVER V SRCU\r\n

 

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4,44\r\n

 

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10\r\n

 

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ZA LJUBI KRUHEK\r\n

 

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4,32\r\n

 

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NEKAKŠNA SREČA\r\n

 

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4,29\r\n

 

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RUBEŽNIK\r\n

 

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4,24\r\n

 

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PREDLOG\r\n

 

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4,23\r\n

 

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POSTOPANJE\r\n

 

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4,18\r\n

 

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NE BOLI ME\r\n

 

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4,11\r\n

 

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ISABELLA  \r\n

 

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3,97  \r\n

 

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17\r\n

 

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RDEČA CESTA\r\n

 

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3,9\r\n

 

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18\r\n

 

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ZIMSKO POTOVANJE\r\n

 

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3,82\r\n

 

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19\r\n

 

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MALI RDEČI CVETOVI\r\n

 

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3,81\r\n

 

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DRUŽINSKI PRIJATELJ  \r\n

 

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3,79  \r\n

 

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PODNEBJE\r\n

 

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3,57\r\n

 

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POPOLNI PAR\r\n

 

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2,66\r\n

 

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ODETE\r\n

 

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2,65\r\n

 

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Voting

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The audience will select the best film in the Horizons section. Spectators will hand in their votes when leaving the hall or via their mobile phones. Voting via SMS messages will be enabled by the main sponsor of the Festival - Mobitel d.d.

After each Horizons film screening, evaluations are to be submitted by 6 a.m. of the following day to phone number 2929. The message should read: LIFFe (interspace), film code (interspace) and given rating from 1 to 5.

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BREAKFAST ON PLUTO\r\n

 

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COME INTO THE LIGHT\r\n

 

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VITUS\r\n

 

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4,65\r\n

 

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4\r\n

 

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WHAT A WONDERFUL PLACE\r\n

 

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4,6\r\n

 

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5\r\n

 

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THE WEDDING PARTY\r\n

 

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4,56\r\n

 

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6\r\n

 

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THE ROCKET\r\n

 

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4,55\r\n

 

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7\r\n

 

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THE WIND THAT SHAKES THE BARLEY\r\n

 

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4,53\r\n

 

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8\r\n

 

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THE HOUSE OF SAND  \r\n

 

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4,49  \r\n

 

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8\r\n

 

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CHRONICLE OF AN ESCAPE\r\n

 

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4,49\r\n

 

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9\r\n

 

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DON\\\'T TELL\r\n

 

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4,44\r\n

 

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10\r\n

 

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FOR BREAD ALONE\r\n

 

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4,32\r\n

 

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\r\n
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11\r\n

 

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SOMETHING LIKE HAPPINESS\r\n

 

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4,29\r\n

 

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12\r\n

 

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THE COLLECTOR\r\n

 

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4,24\r\n

 

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13\r\n

 

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THE PROPOSITION\r\n

 

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4,23\r\n

 

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14\r\n

 

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SLUMMING\r\n

 

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4,18\r\n

 

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15\r\n

 

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IT DOESN\\\'T HURT\r\n

 

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4,11\r\n

 

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16\r\n

 

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ISABELLA  \r\n

 

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3,97  \r\n

 

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17\r\n

 

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RED ROAD\r\n

 

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3,9\r\n

 

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18\r\n

 

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WINTER JOURNEY\r\n

 

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3,82\r\n

 

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19\r\n

 

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LITTLE RED FLOWERS\r\n

 

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3,81\r\n

 

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20\r\n

 

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FRIEND OF A FAMILY  \r\n

 

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3,79  \r\n

 

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21\r\n

 

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CLIMATES\r\n

 

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3,57\r\n

 

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22\r\n

 

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A PERFECT COUPLE\r\n

 

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2,66\r\n

 

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23\r\n

 

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ODETE\r\n

 

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2,65\r\n

 

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'),('test','sl',''),('test','en',''),('fotografijeinslikovnagradiva','en','

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Graphic material

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2 or 3 Thing I Know About Him
Adam & Paul
Africa United
Alice
Antares
Aven Chavora
Battle In Heaven
Howl\\\'s Moving Castle
Dead Man\\\'s Shoes
Cinevardaphoto
Dumplings
Dallas Among Us
Labor Equals Freedom
The Novena
The Ninth Day
Land Of Plenty
Stoned
Doo Wop
Dear Wendy
One Way Ticket
F.A.Q
Garpastum
George Michael, A Different Story
Mirage
Joan
South Southeast
What Iva Recorded on October 21st 2003
Kilometre Zero
Cinema, Aspirins And Vultures
Chinaman
Where The Truth Lies
Gamblers
Kings and Queen
Kukumi
Turkish Love
Love Scenes From The Planet Earth
Ljubljana is Loved
The Hunter
Little Jerusalem
Manderlay
The Masseur
Jewboy
My Angel
My Nikifor
Mongolian Ping Pong
Mariscos Beach
Murk
The Wayward Cloud
In The Family Garden
Lost and Found
Don\\\'t Come Knocking
The Unburied Man
Idiot Love
Infernal Affairs 1
The Murmuring Coast
The Forsaken Land
Gravehooping
The Child
Up and Down
Fallen
3-Iron
A dog\\\'s Dream
Buffalo Boy
Hell
A View From Eiffel Tower
Go Home
Singing Behind Screens
Stray Dogs
Totally Personal
The Parched Land
Man Push Cart
Heading South
Divided States of America, Laibach 2004 Tour
Everyday Lovers
Russian Dolls
Shanghai Dreams
Dark Horse
Hidden
The Secret
To Paint Or To Make Love
The Death of Mister Lazarescu
Room
Twilight
Four
Broken Flowers
The Shutka Book of Records
Calypso Is Like So
Tapas
Tony Takitani
Omagh
Crash
Hostage
Ultranova
Hope Dies Last
The Beat That My Heart Skipped
In Your Dreams
Enduring Love
The Great Ecstasy Of Robert Charmichael
The Big Journey
Land Wind
Enduring Love
The Intruder
Awakening From The Dead
Willenbrock
Last Days
Sophie Scholl - The Final Days
Iron Island
Life With My Father
Kebab Connection
Crossing The Bridge, The Sounds Of Istanbul
The Magic Mirror

'),('guests','sl','

Gostje

\r\n

LIFFe bodo tudi letos obiskali številni zanimivi gostje. O njihovih prihodih in o pogovorih z njimi vas bomo v času festivala obveščali v rednih, vsakodnevnih medijskih sporočilih in na naši spletni strani.

\r\n

Doslej so potrdili svoj prihod:
Dominique Deruddere – režiser: OHCET/THE WEDDING PARTY (Obzorja)
Goran Dukić – režiser: PICERIJA KAMIKAZE/ WRISTCUTTERS: A LOVE STORY (Perspektive)
Mikal P. Lazarev – igralka: PICERIJA KAMIKAZE/WRISTCUTTERS: A LOVE STORY (Perspektive)
Feliks Falk – režiser: RUBEŽNIK/THE COLLECTOR (Obzorja)
Paulus Manker – igralec: POSTOPANJE/SLUMMING (Obzorja)
Hans Steinbichler – režiser: ZIMSKO POTOVANJE/WINTER JOURNEY (Obzorja)
Birol Ünel – igralec, Raymond Tarabay – zastopnik: TRANSILVANIJA/TRANSYLVANIA (Fokus)
Christophe Ali – režiser,
Nicolas Bonilauri – režiser: DIVJE KAMPIRANJE/WILD CAMP (Fokus)
Branko Schmidt – režiser: POT LUBENIC/THE MELON ROUTE (Jug jugovzhodno)
Hrvoje Hribar – režiser: KAJ JE MOŠKI BREZ BRKOV?/WHAT IS A MAN WITHOUT A MOUSTACHE? (Jug jugovzhodno)
Rhuhel Ahmed – zapornik, Shafiq Rasul – zapornik: POT V GVANTANAMO/THE ROAD TO GUANTANAMO (Jug jugovzhodno)
Marzia Tedeschi – igralka: ZA LJUBI KRUHEK/FOR BREAD ALONE (Obzorja)
Mohammad-Reza Foroutan – igralec: POSTOPOMA/GRADUALLY... (Perspektive)
Meike Hauck – scenaristka: NAMIZNI TENIS/PINGPONG (Perspektive)
Lucia Chiarla – glavna igralka in scenaristka,  ZBOGOM, BERLUSCONI!/BYE BYE BERLUSCONI! (Perspektive)
Ian Watson, montažer filma AHLAM
Jasmin Duraković, režiser filma NAFAKA/NAFAKA (Jug-jugovzhodno)
Sebad Bašič, igralec v filmu NAFAKA/NAFAKA (Jug-jugovzhodno)
Janine Evrard, žirija Fipresci
Janusz Wroblewski, žirija Fipresci
Damir Radic, žirija Fipresci
Aleksandar Mandic, žirija Amnesty International
Hans Van Gerven, žirija Amnesty International
Annamaria Percavassi, žirija Vodomec

\r\n

 Gostje LIFFe še potrjujejo svojo udeležbo in tudi pri tistih, ki so prihod že potrdili, še lahko nastanejo spremembe.

'),('guests','en','

During the festival, interesting guests will be visiting Ljubljana for a couple of days. We will meet at the screenings and during relaxed evening talks in Jazz Club Gajo.

Our guests will be:
Dominique Deruddere – Director THE WEDDING PARTY (Horizonts)
Goran Dukić – Director  WRISTCUTTERS: A LOVE STORY (Perspectives)
Mikal P. Lazarev – Actres WRISTCUTTERS: A LOVE STORY (Perspectives)
Feliks Falk – Director THE COLLECTOR (Horizonts)
Paulus Manker – Actor SLUMMING (Horizonts)
Hans Steinbichler – Director ZIMSKO POTOVANJE/WINTER JOURNEY (Obzorja)
Birol Ünel – Actor TRANSILVANIA (Fokus)
Raymond Tarabay – Agent TRANSILVANIA (Fokus)
Christophe Ali – Director
Nicolas Bonilauri – Director: WILD CAMP (Special Tribute)
Branko Schmidt – Director THE MELON ROUTE (Sout by Southeast)
Hrvoje Hribar – Director WHAT IS A MAN WITHOUT A MOUSTACHE? (Sout by Southeast)
Rhuhel Ahmed – Prizoner Shafiq Rasul – Prizoner: THE ROAD TO GUANTANAMO (Sout by Southeast)
Marzia Tedeschi – Actres FOR BREAD ALONE (Obzorja)
Mohammad-Reza Foroutan – Actor GRADUALLY... (Perspectives)
Meike Hauck – Screenplay PINGPONG (Perspectives)
Lucia Chiarla – Actress and Screenplay BYE BYE BERLUSCONI! (Perspectives)
Ian Watson, Editor AHLAM (Perspectives)
Jasmin Duraković, Director NAFAKA (Sout by Southeast)
Sebad Bašič, Acter NAFAKA (Sout by Southeast)
Janine Evrard, jury Fipresci
Janusz Wroblewski, jury Fipresci
Damir Radic, jury jury Amnesty International
Hans Van Gerven, jury Amnesty International
Annamaria Percavassi, jury Vodomec
...and many other interesting people.

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Nov at 18.50 h in Cinema Vič; Saturday at 17.30 h in Linhart Hall and 23.10 h in Cinema Komuna, is cancelled.'),(3,'2004-10-21 00:00:00',90,'Projekcija IZGINEVANJE v torek, 16. 11., ob 20.00, v Linhartovi dvorani ODPADE.','DISAPPEARING, scheduled for Tuesday, 16. Nov at 20.00 h in Linhart Hall, is cancelled.'),(4,'2004-10-29 00:00:00',46,'Projekcije LEPA KOT SLIKA v soboto, 20. 11., ob 22.00 v Kinodvor; v nedeljo, 21. 11. ob 16.00 v Kinu Komuna in ob 20.00 v Linhartovi dvorani , ODPADEJO.','LIKE AN IMAGE, scheduled for Saturday, 20. Nov at 22.00 h in Kinodvor; Sunday at 16.00 h in Cinema Komuna and 20.00 h in Linhart Hall, is cancelled.'),(5,'2004-10-21 00:00:00',41,'Projekcija ČUDOVITA DEŽELA v torek, 23. 11., ob 15.00 v Linhartovi dvorani ODPADE.','THE BEAUTIFUL COUNTRY, scheduled for Tuesday, 23. Nov at 15.00 h in Linhart Hall, is cancelled.'),(6,'2004-11-02 00:00:00',55,'Projekcija OKO v ponedeljek, 15. 11., ob 21.00, v Kinu Vič ODPADE.','EYE, scheduled for Monday, 15. 11. at 21.00 h in Cinema Vic, is cancelled.'),(7,'2004-11-02 00:00:00',56,'Projekcija OKO 2 v torek, 16. 11., ob 21.00, v Kinu Vič ODPADE.','EYE 2, scheduled for Tuesday, 16. 11. at 21.00 h in Cinema Vic, is cancelled.'),(8,'2004-11-02 00:00:00',90,'Projekciji IZGINEVANE v torek, 23. 11., ob 10.00 in ob 16.30 v Kinu Vič, ODPADETA.','DISAPPEARING, scheduled for Tuesday, 23. Nov at 10.00 h and 16.30 h in Cinema Vic, is cancelled.'),(9,'2004-11-02 00:00:00',90,'Dodatna projekcija IZGINEVANJE v sredo, 24. 11., ob 16.45 v Kosovelovi dvorani.','Additional screening of Disappearing on Wednesday, 24 Nov at 16.45 h at the Kosovel Hall.'),(10,'2004-11-04 00:00:00',117,'Dodatna projekcija KOLIKO JE TAM URA v torek, 16. 11., ob 16.00 v Kinu Vič.','Additional screening of WHAT TIME IS THERE on Tuesday, 16 Nov at 16.00 h at the Cinema Vič.'),(11,'2004-11-09 00:00:00',93,'Dodatna projekcija PLES V TREH KORAKIH v sredo, 24. 11., ob 17.30 v lINHARTOVI dvorani.','Additional screening of Three-Step Dance on Wednesday, 24 Nov at 17.30 h at the Linhart Hall.'),(12,'2005-10-26 00:00:00',519,'Projekcija AFRIKA UNITED bo 24.11.2005 ob 16.15 namesto ob 17.30','AFRICA UNITED, scheduled for 24.11.2005 at 17.30, will be screened at 16.15'),(24,'2005-11-19 00:00:00',502,'Dodatna projekcija.','Additional screening.'),(25,'2005-11-19 00:00:00',555,'Dodatna projekcija.','Additional screening.'),(14,'2005-10-26 00:00:00',580,'Projekcija TRAGEDIJA V OMAGHU bo 16.11.2005 ob 21.00 v Kinu Komuna namesto 19.11.2005 ob 21.00 v Kinu Komuna','OMAGH, scheduled for 16.11.2005 at 21.00 in Komuna Cinema, will be screened on 19.11.2005 at 16.15 in Komuna Cinema'),(15,'2005-10-26 00:00:00',471,'Projekcija MORSKI SADEŽI bo 19,11,2005 ob 21,00 v Kinu Komuna namesto 16,11,2005 ob 21,00 v Kinu Komuna','MARISCOS BEACH, scheduled for 19.11.2005 at 21.00 in Komuna Cinema, will be screened on 16.11.2005 at 16.15 in Komuna Cinema'),(16,'2005-10-26 00:00:00',556,'Projekcija PRIKOLIČAR bo 13.11.2005 ob 21.10 namesto ob 21.00','MAN PUSH CART, scheduled for 13.11.2005 at 21.00, will be screened at 21.10'),(23,'2005-11-18 00:00:00',584,'Odpovedane projekcije filma Kjer resnica laže

Zaradi distribucijskih težav pri nabavi kopije smo primorani odpovedati načrtovane projekcije filma Kjer resnica laže/Where the Truth Lies. Namesto tega filma si obiskovalci LIFFe v istih terminih in dvoranah lahko ogledajo:

v ponedeljek, 21. 11., ob 21.00, Kinodvor: Palica za golf/Bin Jip;
v torek, 22. 11., ob 16.00, Kino Komuna: Padem gor/Horem Padem;
torek, 22. 11., ob 21.45, Kosovelova dvorana: Pastir bizonov/The Buffalo Boy.

Veljajo že kupljene vstopnice.

Če imetniki vstopnic za film Kjer resnica laže niso zadovoljni z nadomestnim filmom, lahko neuporabljeno vstopnico zamenjajo za projekcijo filma po svoji izbiri.','
'),(19,'2005-11-02 00:00:00',526,'Dodatna projekcija MUHASTI OBLAK, 21.11., ob 21.00 v kinu Komuna.','Additional screening of THE WAYWARD CLOUD, 21 Nov at 21.00h in Komuna Cinema.'),(20,'2005-11-15 00:00:00',562,'Danes, 15.11., odpade projekcija filma ČEVLJI UMRLEGA/DEAD MAN\\\'S SHOES na Viču ob 18.45 in v Komuni ob 23.10 uri.\r\n\r\nNadomestna projekcija bo jutri, 16.11., v Kinodvoru jutri ob 23.10 uri.','Today, 15 November, cancelled screening DEAD MAN\\\'S SHOES in Vič Cinema at 18.45 h and Komuna Cinema at 23.10 h. Alternative screening in Kinodvor Cinema tommorrow, 16 November, at 23.10 h.'),(21,'2005-11-15 00:00:00',471,'Dodatna projekcija.','Additional screening.'),(22,'2005-11-15 00:00:00',535,'Dodatna projekcija.','Additional screening.'),(26,'2005-11-19 00:00:00',531,'Dodatna projekcija','Additional screening.'); /*!40000 ALTER TABLE `lifchange` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifevent` -- DROP TABLE IF EXISTS `lifevent`; CREATE TABLE `lifevent` ( `idevent` bigint(20) NOT NULL auto_increment, `idsection` bigint(20) NOT NULL default '0', `title1` varchar(80) default NULL, `title2` varchar(80) default NULL, `title3` varchar(80) default NULL, `description1` text, `shortdescription1` text, `description2` text, `shortdescription2` text, `format` varchar(80) default NULL, `runningtime` int(11) default NULL, `yearpublished` int(11) default NULL, `awards` text, `pic1` varchar(80) default NULL, `pic1t` varchar(80) default NULL, `pic1x` int(11) default NULL, `pic1y` int(11) default NULL, `eventlanguage` varchar(30) default NULL, `subtitlelanguage` varchar(30) default NULL, `director` varchar(80) default NULL, `duration` int(11) default NULL, `dialogs1` varchar(255) default NULL, `dialogs2` varchar(255) default NULL, `subtitles1` varchar(255) default NULL, `subtitles2` varchar(255) default NULL, `country1` varchar(80) default NULL, `country2` varchar(80) default NULL, `logo1` varchar(80) default NULL, `logo1t` varchar(80) default NULL, `logo1x` int(11) default NULL, `logo1y` int(11) default NULL, `director1` varchar(80) default NULL, PRIMARY KEY (`idevent`), UNIQUE KEY `title1` (`title1`,`title2`,`title3`) ) TYPE=MyISAM; -- -- Dumping data for table `lifevent` -- LOCK TABLES `lifevent` WRITE; /*!40000 ALTER TABLE `lifevent` DISABLE KEYS */; INSERT INTO `lifevent` VALUES (640,30,'PRI BELEM DNEVU','Come Into the Light','Alla luce del sole','

V devetdesetih letih prejšnjega stoletja se mladi oče Don Pino Puglisi vrne v rojstni Palermo na Siciliji. Rodil se je v revni četrti Broncaccio, zato dobro pozna socialne razmere v mestu. Kmalu odpre socialni center za okoliške otroke in mladostnike, s čimer si med mladimi pridobi zveste zaveznike. Nekega dne pa mafija ubije znanega palermskega tožilca, zagrizenega borca proti mafiji. Takrat se Don Pino odloči javno nastopiti proti mafiji. Njegove pridige vernikom so vse bolj oster napad na mafijo, ki pa se kmalu odzove in nad njega pošlje plačanega morilca.

»Ko sem se odločil, da se bom osredotočil na lik Don Puglisija, sem razmišljal v tej smeri: če se bom podal izključno po poti razuma in poskušal izvesti družbeno raziskavo, potem bom na platno prenesel nekaj, kar bo nujno okleščeno. Puglisi namreč ni bil človek, ki bi deloval izključno razumsko. Sam se je namreč odločil, da se bo otrokom, ki jih je hotel umakniti s ceste in s tem ubraniti pred vplivom mafije, približal z jezikom, govorico, ki ni bila razumska – to je bila govorica srca, ljubezni, pravice. Zato sem jo tudi sam izbral namesto govorice razuma, ki sama ne more več prodreti v zapletenost resničnosti, v kateri živimo.« (Roberto Faenza)

Koda za glasovanje prek Mobitela: O

','

scenarij
Roberto Faenza

fotografija
Italo Petriccione

glasba
Andrea Guerra

igrajo
Luca Zingaretti (Don Pino Puglisi), Alessia Goria (Suor Carolina), Corrado Fortuna (Gregorio), Giovanna Bozzolo (Anita), Francesco Foti (Filippo), Piero Nicosia (Giuseppe), Lollo Franco (Gaspare), Mario Giunta (Saro)

festivali, nagrade (izbor)
Karlovi Vari 2005, Annecy 2005, Bangkok 2005, Filadelfija 2005, Toulouse 2005

','

In the nineties of the last century the young Father Don Pino Puglisi returns to his birthplace of Palermo in Sicily. Born in the poor area of Broncaccio he knows well the social conditions in the town. Soon he opens a centre for the neighbourhood children and youth, which gains him loyal allies among the youth. One day the Mafia kills a well-known Palerman district attorney, who was passionately fighting against it. There and then Don Pino decides to go publicly against the Mafia. His sermons to the believers gradually become serious attacks on the Mafia that soon responds by sending a hit man after him.

»When I decided to focus on the character of Don Puglisi, this was the line of thought that I followed: if I exclusively follow the path of intellect and try to carry out a social study, then I will bring something on the screen that will necessarily be limited. Basically, Puglisi was not a person who would purely act on an intellectual level. He decided on his own to approach these children that he wanted to get off the streets and to protect from the influence of the Mafia, with a language, that was not intellectual – it was a language of the heart, love and justice. That is why I too chose it, instead of the language of mind, that can not penetrate into the complexity of the reality in which we live in.« (Roberto Faenza)

The code for submitting votes via Mobitel: O

','

screenplay
Roberto Faenza

cinematography
Italo Petriccione

music
Andrea Guerra

cast
Luca Zingaretti (Don Pino Puglisi), Alessia Goria (Suor Carolina), Corrado Fortuna (Gregorio), Giovanna Bozzolo (Anita), Francesco Foti (Filippo), Piero Nicosia (Giuseppe), Lollo Franco (Gaspare), Mario Giunta (Saro)

festivals, awards (selection)
Karlovy Vary 2005, Annecy 2005, Bangkok 2005, Philadelphia 2005, Toulouse 2005

',NULL,NULL,2005,NULL,'images/events/event640.jpg','images/events/event640_t.jpg',600,450,NULL,NULL,'Roberto Faenza',90,'italijanščina','Italian','slovenščina, angleščina','Slovene, English','Italija','Italy',NULL,NULL,NULL,NULL,'Roberto Faenza'),(641,30,'ZVER V SRCU','Don\\\'t Tell','La Bestia nel cuore','

Sabina se preživlja s sinhroniziranjem televizijskih filmov in živi srečno s svojim fantom Francom, gledališkim igralcem. Njena spokojnost se razblini, ko jo Franko začne prepričevati, da bi imela otroka. Po naključju prav takrat sinhronizira glas žrtve posilstva in začne jo tlačiti nočna mora, v kateri je sama še nemočen, prestrašen otrok, ki se po hodnikih plazi proti očetovi delovni sobi. Sabina se iz samozavestne mlade ženske čez noč spremeni v histerično in ljubosumno prepirljivko. Korak za korakom se spominja svojega otroštva in vedno bolj je prepričana, da jo je oče v otroških letih zlorabljal, zato se odpravi v ZDA k svojemu starejšemu bratu Danielu poiskat odgovore.

»Mislila sem, da bo predelava enega mojih romanov za oder tako, kot bi pogrevala juho. A v resnici je bilo drugače. Oddaljila sem se od romana. Iz njega sem vzela odlomke o osebah, njihovih zgodbah. A le do določene stopnje, saj so igralci in njihova čutnost, način govora, njihova telesnost, način premikanja in celo razmišljanja močno vplivali na osebe in tako sem jih malce spremenila. To sem storila tudi zaradi okolja, v katerem sem film posnela, saj to ni bilo isto kot tisto, ki sem si ga zamišljala ob pisanju romana. Zato je film postal nekaj popolnoma novega.« (Cristina Comencini)

Koda za glasovanje prek Mobitela: AC

','

scenarij
Giulia Calenda, Cristina Comencini, Francesca Marciano

fotografija
Fabio Cianchetti

glasba
Franco Piersanti

igrajo
Giovanna Mezzogiorno (Sabina), Alessio Boni (Franco), Stefania Rocca (Emilia), Angela Finocchiaro (Maria), Giuseppe Battiston (Andrea Negri), Luigi Lo Cascio (Daniele), Valerio Binasco (Father), Francesca Inaudi (Anita), Lucy Akhurst (Anne), Lewis Lemperuer Palmer (Giovanni)

festivals, awards (selection)
David di Donatello 2006 (najboljša stranska vloga– Angela Finocchiaro), Benetke 2005 (najboljši film, nagrada UNICEF award, najboljša igralka, najboljša stranska vloga)

','

Sabina synchronises television films for a living and lives a happy life with her boyfriend Franco, who is a theatre actor. Her tranquillity, however, ends when Franco starts convincing her to have a baby. Incidentally, she is synchronising a voice of a rape victim at the time and starts having night mares in which she herself is a helpless, scared child, who crawls through hallways towards her fathers study. Sabina changes overnight from a confident young woman into a hysterical and jealous wrangler. Step by step she recalls her childhood and is more and more convinced that her father abused her in her childhood. She therefore travels to the USA in search of answers from her older brother Daniel.

“I thought that adapting one of my novels for the stage was as warming up a soup. It was a bit different actually. I turn myself away from the novel. I took the passages which regarded the characters, their stories. But up to a certain extent since the actors and their sensuality, the way they recite, their body, the way they move and even the way they think influenced a lot the characters and changed them a bit. This also happened for the environments in which I shot the film and not those I imagined when I was writing the novel. Therefore the film became a totally new thing.” (Cristina Comencini)

The code for submitting votes via Mobitel: AC

','

screenplay
Giulia Calenda, Cristina Comencini, Francesca Marciano

cinematography
Fabio Cianchetti

music
Franco Piersanti

cast
Giovanna Mezzogiorno (Sabina), Alessio Boni (Franco), Stefania Rocca (Emilia), Angela Finocchiaro (Maria), Giuseppe Battiston (Andrea Negri), Luigi Lo Cascio (Daniele), Valerio Binasco (Father), Francesca Inaudi (Anita), Lucy Akhurst (Anne), Lewis Lemperuer Palmer (Giovanni)

festivals, awards (selection)
David di Donatello 2006 (best supporting role – Angela Finocchiaro), Benetke 2005 (best film, UNICEF award, best actress, best supporting role)

',NULL,NULL,2005,NULL,'images/events/event641.jpg','images/events/event641_t.jpg',600,450,NULL,NULL,'Cristina Comencini',120,'italijanščina','Italian','slovenščina, angleščina','Slovene, English','',NULL,NULL,NULL,NULL,NULL,'Cristina Comencini'),(642,34,'KO SI ROJEN, SE NE MOREŠ VEČ SKRITI','Once you\\\'re born you can no longer hide','Quando sei nato non puoi piu nasconderti','

Trinajstletni Sandro je iz Brescie, mesta v severni Italiji, edinec družine, ki si je v obdobju dveh generacij pridobila precejšnje bogastvo. Neke noči, ko je z družino na jadranju po Mediteranu, pade v morje, kar preostali potniki na ladji opazijo veliko prepozno, da bi ga iz morja lahko rešili. Sicer ga iščejo, a o dečku ni sledu. Imajo ga za mrtvega, a Sandra so rešili ilegalni pribežniki, ki so se z ribiško barko bližali italijanski obali. S tem se začne njegova vrnitev v Italijo, polna ovir. Na tej poti se spopade z zavrnitvijo, ugaslimi upi in izgubo iluzij, kar ga popelje onkraj tanke črte med mladostništvom in zrelostjo. Ko to prečka, pa ni nič več tako, kot je bilo nekoč.

»[Ilegalno priseljevanje je] ena od stvari, ki so najbolj spremenile fiziognomijo naših mest in strukturo naših odnosov. Hotel sem spregovoriti o tem, ali smo se sposobni ukvarjati z njihovo prisotnostjo ali ne. Vedeli smo, da potrebujemo \\\'nedolžno\\\' gledišče nekoga, ki priseljencev ne vidi skozi klasična očala rasizma ali solidarnosti. Zaradi tega je glavni junak najstnik, deček, ki si še ni ustvaril nikakršnih predsodkov in je odprt za predloge. Jaz imam Ko si rojen ... za tretji del svoje sage La meglio gioventù, ki sem jo začel v šestdesetih in traja še zdaj.« (Marco Tullio Giordana)

','

scenarij
Sandro Petraglia, Stefano Rulli, Marco Tullio Giordana (po literarni predlogi Marije Pace Ottieri)

fotografija
Roberto Forza

glasba
Pasquale Catalano

igrajo
Alessio Boni (Bruno), Michela Cescon (Lucia), Rodolfo Corsato (Popi), Matteo Gadola (Sandro), Ester Hazan (Alina), Vlad Alexandru Toma (Radu), Marcello Prayer (Tore), Giovanni Martorana (Barracano), Simona Solder (Maura), Andrea Tidona (Padre Celso)

festivali, nagrade (izbor)
Cannes 2005, Karlovi Vari 2005, Toronto 2005, Rio de Janeiro 2005, London 2005

','

Thirteen-year-old Sandro, the only son of a wealthy family from Brescia (northern Italy), falls overboard one night during a sailing trip across the Mediterranean. The other passengers notice this much too late and are not able to rescue him. They return to the right spot, but he is nowhere to be seen. Although given up for dead, Sandro, instead, has been rescued by a fishing boat carrying illegal immigrants to Italian shores. Thus begins his adventuresome return to Italy, during which he faces rejection, extinct hopes and lost illusions, all of it driving him beyond the thin line between adolescence and maturity. When he crosses the line, nothing will ever be the same.

[illegal immigration is] "one of the things that has changed the physiognomy of our cities and the fabric of our relationships the most. I wanted to talk about our ability, or inability, to deal with their presence. We felt that an "innocent" viewpoint was required, that of someone who did not see migrants according to the classic racist or solidarity mindset. That\\\'s why the hero is an adolescent, indeed a boy, who has not yet developed any prejudices and is open to suggestion. I consider Once You\\\'re Born... to be the third part of my Best of Youth saga, whose action begins in the 1960s and lasts up to the present." (Marco Tullio Giordana)

','

screenplay
Sandro Petraglia, Stefano Rulli, Marco Tullio Giordana (based on a novel by Maria Pace Ottieri)

cinematography
Roberto Forza

music
Pasquale Catalano

cast
Alessio Boni (Bruno), Michela Cescon (Lucia), Rodolfo Corsato (Popi), Matteo Gadola (Sandro), Ester Hazan (Alina), Vlad Alexandru Toma (Radu), Marcello Prayer (Tore), Giovanni Martorana (Barracano), Simona Solder (Maura), Andrea Tidona (Padre Celso)

festivals, awards (selection)
Cannes 2005, Karlovy Vary 2005, Toronto 2005, Rio de Janeiro 2005, London 2005

',NULL,NULL,0,NULL,'images/events/event642.jpg','images/events/event642_t.jpg',600,450,NULL,NULL,'Marco Tullio Giordana',115,'italjanščina','Italian','slovenščina','Slovene','Italija, Francija, VB','Italy, France, GB',NULL,NULL,NULL,NULL,'Marco Tullio Giordana'),(644,30,'NEKAKŠNA SREČA','Something Like Happiness','Štestí','

Monika, Tonik in Daša so prijatelji, ki že od otroštva živijo v istem bloku na obrobju majhnega, neuglednega industrijskega mesta. Zdaj ko so odrasli, se vsak po svoje borijo z občutki osamljenosti, neuspeha in hrepenenja. Monika čaka, da bo fant, ki je odšel na delo v Ameriko, končno poslal ponjo. Tonik uide iz krempljev konservativne družine, se preseli k ekscentrični teti in ji pomaga propadajočo domačijo braniti pred lovkami rastoče okoliške industrije. Daša ima dva majhna otroka in nestabilno zvezo s poročenim moškim, zaradi katere vedno bolj tone v depresijo, pri tem pa stresa jezo na svoje najbližje. Ko pristane v bolnišnici, Monika in Tonik prevzameta skrb za njena otroka.

»Verjamem, da je največja dogodivščina našega obstoja življenje samo, zgodbe, ki jih navdahnejo izkušnje navadnih ljudi, ki v svojih življenjih poskušajo najti pomen, partnerja ali pravo ljubezen. To so običajni motivi iz resničnega življenja, ki pa so nadvse spodbudni.« (Bohdan Sláma)

Koda za glasovanje prek Mobitela: H

','

scenarij
Bohdan Sláma

fotografija
David Dolnik, Diviš Marek

glasba
Leonid Soybelman

igrajo
Pavel Liška (Toník), Tatiana Vilhelmová (Monika), Anna Geislerová (Daša), Marek Daniel (Jára), Bolek Polívka (Souček), Simona Stašová (Součková), Martin Huba (Toníkov oče), Anna Kočišova (Tonikova mama), Zuzana Kronerová (teta)

festivali, nagrade (izbor)
San Sebastian 2005 (najboljši film; najboljša igralka), Cottbus 2005 (nagrada FIPRESCI), Atene 2005 (najboljši film), Montreal 2005 (najboljši film), češki levi 2006 (najboljši film, najboljši režiser, najboljši scenarij, najboljša igralka)

Češka/Nemčija

','

Monika, Tonik and Daša are friends, who have lived in the same apartment at the outskirts of a small, mediocre industrial town. Now that they have grown up, each in their own way is fighting the feelings of loneliness, failure and longing. Monika is waiting for her boyfriend who has left to work in the United States, to finally send for her. Tonik escapes from the clutches of his conservative family, moves in with his eccentric aunt and helps her defend her crumbling home from the tentacles of the growing surrounding industry. Daša has two small children and an instable relationship with a married man, because of which she is sinking deeper and deeper into depression and takes out her stress and anger on her closest people. When she lands in hospital, Monika and Tonik take over the care of her children.

»I believe that the biggest adventure in our lives is life itself, stories inspired by the experiences of ordinary people, who are trying to find a meaning in their lives, find a partner or true love. Ordinary, real life situations but extremely stimulating.« (Bohdan Sláma)

The code for submitting votes via Mobitel: H

','

screenplay
Bohdan Sláma

cinematography
David Dolnik, Diviš Marek

music
Leonid Soybelman

cast
Pavel Liška (Toník), Tatiana Vilhelmová (Monika), Anna Geislerová (Daša), Marek Daniel (Jára), Bolek Polívka (Souček), Simona Stašová (Součková), Martin Huba (Tonik\\\'s father), Anna Kočišova (Tonik\\\'s mother), Zuzana Kronerová (aunt)

festivals, awards (selection)
San Sebastian 2005 (best film; best actress), Cottbus 2005 (award FIPRESCI), Athens 2005 (best film), Montreal 2005 (best film), češki levi 2006 (best film, best director, best script, best actress)

Czech Republic/Germany

',NULL,NULL,2005,NULL,'images/events/event644.jpg','images/events/event644_t.jpg',600,450,NULL,NULL,'Bohdan Sláma',100,'češčina','Czech','slovenščina','Slovene','Nemčija, Češka rep.','Germany, Chech rep.',NULL,NULL,NULL,NULL,'Bohdan Sláma'),(649,33,'POLETNA REZIDENCA','Summer Palace','Yihe yuan','

Kitajska leta 1989. Podeželsko dekle Yu Hong zapusti rodno vas, svojo družino in fanta ter pride študirat v Peking, kjer se ji odpre svet vsesplošnega seksualnega in čustvenega eksperimentiranja. Noro se zaljubi v sošolca Zhou Weia. Njuno strastno, intenzivno razmerje postaja vse bolj nenadzorovano, obsesivno in polno nevarnih igric. Sočasno v Pekingu izbruhnejo množične študentske demonstracije za svobodo in demokracijo. Protesti so zadušeni in zaljubljenca sredi kaosa in paničnih množic izgubita drug drugega. Zhouja pošljejo v poletni vojaški tabor, ki se pozneje preseli v Berlin, Yu pa si poišče službo in se poskuša zamotiti z delom. A spomin na staro ljubezen ju še vedno preganja.

»Ni nujno, da vrhunec filma najdemo na koncu. Verjamem, da se mora film razvijati po naravni poti. Na sredini Poletne palače je zelo jasen prelom, ki odraža tako ločitev kot spremembo družbenega položaja likov. V drugem delu sem želel prikazati, kako sta junaka premagala to preizkušnjo. Želel sem povedati, da so osebna čustva bolj zapletena. Zunanji kaos je lažje rešljiv.« (Lou Ye)

','

scenarij
Lou Ye, Mei Feng, Ma Yingli

fotografija
Hua Qing

glasba
Peyman Yazdanian

igrajo
Hao Lei (Yu Hong), Guo Xiaodong (Zhou Wei), Hu Ling (Li Ti), Zhang Xianmin (Ruo Gu), Bai Xueyun (Wang Bo), Cui Lin (Xiao Jun), Duan Long (Tang Caoshi), Le Chi (ženska)

festivali, nagrade (izbor)
Cannes 2006, Toronto 2006

','

China, 1989. Yu Hong leaves her village, her family and her boyfriend to study in Beijing, where she discovers a world of intense sexual and emotional experimentation, and falls madly in love with a fellow student, Zhou Wei. Their passionate relationship becomes more and more uncontrolled, obsessive and full of dangerous games. At the same time, their fellow students begin to stage demonstrations, demanding democracy and freedom. The protests are suppressed and the lovers lose one another in the midst of the confusion and panic. Zhou is sent to a summer military camp and later moves to Berlin. Yu finds a job and tries to divert herself through her work. Yet the memory of old love still pursues them.

»The climax of a film isn\\\'t necessarily found at the end. I believe that a film has to evolve in a natural way. There is a very clear break in the middle of Summer Palace, which reflects both the separation and change of social status of the characters. In the second part, I wanted to show how the characters surmounted this trial. What I wanted to say is that personal feelings are more complicated. Exterior chaos is more easily resolved.« (Lou Ye)

','

screenplay
Lou Ye, Mei Feng, Ma Yingli

cinematography
Hua Qing

music
Peyman Yazdanian

cast
Hao Lei (Yu Hong), Guo Xiaodong (Zhou Wei), Hu Ling (Li Ti), Zhang Xianmin (Ruo Gu), Bai Xueyun (Wang Bo), Cui Lin (Xiao Jun), Duan Long (Tang Caoshi), Le Chi (woman)

festivals, awards (selection)
Cannes 2006, Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event649.jpg','images/events/event649_t.jpg',600,450,NULL,NULL,'Ye Lou',140,'kitajščina','Chinese','slovenščina','Slovene','Kitajska, Francija','China, France',NULL,NULL,NULL,NULL,'Ye Lou'),(650,34,'ALIGATOR','The Caiman','Il caimano','

Nekoč slavni producent filmov B-produkcije Bruno Bonomo je na robu poklicnega in zasebnega zloma. Medtem ko se trudi pokrpati razpadajoči zakon in rešiti podjetje pred bankrotom, sreča mlado režiserko Tereso, ki mu v branje ponudi scenarij z naslovom Aligator. Ne da bi do konca prebral in ugotovil, da gre za precej odkrit napad na predsednika Berlusconija, Bruno vloži vse svoje upe v film, ki tako postane njegova edina možnost, da se ponovno dokaže.

»V sedemdesetih letih je bil politični film zelo razširjen, postal je žanr, skorajda pridobiten. Take vrste filmov zelo dolgo niso snemali. Ne vem, ali je to posledica samocenzure piscev, režiserjev in producentov ali dejstva, da del financiranja filmov prihaja s televizije, ali težavnosti objektivnega prikazovanja sprememb v naši državi, ali pa, končno, dejstva, da resničnost italijanske politike krepko presega najbujnejšo domišljijo. Vsekakor poskušam jaz to narediti po svoje skromno. V filmu želim prikazati resničnost, ki je nismo več sposobni videti, zaznati. Mislim, da je naša težava navada – navadimo se sprejeti ljudi in okoliščine, ki bi morale biti v demokraciji popolnoma nepredstavljive.« (Nanni Moretti)

','

scenarij
Nanni Moretti, Francesco Piccolo, Federica Pontremoli

fotografija
Arnaldo Catinari

glasba
Franco Piersanti

igrajo
Silvio Orlando (Bruno Bonomo), Margherita Buy (Paola Bonomo/Aidra), Jasmine Trinca (Teresa), Michele Placido (Marco Pulici/Silvio Berlusconi), Giuliano Montaldo (Franco Caspio), Paolo Sorrentino (Aidrin mož), Elio De Capitani (Silvio Berlusconi), Tatti Sanguinetti (Beppe Savonese), Jerzy Stuhr (Jerzy Sturovsky), Toni Bertorelli (Indro Montanelli), Matteo Garrone (direktor fotografije

festivali, nagrade (izbor)
Cannes 2006 (nagrada mesta Rim), David (najboljši film, najboljši režiser, najboljša igralka), Toronto 2006

','

The once-famous B-films producer, Bruno Bonomo, is on the verge of his professional and private breakdown. Entangled in debts and struggling with a capsizing marriage, he meets a young director, Tessa, who gives him her script for The Caiman. Without reading it to the end, not realising that it is an open attack on Berlusconi, Bruno places all his hopes in this film, seeing it as the only possibility to prove himself again.

“In the 70s, political cinema was widespread, it became a genre, almost a money-spinner. These sorts of films haven’t been made for a very long time. I don’t know whether it’s the result of self-censorship on the part of the writers, directors and producers, or of the fact that some of a film’s financing comes from TV, or of the difficulty of objectively recounting the changes in our country, or, finally, from the fact that the reality of Italian politics goes way beyond the most fertile imagination. In any case, in my own modest way, I try to do it. Through cinema, I try to recount a reality we are no longer able to see, to perceive. I think that our problem is one of habit: we grow to accept people and situations which in fact should be truly unthinkable in a democracy.” (Nanni Moretti)

','

screenplay
Nanni Moretti, Francesco Piccolo, Federica Pontremoli

cinematography
Arnaldo Catinari

music
Franco Piersanti

cast
Silvio Orlando (Bruno Bonomo), Margherita Buy (Paola Bonomo/Aidra), Jasmine Trinca (Teresa), Michele Placido (Marco Pulici/Silvio Berlusconi), Giuliano Montaldo (Franco Caspio), Paolo Sorrentino (Aidra\\\'s husband), Elio De Capitani (Silvio Berlusconi), Tatti Sanguinetti (Beppe Savonese), Jerzy Stuhr (Jerzy Sturovsky), Toni Bertorelli (Indro Montanelli), Matteo Garrone (cinematography director)

festivals, awards (selection)
Cannes 2006 (Award of the City of Rome), David (best film, best director, best actress), Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event650.jpg','images/events/event650_t.jpg',600,450,NULL,NULL,'Nanni Moretti',112,'italijanščina','Italian','slovenščina','Slovene','Italija, Francija','Italy, France',NULL,NULL,NULL,NULL,'Nanni Moretti'),(651,30,'DRUŽINSKI PRIJATELJ','The Family Friend','L\\\'amico di famiglia','

Geremia de Geremei je starejši, grd, pohlepen in razdražljiv oderuh, ki živi s svojo materjo v manjšem mestu. Po značaju je morbiden in obseden z denarjem. Nenehno se vmešava v življenje svojih dolžnikov pod pretvezo, da je njihov prijatelj. Vsaka stvar v življenju ga naredi le še bolj godrnjavega in nejevoljnega. Edina izjema je morda prijatelj in poslovni partner, fanatični ljubitelj kantri glasbe.

»Vsi moji filmi so študija človeka, človeške narave. Protagonist je nekakšen negativni junak, kar njegovo osebnost naredi zanimivo za raziskavo. Želi se spoprijateljiti z ljudmi, prav tako pa jih izkoristiti prek svojega posojilnega poslovanja. Želi imeti dvojno vlogo, ki pa ne gre skupaj. Osebe, ki se morajo boriti, da so lahko del družbe, ker jih ta nekako zavrača, me vedno očarajo. Grdi ljudje trpijo na poseben način, s človečnostjo in revščino, ki jih delata lepe. Vsa človeška bitja imajo svoj prijetni in neprijetni del in zanimivo je videti, kako oba delujeta skupaj, kako se drug proti drugemu borita.« (Paolo Sorrentino)

Koda za glasovanje prek Mobitela: A

','

scenarij
Paolo Sorrentino

fotografija
Luca Bigazzi

glasba
Teho Teardo

igrajo
Giacomo Rizzo (Geremia), Fabrizio Bentivoglio (Gino), Laura Chiatti (Rosalba), Luigi Angelillo (Saverio), Clara Bindi (Geremia\\\'s Mother), Barbara Valmorin (Bingo Grandma), Giorgio Colangeli (Massa), Luisa De Santis (Silvia), Marco Giallini (Attanasio), Lorenzo Gioielli (Montanaro)

festivali, nagrade (izbor)
Cannes 2006

','

Geremia de Geremei is an elderly, ugly, greedy and irritable loan shark, who lives with his mother in a small town. His character is morbid and he is obsessed with money. He constantly interferes into the lives of his debtors under the pretext of being their friend. Everything in life makes him grumpier and more upset. The only exception might be his friend and business partner, a fanatic country music lover.

“All of my films are about a study of man, of human nature. The protagonist is a sort of negative hero, and that makes his personality interesting to examine. He wants to be friends with people and also to take advantage of them through his loan business. It\\\'s a double role that doesn\\\'t work very smoothly. I am fascinated by characters that have to struggle to be a part of society because society rejects them in some way. Those who are ugly suffer in a particular way, with a humanity and poverty that makes them beautiful. All human beings have their pleasant and unpleasant aspects and it is interesting to see how the two work together, how they fight against each other.” (Paolo Sorrentino)

The code for submitting votes via Mobitel: A

','

screenplay
Paolo Sorrentino

cinematography
Luca Bigazzi

music
Teho Teardo

cast
Giacomo Rizzo (Geremia), Fabrizio Bentivoglio (Gino), Laura Chiatti (Rosalba), Luigi Angelillo (Saverio), Clara Bindi (Geremia\\\'s Mother), Barbara Valmorin (Bingo Grandma), Giorgio Colangeli (Massa), Luisa De Santis (Silvia), Marco Giallini (Attanasio), Lorenzo Gioielli (Montanaro)

festivals, awards
Cannes 2006

',NULL,NULL,2006,NULL,'images/events/event651.jpg','images/events/event651_t.jpg',600,450,NULL,NULL,'Paolo Sorrentino',106,'italijanščina','Italian','slovenščina, angleščina','Slovene, English','Italija','Italy',NULL,NULL,NULL,NULL,'Paolo Sorrentino'),(652,30,'KRONIKA POBEGA','Chronicle of an Escape','Crónica de una fuga','

Buenos Aires leta 1977: skupina, ki dela za argentinsko fašistično vojaško vlado, ugrabi Claudia Tamburrinija, vratarja nižjeligaškega kluba. Odpeljejo ga v tajni zapor, znan pod imenom Sere Mansion, kjer Claudia čaka nepopisni pekel – svet nočnih mor, v katerem vladajo arbitrarna pravila ter neprestano fizično in psihično nasilje. Medtem ko čaka na izpolnitev svoje usode, se z drugimi mladimi zaporniki bori za preživetje. Po štirih mesecih zapora, ko se zdi usmrtitev že neizbežna, se Claudio in trije tovariši odločijo za skrajno potezo; sredi hude nevihte popolnoma goli skočijo skozi razbito okno in se podajo v temo.

»Nisem dosti vedel o teh dogodkih, kajti tako kot igralci v filmu sem bil takrat še otrok. Všeč mi je, da lahko govorim o mnogih stvareh in začnem z enim samim dejstvom. Film nima drugega političnega poslanstva, kot da brani človekove pravice, kajti to, kar obujamo, je neopravičljiv zločin proti človeštvu. Hotel sem tudi raziskati odnos med krvnikom in žrtvijo, ki je v političnih filmih redko kdaj prikazan.« (Israel Adrián Caetano)

Koda za glasovanje prek Mobitela: E

','

scenarij
Israel Adrián Caetano, Esteban Student, Julián Loyola (po literarni predlogi Claudia Tamburrinija/based on a novel by Claudio Tamburrini, Pase Libre: La Fuga de la Mansión Seré)

fotografija
Julián Apezteguia

glasba
Iván Wyzsogrod

igrajo
Rodrigo de la Serna (Claudio Tamburrini), Pablo Echarri (Huguito), Nazareno Casero (Guillermo Fernández), Lautaro Delgado (El Gallego), Matias Marmorato (El Vasco)

festivali, nagrade (izbor)
Cannes 2006, Toronto 2006, Buenos Aires 2006

','

Buenos Aires, 1977. A group working for the fascist Argentine military government kidnaps Claudio Tamburrini, goalkeeper of a B-league soccer team, and takes him to a clandestine detention centre known as the Sere Mansion. Claudio enters a living hell, a nightmare world of lunatic arbitrary rules and relentless violence, mental and physical. Alongside other young detainees, he battles to survive while awaiting his fate to be decided. After four months of imprisonment, with execution seeming certain, Claudio and three other prisoners make their desperate move. Forcing open a window in the middle of a thunderstorm, completely naked, they jump into the void.

“I didn\\\'t know these events very well because, like the actors in the film, I was a child at the time. I enjoy being able to speak about many things, starting off from a single fact. The film has no political mission other than to defend human rights, for what we evoke is an indefensible crime against humanity. I also wanted to explore the relationship between executioner and victim, which is rarely shown in political films.” (Israel Adrián Caetano)

The code for submitting votes via Mobitel: E

','

screenplay
Israel Adrián Caetano, Esteban Student, Julián Loyola (po literarni predlogi Claudia Tamburrinija/based on a novel by Claudio Tamburrini, Pase Libre: La Fuga de la Mansión Seré)

cinematography
Julián Apezteguia

music
Iván Wyzsogrod

cast
Rodrigo de la Serna (Claudio Tamburrini), Pablo Echarri (Huguito), Nazareno Casero (Guillermo Fernández), Lautaro Delgado (El Gallego), Matias Marmorato (El Vasco)

festivals, awards (selection)
Cannes 2006, Toronto 2006, Buenos Aires 2006

',NULL,NULL,2005,NULL,'images/events/event652.jpg','images/events/event652_t.jpg',600,450,NULL,NULL,'Israel Adrián Caetano',103,'španščina','Spanish','slovenščina','Slovene','Argentina','Argentina','images/events/logo652.jpg','images/events/logo652_t.jpg',200,200,'Israel Adrián Caetano'),(653,29,'SOLIDARNOST, SOLIDARNOST ...','Solidarity, Solidarity…','Solidarność, Solidarność...','

Omnibus Solidarnost, Solidarnost, pri katerem so moči združili največji poljski filmski ustvarjalci, kot so Andrzej Wajda, Krzysztof Zanussi, Jan Jakub Kolski, Ryszard Bugajski, Feliks Falk, Filip Bajon, pa tudi predstavniki mlajše generacije, med njimi Piotr Trzaskalski, Małgorzata Szumowska in Andrzej Jakimowski, je bil ustvarjen ob petindvajseti obletnici začetka gibanja. Nastal je po zamisli Andrzeja Wajde in je vzajemen podvig trinajstih poljskih režiserjev z namenom obuditi spomin na dogodke avgusta leta 1980. Vsak od režiserjev je posnel kratki film o tem datumu. Zgodbo in obliko filma si je izbral vsak režiser sam. Njihov skupni namen je bil prikazati fenomen Solidarnosti, ki je, onkraj družbenih delitev, po današnjih standardih dosegel nedosegljivo – združiti deset milijonov Poljakov.

»Dolgo sem razmišljal o nadaljevanju Železnega moža. Napisanih je bilo nekaj scenarijev, a se nisem odločil posneti filma. Ob 25-letnici Solidarnosti pa sem želel prikazati srečanje Krystyne Janda in Jerzya Radziwiłowicza z Lechom Wałęso. Nismo zgolj podprli rojstva Solidarnosti, temveč smo posneli tudi film o tem, v katerem igra predsednik Wałęsa. Za moj rojstni dan mi je poslal telegram z željo, da bi posnel Človeka upanja. Danes, petindvajset let po dogodkih v ladjedelnici, se sprašujemo, zakaj filma nismo posneli. Skušamo se tudi vprašati, kaj je v nas ostalo iz tistega časa, kaj smo kot ljudje, umetniki in državljani pridobili zahvaljujoč Solidarnosti.« (Andrzej Wajda)

','

scenarij
Jarosław Sokół, Juliusz Machulski, Andrzej Jakimowski, Jan Jakub Kolski, Filip Bajon, Jerzy Domaradzki, Piotr Trzaskalski, Wojciech Lepianka, Krzysztof Zanussi, Robert Gliński, Jacek Bromski, Ryszard Bugajski, Feliks Falk, Andrzej Wajda, Małgorzata Szumowska

fotografija
Edward Kłosiński, Adam Bajerski, Michał Pakulski, Bartek Prokopowicz, Zbigniew Wichłacz, Piotr Śliskowski, Marcin Koszałka, Michał Englert

glasba
Michal Lorenc

igrajo
Marek Kondrat, Katarzyna Hermann, Robert Więckiewicz, Maciej Zakościelny, Eryk Łubow, Cezary Łukaszewicz, Marcin Dorociński, Maciej Stuhr, Elżbieta Okupska, Waldemar Czyszak, Piotr Sieklucki, Mirosław Najnert, Grzegorz Pacek, Janusz Gajos, Krzysztof Stroiński, Anna Romantowska, Grzegorz Markowski, Mariusz Guzik, Mariusz Bąk, Maja Ostaszewska

festivali, nagrade (izbor)
Houston 2006 (platinasta nagrada REMI)

','

An omnibus Solidarity, Solidarity, in which the greatest Polish filmmakers have joined forces, such as Andrzej Wajda, Krzysztof Zanussi, Jan Jakub Kolski, Ryszard Bugajski, Feliks Falk, Filip Bajon, as well as those of the younger generation, like Piotr Trzaskalski, Małgorzata Szumowska, and Andrzej Jakimowski among others, was made in order to commemorate the 25th anniversary of the birth of the union. This feature, the brainchild of Andrzej Wajda, is a joint venture of thirteen Polish directors to memorialize the events of August 1980. Each of the directors shot a short film about this date. The plots and their form were absolutely up to each filmmaker. Their common aim was to show the phenomenon of the Solidarity, which, above all social divisions, could accomplish the impossible by today’s standards: to unite ten million Poles.

”For a long time I kept thinking of a follow-up to “Man of Iron”. Several scripts were written, but I did not decide to shoot the film. Now on the 25th anniversary of the birth of the Solidarity, I want to show the meeting of Krystyna Janda and Jerzy Radziwiłowicz with Lech Wałęsa. We didn’t just support the birth of the Solidarity, but also made a film about it, featuring President Wałęsa. Then, on my birthday, he sent me a telegram with wishes to make Man of Hope. Today, 25 years after those events in the Shipyard, we wonder why we have not shot the film. We’ll also try to ask what has remained in us from that time, what have we gained thanks to the Solidarity as people, artists, and citizens.” (Andrzej Wajda)

','

screenplay
Jarosław Sokół, Juliusz Machulski, Andrzej Jakimowski, Jan Jakub Kolski, Filip Bajon, Jerzy Domaradzki, Piotr Trzaskalski, Wojciech Lepianka, Krzysztof Zanussi, Robert Gliński, Jacek Bromski, Ryszard Bugajski, Feliks Falk, Andrzej Wajda, Małgorzata Szumowska

cinematography
Edward Kłosiński, Adam Bajerski, Michał Pakulski, Bartek Prokopowicz, Zbigniew Wichłacz, Piotr Śliskowski, Marcin Koszałka, Michał Englert

music
Michal Lorenc

cast
Marek Kondrat, Katarzyna Hermann, Robert Więckiewicz, Maciej Zakościelny, Eryk Łubow, Cezary Łukaszewicz, Marcin Dorociński, Maciej Stuhr, Elżbieta Okupska, Waldemar Czyszak, Piotr Sieklucki, Mirosław Najnert, Grzegorz Pacek, Janusz Gajos, Krzysztof Stroiński, Anna Romantowska, Grzegorz Markowski, Mariusz Guzik, Mariusz Bąk, Maja Ostaszewska

festivals, awards (selection)
Houston 2006 (Platinum REMI Prize)

',NULL,NULL,2005,NULL,'images/events/event653.jpg','images/events/event653_t.jpg',600,450,NULL,NULL,'OMNIBUS',113,'poljščina','Polish','slovenščina','Slovene','Poljska','Poland','images/events/logo653.jpg','images/events/logo653_t.jpg',200,200,'OMNIBUS'),(654,33,'RADIJSKI ŠOV','A Prairie Home Companion','A Prairie Home Companion','

Film o znameniti ameriški radijski oddaji A Prairie Home Companion in o večeru, ko naj bi jo zadnjič predvajali. Robert Altman in Garrison Keillor združita zvezdniško zasedbo ter prikažeta odo starim dobrim časom in dar prihodnosti.
Oddajo A Prairie Home Companion so na javnih radijskih postajah v ZDA redno oddajali od leta 1974 (s kratko prekinitvijo v osemdesetih). Film Roberta Altmana se osredini na dogodke med eno samo oddajo, ko voditelj in njegovi gosti ugotovijo, da naj bi bila ta tudi zadnja iz serije. Medtem ko Keillor stoji na odru gledališča Fitzgerald v St. Paulu, se v ozadju dogajajo vse mogoče majhne katastrofe.

»Že od otroštva v Kansas Cityju sem imel rad radio. Seveda sem slišal za Garrisona Keillorja, pa tudi moja žena je velika navdušenka, nikoli ne zamudi oddaje. No, z Garrisonom imava istega odvetnika. Preko njega sva se srečala in v resnici nisva veliko govorila. Garrison je hotel narediti film o Lake Wobegon, svojem izmišljenem rojstnem kraju. Nekaj mesecev sva premlevala različne ideje, končno pa sem mu rekel: \\\'Kar poznam, je radijska oddaja. Zakaj ne bi posnela filma o tem?\\\'« (Robert Altman)

','

scenarij
Garrison Keillor

fotografija
Edward Lachman

glasba
Richard Dworsky

igrajo
Woody Harrelson (Dusty), Tommy Lee Jones (Axeman), Garrison Keillor (G. K.), Kevin Kline (Guy Noir), Lindsay Lohan (Lola Johnson), Virginia Madsen (nevarna ženska), Meryl Streep (Yolanda Johnson), John C. Reilly (Lefty), Maya Rudolph (Molly), Lily Tomlin (Rhonda Johnson)

festivali, nagrade (izbor)
Berlin 2006 (nagrada žirije bralcev Berliner Morgenpost/Reader Jury of the Berliner Morgenpost Award), Seattle 2006, San Francisco 2006

','

A film about the famous American radio show, »A Prairie Home Companion«, and about the evening when the last show was supposed to take place. Robert Altman and Garrison Keillor bring together a starry cast and present us with an ode to the good old times and a tribute to the future.
Since 1974, the programme “A Prairie Home Companion” has been airing regularly (apart from a brief break in the 1980s) on public radio stations in the USA. Robert Altman’s film concentrates on events that occur during one particular episode in which Keillor and his guests discover that the current show is to be the very last in the series! For while Keillor stands on stage at Fitzgerald Theatre in St. Paul, all sorts of minor catastrophes are occurring behind the microphones.

»I’ve always been a fan of radio since I was a kid back in Kansas City. I, of course, knew about Garrison Keillor, and my wife is a huge fan who never misses a show. Well, Garrison and I share a lawyer. So through him we met and not much was really said. Garrison wanted to make a movie about Lake Wobegon, his fictional hometown. For a few months we shot ideas back and forth, and finally I told him, ‘What I know is the radio show. Why don’t we make a movie about that?« (Robert Altman)

','

screenplay
Garrison Keillor

cinematography
Edward Lachman

music
Richard Dworsky

cast
Woody Harrelson (Dusty), Tommy Lee Jones (Axeman), Garrison Keillor (G. K.), Kevin Kline (Guy Noir), Lindsay Lohan (Lola Johnson), Virginia Madsen (Dangerous Woman), Meryl Streep (Yolanda Johnson), John C. Reilly (Lefty), Maya Rudolph (Molly), Lily Tomlin (Rhonda Johnson)

festivals, awards (selection)
Berlin 2006 (Reader Jury of the Berliner Morgenpost Award), Seattle 2006, San Francisco 2006

',NULL,NULL,2006,NULL,'images/events/event654.jpg','images/events/event654_t.jpg',600,450,NULL,NULL,'Robert Altman',105,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Robert Altman'),(655,28,'CANDY','Candy','Candy','

Lepa in mlada slikarka Candy in občasni pesnik Dan uživata v prvih valovih zaljubljenosti. Ljubezen ju omamlja – kakor nebesa, kakor raj: zanima ju le njen razmah, prepuščanje užitkom. In v heroinu najdeta brezmejnost, ki jo iščeta. Kmalu nimata več kaj zastaviti, zato začne Candy prodajati svoje telo. Dan ji to dovoli in ljubimca skoraj neopazno prestopita prag svojega raja. V tesnem objemu odvisnosti se odločita ljubezen utrditi s poroko. Čas teče, odvisnost Candy in Dana postane neločljiva od njune predanosti drug drugemu. Prijatelj Casper, tudi heroinski odvisnik, profesor, mentor in radodaren gostitelj, ju opazuje z neobremenjenim pogledom. A njegovo spoznanje je grenko-sladko.

»Z Lukom sva poskušala zlesti pod družbeno kožo tega, kar pomeni odvisnost. Jedro filma razkriva namig, da smo odvisniki tudi jaz in vi. V zgodbi pa najdete tudi mitično idejo: odvisnost od heroina je zločin proti naravi. Izide iz želje po tem, da bi zaustavili čas. Če je življenje vzorec, sestavljen iz srečnih in nesrečnih razpoloženj, sta postala Candy in Dan odvisna od srečnega razpoloženja. Težava je v tem, da poskušamo umetno vzpostaviti srečne okoliščine in to nas ubije – kajti obstaja naravni vzorec dajanja in jemanja, vzponov in padcev, s katerim se moramo naučiti živeti.« (Neil Armfield)

','

scenarij
Neil Armfield, Luke Davies (po literarni predlogi Luka Daviesa)

fotografija
Garry Phillips

glasba
Paul Charlier

igrajo
Heath Ledger (Dan), Abbie Cornish (Candy), Geoffrey Rush (Casper), Toni Martin (Jim Wyatt), Noni Hazlehurst (Elaine Wyatt)

festivali, nagrade (izbor)
Berlin 2006, Hongkong/Hong Kong 2006, Toronto 2006

','

Candy, a beautiful young painter, is in the first throws of love with Dan, a sometime-poet. Their love intoxicates, like Paradise, like Eden: they care only for its increase, for the abandonment to pleasure. In heroin, they find the limitlessness they are seeking. Soon the lovers have nothing left to hock. So Candy sells her body. Dan lets her, and imperceptibly they cross a boundary on the way out of Paradise. As the grip of their habit grows they renew their lover’s vows through marriage. As the days and nights roll on, Candy and Dan’s addiction becomes inseparable from their commitment to each other. Their friend Casper, junkie professor, mentor and exuberant host, watches them with clear-eyed vision. But his knowledge is bittersweet.

”Luke and I have attempted to get under the social skin of what addiction is. At the heart of the film is the suggestion that junkies are you and me. But there is also a mythic idea behind the story: that heroin addiction is a crime against nature. It comes from the desire to make time stop. If life is a pattern of highs and lows, Candy and Dan have become addicted to the highs. The problem with this is that you start to force everything artificially up, and in the process you die - because there’s a natural pattern of give and take, of rise and fall that we have to learn to live with.” (Neil Armfield)

','

screenplay
Neil Armfield, Luke Davies (based on a novel by Luke Davies)

cinematography
Garry Phillips

music
Paul Charlier

cast
Heath Ledger (Dan), Abbie Cornish (Candy), Geoffrey Rush (Casper), Toni Martin (Jim Wyatt), Noni Hazlehurst (Elaine Wyatt)

festivals, awards (selection)
Berlin 2006, Hongkong 2006, Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event655.jpg','images/events/event655_t.jpg',600,450,NULL,NULL,'Neil Armfield',104,'angleščina','English','slovenščina','Slovene','Avstralija','Austria',NULL,NULL,NULL,NULL,'Neil Armfield'),(656,30,'HIŠA NA SIPINI','House of Sand','Casa de areia','

Na začetku 20. stoletja se dve ženski, mati in hči, sami znajdeta na nenaseljenem ozemlju v severni Braziliji, ujeti med kopnim, peskom in morjem. Njuna edina povezava s človeštvom je kolonija pobeglih sužnjev. Dnevi minevajo enolično, vsak dan je podoben prejšnjemu. Njuna edina želja je, da bi lahko ubežali daleč proč od te negostoljubne in osamljene dežele, od svoje hiše na sipini in brezupa, ki je načel njuni duši.

»Od tam smo začeli obsežno raziskovati poglavitna dejstva dvajsetega stoletja, ki so bila kakor koli povezana z nebom. Odkrili smo, na primer, da je leta 1919 na severovzhod Brazilije odšla angleška znanstvena odprava, da bi fotografirala skupino zvezd med sončnim mrkom ter tako dokazala Einsteinovo relativnostno teorijo. V filmu postane Áurejino srečanje s skupino astronomov temeljni del pripovedi. Hoteli smo prikazati tri pomembne obiske, ki bi orisali stoletje. Začetek prikaže zagon znanosti, sredina bedo vojne, na koncu pa otroci cvetja predstavljajo prihod človeka na luno.« (Andrucha Waddington)

Koda za glasovanje prek Mobitela: B

','

scenarij
Elena Soárez

fotografija
Ricardo Della Rosa

glasba
Carlo Bartolini, João Barone

igrajo
Fernanda Montenegro (Dona Maria/Áurea, 1942–69/Maria, 1969), Fernanda Torres (Áurea, 1910–19/ Maria, 1942), Ruy Guerra (Vasco de Sá), Seu Jorge (Massu, 1910–19), Luiz Melodia (Massu, 1942)

festivali, nagrade (izbor)
Toronto 2005, Berlin 2006, Bangkok 2006, Hongkong 2006

','

At the beginning of the twentieth century, two women, mother and daughter, find themselves in an uninhabited land in northern Brazil, stranded between the mainland, the dunes and the sea. Their only contact with humanity is a colony of runaway slaves. Their days are monotonous, each one resembles the previous one and their only wish is to escape far away from this inhospitable and lonely land, their house on top of a dune and despair that corroded their souls.

”From there we started extensive research about the principal facts of the 20th century which had some connection to the sky. We discovered, for example, that in 1919 an English scientific expedition went to the northeast of Brazil in order to photograph a group of stars during a solar eclipse, thereby proving Albert Einstein’s relativity theory. In the film, the sequence surrounding Áurea´s meeting with the group of astronomers becomes an essential part of the narrative. We wanted three significant visits that would portray the century. The beginning has the impetus of science; in the middle the misery of war, and finally, the hippies as the means to represent the arrival of man on the moon.” (Andrucha Waddington)

The code for submitting votes via Mobitel: B

','

screenplay
Elena Soárez

cinematography
Ricardo Della Rosa

music
Carlo Bartolini, João Barone

cast
Fernanda Montenegro (Dona Maria/Áurea, 1942–69/Maria, 1969), Fernanda Torres (Áurea, 1910–19/ Maria, 1942), Ruy Guerra (Vasco de Sá), Seu Jorge (Massu, 1910–19), Luiz Melodia (Massu, 1942)

festivals, awards (selection)
Toronto 2005, Berlin 2006, Bangkok 2006, Hongkong/Hong Kong 2006

',NULL,NULL,2005,NULL,'images/events/event656.jpg','images/events/event656_t.jpg',600,450,NULL,NULL,'Andrucha Waddington',103,'portugalščina','Portuguese','slovenščina, angleščina','Slovene, English','Brazilija','Brazil',NULL,NULL,NULL,NULL,'Andrucha Waddington'),(658,28,'MILO','A Soap','En Soap','

Nezadovoljna z razmerjem s Kristianom se Charlotte nekega dne na njegovo presenečenje odloči oditi. Veronica živi v stanovanju pod njima. Pravzaprav je moški, ki čaka na operacijo za spremembo spola. Kadar nima na obisku kakega gospoda, s čimer bogati svoj proračun, po televiziji gleda ameriške limonade. Ženski se spoznata v nenavadnih okoliščinah; Charlotte namreč Veroniko reši, kot ta poskuša storiti samomor. Charlotte se preseli k njej in kmalu med njima vznikne nekaj, kar presega zgolj prijateljstvo. Nekoč zafrustrirani Kristian fizično obračuna s Charlotte in takrat mora Veronica nastopiti kot moški. Medtem ko ji oskrbuje rane in jo seznanja s čudovitim svetom »žajfnic«, med njima ponovno preskoči iskra. A takrat pride na vrsto Veronicina sprememba spola ...

»Poskušam se osredotočiti na seks in ljubezen. Poskušam nas zapeljati, da bi vzljubili neverjetno ljubezen. Poskušam se premikati naravnost skozi človeško bitje. Pripraviti do tega, da bi razmišljali s svojimi čuti. Iz čutov se razvijejo čustva. Iz čustev izvira ljubezen, hrepenenje po tem, da bi se obrnili proti drugim. Živeti, deliti, dajati. Želim vam dati iskren film. Film, katerega oblika je v simbiozi z vsebino in ju ne moremo ločiti. Stikata se, da povesta preprosto zgodbo o zapletenih čustvih ter o čustvenem prostoru med humorjem in bolečino.« (Pernille Fischer Christensen)

','

scenarij
Kim Fupz Aakeson

fotografija
Erik Molberg Hansen

glasba
Magnus Jarlbo, Sebastian Öberg

igrajo
Trine Dyrholm (Charlotte), David Dencik (Veronica), Frank Thiel (Kristian), Elsebeth Steentoft (Veronicina mama), Christian Tafdrup (stranka)

festivali, nagrade (izbor)
Berlin 2006 (srebrni medved - velika nagrada žirije, nagrada za najboljši prvenec), Seattle 2006, Transilvanski mednarodni filmski festival 2006 (nagrada za moško vlogo), Melbourne 2006, Filmski festival v Espooju 2006

','

Charlotte is unhappy with her relationship with Christian and one day decides to leave him. Christian is surprised. Veronica lives in the apartment below. Veronica is actually a man, who is waiting for a sex change surgery. When she is not hosting any gentlemen, who enrich her budget, she watches American soap operas on TV. The two women meet under unusual circumstances – Charlotte saves Veronica, when she tries committing suicide. Charlotte moves in with her and soon something develops between them that is more than mere friendship. One day the frustrated Christian physically attacks Charlotte and it is then that Veronica has to present herself as a man. While she is tending to her wounds and acquaints her with the wonderful world of soap, a spark is again lit between them. But then it is time for Veronica\\\'s sex change surgery...

“I’m trying to focus on sex and love. I’m trying to seduce us into loving the improbable love. I’m trying move straight through the human being. To make us think with our senses. From senses come feelings. From feelings comes love, the desire to reach out towards others. To live, to share, to give. I want to give you an honest film. A film, where form is in symbiosis with content and the two cannot be separated from each other, but come together to tell a simple story about complex feelings in the emotional space between humour and pain.” (Pernille Fischer Christensen)

','

screenplay
Kim Fupz Aakeson

cinematography
Erik Molberg Hansen

music
Magnus Jarlbo, Sebastian Öberg

cast
Trine Dyrholm (Charlotte), David Dencik (Veronica), Frank Thiel (Kristian), Elsebeth Steentoft (Veronica\\\'s mother), Christian Tafdrup (customer)

festivals, awards (selection)
Berlin 2006 (Silver Bear – Grand Jury Prize, Best Debut), Seattle 2006, Transilvania International Film Festival 2006 (male role award), Melbourne 2006, Espoo Film Festival 2006

',NULL,NULL,2006,NULL,'images/events/event658.jpg','images/events/event658_t.jpg',600,450,NULL,NULL,'Pernille Fischer Christensen',104,'danščina','Danish','slovenščina, nemščina','Slovene, German','Danska','Denmark',NULL,NULL,NULL,NULL,'Pernille Fischer Christensen'),(659,28,'1:1 (Ena proti ena)','1:1 (One to One)','1:1 (En til en)','

Na obrobju Köbenhavna nekega večera brutalno pretepejo 19-letnega Pera. Odpeljejo ga v bolnico, kjer mladenič pade v komo. Njegovo mamo Søs muči hud občutek krivde, saj meni, da bi morali njo kriviti za sinovo usodo. Ona je namreč vztrajala, da še naprej živijo med priseljenci in se ni hotela izseliti tako kot preostali Danci. Za medije je Per le še ena od vedno številnejših žrtev nasilja – vredna novice, a nič več, policija pa tava v temi ob iskanju storilca. Mie, Perova 16-letna sestra, išče tolažbo pri svojem palestinskem fantu Šadiju, čeprav je je ta potreben še več kot ona, saj je tiste noči videl svojega starejšega brata, že prej obsojenega zaradi napada, kako si spira kri s svojih oblačil.

»Kadar se svet, ki ga poznamo, spreminja, smo negotovi. Kadar smo negotovi, se bojimo, da bomo izgubili, kar imamo. Kadar se bojimo tega, poskušamo nadzirati. V najboljšem primeru je strah instinkt, ki nam pomaga preživeti. V najslabšem primeru pa je rak, ki se širi in se spremeni v tesnobo. To je film o strahu. Zgodbo sem hotela povedati iz oči v oči. 1 : 1.« (Annette K. Olesen)

','

scenarij
Kim Fupz Aakeson

fotografija
Kim Høgh

glasba
Kåre Bjerkø

igrajo
Mohammed-Ali Bakier (Šadi), Joy K. Petersen (Mie), Anette Støvelbaek (Søs), Helle Hertz (Bonnie, babica), Subhi Hassan (Tarek)

festivali, nagrade (izbor)
Berlin 2006, London 2006, Seattle 2006, Melbourne 2006, Giffoni Film Festival 2006

','

One evening, a young man, 19-year-old Per, is so brutally beaten on the outskirts of Copenhagen that he falls into a coma and has to be taken to hospital. His mother, Søs, suffers a deep sense of guilt for what has happened and feels that she is to blame for her son’s fate. After all, she was the one who insisted they continue to live among immigrants instead of leaving long ago like most other Danish people. As far as the newspapers are concerned, Per is simply one of an increasing number of victims of violent crime – worthy of a headline, but no more. Meanwhile, the police have no clues as to who the perpetrators might be. Mie, Per’s 16-year-old sister, seeks comfort from her boyfriend, Shadi, the son of Palestinian immigrants. But Shadi finds it hard to give Mie the attention she needs. In the night of the crime he remembers seeing his older brother – who already has a previous conviction for assault – cleaning his bloodstained clothes.

”When the world as we know it changes, it makes us feel insecure. When we feel insecure we fear we’ll lose what we’ve got. When we fear that, we try to exert control. At best fear is an instinct that enables us to survive. At worst it is a cancer that spreads and mutates into angst. This is a film about fear. I wanted to tell this story eye to eye. 1 to 1.” (Annette K. Olesen)

','

screenplay
Kim Fupz Aakeson

cinematography
Kim Høgh

music
Kåre Bjerkø

cast
Mohammed-Ali Bakier (Shadi), Joy K. Petersen (Mie), Anette Støvelbaek (Søs), Helle Hertz (grandmother), Subhi Hassan

festivals, awards (selection)
Berlin 2006, London 2006, Seattle 2006, Melbourne 2006, Giffoni Film Festival 2006

',NULL,NULL,2006,NULL,'images/events/event659.jpg','images/events/event659_t.jpg',600,450,NULL,NULL,'Annette K. Olesen',90,'danščina','Danish','slovenščina','Slovene','Danska','Denmark',NULL,NULL,NULL,NULL,'Annette K. Olesen'),(661,28,'URO','Uro','Uro','

Hans Petter, ki se je odločil, da bo opravil s prestopniško preteklostjo, se pridružil posebni policijski enoti za boj proti organiziranemu kriminalu in tihotapljenju drog, URO. Toda njegova vzkipljiva narava in pretirana odločenost za uspeh ga večkrat privedeta v položaj, ko ne izbere pravih odločitev. Da bi se zlil med kriminalce in hkrati ohranil svojo krinko, prekrši policijske postopke. Kmalu se znajde v mreži laži, ki se okrog njega spleta z obeh strani zakona. Ko se nenadoma pojavi njegova nekdanja prijateljica Mette, je njegova pripadnost policiji postavljena pred preizkušnjo. Ne da bi o tem obvestil nadrejene, se poda v nevarno akcijo, pri tem pa izrablja Mette. Kmalu spozna, da je tokratna akcija tesno povezana z njegovo preteklostjo ter da se vse, čemur je tako težko ubežal, ponovno vrača in ga preganja.

»Že od samega začetka sem vedel, da mora imeti film skorajda dokumentarni stil. Bolj pomembno je bilo, da sem bil iskren glede kriminalnega sveta, ki sem ga upodobil, kot pa da bi resničnost olepšal ali karikiral. Želel sem posneti človeško dramo z veliko gibanja in akcije. Med pripravami je ekipa spoznala, kako zelo preprosta in umazana je lahko resničnost. To razsežnost smo pri filmu hoteli poudariti.« (Stefan Faldbakken)

','

scenarij
Harald Rosenløw Eeg, Stefan Faldbakken

fotografija
John Andreas Andersen

glasba
Ginge Anvik

igrajo
Nicolai Cleve Broch (Hans Petter), Ane Dahl Torp (Mette), Ahmed Zeyan (Marco), Bjørn Floberg (Frank Hermansen)

festivali, nagrade
Cannes 2006

','

Turning his back on a delinquent past and joining the police force, Hans Petter is determined to start doing the right thing. He gets recruited into a special elite police unit called URO. But his impatient nature and determination to succeed often results in the choice of hasty solutions. In order to infiltrate criminal environments and at the same time keep his cover, he violates police procedures. Soon he finds himself trapped in a web of lies, stretching out from both sides of the law. His loyalty is put to the test when Mette, a friend from the past, turns up. Without informing the rest of the team, he goes deep undercover alone, using Mette as a way in. He soon realizes that his present mission is closely connected to his own past, and that everything he worked so hard to escape from, is coming back to haunt him.

”From the very outset I knew that the film had to have an almost documentary style. It was important for me to be honest as regards the criminal world that I depicted, rather than aesthetise or caricature reality. I wanted to film a human drama, with lots of movement and action. During the preparation of the film, the crew realised just how much reality can be simple and dirty. It is this dimension which we wanted to give to the film.” (Stefan Faldbakken)

','

screenplay
Harald Rosenløw Eeg, Stefan Faldbakken

cinematography
John Andreas Andersen

music
Ginge Anvik

cast
Nicolai Cleve Broch (Hans Petter), Ane Dahl Torp (Mette), Ahmed Zeyan (Marco), Bjørn Floberg (Frank Hermansen)

festivals, awards
Cannes 2006

',NULL,NULL,2006,NULL,'images/events/event661.jpg','images/events/event661_t.jpg',600,450,NULL,NULL,'Stefan Faldbakken',104,'norveščina','Norwegian','slovenščina','Slovene','Norveška','Norway',NULL,NULL,NULL,NULL,'Stefan Faldbakken'),(662,28,'SPREMEMBA NASLOVA','Change of Address','Changement d\\\'adresse','

David, mlad, sramežljiv podeželan, ki igra na rog in ga tudi poučuje, se naseli v Parizu. Na ulici sreča iznajdljivo Anne, lastnico majhne fotokopirnice, s katero skupaj najameta stanovanje. Sledi prvi in skoraj naravni poskus, da bi se zbližala tudi intimno, a kmalu ugotovita, da zdravo sostanovalsko razmerje ne more temeljiti na strasti, ampak je veliko primernejše dobro in iskreno prijateljstvo. Tako se vsak naseli v svojem delu in se posveti svoji ljubezni. Anne se zaljubi v nekega svojega klienta, medtem ko začne David poučevati Julijo, mlado, prav tako malce sramežljivo, a neskončno zapeljivo dekle.

»Gre za situacijsko komedijo. Pri celotnem produkcijskem procesu in vodenju igralcev mi je šlo predvsem za to, da se liki znajdejo v smešnih situacijah, ne da bi izgubili svojo iskrenost. Buster Keaton je, recimo, to počel čudovito. Vendar pa je Sprememba naslova v prvi vrsti film o čustvih.« (Emmanuel Mouret)

','

scenarij
Emmanuel Mouret

fotografija
Laurent Desmet

glasba
Franck Sforza

igrajo
Fanny Valette (Julia), Frédérique Bel (Anne), Dany Brillant (Julien), Emmanuel Mouret (David), Ariane Ascaride (Julijina mama)

festivali, nagrade (izbor)
Cannes 2006, Edinburg 2006

','

David, a young and shy hornist from the province, comes to Paris. In the street, he meets Anne, a photocopying shop owner, and they hire an apartment together. There is a first, almost natural attempt to become intimate, but they soon realize that a healthy roommate relationship cannot be based on passion and that good, sincere friendship is much more appropriate. Therefore each of them occupies their part of the apartment and focus on their love. Anne falls in love with one of her customers, while David starts teaching Julia, a young, a little bit shy, but immensely seductive girl.

“It’s a question of a comedy of situations. For me, the whole issue about the production process and directing the actors was that the characters find themselves in funny situations without losing their sincerity. Buster Keaton for example managed this wonderfully. But Changement d’adresse is in first place a film about feelings.” (Emmanuel Mouret)

','

screenplay
Emmanuel Mouret

cinematography
Laurent Desmet

music
Franck Sforza

cast
Fanny Valette (Julia), Frédérique Bel (Anne), Dany Brillant (Julien), Emmanuel Mouret (David), Ariane Ascaride (Julia\\\'s mother)

festivals, awards (selection)
Cannes 2006, Edinburg/Edinbourgh 2006

',NULL,NULL,2006,NULL,'images/events/event662.jpg','images/events/event662_t.jpg',600,450,NULL,NULL,'Emmanuel Mouret',85,'francoščina','French','slovenščina','Slovene','Francija','France',NULL,NULL,NULL,NULL,'Emmanuel Mouret'),(663,30,'POSTOPANJE','Slumming','Slumming','

Sebastian je mlad, dobro situiran delomrznež. Skupaj s sostanovalcem Alexom pogosto zahajata v bare po vsem Dunaju, se srečujeta z ženskami in jih naskrivaj fotografirata pod mizo. Te slike jima pomenijo neskončen vir zabave. Postopoma Sebastianovi triki postajajo vse zlobnejši in Alex, ki se mu je nekoč z veseljem pridružil, se počuti vse bolj neprijetno v njegovi družbi. Nekoč najdeta Kallmana, alkoholika, ki na ulici prodaja svoje pesmi, spečega in polzavestnega na klopi železniške postaje. Strpata ga v svoj avto in ga odpeljeta čez češko mejo, kjer ga brez dokumentov ravnodušno odvržeta v oddaljeni vasi. Ko za to potegavščino izve Sebastianova zadnja osvojitev Pia, pobesni in se odloči Kallmana rešiti. Kar se je zdelo kot le še ena potegavščina, na koncu vsem vpletenim spremeni življenje.

»Film je delno navdihnil mož v nekem baru, ki je trdil, da je nekoč v prtljažnik svojega avta strpal pijanca in ga peljal v drugo državo. Pri tem se mi ni zdela zanimiva zgodba sama, temveč način, kako jo je predstavil. Ves pogovor ni bilo jasno, ali me vleče za nos ali ne. To je bil prvi korak do odkrivanja tako dvomljive osebe, kot je Sebastian. Pri njem nikoli ne veš. Ali je slab človek ali je čudno zanimiv in poln izzivov?« (Michael Glawogger)

Koda za glasovanje prek Mobitela: M

','

scenarij
Barbara Albert, Michael Glawogger

fotografija
Martin Gschlacht

glasba
Walter W. Cikan, Daniel Jakob, Peter von Siebenthal, Till Wyler

igrajo
Paulus Manker (Kallmann), August Diehl (Sebastian), Michael Ostrowski (Alex), Pia Hierzegger (Pia), Maria Bill (Herta), Martina Zinner (Marianne), Brigitte Kren (Sonja)

festivali, nagrade (izbor)
Berlinale 2006

','

Sebastian is a young, well situated shirker. Together with his roommate, Alex, they often go to bars all over Vienna and meet women, with the goal of taking a picture of them from under the table. This pictures are to them a source of infinite amusement. With time Sebastian\\\'s tricks become meaner and Alex, who used to love to join in, feels more and more uncomfortable in his company. Once they find Kallmann, an alcoholic who sells his poems on the street, sleeping and only half conscious on a bench at the train station. They stow him into their car, drive him across the Czech border and calmly dump him with no documents in a far away village. When Sebastian\\\'s last trophy named Pia finds out about their prank, she looses her temper and decides to save him. What seems like another prank, by the end changes the lives of everyone involved.

“The film was partially inspired by a man in a bar who claimed he had once put a drunk in the trunk of his car and driven him to a different country. The interesting thing for me was not that story but the way he told it. It remained unclear for the whole conversation if he was putting me on or not. This was the first step toward discovering an ambiguous character like Sebastian. With this guy you never know. Is he the bad guy or, in a weird way, interesting and challenging?” (Michael Glawogger)

The code for submitting votes via Mobitel: M

','

screenplay
Barbara Albert, Michael Glawogger

cinematography
Martin Gschlacht

music
Walter W. Cikan, Daniel Jakob, Peter von Siebenthal, Till Wyler

cast
Paulus Manker (Kallmann), August Diehl (Sebastian), Michael Ostrowski (Alex), Pia Hierzegger (Pia), Maria Bill (Herta), Martina Zinner (Marianne), Brigitte Kren (Sonja)

festivals, awards (selection)
Berlinale 2006

',NULL,NULL,2006,NULL,'images/events/event663.jpg','images/events/event663_t.jpg',600,450,NULL,NULL,'Michael Glawogger',100,'nemščina','German','slovenščina, angleščina','Slovene, English','Avstrija, Švica, Nemčija','Austria, Swizerland, Germany',NULL,NULL,NULL,NULL,'Michael Glawogger'),(666,34,'OFSAJD','Offside','Offside','

Na polnem avtobusu iranskih nogometnih navijačev, ki se odpravljajo na kvalifikacijsko tekmo med Iranom in Bahreinom, v kotu tiho sedi mlad fant. Vendar to ni fant, ampak dekle v navijaški preobleki in s pobarvanim obrazom v barvah iranske zastave. Pri vhodu stadiona jo aretirajo in v priporu skupaj z drugimi dekleti, preoblečenimi v navijače, spremlja celotno tekmo, za ograjo ob stadionu. Tam jih stražijo mladi vojaki, ki jih bodo po tekmi predali nravstveni policiji, da bo dekleta kaznovala za njihovo neprimerno početje. Do takrat pa prestajajo mučne trenutke, saj tekme ne morejo gledati in le poslušajo krike navijačev in komentarje mladih vojakov, ki jim opisujejo dogajanje na igrišču, katerega sploh ne razumejo. Dekleta so med seboj zelo različna, vendar jih povezuje močna strast do nogometa.

»Poskušal sem predstaviti omejitve življenja v Iranu, kaj se lahko počne in česa ne. V tem filmu lahko vidite, da ženske ne smejo na stadion, vendar film kot celota nudi velik več. Kot film Krog, v katerem preko zgodb posameznih žensk, v ozadju lahko vidite, kako deluje družba. Poiščem zgodbe, ki mi omogočijo govoriti o drugih rečeh.« (Jafar Panahi)

','

scenarij
Jafar Panahi, Shadmehr Rastin

fotografija
Mahmood Kalari

glasba
Korosh Bozorgpour

igrajo
Sima Mobarak Shahi (prvo dekle), Safar Samandar (azerbajdžanski vojak), Shayesteh Irani (kadilka), M Kheyrabadi (mašadski vojak), Ida Sadeghi (nogometašica), Golnaz Farmani (dekle z ruto), Mahnaz Zabihi (vojakinja), Nazanin Sedighzadeh (mlado dekle), M Kheymeh Kabood (teheranski vojak)

festivali, nagrade (izbor)
Berlin 2006 (srebrni medved – velika nagrada žirije), La Rochelle Film Festival 2006, Toronto 2006, New York 2006

','

A young boy is sitting quietly on a bus full of Iranian football fans on their way to a qualification match between Iran and Bahrain. But the boy is actually a girl disguised as a boy, with her face painted in the colours of the Iranian flag. Before the game begins, she is discovered and arrested at the check-point and put into a detention pen alongside the stadium with a band of other women all dressed up as men. They will be handed over to the vice squad after the match. But before this, they will be tortured by the fact that they must endure every cheer, every shout of a game they cannot see. Worse yet, they must listen to the play-by-play account of a soldier who knows nothing about football. The girls are very different, but connected by their passion for football.

\\\'\\\'I tried to present the limitations of life in Iran and what we can and can\\\'t do. In this film you can see that women can\\\'t go inside the stadium, but the film as a whole is far deeper. Like The Circle, you could see the individual stories involving the separate women, but in the background you could see how the society is operating. I find stories which will allow me to talk about other issues.\\\'\\\' (Jafar Panahi)

','

screenplay
Jafar Panahi, Shadmehr Rastin

cinematography
Mahmood Kalari

music
Korosh Bozorgpour

cast
Sima Mobarak Shahi (first girl), Safar Samandar (Azerbaijani soldier), Shayesteh Irani (smoker), M Kheyrabadi (Mashad soldier), Ida Sadeghi (football player), Golnaz Farmani (girl with a scarf), Mahnaz Zabihi (soldier), Nazanin Sedighzadeh (young girl), M Kheymeh Kabood (Teheran soldier)

festivals, awards (selection)
Berlin 2006 (Silver Bear Award – The Grand Jury prize), La Rochelle Film Festival 2006, Toronto 2006, New York 2006

',NULL,NULL,2006,NULL,'images/events/event666.jpg','images/events/event666_t.jpg',600,450,NULL,NULL,'Jafar Panahi',88,'perzijščina','Persian','slovenščina','Slovene','Iran','Iran','images/events/logo666.jpg','images/events/logo666_t.jpg',200,200,'Jafar Panahi'),(667,30,'ISABELLA','Isabella','Isabella','

Na večer, ko Kitajska prevzame oblast nad Makaom, doživlja policist Šing hudo krizo v karieri in osebnem življenju. Šinga pretrese že odstavitev zaradi korupcijske tožbe, kmalu zatem pa mu nenavadno srečanje povsem spremeni življenje. Šing išče tolažbo v objemu mladega dekleta, v mislih ima le avanturo za eno noč. A dekle ga več kot vznemiri. Kajti skoraj pravljično bitje po imenu Jan ga preseneti z najneverjetnejšo novico: je njegova hči, za katero Šing nikoli ni izvedel.

»Življenje je polno obžalovanj. Ko gledamo nazaj, si vsi želimo, da bi bili bolj neomahljivi, odločni in zrelejši. A ko dobimo priložnost škodo popraviti, se nam zgodi, da moramo žrtvovati še več. Posledica ene napake lahko včasih, ironično, popravi posledico druge. Ime Isabella je obljuba Bogu. Je tudi, vsaj zaenkrat, film, kakršne si želim ustvarjati. Zame Isabella ni le film, temveč tudi balada o dobrih starih časih.« (Pang Ho-cheung)

Koda za glasovanje prek Mobitela: D

','

scenarij
Pang Ho-cheung, Kearen Pang, Derek Tsang, Jimmy Wan

fotografija
Charlie Lam

glasba
Peter Kam

igrajo
Chapman To (Shing), Isabella Leong (Yan), J. J. Jia (mama), Meme Tian (Kate), Anthony Wong (Shingov šef), Shawn Yue (mož v baru), Kwok Cheung Tsang (Fai)

festivali, nagrade (izbor)
Berlin 2006 (srebrni medved za najboljšo filmsko glasbo), Seattle 2006

','

On the eve of the transfer of power over Macao to the People’s Republic of China, a police officer Shing finds himself in a dreadful crisis – both in his career and in his private life. Already thrown off course for having been suspended on a corruption charge, shortly afterwards, he has an encounter that completely changes his life. Shing seeks comfort in the arms of a young girl. He has no more than a one-night stand in mind when he ap¬proaches this young woman. But the girl more than surprises him. For this fairy-tale-like creature named Yan confronts him with the most astonishing news conceivable: she is none other than the daughter Shing never knew he had.

»Life is full of regrets. In retrospect, we all wish to have been more resolute, more determined and more mature. But given a chance to undo the damage, we might sacrifice even more. The consequence of one mistake can sometimes, ironically, amend that of another.
The name Isabella is a promise to God. It is also, at least for the time being, the shape and form of films I wish to present. Personally, Isabella is not just a film, but also a ballad of the good old days.« (Pang Ho-cheung)

The code for submitting votes via Mobitel: D

','

screenplay
Pang Ho-cheung, Kearen Pang, Derek Tsang, Jimmy Wan

cinematography
Charlie Lam

music
Peter Kam

cast
Chapman To (Shing), Isabella Leong (Yan), J. J. Jia (mother Hua), Meme Tian (Kate), Anthony Wong (Shing\\\'s boss), Shawn Yue (man in a bar), Kwok Cheung Tsang (Fai)


festivals, awards (selection)
Berlin 2006 (Silver Bear for Best Film Music), Seattle 2006

',NULL,NULL,2006,NULL,'images/events/event667.jpg','images/events/event667_t.jpg',600,450,NULL,NULL,'Pang Ho-cheung',97,'kantonščina','Cantonese (Hong Kong)','slovenščina, angleščina','Slovene, English','Hongkong','Hong Kong',NULL,NULL,NULL,NULL,'Pang Ho-cheung'),(669,34,'POT V GUANTANAMO','The Road to Guantanamo','The Road to Guantanamo','

V kombinaciji arhivskih posnetkov, intervjujev in dramatizacij spremljamo usodo štirih britanskih muslimanov Asifa, Ruhela, Šafika in Monirja, ki se septembra 2001 odpravijo v Pakistan na Asifovo poroko. Pot jih nič hudega sluteč zanese tudi v Afganistan, kamor prispejo prav v noči, ko padejo prve bombe ameriške protiteroristične ofenzive nad Talibani. Prijatelji v kaosu izgubijo Monirja, preostale tri pa zajamejo ameriški vojaki. Po nekaj tednih pripora jih zaradi suma povezave z Mohamedom Ato in Osamo Bin Ladnom premestijo v ameriško vojno oporišče Guantanamo na Kubo, kjer preživijo skoraj tri mučna leta.

»Kar vidite v filmu, pa naj bo to Camp X-Ray ali Camp Delta, zasliševalne tehnike, natezalni položaji, načini vklepanja, kako jih vtaknejo v celice – vse te stvari so v Guantanamu povsem rutinske. Ne gre nam za to, da bi razkrili kakšnega vojaka, ki počne stvari, ki jih ne bi smel. Pokazali nismo ničesar takega, kar ne bi bilo dovoljeno. Vse te metode so nedvomno dovoljene in ves čas v uporabi. Če torej ljudje podpirajo Guantanamo in mislijo, da je dobro, da se takšne stvari dogajajo, naj si pogledajo film. Dejansko jih ne bi smelo nič motiti, kajti prikazujemo zgolj to, kar se dogaja.« (Michael Winterbottom)

','

fotografija
Marcel Zyskind

glasba
Harry Escott, Molly Nyman

igrajo
Riz Ahmed (Šafik), Farhad Harun (Ruhel), Waquar Siddiqui (Monir), Afran Usman (Asif Ikbal), Shahid Iqbal (Zahid), Sher Khan (Šer KhanJason Salkey (vojaški zasliševalec Sheberghan), Jacob Gaffney (kandaharski zasliševalec št. 1), Mark Holden (kandaharski zasliševalec št.2), Duane Henry (paznik št.1), William Meredith (paznik št.2), Payman Bina (paznik št.3), Adam James (SAS zasliševalecIan Hughes (MI5 zasliševalec)

festivali, nagrade (izbor)
Berlin 2006 (srebrni medved: najboljši režiser) Sarajevo 2006 (nagrada občinstva za najboljši film), Seattle 2006, Las Palmas 2006

','

Through a combination of archival shots, interviews and dramatisation, we follow the destiny of four British muslims – Asif, Ruhel, Shafiq and Monir, who set off to Asif\\\'s wedding in Pakistan in September 2001. Unsuspectingly, the road also leads them to Afghanistan, where they arrive precisely in the night when the first bombings of the American anti-terrorist offensive over Talibans begin. Monir gets lost in the confusion, and the other three are captured by American soldiers. After a couple of weeks in detention, they are transferred to the American military base Guantanamo in Cuba, suspected of having connections with Mohammed Atta and Osama Bin Laden. They spend almost three tormented years there.

”What you see in the film, whether it\\\'s Camp X-Ray or Camp Delta, whether it\\\'s the interrogation techniques, the stretch positions, the way they\\\'re shackled, the way they\\\'re put into the cells -- all those things are absolutely the routine of Guantanamo. We\\\'re not trying to reveal some soldiers doing things they shouldn\\\'t do. There\\\'s no kind of stuff that is not permitted. All of these techniques are absolutely clearly permitted and used all the time. So if people support Guantanamo and think it\\\'s right that this happens, watch the film. They shouldn\\\'t really have a problem with it because we\\\'re just showing what happens.” (Michael Winterbottom)

','

cinematography
Marcel Zyskind

music
Harry Escott, Molly Nyman

cast
Riz Ahmed (Shafiq), Farhad Harun (Ruhel), Waquar Siddiqui (Monir), Afran Usman (Asif Iqbal), Shahid Iqbal (Zahid), Sher Khan (Sher Khan), Jason Salkey (military interrogator Sheberghan), Jacob Gaffney (Qandahar interrogator n.1), Mark Holden (Qandahar interrogator n.2), Duane Henry (warder n.1), William Meredith (warder n.2), Payman Bina (warder n.3), Adam James (SAS interrogator), Ian Hughes (MI5 interrogator)

festivals, awards (selection)
Berlin 2006 (Silver Bear: best director), Sarajevo 2006 (audience award for best film), Seattle 2006, Las Palmas 2006

',NULL,NULL,2006,NULL,'images/events/event669.jpg','images/events/event669_t.jpg',600,450,NULL,NULL,'Michael Winterbottom, Mat Whitecross',95,'angleščina/arabščina','English/Arabic','slovenščina','Slovene','VB','GB','images/events/logo669.jpg','images/events/logo669_t.jpg',200,200,'Michael Winterbottom, Mat Whitecross'),(670,34,'TIGER IN SNEG','The Tiger and the Snow','La tigre e la neve','

Attilo De Giovanni, v Rimu živeč univerzitetni profesor in pesnik, je strastno predan poeziji, medtem ko ga banalnosti resničnega življenja preprosto ne zanimajo. Pravzaprav ga v resničnosti zanima le eno – ona, Vittoria, ženska njegovih sanj. A z vsakim njegovim poskusom, da bi osvojil njeno srce, ga ona bolj odločno zavrača. Nekega dne Attilo prejme telefonski klic iz Bagdada, ki so ga pravkar začele napadati ameriške in britanske sile. Kliče ga znani iraški pesnik Fuad, o katerem Vittoria pripravljala biografijo. Sporoči mu, da je Vittoria hudo ranjena in da umira. Attilo se nemudoma odpravi v Bagdad. Položaj je skorajda brezupen, saj bi Vittoria potrebovala zdravila, ki pa jih v bolnici ne premorejo. A Attilo se ne vda. Odločen, da jo reši, se na ulice Bagdada odpravi oborožen le s svojo poezijo.

»Film ni ideološki. Nekatera dela o vojni se dotaknejo glave, to pa se dotakne srca, kar je nevarnejše, saj ga para, lomi. Gre za protivojni film in upam, da bodo ljudje to doumeli. Govori o reševanju življenj. \\\'Ljubezen, ki premaga smrt\\\' postaja vse bolj zastarela fraza. Razvedriti in ganiti je edino, kar se lahko naredi. Film govori o moči čustev, ki je najbolj subverzivna in revolucionarna sila.« (Roberto Benigni)

','

scenarij
Roberto Benigni, Vincenzo Cerami

fotografija
Fabio Cianchetti

glasba
Nicola Piovani

igrajo
Roberto Benigni (Attilio), Nicoletta Braschi (Vittoria), Jean Reno (Faud), Tom Waits (pevec), Chiara Pirri (Emilia), Anna Pirri (Rosa), Emilia Fox (Nancy), Gianfranco Varetto (pravnik), Giuseppe Battiston (Ermanno), Francesca Cutolo (Carla), Andrea Renzi (Guazzelli)

festivali, nagrade (izbor)
Bangkok 2006, Berlin 2006, Mons 2006, Natfilm Festivalen 2006, zlati globus 2006 (glasba)

','

Attilio De Giovanni, university professor and poet living in Rome, is passionately devoted to poetry and simply shows no interest in real-life banalities. In reality there is only one thing that interests him – she, Vittoria, the woman of his dreams. But every attempt to win her heart only brings him more resolute rejection. One day, Attilio receives a phone call from Baghdad, where American and British attacks have just started. On the other side of the line is a famous Iraqi poet, Fuad, about whom Vittoria was writing a biography. Fuad informs him that Vittoria has been injured and is dying. Attilio sets out to Baghdad immediately. The situation is almost hopeless, as Vittoria needs medicine that is lacking at the hospital where she is lying. But Attilio does not give up. Determined to save her, he sets out through the streets of Baghdad armed with only his poetry.

“This is not an ideological film. Some war films touch our heads, but this one touches our hearts, which is more dangerous, as it tears and breaks us up. It is an anti-war film and I hope this will get through to people. It is about saving lives. »Love conquering death« is becoming more and more antiquated. Cheer up and move on is the only thing that can be done. The film is about the power of emotions, which is the most subversive and revolutionary power.” (Roberto Benigni)

','

screenplay
Roberto Benigni, Vincenzo Cerami

cinematography
Fabio Cianchetti

music
Nicola Piovani

cast
Roberto Benigni (Attilio), Nicoletta Braschi (Vittoria), Jean Reno (Faud), Tom Waits (singer), Chiara Pirri (Emilia), Anna Pirri (Rosa), Emilia Fox (Nancy), Gianfranco Varetto (attorney), Giuseppe Battiston (Ermanno), Francesca Cutolo (Carla), Andrea Renzi (Guazzelli)

festivals, awards (selection)
Bangkok 2006, Berlin 2006, Mons 2006, Natfilm Festivalen 2006, Golden Globe 2006 (music)

',NULL,NULL,2005,NULL,'images/events/event670.jpg','images/events/event670_t.jpg',600,450,NULL,NULL,'Roberto Benigni',114,'italijanščina','Italian','slovenščina','Slovene','Italija','Italy',NULL,NULL,NULL,NULL,'Roberto Benigni'),(672,30,'PREDLOG','The Proposition','The Proposition','

Nevestern z odročnega predela Avstralije, kjer leta 1880 izbruhne divji strelski obračun med policijo in tolpo divjaških naseljencev. Med spopadom Charlieja Burnsa in njegovega brata Mikeyja aretira britanski policist Captain Stanley, ki bratoma predlaga kupčijo. Charlie in Mikey sta irska razbojnika, ki ju skupaj z njunim psihotičnim bratom Arthurjem iščejo zaradi posilstva in ropa. Captain razloži, da bo Mikeyja, ki ima komaj štirinajst let, na božični dan obesil, če Charlie do takrat ne izsledi in ubije pogrešanega brata Arthurja. Captain pa ima še druge skrbi. V Angliji je živel udobno, življenje v odročni avstralski divjini pa je surovo in brezobzirno. Sprašuje se, kako lahko svojo krhko ženo Martho obvaruje pred tem grobim okoljem.

»Zavestno smo se odločili, da poskusimo biti realistični in ne neutemeljeni. Pravzaprav mislim, da nasilje v populističnih filmih postaja zmeraj bolj neutemeljeno. Lahko bi šli po poti Mela Gibsona, ki je dejansko bolj donosna. In ker smo skušali pokazati kruto resničnost, mejno dogajanje, se ne moremo izogniti dejstvu, da je bilo zelo nasilno. Vidite pa lahko tudi posledice nasilja. V bistvu velik del zgodbe govori o tem, kako vpliva na življenje ljudi, v primerjavi zgolj s samim občutkom tega.« (John Hillcoat)

Koda za glasovanje prek Mobitela: N

','

scenarij
Nick Cave

fotografija
Benoit Delhomme

glasba
Nick Cave, Warren Ellis

igrajo
Guy Pearce (Charlie Burns), Ray Winstone (Captain Stanley), Danny Huston (Arthur Burns), John Hurt (Jellon Lamb), David Wenham (Eden Fletcher), Emily Watson (Martha Stanley), Richard Wilson (Mikey Burns), Noah Taylor (Brian O’Leary), Mick Roughan (Mad Jack Bradshaw)

festivali, nagrade (izbor)
Melbourne 2005 (najboljša fotografija, najboljša kostumografija, najboljša izvirna glasba, najboljša scenografija), Benetke 2006 (nagrada gucci za najboljši scenarij), Berlin 2006

','

An “anti-Western” from the Australian outback, where, in 1880, a frenzied gun¬fight breaks out between the police and a gang of bushmen. During the shootout, Charlie Burns and his brother Mikey are arrested by a British officer named Captain Stanley, who makes the two men a proposition. Charlie and Mikey are Irish outlaws who, together with their psychotic bro¬ther Arthur, are wanted for murder and rape. The Captain explains that he will hang Mikey – who is just 14 – on Christmas Day, unless Charlie tracks down and kills his missing brother Arthur. The captain is beset by other problems. In England he led a comfortable existence, but life in the Australian outback is brutal and violent. He wonders how he can protect his gentle wife, Martha, from this harsh environment.

“There was a conscious decision to try and be realistic, not gratuitous. I think it’s actually becoming more gratuitous, violence in mainstream films. We could have gone the Mel Gibson route – in fact, the more lucrative route. And because we were trying to show the harsh reality what was happening on the frontier, you can’t shy away from the fact that it was extremely violent. Also you see the consequences of the violence. In fact a lot of the story is about how it impacts on people’s lives as opposed to just the sensation of it.” (John Hillcoat)

The code for submitting votes via Mobitel: N

','

screenplay
Nick Cave

cinematography
Benoit Delhomme

music
Nick Cave, Warren Ellis

cast
Guy Pearce (Charlie Burns), Ray Winstone (Captain Stanley), Danny Huston (Arthur Burns), John Hurt (Jellon Lamb), David Wenham (Eden Fletcher), Emily Watson (Martha Stanley), Richard Wilson (Mikey Burns), Noah Taylor (Brian O’Leary), Mick Roughan (Mad Jack Bradshaw)

festivals, awards (selection)
Melbourne 2005 (best cinematography, best costume design, best original music score, best production design), Venice 2006 (Gucci prize for best screenplay), Berlin 2006

',NULL,NULL,2005,NULL,'images/events/event672.jpg','images/events/event672_t.jpg',600,450,NULL,NULL,'John Hillcoat',104,'angleščina','English','slovenščina','Slovene','Avstralija, VB','Australia, GB',NULL,NULL,NULL,NULL,'John Hillcoat'),(673,38,'VELIKI POK LJUBEZNI','Big Bang Love, Juvenile A','46 oku nen no koi','

Jun je zaposlen v gejevskem baru. Nekega večera ga eden od gostov nadleguje in med njima se vname spopad. Jun ubije moškega ter pri tem ne pokaže nobenega znaka obžalovanja. Zato ga pošljejo v zapor. Tam sreča mladega Šira, katerega pogled bi lahko ubijal. Z brutalnostjo in nasiljem se hitro povzpne na najvišje položaje v zaporniški hierarhiji. Juna, ki je veliko bolj introvertiran, očarata Širova surova moč in odločnost. Sčasoma postaneta prijatelja in pozneje tudi par. Nekega dne pa se pripeti nekaj nepričakovanega. Paznik je priča temu, kako v skupnih prostorih neki mladenič davi drugega zapornika. Kmalu zatem žrtev izdahne. Bil je Širo. Mladi davitelj se objokan obrne in prizna dejanje – prepoznamo Juna.

»Pri snemanju filmov je potrebno določeno vodenje. To pomeni, da je scenarij zavezujoč do neke mere, vendar ne povsem. Konec filma Veliki pok ljubezni je na primer nekoliko drugačen kot v prvotnem scenariju. Spremeni se zgolj način izražanja, način prenašanja pomena. V bistvu se pomen konca in celotne zgodbe sploh ni spremenil. Mislim, da je to precej zanimiva plat – način izražanja stvari v filmu je verjetno precej drugačen od izvirnega scenarija, vendar ostaja pomen zgodbe še zmeraj enak.« (Takashi Miike)

','

scenarij
Masa Nakamura (po literarni predlogi Ato Masakija– psevdonim Ikki Kadživare inHisao Makija)

fotografija
Masato Kaneko

igrajo
Ryuhei Matsuda, Masanobu Ando, Shiro Kazuki, Ryo Ishibashi, Renji Ishibashi, Kenichi Endo

festivali, nagrade (izbor)
Berlin 2006, Hongkong 2006, Toronto 2006

','

Jun works in a gay bar. One night, one of the customers pesters him and a fight breaks out during which Jun kills the man. Jun does not show the slightest sign of remorse and is put in prison. One of the inmates is a young man named Shiro, whose looks could kill. Shiro\\\'s brutality and violence help him make his way up the hierarchy of those behind bars. Jun, who is more introverted, feels drawn by Shiro’s strength and decisiveness. They gradually become friends, and then, a couple. Then, however, an incident occurs. A prison warder is witness to a young man strangling another prisoner with all his might in the communal hall. Shortly afterwards, the victim breathes his last. It is Shiro. The young prisoner turns around. The guard observes the inmate’s tear-stained face as he admits: “I did it.” It is Jun.
“There is a certain guidance needed when making films. That means that the script is binding up to a certain point but not completely. The ending in Bing Bang Love for example is a little bit different from the original script as well. It is merely the way of expressing, of how to transfer the meaning, though, that changes. Actually, the meaning of the ending and of the whole story did not change at all. I think that this is quite an interesting aspect: The way of expressing things in the film is probably quite different from the original script but the meaning of the story is still very much the same.” (Takashi Miike)

','

screenplay
Masa Nakamura (based on the novel by Ato Masaki – pseudonym Ikki Kajiware and Hisao Makija)

cinematography
Masato Kaneko

cast
Ryuhei Matsuda, Masanobu Ando, Shiro Kazuki, Ryo Ishibashi, Renji Ishibashi, Kenichi Endo

festivals, awards (selection)
Berlin 2006, Hong Kong 2006, Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event673.jpg','images/events/event673_t.jpg',600,450,NULL,NULL,'Takashi Miike',85,'japonščina','Japanese','angleščina, slovenščina','English, Slovene','Japonska','Japan',NULL,NULL,NULL,NULL,'Takashi Miike'),(674,28,'ZBOGOM, BERLUSCONI!','Bye Bye Berlusconi!','Bye Bye Berlusconi!','

Pomlad leta 2005: mlada filmska skupina iz Genove načrtuje resen politični film o ugrabitvi Silvia Berlusconija. Cilj ugrabiteljev je, da mu zagotovijo pošteno in neodvisno sojenje, ki bo končno podalo sodbo, ki se ji sicer sam že nekaj let spretno izmika. Film naj bi bil poziv italijanskim volivcem, da se končno prebudijo in na volitvah aprila 2006 svojega ministrskega predsednika spodijo iz njegove pisarne. Prvi dan snemanja pa se ekipa zave, da si je zastavila preveč ambiciozen načrt. Da bi se zaščitili pred mogočimi posledicami, se odločijo, da bodo s tem, ko dogajanje prestavijo iz Italije v Duckburg, jasno pokazali, da je film satira. Nihče ni povsem prepričan, če bo to dovolj, da film ne bo prepovedan. V to, da bo Berlusconi pobesnel, pa so prepričani vsi ...

»Nismo mogli verjeti. Mislili smo, da je ideja navdihujoča – film z junaki, ki so v resnici nejunaki, kajti ugrabitev je zmeraj zadnja možnost; hkrati pa imamo lahko junake radi, ker počnejo kaj, kar bi mi, pasivni gledalci, tudi radi storili. Po velikih količinah popitega piva smo s svojim odvetnikom ugotovili, da bo Berlusconi moral dati svoje dovoljenje, ali pa bomo morali stvar izpeljati tako, da ne bo opazil, da govori o njem.« (Jan Henrik Stahlberg)

','

scenarij
Lucia Chiarla, Jan Henrik Stahlberg

fotografija
Nicolas Joray

glasba
Phirefones, Rainer Oleak, Banda Degli Ottoni, Andrea Maddalone

igrajo
Maurizio Antonini (Maurizio), Lucia Chiarla (Lucia), Pietro Bontempo (Giorgio), Tullio Sorrentino (Tullio), Pietro Ragusa (Pietro), Fabio Bezzi (Fabio), Franco Leo (Roberto)

festivali, nagrade (izbor)
Berlin 2006 (nagrada Femina), Melbourne 2006, Valencia 2006, Köbenhavn 2006, Ghent 2006, São Paulo 2006

','

Spring 2005. A committed young film crew from Genoa plans to make a serious political film about the kidnapping of Silvio Berlusconi. The kidnappers’ goal is to hold a fair and independent trial that will finally pass the judgement that, in real life, Berlusconi has successfully eluded for many years. The film is intended as a clarion call to Italy to wake up and vote their prime minister out of office in April 2006. However, on the first day of filming, it is apparent that this ambitious film team have undertaken too much. In order to protect themselves from possible consequences, they decide to make it obvious that their film is a satire by transporting the film’s setting from Italy to Duckburg. Nobody has any idea if this absurd trick will be enough to prevent the film from being banned. But it’s bound to make Silvio Berlusconi see red – that’s for sure…

“We couldn\\\'t believe it. We thought the idea was inspired – a movie with heroes who are really anti-heroes, because kidnappings are always desperate measures, but at the same time, the heroes are likeable because they\\\'re doing something that we, as passive members of the audience, would also like to do. So we ended up drinking lots of wine with our lawyer, and reached the conclusion that either Berlusconi would have to give his permission, or we would have to do it in such a way that he didn\\\'t realize it was all about him.” (Jan Henrik Stahlberg)

','

screenplay
Lucia Chiarla, Jan Henrik Stahlberg

cinematography
Nicolas Joray

music
Phirefones, Rainer Oleak, Banda Degli Ottoni, Andrea Maddalone

cast
Maurizio Antonini (Maurizio), Lucia Chiarla (Lucia), Pietro Bontempo (Giorgio), Tullio Sorrentino (Tullio), Pietro Ragusa (Pietro), Fabio Bezzi (Fabio), Franco Leo (Roberto)

festivali, nagrade (izbor)
Berlin 2006 (Femina prize), Melbourne 2006, Valencia 2006, Copenhagen 2006, Ghent 2006, São Paulo 2006

',NULL,NULL,2005,NULL,'images/events/event674.jpg','images/events/event674_t.jpg',600,450,NULL,NULL,'Jan Henrik Stahlberg',88,'italijanščina','Italian','slovenščina, angleščina','Slovene, English','Nemčija','Germany',NULL,NULL,NULL,NULL,'Jan Henrik Stahlberg'),(676,28,'BOLNA LJUBEZEN','Love Sick','Legături bolnăvicioase','

Alex in Kiki se spoznata na fakulteti, kjer obe študirata. Najprej sta le prijateljici. Njuna ljubezenska zgodba se začne v stanovanjskem bloku v Bukarešti. Alex najame sobo v stanovanju stare gospe in ker živi Kiki v istem bloku, kmalu postaneta neločljivi. Njuno prijateljstvo se razvija hitro, čeprav sta si dekleti zelo različni. Zgodba sledi razvoju odnosa med dekletoma, a razpoloženje filma se spremeni, ko se pojavi Kikijin brat Sandu. Poleti Alex povabi Kiki k svojim staršem na deželo. Tam se znajdeta v pomirjujočem, idiličnem podeželskem svetu – svetu Alexinega otroštva.

»Zelo me je zanimal odziv domače kritike in občinstva. Mislim, da je bilo predvsem mlajše občinstvo bolj naklonjeno, sem pa prejel nekaj ogorčenih pripomb od bolj staromodnih ljudi. Za Romunijo tematika ni nič kaj lahka: dekleti, ki se poljubljata na platnu in odnos z bratom. Mnogi so me vprašali, če se nisem zavedal velikega tveganja. Tudi igralki sta tvegali, saj nista vedeli, kako bom uresničil scenarij, in ko sta ga prebrali, sta se nekoliko ustrašili.« (Tudor Giurgiu)

','

scenarij
Cecilia Ştefănescu

fotografija
Alexandru Sterian

glasba
Vlaicu Golcea

igrajo
Maria Popistaşu (Kiki), Ioana Barbu (Alex), Tudor Chirilă (Sandu), Cătălina Murgea (gospa Benes), Mircea Diaconu (gospod Dragnea), Virginia Mirea (gospa Dragnea), Tora Vasilescu, Valentin Popescu, Mihai Dinvale

festivali, nagrade (izbor)
Berlin 2006 (Panorama)

','

Alex and Kiki meet at the university where they are both studying. At first they are just friends. Their love story begins in a Bucharest apartment block. Alex rents a room in the home of an old lady and as Kiki lives in the same building they soon become inseperable. Their friendship developes quickly, though the two girls have very different natures. The story follows the development of the bond between the two girls. However, the tone of the film changes when Sandu, Kiki’s brother, intervenes. When summer comes Alex invites Kiki to her parents’ home in the country. There they find a reassuring, bucolic world – the world of Alex’s childhood.

”I was very interested to see what would be the reaction of the local critics and the public. I think the public, especially the younger public, was more easygoing, though I got some bitter remarks from more old-school guys. It is not an easy subject for Romania: two girls kissing on screen and the relationship with the brother. A lot of people asked me if I did not think it was a big risk. For the actresses it was also a risk, because they did not know how I wanted to do the script, and after they read it, they were a bit afraid.” (Tudor Giurgiu)

','

screenplay
Cecilia Ştefănescu

cinematography
Alexandru Sterian

music
Vlaicu Golcea

cast
Maria Popistaşu (Kiki), Ioana Barbu (Alex), Tudor Chirilă (Sandu), Cătălina Murgea (Mrs Benes), Mircea Diaconu (Mr Dragnea), Virginia Mirea (Mrs Dragnea), Tora Vasilescu, Valentin Popescu, Mihai Dinvale

festivals, awards (selection)
Berlin 2006 (Panorama)

',NULL,NULL,2006,NULL,'images/events/event676.jpg','images/events/event676_t.jpg',600,450,NULL,NULL,'Tudor Giurgiu',85,'romunščina','Rumanian','slovenščina, angleščina','Slovene, English','Romunija, Francija','Romania, France',NULL,NULL,NULL,NULL,'Tudor Giurgiu'),(677,29,'POPOLNOMA WILSON','Absolute Wilson','Absolute Wilson','

Estetika Roberta Wilsona že štirideset let zaznamuje mednarodno gledališče in opero, uveljavil pa se je tudi kot avtor instalacij. Da bi posnela ta film, je Katharina Otto-Bernstein Wilsona s kamero spremljala kar pet let. V središču njenega zanimanja pa ni bili le umetnik in njegove slavne produkcije, pač pa je Wilson pred kamero prvič spregovoril tudi o zasebnem življenju. Med tistimi, ki govorijo o njegovem življenju, so tudi Wilsonova sestra Suzanne ter številni sodobniki, kolegi in sopotniki, kot so glasbenik David Byrne, publicistka Susan Sontag, skladatelj Philip Glass, operna pevka Jessye Norman ter mnogi drugi. Tako dobimo celovit portret tega kontroverznega vsestranskega umetnika in njegovih nekonvencionalnih delovnih metod.

»Wilson je resnična rock zvezda gledališča. Kot Nemka sem vedela, kdo je Robert Wilson, saj je bil v Evropi zelo znan, pred tem sem tudi videla produkcije Black Rider in Alice na glasbeni akademiji v Brooklynu. (…) Ne vem, morda je moja slabost, da se vedno lotim zgodovinsko pomembnih projektov. Na začetku so zelo majhni, a nekako postanejo zelo veliki. Snov me tako očara, da hočem vedeti še več.« (Katharina Otto)

','

scenarij
Katharina Otto

fotografija
Ian Saladyga, Eric Seefranz

glasba
Miriam Cutler

nastopajo
Robert Wilson, William S. Burroughs, David Byrne, Charles Fabius, Philip Glass, Susan Sontag, Tom Waits, Jessye Norman

festivali, nagrade (izbor)
Berlin 2006, Sydney 2006, Melbourne 2006, Jeruzalem 2006, Varšava 2006, Cambridge 2006, Festival do Rio 2006

','

For forty years, Robert Wilson’s aesthetics have left their mark on international theatre and opera. In addition, Wilson has made a name for himself as an installation artist. Katharina Otto-Bernstein accompanied Wilson with her camera for five years in order to make this film. The focus of her interest was not only the artist and his famous productions; for the first time on camera, Robert Wilson also discusses his personal biography. Those commentating on his life include Wilson’s sister Suzanne and numerous contemporaries, colleagues and fellow travellers such as musician David Byrne, publicist Susan Sontag, composer Philip Glass, opera singer Jessye Norman and many more. In this way, a complex portrait emerges of this controversial all-rounder and his unconventional working methods.

»He is really the rock-star of theatre. As a German, I knew who Robert Wilson was because he is tremendously famous in Europe and I had previously seen productions of both \\\'Black Rider\\\' and \\\'Alice\\\' at BAM. (...) I don\\\'t know, I think maybe it\\\'s a flaw in me that I always undertake monumental projects. They always start very small and somehow they become very big. I\\\'m so fascinated by the material that all I want to do is know more.« (Katharina Otto)

','

screenplay
Katharina Otto

cinematography
Ian Saladyga, Eric Seefranz

music
Miriam Cutler

cast
Robert Wilson, William S. Burroughs, David Byrne, Charles Fabius, Philip Glass, Susan Sontag, Tom Waits, Jessye Norman

festivals, awards (selection)
Berlin 2006, Sydney 2006, Melbourne 2006, Jerusalem 2006, Warsaw 2006, Cambridge 2006, Festival do Rio 2006

',NULL,NULL,2006,NULL,'images/events/event677.jpg','images/events/event677_t.jpg',600,450,NULL,NULL,'Katarina Otto-Bernstein',105,'angleščina','English','slovenščina','Slovene','Nemčija, ZDA','Germany, USA',NULL,NULL,NULL,NULL,'Katarina Otto-Bernstein'),(678,30,'VETER, KI TRESE JEČMEN','The Wind That Shakes the Barley','The Wind That Shakes the Barley','

Irska, 1920: podeželski delavci se združijo in ustanovijo prostovoljne gverilske enote, da bi se spopadli z neusmiljenimi britanskimi vodi, ki naj bi zaustavili irski poskus osamosvojitve. Zaradi globokega občutka dolžnosti in ljubezni do domovine David opusti uspešno kariero zdravnika in se pridruži svojemu bratu Teddyju v nevarnem in nasilnem boju za svobodo. Ko drzna taktika borcev za svobodo Britance pripelje do zloma, se obe strani končno dogovorita za premirje, ki bi končalo prelivanje krvi. Kljub navidezni zmagi izbruhne državljanska vojna in družine, ki so se borile z ramo ob rami, se znajdejo ena nasproti drugi kot najhujši sovražniki, njihova vdanost pa je na odločilni preizkušnji.

»Ne bi rekel, da je to protibritanski film; ljudi bi spodbudil, da pogledajo svojo vdanost horizontalno, čez narodnostne meje, tako da ne gre za film o Britancih, ki udrihajo po Ircih. Ljudje imajo veliko več skupnega s pripadniki iste družbene plasti v drugih državah kot pa recimo s tistimi z vrhnje plasti lastne družbe. Lahko rečete, da je naša odgovornost napadati napake in krutosti naših vodij, tako minulih kot sedanjih. Daleč od tega, da ne bi bil patriotski: gre za dolžnost, ki je ne smemo zanemariti.« (Ken Loach)

Koda za glasovanje prek Mobitela: T

','

scenarij
Paul Laverty

fotografija
Barry Ackroyd

glasba
George Fenton

igrajo
Cillian Murphy (Damien), Pádraic Delaney (Teddy), Liam Cunningham (Dan), Orla Fitzgerald (Sinead), Gerard Kearney (Donnacha), William Ruane (Gogan)

festivali, nagrade (izbor)
Cannes 2006, Toronto 2006, Sydney 2006, La Rochelle 2006, Pulj 2006

','

Irska, 1920: podeželski delavci se združijo in ustanovijo prostovoljne gverilske enote, da bi se spopadli z neusmiljenimi britanskimi vodi, ki naj bi zaustavili irski poskus osamosvojitve. Zaradi globokega občutka dolžnosti in ljubezni do domovine David opusti uspešno kariero zdravnika in se pridruži svojemu bratu Teddyju v nevarnem in nasilnem boju za svobodo. Ko drzna taktika borcev za svobodo Britance pripelje do zloma, se obe strani končno dogovorita za premirje, ki bi končalo prelivanje krvi. Kljub navidezni zmagi izbruhne državljanska vojna in družine, ki so se borile z ramo ob rami, se znajdejo ena nasproti drugi kot najhujši sovražniki, njihova vdanost pa je na odločilni preizkušnji.

»Ne bi rekel, da je to protibritanski film; ljudi bi spodbudil, da pogledajo svojo vdanost horizontalno, čez narodnostne meje, tako da ne gre za film o Britancih, ki udrihajo po Ircih. Ljudje imajo veliko več skupnega s pripadniki iste družbene plasti v drugih državah kot pa recimo s tistimi z vrhnje plasti lastne družbe. Lahko rečete, da je naša odgovornost napadati napake in krutosti naših vodij, tako minulih kot sedanjih. Daleč od tega, da ne bi bil patriotski: gre za dolžnost, ki je ne smemo zanemariti.« (Ken Loach)

Ireland 1920: workers from field and country unite to form volunteer guerrilla armies to face the ruthless "Black and Tan" squads that are being shipped from Britain to block Ireland\\\'s bid for independence. Driven by a deep sense of duty and a love for his country, Damien abandons his burgeoning career as a doctor and joins his brother, Teddy, in a dangerous and violent fight for freedom. As the freedom fighters\\\' bold tactics bring the British to breaking point, both sides finally agree to a treaty to end the bloodshed. But, despite the apparent victory, civil war erupts and families who fought side by side, find themselves pitted against one another as sworn enemies, putting their loyalties to the ultimate test.

"I wouldn\\\'t call this an anti-British film; I\\\'d encourage people to see their loyalties horizontally across national boundaries, so that this isn\\\'t a film about the Brits bashing the Irish. People have much more in common with people in the same social position in other countries than they do with, say, those at the top of their own society. You can argue that we have a responsibility to attack the mistakes and brutalities of our leaders, past and present. Far from being unpatriotic, it is a duty we cannot ignore."
(Ken Loach)

The code for submitting votes via Mobitel: T

','

screenplay
Paul Laverty

cinematography
Barry Ackroyd

music
George Fenton

cast
Cillian Murphy (Damien), Pádraic Delaney (Teddy), Liam Cunningham (Dan), Orla Fitzgerald (Sinead), Gerard Kearney (Donnacha), William Ruane (Gogan)

festivals, awards (selection)
Cannes 2006, Toronto 2006, Sydney 2006, La Rochelle 2006, Pula 2006

',NULL,NULL,2006,NULL,'images/events/event678.jpg','images/events/event678_t.jpg',600,450,NULL,NULL,'Ken Loach',127,'angleščina','English','slovenščina','Slovene','Francija, Irska, VB','France, Ireland, GB',NULL,NULL,NULL,NULL,'Ken Loach'),(679,34,'VRNI SE','Return','Volver','

Madrid, delavska četrt, kjer španski delavski razred živi poleg priseljencev z vseh koncev sveta. Raimunda je mlada mati z najstniško hčerko. Denarja za preživljanje družine ni prav veliko, zato se mora Raimunda nekako znajti. Sole, njena nekaj let starejša sestra, vodi ilegalni frizerski salon. Njen mož se zaplete z eno od njenih strank in jo zapusti. Paula je teta obeh žensk in živi v eni od vasi La Manche, kjer se je rodila vsa družina. Nekega dne Raimundin pijani partner napade njeno hčer in jo hoče zlorabiti, a ta se mu upre in ga v samoobrambi ubije. Raimunda je odločena narediti vse, da zaščiti svojo mlado hčer ter jo ubrani pred teto in zvedavimi sosedi. Tako Raimunda pred teto ščiti veliko skrivnost, a tudi ta pred njo in Sole skriva neko drugo družinsko skrivnost.

»Film je do sedaj moja najgloblja vrnitev k izvoru, k svojemu izvoru. To je tematika, ki se me dotika. Čutil sem nekaj prav posebnega, nekakšno spravo s svojimi koreninami. V filmu Vrni se govorim o ženskah, ki so me obkrožale, ko sem bil otrok. Vzgojile so me ženske, moških skoraj nisem videl, ker so delali na polju. Vrni se pripoveduje o tem, kako sem odraščal ob poslušanju teh žensk. To so junakinje, ki pripovedujejo neverjetne zgodbe, kar me je vedno neskončno očaralo.« (Pedro Almodóvar)

','

scenarij
Pedro Almodóvar

fotografija
José Luis Alcaine

glasba
Alberto Iglesias

igrajo
Penélope Cruz (Raimunda), Carmen Maura (stara mama Irene), Lola Dueñas (Sole), Blanca Portillo (Agusta), Yohana Cobo (Paula), Chus Lampreave (teta Paula)

festivali, nagrade (izbor)
Cannes 2006 (zlata palma za najboljši scenarij), Moskva2006, Toronto 2006, Cambridge 2006, Telluride 2006, Vancouver 2006

','

Madrid, a working neighbourhood where the Spanish working class lives next to immigrants from all over the world. Raimunda is a young mother with a teenage daughter. As there is not a lot of money to support the family, Raimunda must manage as well as she can. Sole is her elder sister, running an illegal hairdresser\\\'s salon. Her husband had gotten involved with one of her customers and left her. Paula is an aunt living in a village of La Mancha, where the entire family was born. One day Raimunda\\\'s drunken lover tries to rape her daughter, but she resists him and kills him in self-defence. Raimunda is determined to protect her young daughter from her aunt and nosy neighbours. Just as Raimunda is hiding a big secret from her aunt, so is her aunt hiding a family secret from Raimunda and Sole.

“This film is my deepest return ever to the origin, to my origins. It is the theme which touches me. I felt something really particular, a kind of reconciliation with my roots. In Volver, I speak of the women around me when I was a child. I was brought up by women, the men being in fields, whom I practically never saw. Volver speaks of the way I grew up, listening to these women. They are characters who spin extraordinary tales, which has always immensely impressed me.” (Pedro Almodóvar)

','

screenplay
Pedro Almodóvar

cinematography
José Luis Alcaine

music
Alberto Iglesias

cast
Penélope Cruz (Raimunda), Carmen Maura (grandmother Irene), Lola Dueñas (Sole), Blanca Portillo (Agusta), Yohana Cobo (Paula), Chus Lampreave (aunt Paula)

festivals, awards (selection)
Cannes 2006 (Palm d\\\'Or for best screenplay), Moscow 2006, Toronto 2006, Cambridge 2006, Telluride 2006, Vancouver 2006

',NULL,NULL,2006,NULL,'images/events/event679.jpg','images/events/event679_t.jpg',600,450,NULL,NULL,'Pedro Almodovar',120,'španščina','Spanish','slovenščina','Slovene','Španija','Spain',NULL,NULL,NULL,NULL,'Pedro Almodovar'),(680,34,'NAROD HITRE PREHRANE/ZAŠPEHAN NAROD','Fast Food Nation','Fast Food Nation','

Don Henderson, vodja trženja pri verigi restavracij hitre prehrane Mickey\\\'s Fast Food, ima težavo. V zamrznjenih polpetih njihovega najbolje prodajanega burgerja je okuženo meso. Da bi ugotovil vzrok, se mora odpraviti na potovanje na temno stran vseameriškega obroka. Ko se iz udobne pisarne v Južni Kaliforniji odpravi v mesnice, kjer delajo sami priseljenci, v mrgoleča krmišča in nakupovalna središča srednje Amerike, Don odkrije »narod hitre prehrane«, potrošnike, ki se ne zavedajo, da so oni tisti, ki jih požira industrija z očitno neskončnim apetitom po svežem mesu.


»Navdušen sem bil nad knjigo in ko je Eric prišel k meni v Austin, sva se pogovorila o njej. Vprašal sem ga, kar se že vse od takrat sprašuje večina ljudi: \\\'Je to dokumentarec?\\\' Gre za enkraten primerek t.i. non-fiction filma, vendar sam ne delam dokumentarcev. Kaj je torej film? Kaj je posnetek? Eric je o tem govoril kot o karakternem delu o življenju ljudi na tem svetu, vendar gre za izmišljeno poročilo, ki se dogaja zgolj v enem mestu. S tem sva začela.« (Richard Linklater)

Obiskovalcem filma Narod hitre prehrane se opravičujemo za spremembo naslova. Slovenski distributer se je odločil za naslov Zašpehan narod.



','

scenarij
Eric Schlosser, Richard Linklater (po literarni predlogi Erica Schlosserja)

fotografija
Lee Daniel

glasba
Friends of Dean Martinez

igrajo
Erin Allison (Shannon), Patricia Arquette (Cindy), Mitch Baker (Dave), Tim Brown (basist – Nooner), Bobby Cannavale (Mike), Luis Guzman (Benny), Ethan Hawke (Pete), Kris Kristofferson (Rudy)

festivali, nagrade (izbor)
Cannes 2006, London 2006

','

Don Henderson, a marketing executive at Mickey\\\'s Fast Food Restaurant chain, has a problem. Contaminated meat is getting into the frozen patties of the company\\\'s best-selling burger. To find out why, he\\\'ll have to take a journey to the dark side of the All-American meal. Leaving the cushy confines of the company\\\'s Southern California boardroom for the immigrant-staffed slaughterhouses, teeming feedlots and cookie cutter strip malls of Middle America, what Don discovers is a "Fast Food Nation" of consumers who haven\\\'t realized it is they who are being consumed by an industry with a seemingly endless appetite for fresh meat.


»From my perspective, I was a fan of the book and when Eric came to where I live in Austin, Texas, we met and talked about it. I had the question for him that most people have been talking about ever since, which is, \\\'Is it a documentary?\\\' It\\\'s a fantastic piece of non-fiction but I don\\\'t really do documentaries, so what is the movie, what is the shot? Eric was talking about it as a character piece about the lives of people in this world but it\\\'s a fictional account located in just one town. We took off from there.” (Richard Linklater)

The film distributor changed the Slovene title of Fast Food Nation into »Zašpehan narod«. We would like to apologize to all viewers of this film for the change. Thank you for your understanding. 

','

screenplay
Eric Schlosser, Richard Linklater (based on a novel by Eric Schlosser)

cinematography
Lee Daniel

music
Friends of Dean Martinez

cast
Erin Allison (Shannon), Patricia Arquette (Cindy), Mitch Baker (Dave), Tim Brown (bas player – Nooner), Bobby Cannavale (Mike), Luis Guzman (Benny), Ethan Hawke (Pete), Kris Kristofferson (Rudy)

festivals, awards (selection)
Cannes 2006, London 2006

',NULL,NULL,2006,NULL,'images/events/event680.jpg','images/events/event680_t.jpg',600,450,NULL,NULL,'Richard Linklater',114,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Richard Linklater'),(681,33,'LUČI V TEMI','Lights in the Dusk','Laitakaupungin valot','

Koistinen je kot varnostnik zaposlen v novem predelu Helsinkov, kjer velike steklene površine zamejujejo moderne in hladne lokale. Hlad in osamljenost ga spremljata tudi na delovnem mestu, saj ga sodelavci odkrito zaničujejo ter se mu posmehujejo. Koistinen si želi na noge postaviti svoje podjetje za varovanje, a tudi na banki ga čakata le nerazumevanje in odkrit posmeh. Nekega dne pa se zazdi, da bo njegovo hrepenenje po ljubezni in bližini uslišano, saj se zanj začne zanimati svetlolasa Mirja. A njena »ljubezen« je le del načrta zlikovcev, kako s Koistinenovo »pomočjo« oropati prodajalno, ki jo je ta varoval. Tako ga po ropu zapusti, Koistinen pa se mora sam spoprijeti s posledicami: izgubi delo, prostost in svoje sanje.

»Luči v temi končujejo trilogijo, ki se je začela s filmoma Daleč potujejo oblaki in Mož brez preteklosti. Prvi del trilogije je obravnaval brezposelnost, drugi brezdomstvo, tema tretjega pa je osamljenost. Tako kot Chaplinov mali potepuh glavni lik, moški po imenu Koistinen, v težkem svetu išče drobno špranjo, skozi katero bi lahko splezal, a tako ljudje, ki ga obkrožajo, kot brezizrazni družbeni aparat poskrbijo, da njegove skromne upe enega za drugim strejo. Na njegovo srečo je avtor filma znan po tem, da ima mehko srce, tako da lahko domnevamo, da zadnji prizor razsvetljuje droban žarek upanja.« (Aki Kaurismäki)

','

scenarij
Aki Kaurismäki

fotografija
Timo Salminen

glasba
Melrose, Fred Gouin, Henry Theel, Toshitake Shinohara, Antero Jakoila, Marko Haavisto & Geronimo, Anssi ja Eemil Tikanmäki, Jussi Björling, Olavi Virta, Carlos Gardel, Jousikvartetti Sputnik

igrajo
Janne Hyytiäinen (Koistinen), Maria Järvenhelmi (Mirja), Maria Heiskanen (Aila), Ilkka Koivula (Lindholm), Matti Onnismaa (vodja izmene), Sulevi Peltola (nadzornik), Antti Reini (varnostnik), Juhani Niemelä (detektiv), Pertti Sveholm (detektiv), Kati Outinen (blagajničarka)

festivali, nagrade (izbor)
Cannes 2006, Locarno 2006, Toronto 2006, Pusan 2006, Rio de Janeiro 2006, Montréal 2006

','

Koistinen works as a security guard in a new part of Helsinki, where big glass surfaces separate the modern cold areas. Coldness and loneliness are also present in his workplace. Kostinen’s colleagues openly despise and mock him. Koistinen would like to set up his own security company, but the bank also greets him with mockery and lack of understanding. One day, it seems his longing for love and closeness is going to be fulfilled – fair-haired Mirja starts to show an interest in him. But her »love« is just part of a plan. A group of villains want to use Koistinen in pulling off a robbery. She leaves him after the robbery, and Koistinen has to face the consequences – he is deprived of his job, his freedom, and his dreams.

»Lights in the Dusk concludes the trilogy began by Drifting Clouds and The Man Without a Past. Where the trilogy’s first film was about unemployment and the second about homelessness, the theme of Lights in the Dusk is loneliness. Like Chaplin’s little tramp the protagonist, a man named Koistinen, searches the hard world for a small crack to crawl in through, but both his fellow beings and the faceless apparatus of the society see it their business to crush his modest hopes, one after another. Luckily for our protagonist, the author of the film has a reputation of being a soft-hearted old man, so we can assume there is a spark of hope illuminating the final scene.« (Aki Kaurismäki)

','

screenplay
Aki Kaurismäki

cinematography
Timo Salminen

music
Melrose, Fred Gouin, Henry Theel, Toshitake Shinohara, Antero Jakoila, Marko Haavisto & Geronimo, Anssi ja Eemil Tikanmäki, Jussi Björling, Olavi Virta, Carlos Gardel, Jousikvartetti Sputnik

cast
Janne Hyytiäinen (Koistinen), Maria Järvenhelmi (Mirja), Maria Heiskanen (Aila), Ilkka Koivula (Lindholm), Matti Onnismaa (shift manager), Sulevi Peltola (supervisor), Antti Reini (security guard), Juhani Niemelä (detective), Pertti Sveholm (detective), Kati Outinen (cashier)

festivals, awards (selection)
Cannes 2006, Locarno 2006, Toronto 2006, Pusan 2006, Rio de Janeiro 2006, Montréal 2006

',NULL,NULL,2006,NULL,'images/events/event681.jpg','images/events/event681_t.jpg',600,450,NULL,NULL,'Aki Kaurismäki',78,'finščina','Finnish','slovenščina','Slovene','Finska, Nemčija, Francija','Finland, Germany, France',NULL,NULL,NULL,NULL,'Aki Kaurismäki'),(682,34,'BABILON','Babel','Babel','

Babilon: v Bibliji znameniti stolp, ki ga gradi zedinjeno človeštvo, da bi seglo proti nebesom. Dejanje razjezi Boga, ki povzroči, da vsakdo od vpletenih spregovori v drugačnem jeziku. To zaustavi projekt ter razprši zmedene in nepovezane ljudi po vsem planetu.

»S filmom Babilon sem hotel raziskati protislovje med vtisom, da je svet zaradi vseh orodij komunikacije, ki jih uporabljamo, postal precej majhen, in med občutkom, da se človeška bitja še vedno niso sposobna izražati in med seboj občevati na osnovni ravni.« (Alejandro González Iñárritu)

','

scenarij
Alejandro González Iñárritu, Guillermo Arriaga

fotografija
Rodrigo Prieto

glasba
Gustavo Santaolalla

igrajo
Cate Blanchett (Susan), Brad Pitt (Richard), Gael García Bernal (Santiago), Rinko Kikuchi (Čieko), Kôji Yakusho (Jasudžiro), Adriana Barraza (Amelia)

festivali, nagrade (izbor)
Cannes 2006 (nagrada za najboljšo režijo, nagrada ekumenske žirije, nagrada za najboljšo montažo), Telluride 2006, Toronto 2006, Helsinki 2006, San Sebastián 2006

','

Babel: In the Bible, a famous tower built by a united humanity to reach toward heaven, causing God in his anger to make each person involved speak different languages, halting the project and scattering a confused and disconnected people across the planet.

"With Babel, I wanted to explore the contradiction between the impression that the world has become quite small due to all the communication tools we have, and the feeling that human beings are still incapable of expressing themselves and communicating amongst themselves on a fundamental level." (Alejandro González Iñárritu)

','

screenplay
Alejandro González Iñárritu, Guillermo Arriaga

cinematography
Rodrigo Prieto

music
Gustavo Santaolalla

cast
Cate Blanchett (Susan), Brad Pitt (Richard), Gael García Bernal (Santiago), Rinko Kikuchi (Chieko), Kôji Yakusho (Yasujiro), Adriana Barraza (Amelia)

festivals, awards (selection)
Cannes 2006 (best direction award, Ecumenical prize, best editing), Telluride 2006, Toronto 2006, Helsinki 2006, San Sebastián 2006

',NULL,NULL,2006,NULL,'images/events/event682.jpg','images/events/event682_t.jpg',600,450,NULL,NULL,'Alejandro Gonz lez In rritu',142,'angleščina/španščina/japonščina/arabščina','English/Spanish/Japanese/Arabic','angleščina, slovenščina','English, Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Alejandro Gonz lez In rritu'),(683,56,'FLANDRIJA','Flandres','Flandres','

Flandrija. Demester svoj prosti čas preživlja med delom na kmetiji in sprehodi v družbi z Barbe, prijateljico iz otroštva. Naskrivaj in z bolečino v srcu jo ljubi ter sprejema tisto malo, kar mu ona lahko daje. Tako kot njegovi vrstniki je tudi Demester nekega dne vpoklican k vojakom. Pošljejo jih na fronto v daljne dežele. Ob nasilju, druženju s tovariši in strahu se počasi spremeni v vojaka. Letni časi minevajo, Barbe pa sama in neizživeta čaka na vojakovo vrnitev. Bo Demestra njegova strastna ljubezen do Barbe rešila pred tem, da postane brezčuten vojni stroj?

»Če me vprašajo zakaj, kako, ne znam odgovoriti. Zame je pomembno zgodbo opisati s podobami in zvoki. Naloga režiserja je podobna slikarjevi. Matisse je napisal, da na sliki ni pomemben subjekt, temveč način, kako so razporejene stvari okrog subjekta, razmerja med njimi. Flandrija, recimo, je meni uganka. Tam sem bil rojen. Do nje imam naklonjen, čustveni odnos, ki ga ne vodi razum. Kamera postane mikroskop ali povečevalno steklo nad predmetom ... Da bi posnel človeška bitja, potrebujem pokrajino.« (Bruno Dumont)

','

scenarij
Bruno Dumont


fotografija
Yves Cape


igrajo
Adélaïde Leroux (Barbe), Samuel Boidin (Demester), Henri Cretel (Blondel), Jean-Marie Bruveart (Briche), David Poulain (Leclercq), Patrice Venant (Mordac), David Legay (Lieutenant)

festivali, nagrade (izbor)
Cannes 2006 (velika nagrada žirije), Toronto 2006

','

Flanders. Demester shares his time between his farm and walks with Barbe, his childhood friend. He loves her, secretly and painfully, accepting from her the little that she can give him. Along with others his age, Demester leaves to be a soldier in a war in a far off land. Barbarity, camaraderie and fear turn Demester into a warrior. As the seasons go by, Barbe, alone and wasting away, waits for her soldier to return. Will his passionate love for Barbe save Demester from becoming an insensible war machine?

“If I’m asked: Why? How? I can’t answer. What is important for me is describing a story with images and sounds. The director’s job is like that of a painter. Matisse wrote that what matters in a painting is not the subject, but the way things are placed around the subject, their proportion. Flanders, for example, is a mystery to me. I was born there. My relation to it is visceral, sensitive, in other words, not guided by reason. The camera becomes a microscope or a lens held over the subject… I need the land to film human beings. (Bruno Dumont)

','

screenplay
Bruno Dumont


cinematography
Yves Cape


cast
Adélaïde Leroux (Barbe), Samuel Boidin (Demester), Henri Cretel (Blondel), Jean-Marie Bruveart (Briche), David Poulain (Leclercq), Patrice Venant (Mordac), David Legay (Lieutenant)

festivals, awards (selection)
Cannes 2006 (Grand Prix), Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event683.jpg','images/events/event683_t.jpg',600,450,NULL,NULL,'Bruno Dumont',91,'francoščina','French','slovenščina, angleščina','Slovene, English','Francija','France',NULL,NULL,NULL,NULL,'Bruno Dumont'),(684,56,'DOMORODCI','Days of Glory','Indigenes','

Piše se leto 1943. Alžirci Said, Abdelkader, Mesaud in Jasir niso bili še nikoli v Franciji, zdaj pa se, skupaj s 130.000 drugimi severnoafriškimi vojaki, pridružijo francoski vojski, da bi pomagali svoji »domovini« poraziti okupatorja. Vsak od štirih rekrutov ima svoj razlog za vstop v vojsko, vodi pa jih žilavi poveljnik Martinez. Njihove iluzije se kaj hitro razblinijo, ko uvidijo, da jih imajo Francozi za drugorazredne vojake in da za svojo predanost ne dobijo potrebnega priznanja. Štirje protagonisti in njihov poveljnik se po zmagah v Italiji, francoski Provansi in Vosgesu znajdejo v Alzaciji, kjer morajo popolnoma sami braniti vas pred celim nemškim bataljonom.

»Sam sem alžirskega porekla, vendar se počutim kot popoln Francoz. Ta film sem naredil, da bi pokazal, da smo bili sestavni del francoske zgodovine, pripadamo zgodovini te države. Film prinaša občutljivost, ki si v zgodovinskih filmih nadene energijo in moč. Teži k temu, da bi z odprtjem novega poglavja razširil francosko zgodovino.« (Rachid Bouchareb)

','

scenarij
Rachid Bouchareb, Olivier Lorelle

fotografija
Patrick Blossier

glasba
Armand Amar, Khaled

igrajo
Jamel Debbouze (Said), Samy Naceri (Jasir), Roschdy Zem (Mesaud), Sami Bouajila (Abdelkader), Bernard Blancan (Martinez), Mathieu Simonet (Leroux), Benoît Giros (poveljnik Durieux), Antoine Chappey (polkovnik), Assaad Bouab (Larbi), Aurélie Eltvedt (Irène), Thomas Langmann (novinar), Thibault de Montalembert (poveljnik Martin)

festivali, nagrade (izbor)
Cannes 2006 (nagrada Françoisa Chalaisa za najboljšega igralca), Locarno 2006, Telluride 2006, Toronto 2006

','

1943. They had not yet set foot in France, but because it\\\'s war, Said, Abdelkader, Messaoud and Yassir are going to join the French army to free the »motherland« from the Nazi enemy, like 130.000 other "natives" from northern Africa. Each of the four recruits has their reason for entering the army. They are soon disillusioned when they see that the French consider them second-class soldiers and that they will not receive adequate recognition for their commitment. After the victories in Italy, Provence and Vosges, the four protagonists and their commander find themselves alone defending a village in Alsace against a German battalion.

“I am of Algerian origin but I feel profoundly French. If I made this picture, it was to show that we were an integral part of the history of France; we belong to this country\\\'s past. This film is a bearer of a sensitivity which takes on energy and strength in historical cinema. It aims at widening the history of France by opening a new chapter.” (Rachid Bouchareb)

','

screenplay
Rachid Bouchareb, Olivier Lorelle

cinematography
Patrick Blossier

music
Armand Amar, Khaled

cast
Jamel Debbouze (Saïd), Samy Naceri (Yassir), Roschdy Zem (Messaoud), Sami Bouajila (Abdelkader), Bernard Blancan (Martinez), Mathieu Simonet (Leroux), Benoît Giros (commander Durieux), Antoine Chappey (colonel), Assaad Bouab (Larbi), Aurélie Eltvedt (Irène), Thomas Langmann (journalist), Thibault de Montalembert (commander Martin)

festivals, awards (selection)
Cannes 2006 (The François Chalais Prize; Best Actor), Locarno 2006, Telluride 2006, Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event684.jpg','images/events/event684_t.jpg',600,450,NULL,NULL,'Rachid Bouchareb',128,'francoščina','French','slovenščina, angleščina','Slovene, English','Francija, Maroko, Alžirija, Belgija','France, Morocco, Algeres, Belgium',NULL,NULL,NULL,NULL,'Rachid Bouchareb'),(685,38,'TAXIDERMIJA','Taxidermia','Taxidermia','

Spremljamo tri zgodbe o treh moških različnih starosti in poklicev. Dedu, očetu in sinu. Ded živi v svojem svetu in v mrzlih zimskih večerih ogreje svojo majhno ledeno kočo s svojimi vročičnimi sanjami. Nič ne more ustaviti njegove bujne domišljije. Oče gači sebe – štiri leta je bil najboljši v svoji kategoriji med slaščičarji. Še zmeraj je neprekosljiv pri čokoladnih vafljih z osebnim rekordom 2,98 (samo za primerjavo, Igor Vostongonoff je bil evropski prvak v Sofiji s 3,21). Sin gači živali. Ob rojstvu je tehtal kilogram in pol. Zdaj mu je ostala samo še manj kot minuta. Loti se nečesa, česar si nihče nikdar ni predstavljal.

»V literaturi je model družinske sage opredelil Thomas Mann skozi tri generacije; ded uvede klan v svet, oče povede družino visoko vse do vrha družbe, sin pa se odreče temeljnim vrednotam uspeha. V Taxidermii je ta zgradba popačena, razširjena in obrnjena na glavo. Film, zgodbo teh treh generacij, sem si zamislil kot sestavljanko kratkih zgodb, ki pa se vendarle noče podrediti tradicionalnim pravilom žanra, da bi na koncu nastala celotna zgodba.« (György Pálfi)

','

scenarij
Zsófia Ruttkay, György Pálfi (po literarni predlogi Lajosa Partija Nagyja)

fotografija
Gergely Pohárnok

glasba
Amon Tobin

igrajo
Csaba Czene (Vendel), István Gyuricza (Hadnagy), Gina Moreno (Feriks), Kuli Éva (Lebna), Piroska Molnár (poročnikova žena), Gergõ Trócsányi (Kálmán Balatony), Marc Bischoff (Lajoska Balatony), Adél Stanczel (Gizella)

festivali, nagrade (izbor)
Madžarski filmski festival 2006 (velika nagrada, nagrada kritikov Gena Moskowitza, Cannes 2006, Transilvanski mednarodni filmski festival 2006, Toronto 2006, Moskva 2006, La Rochelle 2006

','

Three stories. Three ages. Three men. Grandfather, father, son. The grandfather lives in his fantasies and on cold winter evenings warms up his freezing little shed with his feverish dreams. Nothing can stop his fertile imagination. The father stuffs himself. For four years he was the first in his section in the Confectionary Industry. He is still unbeatable in chocolate wafers with an individual record of 2.98 (just as a comparison Igor Vostongonoff was the European champion in Sophia with 3.21). The son stuffs animals. He was born one and a half kilos. Now he has less than one and a half minutes left. He goes in for something that nobody has ever imagined before.

“In literature, the model of the family saga was defined by Thomas Mann: through three generations, the grandfather launches the clan throughout the world; the father carries the family aloft to the very peak of society, while the son renounces the founding values of success. In Taxidermia, this schema is taken back up, deformed, amplified and turned upside down. I envisage this film, the story of these three generations, as one made up of sketches that nevertheless refuses to comply with the traditional rules of the genre for a complete story to emerge from it.” (György Pálfi)

','

screenplay
Zsófia Ruttkay, György Pálfi (based on a novel by Lajos Parti Nagy)

cinematography
Gergely Pohárnok

music
Amon Tobin

cast
Csaba Czene (Vendel), István Gyuricza (Hadnagy), Gina Moreno (Feriks), Kuli Éva (Lebna), Piroska Molnár (lieutenant\\\'s wife), Gergõ Trócsányi (Kálmán Balatony), Marc Bischoff (Lajoska Balatony), Adél Stanczel (Gizella)

festivals, awards (selection)
Hungarian Film Festival 2006 (Grand Prize, "Gene Moskowitz" Critics Award), Cannes 2006, Transilvania International Film Festival 2006, Toronto 2006, Moscow 2006, La Rochelle 2006

',NULL,NULL,2006,NULL,'images/events/event685.jpg','images/events/event685_t.jpg',600,450,NULL,NULL,'György Pálfi',91,'madžarščina','Hungarian','hrvaščina, slovenščina','Croatian, Slovene','Madžarska, Avstrija, Francija','Hungary, Austria, France',NULL,NULL,NULL,NULL,'György Pálfi'),(688,35,'NAFAKA','Nafaka','Nafaka','

Ahmed in Lana, Red Eye in Janet Hugh, Sado in Saba, Šahbej, Beba, Nemanja, Meli, Marks, Matan, Biber, Jimm in Nicollo ... so liki, katerih življenje v vojni in po njej spremlja film. Kot stanovalci sarajevske četrti vsak po svoje preživljajo vojno in njene travmatične posledice. Film je zgodba o njihovem življenju, osebnih tragedijah, strasteh in dramah, a tudi zgodba o njihovi solidarnosti ter skupni veri v svobodo in možnost bolj srečnega življenja. Film je nekako posvetilo vsem preživelim prebivalcem nekoč obleganega mesta, tistim, ki verjamejo v življenje in »čudež v Sarajevu«.

»Hoteli smo ustvariti film, ki poskuša razkriti skrivnost tega, zakaj ima življenje v Sarajevu smisel. Nisem hotel, da bi zgodba postala politična ali etična. Niti nisem hotel, da kateri od likov v filmu umre, saj je bilo že v vojni preprosto preveč trpljenja ... Tisto, kar povezuje našo skupino, sta ljubezen in poštenost, čeprav nihče od njih ni svetnik. So junaki z dna, a ljudje, od katerih se je morda treba učiti o življenju. Zato lahko film razumemo tudi kot poskus posvetila strašnim časom, v katerih je bilo, poleg fizične nevarnosti, težko ohraniti še tako potrebno razsežnost človečnosti.« (Jasmin Duraković)

','

scenarij
Jasmin Duraković

fotografija
Mirsad Herović

glasba
Davor Sučić & Zabranjeno pušenje

igrajo
Aleksandar Seksan (Ahmet), Lucija Šerbedžija (Lana), Nancy Abdel Sakhi (Janet), Haris Burina (Crveno oko), Senad Bašić, Gordana Boban, Miralem Zubčević, Mustafa Nadarević

festivali, nagrade (izbor)
Sarajevo 2006, Rio de Janeiro 2006, Hamburg 2006, Zagreb 2006

','

Film about lives of numerous characters in war and post-war Sarajevo. Film about solidarity, about belief in freedom and in better life.
Ahmed and Lana, Red Eye and Janet Hugh, Sado and Saba, Šahbej, Beba, Nemanja, Meli, Marks, Matan, Biber, Jimm and Nicollo... a gallery of characters whose war and after-war lives the film documents. As residents of a neighbourhood in Sarajevo, they all endure the war and its traumatic aftermath in different ways. This is a story about their lives, their personal tragedies, passions and dramas, but also a story about their solidarity and mutual belief in freedom and the possibility of a happier life. The film is in a way a dedication to all the surviving citizens of a once-besieged city, to those who believe in life and in “a miracle in Sarajevo”.

”We wanted to make a film, which tries to uncover the mystery of why life in Sarajevo makes any sense. I didn\\\'t want it to be a political or an ethnical story. I also didn\\\'t want any of my characters to die, as there has been simply too much suffering in war already... What binds our group are love and honesty, although none of them is a saint. They\\\'re heroes from the bottom, but humans from whom we should maybe learn about life. So we can also read the film as an attempt of dedication to horrible times when, beside physical danger, it was hard to maintain much needed dimension of humanity.” (Jasmin Duraković)

','

screenplay
Jasmin Duraković

cinematography
Mirsad Herović

music
Davor Sučić & No Smoking

cast
Aleksandar Seksan (Ahmet), Lucija Šerbedžija (Lana), Nancy Abdel Sakhi (Janet), Haris Burina (Crveno oko), Senad Bašić, Gordana Boban, Miralem Zubčević, Mustafa Nadarević

festivals, awards (selection)
Sarajevo 2006, Rio de Janeiro 2006, Hamburg 2006, Zagreb 2006

',NULL,NULL,2006,NULL,'images/events/event688.jpg','images/events/event688_t.jpg',600,450,NULL,NULL,'Jasmin Duraković',110,'bosanščina/angleščina','Bosnian/English','slovenščina, angleščina','Slovene, English','Bosna in Hercegovina','Bosnia and Herzegovina','images/events/logo688.jpg','images/events/logo688_t.jpg',200,200,'Jasmin Duraković'),(690,33,'MALA NOCHE','Mala Noche','Mala Noche','

Posnet po avtobiografskem romanu Walta Curtisa, pripoveduje zgodbo o Waltu, delovodji trgovine v revni, umazani portlandski četrti, ki se noro zaljubi v Johnnyja, mehiškega najstnika, ki je v Združene države prišel kot ilegalni pribežnik. Čeprav Johnny z veseljem sprejema Waltovo radodarnost, pa vedno zavrača njegove seksualne pobude, kaj šele, da bi z njim imel redno razmerje, kakor si želi Walt. Zato se mora obsedeni Walt zadovoljiti z Johnnyjevim manj privlačnim in poželenja vrednim, a zato toliko bolj odprtim in voljnim prijateljem Pepperjem. Kljub temu se Walt še vedno ljubeče posveča Johnnyju.

»Film Mala Noche sem posnel s tričlansko ekipo: jaz, snemalec in zvočni mojster. Posnel sem ga iz nuje, ker v resnici nisem imel ničesar. Star sem bil okrog trideset in nisem bil spreten kot Francis [Ford Coppola]; v nikomer nisem vzbujal zaupanja. Mojim končnim vizijam je pomagalo, da v resnici ni bilo pomembno, s kakšnimi sredstvi si delal. Bistvo filma je, da dobro povedana dobra zgodba, četudi narejena za malo denarja, lahko vodi do naslednjega projekta. Če je prvi majhen film uspešen, je lahko drugi večji.« (Gus Van Sant)

','

scenarij
Gus Van Sant (po literarni predlogi Walta Curtisa)

fotografija
John J. Campbell

glasba
Peter Daamaan, Karen Kitchen, Creighton Lindasy

igrajo
Doug Cooeyate (Johnny), Sam Downey (uslužbenec v hotelu), Nyla McCarthy (Betty), Ray Monge (Roberto Pepper), Tim Streeter (Walt Curtis), Robert Lee Pitchlynn

festivali, nagrade (izbor)
Cannes 2006

','

Based on Walt Curtis\\\' autobiography, thie film tells a story about Walt, a small grocery shop manager in a poor, dirty Portland neighbourhood, who falls madly in love with Johnny, a young Mexican illegal immigrant. Although gladly accepting Walt\\\'s generosity, Johnny always rejects his sexual initiatives, not even thinking of having a steady relationship with him as Walt would like. That is why the obsessed Walt needs to satisfy himself with Johnny\\\'s less attractive, but more open and willing friend, Pepper. In spite of everything, Walt still lovingly devotes himself to Johnny.

»I did that film with a three-person crew: myself, a cameraman, and a soundman. I made Mala Noche out of necessity, because I didn\\\'t really have anything. I was around 30, and I wasn\\\'t a showman like Francis [Ford Coppola]; I wasn\\\'t inspiring anyone\\\'s confidence. My end-visions were helped by an idea that it didn\\\'t really matter what your tools were. The essence of film is that a good story well told, even if made for little money, can lead to the next project. If the first small film is successful, the second film can be bigger.« (Gus Van Sant)

','

screenplay
Gus Van Sant (based on a novel by Walt Curtis)

cinematography
John J. Campbell

music
Peter Daamaan, Karen Kitchen, Creighton Lindasy

cast
Doug Cooeyate (Johnny), Sam Downey (Hotel Clerk), Nyla McCarthy (Betty), Ray Monge (Roberto Pepper), Tim Streeter (Walt Curtis), Robert Lee Pitchlynn

festivals, awards (selection)
Cannes 2006

',NULL,NULL,1985,NULL,'images/events/event690.jpg','images/events/event690_t.jpg',600,450,NULL,NULL,'Gus Van Sant',75,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Gus Van Sant'),(692,34,'JINDABYNE','Jindabyne','Jindabyne','

Kot vsako leto se Stewart, lastnik lokalne bencinske črpalke, ter njegovi prijatelji Carl, Rocco in Billy (the Kid) za konec tedna odpravijo na ribolov v odmaknjeno hribovito pokrajino. Tam najdejo truplo umorjenega mladega dekleta, a ob sončnem vremenu, ko ribe dobro prijemajo, do civilizacije pa je kar dolga pot, nadaljujejo z ribarjenjem še naslednji dan. Ob vrnitvi v Jindabyne, ko se novica o mrtvem dekletu razve, pa okolica takoj obsodi njihovo odločitev. Vendar moški ne morejo spremeniti svojega dejanja. Neljubi dogodek najbolj prizadene Stewartovo ženo Claire, ki je prepričana, da pomembne stvari niso bile razjasnjene in želi opravičiti moževo dejanje, to pa ogrozi njen zakon in mirno družinsko življenje

»Prvikrat sem to zgodbo prebral pred kakimi dvajsetimi leti. Dal mi je knjigo kratkih zgodb Raymonda Carverja in zgodba So Much Water So Close to Home me je popolnoma prevzela ter ostala z mano kot osnova za res dober film. Ker je Robert Altman že naredil film Short Cuts, sem mislil, da mi nihče ne bo dovolil narediti še enega – saj je bilo že posneto, po Lantani pa smo ga vprašali, če ga lahko odkupimo od njega. Zgolj idejo, da se v vodi odkrije dekletovo truplo in se glede tega nič ne stori ter kaj to pomeni. Mikavno je bilo.« (Ray Lawrence)

','

scenarij
Beatrix Christian (po kratki zgodbi So Much Water So Close to Home Raymonda Carverja)

fotografija
David Williamson

glasba
Paul Kelly, Dan Luncombe

igrajo
Laura Linney (Claire), Gabriel Byrne (Stewart), Deborra-Lee Furness (Jude), John Howard (Carl), Leah Purcell (Carmel), Stelios Yiakmis (Rocco), Alice Garner (Elissa), Simon Stone (Billy »the Kid«)

festivali, nagrade (izbor)
Mednarodni filmski festival Toronto 2006, Mednarodni filmski festival Edinburg 2006, Cannes 2006

','

Like every year, Stewart, the local gas station owner, and his friends, Carl, Rocco and Billy (the Kid), go on a fishing trip to the isolated hill country for the weekend. They discover the body of a murdered girl, but rather than return to town immediately, they continue fishing and report their gruesome find only days later. When the news of the dead girl spreads around Jindabyne, the local community immediately condemns their decision, but the men cannot undo what they have done. Stewart\\\'s wife, Claire, is deeply hurt by the incident. She is convinced that the crucial things were not clarified and wants to justify her husband’s acts. All this jeopardizes her marriage and tranquil family life.

“I first read the story about 20 years ago. He gave me Raymond Carver’s book of short stories and that story ‘So Much Water So Close to Home’ struck me and stayed with me as something that would make a really good movie. Since Robert Altman had done Short Cuts I thought no-one would let me make another film – it’d been done, but after Lantana we asked him if we could buy it off him. Just that idea of finding a girl’s body in a river and not doing anything about it and what that meant. It was intriguing.” (Ray Lawrence)

','

screenplay
Beatrix Christian (based on Raymond Carver\\\'s short story So Much Water So Close )

cinematography
David Williamson

music
Paul Kelly, Dan Luncombe

cast
Laura Linney (Claire), Gabriel Byrne (Stewart), Deborra-Lee Furness (Jude), John Howard (Carl), Leah Purcell (Carmel), Stelios Yiakmis (Rocco), Alice Garner (Elissa), Simon Stone (Billy »the Kid«)

festivals, awards (selection)
Toronto International Film Festival 2006, Edinburgh International Film Festival 2006 (Herald Angel Award), Cannes 2006

',NULL,NULL,2006,NULL,'images/events/event692.jpg','images/events/event692_t.jpg',600,450,NULL,NULL,'Ray Lawrence',123,'angleščina','English','slovenščina','Slovene','Avstralija','Australia',NULL,NULL,NULL,NULL,'Ray Lawrence'),(693,34,'SHORTBUS','Shortbus','Shortbus','

Sledimo skupini prebivalcev New York Cityja med njihovimi tragikomičnimi srečanji z ljubeznijo in seksom, ki se dogajajo v sodobnem subkulturnem lokalu Shortbus in okrog njega. Sofia je seksualna terapevtka, ki ni še nikoli doživela orgazma. Vseeno pa ga že vrsto let igra za svojega moža Roba. Nekega dne spozna Severin, žensko domino, ki ji poskuša pomagati. Sofijina pacienta sta tudi James in Jamie, ki se odločata, da bi svoje razmerje poživila s svobodnim seksom. James tako predlaga občevanje v troje s Ceth, a Jamie ne pristane. Zdi se, da James nekaj naklepa. Njegovim načrtom je priča zalezovalec Caleb. Skratka Shortbus je nekakšna mešanica umetnosti, glasbe, politike in seksa.

»Želel sem ustvariti nekaj preko improvizacije z igralci in raziskovati spolnost kot filmski jezik na način, ki ga še nisem videl, kjer ta ne bi bila erotična ali grozljiva ali negativna ali puščobna. Vse vpletene so izkušnje naučile, kako se povezati, in, kot sem sumil, je spolnost zgolj eden od načinov, kako opisati to željo. Film je tudi ljubezensko pismo New Yorku, drobno dejanje upora proti Bushu in Ameriki, v kateri živimo, saj poskuša ljudi spomniti na dobre plati Amerike in New Yorka.« (John Cameron Mitchell)

','

scenarij
John Cameron Mitchell

fotografija
Frank G. DeMarco

glasba
Yo La Tengo

igrajo
Sook-Yin Lee (Sophia), Paul Dawson (James), Lindsay Beamish (Severin), PJ DeBoy (Jamie), Raphael Barker (Rob), Jay Brannan (Ceth), Peter Stickles (Caleb)

festivali, nagrade (izbor)
Cannes 2006, Toronto 2006, Zürich 2006

','

Shortbus follows various New York City characters as they navigate the comic/tragic intersections between sex and love in and around a modern-day poly-sexual underground salon called Shortbus. Sofia is a sex therapist who has never had an orgasm. She has been faking for years with her husband Rob. She meets Severin, a female dominatrix who tries to help her. Sofia\\\'s clients include James and Jamie, who are starting to open up their relationship sexually. James suggests a three-way relationship with Ceth; Jamie is reluctant. James seems to have a hidden agenda. His plans are witnessed by a stalker named Caleb. All the characters converge in Shortbus, a mad nexus of art, music, politics and sex.

“I wanted to create something through improvisation with the actors and explore sex as a cinematic language in a way that I hadn\\\'t seen, where it wasn\\\'t trying to be erotic or horrifying or negative or dreary. The experience has taught everybody involved how it is to connect, and, as I suspected, sex is just one way of describing that desire. It\\\'s also a love letter to New York and a small act of resistance against Bush and the America we live in because it\\\'s trying to remind people of good things about America and New York.” (John Cameron Mitchell)

','

screenplay
John Cameron Mitchell

cinematography
Frank G. DeMarco

music
Yo La Tengo

cast
Sook-Yin Lee (Sophia), Paul Dawson (James), Lindsay Beamish (Severin), PJ DeBoy (Jamie), Raphael Barker (Rob), Jay Brannan (Ceth), Peter Stickles (Caleb)

festivals, awards (selection)
Cannes 2006, Toronto 2006, Zürich 2006

',NULL,NULL,2006,NULL,'images/events/event693.jpg','images/events/event693_t.jpg',600,450,NULL,NULL,'John Cameron Mitchell',102,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'John Cameron Mitchell'),(695,30,'OHCET','The Wedding Party','Die Bluthochzeit','

Na poročni Sophie in Marka besede »dokler naju smrt ne loči« dobijo preteč prizvok. Markov naduti oče Hermann se na ta dan obnaša še posebno grozno. Začne prepir o predjedi z gurmanskim kuharjem Franzom, v čigar elegantni podeželski gostilni poteka poročna zabava. Počasi, a zanesljivo začne popuščati nadzor nad zabavo. Idilična podeželska krčma se spremeni v oblegano utrdbo in agresivnost na obeh straneh se le stopnjuje. Hermannu je malo mar, da v celotno godljo vplete nedolžne priče. In celo Franz, ki je na začetku povsem trezne glave, začne izgubljati živce.

»Moj film je komedija, a flamski smisel za humor je izjemno robat in temačen.« (Dominique Deruddere)

Koda za glasovanje prek Mobitela: J

','

scenarij
Jean Van Hamme, Dominique Deruddere (po stripovski predlogi Hermanna Van Hammeja)

fotografija
Danny Elsen

glasba
Klaus Badelt, Wolfram de Marco

igrajo
Armin Rohde (Hermann Walzer), Uwe Ochsenknecht (Franz Berger), Josef Heynert (Andy Walzer), Arne Lenk (Mark Walzer), Julia Schmidt (Yvonne Walzer), Imogen Kogge (Hannelore Walzer), Sandra Borgmann (Katrin Walzer), Nand Buyl (Opa Brüngel), Fabian Hinrichs (Alexander Halberstadt)

festivali, nagrade (izbor)
Ghent 2005, Valladolid 2005, AFI Los Angeles & Washington 2005, Tallinn Black Nights 2005, Filadelfija 2006, Houston 2006 (posebna nagrada žirije), Festroia 2006, Köbenhavn 2006, Moskva 2006

','

For Sophie and Mark, the words ’till death do us part\\\' take on menacing significance on their wedding day. Mark’s self-conceited father Hermann is on his worst behaviour and picks a fight about the appetizer with the gourmet cook Franz, in whose elegant country inn the wedding party is taking place. Slowly but surely the party runs out of control. The idyllic country inn turns into a besieged stronghold, and the aggressions on both sides escalate ever further. Hermann doesn’t give a damn about the fact that innocent bystanders are entangled in the whole mess. And even Franz, cool-headed at the beginning, begins to lose his nerves.

”My film is a comedy, but the Flemish sense of humor is remarkably stout and dark.” (Dominique Deruddere)

The code for submitting votes via Mobitel: J

','

screenplay
Jean Van Hamme, Dominique Deruddere (based on a comic book by Hermann Van Hamme)

cinematography
Danny Elsen

music
Klaus Badelt, Wolfram de Marco

cast
Armin Rohde (Hermann Walzer), Uwe Ochsenknecht (Franz Berger), Josef Heynert (Andy Walzer), Arne Lenk (Mark Walzer), Julia Schmidt (Yvonne Walzer), Imogen Kogge (Hannelore Walzer), Sandra Borgmann (Katrin Walzer), Nand Buyl (Opa Brüngel), Fabian Hinrichs (Alexander Halberstadt)

festivals, awards (selection)
Ghent 2005, Valladolid 2005, AFI Los Angeles & Washington 2005, Tallinn Black Nights 2005, Philadelphia 2006, Houston 2006 (Special Jury Award), Festroia 2006, Copenhagen 2006, Moscow 2006

',NULL,NULL,2005,NULL,'images/events/event695.jpg','images/events/event695_t.jpg',600,450,NULL,NULL,'Dominique Deruddere',92,'nemščina','German','slovenščina, angleščina','Slovene, English','Nemčija, Belgija','Germany, Belgium',NULL,NULL,NULL,NULL,'Dominique Deruddere'),(697,30,'TAKO LEPA DEŽELA','What a Wonderful Place','Eize makom nifla','

Blizu mejnega prehoda Araja se skupina Ukrajink prebija čez bodečo žico na izraelsko-jordanski meji. Na drugi strani jih pričaka nekdanji policist Franco, zdaj zaposlen pri lokalnem mafijskem šefu, ki tod nadzoruje prostitucijo. Zagleda se v Jano, ki pa prav tako pade v oči nerodnemu kmetu Zeltzerju, ki je našel njeno torbo, v njej pa fotografije oseb, ki so ji blizu. Zeltzer ima na kmetiji zaposlene Tajce, ki jih preganja grobi policist Eloni. Ta ima doma onemoglega očeta, za katerega mora skrbeti, pri tem pa mu pomaga s kockanjem zasvojeni Filipinec Eddie, ki ga zaradi dolgov išče lokalni mafijski šef ... Tri navidez nepovezane zgodbe se dogajajo v večnarodnostnem okolju, nabitem s sovraštvom in zaostrenimi socialnimi razmerami.

»Ena od stvari, ki sem jih imel ves čas v mislih med pisanjem, so bili liki. Zmeraj sem verjel, da je scenarij najpomembnejši del filma. Zdaj razumem, da so to igralci in liki, ki jih ustvariš zanje. Želel se ustvariti kompleksne like, prav take, kot so v resničnem življenju, in čutim, da mi je tudi uspelo.« (Eyal Halfon)

Koda za glasovanje prek Mobitela: S

','

scenarij
Eyal Halfon

fotografija
Nili Aslan

glasba
Avi Belleli

igrajo
Uri Gavriel (Franco), Evelyn Kaplun (Jana), Raymond Bagatsing (Eddie Longo), Avi Oria (Zeltzer), Yossi Graber (gospod), Yoav Hait (Joav Aloni), Mymy Davao (Nenny Longo), Marina Choif (Julia)

festivali, nagrade (izbor)
Karlovi Vari 2005 (posebna nagrada žirije, najboljša igralka), Seattle 2006, München 2006, Moskva 2006; nagrade izraelske filmske akademije: za najboljši scenarij, za najboljši film, za najboljšo montažo, za najboljšo scenografijo, za najboljšo moško vlogo

','

A group of Ukrainian women is trying to pass through the barbed wire near the Arava border pass at the Israeli-Jordanian border. Franco, an ex-policeman now working for the local mafia boss who controls the prostitution, meets them at the other end. He finds himself drawn to Jana and she, on the other hand, catches the eye of a clumsy farmer, Zeltzer, who found her bag with the photographs of the people close to her. Thai labourers are working on Zeltzer\\\'s farm and are being harassed by a rough ranger, Eloni. He has a disabled father at home that he has to take care of and accepts the help of a Filipino gambler and addict, Eddie, who is being looked for by the local mafia boss because of his debts... Three seemingly not connected stories take place in multi ethnical surroundings full of hatred and tense social conditions.

“One of the things I kept in mind throughout the writing was my handling of the characters. I always thought the screenplay was the most important part of a film. Now I understand it is the actors and the characters you create for them. I wanted to and feel that I succeeded in creating complex characters, just like in real life.” (Eyal Halfon)

The code for submitting votes via Mobitel: S

','

directed by
Eyal Halfon

screenplay
Eyal Halfon

cinematography
Nili Aslan

music
Avi Belleli

cast
Uri Gavriel (Franco), Evelyn Kaplun (Jana), Raymond Bagatsing (Eddie Longo), Avi Oria (Zeltzer), Yossi Graber (gospod/mister Aloni), Yoav Hait (Joav Aloni), Mymy Davao (Nenny Longo), Marina Choif (Julia)

festivals, awards (selection)
Karlovy Vary 2005 (/Special Prize of the Jury, Best Actress), Seattle 2006, München 2006, Moscow 2006; Awards of the Israeli Film Academy: Best Screenplay, Best Film, Best Editing, Best Art Direction, Best Actor

',NULL,NULL,2005,NULL,'images/events/event697.jpg','images/events/event697_t.jpg',600,450,NULL,NULL,'Eyal Halfon',104,'filipinščina/hebrejščina/ruščina/angleščina','Filipino/Hebrew/Russian/English','slovenščina, angleščina','Slovene, English','Izrael','Israel','images/events/logo697.jpg','images/events/logo697_t.jpg',200,200,'Eyal Halfon'),(698,30,'VITUS','Vitus','Vitus','

Zdi se, kakor da bi bil Vitus z nekega drugega planeta: njegov sluh je tako oster kot netopirjev, klavir igra kot genialen virtuoz, enciklopedijo pa požira že pri petih letih. Nič čudnega, če mu starši prerokujejo briljantno prihodnost in skladno s tem vodijo njegovo življenje po vnaprej določeni poti, na kateri ni nepotrebnih otročarij. Predvsem pa si želijo, da bi Vitus postal velik pianist. A malega genija zanima vse kaj drugega in najraje se igra v delavnici malce čudaškega deda. Rad bi letel in imel čim bolj normalno otroštvo. Ko se že zdi, da bo le stežka uresničil svoje želje, pa Vitus v dramatičnem preobratu prevzame nadzor nad svojim življenjem, pa čeprav za ceno svoje genialnosti.

»Vitus je najprej izjava ljubezni navdihujoči in zdravilni moči glasbe. Nato je izpoved ljubezni hrepenenju življenja po sebi samem, ki je najčistejša, najživahnejša in najbolj individualna v otroštvu.« (Fredi M. Murer)

Koda za glasovanje prek Mobitela: U

','

scenarij
Peter Luisi, Fredi M. Murer, Lukas B. Suter

fotografija
Pio Corradi

glasba
Mario Beretta

igrajo
Teo Gheorghiu (Vitus), Bruno Ganz (ded), Julika Jenkins (mati/mother), Urs Jucker (oče), Fabrizio Borsani (mali Vitus), Tamara Scarpellini (Isabel)

festivali, nagrade (izbor)
Berlin 2006 (bronasti medved), San Sebastian 2006

','

It seems like Vitus comes from a different planet: his hearing is as good as the bats, he plays the piano like a genius virtuoso and he devours encyclopaedias since the age of five. No wonder then that his parents foresee a brilliant future for him and according to that guide his life along a decided path, where there is no space for unnecessary childish behaviour. Most of all they wish for Vitus to become a great pianist. But the little genius is interested in everything else, loving the most to play in the workshop of his slightly odd grandfather. He would like to fly and to have a normal childhood. When it already seems that it will be difficult for him to make his dreams come true, Vitus takes control of his life with a dramatic twist, albeit for the price of his geniality.

“Vitus is first and foremost a declaration of love to the inspiring and healing power of music. Furthermore, a declaration of love to life’s longing for itself, which is at its purest, liveliest and most individual in childhood.” (Fredi M. Murer)

The code for submitting votes via Mobitel: U

','

screenplay
Peter Luisi, Fredi M. Murer, Lukas B. Suter

cinematography
Pio Corradi

music
Mario Beretta

cast
Teo Gheorghiu (Vitus), Bruno Ganz (ded/grandfather), Julika Jenkins (mother), Urs Jucker (father), Fabrizio Borsani (young Vitus), Tamara Scarpellini (Isabel)

festivals, awards (selection)
Berlin 2006 (bronasti medved/Bronze Bear), San Sebastian 2006

',NULL,NULL,2006,NULL,'images/events/event698.jpg','images/events/event698_t.jpg',600,450,NULL,NULL,'Fredi M. Murer',100,'nemščina','German','slovenščina, angleščina','Slovene, English','Švica','Swizerland',NULL,NULL,NULL,NULL,'Fredi M. Murer'),(699,28,'AHLAM','Ahlaam','Ahlaam','

Bagdad leta 2003: med vpadom sil Združenih držav v mestu zavladajo zmeda, negotovost in smrt. Po ameriškem bombardiranju mesta, ki ne izbira ciljev, se tudi psihiatrična bolnišnica znajde v ruševinah. V kaosu, ki sledi, prehajamo med preteklostjo in sedanjostjo treh oseb, ki so tako ali drugače povezane z bolnišnico: Ahlaam je zmedeno mlado dekle, ki je za zidove bolnišnice prišlo po tem, ko je bilo priča nasilni aretaciji svojega zaročenca na dan, določen za poroko. Ranjena v najglobljih predelih duše, živi v stanju brezupa kot v najbolj morečih sanjah. Doktor Mehdi je delaven idealist, ki so ga premestili v psihiatrično bolnišnico. Pacient Ali je nekdanji vojak, nekoč ponosen in optimističen mož, ki je vneto služil svoji domovini. Zdaj, ko so ameriške bombe uničile njegov vod, je le še senca samega sebe.

»Večino časa sem nosil filmsko kamero v eni roki in AK47 v drugi. V resnici sem imel same slepe naboje – tega projekta se nisem lotil z namenom, da bi koga ubil, a sem upal, da nas bodo zaradi puške ljudje pustili pri miru. Takšna je resničnost Bagdada v teh časih.« (Mohamed Al-Daradji)

','

scenarij
Mohamed Al-Daradji

fotografija
Mohamed Al-Daradji

glasba
Naseer Shamma

igrajo
Aseel Adel, Basher Al-Majidi, Mohamed Hashim, Khaleel Khaled, Mortadha Saadi

festivali, nagrade (izbor)
Kairo 2005 (najboljši arabski film), Rotterdam 2006, Brooklyn 2006 (nagrada spirit, najboljša igralka), Bangladeš 2006 (najboljši film, NETPAC Award), Seattle 2006, Sydney 2006

','

Baghdad, 2003: Confusion, uncertainty and death engulf the city after the USA bombing, which also flattens a psychiatric hospital. In the chaos, we move between the past and the present of three Iraqi lives, having to do with the hospital one way or another: Ahlaam is a bewildered young woman, confined to the asylum after witnessing the violent arrest of her fiancée on their wedding day. Deeply bruised, she lives a confined existence in a state of delusion. Dr. Mehdi is a hard working idealist who was exiled to work at the institution. Ali is a patient and former soldier, once a proudly optimistic man eager to serve his country, now a shell-shocked shadow, traumatized by the American bombings.

“Much of the time, I carried a film camera in one hand, and an AK47 in the other. In reality, I carried a magazine full of blanks - I did not enter this project with the intention of killing someone, but I hoped that a rifle might persuade people to leave us alone. Such is the reality of Baghdad in these times.” (Mohamed Al-Daradji)

','

screenplay
Mohamed Al-Daradji

cinematography
Mohamed Al-Daradji

music
Naseer Shamma

cast
Aseel Adel, Basher Al-Majidi, Mohamed Hashim, Khaleel Khaled, Mortadha Saadi

festivals, awards (selection)
Kairo 2005 (Best Arabic Film), Rotterdam 2006, Brooklyn 2006 (Spirit Award, Best Actress), Bangladesh 2006 (Best Film, NETPAC Award), Seattle 2006, Sydney 2006

',NULL,NULL,2005,NULL,'images/events/event699.jpg','images/events/event699_t.jpg',600,450,NULL,NULL,'Mohamed Al Daradji',110,'arabščina','Arabic','slovenščina, angleščina','Slovene, English','Irak, VB, Nizozemska','Iraq, GB, Netherlands','images/events/logo699.jpg','images/events/logo699_t.jpg',200,200,'Mohamed Al Daradji'),(705,30,'ODETE','Two Drifters','Odete','

Odete je zaposlena v nekem lizbonskem supermarketu. Srčno si želi otroka s svojim partnerjem Albertom, a ko mu to pove, jo zapusti. Osamljena postane obsedena s svojo željo. Medtem se na drugem koncu mesta poljubljata Pedro in Rui. Po skupnem letu si v znamenje globoke ljubezni izmenjata zaročna prstana. Le nekaj minut za tem se Pedro zaplete v hudo prometno nesrečo in v Ruijevih rokah izdihne. Rui je povsem skrušen, izgubi željo do življenja. Tedaj v njegovo življenje vstopi Odete, ki mu postavi nemogočo zahtevo – zaplodi naj ji otroka. Sprva jo brezkompromisno zavrne, a nato se v Odete naseli Pedrov duh in začne se njena preobrazba v mrtvega ljubimca.

»Z junaki sem povezan izrazito psihološko. Zato grem običajno pri iskanju kakšne osebe skozi zelo dolg postopek, ki mu sledi tisto \\\'prva stvar, ki jo zagledam ...\\\'. Najprej iščem telo in izgled, a je to zelo težko opredeliti, nekaj intuicije je pri mojih odnosih z drugimi in ponavadi lahko čutim, ali lahko nekdo odigra ta lik.« (João Pedro Rodrigues)

Koda za glasovanje prek Mobitela: I

','

scenarij
João Pedro Rodrigues, Paulo Rebelo

fotografija
Rui Poças

glasba
Frank Beauvais

igrajo
Ana Cristina de Oliveira (Odete), João Carreira (Pedro), Carloto Cotta (Alberto), Nuno Gil (Rui), Teresa Madruga (Teresa)

festivali, nagrade (izbor)
Cannes 2005 (Cinémas de Recherche – posebna omemba), Bogota 2005 (Bronze Precolumbian Circle), Cabourg 2005, Rio de Janeiro 2005, Mar del Plata 2006, New York City 2006

','

Odete works in a Lisbon supermarket. She is desperate to have a baby with her boyfriend Albert. When she tells him that, he leaves her. Lonely, she becomes obsessed with her wish. Meanwhile, Pedro and Rui are kissing each other on the other end of the city. They have been together for almost a year and they exchange engagement rings as a sign of deep love. Only a couple of minutes afterwards, Pedro is involved in an accident and dies in Rui’s hands. Rui is completely crushed, he does not want to live anymore. Then is when Odete enters into his life, asking him the impossible – to father her a child. He first rejects her uncompromisingly, but then Pedro\\\'s spirit enters Odete and her transformation into the dead lover starts.

»I am bond with the characters in a very psychological way. Therefore when I’m looking for a person I usually go through a very long process and then it’s like «the first thing I see…» I first look out for bodies and looks, but it is something that is very difficult to define, it is something that I find a little bit intuitive in what concerns my relation with other people and usually I feel that someone can play that character.« (João Pedro Rodrigues)

The code for submitting votes via Mobitel: I

','

screenplay
João Pedro Rodrigues, Paulo Rebelo

cinematography
Rui Poças

music
Frank Beauvais

cast
Ana Cristina de Oliveira (Odete), João Carreira (Pedro), Carloto Cotta (Alberto), Nuno Gil (Rui), Teresa Madruga (Teresa)
dolžina/running time 101\\\'

festivals, awards (selection)
Cannes 2005 (Cinémas de Recherche - Special Mention/ Cinémas de Recherche), Bogota 2005 (Bronze Precolumbian Circle), Cabourg 2005, Rio de Janeiro 2005, Mar del Plata 2006, New York City 2006

',NULL,NULL,2005,NULL,'images/events/event705.jpg','images/events/event705_t.jpg',600,450,NULL,NULL,'Joao Pedro Rodrigues',96,'portugalščina','Portuguese','slovenščina, angleščina','Slovene, English','Portugalska','Portugal',NULL,NULL,NULL,NULL,'Joao Pedro Rodrigues'),(706,30,'ZIMSKO POTOVANJE','Winter Journey','Winterreise','

Franz Brenninger je uspešen mož v šestdesetih, lastnik podjetja, oče dveh otrok in mož bolehne žene. V zadnjem času njegovo razpoloženje nadvse niha, kar opazi tudi njegova žena. Ta nestalnost namreč močno vpliva na njegove odnose z okolico. Zdravnik, h kateremu se odpravi, postavi diagnozo maničnodepresivne psihoze. Kot da to še ne bi bilo dovolj, Franz izve, da je podjetje v slabem finančnem položaju. Takrat se odloči za tvegan, a ob uspehu donosen posel v Afriki, pa čeprav bi bilo morda bolje, da bi denar namenil za zdravljenje žene, ki ga zares potrebuje. Kmalu odkrije, da so ga v Afriki prevarali. Odločen, da dobi denar nazaj, se z mlado prevajalko Leylo odpravi v Afriko. Tam pa se Franz pokaže v povsem drugačni luči ...

»Nemci imajo močan občutek za potrtost, melanholijo in depresijo. Schubertovo Zimsko potovanje je primeren umetniški izraz teh čustev.« (Hans Steinbichler)

Koda za glasovanje prek Mobitela: AB

','

scenarij
Martin Rauhaus

fotografija
Bella Halben

glasba
Antoni Lazarkiewicz

igrajo
Josef Bierbichler (Franz Brenninger), Sibel Kekilli (Laila), Hanna Schygulla (Martha Brenninger), Philipp Hochmair (Xaver Brenninger), Anna Schudt (Paula Brenninger)

festivali,nagrade (izbor)
Karlovi Vari 2006, München 2006, Toronto 2006

','

Franz Brenninger is a successful man in his sixties, an entrepreneur, father of two children and husband to an ill wife. Lately he has been having many mood swings, which also gets noticed by his wife. These mood swings impact his relations with environment. The physician he sees diagnoses him as having manic-depressive psychosis. As if that were not enough, Franz finds out that his company is in a bad financial state. It is then when he decides to pursue a risky but profitable business in Africa, although it would have been better to spend this money on his wife\\\'s treatment, which she really needs. He soon finds out he was deceived in Africa. Determined to get his money back, he heads off to Africa with his young interpreter Leyla. And there Franz reveals himself in a completely different light...

“The Germans have a great sense for gloom, melancholy and depression. And Schubert’s Winter Journey is a congenial artistic expression of these emotions.” (Hans Steinbichler)

The code for submitting votes via Mobitel: AB

','

screenplay
Martin Rauhaus

cinematography
Bella Halben

music
Antoni Lazarkiewicz

cast
Josef Bierbichler (Franz Brenninger), Sibel Kekilli (Laila), Hanna Schygulla (Martha Brenninger), Philipp Hochmair (Xaver Brenninger), Anna Schudt (Paula Brenninger)

festivals,awards (selection)
Karlovy Vary 2006, München 2006, Toronto 2006

',NULL,NULL,2005,NULL,'images/events/event706.jpg','images/events/event706_t.jpg',600,450,NULL,NULL,'Hans Steinbichler',95,'nemščina/angleščina','German/English','slovenščina, angleščina','Slovene, English','Nemčija','Germany',NULL,NULL,NULL,NULL,'Hans Steinbichler'),(707,29,'REKA KONGO, ONSTRAN TEME','Congo River, Beyond Darkness','Congo river, au-dela des tenebres','

To popotovanje v samo srce Afrike, onstran temačne resničnosti tragedij in vojne, je svojevrstni slavospev življenju. Film nas pelje po reki Kongo od njenega izliva do izvira, mimo vseh tistih kotičkov, ki so bili priča vihravi zgodovini dežele Kongo. Na različnih stopnjah potovanja podobe z rečnih bregov pripovedujejo zgodbe o sreči in trpljenju njenih prebivalcev, o praznovanjih in tragedijah, ki prebadajo življenje kanuistov, ribičev, trgovcev, popotnikov, vojakov, nasilnih upornikov in posiljenih žensk. Hkrati pa v arhivskih posnetkih spoznavamo može iz afriške mitologije, ki so oblikovali usodo Afrike – kolonizatorjev, kot sta bila Henri Morton Stanley in Leopold II., ter afriških voditeljev Lumumbe in Mobutuja.

»Reka in njen ritem sta me pripravila do tega, da grem onstran trenutnosti osebnih izkušenj in si vzamem čas v veličastnem kraju, v iskanju samega sebe, seveda. Hkrati pa sem si želel srečanja z drugimi v osrčju Afrike. Želel sem razumeti, kako se ta pozabljeni kontinent, ki je doživel popolno nesrečo in vse vrste tragedij – trgovino s sužnji, kolonialno nadvlado, neodvisnost, vojne in diktatorje – zdaj začenja ponovno graditi na svojih razbitinah, reka pa je cement prenovitve in enotnost življenja.« (Thierry Michel)

','

scenarij
Thierry Michel, Thomas Cheysson

fotografija
Michel Téchy

glasba
Lokua Kanza

pripovedovalci
Olivier Cheysson, Thierry Michel, Lye Mudaba

festivali, nagrade (izbor)
Namur 2005, Espoo 2006, Berlin 2006 (najboljši evropski umetniški in esejistični film)

','

This journey to the very heart of Africa, beyond the dark reality of tragedies and war, is a kind of hymn to life. The film takes us along the Congo River, from its mouth to its source, past all those places that testified to the turbulent history of the Congo. On the different stages of the journey the images from the riverbanks tell stories of the happiness and suffering of its inhabitants, of celebrations and tragedies which perforate the lives canoeists, fishermen, merchants, soldiers, violent rebels and raped women. At the same time, through archival film records, we meet the men of African mythology who shaped the destiny of the continent – the colonisers such as Henry Morton Stanley and Leopold II and the African leaders Lumumba and Mobutu

“TheThe river and its rhythm forced me to go beyond the immediateness of everyone’s own personal experience, to take time in a sublime place in search of myself of course. Yet I also wanted to encounter others in the heart of Africa. I wanted to understand how this forgotten continent, which underwent a total disaster and all sorts of tragedies – slave trade, colonial domination, independence, wars and dictators – is now beginning to reconstruct itself again on its debris. This is all the more true that the river will be the reconstruction cement and unity of life.” (Thierry Michel)

','

screenplay
Thierry Michel, Thomas Cheysson

cinematography
Michel Téchy

music
Lokua Kanza

narrators
Olivier Cheysson, Thierry Michel, Lye Mudaba

festivals, awards (selection)
Namur 2005, Espoo 2006, Berlin 2006 (Best European Art et Essai Film)

',NULL,NULL,2005,NULL,'images/events/event707.jpg','images/events/event707_t.jpg',600,450,NULL,NULL,'Thierry Michel',116,'francoščina','French','slovenščina','Slovene','Belgija','Belgium',NULL,NULL,NULL,NULL,'Thierry Michel'),(709,28,'VZAJEMNO OBČUDOVANJE','Mutual Appreciation','Mutual Appreciation','

Mladi glasbenik Alan se po razpadu svojega bend napoti v New York, da bi tam nadaljeval svoj pravkar vzbrsteli glasbeni uspeh. Delovanje v skupini mu je prineslo ravno toliko prepoznavnosti, da se lahko v nekem klubu na Manhattnu domeni za koncert in da ga mlada moderatorka Sara povabi na radijski intervju. Sari je Alan všeč, njega pa vse skupaj ne zanima kaj dosti in se želi popolnoma posvetiti svoji glasbo. A kaj ko mu misli neprestano uhajajo k Ellie, dolgoletnemu dekletu njegovega dobrega prijatelja Lawrencea. Privlačnost je obojestranska, toda nobeden ob njiju noče narediti koraka naprej.

»Strah pred odraslostjo je tema, ki prežema oba filma; verjetno je v Vzajemo občudovanje še bolj prisotna. (...) Morda je to nekaj, kar je značilno, če že ne za mojo generacijo, potem pa vsaj za moj krog te generacije. Občutek imam, da veliko ljudi, ki jih poznam – tudi jaz – še zmeraj tuhta, kaj počnejo tu, so samski in tako naprej, čeprav smo zdaj starejši, kot so bili naši starši, ko so se poročili in imeli nas.« (Andrew Bujalski)

','

scenarij
Andrew Bujalski

fotografija
Matthias Grunsky

glasba
Justin Rice & Kevin Micka, Bishop Allen, Omzo, Matty & Mossy, The Common
Cold, and Brandon Patton

igrajo
Justin Rice (Alan), Rachel Clift (Ellie), Andrew Bujalski (Lawrence), Seung-Min Lee (Sara), Kevin Micka (Dennis), Bill Morrison (Walter), Pamela Corkey (Patricia), Mary Varn (Rebecca), Tamara Luzeckyj (Esther), Ralph Tyler (Jerry), Kate Dollenmayer (Hildy), Keith Gessen (Julian), Peter Pentz (Scotty), Salvatore Botti (Ron)

festivali, nagrade (izbor)Rotterdam 2006, Newport 2005 (najboljši scenarij), Solun 2005

','

After his band splits up, a young musician Alan sets off to New York to continue his shooting career there. He arranges a concert in a Manhattan club and Sara, a young radio presenter, invites him for an interview. She likes him, but Alan is more or less not interested and wants to focus on his music. However, he is constantly thinking of Ellie, his friend\\\'s Lawrence girlfriend. She is also attracted to him, but none of them wants to make the first step.

”Certainly, I think fear of adulthood is a theme that pervades both films, probably even more so Mutual Appreciation. (…) Maybe that is something that is specific, if not to “my generation,” then at least my subset of it. I feel like a lot of people I know, myself included, are still figuring out what we’re doing, are single and so forth, even though we’re now at a point where we’re older than our parents were when they were married and had us.” (Andrew Bujalski)

','

screenplay
Andrew Bujalski

cinematography
Matthias Grunsky

music
Justin Rice & Kevin Micka, Bishop Allen, Omzo, Matty & Mossy, The Common
Cold, and Brandon Patton

cast
Justin Rice (Alan), Rachel Clift (Ellie), Andrew Bujalski (Lawrence), Seung-Min Lee (Sara), Kevin Micka (Dennis), Bill Morrison (Walter), Pamela Corkey (Patricia), Mary Varn (Rebecca), Tamara Luzeckyj (Esther), Ralph Tyler (Jerry), Kate Dollenmayer (Hildy), Keith Gessen (Julian), Peter Pentz (Scotty), Salvatore Botti (Ron)

festivals, awards (selection)
Rotterdam 2006, Newport 2005 (Best Screenplay), Thessaloniki 2005

',NULL,NULL,2005,NULL,'images/events/event709.jpg','images/events/event709_t.jpg',600,450,NULL,NULL,'Andrew Bujalski',110,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Andrew Bujalski'),(710,33,'POLICAJEVO OBMOČJE','Police Beat','Police Beat','

Z je Senegalec, priseljenec v ZDA in policist na kolesu. Ima belo dekle Rachel in o njej, kakor tudi o vsem drugem, kar se mu dogaja, redno na dolgo piše v Senegal. Njegova velika želja je, da bi mu končno zaupali policijski avto. Nekega dne se Rachel s prejšnjim fantom odpravi na krajše potovanje. V tem času Z zamaknjen kolesari po svojem območju, razmišlja o velikih razlikah med njim in Rachel ter o svoji vse globlji ljubezni, hkrati pa opravlja svoje redne obhode, na katerih se srečuje z banalnimi in bizarnimi prestopki. Z vsakim dnem se v njem vse bolj razrašča tesnoba, saj ga Rachel ne pokliče, in boji se, da jo je izgubil. Počasi se zave, da bi s tem, ko bi jo brez zadržkov sprejel, sprejel tudi življenje, ki mu je tuje in ki ga nekako ponižuje.

»Ker je Charles več let pisal tedensko kolumno o krajevnih zločinih, smo želeli za osnovo filma uporabiti javna policijska poročila. Še posebno sem želel ujeti ton njegovih člankov – poezijo, humor, filozofiranje. Takšen osvežujoč pogled na zločin in to skozi oči Afričana je bil za 180 stopinj drugačen od surovosti oddaje Cops ali neotesane zgovornosti Jamesa Ellroya. Kar zadeva zvok, je bila to priložnost narediti nekaj o zločinu, kar v filmu še ni bilo narejeno.« (Robinson Devor)

','

scenarij
Charles Mudede, Robinson Devor

fotografija
Sean Kirby

glasba
Andy Seaver

igrajo
Pape Sidy Niang (Z), Anna Oxygen (Rachel), Eric Breedlove (Swan), Sarah Harlett (Mary), Elijah Geiger (Jeff), Scott Meola (Hedge Trimmer)

festivali, nagrade (izbor)
Sundance 2005, Edinburg 2005, Seattle 2005 (Seattle Filmmakers Award – nagrada za najboljšo fotografijo), Karlovi Vari 2005, Torino 2005 (posebna nagrada žirije, nagrada fipresci), Solun/Thessaloniki 2005

','

Z is a Senegalese immigrant to the USA who became a bicycle cop. He has a white girlfriend Rachel and regularly writes long letters to Senegal about her and everything that happens to him. His greatest wish is to be finally able to drive a police car. One day, Rachel leaves on a short trip with her ex-boyfriend. During this time, Z cycles across his beat as in a trance, thinking about the differences between him and Rachel and about his love getting deeper and deeper. He encounters banal and bizarre crimes during his regular rounds. As Rachel doesn\\\'t call him, he gets more and more anxious and is afraid of having lost her. He gradually realizes that accepting Rachel without restraints would mean accepting an alien life that is humiliating him.

“Given that Charles had been writing a weekly column about local crime for several years, we decided to see if we could use public domain police reports as the basis for a film. I especially wanted to capture the tone of his articles - the poetry, the humour, the philosophizing. It was such a refreshing take on crime, seen through African eyes, something 180 degrees from the crudity of Cops or the hardboiled eloquence of James Ellroy. Tonally, this was the opportunity to do something about crime that hadn\\\'t been done on film before.” (Robinson Devor)

','

screenplay
Charles Mudede, Robinson Devor

cinematography
Sean Kirby

music
Andy Seaver

cast
Pape Sidy Niang (Z), Anna Oxygen (Rachel), Eric Breedlove (Swan), Sarah Harlett (Mary), Elijah Geiger (Jeff), Scott Meola (Hedge Trimmer)

festivals, awards (selection)
Sundance 2005, Edinbourgh 2005, Seattle 2005 (Seattle Filmmakers Award – Cinematography), Karlovy Vary 2005, Torino 2005 (Special Jury Prize, FIPRESCI Award), Solun/Thessaloniki 2005

',NULL,NULL,2005,NULL,'images/events/event710.jpg','images/events/event710_t.jpg',600,450,NULL,NULL,'Robinson Devor',80,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Robinson Devor'),(713,28,'CESTA ČEZ JEZ','Dam Street','Hong Yan','

Xiao-Yun je šestnajstletna srednješolka v obrečnem mestecu v jugozahodnem Sečuanu zastrašujočega leta 1983. Ko njena učiteljica odkrije, da je noseča, jo skupaj s fantom Wang Fengom izključijo iz šole. On jo zapusti, potem ko Xiao-Yun svojo sestro Wang Zheng-Yue, ki je medicinska sestra, prepriča, da ji pomaga roditi in oddati otroka v posvojitev. Čez deset let Xioa-Yun poje v ponižujoče bedni lokalni pevsko-plesni skupini. Ima skrivno razmerje s poročenim moškim, a njen edini pravi tovariš je nenavaden in nagajiv fant Xiao-Yong, ki prihaja z druge strani jeza. Spretno se mu uspe vtihotapiti v njeno življenje in postane njen vdani prijatelj. Vendar pa se mora Xiao-Yun iz svoje nerazrešene preteklosti še prebiti v prihodnost.

»Vedno trdim, da je ta film poln upanja. To pravim zaradi tega, ker pripoveduje o iskanju izhoda. Metaforično je Xiao-Yun žejna oseba, ki nenadoma najde kozarec vode. Uporabila sem metodo, ki je precej blizu tradicionalnemu pripovedništvu in pripovedujem sodobno zgodbo o ženski, ki je pod silnim pritiskom nespremenljive tradicije.« (Li Yu)

','

scenarij
Li Yu, Fang Li

fotografija
Wang Wei

glasba
Liu Sijun, Dong Wei

igrajo
Liu Yi (Yun), Huang Xingrao (Xiao Yong), Li Kechun (Su), Wang Yizhu (Wang Zhengyue)

festivali, nagrade (izbor)
Toronto 2005, Deauville 2006, Hongkong 2006, Viennale 2005

','

Xiao-Yun is a 16-year-old high school student in a small riverside town in China’s South-Western Sichuan province in the repressive social climate of 1983. When her teacher discovers that she is pregnant, she and her boyfriend Wang Feng are expelled from school. Wang Feng leaves her after convincing his sister Wang Zheng-Yue, a nurse, to help Xiao-Yun give birth to her baby, then give it up for adoption. Ten years later, Xiao-Yun is reduced to being the lead singer in a humiliatingly crass local song and dance troupe. She manages to sustain a furtive relationship with a married man, but her only real companion is Xiao-Yong, a preternaturally curious and impish young boy from across the dam. He craftily begins to insinuate himself into her life, becoming her devoted friend. But Xiao-Yun still has to forge a future from her unresolved past.

“I always maintain that this is a film full of hope. I say this because it tells a story about searching for a way out. Metaphorically speaking, Xiao-Yun is like a thirsty person suddenly finding a cup of water. I use a method quite close to traditional narrative to relate a contemporary story about a woman subject to the overwhelming pressure of an unchanging tradition.” (Li Yu)

','

screenplay
Li Yu, Fang Li

cinematography
Wang Wei

music
Liu Sijun, Dong Wei

cast
Liu Yi (Yun), Huang Xingrao (Xiao Yong), Li Kechun (Su), Wang Yizhu (Wang Zhengyue)

festivals, awards (selection)
Toronto 2005, Deauville 2006, Hong Kong 2006, Viennale 2005

',NULL,NULL,2005,NULL,'images/events/event713.jpg','images/events/event713_t.jpg',600,450,NULL,NULL,'Yu Li',88,'mandarinščina','Mandarin','slovenščina, angleščina','Slovene, English','Kitajska','China',NULL,NULL,NULL,NULL,'Yu Li'),(714,29,'SPREVRŽENČEV FILMSKI VODNIK','The Pervert\\\'s Guide to Cinema','The Pervert\\\'s Guide to Cinema','

Sprevrženčev filmski vodnik popelje gledalca na vznemirljivo vožnjo skozi nekatere najboljše filme vseh časov. Voditelj in vodnik je karizmatični Slavoj Žižek, slovenski filozof in psihoanalitik. S privlačnim in strastnim pristopom k razmišljanju se zatopi v skriti filmski jezik in razodeva, kar nam filmi lahko povedo o nas. Dokumentarec nam ponuja uvod v nekatera Žižkova najzanimivejša razmišljanja o izmišljenem, resničnosti, seksualnosti, subjektivnosti, poželenju, materialnosti in filmski obliki. Najsi razmotava razvpito zapletene filme Davida Lyncha ali pa na glavo obrača vse, kar ste mislili, da veste o Hitchcocku, Žižek razsvetli platno s svojo strastjo, razumom in nezmotljivim smislom za humor.

»Zelo me zanima psihoanaliza. Mislim, da je v njej ključ do nečesa, kar potrebujemo bolj kot kdaj koli, če se hočemo kot vrsta obvladati. (…) Kot filmski ustvarjalki mi je resnično všeč, kar ima Žižek povedati o filmu; vse se mi zdi zelo praktično, teorija in sama filozofija. Tudi Deleuze mi je všeč. Ne pritegne me, da bi delala filmski portret umetnika ali filozofa, v katerem bi z nekakšno pretvezo objektivnosti govoril o sebi. Raje jih dokumentiram, ko dejansko počnejo, kar počnejo.« (Sophie Fiennes)

','

scenarij
Sophie Fiennes

fotografija
Remko Schnorr

glasba
Brian Eno

festivali, nagrade (izbor)
Toronto 2006, Sydney 2006, Karlovi Vari 2006, Rotterdam 2007

','

The Pervert\\\'s Guide to Cinema takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Žižek, the Slovenian philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Žižek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. The documentary offers an introduction into some of Zizek\\\'s most exciting ideas on fantasy, reality, sexuality, subjectivity, desire, materiality and cinematic form. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Žižek illuminates the screen with his passion, intellect, and unfailing sense of humour.

”I am very interested in psychoanalysis. I think it holds the key to something that more than ever we need if we are to get a grip on ourselves as a species. (…) As a film maker, I really enjoy what Žižek has to say about film and for me it is all very practical; theory and philosophy itself. I like Deleuze also. I don\\\'t find myself drawn to making the kind of film portrait of an artist of philosopher where they are put in a position to talk about themselves with some kind of pretence of objectivity. I prefer to make a document of them actually doing what they do.” (Sophie Fiennes)

','

screenplay
Sophie Fiennes

cinematography
Remko Schnorr

music
Brian Eno

festivals, awards (selection)
Toronto 2006, Sydney 2006, Karlovy Vary 2006, Rotterdam 2007

',NULL,NULL,0,NULL,'images/events/event714.jpg','images/events/event714_t.jpg',600,450,NULL,NULL,'Sophie Fiennes',150,'angleščina','English','slovenščina','Slovene','',NULL,NULL,NULL,NULL,NULL,'Sophie Fiennes'),(717,56,'DIVJE KAMPIRANJE','Wild Camp','Camping sauvage','

Sedemnajstletna Camille je s starši prišla taborit na počitnice. Čeprav je v Fredu, ki čez poletje dela v tamkajšnjem baru, našla prijatelja, se vseeno na smrt dolgočasi. Kmalu zatem sreča Blaisa, nenavadnega tipa okrog štiridesetih, nekakšnega izobčenca. Njen polbrat Eddie, vodja kampa, ga je pred kratkim najel, da bi v kampu poučeval jadranje. Blaise in Camille v sebi gojita podobno čustvo, globoko nezadovoljstvo. Prav to ju združi in hkrati postopno vse bolj oddaljuje od drugih poletnih počitnikarjev v kampu. Njuno druženje sproža vse več govoric, kar povzroča vse večjo nejevoljo v Camillini družini. Po drugi strani pa vse te govorice le še bolj podžigajo strast, ki se vnema med njima. Za oba je to začetek nevarnega razmerja ...

»Kamp je pravi pokazatelj vedenja ljudi. V njem so zastopani vsi sloji družbe. Ima svoje predpise, zakone, mite in osebnosti. Obstajajo seveda tudi stereotipi, ki so trdovratni in se jim poleti v kampih ne moremo izogniti, a to ni bil naš namen. Hoteli smo poustvariti ozračje, ki je po eni strani družinsko in toplo, po drugi pa strašno zadušljivo, saj se vsi vmešavajo v življenja vseh, vsakodnevne nevšečnosti pa se množijo. Tista situacija, ki pretrese najbolj občutljive, pa je seveda voajerizem.« (Christophe Ali, Nicolas Bonilauri)

','

scenarij
Christophe Ali, Nicolas Bonilauri

fotografija
Jérôme Peyrebrune

glasba
Nicolas Baby, Dan Levy

igrajo
Denis Lavant (Blaise), Isild Le Besco (Camille), Pascal Bongard (Eddie), Yann Tregouët (Fred), Martine Demaret (Edwige), Jean-Michel Guerin (Antoine), Raphaëlle Misrahi (Laure), Emmanuelle Bercot (Florence)

festivali, nagrade (izbor)
Saint-Jean-de-Luz Film Festival 2005, Berlin 2006, Espoo Film Festival 2006

','

Seventeen-year old Camille accompanied her parents to a camp site for holidays. Although she has managed to find a friend (Fred has a summer job working in a bar there), she still does not really know what to do with herself. But then she meets Blaise, an unusual outsider around forty. Her half brother Eddie; camp manager, hired him recently as a sailing instructor. He and Camille harbour similar feelings of profound dissatisfaction. This is what draws them to each other and, at the same time, distances them increasingly from the rest of the holiday guests. Their complicity is the source of a great many rumours that gradually drive her relatives to distraction. On the other hand, these rumours only serve to unleash their passion for each other. For both of them this marks the beginning of a dangerous liaison…

“Camping really reveals human behaviour. All layers of society are represented there. It has its rules, laws, myths and personalities. Of course, obstinate stereotypes also exist that cannot be avoided in summer camps, but this was not our intention. We wanted to create a warm family atmosphere which is, on the other hand, terribly suffocating as everybody is interfering in everybody else\\\'s life and everyday annoyances are just piling up. Voyeurism is, of course, what shocks the most sensitive people.” (Christophe Ali, Nicolas Bonilauri)

','

screenplay
Christophe Ali, Nicolas Bonilauri

cinematography
Jérôme Peyrebrune

music
Nicolas Baby, Dan Levy

cast
Denis Lavant (Blaise), Isild Le Besco (Camille), Pascal Bongard (Eddie), Yann Tregouët (Fred), Martine Demaret (Edwige), Jean-Michel Guerin (Antoine), Raphaëlle Misrahi (Laure), Emmanuelle Bercot (Florence)

festivals, awards (selection)
Saint-Jean-de-Luz Film Festival 2005, Berlin 2006, Espoo Film Festival 2006

',NULL,NULL,2005,NULL,'images/events/event717.jpg','images/events/event717_t.jpg',600,450,NULL,NULL,'Christophe Ali, Nicolas Bonilauri',79,'francoščina','French','slovenščina','Slovene','Francija','France',NULL,NULL,NULL,NULL,'Christophe Ali, Nicolas Bonilauri'),(718,28,'POSTOPOMA','Gradually...','Be ahestegi…','

Zgodba o boju mlajše generacije s tabuji, zakoreninjenimi v iranski družbi.
Mahmud dela kot varilec pri železničarski družbi zunaj Teherana in iskreno ljubi svojo ženo Pari, ki se že leta bori z duševno boleznijo. Ko izve, da je pred tednom dni izginila od doma, se odpravi v Teheran, da bi jo poiskal. Njuno majhno hčer je pustila s svojimi starši in izginila z denarjem za vplačilo stanovanja.

»To je film o predsodkih. Iranci smo navajeni izražati mnenja, ki temeljijo na tem, kar smo nekje slišali, ne da bi kaj vedeli drug o drugem, kar ponavadi pripelje do resnih težav. Tudi če nas stvar prav nič ne zadeva, vseeno tja vtaknemo svoj nos. Postopoma kritizira vnaprej ustvarjene sodbe. Človek gre lahko svojo pot in se ne meni za druge, saj gre za njegovo življenje.« (Maziar Miri)

','

scenarij
Parviz Shahbazi

fotografija
Hassan Karimi

glasba
Mohammad-Reza Darvishi

igrajo
Mohammad-Reza Foroutan (Mahmud), Niloofar Khoshkholgh (Pari), Hassan Poorshirazi (Firuz), Maryam Boobani (Haj Khanum)

festivali, nagrade (izbor)
Berlin 2006, Fribourg 2006 (glavna nagrada in nagrada žirije FIPRESCI), Hongkong 2006, Seattle 2006, Los Angeles 2006, Tajpej 2006

','

Story of the struggle of the Iranian young generation with the taboos of their society.
Mahmoud, who works as a railway welder in the Railroad Company outside Tehran, genuinely loves his wife, Pari, who has a record of mental illness. When informed she\\\'s been missing from their home for more than a week, he leaves his job to search for her. She has left their young daughter with her parents and vanished with the down payment on their home.

“The film is about the prejudices of people. That is, we Iranians are used to expressing our opinions based on hearsay, without knowing anything about one another, which usually leads to serious calamities. Even if something has nothing to do with us, we butt in anyway. Gradually... criticizes prejudgment. That is, a man can move in the opposite direction and not listen to others, if it is about his own life.” (Maziar Miri)

','

screenplay
Parviz Shahbazi

cinematography
Hassan Karimi

music
Mohammad-Reza Darvishi

cast
Mohammad-Reza Foroutan (Mahmoud), Niloofar Khoshkholgh (Pari), Hassan Poorshirazi (Firooz), Maryam Boobani (Hay Khanoom)

festivals, awards (selection)
Berlin 2006, Fribourg 2006 (Grand Prize and FIPRESCI Jury Award), Hong Kong 2006, Seattle 2006, Los Angeles 2006, Taipei 2006

',NULL,NULL,2005,NULL,'images/events/event718.jpg','images/events/event718_t.jpg',600,450,NULL,NULL,'Maziar Miri',74,'perzijščina','Persian','slovenščina, angleščina','Slovene, English','Iran','Iran','images/events/logo718.jpg','images/events/logo718_t.jpg',200,200,'Maziar Miri'),(719,28,'LJUDJE PRI DELU','Men At Work','Kargaran mashghool-e karand','

Štirje prijatelji se vračajo s smučanja, ko nenadoma ob cesti zagledajo nenavadno, visoko, falusu podobno skalo, ki štrli iz okolice. V njih se porodi skrivnostna obsesija. Približajo se skali in se v navalu mačističnega dokazovanja odločijo, da jo bodo prevrnili. Kmalu si morajo priznati, da njihove surove moči ni dovolj za tako mogočno skalo. Odločijo se, da bodo na pomoč poklicali osla. A tudi z njim so proti skali povsem nemočni. Vsak nadaljnji poraz jih le še bolj podžiga. Ko se ob skali ustavita še dve prijateljici, norost dokončno izbruhne: fantje pograbijo motorne žage in drugo orodje, obračun se lahko začne.

»Snemanje filma Ljudje pri delu je bilo peklensko. Delali smo z omejenimi sredstvi. V zasedbi smo imeli zvezde in neprofesionalne igralce. Poleg tega smo imeli še osla, agresivno in neposlušno žival. Zdelo se je, da nas hoče tudi vreme uničiti. Sneg se je talil, čeprav nas je zaradi mraza zeblo do kosti. Le kaj smo mislili, da smo šli snemat film, ki se dogaja v enem samem dnevu, na eni sami lokaciji, sredi ničesar?« (Mani Haghighi)

','

scenarij
Mani Haghighi (po ideji Abbasa Kiarostamija)

fotografija
Koohyar Kalari

igrajo
Attila Pesyani (Morteza), Mahmoud Kalari (Mohsen), Ahmad Hamed (Mamad), Omid Roohani (Nader), Fatemeh Motamed Arya (Mina), Reza Kianian (Džalil), Mahnaz Afshar (Sahar)

festivali, nagrade (izbor)
Teheran 2006, Berlin 2006, Singapur 2006, Tribeca 2006, Moskva 2006, Brisbane 2006

','

On their way back from a skiing trip, four friends suddenly lay eyes on a strange, enormous, phallus-like rock by the road. Struck with a mysterious obsession, they decide to dislodge it. They soon have to admit that raw force is not enough for such an enormous rock. They resort to a donkey for help. But even so they are completely powerless. Each failure only spurs them on. When finally to girlfriends stop next to the rock, the ultimate madness breaks out – the men snap power saws and other tools. The game\\\'s up!

Shooting Men at Work was hell. We were filming on a shoestring. We had cast movie stars next to nonprofessional actors. We had also cast a donkey - an aggressive and unruly animal. The weather seemed intent on driving us mad. The snow was melting even though the temperature was chilling us to the bone. What were we thinking, shooting a film that took place during the course of a single day, at a single location, in the middle of nowhere? (Mani Haghighi)

','

screenplay
Mani Haghighi (based on the idea by Abbas Kiarostami)

cinematography
Koohyar Kalari

cast
Attila Pesyani (Morteza), Mahmoud Kalari (Mohsen), Ahmad Hamed (Mammad), Omid Roohani (Nader), Fatemeh Motamed Arya (Mina), Reza Kianian (Jalil), Mahnaz Afshar (Sahar)

festivals, awards (selection)
Teheran 2006, Berlin 2006, Singapore 2006, Tribeca 2006, Moskva 2006, Brisbane 2006

',NULL,NULL,2006,NULL,'images/events/event719.jpg','images/events/event719_t.jpg',600,450,NULL,NULL,'Mani Haghighi',75,'perzijščina','Persian','slovenščina','Slovene','Iran','Iran',NULL,NULL,NULL,NULL,'Mani Haghighi'),(721,58,'REŽISER POROK','The Wedding Director','Il regista di matrimoni','

Franco Elica je filmski režiser, ki ga hčerkina odločitev, da se bo poročila s prepričanim katolikom, pahne v krizo. Ko ga prosijo, naj v njegovo čast še zrežira predelavo Manzonijevih Zaročencev, zbeži na Sicilijo. V majhni vasici, kjer se skriva, naleti na pisano druščino likov: moža, ki se preživlja s snemanjem spominskih poročnih filmov; filmskega režiserja, ki uprizori svojo smrt, da bi tako končno le dosegel priznanje, ki se mu živemu izmika; nenazadnje pa še kultiviranega plemiča, princa Ferdinanda Gravino iz Palagonije. Princ Francu naroči, naj posname poroko njegove ljubke hčerke Bone. Franco se zaljubi v princeso in si zada nalogo, da jo bo rešil dogovorjene poroke.

»Želel sem ustvariti občutek tudi nekoliko metafizičnega nadzora. Ni me zanimalo to, da ima vsaka podoba svoj vzrok in razlago, in zato smo uporabili kompleksno montažo, podobe, ki imajo vedno neko svojo barvo, svojo kakovost, so izjemno združene. Režiser porok je najbolj jasen, to počne poklicno, tudi sam bi bil rad umetnik. Italija je bila nekoč dežela pesnikov, zdaj pa je dežela režiserjev. Obstaja na tisoče festivalov, na stotine podob, ki ogrožajo resnično v prid dozdevnega, na primer v resničnostih šovih, v katerih identiteto ogroža igranje življenja.« (Marco Bellocchio)

','

scenarij
Marco Bellocchio

fotografija
Pasquale Mari

glasba
Riccardo Giagni

igrajo
Sergio Castellitto (Franco Elica), Donatella Finocchiaro (Bona), Sami Frey (princ Gravine), Gianni Cavina (Smamma), Bruno Cariello (Baiocco), Maurizio Donadoni (Micetti)

festivali, nagrade (izbor)
Pesaro 2005, Cannes 2006, Karlovi Vari2006, Montreal 2006, London 2006

','

Franco Elica, a film director, slides into despair after his daughter decides to marry a devoted catholic. When he is asked, to his horror, to make yet another version of Alessandro Manzoni\\\'s "The Betrothed", he flees to Sicily. Hiding out in a small village he meets a host of colourful characters; a man who makes his living shooting souvenir wedding films, a film director who is faking his own death to finally achieve the fame that eluded him all his life and the cultured nobleman Prince Ferdinando Gravina di Palagonia. The Prince commissions Franco to shoot the wedding of his beautiful daughter, Bona. He falls instantly in love with the Princess and decides to make it his mission to save her from a marriage of convenience.

“I wanted to create a feeling of a somewhat metaphysical control. I was not interested in each image having its cause and explanation, that is why we used complex editing; images that always have their own colour and quality are extremely integrated. The wedding director is the clearest one, he does it professionally and he would like to be an artist himself. Italy was once a land of poets and is now a land of directors. Thousands of festivals, hundreds of images endanger what is real in favour of the apparent, for example in reality shows, where identity is threatened by acting of real life.” (Marco Bellocchio)

','

screenplay
Marco Bellocchio

cinematography
Pasquale Mari

music
Riccardo Giagni

cast
Sergio Castellitto (Franco Elica), Donatella Finocchiaro (Bona), Sami Frey (princ Gravine), Gianni Cavina (Smamma), Bruno Cariello (Baiocco), Maurizio Donadoni (Micetti)

festivals, awards (selection)
Pesaro 2005, Cannes 2006, Karlovy Vary 2006, Montreal 2006, London 2006

',NULL,NULL,2006,NULL,'images/events/event721.jpg','images/events/event721_t.jpg',600,450,NULL,NULL,'Marco Bellocchio',100,'italijanščina','Italian','slovenščina','Slovene','Italija','Italy','images/events/logo721.jpg','images/events/logo721_t.jpg',200,200,'Marco Bellocchio'),(727,33,'TRIKRAT','Three Times','Zui hao de shi guang','

Trije različni časi (1911, 1966, 2005), tri zgodbe (Čas za ljubezen, Čas za svobodo, Čas za mladost), ista igralka in igralec (Shu Qi in Chang Chen) v filmu kot hvalnica njuni ljubezni v treh življenjih.

»Najlepši trenutki, ki smo jih doživeli, so za zmeraj izgubljeni. Le če se zatečemo k spominu, jih lahko povrnemo. Film je orodje, ki mi omogoča ohraniti te spomine. Mislim, da lahko vse, kar človek izkusi, nekoč postane eden od njegovih \\\'najlepših spominov\\\', zato sem želel posneti te kratke prizore, ki ujamejo različne trenutke.« (Hou Hsiao-hsien)

','

scenarij
Chu Tien-wen

fotografija
Mark Lee Ping-bin

zvok
Tu Duu-chih

igrajo
Shu Qi (A-Mei/May, Jing), Chang Chen (Zhen, Mr. Zhang, Zhen), Mei Fang (starka), Liao Su-jen (gospa, Jingova mati), Di Mei (Mayina mati, gospa)

festivali, nagrade (izbor)
Cannes 2005, Toronto 2005, Pusan 2005, Rotterdam 2006

','

Three different times (1911, 1966, 2005), three stories (A Time for Love, A Time for Freedom, A Time for Youth), the same actor and actress (Shu Qi in Chang Chen), through the movie as a chant of their love of three life times.

»The best moments we\\\'ve experienced are lost forever. The only way to retrieve them is to call upon your memory. Cinema is a tool which enables me to preserve these memories. I think that everything a person experiences is liable to become one of his own future "fondest memories," and that\\\'s why I wanted to shoot these short sequences, which capture different moments.« (Hou Hsiao-hsien)

','

screenplay
Chu Tien-wen

cinematography
Mark Lee Ping-bin

sound
Tu Duu-chih

cast
Shu Qi (A-Mei/May, Jing), Chang Chen (Chen, Mr. Chang, Chen), Mei Fang (Old Woman), Liao Su-jen (Madam, Jing\\\'s mother), Di Mei (May\\\'s mother, Madam)

festivals, awards (selection)
Cannes 2005, Toronto 2005, Pusan 2005, Rotterdam 2006

',NULL,NULL,2005,NULL,'images/events/event727.jpg','images/events/event727_t.jpg',600,450,NULL,NULL,'Hsiao-hsien Hou',135,'mandarinščina/tajvansko','Mandarin/Taiwanese','slovenščina','Slovene','Francija, Tajvan','France, Taiwan',NULL,NULL,NULL,NULL,'Hsiao-hsien Hou'),(731,38,'VOLITVE','Election','Hak se wui','

Po dveh letih je ponovno čas, ko Strici, najstarejši vodje triade Wo Sing – hongkonške bratovščine, volijo novega predsednika. Za nasledstvo se potegujeta na eni strani umirjeni, hladni in po mnenju Stricev že vnaprej pričakovani zmagovalec Lok, nasproti njemu pa vročekrvni in karizmatični Big D, ki si prizadeva s podkupninami pridobiti naklonjenost Stricev in si želi spremeniti tradicionalno ureditev v triadi. Po pričakovani Lokovi zmagi pa se zaplete, saj uradno ne more postati voditelj, dokler ne poseduje Wo Singovega starinskega simbola moči – palice zmajeve glave, ki je izginila. Razdrta bratovščina se tako poda na lov za palico.

»Film Volitve ponuja realistični pogled na to, kaj danes pomeni biti gangster v Hongkongu. Ljudi požirata pohlep in moč. Skozi grenko rivalstvo med dvema kandidatoma zgodbe, Lokom in Big D-jem, vidimo, da tradicija in disciplina začenjata razpadati, ko prevladajo individualne ambicije in pohlep. Starodavni obredi in krvne prisege zunaj simbolične formalnosti nimajo nobenega pomena več.« (Johhny To)

','

scenarij
Yau Nai Hoi, Yip Tin Shing

fotografija
Cheng Siu Keung

glasba
Lo Tayu

igrajo
Simon Yam (Lok), Tony Leung Ka Fai (Big D), Louis Koo (Jimmy), Nick Cheung (Jet), Siu-Fai Cheung (gospod So), Ka Tung Lam (Kun), Suet Lam (Big Head)

festivali, nagrade (izbor)
nagrada zlati konj 2005 (za scenarij, za zvočne učinke), hongkonška filmska nagrada 2006 (najboljši igralec, najboljši režiser, najboljši film, najboljši scenarij), nagrada hongkonškega združenja filmskih kritikov 2006 (najboljši režiser, najboljši film)

','

After two years the time has come again for the Uncles – the oldest leaders of the Wo Sing triad, a Hong Kong fraternity – to elect their new president. Competing for the leadership are the calm, cool and, in the Uncles’ opinion, the likely winner Lok and the hot-blooded, charismatic Big D, who wants to bribe his way to the Uncles\\\' support and tries to change the traditional organisation in the triad. After Lok\\\'s expected win things get complicated, for he cannot officially become the leader until the ancient symbol of power – “the baton of the dragon\\\'s head,” which has disappeared – comes to his possession. The broken up brotherhood thus sets out on a mission to retrieve the baton.

“Election offers a realistic look at what it means to be a gangster in Hong Kong today: People are being consumed by greed and power. Through the bitter rivalry between the story’s two candidates, Lok and Big D, we see tradition and discipline begin to disintegrate as individual ambition and greed take over. Ancient ceremony and blood oaths no longer occupy any importance beyond symbolic formality.” (Johnny To)

','

screenplay
Yau Nai Hoi, Yip Tin Shing

cinematography
Cheng Siu Keung

music
Lo Tayu

cast
Simon Yam (Lok), Tony Leung Ka Fai (Big D), Louis Koo (Jimmy), Nick Cheung (Jet), Siu-Fai Cheung (Mr So), Ka Tung Lam (Kun), Suet Lam (Big Head)

festivals, awards (selection)
Golden Horse Award 2005 (screenplay, sound effect), Hong Kong Film Awards 2006 (best actor, best director, best film, best screenplay), Hong Kong Film Critics Society Awards (2006) (best director, best film)

',NULL,NULL,2005,NULL,'images/events/event731.jpg','images/events/event731_t.jpg',600,450,NULL,NULL,'Johnny To',100,'kantonščina (hong kong)','Cantonese (Hong Kong)','angleščina, slovenščina','English, Slovene','Hongkong','Hongkong',NULL,NULL,NULL,NULL,'Johnny To'),(738,56,'TRANSILVANIJA','Transylvania','Transylvania','

Zingarina, mlado in uporno dekle, se z zaščitniško prijateljico Marie odpravi v Transilvanijo, da bi tam poiskala moškega, ki ga ljubi. Glasbenika Milana je spoznala v Franciji, pa jo je moral nenadoma v naglici zapustiti, na da bi ji pojasnil, kam odhaja in zakaj ... V neki vasi v osrčju Romunije, kjer poteka slavje v čast Herodu, Zingarina končno najde Milana. A med divjim poganskim praznovanjem spozna, da je on ne ljubi. Preplavi jo občutek osamljenosti. Zingarina se loči od Marie, ki pomeni njeno vez s preteklostjo, in se zakrinkana v ciganko poda na brezciljno popotovanje po deželi. Na svojem popotovanju kmalu spozna skrivnostnega moškega, Čangala, svobodnega samotarja, ki ni na nič vezan in ki ga nič ne omejuje, ter ob njem ponovno najde ljubezen.

»Nisem hotel ženske, ki potone v globinah prepada, temveč bolj bojevito protagonistko. Mora nas presenetiti ter voditi proti svetlobi in upanju. Moje srečanje z Asio Argento je bilo v tem pogledu odločujoče: takoj sem jo zaznal kot strastno bojevnico, ki bo Zingarini prinesla mešanico drznosti in krhkosti.« (Tony Gatlif)

','

scenarij
Tony Gatlif

fotografija
Céline Bozon

glasba
Tony Gatlif, Delphine Mantoulet

igrajo
Asia Argento (Zingarina), Amira Casar (Marie), Birol Ünel (Čangalo), Alexandra Beaujard (Luminica), Marco Castoldi (Milan), Beata Palya (pevka v kabaretu)

festivali, nagrade (izbor)
Cannes 2005, Toronto 2006, Brisbane 2006, Antalija 2006

','

A young rebel, Zingarina, sets off to Transylvania with her protective friend, Marie, to find the man she loves, a musician she had met in France. This musician had left the country suddenly and hastily, without explaining why and where he was going… Zingaria finally finds her lost lover Milan in a Romanian village, where festivities are being held in Herod\\\'s honour. During the wild pagan celebrations she realises Milan does not love her. A feeling of loneliness takes over her. She parts from Marie, who represents her only link with the past, and sets off on an aimless journey across the country, disguised as a gipsy. She soon meets a mysterious man, Tchangal, a free loner who is not attached to anything or limited by anything, and finds love again at his side.

"I didn\\\'t want a woman who sinks to the depths of the abyss, but rather a combative protagonist. She must surprise us and leads us towards the light and hope. My meeting with Asia Argento was determining in this respect: I immediately perceived her as a passionate warrior, bringing a blend of assurance and fragility to Zingarina." (Tony Gatlif)

','

screenplay
Tony Gatlif

cinematography
Céline Bozon

music
Tony Gatlif, Delphine Mantoulet

cast
Asia Argento (Zingarina), Amira Casar (Marie), Birol Ünel (Tchangalo), Alexandra Beaujard (Luminitsa), Marco Castoldi (Milan), Beata Palya (cabaret singer)

festivals, awards (selection)
Cannes 2005, Toronto 2006, Brisbane 2006, Antalya 2006

',NULL,NULL,2006,NULL,'images/events/event738.jpg','images/events/event738_t.jpg',600,450,NULL,NULL,'Tony Gatlif',103,'francoščina, romunščina','French, Rumanian','slovenščina','Slovene','Francija','France',NULL,NULL,NULL,NULL,'Tony Gatlif'),(740,34,'HVALA, KER KADITE','Thank You For Smoking','Thank You For Smoking','

Nick Naylor je tiskovni predstavnik velikega tobačnega koncerna, ki se preživlja s tem, da brani pravice kadilcev in proizvajalcev cigaret v današnji neopuritanski družbi. Fanatični zagovorniki zdravja, ki želijo prepovedati kajenje, in oportunistični senator, ki hoče na škatlice cigaret nalepiti simbole za strup, Nicka izzovejo, da se odloči pognati PR-ofenzivo, ki bo na pogovornih tv-oddajah zanikala nevarnosti kajenja, v Hollywood pa poslati posebnega agenta, ki bo cigarete promoviral s filmi. Nickova razvpitost pritegne tako pozornost tobačnega mogotca kot tudi raziskovalne novinarke washingtonskega dnevnika. Nick zase pravi, da le opravlja svoj posel. Vseeno pa ga začne vse bolj skrbeti, kaj si o njem misli njegov mladi sin Joey.

»Želel sem, da ljudje začnejo razmišljati o politični korektnosti, o pojmih osebne odgovornosti in osebne izbire. Mislim, da so cigarete čudovita stvar za takšno razpravo, kajti glede cigaret poznamo vse odgovore. Vemo, da so nevarne, vemo, da ubijajo, vemo, kako ubijajo, razumemo, da povzročajo odvisnost. Hotel sem pobliže pogledati, zakaj čutimo potrebo, da drug drugemu govorimo, kako naj živimo, in zakaj ne sprejmemo odgovornosti za svoja dejanja, ko zbolimo zaradi stvari, za katere vemo, da so nevarne.« (Jason Reitman)

','

scenarij
Jason Reitman (po literarni predlogi Christopherja Buckleya)

fotografija
James Whitaker

glasba
Rolfe Kent

igrajo
Aaron Eckhart (Nick Naylor), Maria Bello (Polly Bailey), Cameron Bright (Joey Naylor), Adam Brody (Jack), Sam Elliot (Lorne Lutch), Katie Holmes (Heather Holloway), Rob Lowe (Jeff Megall), William H. Macy (Senator Ortolan K. Finistirre), Robert Duvall (Doak »The Captain« Boykin)

festivali, nagrade (izbor)
Toronto 2005, Sundance 2006, Sydney 2006

','

Nick Naylor is a press officer at a huge tobacco concern, making his living by defending the rights of smokers and cigarette producers in today\\\'s neo-puritan society. His challenging opponents are fanatic health defenders who wish to forbid smoking and an opportunist senator who wants to stick poison labels to cigarette boxes. Nick decides to launch a PR offensive that will deny cigarette-related dangers at TV talk shows and to send a special agent to Hollywood in order to promote cigarettes through films. His disrepute attracts the attention of a tobacco magnate as well as the research journalist of one Washington daily. Nick says that he is only doing his work. Yet he is becoming more and more worried about what his young son Joey might think of him.

“What I wanted people to think about was political correctness. I wanted them to think about ideas of personal responsibility and personal choice. I think cigarettes are a wonderful location for that discussion because cigarettes are something we know all the answers to. We know they\\\'re dangerous, we know they kill, we know how they kill, we understand that they are addictive. I wanted to look into this idea of why we feel the need to tell each other how to live and why we can\\\'t take personal responsibility for our own actions when we fall ill from things that we know are dangerous.” (Jason Reitman)

','

screenplay
Jason Reitman (based on a novel by Christopher Buckley)

cinematography
James Whitaker

music
Rolfe Kent

cast
Aaron Eckhart (Nick Naylor), Maria Bello (Polly Bailey), Cameron Bright (Joey Naylor), Adam Brody (Jack), Sam Elliot (Lorne Lutch), Katie Holmes (Heather Holloway), Rob Lowe (Jeff Megall), William H. Macy (Senator Ortolan K. Finistirre), Robert Duvall (Doak »The Captain« Boykin)

festivals, awards (selection)
Toronto 2005, Sundance 2006, Sydney 2006

',NULL,NULL,2005,NULL,'images/events/event740.jpg','images/events/event740_t.jpg',600,450,NULL,NULL,'Jason Reitman',92,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Jason Reitman'),(741,34,'BRUTALNA MULARIJA','Tough Enough','Knallhart','

Ko se Miriam razide s svojim bogatim ljubimcem, se mora s 15-letnim sinom Michaelom preseliti iz urejenega in mirnega predmestja v surovo, narodnostno mešano četrt Neukölln. Michael tam sicer kmalu najde prijatelje, pa tudi sovražnike, saj ga v šoli napade Errolova banda, ki od njega zahteva denar in ga pretepa. Doma se mora soočiti z moškimi, ki jih njegova mama zabava v iskanju »tistega pravega«. Michaelovo življenje se spremeni, ko ga za svojega vzame Hamal, vodja lokalne mafije. S svojim nedolžnim mladim obrazom je Michael namreč pravšnji za kurirja, ki lokalnim preprodajalcem prinaša pošiljke droge. Vse poteka v najlepšem redu, dokler nekega dne ne zmanjka nekaj denarja – takrat Michael spozna, kakšna je resničnost njegovega novega poklica.

»Ko ob začetku filma slišite glasbo Stravinskega in vidite tega mladeniča, kako se zmedeno sprehaja po ulicah, takoj veste, da tisto, kar se bo zgodilo, ne bo smešno. To je film o problemu in to ima prednost. Odločeni smo bili povedati to zgodbo. Zgodbo o mladeniču, ki so ga odstranili, ker je bil najšibkejši člen.« (Detlev Buck)

','

scenarij
Zoran Drvenkar, Gregor Tessnow (po literarni predlogi Gregorja Tessnowa)

fotografija
Kolja Brandt

glasba
Bert Wrede

igrajo
David Kroß (Michael Polischka), Jenny Elvers-Elbertzhagen (Miriam Polischka), Erhan Emre (Hamal), Oktay Özdemir (Errol), Kida Ramadan (Barut), Jan Henrik Stahlberg (Dr. Peters), Eva Loebau (Elke), Hans Löw, Arnel Taci (Crille)

festivali, nagrade (izbor)
Berlin 2006 (nagrada Fipresci, Label Europa Cinemas Award), Šanghaj 2006, Karlovi Vari 2006, Palić 2006 (stolp)

','

When Miriam splits up with her wealthy lover, she and her 15-year-old son Michael have to move from a nice tranquil suburb to the rough, multi-ethnical neighbourhood of Neukölln. The boy soon finds friends in his new neighbourhood, but at school he is victimized and pressed for money by Errol and his gang. At home, he has to face the men his mother entertains in search of Mr Right. Michael\\\'s life changes when Hamal, the local mafia leader, takes him under his wing. Michael\\\'s innocent young face is perfect for the task of messenger bringing drugs to local dealers. Everything is fine until one day, when some of the money is discovered missing. Michael now faces the reality of his new profession.

“At the beginning of Tough Enough, when you hear Stravinsky\\\'s music and see this young man walking the streets, disoriented, you know right away that whatever\\\'s going to happen, it\\\'s not going to be all laughs. It\\\'s a movie about a problem and that takes priority. We were determined to tell that story. It\\\'s the story of a young man who was taken out because he\\\'s the weakest link.” (Detlev Buck)

','

screenplay
Zoran Drvenkar, Gregor Tessnow (based on a novel by Gregor Tessnow)

cinematography
Kolja Brandt

music
Bert Wrede

cast
David Kroß (Michael Polischka), Jenny Elvers-Elbertzhagen (Miriam Polischka), Erhan Emre (Hamal), Oktay Özdemir (Errol), Kida Ramadan (Barut), Jan Henrik Stahlberg (Dr. Peters), Eva Loebau (Elke), Hans Löw, Arnel Taci (Crille)

festivals, awards (selection)
Berlin 2006 (Fipresci Award, Label Europa Cinemas Award), Shanghai 2006, Karlovy Vary 2006, Palić 2006 (Tower Award)

',NULL,NULL,2006,NULL,'images/events/event741.jpg','images/events/event741_t.jpg',600,450,NULL,NULL,'Detlev Buck',98,'nemščina','German','slovenščina','Slovene','Nemčija','Germany',NULL,NULL,NULL,NULL,'Detlev Buck'),(743,29,'KAJ POČETI SAM S SEBOJ ČEZ DAN','Facing The Day','Što sa sobom preko dana','

V enem najbolj razvpitih zaporov v Evropi, Lepoglava, so številni režimi svojo strogost utrjevali z vsiljevanjem brutalnih metod tako imenovane zaporniške rehabilitacije. Lepoglava je še danes osrednji hrvaški zapor in več jetnikov se je odločilo, da bodo postavili Shakespearovo dramo Sen kresne noči. Film je zgodba o tistih med njimi, ki bi bili danes, če bi Shakespeare še živel, junaki njegovih dram.

»Prvotna zamisel je bila posneti film o terapiji zapornikov z igro, torej nekakšno rehabilitacijo. Sprva sem temu nasprotovala, saj se mi je zdelo nesmiselno. Zanimala me je namreč zgodba o zaporu in ljudeh v njem. Prav v tem času so v nekem časopisu objavili članek o zapornikih, ki so s Stojanom Matavuljem pripravili predstavo Žalostna zgodba o Piramu in Tizbi. Zanimali so me kot ljudje, tako kot so me vsi, o katerih sem posnela dokumentarce. Če imam osebo z imenom in priimkom, potem rada ustvarim pozitivno zgodbo, saj je najlažje iz vsakega človeka narediti pošast.« (Ivona Juka)

','

fotografija
Mario Oljača

glasba
Tamara Obrovac

festivali, nagrade (izbor)
Sarajevo 2006 (srce sarajeva za najboljši dokumentarec), Hrvaški dnevi filma 2006 (Grand Prix, oktavijan – za najboljši dokumentarec), goEast Film Festival 2006 (najboljši dokumentarec), PI-FF 2006, Pula 2006

','

In Lepoglava, one of the most notorious penitentiaries in Europe, many regimes have trained their strictness by imposing the brutal methods of the so-called prison rehabilitation. Lepoglava is still the central Croatian penitentiary, in which several prisoners have decided to take up Shakespeare\\\'s play A Midsummer Night’s Dream. This is the story about those of them who would today, were Shakespeare alive, be the heroes of his plays.

“The original idea was to make a film about a play therapy for prisoners, a kind of rehabilitation. At first, I was against it; it did not make any sense to me. I was interested in a story about the prison, about people who are imprisoned. At that precise time a newspaper published an article on prisoners who staged a play »A Sad story of Pram and Tizba« with Stojan Matavulj. I was interested in them as people, just like I am interested in everybody I made documentaries about. I like to create a positive story if I have a person with a name in front of me, because the easiest thing would be to make a monster out of every man.” (Ivona Juka)

','

cinematography
Mario Oljača

music
Tamara Obrovac

festivals, awards (selection)
Sarajevo 2006 (Heart of Sarajevo for best documentary film), Croatian Film Days 2006 (Grand Prix, oktavijan – best documentary), goEast Film Festival 2006 (best documentary), PI-FF 2006, Pula 2006

',NULL,NULL,2006,NULL,'images/events/event743.jpg','images/events/event743_t.jpg',600,450,NULL,NULL,'Ivona Juka',72,'hrvaščina','Croatian','slovenščina','Slovene','Hrvaška','Coratia','images/events/logo743.jpg','images/events/logo743_t.jpg',200,200,'Ivona Juka'),(744,34,'STRUP ZA ŽENSKE','The Libertine','The Libertine','

Film prikaže dneve slave in zaton razvpitega razuzdanca Johna Wilmota, grofa Rochestrskega, prijatelja kralja Charlesa II, ki je v Angliji sedemnajstega stoletja pisal izjemno namigljive pesmi, nekatere eksplicitno seksualne, spet druge filozofske.
Spremljamo njegove londonske pustolovščine, njegovo tamkajšnje škandalozno in dekadentno življenje: strastno romanco z mlado igralko Elisabeth Barry in pisanje obscene drame, ki nesramno in kvantaško sramoti samega monarha, ki je dramo naročil – Charlesa II., kar vodi v grofov izgon in končen propad.

»Strup za ženske sem videl kot očarljivo raziskavo življenja strastnega moškega, njegovih ljubezni in njegovega genija ter neverjetne spretnosti, kako nadarjenost izdati z dejanji. Zdi se, da se Rochester ni bil sposoben premagati, da ne bi uničil tistega, kar mu je bilo pomembno. Kakor toliko čarobnih, prekratkih življenj, je bilo tudi njegovo polno neverjetnih stvari. Film ni zgodba o hladnem obupu, temveč prej o toboganu čustev, idej in provokativnih vprašanj.« (Laurence Dunmore)

','

scenarij
Stephen Jeffreys

fotografija
Alexander Melman

glasba
Michael Nyman

igrajo
Johnny Depp (Rochester), Paul Ritter (Chiffinch), John Malkovich (Charles II), Stanley Townsend (Keown), Francesca Annis (Countess), Rosamund Pike (Elizabeth Malet), Tom Hollander (Etherege), Johnny Vegas (Sackville)

festivali, nagrade (izbor)
Toronto 2004, British Independent Film Awards 2005 (najboljša stranska vloga), Bradford 2006

','

The Libertine sketches the glory days and detumescence of scandalously decadent John Wilmot, Earl of Rochester, friend of King Charles II, the notorious rakehell who in the 17th –century England wrote highly allusive poems, some sexually explicit, others philosophical.
We follow Earl\\\'s adventures in London, from his passionate romance with a young actress, Elisabeth Barry, to the writing of the scurrilous play which blisteringly and bawdily lampoons the very monarch who commissioned it, Charles II, leading to Earl\\\'s banishment and eventual downfall.

”I saw The Libertine as a compelling examination of a passionate man\\\'s life, loves and genius, and his incredible knack for betraying his talent with his actions. Rochester seemed incapable of stopping himself from destroying the things that mattered to him. Like so many magical, shortened lives, his was full of incredible things. The story isn\\\'t one of bleak despair, but rather a roller coaster of emotions, ideas and provocative questions.” (Laurence Dunmore)

','

screenplay
Stephen Jeffreys

cinematography
Alexander Melman

music
Michael Nyman

cast
Johnny Depp (Rochester), Paul Ritter (Chiffinch), John Malkovich (Charles II), Stanley Townsend (Keown), Francesca Annis (Countess), Rosamund Pike (Elizabeth Malet), Tom Hollander (Etherege), Johnny Vegas (Sackville)

festivals, awards (selection)
Toronto 2004, British Independent Film Awards 2005 (Best Supporting Role), Bradford 2006

',NULL,NULL,2005,NULL,'images/events/event744.jpg','images/events/event744_t.jpg',600,450,NULL,NULL,'Laurence Dunmore',114,'angleščina','English','hrvaščina, slovenščina','Croatian, Slovene','VB','GB',NULL,NULL,NULL,NULL,'Laurence Dunmore'),(745,34,'REVOLVER','Revolver','Revolver','

Po sedmih letih zapora se Jake Green vrne, da bi poravnal račune z zlobnim gangsterjem Dorothyjem Macho. V zaporu sta ga sojetnika naučila skrivnostne formule, s katero je Jake postal nepremagljiv v igrah na srečo. Pripravljen je na maščevanje. Medtem Macha pripravlja načrt, kako bi se znebil neusmiljenega nasprotnika Lorda Johna in se ob tem poveže z vplivnim Samom Goldom. Jake obišče Macho v njegovi igralnici in ga prek igre na srečo javno poniža. Macha za Jakom pošlje plačana morilca, da opravita z njim, a ga nepričakovano rešita skrivnostna Zach in Avi, ki mu ponudita celo zaščito. Jake jo sprejme. Kmalu se znajde sredi igre, ki si je ni želel. A največja nevarnost zanj prihaja iz povsem nepričakovane smeri.

»Velik izziv je bil vzeti intelektualni koncept in ga umestiti v napeto, akcijsko pripoved, saj koncepti običajno niso prav zanimivi za ogled. Pomembno je, da je film zabaven. V kinu hočeš zabavo, meni pa je ob čutni spodbudi všeč tudi intelektualno vznemirjenje. Ta film sem napisal v treh letih, medtem ko sem za Snatch potreboval tri mesece. V osnovi ne gre za zelo zapleten film, pravzaprav je precej preprost. Zapleteno ga je bilo umestiti v pripoved.« (Guy Ritchie)

','

scenarij
Guy Ritchie

fotografija
Tim Maurice-Jones

glasba
Marco Beltrami, Nathaniel Mechaly

igrajo
Jason Statham (Jake), Ray Liotta (Macha), Vincent Pastore (Zach), Andre Benjamin (Avi), Terrence Maynard (French Paul), Mark Strong (Sorter)

estivali, nagrade (izbor)
Toronto 2005, Helsinki 2005, Bangkok 2006, Skopje 2006

','

After seven years in prison, Jake Green is back to settle accounts with the mean gangster, Dorothy Macha. His inmates revealed a secret formula to Jake, making him unbeatable in gambling. He is ready for revenge. Meanwhile, Macha contacts the influential Sam Gold in order to get rid of his ruthless opponent, Lord Jordan. Jake visits Macha in his casino and publicly humiliates him. Macha puts out a hit on Jake, but ends up being protected by the enigmatic brothers, Zach and Avi. He soon finds himself in the middle of a game he did not ask for. But the biggest danger for him is coming from a totally unexpected direction.

“The great challenge then was to take an intellectual concept and clothe it in an exciting, action-packed narrative because concepts are not necessarily interesting to look at. It’s important that the film delivers on an entertaining level. What you want in the cinema is entertainment but I like to be intellectually titillated while being sensorially stimulated. It took me three years to write this film whereas Snatch took me three months. Fundamentally, it’s not a very complicated film, it’s actually quite simple, but to clothe it within a narrative was quite complicated.” (Guy Ritchie)

','

screenplay
Guy Ritchie

cinematography
Tim Maurice-Jones

music
Marco Beltrami, Nathaniel Mechaly

cast
Jason Statham (Jake), Ray Liotta (Macha), Vincent Pastore (Zach), Andre Benjamin (Avi), Terrence Maynard (French Paul), Mark Strong (Sorter)

festivals, awards (selection)
Toronto 2005, Helsinki 2005, Bangkok 2006, Skopje 2006

',NULL,NULL,2005,NULL,'images/events/event745.jpg','images/events/event745_t.jpg',600,450,NULL,NULL,'Guy Ritchie',115,'angleščina/mandarinščina','English/Mandarin','slovenščina','Slovenian','Francija, VB','France, GB',NULL,NULL,NULL,NULL,'Guy Ritchie'),(746,34,'OBLJUBA','The Promise','Wu ji','

Qingcheng je lepo mlado dekle, ki se v času hudih vojn in pomanjkanja s svojo mamo preživlja tako, da jemlje hrano umrlim vojakom. Nekega dne jo s prevaro ujame moški, ki jo hoče za svojo sužnjo. Dekle sprva pristane, ko pa njegova pozornost popusti, mu zbeži. Med prečkanjem vode ji vanjo pade kruh. Ujame ga boginja, ki ji ponudi, da bi lahko postala princesa, pred katero bodo vsi moški padali na kolena, a cena bi bila visoka: prave ljubezni ne bi nikoli spoznala. Minejo leta. General Guangming s pomočjo svojega sužnja, ki ima posebne sposobnosti, premaga precej močnejšo vojsko. Še iste noči se morata vrniti, saj ju sel obvesti, da je bil kralj napaden. V obleganem mestu pa kralj obljubi princeso vodji napadalcev, če mu ta zagotovi svobodo ...

»Današnji položaj na Kitajskem je močno vplival na nas. Junake lahko prepoznamo v sodobni kitajski družbi, kajti družbene spremembe so ljudi malce zmedle. General je značilen poslovnež, ki pograbi vse, kar mu pride pod roke in se ne zmeni za življenje ljudi. Princesa prav tako. Mislim, da bi mnogo Kitajcev odgovorilo tako kot odgovori ona v filmu: \\\'Nočem ljubezni. Pozabi ljubezen.\\\' To je stvar izbire, vendar bo ob koncu dneva vsakdo spoznal, da ne more živeti brez ljubezni, ki je ključna stvar v življenju.« (Chen Kaige)

','

scenarij
Gen Sekiguči

fotografija
Peter Pau

glasba
Klaus Badelt

igrajo
Hiroyuki Sanada (general Guangming), Jang Dong-Gun (Kunlun), Cecilia Cheung (princesa Qingcheng), Nicholas Tse (Wuhuan), Liu Ye (Guilang), Chen Hong (boginja)

festivali, nagrade (izbor)
Berlin 2006, Deauville 2006, Moskva 2006

','

Qingcheng is a beautiful young girl trying to survive the hard war times by stealing food from dead soldiers. One day, a man tricks and catches her, wanting her to become his slave. The girl accepts at first, but later escapes when he is not paying attention. Crossing the water, she loses some bread. A goddess approaches her, offering her to become a princess adored by every man, in return for a high price – she would never know true love. The years go by. General Guangming overcomes a much stronger army with the help of his slave, a man of remarkable talents. They need to return the same night, because a messenger has informed them that the king has been attacked. In the besieged town, the king promises to give the princess to the leader of attackers if he grants him his freedom...

“We were strongly influenced by the current situation in China. Those characters can be recognizable in current Chinese society because the social change has made people sort of confused. The General is a sort of typical businessman – he grabs everything in front of him and doesn\\\'t care for people\\\'s lives. The Princess is the same. I feel that many Chinese people would give the same answer like she does in the film: "I don\\\'t want love. Forget about love." I think that this is people\\\'s choice but at the end of the day, everyone will realize that you cannot live without love. That is the key issue of life.” (Chen Kaige)

','

screenplay
Chen Kaige

cinematography
Peter Pau

music
Klaus Badelt

cast
Hiroyuki Sanada (general Guangming), Jang Dong-Gun (Kunlun), Cecilia Cheung (princess Qingcheng), Nicholas Tse (Wuhuan), Liu Ye (Guilang), Chen Hong (goddess)

festivals, awards (selection)
Berlin 2006, Deauville 2006, Moscow 2006

',NULL,NULL,2005,NULL,'images/events/event746.jpg','images/events/event746_t.jpg',600,450,NULL,NULL,'Kaige Chen',128,'mandarinščina','Mandarin','hrvaščina, slovenščina','Slovenian/Croatian','Kitajska, Hongkong, Japonska, Južna Koreja','China, Hongkong, Japan, South Korea',NULL,NULL,NULL,NULL,'Kaige Chen'),(747,34,'JAZ, KUBRICK','Colour Me Kubrick: A True...ish Story','Colour Me Kubrick: A True...ish Story','

Vrsto let je britanski slepar Alan Conway živel prav na veliko: lagodno se je potikal po londonski družbi in se pretvarjal, da je veliki Stanley Kubrick. Precej mu je pomagalo filmarjevo legendarno puščavniško življenje, ki mu je zagotovilo, da je le malo navadnih smrtnikov vedelo, kako je videti ali slišati. Conway je bil očarljiv falot, tako prepričan v svojo prevaro, da se je komajda potrudil in naučil svojo domnevno filmografijo (ali si celo ogledal Kubrickove filme), njegova junaštva pa so podrobno prikazana z brezbrižno, pikareskno naslado.

»Prvikrat sem za Alana Conwaya, ki ima prav primerno ime, slišal na snemanju Kubrickovega filma Široko zaprte oči. Takrat je Stanley pristopil k meni in mi rekel, da je slaba novica tistega dne to, da turistični zastopnik iz severnega Londona hodi naokrog in se pretvarja, da je on, da bi tako lažje prišel v klube in hlače mladih fantov. Stanley je svojemu dolgoletnemu pomočniku Tonyju Frewinu takoj naložil, da sledi vsakemu koraku tega prevaranta. (...) Tri leta pozneje je Stanley umrl. Frewin po Stanleyjevi smrti ni prav dobro vedel, kaj bi storil z obsežnimi zapisi o Conwayu. Ker jih ni hotel preprosto zavreči, se je odločil, da bo vse prigode strnil v scenarij. Mislil je, da bi me utegnilo zanimati in da bi se mogoče celo nasmejal. Prav je imel.« (Brian W. Cook)

','

scenarij
Anthony Frewin

fotografija
Howard Atherton

glasba
Bryan Adams

igrajo
John Malkovich, Jim Davidson, Richard E. Grant, Luke Mably, Terence Rigby, James Dreyfus, Peter Bowles, Leslie Phillips

festivali, nagrade (izbor)
Dinard Film Festival 2005, Edinburgh Film Festival 2006, Tribeca 2006, Helsinki 2006

','

For a number of years last decade, a British conman, Alan Conway, lived fairly large: ambling around London society pretending to be the great Stanley Kubrick. He was aided in no small part by the filmmaker\\\'s legendary reclusiveness, which ensured that few ordinary mortals knew what he looked or sounded like. Conway is a compelling rogue, so confident in his deception that he barely bothered to learn his own supposed filmography (or even see Kubrick\\\'s films in the first place) - and his exploits are detailed with a cool, picaresque delight.

”I first heard of the appropriately named Alan Conway on the set of Stanley Kubrick\\\'s Eyes Wide Shut. So when Stanley came to me and said that today\\\'s bad news is that a travel agent from North London was going around pretending to be him in order to get into clubs as well as young boys\\\' pants. Stanley immediately put Tony Frewin, his longtime assistant, on the case of tracking this con-man\\\'s every move. [...] Three years later Stanley passed away. Frewin had not known exactly what to do with the enormous "Conway Files," and not wanting to simply throw them out, he had decided instead to condense each of the escapades into a screenplay, which he thought I might find interesting and perhaps even laugh from. He was right.” (Brian W. Cook)

','

screenplay
Anthony Frewin

cinematography
Howard Atherton

music
Bryan Adams

cast
John Malkovich, Jim Davidson, Richard E. Grant, Luke Mably, Terence Rigby, James Dreyfus, Peter Bowles, Leslie Phillips

festivals, awards (selection)
Dinard Film Festival 2005, Edinburgh Film Festival 2006, Tribeca 2006, Helsinki 2006

',NULL,NULL,2005,NULL,'images/events/event747.jpg','images/events/event747_t.jpg',600,450,NULL,NULL,'Brian W. Cook',132,'angleščina','English','hrvaščina, slovenščina','Croatian, Slovene','VB, Francija','GB, France',NULL,NULL,NULL,NULL,'Brian W. Cook'),(749,34,'PARFUM','Parfume: The Story of a Murderer','Das Parfum – Die Geschichte eines Mörders','

Parfum, posnet po uspešnici Patricka Suskinda, je grozljiva zgodba o umoru in obsedenosti, ki se dogaja v Franciji osemnajstega stoletja.
Jean-Baptiste Grenouille ima edinstven dar zaznavanja dišav in vonjev, ki se vrtinčijo okrog njega, in ga uporablja pri ustvarjanju najboljših parfumov na svetu. Nenavadno je, da sam nima nobenega vonja, zato ga obsede želja, da bi ujel neustavljivo, a izmikajočo se aromo mlade ženskosti. Grenouillova obsedenost postane smrtonosna in policija najde dvanajst umorjenih deklet. Izbruhne panika, ko skušajo ljudje zaščititi svoje hčere, medtem ko neusmiljeni Grenouille, ki se ne kesa, še vedno nima zadnje sestavine, ki bi končala njegovo iskanje.

»Sebe najdem prav v vsakem posnetku, v vsaki podobi. Le redki so moji filmi, ki bi se jim počutil tako blizu. Mislim, da smo knjigo dokaj dobro priredili, a film je, jasno, zgolj interpretacija. To ima dosti opraviti z mojim načinom branja in bližino, ki jo čutim do osrednjega lika.« (Tom Tykver)

','

scenarij
Tom Tykwer, Bernd Eichinger, Andrew Birkin (po istoimenski literarni predlogi Patricka Süskinda)

fotografija
Frank Griebe

glasba
Reinhold Heil, Johnny Klimek, Tom Tykwer

igrajo
Ben Whishaw (Jean-Baptiste Grenouille), Dustin Hoffman (Guiseppe Baldini), Alan Rickman (Antoine Richis), Rachel Hurd-Wood (Laura), Corinna Harfouch (Madame Arnulfi), Birgit Minichmayr (mama Grenouille), Karoline Herfurth (Mirabellenmädchen), Jessica Schwarz (Natalie), Joanna Griffiths (Marianne), Otto Sander (pripovedovalec)

festivali, nagrade (izbor)
Ghent 2006

','

Based on the bestselling novel by Patrick Süskind, Perfume is a terrifying story of murder and obsession set in 18th-century France.
Jean-Baptiste Grenouille has a unique talent for discerning the scents and smells that swirl around him, which he uses to create the world\\\'s finest perfumes. Strangely lacking any scent of his own, he becomes obsessed with capturing the irresistible but elusive aroma of young womanhood. As Grenouille\\\'s obsession turns deadly, twelve young girls are found murdered. Panic breaks out as people rush to protect their daughters, while an unrepentant and unrelenting Grenouille still lacks the final ingredient to complete his quest.

"I find myself in every single shot, in every single picture. I don\\\'t feel this close to a lot of my films. I think we interpreted the book well enough, but the film is of course an interpretation. And it has a lot to do with my personal way of reading, and the proximity I feel to the central character." (Tom Tykver)

','

screenplay
Tom Tykwer, Bernd Eichinger, Andrew Birkin (based on a novel by Patrick Süskind)

cinematography
Frank Griebe

music
Reinhold Heil, Johnny Klimek, Tom Tykwer

cast
Ben Whishaw (Jean-Baptiste Grenouille), Dustin Hoffman (Guiseppe Baldini), Alan Rickman (Antoine Richis), Rachel Hurd-Wood (Laura), Corinna Harfouch (Madame Arnulfi), Birgit Minichmayr (mama Grenouille), Karoline Herfurth (Mirabellenmädchen), Jessica Schwarz (Natalie), Joanna Griffiths (Marianne), Otto Sander (narrator)

festivals, awards (selection)
Ghent 2006

',NULL,NULL,2006,NULL,'images/events/event749.jpg','images/events/event749_t.jpg',600,450,NULL,NULL,'Tom Tykwer',147,'angleščina','English','slovenščina','Slovene','Francija, Španija, Nemčija','France, Spain, Germany',NULL,NULL,NULL,NULL,'Tom Tykwer'),(750,35,'KAJ JE MOŠKI BREZ BRKOV?','What is a Man Without a Mustache?','Što je muškarac bez brkova?','

Mlada Tatjana, noro zaljubljena vdova, osvaja očarljivega, poslovno nesposobnega župnika, ki se je pred kratkim zdravil zaradi alkoholizma. Duhovniku skuša »pomagati« brat dvojček, mlad general hrvaške vojske. Vaški mogotec Marinko, nekoč lastnik avtopralnice v Berlinu, zaman snubi Tatjano. Zveza njegove hčerke Nemke z vaškim nepridipravom in pesnikom haikujev je drugi veliki udarec za njegov ugled. Dalmatinsko zaledje je najrevnejša hrvaška pokrajina, ki živi od denarja zdomcev, patriotizma in spominov na davno snemanje nemških kavbojskih filmov.

»Odločil sem se posneti ljubezensko zgodbo in ustvariti neke vrste realistično komedijo.
Antejevi junaki so očarljivo neumni. Nisem hotel, da bi bili moji liki videti neumni, temveč sem nameraval kot takšno prikazati življenje, če narobe živimo. V romanu se junakom dogaja natanko to, kar si zaslužijo, v mojem filmu pa se jim večinoma godi slabše. Pri meni junaki zmorejo več, vendar jim nikakor ne gre. To je osnovna napetost, s katero občinstvo spremlja film: pričakovanje, da se jim bo končno obrnilo na bolje. Zgodba iz dalmatinskega zaledja, seveda, toda iskreno; zame je to enako film o meni, o mojih ljubeznih, prijateljih, igralcih, o moji ekipi. In morda o Hrvaški. Smiljevo je majhno, a v tem filmu smo vanj umestili vso Hrvaško in še več.« (Hrvoje Hribar)

','

scenarij
Hrvoje Hribar; po literarni predlogi Anteja Tomića

fotografija
Silvije Jesenković

glasba
Tamara Obrovac

igrajo
Leon Lučev (Don Stipan/general Ivica), Zrinka Cvitešić (Tatjana), Ivo Gregurević (Marinko), Jelena Lopatić (Julija), Bojan Navojec (Stanislav)

festivali, nagrade (izbor)
Sarajevo 2005 (najboljša igralka), Pusan 2005, Zagreb 2005 (nagrada občinstva), Thessaloniki 2005, Innsbruck 2006

','

A young widow Tatjana, madly in love, is trying to seduce a charming priest who is incapable in terms of management and was not long ago treated for alcoholism. A young general of the Croatian army, the priest’s twin brother, is trying to »help« him. The village magnate Marinko, former owner of a car wash in Berlin, is in vain asking Tatjana to marry him. The relationship of his daughter Nemka with a villain and haiku poet is another stroke for his reputation. The hinterland of Dalmatia is Croatia\\\'s poorest land, living on expatriates\\\' money, patriotism and memories of German cowboy films shot there ages ago.

“I decided to make a love story and created a kind of a realistic comedy. Ante\\\'s characters are charmingly stupid. I didn\\\'t want my characters to look stupid, but I wanted to present life as such if we don\\\'t live it right. In the novel, precisely those things happen to the characters which they deserve; in my film, even worse things happen to them most of the time. My heroes are capable of more, but in no way they can make it happen. This is the main tension the audience follows – expecting that finally their luck will turn. It\\\'s a story about Dalmatian hinterland, of course, but sincerely speaking, for me this is just as well a film about me, my loves, friends, actors, and my team. And maybe about Croatia. Smiljevo is a small village, but entire Croatia and more has been placed in it in this film.” (Hrvoje Hribar)

','

screenplay
Hrvoje Hribar; based on a novel by Ante Tomić

cinematography
Silvije Jesenković

music
Tamara Obrovac

cast
Leon Lučev (Don Stipan/general Ivica), Zrinka Cvitešić (Tatjana), Ivo Gregurević (Marinko), Jelena Lopatić (Julija), Bojan Navojec (Stanislav)

festivals, awards (selection)
Sarajevo 2005 (best actress), Pusan 2005, Zagreb 2005 (Audience Award), Thessaloniki 2005, Innsbruck 2006

',NULL,NULL,2005,NULL,'images/events/event750.jpg','images/events/event750_t.jpg',600,450,NULL,NULL,'Hrvoje Hribar',109,'hrvaščina','Croatian','slovenščina','Slovene','Hrvaška','Croatia',NULL,NULL,NULL,NULL,'Hrvoje Hribar'),(751,28,'NAMIZNI TENIS','Pingpong','Pingpong','

Pod vplivom nedavnega očetovega samomora se 16-letni Paul nenapovedano zateče v hišo svojega strica in tete, k družini, ki se zdi skoraj popolna. Stric je pomemben vodstveni delavec, teta je privlačna ženska avtoritarnega značaja, njuni sinovi pa se pripravljajo na klavirski nastop, avdicijo, ki bi jim omogočila vpis na konservatorij v Leipzigu. Paul jih prosi, ali bi lahko pri njih ostal med počitnicami. Sprva vsiljivec, nato tisti, ki razsoja med njimi, na koncu pa Paul postane celo razdiralni element v družini. Ko se namreč njegov stric nekega dne odpravi na poslovno potovanje v Madrid, se med Paulom in teto Anno razvije nenavaden odnos, v katerem je zaznati tako zapeljevanje kot zavračanje. Takrat se začne popolna zunanja podoba družine počasi krhati in razpadati ...

»Želel sem prikazati mikrokozmos, ki ga opredeljujejo navade in običaji zgornjega srednjega razreda. Zanima me zunanji pogled našega glavnega junaka, s katerim prebada ta svet. To je pogled mladeniča, ki ga zatemni bolečina ob izgubi očeta. Želel sem razkriti njegove notranje konflikte, saj sem v tem videl največji potencial filma.« (Matthias Luthardt)

','

scenarij
Meike Hauck, Matthias Luthardt

fotografija
Christian Marohl

glasba
Matthias Petsche

igrajo
Sebastian Urzendowsky (Paul), Marion Mitterhammer (Anna), Clemens Berg (Robert), Falk Rockstroh (Stefan)

festivali, nagrade (izbor)
Cannes 2006, München 2006, Giffoni 2006, Montreal 2006, Köbenhavn 2006, Varšava 2006

','

Sixteen-year-old Paul, whose father recently committed suicide, shows up unannounced at his uncle\\\'s house one day. The family seems almost perfect. His uncle is an important manager and his aunt attracting authoritative woman. Their sons are preparing themselves for a piano audition which would grant them access to the Leipzig Academy of Music. Paul asks them if he could stay with them over the holidays. He is, at first, an intruder, then a judge, and in the end a destructive element. When his uncle leaves on a business trip to Madrid, an unusual relationship develops between Paul and his aunt Anna, full of seduction and rejection. It is then that the perfect façade of the family begins to slowly crumble and decay...

“I wanted to show a microcosm that is defined by the manners and rituals of the upper middleclass. I’m interested in the outside view our protagonist has which pierces through this world. It’s a young man’s view clouded by grief over the loss of his father. To reveal his interior conflicts, that’s what I was interested in and where I saw great potential for a film.” (Matthias Luthardt)

','

screenplay
Meike Hauck, Matthias Luthardt

cinematography
Christian Marohl

music
Matthias Petsche

cast
Sebastian Urzendowsky (Paul), Marion Mitterhammer (Anna), Clemens Berg (Robert), Falk Rockstroh (Stefan)

festivals, awards (selection)
Cannes 2006, München 2006, Giffoni 2006, Montreal 2006, Copenhagen 2006, Varšava 2006

',NULL,NULL,2006,NULL,'images/events/event751.jpg','images/events/event751_t.jpg',600,450,NULL,NULL,'Matthias Luthardt',89,'nemščina','German','slovenščina, angleščina','Slovene, English','Nemčija','Germany',NULL,NULL,NULL,NULL,'Matthias Luthardt'),(752,30,'POPOLNI PAR','A Perfect Couple','Un couple parfait','

Po petnajstih letih, ki sta jih preživela v Lizboni, se Nicolas in Marie vrneta v Francijo na poroko prijateljev. Tem se zdi, da se par v vseh teh letih ni dosti spremenil. Njim sta nekakšen vzor, saj ju vsi cenijo kot »popolni par«, moža in ženo, ki sta v dolgih letih, odkar sta skupaj, znala negovati svoje intimno razmerje in se spretno izogibati čerem partnerskega odnosa. A resnica je drugačna: njun odnos je v hudi krizi in poroko sta se namenila izkoristiti, da bi naznanila ločitev. Po razkritju, ki jima omogoči nekaj več razdalje, sledi preizpraševanje njunega razmerja, saj bi rada tudi sama doumela, kaj se jima pravzaprav dogaja: vesta, da drug do drugega še vedno gojita globoka čustva, kljub vsej različnosti med njima.

»Doslej sem svoje filme snemal brez scenarija, po svoji metodi. Glede na francosko produkcijo sem nameraval napisati scenarij, ki bi imel pravo obliko, a sem si hitro premislil in se vrnil k svojemu izhodišču: nekaj strani sinopsisa, struktura preproste zgodbe okoli enega moškega in ženske. To je izvor Popolnega para.« (Nobuhiro Suwa)

Koda za glasovanje prek Mobitela: L

','

scenarij
Nobuhiro Suwa

fotografija
Caroline Champetier

glasba
Haruyuki Suzuki

igrajo
Valéria Bruni-Tedeschi (Marie), Bruno Todeschini (Nicolas), Nathalie Boutefeu (Esther), Louis-Do de Lencquesaing (Vincent), Jacques Doillon (Jacques), Joana Preiss (Natacha), Léa Wiazemsky (Eva)

festivali, nagrade (izbor)
Locarno 2005 (posebna nagrada žirije/special jury award, nagrada/award CICAE), Toronto 2005, Mar del Plata 2005, Solun 2005, Dunaj/Vienna 2005, Brisbane 2006, San Francisco 2006

','

After having lived in Lisbon for fifteen years, Nicolas and Marie return to France for their friends\\\' wedding. They do not seem to have changed considerably in all these years. Nicolas and Marie represent an ideal to everybody, a »perfect couple«, husband and wife who knew how to nurse their intimate relationship and to skilfully avoid the reefs of partnership. But the truth is different: their relationship is in a huge crisis and they wanted to use this wedding as an opportunity to announce their divorce. After distance-granting disclosure questioning of their relationship follows. They too would like to understand what in fact is going on, because they are aware that they still have deep feelings for each other, in spite of all the differences.

“Until now, I have made my films without a screenplay, by my own method. Having in mind the French production, I intended to write a proper-form script, but I soon changed my mind and returned to my starting point: a couple of pages long synopsis, a structure of a simple story, revolving around a man and a woman. This was the source of A Perfect Couple.” (Nobuhiro Suwa)

The code for submitting votes via Mobitel: L

','

screenplay
Nobuhiro Suwa

cinematography
Caroline Champetier

music
Haruyuki Suzuki

cast
Valéria Bruni-Tedeschi (Marie), Bruno Todeschini (Nicolas), Nathalie Boutefeu (Esther), Louis-Do de Lencquesaing (Vincent), Jacques Doillon (Jacques), Joana Preiss (Natacha), Léa Wiazemsky (Eva)

festivals, awards (selection)
Locarno 2005 (posebna nagrada žirije/special jury award, nagrada/award CICAE), Toronto 2005, Mar del Plata 2005, Solun 2005, Dunaj/Vienna 2005, Brisbane 2006, San Francisco 2006

',NULL,NULL,2005,NULL,'images/events/event752.jpg','images/events/event752_t.jpg',600,450,NULL,NULL,'Nobuhiro Suwa',104,'francoščina','French','slovenščina','Slovene','Japonska, Francija','Japan, France',NULL,NULL,NULL,NULL,'Nobuhiro Suwa'),(753,56,'13 TRINAJST','13 Thirteen','13 Tzameti','

Dvaindvajsetletni Sebastien živi siromašno s svojo priseljensko družino. Med popravljanjem sosedove strehe nehote sliši pogovor o pričakovanem paketu, ki naj bi družini prinesel bogastvo. Zasluti življenjsko priložnost in prestreže paket, ki vsebuje vrsto podrobnih navodil. Sledeč tem prevzame lažno identiteto, uspe se mu izmuzniti policijskemu obroču ter se podaja vse globlje na podeželje ...

»Izkušnja zajedavcev, ki samo opazujejo, je zelo podobna izkušnji tistih, ki so dejansko vpleteni v igro. Nisem jih hotel prikazati kot slabe ljudi, kot zajedavce, temveč dostojanstvene, lepe. Zelo naravni so v svoji preprostosti, v svojem načinu bivanja, v popolni odsotnosti vesti. Zaradi tega so stvari še bolj grozljive. V njih ni več niti kančka človečnosti. To zgodbo sem napisal, ko sem bil star devetnajst let, dve leti po tem, ko sem iz Gruzije prišel v Francijo. Povezana je bila z obdobjem mojega življenja, ki je bilo nasičeno z vsemi najslabšimi stvarmi na svetu. V tem filmu sem resnično hotel spregovoriti o človekovih negativnih plateh.« (Géla Babluani)

','

scenarij
Géla Babluani

fotografija
Tariel Meliava

glasba
East (Troublemakers)

igrajo
Georges Babluani (Sébastien), Aurélien Recoing (Jacky), Pascal Bongard (vodja obreda), Fred Ulysse (Alain), Nicolas Pignon (Boter), Vania Vilers (g. Schlondorff), Christophe Vandevelde (Ludo)

festivali, nagrade (izbor)
Benetke 2005 (Luigi De Laurentiis Award; NetPack Award), Tbilisi (Silver Prometheus), Rotterdam 2006, Sundance 2006 (velika nagrada žirije), Crossing Europe, Transilvanija 2006 (FIPRESCI; najboljša fotografija), Toronto 2006

','

Twenty-two-year-old Sebastien leads an impoverished life with his immigrant family. While repairing the roof of a neighbour’s house, he overhears a conversation about an expected package which promises to make the household rich. Sensing the opportunity of a lifetime, Sebastien intercepts the package which contains a series of specific instructions. Following the clues, he assumes a false identity and manages to slip through the grasp of the enclosing police as he ventures deeper and deeper into the countryside...

“The experience of parasites who only watch is very similar to those who are actually involved in the game. I didn’t want to shoot them as bad men, as parasites, I tried to make them sublime, beautiful. They’re very natural, in their simplicity, in their way of being, in their total absence of conscience. It makes things even more horrible. There’s no longer even a single part of humanity in them. I wrote this story when I was 19 years old, two years after I came to France from Georgia. It was related to a time in my life when all the worst things in the world were concentrated. In this movie I really wanted to speak about the negative points of man.” (Géla Babluani)

','

screenplay
Géla Babluani

cinematography
Tariel Meliava

music
East (Troublemakers)

cast
Georges Babluani (Sébastien), Aurélien Recoing (Jacky), Pascal Bongard (vodja obreda), Fred Ulysse (Alain), Nicolas Pignon (Boter), Vania Vilers (g. Schlondorff), Christophe Vandevelde (Ludo)

festivals, awards (selection)
Venice 2005 (Luigi De Laurentiis Award; NetPack Award), Tbilisi (Silver Prometheus), Rotterdam 2006, Sundance 2006 (Grand Jury Prize), Crossing Europe, Transilvania 2006 (FIPRESCI; Best Cinematography), Toronto 2006

',NULL,NULL,2005,NULL,'images/events/event753.jpg','images/events/event753_t.jpg',600,450,NULL,NULL,'Géla Babluani',93,'francoščina','French','slovenščina','Slovene','Francija, Gruzija','France, Georgia',NULL,NULL,NULL,NULL,'Géla Babluani'),(755,30,'ZAJTRK NA PLUTONU','Breakfast on Pluto','Breakfast on Pluto','

V zgodnjih šestdesetih letih je Patricka Bradena še kot otroka zapustila mati. Skrb zanj je sprva prevzel oče Bernard, ki pa ga je nato zaupal neki družini. Med odraščanjem se je Patrick vse bolj jasno zavedal, da se je rodil v napačnem telesu. Rad se oblači kot punce in veliko raje ima družbo moških kot žensk. V grobem okolju malega irskega mesteca zgodnjih sedemdesetih let preživi s pomočjo svoje bistrosti in očarljivosti, saj se nikakor ni pripravljen odreči temu, kar čuti, da je. Kmalu ga želja, da bi našel svojo pravo mater, privede v London, kjer kot transvestit dobi nadimek Kitten. Spozna Billyja, vodjo potujočih komedijantov, ki Patricka vzljubi in postane njegov zaščitnik. Toda Patrickova sreča ni dolga, saj se prek Billyja zaplete s svojimi starimi »prijatelji« – irsko republikansko armado.

»Spomnil sem se Dublina in Londona v šestdesetih in sedemdesetih ter opazil grozljivo podobnost – pomislite na nedavne bombne napade v Londonu – in sem se malce nerad lotil tega filma. Scenarij sem imel napisan že kakšna tri, štiri leta, pa se mi ni nikamor mudilo, nato pa sem se končno odločil, da je izkušnja, ki jo film predstavlja, res precej poučna za kogar koli, ki živi v teh časih. Kako si utreš pot v tem svetu, ob vseh teh odurnih ideologijah, ki ti hočejo ukazovati, kaj naj bi bil, v svetu, v katerem greš lahko v lokal, pa ga raznese? Patricku gre kar dobro od rok.« (Neil Jordan)

Koda za glasovanje prek Mobitela: Z

','

scenarij
Neil Jordan (po literarni predlogi Pata McCaba/based on a novel by Pat McCabe)

fotografija
Declan Quinn

glasba
Anna Jordan

igrajo
Cillian Murphy (Patrick \\\'Kitten\\\' Braden), Liam Neeson (oče/father Liam), Stephen Rea (Bertie), Brendan Gleeson (John Joe Kenny), Gavin Friday (Billy Hatchett), Ian Hart (PC Wallis), Bryan Ferry (Mr Silky String), Eva Birthistle (Eily Bergin)

festivali, nagrade (izbor)
Telluride 2005, Toronto 2005, New York 2005, Rio de Janeiro 2005

','

Patrick Braden was abandoned as a baby by his mother in the early sixties. At first father Bernard took care of him, but later left him in the care of another family. While growing up, Patrick is more and more aware that he was born in a wrong body. He likes to dress up as a girl and prefers male company. Patrick survives the harsh environment of a small Irish town in the early seventies with the aid of his wit and charm, and is not ready to let anyone change who he is. Longing to find his mother, he goes to London and gets a transvestite nickname, Kitten. On the way, he meets Billy, a travelling comedian, who grows fond of Patrick and becomes his protector. However, Patrick\\\'s luck doesn’t last long. Wwith Billy\\\'s help, he gets involved with his »old friends« - the Irish Republican Army.

“I looked back on my memories of the ‘60s and ‘70s in Dublin and London and found an eerie resemblance to that time — think of the London bombings that just happened — and it made me a little reluctant to do this film. I had the script for three or four years and I didn’t push it, but then I finally decided that the experience that the film represents is really quite instructive for anybody living in these times. With all these nasty ideologies trying to tell you what you should be, in a world where you can go into a bar and the bar may explode, how do you make your way in the world? Patrick does a pretty good job.” (Neil Jordan)

The code for submitting votes via Mobitel: Z

','

screenplay
Neil Jordan (based on a novel by Pat McCabe)

cinematography
Declan Quinn

music
Anna Jordan

cast
Cillian Murphy (Patrick \\\'Kitten\\\' Braden), Liam Neeson (oče/father Liam), Stephen Rea (Bertie), Brendan Gleeson (John Joe Kenny), Gavin Friday (Billy Hatchett), Ian Hart (PC Wallis), Bryan Ferry (Mr Silky String), Eva Birthistle (Eily Bergin)

festivals, awards (selection)
Telluride 2005, Toronto 2005, New York 2005, Rio de Janeiro 2005

',NULL,NULL,2005,NULL,'images/events/event755.jpg','images/events/event755_t.jpg',600,450,NULL,NULL,'Neil Jordan',135,'angleščina','English','slovenščina','Slovene','Irska, VB','Ireland, GB',NULL,NULL,NULL,NULL,'Neil Jordan'),(758,30,'RUBEŽNIK','The Collector','Komornik','

Lucek Bohme je rubežnik. To mu daje občutek moči. Do svojih žrtev je brezbrižen in ošaben ne glede na njihov položaj. Ko pa izve, da je glasbilo, ki ga je hotel zapleniti družini v dolgovih, last bolne hčerke njegove šolske ljubezni, se nenadoma strezni. Novi udarec doživi, ko se ena od njegovih žrtev, mlad fant, obesi na hodniku blizu vrat njegove pisarne. Ta dva dogodka ga pretreseta in odloči se, da bo premislil o storjenih napakah in jih skušal popraviti. Še vedno pretirano samozavesten pa ne opazi, da so mu pokvarjeni kolegi in nadrejeni nastavili past, v katero se nič hudega sluteč ujame. Zdaj se on znajde v zaporu zaradi obtožbe, da je sprejel podkupnino.

»Film je dinamičen, prav tako glavni igralec, ki igra živahno v prvem in tudi drugem delu, ko se skuša pokoriti za svoje grehe. Kamera se prilagaja njegovemu ritmu in prizori so pogostokrat snemani ročno. Tako se izognemo očitnemu prikazu, česar pa običajni gledalec niti ne opazi. Čeprav sem skušal opisati svet in like nekoliko nadnaravno, je mogoče resničnost precej dobro razbrati, ovir, zaradi katerih se ne bi mogli popolnoma poistovetiti z njo, pa je malo.« (Feliks Falk)

Koda za glasovanje prek Mobitela: R

','

scenarij
Grzegorz Łoszewski

fotografija
Bartek Prokopowicz

glasba
Bartłomiej Gliniak

igrajo
Andrzej Chyra (Lucek), Kinga Preis (Gosia), Małgorzata Kożuchowska (Anna), Marian Opania (Chełst), Jan Frycz (Chudy), Sławomir Orzechowski (Wiśniak), Marian Dziędziel (Horst)

festivals, awards (selection)
Poljski filmski festival Gdynia/Gdynia Polish Film Festival 2005 (Grand Prix, Best Cinematography, Best Actor, Best Screenplay Awards), Berlin 2006 (Ecumenical Jury Prize)

','

Lucek Bohme is a bailiff. His job makes him feel powerful. His behaviour when dealing with victims – regardless of their social standing – is both casual and arrogant. One day, he realises that he is about to seize a musical instrument belonging to the daughter of the woman with whom he was very much in love during his schooldays. Considerably more vexing is the suicide committed by another of his victims. The young man in question has hung himself of all places in the stairwell directly opposite the door to Lucek’s own office. These two incidents have a lasting effect on Lucek. For the first time in his life, he begins to give some serious thought to what he does. However, his inflated sense of self-worth makes him blind to the danger that arises from this. Failing to notice that corrupt colleagues and superiors have set him up, he suddenly finds himself arrested under suspicion of having accepted bribes.

“This film is dynamic, so is the lead, acting swiftly in the first part as well as in the other when he tries to atone for his sins. Hence the camera tries to adjust to his rhythm, and scenes are often shot with hand-held camera. This way we avoid obvious demonstration, which an ordinary viewer may not even notice. Although I tried to describe the world and the characters larger-than-life a bit, the reality itself is quite legible and there are few obstacles for you not to be able to identify yourself with it completely.” (Feliks Falk)

The code for submitting votes via Mobitel: R

','

screenplay
Grzegorz Łoszewski

fotografija
Bartek Prokopowicz

glasba
Bartłomiej Gliniak

igrajo
Andrzej Chyra (Lucek), Kinga Preis (Gosia), Małgorzata Kożuchowska (Anna), Marian Opania (Chełst), Jan Frycz (Chudy), Sławomir Orzechowski (Wiśniak), Marian Dziędziel (Horst)

festivals, awards (selection)
Gdynia Polish Film Festival 2005 (Grand Prix, Best Cinematography, Best Actor, Best Screenplay Awards), Berlin 2006 (Ecumenical Jury Prize)

',NULL,NULL,2005,NULL,'images/events/event758.jpg','images/events/event758_t.jpg',600,450,NULL,NULL,'Feliks Falk',100,'poljščina','Polish','slovenščina','Slovene','Poljska','Poland',NULL,NULL,NULL,NULL,'Feliks Falk'),(760,28,'MOJSTER','The Master','Mistrz','

Metalec nožev Aleksander Sapatin, poznan kot »Mojster«, svojo preteklost in nadarjenost utaplja v vodki. Sodeluje pri predstavi potujočega cirkusa in neke noči v pijan iz kletk »osvobodi« živali, zato mora oditi in začeti na svoje. Spotoma reši žensko, ki se mu pridruži na poti in postane njegova asistentka. Pozneje se jima pridruži še harmonikar, za katerega se zdi, da beži pred seboj, svojo družino in preteklostjo. Del skupine postane tudi potujoča Francozinja in med iščočimi se dušami se razvije kratkotrajno prijateljstvo. Aleksander ni več sposoben ljubiti in v ljubezni zaupati; bo lahko mlada ženska vse spremenila. Bo zgrabil priložnost?

»Mojster pripoveduje o dveh osrednjih stvareh v življenju vsakogar: o ljubezni in tavanju. Film je tudi poskus, da bi se povedala zgodba o tem, kako se ustvarja umetnost. Se mora predstava nadaljevati za vasko ceno, pomeni biti umetnik enako kakor biti mojster, kaj s tem ne izgubimo tistih elementov življenja, ki nam, umetnikom, dajejo zagon? Izoliranost od ljubezni, dolžnosti, obveznosti do najbližjih, in beg pred vsem tem v umetnost – nas to ne utrudi? To so vprašanja, na katera, seveda, nimam odgovora, saj sem sam v tovrstnem procesu.« (Piotr Trzaskalski)

','

scenarij
Wojciech Lepianka, Piotr Trzaskalski

fotografija
Piotr Śliskowski

glasba
Wojciech Lemański

igrajo
Konstantin Lavronenko (mojster), Jacek Braciak (Mlody), Monika Buchowiec (Anna), Teresa Branna (Andzela), Aurelia Georges (Elodie)

festivali, nagrade (izbor)
San Sebastian 2005, Pusan 2005, Gdynia 2005 (najboljša scenografija), Miami 2006 (nagrada FIPRESCI), Alpe Adria 2006

','

Knife thrower Alexander Sapatin, known as “the Master”, drowns his past and talent in vodka. He is part of a daily show of a travelling circus. One night he “frees” the animals out of their cages in drunken stupor, and therefore he has to leave and starts up his own show. Along the way, he rescues a woman, who joins him and becomes his assistant. Later on, an accordion player joins them, who seems to be running away from himself, his family and his past. A travelling French woman becomes part of the group, and a short-lived friendship evolves amongst the searching souls. Alexander has lost his ability to love and his trust in love; is the young woman able to change everything. Will he seize the opportunity?

”The Master is a film which tells a story about two basic affairs in the life of every man. That is about love and wandering. This film is also an attempt to tell the story about how to make art. Must the show go on at any price, is being an artist like being a master, doesn’t it make us lose those elements of life which give us – artists – the drive? Isolation from love, from duty, from obligation towards our relatives, running away from all of it into art – don’t we get exhausted? That is the question to which I don’t, of course, know the answer as I am in this process myself.” (Piotr Trzaskalski)

','

screenplay
Wojciech Lepianka, Piotr Trzaskalski

cinematography
Piotr Śliskowski

music
Wojciech Lemański

cast
Konstantin Lavronenko (The master), Jacek Braciak (Mlody), Monika Buchowiec (Anna), Teresa Branna (Andzela), Aurelia Georges (Elodie)

festivals, awards (selection)
San Sebastian 2005, Pusan 2005, Gdynia 2005 (Best Production Design), Miami 2006 (FIPRESCI Prize), Alpe Adria 2006

',NULL,NULL,2005,NULL,'images/events/event760.jpg','images/events/event760_t.jpg',600,450,NULL,NULL,'Piotr Trzaskalski',117,'poljščina/ruščina','Polish/Russian','slovenščina, angleščina','Slovene, English','Poljska','Poland',NULL,NULL,NULL,NULL,'Piotr Trzaskalski'),(763,30,'PODNEBJE','Climates','Podnebje','

Človek je bil ustvarjen za to, da je srečen iz preprostih razlogov in nesrečen iz še preprostejših – prav tako kot je rojen iz preprostega razloga in umre iz še bolj preprostega ... Isa in Bahar sta osamljena človeka, ki orjeta po stalno spreminjajočem se ozračju svojih notranjih bitij in iščeta srečo, ki jima ne pripada več.

»Ta film odseva moj pogled na odnos med moškimi in ženskami; in ne zadeva zgolj turške družbe. Nagnjen sem k temu, da se osredotočam na male podrobnosti, saj imajo te mnogokrat velike posledice. Ko se par na primer prepira, včasih tudi nasilno, tako kot v filmu, skušamo izvedeti – in to je morda zaradi ponosa – kaj točno je izvor tega prepira. A mnogokrat je to nekaj, česar ne moremo uganiti, neka podrobnost, ki sploh ni pomembna.« Nuri Bilge Ceylan

Koda za glasovanje prek Mobitela: K

','

scenarij
Nuri Bilge Ceylan

fotografija
Gökhan Tiryaki

zvok
Ismail Karadas

igrajo
Ebru Ceylan (Bahar), Nuri Bilge Ceylan (Isa), Nazan Kesal (Serap), Mehmet Eryılmaz (Mehmet), Arif Aşçı (Arif), Can Özbatur (Güven)

festivali, nagrade (izbor)
Cannes 2006 (nagrada FIPRESCI)

','

Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.

"This film reflects my point of view on the relationship between men and women; it doesn\\\'t solely concern Turkish society. I\\\'m inclined to focus on tiny details, for they often have great consequences. For example, when a couple quarrels, sometimes violently as in the film, we try to find out, perhaps out of pride, precisely what lay at the origin of the quarrel. But often, it is something that we can\\\'t guess; it\\\'s a detail of no importance whatsoever." Nuri Bilge Ceylan

The code for submitting votes via Mobitel: K

','

screenplay
Nuri Bilge Ceylan

cinematography
Gökhan Tiryaki

sound
Ismail Karadas

cast
Ebru Ceylan (Bahar), Nuri Bilge Ceylan (Isa), Nazan Kesal (Serap), Mehmet Eryılmaz (Mehmet), Arif Aşçı (Arif), Can Özbatur (Güven)

festivals, awards (selection)
Cannes 2006 (FIPRESCI award)

',NULL,NULL,2006,NULL,'images/events/event763.jpg','images/events/event763_t.jpg',600,450,NULL,NULL,'Nuri Bilge Ceylan',101,'turščina','Turkish','slovenščina, angleščina','Slovene, English','Turčija, Francija','Turkey, Fance',NULL,NULL,NULL,NULL,'Nuri Bilge Ceylan'),(764,35,'KAKO SEM PREŽIVEL KONEC SVETA','The Way I Spent The End Of The World','Cum mi-am petrecut sfârsitul lumii','

Bukarešta, 1989: zadnje leto Ceausescujevega režima. Eva živi s starši in 7-letnim bratom Lalalilujem. Stara je 17 let, privlačna in po naravi malce uporna. Vpliven oče ji vedno pomaga, ko se zaplete v težave. A nekega dne jo vseeno izključijo iz šole in pošljejo v posebno šolo. Tam spozna sorodno dušo, Andreja, ki prihaja iz odpadniške družine in katerega starši se pripravljajo na pobeg. Mali Lalalilu je zelo navezan na Evo, zato se boji njenega odhoda. S prijatelji hoče pripraviti atentat na Ceausescuja, saj v tem primeru Evi ne bi bilo treba oditi. Eva pa se Andrejevi družini vseeno pridruži. Toda tik pred mejo si premisli, Andrej pa z njo. Tako skupaj čakajo, da minejo zadnji dnevi Ceausescujevega režima.

»Kako sem preživel konec sveta zrcali mešanico žalosti in veselja, resničnosti in domišljije, ki jo povezujem s tem obdobjem diktature. Film je tragikomedija s pridihom absurdnega in tankočutnega. Izraža vse razburjenje tistih pustih dni v Romuniji in oriše, kar moja generacija nosi v sebi, ko vstopa v ta novi svet. Film je tudi dar, ne samo vsem tistim, ki so bili dovolj pogumni, da so se uprli diktaturi, temveč tudi tistim, ki so, tako kot naši starši, utihnili in potrpeli iz bojazni, da bi se kaj zgodilo njihovim dragim.« (Catalin Mitulescu)

','

scenarij
Andreea Valean, Catalin Mitulescu

fotografija
Marius Panduru

glasba
Alexander Balanescu

igrajo
Dorotheea Petre (Eva), Becheru Ionut (Vomica), Timotei Andrei Duma (Lalalilu), Mircea Diaconu (Grigore), Marius Stan (Tarzan), Cristian Vararu (Andrei), Carmen Ungureanu (Maria)

festivali, nagrade (izbor)
Cannes 2006 (nagrada za najboljšo žensko vlogo), Toronto 2006, Transilvanski mednarodni filmski festival 2006

','

Bucharest 1989. The last year of Ceausescu\\\'s dictatorship. Eva lives with her parents and her 7-year-old brother Lalalilu. She is 17 years old, very attractive and a bit rebellious. Her influential father helps her each time she gets into trouble. One day, she is nevertheless expelled from school and sent to a school for »special cases«. She meets her soul mate Andrej here, coming from a dissident family. His parents are getting ready to escape. Lalalilu is devastated at the idea of losing his sister. With his friends he devises a secret plan to kill the dictator so that Eva would not have to go away. But Eva joins Andrej\\\'s family. Just before crossing the border she and Andrej change their minds. They wait together for the last days of Ceausescu\\\'s regime to end.

“How I Celebrated the End of the World reflects this blend of sadness and joy, reality and fantasy which I associate with this period of dictatorship. This film is a tragicomedy with touches the absurd and the sublime. It expresses all the emotion of those bleak days in Romania and gives an idea of what we retain in ourselves, my generation and myself, in this new world which we have entered. The film is also a homage, not only to all those who had the courage to rise up against the dictatorship, but also those who, like our parents, fell silent and endured, out of fear that something might befall their loved ones.” (Catalin Mitulescu)

','

screenplay
Andreea Valean, Catalin Mitulescu

cinematography
Marius Panduru

music
Alexander Balanescu

cast
Dorotheea Petre (Eva), Becheru Ionut (Vomica), Timotei Andrei Duma (Lalalilu), Mircea Diaconu (Grigore), Marius Stan (Tarzan), Cristian Vararu (Andrei), Carmen Ungureanu (Maria)

festivals, awards (selection)
Cannes 2006 (Prix d\\\'interprétation féminine Un Certain Regard), Toronto 2006, Transilvania International Film Festival 2006

',NULL,NULL,2006,NULL,'images/events/event764.jpg','images/events/event764_t.jpg',600,450,NULL,NULL,'Catalin Mitulescu',106,'romunščina','Rumanian','slovenščina, francoščina','Slovene, French','Romunija, Francija','Romania, France',NULL,NULL,NULL,NULL,'Catalin Mitulescu'),(765,38,'GOSTITELJ','The Host','Gwoemul','

Častnik v ameriškem vojaškem oporišču v Seulu odredi, naj večjo količino starega formaldehida zlijejo v odtok, od koder steče v glavno mestno reko. Čez šest let družine uživajo v čudovitem dnevu na obrežju reke Han, ko nekaj pridrsi iz reke, povzroči peklenski hrup in z brega pograbi srednješolko. Ameriška vojska ob reki uvede karanteno in trdi, da je bitje okuženo z nevarnim virusom. Dekličina družina je prepričana, da je dekle še živo; oborožijo se, se prebijejo skozi vojaški kordon in se odpravijo na lov za prikaznijo.

»Filmi o pošastih so za režiserja neko osnovno vznemirjenje, pomenijo mu izziv. Zmeraj me je zanimalo razmišljanje o tem, da nekje živijo pošasti – kot Nessie v jezeru Loch Ness – in sam sem živel prav ob reki Han, kjer se dogaja moj film. Kadar sem skozi okno pogledal na reko, sem pomislil: Kaj če bi iz reke Han prišla Nessie? To je bil začetek ... ko sem bil srednješolec.« (Bong Joon-ho)

','

scenarij
Bong Joon-ho, Ha Joon-won, Baek Chul-hyun

fotografija
Kim Hyung-goo

glasba
Byeongwoo Lee

igrajo
Song Kang-Ho (Park Kang-du), Byun Hee-Bong (Park Hie-bong), Bae Doo-Na (Park Nam-ju), Park Hae-Il (Park Nam-il), Go Ah-Sung (Park Hyun-seo)

festivali,nagrade (izbor)
Cannes 2006, Toronto 2006, Helsinki 2006, New York 2006

','

At a US army base in Seoul, an American officer gives the order to dump litres of out-of-date formaldehyde down the sink and, consequently, out into the main river of the city. Six years later, families are enjoying a day on the banks of the River Han when something slithers from the water, causing pandemonium and snatching a high-school girl from the embankment. The US military quarantines the river environs, claiming the creature is host to a horrific virus. The girl’s family, convinced she is still alive, arm themselves and slip through the US military cordon to hunt down the creature.

“Monster movies have a basic thrill for a director and they challenge a director. I was always interested in the idea that monsters are supposed to be alive somewhere – like Nessie in Loch Ness – and I was living right by the Han River, which is the central location of the film. When I would look out at the Han River through my window, I would think, "What if Nessie came out of the Han River?" That was the starting point...when I was in high school.” (Bong Joon-ho)

','

screenplay
Bong Joon-ho, Ha Joon-won, Baek Chul-hyun

cinematography
Kim Hyung-goo

music
Byeongwoo Lee

cast
Song Kang-Ho (Park Kang-du), Byun Hee-Bong (Park Hie-bong), Bae Doo-Na (Park Nam-ju), Park Hae-Il (Park Nam-il), Go Ah-Sung (Park Hyun-seo)

festivals,awards (selection)
Cannes 2006, Toronto 2006, Helsinki 2006, New York 2006

',NULL,NULL,2006,NULL,'images/events/event765.jpg','images/events/event765_t.jpg',600,450,NULL,NULL,'Joon-Ho Bong',119,'korejščina','Korean','angleščina, slovenščina','English, Slovene','Južna Koreja','South Korea',NULL,NULL,NULL,NULL,'Joon-Ho Bong'),(767,28,'KO URE MINEVAJO','The Hours Go By','Cómo pasan las horas','

Dvanajst ur v življenju članov preproste družine: 4-letnega Santiaga, njegove mame René, očeta Juana in babice Virginie. V soboto dopoldne Juan povabi René in sina Santiaga na plažo, kjer naj bi preživeli dan. Santiago je zadovoljen, René pa se odloči, da bi raje mamo, ki je v bolnici, odpeljala na deželo. Santiaga in Juana izlet zbliža. Njun dan je sestavljen iz dolgih sprehodov, obilice smeha, malih laži in vprašanj, ki ostanejo brez odgovorov – dokler tišina ne prevlada. Srečanje med René in njeno mamo poteka kot nemi sloves. Tega dne vsi člani družine izkusijo potovanje nasproti drugačnemu času: drobni življenjski pripetljaji dajo nove pomene odnosu med otroki in starši različnih generacij.

»Snemanje filma Kako ure minevajo je bil proces, ki je vzniknil iz želje po zbližanju s sedanjostjo, srečanju s tistim, kar dejansko obstaja – in pušča neposredne sledi na našem telesu. Hvaležna sem za močno izkušnjo, ki jo ta film daje, in za to, da nam je prikazal še kako živo gradivo. To je tisto, kar pričakujem pri svojem delu režiserke. Nekaj takega kot duhovna izkušnja.« (Inés de Oliveira Cézar)

','

scenarij
Inés de Oliveira Cézar, Daniel Veronese

fotografija
Gerardo Silvatici

glasba
Martín Pavlovski

igrajo
Roxana Berco (René), Guillermo Arengo (Juan), Agustín Alcoba (Santiago), Susana Campos (Virginia), Pedro Recalde (Dionisio Pescador), Javier Fainzaig (José Pescador)

festivali, nagrade (izbor)
Mar del Plata 2005, Cannes 2005, Bogota 2005, San Sebastian 2005, Berlin 2006, Hongkong 2006, London 2006

','

We follow twelve hours in a life of a simple family, consisting of a four-year old Santiago, his mother René, his father Juan and his grandmother Virginia. On a Saturday morning, Juan invites René and Santiago to spend the day at the beach. Santiago is satisfied, but René decides to collect her mother from the clinic and take her to spend the day in the country. The outing brings Santiago and Juan closer together. Their day is made out of long walks, laughing, white lies and unanswered questions – until the silence prevails. Meanwhile, the encounter between René and her mother is like a silent farewell. On this day, all of the family members experience travelling towards a different time – a time in which small life incidents give new meanings to relationships between children and parents of different generations.

“Making The Hours Go By was a process that emerged from the desire to get together with the present, to meet with what is actually there – leaving traces directly on our bodies. I am grateful for the intense experience this film became and that it confronted us with material that was very much alive. That is what I expect from my work as a filmmaker. Something like a spiritual experience.!” (Inés de Oliveira Cézar)

','

screenplay
Inés de Oliveira Cézar, Daniel Veronese

cinematography
Gerardo Silvatici

music
Martín Pavlovski

cast
Roxana Berco (René), Guillermo Arengo (Juan), Agustín Alcoba (Santiago), Susana Campos (Virginia), Pedro Recalde (Dionisio Pescador), Javier Fainzaig (José Pescador)

festivals, awards (selection)
Mar del Plata 2005, Cannes 2005, Bogota 2005, San Sebastian 2005, Berlin 2006, Hong Kong 2006, London 2006

',NULL,NULL,2005,NULL,'images/events/event767.jpg','images/events/event767_t.jpg',600,450,NULL,NULL,'Inés de Oliveira Cézar',85,'španščina','Spanish','slovenščina, angleščina','Slovene, English','Argentina','Argentina',NULL,NULL,NULL,NULL,'Inés de Oliveira Cézar'),(768,38,'NAČIN PREŽIVETJA 5+','Survive Style 5+','Survive Style 5+','

Absurdna, hiperstilizirana nadrealistična komedija s petimi, na začetku nepovezanimi zgodbami, ki se na koncu presenetljivo prepletejo. Aman poskuša vedno znova umoriti svojo ženo, ta pa se vsakič vrne iz groba – še bolj razjarjena in neuničljiva kot prej. Trije brezdelni homoerotični mladci se kratkočasijo z vdiranjem v tuje hiše. Obiskovalec hipnotizerske predstave postane žrtev nedokončane hipnoze in ostane trajno prepričan, da je ptica. Hipnotizerjevo dekle Joko, ki dela v oglaševalski industriji, poskuša urediti svoje življenje in se znebiti egocentričnega fanta, hkrati pa ima vedno bolj nenavadne zamisli za oglase, ki jih nadrejeni vztrajno zavračajo. Vsi ti ljudje se srečajo s filozofsko navdahnjenim poklicnim morilcem iz Londona, ki s svojim prevajalcem potuje po Japonski in sprašuje ljudi, kakšna je njihova vloga v življenju.

','

scenarij
Taku Tada

fotografija
Makoto Šiguma

glasba
James Šimoji

igrajo
Tadanobu Asano (Aman), Šihori Kandžija(Kaho Kobajaši), Kjoko Koizumi (Joko), Hiroši Abe(hipnotizer), Vinnie Jones (morilec), Jumi Asou (Misa), Reika Hašimoto (Amanova žena), JosiJosi Arakava (morilčev prevajalec), Sonny Chiba (Kazama), Jai West (vlomilec), Jošijuki Morišita (vlomilec Morišita), Kandži Cuda (vlomilec Cuda), Tomokazu Miura (doktor Jamauči), Itoku Kišibe (Tacuja Kobajaši)

festivali, nagrade (izbor)
Locarno 2004, Hamburg 2004, Filadelfija 2004

','

An absurd, hyper-stylised, surreal comedy with five initially unrelated stories, which at the end surprisingly interweave. Aman tries to kill his wife, again and again, but each time she comes back from the dead, more furious and indestructible than before. Three homeless young men with homoerotic tendencies pass time by breaking into people\\\'s houses. A viewer of the hypnotist’s show falls victim to an unfinished hypnosis and stays permanently convinced that he is a bird. The hypnotist’s girlfriend Yoko, who works in the advertising industry, tries to put her life in order and get rid of her egotistic boyfriend. At the same time her advertising ideas are getting more and more unusual and are consistently rejected by her superiors. All these people will meet a philosophically inspired hit man from London, who travels across Japan with his interpreter and questions everyone about their function in life.

','

screenplay
Taku Tada

cinematography
Makoto Shiguma

music
James Shimoji

cast
Tadanobu Asano (Aman), Shihori Kanjiya (Kaho Kobajaši), Kyôko Koizumi (Joko), Hiroshi Abe (hypnotist), Vinnie Jones (hit man), Yumi Asou (Misa), Reika Hashimoto (Aman’s wife), YosiYosi Arakawa (hit man’s interpreter), Sonny Chiba (Kazama), Jai West (burglar J), Yoshiyuki Morishita (burglar Morishita), Kanji Tsuda (burglar Tsuda), Tomokazu Miura (doctor Yamauchi), Ittoku Kishibe (Tacuja Kobajaši)

festivals, awards (selection)
Locarno 2004, Hamburg 2004, Philadelphia 2004

',NULL,NULL,2004,NULL,'images/events/event768.jpg','images/events/event768_t.jpg',600,450,NULL,NULL,'Gen Sekiguči',120,'japonščina','Japanese','angleščina, slovenščina','English, Slovene','Japonska','Japan',NULL,NULL,NULL,NULL,'Gen Sekiguchi'),(769,35,'OPICE POZIMI','Monkeys in Winter','Maimuni prez zimata','

Pripoved o treh ženskah se začne leta 1960 z Romkinjo Dono, lepo in vitalno žensko, katere edino premoženje so trije otroci različnih očetov. Da bi jim zagotovila prihodnost, se poroči s starejšim, hendikepiranim moškim, ki pa se izkaže za perverzneža ... Deset let pozneje se poskuša ambiciozna Lukrecia izogniti službi v vasi. Zanosi, nato pa sreča mladega moža, ki ji ponudi življenje drugje, o čemer je vedno sanjala. Lukrecia svoj položaj razreši skrajno grozovito ... Tana je žena uspešnega poslovneža, ki si nadvse želi otroka, pa ne more zanositi. Na priporočilo se odpravi v toplice, kjer naj bi »čudeže« delal spreten maser. Ko se vrne z veselo novico, jo mož sprejme otopelo.

»Ljudje, ki se profesionalno ukvarjajo z gledališčem in filmom, morajo praviloma poznati zakonitosti dramaturgije. Podobno, kot bi delali glinen lonec s svojimi rokami. Izbrati morate pravo vrsto gline in se držati določenega postopka. Samo dejstvo, da je bila drama prisotna v začetnih zgodbah, ki smo jih uporabili v scenariju, je bilo pomembno za ves uspeh. Mislim, da je za režiserja najbolj pomembno, da se občinstvo poistoveti s čustvi junakov. Otrok je nepopisan list in od tega, kar napišemo na to stran, je zelo odvisno, kakšen človek bo postal.« (Milena Andonova)

','

scenarij
Maria Stankova, Milena Andonova

fotografija
Rali Ralčev

glasba
Konstantin Tzekov

igrajo
Bonka Ilieva-Boni (Dona), Diana Dobreva (Lucretia), Angelina Slavova (Tana)

festivali, nagrade (izbor)
Karlovi Vari 2006 (East of the West Award), Molodist 2006

','

The tale of three women begins in 1960 with a Romany Dona. The only assets this beautiful and vital woman has are her three children fathered by different men. In order to secure a livelihood for them, she marries an older but disabled man, who turns out to be a pervert. Ten years later, the ambitious Lucretia is trying to avoid employment in the village. After she becomes pregnant, she meets an attractive young man who offers her a life abroad, something she had always dreamed of. Lucretia resolves her situation in the most appalling way. Tana, the wife of a prosperous businessman, vainly longs to have a child. On the advice of a friend, she goes off to a spa, whose miraculous reputation is attributable to a skilful masseur. Her husband, however, is unmoved by the joyful news.

“Theatre and cinema professionals have to know dramaturgical laws as a rule; it’s pretty much like making a pot with your own hands. You have to choose the right kind of clay, and follow a certain routine. The very fact that the drama had been there in the initial stories that we used for the script was important for the overall success. I think the most important for a film director is to make the audience identify with the characters’ feelings. A child is a blank page, and what kind of person it will turn into depends very much on what we write on this page.“ (Milena Andonova)

','

screenplay
Maria Stankova, Milena Andonova

cinematography
Rali Ralčev

music
Konstantin Tzekov

cast
Bonka Ilieva-Boni (Dona), Diana Dobreva (Lucretia), Angelina Slavova (Tana)

festivals, awards (selection)
Karlovy Vary 2006 (East of the West Award), Molodist 2006

',NULL,NULL,2006,NULL,'images/events/event769.jpg','images/events/event769_t.jpg',600,450,NULL,NULL,'Milena Andonova',111,'bolgarščina','Bulgarian','angleščina','English','Bolgarija, Nemčija','Bulgary, Germany',NULL,NULL,NULL,NULL,'Milena Andonova'),(770,30,'RDEČA CESTA','Red Road','Red Road','

Napeta grozljivka o mladi upravljavki nadzorne kamere.
Jackie vsak dan opazuje majhen del sveta, visok razpadajoč stanovanjski blok v Glasgowu, in varuje ljudi, ki živijo pod njenim pogledom. Nekega dne se na njenem zaslonu pojavi moški, za katerega je mislila, da ga ne bo več videla in ga ni hotela nikdar več videti. Presenečena je, da je prišel iz zapora. Zdaj nima izbire, prisiljena se je soočiti z njim. Potem ko ga nekaj časa pozorno opazuje, se odloči, da bo stopila do njega, zato se kmalu spoprijatelji z njegovimi mladimi sostanovalci.

»Vajena sem pisati zgodbe o ljudeh, ki jih poznam, in krajih, ki jih obiskujem. Izziv, ki mi ga je pomenilo sodelovanje v projektu Advance Party, je bil uporabiti like in se omejiti na vgrajene omejitve projekta. Vzeti sem jih morala v zakup kot izhodišče, hkrati pa sem hotela razviti stvari, ki so odzvanjale globoko v meni, in napisati zgodbo, ki bi mi bila podobna. Rdeča cesta je rezultat tega.« (Andrea Arnold)

Koda za glasovanje prek Mobitela: P

','

scenarij
Andrea Arnold

fotografija
Robbie Ryan

igrajo
Kate Dickie (Jackie), Tony Curran (Clyde), Martin Compston (Stevie), Natalie Press (April), Andrew Armour (Alfred)

festivals, awards (selection)
Cannes 2006 (nagrada žirije), London 2006, Toronto 2006

','

A white-knuckle thriller about the young surveillance-camera operator.
Jackie each day she watches over a small part of the world, a run-down high-rise apartment block in Glasgow, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again – a man whom she is shocked to see free from prison. Now she has no choice, she is compelled to confront him. After carefully observing him for a while, she decides to approach him in person and soon befriends his young roommates.

“Normally, I\\\'m used to writing stories about people I know and places I go. My challenge in taking part in Advance Party, was to use the characters and limit myself to the built-in restrictions of the project. I had to take them into account as a starting point, but I also wanted to draw up things which resonated deep within me, and I wanted to write a story which resembled me. Red Road is the result.” (Andrea Arnold)

The code for submitting votes via Mobitel: P

','

screenplay
Andrea Arnold

cinematography
Robbie Ryan

cast
Kate Dickie (Jackie), Tony Curran (Clyde), Martin Compston (Stevie), Natalie Press (April), Andrew Armour (Alfred)

festivals, awards (selection)
Cannes 2006 (Jury Prize), London 2006, Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event770.jpg','images/events/event770_t.jpg',600,450,NULL,NULL,'Andrea Arnold',113,'angleščina','English','slovenščina','Slovene','VB','GB',NULL,NULL,NULL,NULL,'Andrea Arnold'),(771,34,'GLAVNI ŠEF','The Boss of It All','Direktoren for det hele','

Ravn bi rad prodal svoje računalniško podjetje. Težava je v tem, da si je takrat, ko je podjetje ustanovil, izmislil tudi namišljenega direktorja, na katerega je pozneje obešal vse osebju neljube poslovne odločitve. Zdaj pa bi se morebitni kupec z direktorjem rad pogovoril iz oči v oči, zato Ravn najame brezposelnega igralca Kristofferja, ki bo odigral vlogo direktorja. Kristoffer se vloge loti z veliko vnemo, a ko spozna »svoje« osebje, se začne čutiti odgovornega za njihovo usodo in krivega zaradi sodelovanja v Ravnovi prevari.

»\\\'Automavision\\\' sem razvil z namenom omejiti človeški vpliv. Dolgo časa so bili moji filmi snemani s kamero v roki. To je povezano s tem, da imam rad nadzor. Pri \\\'automavision\\\' pa je tehnika v tem, da sam najprej nastavim posnetek in nato pritisnem tipko na računalniku. Nisem bil jaz tisti, ki je imel vse pod nadzorom, ampak računalnik.« (Lars von Trier)

','

scenarij
Lars von Trier

fotografija
Lars von Trier

igrajo
Peter Gantzler (Ravn), Jens Albinus (Kristoffer), Iben Hjejle (Lise), Jean-Marc Barr, Casper Christensen, Benedikt Erlingsson, Fridrik Thór Fridriksson, Sofie Gråbøl, Anders Hove, Mia Lyhne, Louise Mieritz, Henrik Prip

festivali, nagrade (izbor)
Köbenhavn 2006, San Sebastian 2006, London 2006

','

Ravn wants to sell his IT firm. The trouble is that when he started his company, he invented a non-existent chief executive to hide behind when there were unpopular decisions to be made. When a potential buyer insists he will only negotiate with the \\\'boss\\\', the owner decides his only option is to continue the façade and hire a failed actor, Kristoffer, to play the part. Kristoffer undertakes his role eagerly, but feels guilty to be part of Ravn’s trick when he meets “his” staff and starts feeling responsible for their destiny.

"Automavision was developed with the intention of limiting human influence. For a long time, my films have been handheld. That has to do with the fact that I am a control freak. With Automavision, the technique was that I would frame the picture first and then push a button on the computer. I was not in control - the computer was in control." (Lars von Trier)

','

screenplay
Lars von Trier

cinematography
Lars von Trier

cast
Peter Gantzler (Ravn), Jens Albinus (Kristoffer), Iben Hjejle (Lise), Jean-Marc Barr, Casper Christensen, Benedikt Erlingsson, Fridrik Thór Fridriksson, Sofie Gråbøl, Anders Hove, Mia Lyhne, Louise Mieritz, Henrik Prip

festivals, awards (selection)
Kopenhagen 2006, San Sebastian 2006, London 2006

',NULL,NULL,2006,NULL,'images/events/event771.jpg','images/events/event771_t.jpg',600,450,NULL,NULL,'Lars von Trier',100,'danščina','Danish','angleščina, slovenščina','English, Slovene','Danska, Švedska','Denmark, Sweden',NULL,NULL,NULL,NULL,'Lars von Trier'),(772,35,'OPTIMISTI','The Optimists','Optimisti','

Slovenska premiera

Zgodbo tvori pet neodvisnih vinjet. V prvi klateški hipnotizer pride v porušeno vas in hvali svojo sposobnost, da zaceli zaupanje v vaški skupnosti. V drugi sledimo pripovedi o lastniku topilnice, ki posili hčerko enega od svojih delavcev. Ko železar industrialcu zagrozi s pištolo, ta povsem spremeni svoje obnašanje. V tretji fant zakocka ves denar, ki ga je stric njegovega stanodajalca shranil za očetov pogreb. Še preden ga dokončno porabi, pa staremu mačku na igralnih aparatih v lokalnem casinoju ponudi kupčijo. V četrti kardiolog obišče lastnika klavnice, katerega mladi sin se je družinski obrti predal z vso strastjo. Zaradi njegove krvoločnosti ga je oče celo zaprl, a naivni kardiolog izpusti krvi žejnega dečka na prostost. Zadnja pa nam pokaže, kaj se zgodi, ko avtobus, poln tepčkov, slepar odpelje v neznano in ga tam pusti.

»Ljudje so tu izgubili upanje. Mislili so, da bo po Miloševiću bolje, in začelo se je že tako. Resnično smo čutili upanje, imeli smo voditelja z vizijo, pa so ga ubili. Ubili so ga kot psa na ulici. Kako lahko čutiš? Mislim, da moramo razmisliti o svojih zločinih in ne zmeraj reči, da so zločinci drugi. Nobenega izgovora ni.« (Goran Paskaljević)

Film se ne poteguje za nagrado Fipresci

','

scenarij
Vladimir Paskaljević, Goran Paskaljević

fotografija
Milan Spasić

glasba
Aleksandar Simić

igrajo
Lazar Ristovski, Bojana Novaković, Petar Božović, Nebojša Glogovac, Nebojša Milovanović

festivali, nagrade (izbor)
Toronto 2006

','

Slovene Premiere

The film is an anthology of five independent vignettes. In the first, a roving hypnotist arrives in a destroyed village and promotes his powers to boost the community’s confidence. The second is about a foundry owner who rapes the daughter of one of his employees. When the steelworker menaces the industrialist with a gun, his boss turns the tables. Part three follows a chap who gambles away all the money his landlord\\\'s uncle had saved for his father’s funeral; meanwhile, he makes a business proposition to the elderly slot-machine pro at the local casino. In the fourth, a cardiologist visits the owner of an abattoir, a man whose young son has taken to the family business with abandon. In fact, his gruesome gusto has led him to be locked up by his father, until the naive doctor lets the bloodthirsty boy free. The final illustrates what happens when a bus full of saps – desperate for spiritual and physical healing – are driven into the middle of nowhere and abandoned by a con artist.

”The people have lost hope here. They thought after Milosevic it will be better, and it started to be better. We felt real hope and had a leader with vision, and they killed him. They killed him like a dog in the street. How can you feel? I think we have to think about our crimes, and not to say always the others made the crimes. There is no excuse.”(Goran Paskaljević)

Out of competition for Fipresci Award

','

screenplay
Vladimir Paskaljević, Goran Paskaljević

cinematography
Milan Spasić

music
Aleksandar Simić

cast
Lazar Ristovski, Bojana Novaković, Petar Božović, Nebojša Glogovac, Nebojša Milovanović

festivals, awards (selection)
Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event772.jpg','images/events/event772_t.jpg',600,450,NULL,NULL,'Goran Paskaljević',94,'srbščina','Serbian','slovenščina','Slovene','Srbija','Serbia',NULL,NULL,NULL,NULL,'Goran Paskaljević'),(820,35,'IZGINULI','Warchild','Warchild','

Mlada mati Senada izgubi svojega otroka v bosanski vojni. Danes, mnogo let pozneje, izve, da je njena hči Aida še živa – pri posvojiteljih v Nemčiji in se jo odpravi iskat. Priskrbi si vse potrebno za ilegalno pot v Nemčijo. Njena odisejada se konča na domu nemškega para Heinlejevih. Vendar pa Aida ni več majhen otrok, kot je bila. Zdaj ji je ime Kristina. Senado to spoznanje vznemiri. Počasi spozna, da se mora posloviti od lepih, mirnih sanj, ki so ji jih ukradli pred dolgim časom.

»Izginuli je sodobna, strastna zgodba o močni ženski, ki ji usoda ni bila naklonjena, a se vseeno prebija naprej. Kljub vznemirjenju in dramatičnemu vrhuncu ima zgodba nerešeni konec. Gledalci se sprašujejo: Bi se moralo dekle vrniti k svoji biološki materi ali bi bilo bolje, če ostane pri posvojiteljih? Bi se morala 12-letnica sama odločiti? Zame je močan film tisti, o katerem po koncu še razmišljaš. Čeprav si že zapustil dvorano in v temi pešačiš proti domu, še zmeraj razmišljaš o vpogledih v globino, dušo in pristnost človeškega bivanja.« (Christian Wagner)

','

scenarij
Edin Hadžimahović, Stefan Daehnert

fotografija
Thomas Mauch

glasba
Thomas Mauch

igrajo
Labina Mitevska (Senada), Senad Basic (Samir), Katrin Saß (gospa Jandraskok), Crescentia Duenßer (Beate Heinle), Otto Kukla (Lars Heinle), Miranda Leonhardt (Marija), Heinrich Schmieder (Tony), Milena Zupancic (Munira), Lucija Šerbedžija (Nataša)

festivali, nagrade (izbor)
Montreal 2006 (nagrada za najboljši scenarij), Portorož 2006 (nagrada občinstva), Hamptons 2006, bavarska filmska nagrada (posebna nagrada žirije)

','

A young mother, Senada, loses her child in the Bosnian war. Many years later, today, she learns that her child is still alive: with adopted parents in Germany. She sets off on a search for Aida, her daughter. Using her own resources, she travels illegally to Germany. Her odyssey ends at the home of the German couple, Heinle. But Aida is no longer the small child of the past. Her name is now Kristina. Senada is disturbed by this realization. She slowly grasps the fact that she must say goodbye to the beautiful, peaceful dream that has long ago been stolen from her.

“Warchild is a modern, passionate story of a strong woman ill-served by destiny, but who nonetheless forges on. Despite the excitement and dramatic climax, the story has an open ending. Viewers are left with questions: Should the girl return to her biological mother, or would it be for the best if she stayed with the adoptive parents? Should the 12-year-old decide for herself? To me, a powerful film is a film that lingers in your mind. Even if you have already left the movie theatre and you are walking home in the dark, you still find yourself contemplating about the insights gained into the depth, soul, and authenticity of human existence.” (Christian Wagner)

','

screenplay
Edin Hadžimahović, Stefan Daehnert

cinematography
Thomas Mauch

music
Thomas Mauch

cast
Labina Mitevska (Senada), Senad Basic (Samir), Katrin Saß (Mrs Jandraskok), Crescentia Duenßer (Beate Heinle), Otto Kukla (Lars Heinle), Miranda Leonhardt (Marija), Heinrich Schmieder (Tony), Milena Zupancic (Munira), Lucija Šerbedžija (Nataša)

festivals, awards (selection)
Montreal 2006 (best screenplay), Portorož 2006 (nagrada občinstva/audience award), Hamptons 2006, Bavarian Film Award 2006 (Special Jury Prize)

',NULL,NULL,2006,NULL,'images/events/event773.jpg','images/events/event773_t.jpg',600,450,NULL,NULL,'Christian Wagner',103,'nemščina/bosanščina','German/Bosnian','slovenščina','Slovene','Nemčija, Švica, Bosna in Hercegovina','Germany, Swizerland, Bosnia and Herzegovina',NULL,NULL,NULL,NULL,'Christian Wagner'),(774,28,'ZAMRZNJEN ČAS','Time Froze','Zaman mi-istad','

Začetni prizori so vznemirljive podobe izmučenih plezalcev, ki si mukoma utirajo pot skozi vihar. Tri mesece noseča ženska hoče prečkati neimenovano mejo, da bi bila ponovno skupaj s svojim fantom. Težko se prebija skozi zasneženo območje ter se obupano pogovarja s svojim odsotnim ljubimcem, nerojenim otrokom, bogom in seboj. Trpi zaradi svojega položaja ter se bori s svojo krivdo in z ledenim zimskim vremenom.

»Iranska kinematografija nima konca. Zaradi bogate kulture, družbenega in političnega položaja v Iranu ni velikih razlik med filmi različnih generacij režiserjev. Vsak trenutek se pojavljajo številni novi mladi režiserji. Nihče ne more videti ali napovedati prihodnosti iranskega filma. Veliko mladih režiserjev posname nepričakovano dobre umetniške filme. Iranski film bi lahko primerjal z brazilskim nogometom. Vsakdo lahko vzame v roke digitalno kamero in snema. Večina od njih ima popolnoma nov filmski izraz in stališče.« (Ali-Reza Amini)

','

scenarij
Ali-Reza Amini

fotografija
Reza Rakhshan

zvok
Behrouz Abedini

igrajo
Hanieh Tavassoli

festivali, nagrade (izbor)
Fajr Festival of Tehran (2006), London 2006

','

The opening scenes of Time Froze are the startling images of exhausted climbers struggling through a blizzard. A woman, three months pregnant, tries to cross an unnamed border to be reunited with her boyfriend. She labours across snowy terrain, having desperate conversations with her absent lover, unborn child, with God, and with herself, agonizing about the situation, struggling both with guilt and against the freezing winter weather.

”Iranian cinema has no end. In Iran, because of great culture and social and political situation, there is little difference between the films, made by different generations of directors. There are many young directors coming out, appearing at every moment. Nobody can see or predict the future of Iranian cinema. Many young directors create unexpectedly good art films. I could compare Iranian cinema with Brazilian football. Everybody can take a digital camera and shoot. Most of them have a completely new film expression and a point of view.”Ali-Reza Amini

','

screenplay
Ali-Reza Amini

cinematography
Reza Rakhshan

sound
Behrouz Abedini

cast
Hanieh Tavassoli

festivals, awards (selection)
Fajr Festival of Tehran (2006), London 2006

',NULL,NULL,2006,NULL,'images/events/event774.jpg','images/events/event774_t.jpg',600,450,NULL,NULL,'Ali-Reza Amini',80,'perzijščina','Persian','slovenščina','Slovene','Iran','Iraq',NULL,NULL,NULL,NULL,'Ali-Reza Amini'),(775,28,'PICERIJA KAMIKAZE','Wristcutters: A Love Story','Wristcutters: A Love Story','

Absurdna komedija o Ziu, ki si zaradi nesrečne ljubezni prereže zapestja. Zbudi se v posmrtnem življenju, ki ni videti dosti drugače kot svet, ki ga je ravnokar zapustil, le še za odtenek slabše. Ujet v vicah, posebej rezerviranih za samomorilce, si deli sobo s sostanovalcem in dela kot picopek. Potem pa nekega dne izve, da si je tudi njegovo nekdanje dekle Desiree kmalu po njegovi smrti (in prav zaradi nje) vzelo življenje. Zia se jo odloči poiskati. Nabavi si obrabljen kombi in se v spremstvu prijatelja Eugena, ruskega rokerja, odpravi na pot. Ko pobereta še lepo štoparko Mikal, ki zase trdi, da ni samomorilka in išče odgovorne za pomoto, se med njimi razvije pravi ljubezenski trikotnik in prvotni cilj potovanja je vedno bolj v ozadju.

»V film sem vključil ogromno stvari iz zasebnega življenja. Recimo prav ta primer z Eugenom Huztzom … Potem sem lik iz knjige, Poljaka brez poklica, spremenil v Rusa, pevca skupine. Enako je z zgodbo o črni luknji: tudi ta ne obstaja, temveč je bila vključena v zgodbo po tem, ko smo se v času pisanja scenarija zaradi navdiha s prijatelji odpravili na turnejo in so nam začele stvari izginjati izpod sedežev. Tako je nastal zelo pomemben filmski detajl, ta črna luknja, ki je pravzaprav prehod iz enega sveta v drugega. Iz sveta mrtvih v svet živih.« (Goran Dukić)

','

scenarij
Goran Dukić (po noveli Kneller\\\'s Happy Campers Etgarja Kereta)

fotografija
Vanja Černjul

glasba
Bobby Johnston

igrajo
Patrick Fugit (Zia), Shannyn Sossamon (Mikal), Shea Whigham (Eugene), Tom Waits (Kneller), Will Arnett (mesija), Cameron Bowen (Veliki Kostya), John Hawkes (Yan), Leslie Bibb (Desiree), Abraham Benrubi (Erik), Mikal P. Lazarev (Nanuk), Mary Pat Gleason (Eugenova mama), Jake Busey (Brian), Clayne Crawford (Jim), Anatol Rezmeritza (Eugenov oče), Mark Frederichs (Zijev oče)

festivali, nagrade (izbor)
Sundance 2006, Seattle 2006 (najboljši režiser), Filadelfija 2006 (najboljši prvenec), Motovun 2006 (nagrada občinstva; A to A Award)

','

An absurd comedy about Zia, who cut his wrists because of an unhappy love. He wakes up in after-life, which does not seem very different from the world he has just left, only a bit worse. He is trapped in purgatory reserved for suicides, has a roommate and works in a pizzeria. One day he finds out that his girlfriend, Desiree, also killed herself soon after he had died (and precisely because of that). Zia decides to find her. He sets off in an old van, together with his friend Eugene, a Russian rocker. They pick up a beautiful hitchhiker Mikal, who claims she is not a suicide and is trying to find the responsible for this mistake. A real love triangle develops among them and the original goal of this travelling is getting more and more away.

”I included a lot of things from my personal life into this film. For example, Eugene Huztz. I changed the Pole without a profession from the story into a Russian singer. It was the same with the black hole story – it doesn\\\'t exist; it was only included after me and my friends set off on a tour in search of inspiration when writing the script and things began to disappear from beneath the seats. This way, a very important element of the film came into existence, this black hole, which is actually a passage between two worlds. Between the world of the dead and the world of the living.” (Goran Dukić)

','

screenplay
Goran Dukić (based on the novel Kneller\\\'s Happy Campers by Etgar Keret)

cinematography
Vanja Černjul

music
Bobby Johnston

cast
Patrick Fugit (Zia), Shannyn Sossamon (Mikal), Shea Whigham (Eugene), Tom Waits (Kneller), Will Arnett (messiah), Cameron Bowen (Great Kostya), John Hawkes (Yan), Leslie Bibb (Desiree), Abraham Benrubi (Erik), Mikal P. Lazarev (Nanuk), Mary Pat Gleason (Eugene\\\'s mother), Jake Busey (Brian), Clayne Crawford (Jim), Anatol Rezmeritza (Eugene\\\'s father), Mark Frederichs (Zia\\\'s father)

festivals, awards (selection)
Sundance 2006, Seattle 2006 (Best Director), Philadelphia 2006 (Best First Feature), Motovun 2006 (Audience Award; A to A Award)

',NULL,NULL,2006,NULL,'images/events/event775.jpg','images/events/event775_t.jpg',600,450,NULL,NULL,'Goran Dukić',91,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Goran Dukić'),(777,29,'ČUDOVITO! ZGODBA GEJEVSKEGA FILMA','Fabulous! The Story of Queer Cinema','Fabulous! The Story of Queer Cinema','

Dokumentarec zariše razvoj neodvisnega gejevskega in lezbičnega filma, ob tem pa skozi pojave popularne kulture razišče pomembne kulturne, politične in družbene trenutke ter gibanja, ključne za homoseksualno življenje. V filmu nastopijo pomembne figure iz filmske zgodovine, med drugimi tudi John Waters, Todd Haynes, Gus Van Sant, Ang Lee, Heather Matarazzo, Alonso Duralde, John Cameron Mitchell, Alan Cumming, B. Ruby Rich in Don Roos.

»Izjemno ganljivo in razodevajoče je, ko Heather Matarazzo, John Cameron Mitchell ali Wilson Cruz pripovedujejo, kako je bilo odraščati kot homoseksualec in nikoli videti podob samih sebe ali kako je bilo končno videti svoj prvi gejevski film. Zmagoslavje neodvisnega filma je, da je presegel tiste čase in omogočil boljše raziskovanje življenja vseh nas.« (Lisa Ades)

','

fotografija
Ruben O’Malley, John Pirozzi

glasba
Ari Gold

festivali, nagrade (izbor)
Berlin 2006, Frameline San Francisco 2006, Outfest Los Angeles 2006

','

The documentary charts the evolution of independent gay and lesbian cinema. The use of popular culture is a backdrop against which the film examines important cultural, political and social moments and movements that intersect with gay life. Interviewees include: John Waters, Todd Haynes, Gus Van Sant, Ang Lee, Heather Matarazzo, Alonso Duralde, John Cameron Mitchell, Alan Cumming, B. Ruby Rich in Don Roos.

”When Heather Matarazzo or John Cameron Mitchell or Wilson Cruz talk about what it was like to grow up gay and not see any images of themselves or what it was like to finally see their first gay film – it\\\'s extremely moving and revealing. It is a triumph of indie film to have surpassed those days and allowed for a greater exploration of all of our lives.” (Lisa Ades)

','

cinematography
Ruben O’Malley, John Pirozzi

music
Ari Gold

festivals, awards (selection)
Berlin 2006, Frameline San Francisco 2006, Outfest Los Angeles 2006

',NULL,NULL,2005,NULL,'images/events/event777.jpg','images/events/event777_t.jpg',600,450,NULL,NULL,'Lisa Ades',81,'angleščina','English','slovenščina','Slovene','ZDA','USA','images/events/logo777.jpg','images/events/logo777_t.jpg',200,200,'Lisa Ades'),(778,30,'MALI RDEČI CVETOVI','Little Red Flowers','Mali rdeči cvetovi','

Ko je Qiangqiang star štiri leta, ga starši vpišejo v dobro organizirani vrtec v Pekingu, saj so večinoma zdoma. Čeprav se na vso moč trudi, je zaradi svojega izrazitega individualizma vedno obsojen na neuspeh. Tako se nikakor ne more prebiti med tiste, ki za zgledno obnašanje dobijo mali rdeči cvet. Ne zna se sam obleči in se noče igrati z drugimi otroki. Ko ga poskušajo disciplinirati, včasih celo nasprotuje vzgojiteljici in ravnatelju. Njegova upornost pa naleti na vse večje simpatije med vrstniki, in ko jih nekega dne prepriča, da je tovarišica pošast, ki jé otroke, so mu pripravljeni celo slediti v poskusu njene ugrabitve. Ta spodleti, otroci pa mu obrnejo hrbet. Kaj bo z njim? Se bo podredil?

»Na začetku sem se trudil najti določeno perspektivo, otroški zorni kot za pripovedovanje zgodbe. A to se je izkazalo za izjemno težavno nalogo. Lani sem nazadnje spoznal, da je edini način za dober razvoj filma moj lastni zorni kot, gledišče režiserja. Celovečerec sem zasnoval kot risanko, v kateri nastopajo resnični ljudje. Je nerealistična parabola, čeprav vsebuje nekaj resničnega.« (Yuan Zhang)

Koda za glasovanje prek Mobitela: F

','

scenarij
Ning Dai, Zhang Yuan (po literarni predlogi)

fotografija
Yang Tao

glasba
Carlo Crivelli

igrajo
Dong Bowen (Fang Qiangqiang), Ning Yuanyuan (Yang Nanyan), Chen Manyuan (Yang Beiyan), Zhao Rui (ga. Li), Li Xiaofeng (ga. Tang)

festivali, nagrade (izbor)
Berlin 2006 (nagrada/award C.I.C.A.E.), Bangkok 2006, Hongkong/Hong Kong 2006, Seattle 2006

','

Ko je Qiangqiang star štiri leta, ga starši vpišejo v dobro organizirani vrtec v Pekingu, saj so večinoma zdoma. Čeprav se na vso moč trudi, je zaradi svojega izrazitega individualizma vedno obsojen na neuspeh. Tako se nikakor ne more prebiti med tiste, ki za zgledno obnašanje dobijo mali rdeči cvet. Ne zna se sam obleči in se noče igrati z drugimi otroki. Ko ga poskušajo disciplinirati, včasih celo nasprotuje vzgojiteljici in ravnatelju. Njegova upornost pa naleti na vse večje simpatije med vrstniki, in ko jih nekega dne prepriča, da je tovarišica pošast, ki jé otroke, so mu pripravljeni celo slediti v poskusu njene ugrabitve. Ta spodleti, otroci pa mu obrnejo hrbet. Kaj bo z njim? Se bo podredil?

»Na začetku sem se trudil najti določeno perspektivo, otroški zorni kot za pripovedovanje zgodbe. A to se je izkazalo za izjemno težavno nalogo. Lani sem nazadnje spoznal, da je edini način za dober razvoj filma moj lastni zorni kot, gledišče režiserja. Celovečerec sem zasnoval kot risanko, v kateri nastopajo resnični ljudje. Je nerealistična parabola, čeprav vsebuje nekaj resničnega.« (Yuan Zhang)

When Qiangqiang turns four, his parents send him to a well appointed Beijing kindergarten. He tries to conform, but his fierce individualism always makes him fail. Little red flowers are awarded to children each day for good behaviour, but he is never among those who receive them. He has not yet learned to dress himself and refuses to play with other children. He even dares to talk back to his teacher and Principal when they try to impose some discipline on him. His rebellion gradually starts to win over his classmates. When he succeeds in convincing them that the teacher is a children-eating monster, they are willing to help him capture her. This attempt being thwarted, the children turn their backs on him. What will now happen to him? Will he succumb?

»At first, I tried to find a certain perspective, a child\\\'s angle for telling this story. But that proved to be a very difficult task. Last year, I finally realised that the only way this film could develop well was to tell it from my perspective, from the director\\\'s point of view. The feature was conceived as a cartoon with real people. It\\\'s a non-realistic parable, though it does contain something real.« (Yuan Zhang)

The code for submitting votes via Mobitel: F

','

screenplay
Ning Dai, Zhang Yuan (based on a novel by Wang Shuo)

cinematography
Yang Tao

music
Carlo Crivelli

cast
Dong Bowen (Fang Qiangqiang), Ning Yuanyuan (Yang Nanyan), Chen Manyuan (Yang Beiyan), Zhao Rui (Mrs Li), Li Xiaofeng (Mrs Tang)

festivals, awards (selection)
Berlin 2006 (award C.I.C.A.E.), Bangkok 2006, Hong Kong 2006, Seattle 2006

',NULL,NULL,2006,NULL,'images/events/event778.jpg','images/events/event778_t.jpg',600,450,NULL,NULL,'Yuan Zhang',92,'mandarinščina','Mandarin','slovenščina, angleščina','Slovene, English','Kitajska, Italija',NULL,NULL,NULL,NULL,NULL,'Zhang Yuan'),(779,29,'VIERKA ALI SKRIVNOST IZGINOTJA DRUŽINE B','Vierka, or The Mystery of Family B’s Disappearance','Vierka','

Na začetku film prikazuje srečanje češke pevke Ide Kelarove in romske deklice Vierke Berkijove, katere glasbeni dar presune vsakogar, ki jo sliši peti. Film se osredotoči na dekličino nadarjenost in spontanost, a začne se razkrivati tudi spoznanje o tem, da pomagamo ljudem okrog sebe. Film prikaže nov korak v življenju družine Berki in raziskuje zamisel o sobivanju – Keralova in Berkijevi si želijo ustvariti idilo, v kateri bi družini delili skupen dom. A nekega dne Berkijevi nenadoma zapustijo Kelarovin dom, skrivnostno izginejo brez sledi. Dokumentarec se tako spremeni v dramo, ki razkriva dve različici resnice – in obe sta doživeti globoko in strastno.

»V svojih zgodnjih letih, med študijem, sem večinoma ustvarjal filmske zgodbe brez igralcev. Kratke zgodbe so bile to. Kar sedel sem in jih pisal. Nekatere od njih so zrcalile notranjost odraščajoče osebe, vse frustracije in užitke. Zadnjih deset let pa snemam dokumentarce in večina tem se mi je kar porodila. Naše poti so se nekako križale. Moje življenje in moja želja po ustvarjanju filmov prekrižata pot temi, ki tam nekje čaka name.« (Miroslav Janek)

','

scenarij
Miroslav Janek

fotografija
Miroslav Janek

glasba
tradicionalna in sodobna romska glasba

festivali, nagrade (izbor)
Amsterdam 2005, Jihlava 2005 (najboljši dokumentarec)

','

Initially, the story tells of an encounter between a Czech singer, Ida Kelarova, and a young Romany girl named Vierka Berkyova whose musical talent astonishes everyone who hears her sing. It focuses on her gifts and spontaneity, but also deals with the notion of helping those around us. It presents a new step forward in the life of the Berky family, and investigates the idea of coexistence as it explores Kelarová\\\'s and the Berkys’ desire to create an idyll in which two families share a home. But then one day the Berkys suddenly leave Kelarová’s home, mysteriously disappearing without a trace. The documentary thus transformes into a drama pitting two differing versions of the truth – each one keenly and passionately experienced.

”In the early years, in my college days I did mostly story films with no actors. They were short stories. I would just sit down and write them. Some of them were reflecting the inside of a growing person, all the frustrations and pleasures etc. In the last ten years I have been making documentaries and the most of the subjects or themes just came to me. Somehow I crossed the path with them. My life and my desire to make films just crosses path with the theme that happens to be there somewhere.” (Miroslav Janek)

','

screenplay
Miroslav Janek

cinematography
Miroslav Janek

music
traditional and contemporary Romany music

festivals, awards (selection)
Amsterdam 2005, Jihlava 2005 (best documentary)

',NULL,NULL,2005,NULL,'images/events/event779.jpg','images/events/event779_t.jpg',600,450,NULL,NULL,'Miroslav Janek',76,'češčina','Czech','angleščina, slovenščina','English, Slovene','Češka rep.','Chech rep.','images/events/logo779.jpg','images/events/logo779_t.jpg',200,200,'Miroslav Janek'),(780,29,'MOST','The Bridge','The Bridge','

Dokumentarno raziskovanje bajeslovne lepote mostu Zlata vrata, najbolj priljubljene samomorilske točke na svetu, in nesrečnih duš, ki jih pritegne klic njegove sirene. Steel in njegova ekipa so most z dveh lokacij snemali podnevi vse leto 2004 in posneli večino dveh ducatov smrti v tistem letu (ter jih nekaj preprečili). Posneli so tudi več kot 100 ur pogovorov s prijatelji, družinami in pričami, ki podrobno pripovedujejo žalostne zgodbe o bitkah z depresijo, zlorabi substanc in duševnih boleznih.

»Verjamem, da nam bo film pomagal videti najbolj nedosegljive kotičke človeškega uma ter nas pozval k popolnoma drugačnemu razmišljanju in govorjenju o samomorih.« (Eric Steel)

','

kamera
Peter McCandless

glasba
Alex Heffes

festivali, nagrade (izbor)
Tribeca Film Festival (2006), San Francisco (2006), Sarajevo (2006)

','

A documentary exploration of the mythic beauty of the Golden Gate Bridge, the most popular suicide destination in the world, and the unfortunate souls drawn by its siren call. Steel and his crew filmed the bridge during daylight hours from two separate locations for all of 2004, recording most of the two dozen deaths in that year (and preventing several others). They also taped more than 100 hours of interviews with friends, families and witnesses, who recount in sorrowful detail stories of struggles with depression, substance abuse and mental illness.


»I believe the film will allow us to see into the most impenetrable corners of the human mind and challenge us to think and talk about suicide in profoundly different ways.« Eric Steel

','

camera
Peter McCandless

music
Alex Heffes

festivals, awards (selection)
Tribeca Film Festival (2006), San Francisco (2006), Sarajevo (2006)

',NULL,NULL,2006,NULL,'images/events/event780.jpg','images/events/event780_t.jpg',600,450,NULL,NULL,'Eric Steel',93,'angleščina','English','slovenščina','Slovene','ZDA','USA',NULL,NULL,NULL,NULL,'Eric Steel'),(781,56,'PARTER','Orchestra Seats','Fauteuils d\\\'orchestre','

Catherine je priljubljena televizijska igralka, ki si želi postati filmska zvezda. Dela si je nakopala preveč: podnevi vadi v gledališču, zvečer na televiziji snema nove epizode. Jean-François je nadarjen in slovit pianist, ki nastopa v najbolj priznanih koncertnih dvoranah in pred najbolj omikanim poslušalstvom, a si želi predvsem samote, svobode ter nekultiviranih in naivnih poslušalcev. Jacques je vse življenje posvetil iskanju umetnikov in redkih umetnin, a to mu je začelo že presedati. Jessica je preprosto dekle, ki si ne more privoščiti razkošja, zato pa lahko dela v prestižnih lokalih. Tako 17. v mesecu dobi delo v elitni kavarni, kamor bodo tistega dne prišli Catherine, Jean-François in Jacques. Prek njih Jessica spozna, da so njene sanje o čudovitih svetovih umetnosti le prazne iluzije.

»To je film o srečanjih v življenju. Umetniški krogi so pravzaprav samo to. Desetkrat gremo mimo nekoga, nekega dne pa se zgodi – ne veste zakaj, utrinek pač. To je zame Parter, komedija o moških in ženskah, ki se jim dogajajo življenjska srečanja.« (Danièle Thompson)

','

scenarij
Danièle Thompson, Christopher Thompson

fotografija
Jean-Marc Fabre

glasba
Nicola Piovani

igrajo
Cécile de France (Jessica), Valérie Lemercier (Catherine Versen), Albert Dupontel (Jean-François Lefort), Laura Morante (Valentine Lefort), Claude Brasseur (Jacques Grumberg), Christopher Thompson (Frédéric "Fred" Grumberg), Suzanne Flon (Madame Roux)

festivali, nagrade (izbor)
L\\\'Alpe-d\\\'Huez Film Festival 2006, Montréal 2006

','

Catherine is a popular TV actress longing for glory on the big screen. She has burdened herself with too much work, having theatre rehearsals during the day and shooting new episodes of her soap at the television in the evenings. Jean-François is a piano prodigy with an international reputation, appearing in the most elite concert halls, yet he basically only longs for solitude, freedom, and uncultivated, naive audience. Jacques, a businessman turned art connoisseur, has amassed an extraordinary, highly personal art collection, but he is getting fed up with it. Jessica is a simple girl working in luxurious bars, but cannot afford luxury herself. On the 17th day in a month, she gets work in an elite cafe, where Catherine, Jean-François and Jacques will all turn up that day. Jessica realizes that her dreams of the wonderful world of art are just an illusion.

“It\\\'s a film about encounters in life. The artistic world is actually merely this. We pass by somebody ten times and then one day it happens – you don\\\'t know why, it\\\'s just a moment. This is what Orchestra seats is for me: a comedy about men and women and their encounters in life.” (Danièle Thompson)

','

screenplay
Danièle Thompson, Christopher Thompson

cinematography
Jean-Marc Fabre

music
Nicola Piovani

cast
Cécile de France (Jessica), Valérie Lemercier (Catherine Versen), Albert Dupontel (Jean-François Lefort), Laura Morante (Valentine Lefort), Claude Brasseur (Jacques Grumberg), Christopher Thompson (Frédéric "Fred" Grumberg), Suzanne Flon (Madame Roux)

festivals, awards (selection)
L\\\'Alpe-d\\\'Huez Film Festival 2006, Montréal 2006

',NULL,NULL,2006,NULL,'images/events/event781.jpg','images/events/event781_t.jpg',600,450,NULL,NULL,'Danièle Thompson',106,'francoščina','French','slovenščina','Slovene','Francija','France',NULL,NULL,NULL,NULL,'Danièle Thompson'),(784,30,'ZA LJUBI KRUHEK','For bread alone','El Khoubz el hafi','

Mohamed Choukri, ki se je pri dvajsetih letih sam naučil pisati in brati, je pozneje postal eden najbolj kontroverznih severnoafriških avtorjev in je bil nominiran tudi za Nobelovo nagrado. Odraščal je v revni družini ob nasilnem očetu in je že zelo zgodaj zapustil dom. Taval je po ulicah ter si iskal hrano, dom in srečo, kar je našel v najbolj neuglednih delih Tangerja. Ko so ga pri dvajsetih zaprli, je začutil močno potrebo po tem, da se osvobodi nevednosti in nepismenosti. Naučil se je brati in čez čas postal celo učitelj ter tako druge otroke učil, kako pobegniti revščini.

»Za ljubi kruhek je predvsem zgodba o uporu posameznika, malega Mohameda Choukrija, proti njegovemu očetu, temu vsemogočnemu očetu, simbolu vsega zatiranja, ki ga pisec primerja z nasiljem, ki ga je v tistih letih izvajala Francija nad Marokom. Za Mohameda Choukrija je to, da se osvobodi krivic, ki mu jih je povzročil oče, prvi korak, da se osvobodi kolonialne sile. Prvi upor postane simbol za to, da se lahko zgodi tudi drugi. A obenem film temelji na romanu, ki je predstavljen v sodobnem času in zastavlja goreča vprašanja o prihodnosti, ne le o Maroku in državah tretjega sveta, temveč o celotni skupnosti.« (Rachid Benhadj)

Koda za glasovanje prek Mobitela: V

','

scenarij
Rachid Benhadj, Mohammed Choukri

fotografija
Pier Luigi Santi

glasba
Safy Boutella

igrajo
Saïd Taghmaoui, Faycal Zeghadi, Bilel Lahsini, Sana Alaoui, David Halevim, Karim Benhadj, Marzia Tedeschi, Ahmed El Kouriachi

festivali, nagrade (izbor)
Salento 2005 (najboljši film), Cannes 2005, Montreal 2005, Kairo 2005

','

Mohammed Choukri, who taught himself to read and write at the age of twenty, later became one of the most controversial North African authors and was also nominated for the Nobel Prize. He grew up in a poor family with a violent father and very early on left his home. He wondered around the streets and looked for food, home and happiness which he found in the most disrespectable parts of Tangier. When he was put into jail at the age of twenty, he felt a strong need to free himself from ignorance and illiteracy. He learnt to read and after a while even became a teacher and used his knowledge to teach other children how to escape from poverty.

“For bread alone is most of all the story of an individual rebellion made by little Mohammed Choukri against his father, this omnipotent father, symbol of all oppressions, compared by the writer to the coercion exercised by France on Morocco during those years. For Mohammed Choukri, freeing himself from the injustices that his father forced unto him, is the first step to free himself from colonial power. The first revolt becomes a symbol for the second to take place.But at the same time, the film based upon this novel presented in a contemporary time, sets down burning questions on the future, and not only of Morocco and the countries of the Third World, but of the entire community.” (Rachid Benhadj)

The code for submitting votes via Mobitel: V

','

screenplay
Rachid Benhadj, Mohammed Choukri

cinematography
Pier Luigi Santi

music
Safy Boutella

cast
Saïd Taghmaoui, Faycal Zeghadi, Bilel Lahsini, Sana Alaoui, David Halevim, Karim Benhadj, Marzia Tedeschi, Ahmed El Kouriachi

festivals, awards (selection)
Salento 2005 (najboljši film/best film), Cannes 2005, Montreal 2005, Kairo 2005

',NULL,NULL,2005,NULL,'images/events/event784.jpg','images/events/event784_t.jpg',600,450,NULL,NULL,'Rachid Benhadj',100,'arabščina','Arabic','slovenščina, angleščina','Slovene, English','Francija, Italija, Maroko','France, Italy, Morocco',NULL,NULL,NULL,NULL,'Rachid Benhadj'),(785,35,'STIK','Contact','Kontakt','

Janko in Žana sta v istem času izpuščena na prostost – Janko iz zapora in Žana iz psihiatrične bolnišnice. Jankovemu polbratu Novaku, ki mu je nasilni, neprilagojeni sorodnik le v nadlogo, se utrne ideja, da bi Janko lahko skrbel za Žano in ji pomagal obnavljati hišo. Nasprotujoča si značaja se postopoma zbližata in ugotovita, da si v resnici sploh nista tako zelo različna.

»To je tragikomedija s poudarkom na likih. Gre za spopad dveh posebnežev: Žane, nedolžne mlade ženske, ki se je zrušila ter so jo zaradi laži in izdaj v njeni družini odpeljali v psihiatrično bolnišnico, ter krutega in nasilnega zapornika Janka, ki v njej, presenetljivo, spet zbudi zaupanje. Ko začne Janko obnavljati Žanino hišo, pomeni to tudi \\\'obnavljanje\\\' Žanine duše. Na vsakem koraku zgodbe hiša kaže Žanino notranje stanje.« (Sergej Stanojkovski)

','

scenarij
Gordan Mihić

fotografija
Tomislav Pinter

glasba
Michael Michi Bauer, Peer Raben

igrajo
Nikola Kojo (Janko), Labina Mitevska (Žana), Vesna Petruševska (Viki), Elena Petruševska (pevka Elena), Vladimir Endrovski (paznik), Gjuner Ismail (Žanin oče), Bedija Begovska (Žanina mama), Risto Gogovski (terapevt), Dime Iliev (sosed), Petar Mirčevski (Novak)

festivali, nagrade (izbor)
Sao Pãulo 2005, Crossing Europe Linz 2006

','

Janko and Žana are set free at the same time – Janko from prison and Žana from psychiatric hospital. Violent and non-adapted, Janko is just a nuisance to his half brother and an idea crosses his mind that Janko could take care of Žana, helping her to rebuild her house. Two opposed characters are gradually drawn closer and they discover that they are not that different after all.

»This is a character-driven, tragic comedy. It is about the clash of two misfits: Zana, an innocent young woman who collapsed and was taken to psychiatry because of the lies and betrayal within her family, and the cruel and violent prisoner Janko, who paradoxically inspires new confidence in her. When Janko starts to renovate Zana‘s home, it means a ‘renovation‘ of Zana‘s soul, too. At each point of the story the house shows the inner state Zana is in.« (Sergej Stanojkovski)

','

screenplay
Gordan Mihić

cinematography
Tomislav Pinter

music
Michael Michi Bauer, Peer Raben

cast
Nikola Kojo (Janko), Labina Mitevska (Žana), Vesna Petruševska (Viki), Elena Petruševska (singer Elena), Vladimir Endrovski (warden), Gjuner Ismail (Žana\\\'s father), Bedija Begovska (Žana\\\'s mother), Risto Gogovski (therapist), Dime Iliev (neighbour), Petar Mirčevski (Novak)

festivals, awards (selection)
Sao Pãulo 2005, Crossing Europe Linz 2006

',NULL,NULL,2005,NULL,'images/events/event785.jpg','images/events/event785_t.jpg',600,450,NULL,NULL,'Sergej Stanojkovski',120,'makedonščina','Macedonian','slovenščina, angleščina','Slovene, English','Nemčija, Makedonija','Germany, Macedonia',NULL,NULL,NULL,NULL,'Sergej Stanojkovski'),(786,34,'JAZ IN TI IN VSI, KI JIH POZNAVA','Me and You and Everyone We Know','Me and You and Everyone We Know','

Cristine Jesperson je osamljena umetnica in voznica taksija za starejše, ki svoje fantastične umetniške vizije uporablja, da pritegne k sebi tisto, kar si želi. Richard Swersey, od nedavnega samski prodajalec čevljev in oče dveh sinov, je pripravljen na nenavadne stvari, vendar ga zagrabi panika, ko sreča privlačno Cristine. Richardova sinova pa se ukvarjata z drugačnimi stvarmi. Sedemletni Robby ima tvegano spletno romanco z neznancem, njegov štirinajstletni brat Peter pa postane poskusni zajček deklet iz soseščine, ki hočeta vaditi za njune prihodnje zmenke in zakon.

»Ta film je navdihnilo hrepenenje, ki sem ga nosila v sebi že v otroštvu, hrepenenje po prihodnosti, po nekom, ki bi me našel, po tem, da bi čarobnost planila nad moje življenje in vse spremenila. Oblikovalo ga je tudi to, kako je to hrepenenje napredovalo, ko sem odraščala, postajalo je nekoliko bolj bojazljivo, bolj popačeno, a nič manj sanjavo upajoče.« (Miranda July)

','

scenarij
Miranda July

fotografija
Chuy Chavez

glasba
Michael Andrews

igrajo
John Hawkes (Richard), Miranda July (Christine), Miles Thompson (Peter), Brandon Ratcliff (Robby), Carlie Westerman (Sylvie), Natasha Slayton (Heather), Najarra Townsend (Rebecca)

festivali, nagrade (izbor)
Sundance 2005 (posebna nagrada žirije), Cannes 2005 (Camera d\\\'Or), Los Angeles 2005 (nagrada občinstva), Newport 2005 (najboljša režija, nagrada občinstva), Filadelfija2005 (najboljši prvenec)

','

Christine Jesperson is a lonely artist and “Eldercab” driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey, a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard\\\'s seven-year-old Robby, who is having a risqué internet romance with a stranger, and his fourteen- year-old brother Peter who becomes the guinea pig for neighborhood girls – practicing for their future of romance and marriage.

”This movie was inspired by the longing I carried around as a child, longing for the future, for someone to find me, for magic to descend upon my life and transform everything. It was also informed by how this longing progressed as I became an adult, slightly more fearful, more contorted, but no less fantastically hopeful.” (Miranda July)

','

screenplay
Miranda July

cinematography
Chuy Chavez

music
Michael Andrews

cast
John Hawkes (Richard), Miranda July (Christine), Miles Thompson (Peter), Brandon Ratcliff (Robby), Carlie Westerman (Sylvie), Natasha Slayton (Heather), Najarra Townsend (Rebecca)

festivals, awards (selection)
Sundance 2005 (Special Jury Prize), Cannes 2005 (Camera d\\\'Or), Los Angeles 2005 (Audience Award), Newport 2005 (Best Director, Audience Award), Philadelphia 2005 (Best First Feature)

',NULL,NULL,2005,NULL,'images/events/event786.jpg','images/events/event786_t.jpg',600,450,NULL,NULL,'Miranda July',91,'angleščina','English','hrvaščina, slovenščina','Croatian, Slovene','ZDA, VB','USA, GB',NULL,NULL,NULL,NULL,'Miranda July'),(789,35,'VSE ZASTONJ','All for Free','Sve džaba','

Goran živi v majhnem bosanskem mestu in zapravlja dneve ob praznjenju kozarčkov. Nekega dne v gostilniškem pretepu umrejo trije njegovi prijatelji. Pretreseni Goran začne iskati novi smisel v življenju: odloči se prodati vse, kar ima, kupiti gostinski kombi, se z njim vsak dan ustaviti v drugem kraju in brezplačno deliti ljudem pijačo. Po začetnem nezaupanju njegov potujoči bar postaja vedno bolj priljubljen – vse dokler se med enim od svojih postankov Goran ne zaljubi in prekrši pravila, da se bo v vsakem kraju zadržal le en dan.

»V Bosno smo odšli skoraj mesec dni pred snemanjem, si jo ogledovali, vsrkavali vase. Opazovali smo način razmišljanja teh ljudi, njihovo obnašanje v kavarni, da bi se lahko igralci vživeli v duh naroda. Menim, da je bilo to zelo produktivno in da se v filmu to opazi.« (Antonio Nuić)

','

scenarij
Antonio Nuić

fotografija
Mirsad Herović

glasba
Hrvoje Štefotić, Siniša Krneta

igrajo
Rakan Rushaidat (Goran), Nataša Janjić (Maja), Emir Hadžihafizbegović (Ljubo), Franjo Dijak, Bojan Navojec, Enis Bešlagić, Sergej Trifunović, Bogdan Diklić, Darija Lorenci, Pero Kvrgić

festivali, nagrade (izbor)
Pula 2006 (najboljši film, najboljši režiser, najboljši scenarij), Sarajevo 2006 (najboljši moška vloga)

','

Goran is living in a small Bosnian town, spending his days drinking. One day three of his friends die in a bar fight. Shaken, Goran starts to look for a new meaning of life. He decides to sell everything he owns, buy a catering van, drive from town to town and distribute free drinks to people. His travelling bar is becoming more and more popular until Goran falls in love during one of his stops and breaks the rule of staying just one day in one town.

“We went to Bosnia almost a month before shooting. We were looking around, absorbing everything. We were looking at how people were thinking, how they behaved in a coffee shop, so that actors could get familiar with the nation\\\'s spirit. I think it was very productive and it can be seen in the film.” (Antonio Nuić)

','

screenplay
Antonio Nuić

cinematography
Mirsad Herović

music
Hrvoje Štefotić, Siniša Krneta

cast
Rakan Rushaidat (Goran), Nataša Janjić (Maja), Emir Hadžihafizbegović (Ljubo), Franjo Dijak, Bojan Navojec, Enis Bešlagić, Sergej Trifunović, Bogdan Diklić, Darija Lorenci, Pero Kvrgić

festivals, awards (selection)
Pula 2006 (best film, best director, best script), Sarajevo 2006 (best male role)

',NULL,NULL,2006,NULL,'images/events/event789.jpg','images/events/event789_t.jpg',600,450,NULL,NULL,'Antonio Nuić',94,'hrvaščina','Croatian','slovenščina','Slovene','HRVAŠKA, BOSNA IN HERCEGOVINA, SRBIJA','Croatia, Bosnia and Herzegovina, Serbia',NULL,NULL,NULL,NULL,'Antonio Nuić'),(790,35,'POT LUBENIC','The Melon Route','Put Lubenica','

Mirko na bosansko-hrvaški meji čez Savo za lokalno mafijo na Zahod prevaža ilegalne prebežnike. Njegov prepolni čoln se prevrne in vsi tihotapljeni Kitajci utonejo. Preživi le mlado dekle in Mirko se jo odloči skriti. Zaradi nje se mu začne življenje spreminjati. Kitajsko dekle je priča in mafija jo s pomočjo vodje lokalne policije, Čaleta, ugrabi. Čale je tudi Mirkov stric in hoče svojemu nečaku zgolj pomagati, a, kot je običajno v takih primerih, na napačen način. Mirku uspe Kitajko osvoboditi, potem ko ubije Pauka, mafijskega vodjo, in njegove pomočnike. Tudi sam je hudo ranjen, zato se odloči, da bo ostal v svoji razpadajoči hiši in umrl sam ob reki.

»Veliko zlo današnjega časa, trgovina z ljudmi, sledi t. i. balkanski poti, po kateri ljudi tihotapijo na Zahod. Bosanski in hrvaški časopisi pogosto poročajo o skupinah ilegalnih priseljencev, ki jih je policija odkrila. Enako pogosti so članki o smrtih teh priseljencev. Pot lubenic je navdihnila resnična zgodba o dvanajstih ilegalnih priseljencih, ki so utonili v Savi na meji med Bosno in Hrvaško. Jezikovna in kulturna različnost med glavnimi junaki daje posebno razsežnost filmu, ki je prežet z bolečim spoznanjem, da se je težko spopadati z bremenom, ki ga je nemogoče odvreči – z bremenom rojstnega kraja.« (Branko Schmidt)

','

scenarij

Branko Schmidt, Ognjen Sviličić


fotografija
Vjekoslav Vrdoljak


glasba

Miroslav Škoro


igrajo
Krešimir Mikić (Mirko), Sun Mei (Kitajka), Leon Lučev (Šeki), Armin Omerović (Meho), Emir Hađihafisbegović (Gojko), Ivo Gregurević (Cale), Slobodan Maksimović (Waiter), Zijah Sokolović (Pajek), Darijo Velićan (človek s paralizo), Dora Lipovčan (Rusinja 1), Elena Dlesk (Rusinja 2), Iljo Benković, Drca (kolega, Chen Samin (stari Kitajec), Marella Oppenheim (prevajalka), Zoran Ćubrilo (Rivette), Ivana Bolanća (Pajkova žena), Dino Stević (Euforovec)

festivali, nagrade (izbor)

Sarajevo 2006, Pulj/Pula 2006 (najboljša moška vloga)

','

For the local mafia, Mirko ferries smuggling people over the river Sava, Bosnia and Herzegovina and Croatian border, to the West. His overloaded boat capsizes, and the smuggled Chinese people in it drown. Only a young Chinese woman survives, and Mirko decides to hide her. Under her influence, Mirko experiences a change in his life. The Chinese woman is a witness and mafia kidnap her with the help of Čale, the head of the local police, who is Mirko\\\'s uncle and who only wants to help his nephew, but, as is usually the case, in the wrong way. Mirko manages to set the Chinese woman free, killing Pauk, mafia chief, and his helpers in the process. He is also seriously wounded and decides to remain in his rundown house to die alone by the river.

”The great evil of today, human trafficking, follows the so-called Balkan route, by which people are being smuggled to the West. Bosnian and Croatian newspapers are full of reports on groups of illegal immigrants discovered by the police. Articles on the deaths of these people are just as frequent. The Melon Route was inspired by a true story about twelve illegal immigrants who drowned in the river Sava on the border between Bosnia and Croatia. Linguistic and cultural differences betqeen the main characters give a special dimension to the film, imbued with a painful recognition that it is difficult to deal with the burden one cannot cast off – the burden of your birth place.” (Branko Schmidt)

','

screenplay
Branko Schmidt, Ognjen Sviličić

cinematography
Vjekoslav Vrdoljak


music
Miroslav Škoro


cast
Krešimir Mikić (Mirko), Sun Mei (Chinese woman), Leon Lučev (Šeki), Armin Omerović (Meho), Emir Hađihafisbegović (Gojko), Ivo Gregurević (Cale), Slobodan Maksimović (Waiter), Zijah Sokolović (Pajek), Darijo Velićan (man with paralysis), Dora Lipovčan (Russian 1), Elena Dlesk (Russian 2), Iljo Benković, Drca (colleague), Chen Samin (old Chinese man), Marella Oppenheim (translator), Zoran Ćubrilo (Rivette), Ivana Bolanća (Pajek\\\'s wife), Dino Stević (Eufor man 1)

festivals, awards (selection)
Sarajevo 2006, Pulj/Pula 2006 (najboljša moška vloga/best male role)

',NULL,NULL,2006,NULL,'images/events/event790.jpg','images/events/event790_t.jpg',600,450,NULL,NULL,'Branko Schmidt',90,'hrvaščina','Croatian','slovenščina, angleščina','Slovene, English','HRVAŠKA','Croatia','images/events/logo790.jpg','images/events/logo790_t.jpg',200,200,'Branko Schmidt'),(791,30,'HOKEJSKA ZVEZDA','The Rocket','Maurice Richard','

Mladi delavec v tovarni, Maurice Richard, sanja o tem, da bi mu življenje namenilo drugačno usodo, saj je takrat, ko si je na noge prvič nadel drsalke, v sebi začutil prirojeni dar za quebeški nacionalni šport, torej hokej. Kljub težkim začetkom, ki so jih zaznamovale številne poškodbe in napeti odnosi s trenerjem, je Maurice postal profesionalec. Še več, postal je zvezda profesionalne hokejske lige in zaradi eksplozivnosti so mu nadeli vzdevek The Rocket (Raketa). Zunaj igrišča pa je Maurice ohranil skromnost in z ženo Lucille ter otroki je živel povsem mirno, nezvezdniško. Njegova osebnost je bila vir navdiha za vse prebivalce Quebeca, kanadske Francoze, in tako so se tistega dne leta 1955, ko so Mauricea na tekmi po krivem izključili za celo naslednjo sezono, dvignili v pravi upor.

»Film o hokejistu, virtuozu, ognju na ledu, ki pa v sebi nosi tudi močan odmev boja Quebeca, njegove borbe za lastno identiteto in poskusa prebiti se kot francosko govoreči narod, in to v času, ko je bila kultura športa in industrije večinoma angleška.« (Charles Binamé)

Koda za glasovanje prek Mobitela: C

','

scenarij
Ken Scott

fotografija
Pierre Gill

glasba
Michel Cusson

igrajo
Roy Dupuis (Maurice Richard), Stephen McHattie (Dick Irvin), Julie Le Breton (Lucille Richard), Philip Craig (Tommy Gorman), Patrice Robitaille (Emile »Butch« Bouchard), Michel Barrette (gospod), Diane Lavallée (Alice Norchet), Tony Calabretta, (Frank Selke), François Langlois Vallières (mladi), Pierre-François Legendre (Georges Norchet)

festivali, nagrade (izbor)
Quebec 2006 (najboljši film/best film, najboljši režiser), Festival frankofonskega filma 2006

','

The young factory worker Maurice Richard dreams about how life has another destiny ordained for him, because ever since he put on his ice skates, he had felt inside that he was born with a talent to play the Quebec national sport, namely the hockey. Despite a difficult start, marked by many accidents and tense relations with his trainer, Maurice became a professional. Moreover, he became the star of the professional hockey league and due to his explosiveness gets the title »The Rocket«. Outside of the rink Maurice remained modest and lived a completely calm and un-flashy life together with his wife Lucille and their children. His personality was an inspiration to all inhabitants of Quebec, the French Canadians, so that on that special day in 1955, when Maurice was wrongly banned from playing for the whole of the next season, a great opposition was raised.

"It is about a hockey player, a virtuoso, fire on ice, but it has a lot of resonance as to Quebec\\\'s sort of struggling with its identity and trying to come forward as a French-speaking nation in a time where culture, in terms of sport and industry, was English, mainly". (Charles Binamé)

The code for submitting votes via Mobitel: C

','

screenplay
Ken Scott

cinematography
Pierre Gill

music
Michel Cusson

cast
Roy Dupuis (Maurice Richard), Stephen McHattie (Dick Irvin), Julie Le Breton (Lucille Richard), Philip Craig (Tommy Gorman), Patrice Robitaille (Emile »Butch« Bouchard), Michel Barrette (Mr Norchet), Diane Lavallée (Alice Norchet), Tony Calabretta, (Frank Selke), François Langlois Vallières (young Maurice), Pierre-François Legendre (Georges Norchet)

festivals, awards (selection)
Quebec 2006 (best film, best director, best actor), Festival frankofonskega filma 2006

',NULL,NULL,2005,NULL,'images/events/event791.jpg','images/events/event791_t.jpg',600,450,NULL,NULL,'Charles Binamé',125,'francoščina/angleščina','French/English','slovenščina, angleščina','Slovene, English','KANADA','Canada',NULL,NULL,NULL,NULL,'Charles Binamé'),(792,35,'JUTRI ZJUTRAJ','Tomorrow Morning','Sutra ujutro','

Nele se po dvanajstih letih življenja v Kanadi vrne v rodni Beograd, kjer se namerava poročiti z Majo, a bi najprej rad obnovil stike s svojimi starimi prijatelji in družino. Štirje dnevi, ki jih preživijo skupaj, za vedno spremenijo njihova življenja. Še en dokaz, da razdalje ločujejo ljudi in spreminjajo njihove življenjske nazore – ostajajo le spomini na stare ljubezni in prijateljstva.

»Kaj je ljubezen? Ne verjamem, da zna kdo odgovoriti na to vprašanje. Človek lahko izrazi le svoje stališče, občutje. Zame je ljubezen gibalna sila, ki ruši vse ovire in načrte ter človeka sili k težkim odločitvam. Tudi moji junaki doživljajo podobne zgodbe. Jutri zjutraj je ljubezenska drama. Govori o globoki strasti, čutnosti, nežnosti, ukvarja se z ljubosumjem, posesivnostjo, izdajo ljubezni – s spopadom razumskega in narazumskega. Predvsem pa govori o potrebi, da bi se povrnil čas, da bi se ustavil skupni trenutek radosti, velikih pričakovanj, trenutek, ki se zgodi in se nikoli več ne vrne. Govori o ponovnem vračanju k samemu sebi.« (Oleg Novković)

','

scenarij
Milena Marković

fotografija
Miladin Čolaković

glasba
Miroslav Mitrašinović

igrajo
Uliks Fehmiu (Nele), Nebojša Glogovac (Mare), Nada Šargin (Saša), Lazar Ristovski (oče), Ljubomir Bandović (Bure), Danica Ristovski (mama/mother), Nada Blam, Ana Marković (Maja), Radmila Tomović (Ceca)

festivali, nagrade (izbor)
Karlovi Vari (nagrada East of the West, posebna omemba), Motovun 2006, Aleksandrija 2006 (najboljši scenarij, najboljša ženska vloga), Hercegnovi (najboljši film, najboljša ženska vloga), Montreal 2006

','

After twelve years in Canada, Nele returns to his native Belgrade, where he intends to marry Maja. First, he wants to renew contacts with his old friends and family. The four days they will spend together will change their lives forever. One more proof of the fact that distances separate people and change their view of life – what remains is only memories of old loves and friendships.

“What is love? I don\\\'t believe that anybody knows the answer to this question. One can only express their standpoint, their feelings. For me, love is a driving force, destroying all obstacles and plans and forcing a man to adopt difficult decisions. My characters experience similar stories. Tomorrow Morning is a love drama. It\\\'s about deep passion, sensuality, tenderness and it deals with jealousy, possessiveness, betrayal of love – a conflict between the rational and the irrational. Above all, it\\\'s about the need to retrieve the time, to stop the moment of joy and great expectations, the moment that happens and never returns. It\\\'s about finding oneself again.” (Oleg Novković)

','

screenplay
Milena Marković

cinematography
Miladin Čolaković

music
Miroslav Mitrašinović

cast
Uliks Fehmiu (Nele), Nebojša Glogovac (Mare), Nada Šargin (Saša), Lazar Ristovski (father), Ljubomir Bandović (Bure), Danica Ristovski (mother), Nada Blam, Ana Marković (Maja), Radmila Tomović (Ceca)

festivals, awards (selection)
Karlovy Vary (East of the west award, special mention), Motovun 2006, Alexandria 2006 (best script, best female role), Hercegnovi (best film, best female role), Montreal 2006

',NULL,NULL,2006,NULL,'images/events/event792.jpg','images/events/event792_t.jpg',600,450,NULL,NULL,'OLEG NOVKOVIĆ',90,'srbščina','Serbian','brez podnapisov','no subtitles','SRBIJA','Serbia',NULL,NULL,NULL,NULL,'OLEG NOVKOVIĆ'),(794,39,'ODLOČILI SMO SE, DA NE BOMO UMRLI','We Have Decided not to Die','We Have Decided not to Die','

Trije rituali, trije liki. Trije zelo sodobni dnevi potovanj v transcendenco. Odločili smo se, da ne bomo umrli govori o duševnem stanju, v katerem logika ne igra več vloge in je mogoče vse. To je avdiovizualna pripoved, ki uporablja zvok, trike in vizualne učinke, da bi prikazala svet, v katerem liki lebdijo v prostoru in času.

','scenarij
 Daniel Askill

igrajo
 Kasia Werstak, Daniel Askill & Jordan Askill','

Three Rituals. Three Figures. Three modern day journeys of transcendence. We Have Decided not to Die is about a mental state where logic drops away and anything is possible. It is an audio visual narrative that uses sound, stunts and visual effects to create a world where characters float in space and time.

','screenplay
 Daniel Askill

cast
 Kasia Werstak, Daniel Askill & Jordan Askill


',NULL,NULL,2004,NULL,'images/events/event794.jpg','images/events/event794_t.jpg',600,450,NULL,NULL,'Daniel Askill',12,'.','.','slovenščina','Slovene','AUSTRALIJA','Australia',NULL,NULL,NULL,NULL,'Daniel Askill'),(795,39,'NOČNA IZMENA','Nightshift','Yövuoro','

Ptič in netopir sta soseda in si delita drevo. A imata različne bivanjske navade, kar povzroči nesoglasja ...

','

scenarij
Samppa Kukkonen, Simo Koivunen

igrajo
Yari

','

A bird and a bat are living in the same tree as neighbours. Their different ways of living create tension and anger.

','screenplay
Samppa Kukkonen, Simo Koivunen

cast
 Yari',NULL,NULL,2004,NULL,'images/events/event795.jpg','images/events/event795_t.jpg',600,450,NULL,NULL,'Sara Wahl, Samppa Kukkonen, Simo Koivunen',7,'.','.','slovenščina','Slovene','FINSKA','Finland',NULL,NULL,NULL,NULL,'Sara Wahl, Samppa Kukkonen, Simo Koivunen'),(796,39,'ARIJA','Aria','Aria','

Giorgio živi na obrobju Rima, v anonimnem blokovskem naselju Tor Bella Monaca, kjer se zdi življenje podobno zaporni kazni: zadušljivo ozračje ustvarja brezbrižnost, lokali so malodane prazni, trava je docela posušena, vse spominja na stanje brezupa ... Giorgio, prestrašen in zasmehovan, išče izhod iz te življenjske bede. Želi si pasti v materin objem, vendar je sam. Preplezati mora visoko steno, da bi ugotovil, kaj se skriva na drugi strani.

','

scenarij
 Elisa Amoruso, Claudio Noce

igrajo
 Paolo Sassanelli, Michele Amoruso, Alessandra Roca, Alberto Gasbarri

','

The anonymous apartment buildings in Rome’s rundown Tor Bella Monaca district make Giorgio’s life seem like a prison sentence. The stifling atmosphere breeds an indifference that stagnates on the windowsills, on the walls of the courtyards, in the semi-deserted bars, amidst the scorched grass of the parks; an indifference that sits on a bench of despair. Giorgio runs, frightened, mocked; he searches for a way out; he longs to fall into his mother’s arms, but he cannot; he is alone; he must climb over a towering wall to find out what is on the other side.

','

screenplay
 Elisa Amoruso, Claudio Noce

cast
 Paolo Sassanelli, Michele Amoruso, Alessandra Roca, Alberto Gasbarri

',NULL,NULL,2004,NULL,'images/events/event796.jpg','images/events/event796_t.jpg',600,450,NULL,NULL,'Claudio Noce',26,'italijanščina','Italian','slovenščina','Slovene','Italija','Italy',NULL,NULL,NULL,NULL,'Claudio Noce'),(797,39,'MUHAMED','Muhammed','Muhammed','

Trinajstletni Muhamed in dve leti starejša Mina živita v istem mladinskem domu. Muhamed je v dekle naskrivaj zaljubljen. Tega ji še nikdar ni povedal in tudi ne namerava. A nekega dne svoje zaljubljenosti ne more več skrivati. Ko se ji izpove, se zgodba še bolj zaplete ... Rahločutna filmska pripoved o zaljubljenosti mladostnikov.

','

scenarij
 Ellen Lyse Einarsen

igrajo
 Muhammed Mahjang, Sarah Jabang

','

Mohammed and Meena live at the same juvenile detention centre. Muhammed is secretly in love with Meena. He has never told her this, and does not intend to. But one day he cannot hide it any more. It gets him into more trouble than he had expected. A delicate tale of two teenagers in love.

','

screenplay
 Ellen Lyse Einarsen

igrajo
 Muhammed Mahjang, Sarah Jabang

',NULL,NULL,2004,NULL,'images/events/event797.jpg','images/events/event797_t.jpg',600,450,NULL,NULL,'Lisa Marie Gamlem',28,'.','.','slovenščina','Slovene','Norveška','Norway',NULL,NULL,NULL,NULL,'Lisa Marie Gamlem'),(798,39,'NENAVADNOST BIVANJA','Exoticore','Exoticore','

Film o priseljencu iz Burkine Faso in njegovih poskusih prilagoditve norveški družbi. Ganljiva zgodba o življenju v sodobni družbi, ko ljudje iščejo svoj prostor pod soncem. Film o tujstvu, samoti in sodobni blaznosti. Temačno potovanje v eksotičnost.

','scenarij
 Nicolas Provost

igrajo
 Issaka Sawadogo','

A tale about an immigrant from Burkina Faso and his attempt to integrate in an alien culture, Norway. Exoticore is a touching film about people trying to find their place in the world. A film about being a foreigner, about solitude and contemporary insanity. A dark journey into exoticism.

','screenplay
Nicolas Provost

igrajo
 Issaka Sawadogo


',NULL,NULL,2004,NULL,'images/events/event798.jpg','images/events/event798_t.jpg',600,450,NULL,NULL,'Nicolas Provost',27,'.','.','slovenščina','Slovene','BELGIJA','Belgium',NULL,NULL,NULL,NULL,'Nicolas Provost'),(799,39,'ROJSTNI DAN','Birthday','Birthday','

Mlad najstniški par se spopada z resno krizo. Ko zakonca preživljata najhujšo razprtijo, ima njun sin rojstni dan ...

','

scenarij
 Bertrand Lee

igrajo
Jonathan Chiang, Mindy Ong

','

A young teenage couple faces what might be the last day of their relationship. This day also
happens to be their son\\\'s birthday.

','

screenplay
 Bertrand Lee

cast
 Jonathan Chiang, Mindy Ong

',NULL,NULL,2004,NULL,'images/events/event799.jpg','images/events/event799_t.jpg',600,450,NULL,NULL,'Bertrand Lee',30,'.','.','slovenščina','Slovene','SINGAPUR','Singapoor',NULL,NULL,NULL,NULL,'Bertrand Lee'),(800,39,'ČRNO NA BELEM','Black on White','Cherno na byalo','

Nič na tem svetu ni le belo ali le črno. Upor proti družbi, ki zavrača razlike.

','scenarij
Bojan Biolčev/Boyan Biolchev','

Nothing is only black and white. Protest against the society rejecting differences.

','screenplay
 Bojan Biolčev/Boyan Biolchev',NULL,NULL,2005,NULL,'images/events/event800.jpg','images/events/event800_t.jpg',600,450,NULL,NULL,'Andrej Cvetkov',5,'.','.','slovenščina','Slovene','BULGARIJA','Bulgary',NULL,NULL,NULL,NULL,'Andrey Tzvetkov'),(803,39,'POTEPUŠKI ČEVLJI','Vagabond shoes','Vagabond shoes','

London, petek zvečer. Brezdomec Alec poseda nasproti hotela, v katerem poteka večerna zabava. Po spletu okoliščin se znajde na tej zabavi visoke družbe, na kateri se razkrijejo plasti njegove osebnosti in preteklosti.

',NULL,'

On a Friday night in London, Alec, an enigmatic homeless man, sits across the street from a black-tie party at a posh hotel. A chance occurrence gives Alec the opportunity to enter this high society gathering, where the layers of his personality and his past are revealed to an unsuspecting audience.

',NULL,NULL,NULL,2005,NULL,'images/events/event803.jpg','images/events/event803_t.jpg',600,450,NULL,NULL,'Jackie Oudney',18,'.','.','slovenščina','Slovene','Velika Britanija','GB',NULL,NULL,NULL,NULL,'Jackie Oudney'),(808,58,'VERSKA VZGOJA','The Religion Hour (My Mother\\\'s Smile)','Il ora di religione (Il sorriso di mia madre)','

Ernesto je uspešen slikar in ilustrator, predan oče in – ateist. Nekega popoldneva pride v njegov studio sel iz Vatikana in ga osupne z novico, da bo njegova pokojna mama morda razglašena za svetnico. Dejstvo, da Ernesto svoje mame nikoli ni maral in ima o njej povedati veliko slabega, ga zbliža z njegovim norim blasfemičnim bratom, ki je mamo ubil, medtem ko so preostali družinski člani naklonjeni mamini beatifikaciji. Ernestov ateistični cinizem tako trči ob oportunizem njegove družine, željne vseh ugodnosti, ki jih prinaša sorodstvo s svetnikom.

»Novinar me je prosil, naj se odzovem na napad na film s strani katoliških organizacij: obtožili so me, da imam od zmeraj, že od I pugni in tasca, nekaj proti družini, proti cerkvi. Vendar ni tako. Nedvomno je v filmu vpletena laična pozicija, vendar je bil moj namen zajeti strast protagonista, njegovo zmožnost, da se ponovno zaljubi, in dognati, v nasprotju s svojimi brati, podobo matere, ki je nekoliko skrivnostna, pa vendar še vedno samo navadna ženska. Lastni ateizem potrdi s tem, da se zaljubi v žensko.« (Marco Bellocchio)


Ernesto is a successful painter and illustrator, a devoted father and – atheist. One afternoon a messenger from Vatican brings him the news about the possible canonization of his late mother. His extreme dislike for her brings about a greater connection with his insane brother who killed her, while his other brothers favour her beatification. Ernesto\\\'s atheistic cynicism collides with his family\\\'s opportunism.

“A journalist asked me to react on the catholic organizations\\\' attack on the film. I was accused of having something against the family, against the church (already since my film »I pugni in tasca«). But that is not the fact. Undoubtedly, there is a laic standpoint implicated in the film, but my intention was to capture protagonist\\\'s passion, his ability to fall in love again, and to perceive, contrary to his brothers, the image of his mother being somewhat mysterious and yet a common woman. He certifies his atheism by falling in love with a woman.” (Marco Bellocchio)

','

scenarij
Marco Bellocchio

fotografija
Pasquale Mari

glasba
Riccardo Giagni

igrajo
Sergio Castellitto (Ernesto Picciafuocco), Jacqueline Lustig (Irene Picciafuocco), Chiara Conti (Diana Sereni), Gigio Alberti (Ettore Picciafuocco), Alberto Mondini (Leonardo Picciafuocco), Gianfelice Imparato (Erminio Picciafuocco), Gianni Schicchi (Filippo Argenti), Maurizio Donadoni (kardinal/cardinal Piumini), Donato Placido (Egidio Picciafuocco), Renzo Rossi (Baldracchi), Pietro De Silva (Curzio Sandali), Bruno Cariello (Don Pugni), Piera Degli Esposti (tetaMaria),Toni Bertorelli (grof Ludovico Bulla), Maria Luisa Bellocchio (Zia Ernesto)

festivali, nagrade (izbor)
Cannes 2002 (nagrada ekumenske žirije – posebna omemba), Evropska filmska nagrada2002 (najboljši igralec), Toronto 2002

','

Ernesto is a successful painter and illustrator, a devoted father and – atheist. One afternoon a messenger from Vatican brings him the news about the possible canonization of his late mother. His extreme dislike for her brings about a greater connection with his insane brother who killed her, while his other brothers favour her beatification. Ernesto\\\'s atheistic cynicism collides with his family\\\'s opportunism.

“A journalist asked me to react on the catholic organizations\\\' attack on the film. I was accused of having something against the family, against the church (already since my film »I pugni in tasca«). But that is not the fact. Undoubtedly, there is a laic standpoint implicated in the film, but my intention was to capture protagonist\\\'s passion, his ability to fall in love again, and to perceive, contrary to his brothers, the image of his mother being somewhat mysterious and yet a common woman. He certifies his atheism by falling in love with a woman.” (Marco Bellocchio)

','

screenplay
Marco Bellocchio

cinematography
Pasquale Mari

music
Riccardo Giagni

cast
Sergio Castellitto (Ernesto Picciafuocco), Jacqueline Lustig (Irene Picciafuocco), Chiara Conti (Diana Sereni), Gigio Alberti (Ettore Picciafuocco), Alberto Mondini (Leonardo Picciafuocco), Gianfelice Imparato (Erminio Picciafuocco), Gianni Schicchi (Filippo Argenti), Maurizio Donadoni (kardinal/cardinal Piumini), Donato Placido (Egidio Picciafuocco), Renzo Rossi (Baldracchi), Pietro De Silva (Curzio Sandali), Bruno Cariello (Don Pugni), Piera Degli Esposti (aunt Maria),Toni Bertorelli (count Ludovico Bulla), Maria Luisa Bellocchio (Zia Ernesto)

festivals, awards (selection)
Cannes 2002 (Prize of the Ecumenical Jury – Special Mention), Evropska European Film Awards 2002 (Best Actor), Toronto 2002

',NULL,NULL,2002,NULL,'images/events/event808.jpg','images/events/event808_t.jpg',600,450,NULL,NULL,'Marco Bellocchio',103,'italijanščina','Italian','slovenščina','Slovene','ITALIJA','Italy',NULL,NULL,NULL,NULL,'Marco Bellocchio'),(809,58,'VARUŠKA','The Nanny','La balia','Rim na začetku 20. stoletja – čas socialnih nemirov. Premožnemu psihiatru, ki vodi bolnišnico za ženske, in njegovi ženi se rodi drugi otrok. Ker žena otroka ne more dojiti, se profesor odloči poiskati dojiljo in varuško. Na podeželju najde mlado nepismeno Annette ter jo prepriča, da zapusti svojega otroka in pride v Rim. Med Annette in profesorjevim sinkom se hitro splete prisrčna vez. Medtem ko ženo Vittorio vedno bolj prevzemajo občutki ljubosumja in nepomembnosti, profesor občuduje Annettino spontanost in čustvenost, in ko ga ta prosi, da jo nauči brati in pisati, profesor privoli.

»Film Varuška kot izdelek je bil narejen po naročilu. Nekdo mi je rekel: Bi posnel film po klasičnem italijanskem literarnem delu? Jasno je, da takšen predlog implicitno zahteva neke vrste jamstvo: besedilo zagotavlja neki rezultat in hkrati objektivno omejuje avtorja. Tako se zgodi – in v kinematografiji se to pogosto dogaja – da kljub omejitvam klasične strukture poizkušamo iti globlje. Kako? S stilom, pomenom. To pa se sicer ne rojeva z razmišljanjem, temveč s celo vrsto prikritih stvari, kot sta montaža in zgradba posameznih prizorov celo bolj kakor sam scenarij – ki jih po vsej verjetnosti pozornejše opazovanje razkrije.« (Marco Bellocchio)','scenarij
Marco Bellocchio, Daniela Ceselli (po romanu Luigija Pirandella)

fotografija
Giuseppe Lanci

glasba
Carlo Crivelli

igrajo
Fabrizio Bentivoglio (profesor Mori), Valeria Bruni Tedeschi (Vittoria Mori), Maya Sansa (Annetta), Jacqueline Lustig (Maddalena), Pier Giorgio Bellocchio (Nardi), Gisella Burinato, Elda Alvigini (Lena), Eleonora Danco (pacient), Fabio Camilli (posrednik), Michele Placido, Alessandra Bacialupi, Letizia Bellocchio, Maria Luisa Bellocchio, Anna Maria Calvelli, Francesca Calvelli

festivali, nagrade (izbor)
Cannes 1999, Toronto 1999, Buenos Aires 2000','

Rome, early 20th century – time of social unrest. A wealthy psychiatrist, who runs an asylum for women, must find a wet nurse for his infant when his wife panics after childbirth. He brings an illiterate peasant, Annetta, to Rome, forcing her to leave her own baby behind. To the consternation and increasing anger of the wife, the nanny immediately bonds with the couple\\\'s infant son. The professor admires Annetta\\\'s spontaneity and when she asks him to teach her to read and write, he agrees.

“The Nanny, as a product, was made to order. Somebody asked me: Would you make a film based on a classic Italian novel? Such a proposition, of course, implicitly demands some sort of a guarantee – the text assures a result and at the same time limits the author. So it happens – and this happens a lot in cinematography – that we try to go deeper in spite of the limitations of the classical structure. How? With style, with meaning. This is not a result of thinking, but of a whole range of concealed items such as editing and construction of individual scenes even more than the script itself – items that are most probably revealed to an attentive eye.” (Marco Bellocchio)

','

screenplay
Marco Bellocchio, Daniela Ceselli (based on a novel by Luigi Pirandello))

cinematography
Giuseppe Lanci

music
Carlo Crivelli

cast
Fabrizio Bentivoglio (professor Mori), Valeria Bruni Tedeschi (Vittoria Mori), Maya Sansa (Annetta), Jacqueline Lustig (Maddalena), Pier Giorgio Bellocchio (Nardi), Gisella Burinato, Elda Alvigini (Lena), Eleonora Danco (patient), Fabio Camilli (mediator), Michele Placido, Alessandra Bacialupi, Letizia Bellocchio, Maria Luisa Bellocchio, Anna Maria Calvelli, Francesca Calvelli

festivals, awards (selection)
Cannes 1999, Toronto 1999, Buenos Aires 2000

',NULL,NULL,1999,NULL,'images/events/event809.jpg','images/events/event809_t.jpg',600,450,NULL,NULL,'Marco Bellocchio',106,'italijanščina','Italian','slovenščina','Slovene','ITALIJA','Italy',NULL,NULL,NULL,NULL,'Marco Bellocchio'),(810,58,'HOMBURŠKI PRINC','The Prince of Homburg','Il principe di Homburg','

Homburški princ, poveljnik nemške konjenice v tridesetletni vojni proti Švedom, neke noči sanja, kako v kraljevem vrtu plete lovorjev venec, ko se nenadoma pojavi knežja družina in mu knez izpuli venec iz rok. Naslednjega dne je princ preveč zaposlen s sanjarjenjem o knezovi lepi hčerki Natalii, da bi dovolj pozorno prisluhnil vojaškim poveljem. Na bojnem polju prekrši svoja pooblastila – ne da bi počakal na ukaz nadrejenih, se s svojo konjenico poda v boj in zmaga. A ker je prekršil vojaška pravila, ga kljub zmagi doleti kazen: obsodba na smrt. Natalia se zavzame zanj in knez privoli v pomilostitev, toda le pod pogojem, da princ javno zaprosi za pomilostitev. To pa je zahteva, ki ji princ ni pripravljen ugoditi.

»Vsak snovalec filmov ima zgodbo. Vsakdo skuša delati s podobami, vcepljenimi v ideje in zgodbe, ki se zdijo zelo oddaljene od njihovih lastnih izkušenj. Moj namen je cepiti svoj pogled na zgodbo iz drugega časa v iskanju brezčasne razsežnosti človeštva.« (Marco Bellocchio)

','

scenarij
Marco Bellocchio (po drami Heinricha von Kleista)

fotografija
Giuseppe Lanci

glasba
Carlo Crivelli

igrajo
Andrea Di Stefano (homburški princ), Barbora Bobulova (Natalia), Toni Bertorelli (knez), Anita Laurenzi (kneginja), Fabio Camilli (Hohenzollern), Bruno Corazzarir (Kottwitz), Italo Dall\\\'Orto (Dorfling), Gianluigi Fogacci (Golz), Pierfrancesco Favino (Sparren), Diego Ribon (Truchss), Federico Scribani (načelnik)

festivali, nagrade (izbor)
Cannes 1997, Čikago

','

One night, in the palace\\\'s garden, the Prince of Homburg - Commander of the German cavalry during the Thirty Year War against the Swedes - braids a crown of laurel; he seems awake but is actually asleep. The Elector, his wife and the princess Natalia happen upon him. The Elector seizes the crown from his hands. The following day the Prince fascinated by the sight of Natalia - listens inattentively to the military orders. On the field of battle he disobeys them – without waiting for the order of his superiors he leads his troops to the battle and wins. He is sentenced to death and Natalia pleads for his life. The Elector grants him clemency on one condition: that he asks for it publicly. But this is a demand that the prince cannot comply with.

"Every filmmaker has a story. Everyone attempts to work on images grafted onto ideas and stories that seem far removed from their own experience. My aim is to graft my own way of seeing onto a story from another era in the search for a timeless human dimension." (Marco Bellocchio)

','

screenplay
Marco Bellocchio (based on a play by Heinrich von Kleist)

cinematography
Giuseppe Lanci

music
Carlo Crivelli

cast
Andrea Di Stefano (the Prince of Homburg), Barbora Bobulova (Natalia), Toni Bertorelli (Elector), Anita Laurenzi (Elector\\\'s wife), Fabio Camilli (Hohenzollern), Bruno Corazzarir (Kottwitz), Italo Dall\\\'Orto (Dorfling), Gianluigi Fogacci (Golz), Pierfrancesco Favino (Sparren), Diego Ribon (Truchss), Federico Scribani (capt. Stranz)

festivals, awards (selection)
Chicago 1997, Sitges 1997

',NULL,NULL,1997,NULL,'images/events/event810.jpg','images/events/event810_t.jpg',600,450,NULL,NULL,'Marco Bellocchio',89,'italijanščina','Italian','slovenščina','Slovene','ITALIJA','Italy',NULL,NULL,NULL,NULL,'Marco Bellocchio'),(811,58,'METULJEV SEN','The Butterfly\\\'s Dream','Il sogno della farfalla','

Mladi gledališki igralec Massimo že šest let ne govori – razen na odru. Nihče ne ve, zakaj se je zavil v tišino: njegov oče, profesor klasične književnosti, meni, da je vzrok razočaranje v ljubezni, njegovo novo dekle pa misli, da gre za upor materi. Gledališki režiser se tako navduši nad Massimovo osebnostjo in nadarjenostjo, da njegovi materi, sicer pesnici, predlaga, naj napiše dramo, posvečeno sinu. Mama privoli in Massimo v njeni drami res odigra samega sebe – toda ko se igra konča, se spet potopi v molk.

»Povezava s filmom Metuljev sen je očitna, saj je tudi v njem jasno zaznati to gibanje v tišini sna ... Lahko se nam zdi paradoksalno: film (in morda tudi življenje) je vedno boj z besedami, boj med vestjo in razumnostjo. Tudi zato se mi je zdel film tisto izrazno sredstvo, ki bi se lahko zanimivo in atraktivno spopadlo z zelo gostobesedno besedilno predlogo ...« (Marco Bellocchio)

','

scenarij
Massimo Fagioli

fotografija
Yorgos Arvanitis

glasba
Carlo Crivelli

igrajo
Thierry Blanc (Massimo), Simona Cavallari (Massimovo dekle), Bibi Andersson (mama), Nathalie Boutefeu (Anna), Roberto Herlitzka (oče), Henry Arnold (Carlo), Anita Laurenzi (prva starka), Antonio Pennarella (cigan), Michael Seyfried (režiser), Aleka Paizi, Sergio Graziani (vrtnar), Carla Cassola (druga starka), Giusy Frallonardo (prva igralka), Consuelo Ciatti, Patrizia Punzo (druga igralka), Viviana Natale (avtoštoparka)

festivali, nagrade (izbor)
Gramado 1994 (najboljša fotografija), Cannes 1994

','

Massimo, a young theatre actor, has not talked for six years – except when on stage. Nobody knows the reason for his silence – his father, a literature professor, thinks it is because of a disappointment in love; his girlfriend thinks it is a rebellion towards his mother. A theatre director is so impressed by Massimo\\\'s personality and talent that he proposes his mother, a poet, to write a play dedicated to her son. She agrees and Massimo plays himself in that play. Afterwards, he wraps himself in silence again.

“Connection to the film Il sogno della farfalla is obvious; in the latter, movement in the silence of sleep can also be perceived. It may seem paradoxical – a film (and, perhaps, life also) is always a struggle with words, a struggle between conscience and rationality. For that reason also, film seemed the means of expression that could confront a loquacious text in an interesting and attractive way.” (Marco Bellocchio)

','

screenplay
Massimo Fagioli

cinematography
Yorgos Arvanitis

music
Carlo Crivelli

cast
Thierry Blanc (Massimo), Simona Cavallari (Massimo\\\'s girlfriend), Bibi Andersson (mother), Nathalie Boutefeu (Anna), Roberto Herlitzka (father), Henry Arnold (Carlo), Anita Laurenzi (first old lady), Antonio Pennarella (gypsy), Michael Seyfried (director), Aleka Paizi, Sergio Graziani (gardner), Carla Cassola (second old lady), Giusy Frallonardo (first actress), Consuelo Ciatti, Patrizia Punzo (second actress), Viviana Natale (hitchhiker)

festivali, nagrade (izbor)
Gramado 1994 (najboljša fotografija/Best Cinematography), Cannes 1994

',NULL,NULL,1994,NULL,'images/events/event811.jpg','images/events/event811_t.jpg',600,450,NULL,NULL,'Marco Bellocchio',111,'italijanščina','Italian','slovenščina','Slovene','ITALIJA','Italy',NULL,NULL,NULL,NULL,'Marco Bellocchio'),(814,35,'BELE DLANI','White Palms','Feher tenyer','

Miklós je obetaven mlad telovadec, ki že od ranega otroštva trdo vadi. Kot otroka ga je hudobni trener Puma fizično in psihično zlorabljal. Njegova očitno ambiciozna starša sta ga neusmiljeno priganjala, zato ga gimnastika razočara in kot najstnik pobegne proč ter se pridruži cirkusu kot umetnik na trapezu. Ko se preseli v Kanado, v Calgaryju najde službo kot trener mladih telovadcev. Med njimi je siloviti čudežni otrok Kyle, ki mu povzroča same skrbi. Izziv, da bi izbrusil zavidljive sposobnosti mladega novinca, mu omogoči, da se spopade s svojo mučno mladostjo in ponovno začne trenirati. Njuno napeto prijateljstvo se zaostri, ko si stojita nasproti na svetovnem prvenstvu v Miklósevi vzhodnoevropski domovini.

»Verjetno nisem sposoben posneti filma o čem drugem, saj me je strah govoriti o stvareh, ki jih ne poznam. Bele palme temeljijo na avtobiografskih izkušnjah. Sestavil sem drobce svojega in bratovega življenja, a bomo iz njih naredili popolnoma novo resničnost.« (Szabolcs Hajdu)

','

scenarij
Szabolcs Hajdu

fotografija
András Nagy

glasba
Ferenc Darvas

igrajo
Gheorghe Dinica (Puma), Zoltán Miklós Hajdu (Dongó), Kyle Shewfelt (Kyle), Andor Lukáts (oče), Oana Pellea (mama), Orion Radies (10-letni Dongó), Silas Radies (13-letni Dongó)

festivali, nagrade (izbor)
Cannes 2006, Transilvanski mednarodni filmski festival 2006, Toronto 2006

','

Miklós is a highly promising young gymnast who has weathered tough training from an early age. Indeed, his treatment as a child at the hands of vicious coach Puma was physically and psychologically abusive. Relentlessly pushed by his flagrantly ambitious parents, he becomes disillusioned with gymnastics and so runs away as a teenager and joins the circus as a trapeze artist. On immigrating to Canada, Miklós finds a job in Calgary coaching young gymnasts and eventually takes on tempestuous prodigy Kyle, who gives him nothing but grief. But the challenge of honing the bratty upstart\\\'s remarkable abilities allows him to confront his own torturous youth and start his own training anew. Their fraught friendship comes to a head when the two face off at the world championship back in Miklós\\\'s Eastern European homeland.

“I’m probably unable to make a movie about anything else, since I’m afraid to talk about things I’m not familiar with. White Palms is truly based on autobiographical events. I’m piecing together motifs from my own life and my brother’s life, but we are going to create an entirely new reality from those.” (Szabolcs Hajdu)

','

screenplay
Szabolcs Hajdu

cinematography
András Nagy

music
Ferenc Darvas

cast
Gheorghe Dinica (Puma), Zoltán Miklós Hajdu (Dongó), Kyle Shewfelt (Kyle), Andor Lukáts (father), Oana Pellea (mother), Orion Radies (10 year old Dongó), Silas Radies (13 year old Dongó)

festivals, awards (selection)
Cannes 2006, Transilvanski mednarodni filmski festival/Transilvania International Film Festival 2006, Toronto 2006

',NULL,NULL,2006,NULL,'images/events/event814.jpg','images/events/event814_t.jpg',600,450,NULL,NULL,'Szabolcs Hajdu',100,'madžarščina','Hungarian','slovenščina, angleščina','Slovene, English','MADŽARSKA','Hungary',NULL,NULL,NULL,NULL,'Szabolcs Hajdu'),(815,39,'OSNUTEK','The Draft','The Draft','

Zabavna mala grozljivka v duhu starih drugorazrednih znanstvenofantastičnih filmov iz petdesetih let. Ko skrivni tovor ameriške vojske po nesreči raztovorijo v gričevju Cavan, pobegne na svobodo nekaj peklenskega.

',NULL,'

A hilarious mini creature feature in the spirit of the old 1950’s sci-fi ‘B-Movies’. When a secret American military cargo is accidentally off-loaded in the hills of Cavan, all hell breaks loose.

',NULL,NULL,NULL,2006,NULL,'images/events/event815.jpg','images/events/event815_t.jpg',600,450,NULL,NULL,'Gary Shore',16,'.','.','slovenščina','Slovene','Irska','Ireland',NULL,NULL,NULL,NULL,'Gary Shore'),(816,39,'KRATKI FILMI ARIA, WE HAVE DECIDED NOT TO DIE, NIG','','',NULL,NULL,NULL,NULL,NULL,NULL,0,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'',0,'','','','','',NULL,NULL,NULL,NULL,NULL,NULL),(817,30,'NE BOLI ME','It Doesn\\\'t Hurt','Mne ne bolno','

Tata je lepa mlada ženska, ljubica bogatega poslovneža. Dolgočasi se v brezdelju, a se vse spremeni, ko Miša, mladega oblikovalca, najame za preureditev stanovanja. Na njenih vratih se pojavi s prijateljema Aljo in Olegom. Mladi, polni življenja in energije. Nadarjeni, spretni in žejni življenja. Skratka, imajo vse ... razen denarja. In Tata jim lahko pomaga. Bogate stranke, drage večerje in bogati honorarji – več, kot so prijatelji lahko kdaj koli sanjali. A najpomembneje je, da ga ljubi. Vseskozi pa Tata skriva nekaj zelo pomembnega, nekaj, kar bo neizogibno vplivalo na njihovo prihodnost.

»Obstaja mnogo resnic. Najmanj dve v vsaki situaciji. Ali vsaj osem. Vsak zase ve, kaj je resnica. Vztrajam pri tem, da se je treba držati dejstev. Če govoriš resnico, ti bodo ljudje verjeli. Zaradi tega velikokrat skušam pridobiti ljudi, ki lahko igrajo sami sebe. Zaradi tega temu, kar vidite, nekoliko bolj zaupate.« (Aleksej Balabanov)

Koda za glasovanje prek Mobitela: G

','

scenarij
Valerij Mnacakanov

fotografija
Sergej Astahov

glasba
Vadim Samojlov

igrajo
Renata Litvinova (Tata), Aleksandr Jacenko (Miša), Dmitri Djužev (Oleg), Nikita Mihalkov (Sergei Sergejevič), Inga Strelkova-Oboldina (Alja), Valentin Kuznecov (Vasja)

festivali, nagrade (izbor)
Kinotavr Film Festival 2006 (nagradi za najboljšo žensko in najboljšo moško vlogo), Moskva 2006, Haifa 2006, München 2006

','

Tata je lepa mlada ženska, ljubica bogatega poslovneža. Dolgočasi se v brezdelju, a se vse spremeni, ko Miša, mladega oblikovalca, najame za preureditev stanovanja. Na njenih vratih se pojavi s prijateljema Aljo in Olegom. Mladi, polni življenja in energije. Nadarjeni, spretni in žejni življenja. Skratka, imajo vse ... razen denarja. In Tata jim lahko pomaga. Bogate stranke, drage večerje in bogati honorarji – več, kot so prijatelji lahko kdaj koli sanjali. A najpomembneje je, da ga ljubi. Vseskozi pa Tata skriva nekaj zelo pomembnega, nekaj, kar bo neizogibno vplivalo na njihovo prihodnost.

»Obstaja mnogo resnic. Najmanj dve v vsaki situaciji. Ali vsaj osem. Vsak zase ve, kaj je resnica. Vztrajam pri tem, da se je treba držati dejstev. Če govoriš resnico, ti bodo ljudje verjeli. Zaradi tega velikokrat skušam pridobiti ljudi, ki lahko igrajo sami sebe. Zaradi tega temu, kar vidite, nekoliko bolj zaupate.« (Aleksej Balabanov)

Tata is a beautiful young woman, the mistress of a wealthy businessman. She is bored, has nothing to do, but everything changes when she hires Misha, a young designer, to redo her apartment. He appears on her doorstep with his friends Alya and Oleg. They are young, full of life and energy. They have talent, skill and a thirst for life. In short, they have everything… except money. And Tata can help them as well. Rich clients, expensive dinners, and huge fees – more than the friends could even dream of. But most importantly, she loves him! And all the while Tata is hiding something very important, something that will inevitably affect their future.

“There are many truths, you know. At least two in every situation. Or as many as eight. Everybody has what he knows to be the truth. I make it a point to be true to facts. If you tell the truth, people will believe you. That is why I frequently recruit people who can play their own selves. This adds a measure of confidence in what you see.” (Aleksei Balabanov)

The code for submitting votes via Mobitel: G

','

screenplay
Valeri Mnatsakanov

cinematography
Sergei Astakhov

music
Vadim Samoylov

cast
Renata Litvinova (Tata), Aleksandr Jacenko (Misha), Dmitri Djužev (Oleg), Nikita Mihalkov (Sergei Sergejevič), Inga Strelkova-Oboldina (Alya), Valentin Kuznecov (Vasja)

festivals, awards (selection)
Kinotavr Film Festival 2006 (best actress and best actor awards), Moscow 2006, Haifa 2006, München 2006

',NULL,NULL,2006,NULL,'images/events/event817.jpg','images/events/event817_t.jpg',600,450,NULL,NULL,'Aleksej Balabanov',110,'ruščina','Russian','slovenščina, angleščina','Slovene, English','Rusija','Russia',NULL,NULL,NULL,NULL,'Aleksei Balabanov'),(818,39,'FANTASTIČNA BALADA','A Fantastic Ballad','Fantastična balada','

Posvečeno Boštjanu Hladniku

Film je dosegel številne nagrade na festivalu v Pulju, Montevideu, Bruslju, Londonu, Rimu in Melbournu.

Fantastična balada je domišljijski film, posnet na podlagi grafik slikarja Franceta Miheliča (1907–99): Kurentova smrt, Duh (spomin) rajnke matere iz cikla Dafne in Sanjske vešče. Izdvojeni slikarski motivi, animirani, ozvočeni in opremljeni z besedilom, na novo zaživijo.

','scenarij
Lojze Gostiša

fotografija
Janez Mally

glasba
Bojan Adamič
','

Tribute to Boštjan Hladnik

The film received numerous awards at festivals in Pula, Montevideo, Brussels, London,Rome and Melbourne.

A Fantastic Ballad is a fictitious film, based on the graphic works of France Mihelič (1907-99): Kurentova smrt, Duh (spomin) rajnke matere from the cycle Dafne in Sanjske vešče. The extracted motifs get new life with animation, sound and text.

','screenplay
Lojze Gostiša

cinematography
Janez Mally

music
Bojan Adamič
',NULL,NULL,1957,NULL,'images/events/event818.jpg','images/events/event818_t.jpg',600,450,NULL,NULL,'Boštjan Hladnik',12,'slovenščina','Slovene','.','.','Slovenija','Slovenia',NULL,NULL,NULL,NULL,'Boštjan Hladnik'),(819,39,'POLJUB','The Kiss','Poljub','

Posvečeno Boštjanu Hladniku

Deček in deklica zaman iščeta miren kotiček, kjer bi se lahko poljubljala. Na ulicah v starem mestu ju motijo mimoidoči, duhovnik, prodajalec časopisov, nosači, nosečnica … Zbežita v gozd, od koder ju prežene miličnik. Končno imata vsega dovolj. Stopita na sredo velikega prometnega križišča in se ne pustita več motiti.

','scenarij
 Boštjan Hladnik

fotografija
 Jure Pervanje, Jure Brišnik

glasba
 Miško Hočevar, Mladi levi

igrajo
Metka Skerl (deklica), Peter Matias (deček)
','

Tribute to Boštjan Hladnik

A boy and a girl in vain try to find a tranquil place where they could kiss. In the streets of the old town they are disturbed by passers-by, a priest, newsvendor, carriers, a pregnant woman,... They flee into a forest, but are chased away by a policeman. Finally, they are fed up with everything. They go to the middle of large crossroads and do not let anybody disturb them any more.


','

screenplay
 Boštjan Hladnik

cinematography
 Jure Pervanje, Jure Brišnik

music
 Miško Hočevar, Mladi levi

cast
Metka Skerl (girl), Peter Matias (boy)

',NULL,NULL,1969,NULL,'images/events/event819.jpg','images/events/event819_t.jpg',600,450,NULL,NULL,'Boštjan Hladnik',13,'slovenščina','Slovene','.','.','Slovenija','Slovenia',NULL,NULL,NULL,NULL,'Boštjan Hladnik'),(821,28,'ZMAGOVALNI FILM','THE WINNING FILM','ZMAGOVALNI FILM',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL); /*!40000 ALTER TABLE `lifevent` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifevent_bkp` -- DROP TABLE IF EXISTS `lifevent_bkp`; CREATE TABLE `lifevent_bkp` ( `idevent` bigint(20) NOT NULL auto_increment, `idsection` bigint(20) NOT NULL default '0', `title1` varchar(80) default NULL, `title2` varchar(80) default NULL, `title3` varchar(80) default NULL, `description1` text, `shortdescription1` text, `description2` text, `shortdescription2` text, `format` varchar(80) default NULL, `runningtime` int(11) default NULL, `yearpublished` int(11) default NULL, `awards` text, `pic1` varchar(80) default NULL, `pic1t` varchar(80) default NULL, `pic1x` int(11) default NULL, `pic1y` int(11) default NULL, `eventlanguage` varchar(30) default NULL, `subtitlelanguage` varchar(30) default NULL, `director` varchar(80) default NULL, `duration` int(11) default NULL, `dialogs1` varchar(255) default NULL, `dialogs2` varchar(255) default NULL, `subtitles1` varchar(255) default NULL, `subtitles2` varchar(255) default NULL, `country1` varchar(80) default NULL, `country2` varchar(80) default NULL, `logo1` varchar(80) default NULL, `logo1t` varchar(80) default NULL, `logo1x` int(11) default NULL, `logo1y` int(11) default NULL, `director1` varchar(80) default NULL, PRIMARY KEY (`idevent`), UNIQUE KEY `title1` (`title1`,`title2`,`title3`) ) TYPE=MyISAM; -- -- Dumping data for table `lifevent_bkp` -- LOCK TABLES `lifevent_bkp` WRITE; /*!40000 ALTER TABLE `lifevent_bkp` DISABLE KEYS */; INSERT INTO `lifevent_bkp` VALUES (476,29,'2 ali 3 stvari, ki jih vem o njem','2 Or 3 Things I Know About Him','2 oder 3 dinge, die ich von ihm weiss','Film govori o družini nekdanjega nacističnega oficirja. Šestdeset let po koncu druge svetovne vojne se nekateri člani družine, čeprav je dokazano očetovo sodelovanje v tretjem rajhu, še vedno ne morejo sprijazniti z dejstvi. Hanns Elard Ludin, režiserjev oče, se je pod Hitlerjem v oficirskih krogih hitro povzpel in kmalu poveljeval 300.000 jurišnikom. Užival je vse privilegije tretjega rajha; Hitler ga je leta 1941 poslal na Slovaško, kjer naj bi \\\'uveljavljal nemške interese\\\'. Po vojni so Hannsa Ludina Američani predali češkoslovaškim oblastem, ti so ga obsodili na smrt in usmrtili; med drugim so ga bremenili iztrebljanja slovaških Judov. Ludinov najmlajši sin Malte ta dejstva vzame kot izhodiščno točko dokumentarca. S kamero obišče tri generacije številčne družine, katerih člani so raztreseni po vsem svetu.','

scenarij Malte Ludin
fotografija Franz Lustig
glasba Werner Pirchner, Hakim Ludin
montaža Iva Švarcová, Malte Ludin

','The film treats the family of a former Nazi officer. Sixty years after World War II, some members of his family still cannot embrace the fact that their father was involved in the Third Reich. Ludin\\\'s father, Hanns Elard Ludin, had soon risen to prominence as an officer under Hitler, and before long commanded a 300,000-member army of invaders. He had enjoyed all the privileges of the Third Reich; in 1941 Hitler sent him to Slovakia to \\\'enforce German interests\\\'. After the war, Hanns Ludin was turned over by the Americans to the Czech authorities, who sentenced him to death by execution. Among other things, he was charged with the extermination of Slovakian Jews. Ludin\\\'s youngest son, Malte, has taken these facts as the basis of his documentary. Armed with his camera, he has visited three generations of his extensive family, whose members are scattered all over the world.


','

screenplay Malte Ludin
cinematography Franz Lustig
music Werner Pirchner, Hakim Ludin
editing Iva Švarcová, Malte Ludin

',NULL,NULL,NULL,NULL,'images/events/event476.jpg','images/events/event476_t.jpg',600,450,NULL,NULL,'Malte Ludin',85,'nemščina','German','slovenščina, angleščina','Slovene, English','Nemčija 2005',NULL,'images/events/logo476.jpg','images/events/logo476_t.jpg',200,200,'Malte Ludin'),(551,30,'Adam in Paul','Adam & Paul','Adam & Paul','Dan v življenju dveh dublinskih džankijev, Adama in Paula. Njuno prijateljstvo, ki izvira iz zgodnjega otroštva, vsebuje zdaj še dodatno vez, ljubezen do heroina. Njun kolega Matthew je pred kratkim umrl od prevelike doze mamil, a fanta sta bila preveč zaposlena z iskanjem šusa, da bi se spomnila nanj, kaj šele, da bi ga pospremila na zadnji poti. Njun vsakdanjik je sestavljen iz tavanja po mestnih ulicah in iskanja droge; znance prosita za majhna posojila, preprodajalce za priložnostna dela, s katerimi bi odplačala gram ali dva. Danes je za Adama in Paula še posebej nesrečen dan.

Sifra A','scenarij Mark O\\\'Halloran
fotografija James Mather
glasba Stephen Rennicks
montaža Isobel Stephenson igrajo Mark O\\\'Halloran (Adam), Tom Murphy (Paul), Don Crowley (Martin), Gary Egan (Georgie), Joe Hanley (Noelie), Louise Lewis (Janine) festivali, nagrade (izbor) Galway 2004 (nagrada občinstva), Berlin 2005 (Panorama), Sofia 2005 (nagrada FIPRESCI)

Komedija/drama ','

A day in the lives of Adam and Paul, two Dublin junkies. Their friendship, stemming from their early childhood, has been strengthened by yet another common interest – a love of heroin. Their recently deceased mate, Matthew, had overdosed a while ago, but the two young men were far too busy looking for a fix to remember him, let alone pay their respects at the funeral. Their quotidian lives involve roaming the city streets in the search of drugs. They beg their acquaintances for small loans and ask dealers for odd jobs that will help them pay off a gram or two. Today is an especially ill-starred day for Adam and Paul...

Code A

','

screenplay Mark O\\\'Halloran
cinematography James Mather
music Stephen Rennicks
editing Isobel Stephenson cast Mark O\\\'Halloran (Adam), Tom Murphy (Paul), Don Crowley (Martin), Gary Egan (Georgie), Joe Hanley (Noelie), Louise Lewis (Janine) festivals, awards (selection) Galway 2004 (audience award), Berlin 2005 (Panorama), Sofia 2005 (FIPRESCI prize)

Comedy/Drama

',NULL,NULL,NULL,NULL,'images/events/event551.jpg','images/events/event551_t.jpg',600,450,NULL,NULL,'Leonard Abrahamson',83,'angleščina','English','slovenščina','Slovene','Irska 2004',NULL,NULL,NULL,NULL,NULL,'Leonard Abrahamson'),(519,29,'Afrika United','Africa United','Africa United','

Zico, nogometni navdušenec in poslovnež, se je iz rodnega Maroka na hladno Islandijo preselil pred desetletjem. S poslovnimi idejami medtem ni uspel, podjetje je propadlo, zato je ves čas in energijo vložil v ustanovitev polpoklicne nogometne ekipe. Poimenoval jo je Afrika United, zdaj želi tekmovati v tretji islandski nogometni ligi. Njegov prijatelj najde pokrovitelja, Zico pa sestavi ekipo, v kateri zbere vse eksotične priseljence, od Kolumbijcev, Srbov, Portugalcev, do številnih afriških izseljencev. Prvi ligaški obračuni so za moštvo Afrika United čista polomija, zato se Zico odpravi v London. Tam namerava poiskati nasvete pravih profesionalcev.

','

scenarij Olaf de Fleur Johannesson
fotografija Ragnar Santos
glasba Barđi Jóhannsson
montaža Olaf de Fleur Johannesson, Benedikt Jóhannesson
igrajo Zakaria Anbari (Zico), St Paul Edeh (Paul), Zlatko Krićkić (Zlatko), Alexander Munos (Alex)

','Zico, a football enthusiast and businessman, moved from his native Morrocco to cold Iceland a decade ago. His business ideas all fell through and his company proved to be a failure, so he invested all his time and energy into the establishment of a semi-professional football team. Naming it Africa United, he now wants it to compete in the third Icelandic football league. His friend finds a sponsor, while Zico puts together a team, gathering various exotic immigrants, from Columbians, Serbians and Portuguese to numerous Africans. The first matches in the league are disastrous for Africa United, so Zico sets off to London to seek advice from true professionals

','

screenplay Olaf de Fleur Johannesson
cinematography Ragnar Santos
music Barđi Jóhannsson
editing Olaf de Fleur Johannesson, Benedikt Jóhannesson
cast Zakaria Anbari (Zico), St Paul Edeh (Paul), Zlatko Krićkić (Zlatko), Alexander Munos (Alex)

',NULL,NULL,NULL,NULL,'images/events/event519.jpg','images/events/event519_t.jpg',600,450,NULL,NULL,'Olaf Johannesson',82,'angleščina','English','slovenščina, angleščina','Slovene, English','Islandija 2005',NULL,NULL,NULL,NULL,NULL,'Olaf Johannesson'),(497,37,'Alice','Alice','Alice','

Alice, dveletna deklica, je pred šestimi meseci izginila neznano kam. Mario, zlomljeni oče, je ne preneha iskati, še več, uporablja posebne tehnike opazovanja. Po Lizboni na ključnih mestih, tam, kjer sta še pred izginotjem običajno bila, postavi enajst digitalnih kamer, ki neprestano snemajo dogajanje. Mario upa, da bo nekega med pregledovanjem posnetkov znova odkril hčerkin obraz.

','scenarij Marco Martins
fotografija Carlos Lopes
glasba Bernardo Sassetti
montaža Joăo Braz, Roberto Perpignani
igrajo Nuno Lopes (Mario), Beatriz Batarda (Luisa), Miguel Guilherme, Ana Bustorff, Laura Soveral, Goncalo Waddington, Carla Maciel

Drama
','

Alice, a two-year-old girl, disappeared without a trace six months ago. Her crushed father, Mario, does not stop looking for her; what’s more, he employs a special technique of observation. He sets up eleven incessantly recording digital cameras at places they had frequented in Lisbon. Mario hopes that one day, while inspecting the recordings, he will see his daughter’s face again.

','

screenplay Marco Martins
cinematography Carlos Lopes
music Bernardo Sassetti
editing Joăo Braz, Roberto Perpignani
cast Nuno Lopes (Mario), Beatriz Batarda (Luisa), Miguel Guilherme, Ana Bustorff, Laura Soveral, Goncalo Waddington, Carla Maciel 

Drama

',NULL,NULL,NULL,NULL,'images/events/event497.jpg','images/events/event497_t.jpg',600,450,NULL,NULL,'Marco Martins',102,'portugalščina','Portuguese','slovenščina, francoščina','Slovene, French','Portugalska 2005',NULL,NULL,NULL,NULL,NULL,'Marco Martins'),(462,30,'Antares','Antares','Antares','

Zgodbe o življenjih, ki se križajo v kritičnih trenutkih, spretno izvezene v film o globelih ljubezni, iskanju bližine in upanju na srečo. Tri zgodbe o strasti in ena o smrti. Lahko nekaj burnih noči s tujcem, znancem iz daljne preteklosti, obrne življenje na boljše za delavno mati in ženo? Lahko obet rojstva otroka obdrži skupaj nesrečen par in ali lahko ljubezen požene korenine v lažeh? Se lahko moška nemoč pred obličjem ženske, ki ga je nekoč ljubila, iz ignorance in arogance preobrazi v sovraštvo in nasilje?

“Antares pripoveduje o ljubezni. Tri zgodbe o strati, ljubosumju, navadah in nasilju. Ljubezen, kot jo imenujemo, je sila, ki poganja čustvene in telesne izkušnje likov. Film opisuje tisto, kar ustvarja to osnovno življenjsko energijo, to skrivnostno silo, kako obvladuje ali muči ljudi, kakšne strasti sprosti v nas in s seboj prinaša hrepenenje in uničenje, nežnost, strah, pogum in osamljenost.” (Götz Spielmann)

Šifra B

','

scenarij Götz Spielmann
fotografija Martin Gschlacht
glasba Walter W. Cikan, Marnix Veenenbos
montaža Karina Ressler
igrajo Petra Morzé (Eva), Andreas Patton (Tomasz), Hary Prinz (Alfred), Xenia Ferchner (Iris), Angelika Nidetzky (Evina kolegica), Hannes Thanheiser (starec v bolnišnici), Susanne Wuest (Sonja), Dennis Cubic (Marco)
festivali, nagrade (izbor): Locarno 2004, Motovun 2005

Erotični


','

Stories of lives that converge in critical moments, masterly interwoven into a film on the depths of love, the search for intimacy and happiness. Three stories about passion and one about death. Can a few passionate nights spent with a stranger, an acquaintance from a past life, turn things for the better for a working mother and a wife? Can the prospect of a baby keep together an unhappy couple and can love put forth buds in lies? Can man’s weakness faced by a woman that once loved him turn from ignorance and arrogance into hate and violence?

“Antares is about love. Three stories about passion, jealousy, habit, and violence. What people call love is the force that sets the emotional and physical experiences of the characters in motion. The film describes what produces this basic life energy, this mysterious force, how it drives or torments people, what it unleashes in terms of yearning and destruction, tenderness, fear, courage, and loneliness.” (Götz Spielmann)

Code B

','

screenplay Götz Spielmann
cinematography Martin Gschlacht
music Walter W. Cikan, Marnix Veenenbos
editing Karina Ressler
cast Petra Morzé (Eva), Andreas Patton (Tomasz), Hary Prinz (Alfred), Xenia Ferchner (Iris), Angelika Nidetzky (Eva\\\'s colleague), Hannes Thanheiser (old man in hospital), Susanne Wuest (Sonja), Dennis Cubic (Marco)
festivals, awards (selection): Locarno 2004, Motovun 2005

Erotic


 

',NULL,NULL,NULL,NULL,'images/events/event462.jpg','images/events/event462_t.jpg',600,450,NULL,NULL,'Goetz Spielmann',119,'nemščina','German','slovenščina, angleščina','Slovene, English','Avstrija 2004',NULL,NULL,NULL,NULL,NULL,'Goetz Spielmann'),(521,29,'Aven Čhavora','Aven Chavora','Aven Čhavora','Aven Čhavora je tematsko nadaljevanje filma Opre Roma, ki ga je avtor z istim igralcem v glavni vlogi posnel pred skoraj četrt stoletja, vendar je po vsebinski in dramaturški plati samostojen izrez iz življenja današnjih Romov in odnosa večinskega prebivalstva do njih. Bojan Tudija živi v Šmihelu pri Novem mestu. Tu si je z lastnim delom zgradil prostorno hišo, v kateri živi z ženo Cvetko in s hčerko Megi, ki jo kličejo tudi Tihana. Kljub razmeroma visokemu življenjskemu standardu so v družini ohranili romski etos, jezik in kulturo. Bojan ima obrt – zbiranje odpadnih surovin – in je eden od najbolj uglednih mož v romskem naselju. Nekaj časa je delal tudi v občinski strokovni skupini za romska vprašanja in je s preudarnostjo in konstruktivnostjo vselej pripomogel k dobremu sožitju v krajevni skupnosti. Drugačen je položaj v drugi krajevni skupnosti, Bučni vasi, kjer odnosi med večinskim prebivalstvom in Romi večkrat prerastejo v hude spore in tudi fizična obračunavanja.

 

','scenarij Filip Robar Dorin
fotografija Primož Kastelic
glasba Jani Lipičnik (po izvirni glasbi J. P. Romanellija iz filma Opre Roma)
montaža Vesna Nikolovska Kržičnik
igrajo Bojan in Cvetka Tudija, Megi-Tihana in Rok, Janez Pezelj, Silvo Mesojedec, Roman Tasič, Jože Horvat-Muc, Tone Furlan, Naca in Dane, dolenjski in prekmurski Romi in drugi državljani

','Aven Chavora is a thematical sequel to Opre Roma, which the author made with the same male lead over a quarter of a century ago. However, its content and dramaturgy offer an a different insight into the lives of contemporary Roma and the attitudes of the rest of the population towards them. Bojan Tudija lives in Šmihel pri Novem mestu, where he built a large house with his own hands. He lives with his wife Cvetka and daughter Megi, nicknamed Tihana. Despite their relatively high standard of living, the family has preserved their Romany ethos, language and culture. Bojan has his own business – waste collection – and is one of the most respectable men in the Romany settlement. For a while he was a member of the municipal technical committee for Romany issues, and with his prudence and constructive mind contributed to the synergy in the local community. The situation is quite different in another community, the village of Bučna vas, where the relations between local inhabitants and the Roma often escalate into terrible conflicts and even fights.','screenplay Filip Robar Dorin
cinematography Primož Kastelic
music Jani Lipičnik (based upon the original music from Opre Roma)
editing Vesna Nikolovska Kržičnik
cast Bojan and Cvetka Tudija, Megi-Tihana and Rok, Janez Pezelj, Silvo Mesojedec, Roman Tasič, Jože Horvat-Muc, Tone Furlan, Naca and Dane, Romany from Dolenjska and Prekmurje region and other Slovenian citizens',NULL,NULL,NULL,NULL,'images/events/event521.jpg','images/events/event521_t.jpg',600,450,NULL,NULL,'Filip Robar Dorin',90,'romščina /slovenščina','Romany/Slovenian','slovenščina','Slovene','Slovenija 2005',NULL,'images/events/logo521.jpg','images/events/logo521_t.jpg',200,200,'Filip Robar Dorin'),(486,33,'Bitka na nebu','Battle In Heaven','Batalla en el cielo','

Marcos je šofer v družini mehiškega generala. Z ženo, ulično prodajalko slaščic in budilk, ugrabita otroka Marcosove znanke, ki še istega dne umre. Marcos, ki ga zaradi otrokove smrti močno peče vest, se skrivaj videva z lepo generalovo hčerko Ano. Ana in Marcos sta iz različnih svetov, vendar imata vsak svojo veliko skrivnost, kar ju zbliža v nenavaden erotični odnos.
Samo za odrasle.

','scenarij Carlos Reygadas
fotografija Diego Martínez Vignatti
montaža Adoración G. Elipe, Benjamin Mirguet, Carlos Reygadas, Nicolas Schmerkin
igrajo Marcos Hernández (Marcos), Anapola Mushkadiz (Ana), Bertha Ruiz (Marcosova žena), David Bornstien (David), Rosalinda Ramirez (Viky)

Erotična drama','

Marcos is a driver for a Mexican general\\\'s family. Marcos and his wife, a street vendor of sweets and alarm clocks, recently kidnapped a child, who died on that very day. Marcos wrestles with his conscience after the child\\\'s death and is secretly seeing the general\\\'s daughter, Ana. Belonging to different worlds, Ana and Marcos both guard a deep secret which draws them into an unusual erotic relationship.
For adults only.

','

screenplay Carlos Reygadas
cinematography Diego Martínez Vignatti
editing Adoración G. Elipe, Benjamin Mirguet, Carlos Reygadas, Nicolas Schmerkin
cast Marcos Hernández (Marcos), Anapola Mushkadiz (Ana), Bertha Ruiz (Marcos\\\' wife), David Bornstien (David), Rosalinda Ramirez (Viky)

',NULL,NULL,NULL,NULL,'images/events/event486.jpg','images/events/event486_t.jpg',600,450,NULL,NULL,'Carlos Reygadas',98,'španščina','Spanish','slovenščina, angleščina','Slovene, English','Mehika, Belgija, Francija, Nemčija 2005',NULL,NULL,NULL,NULL,NULL,'Carlos Reygadas'),(548,29,'Cinevardaphoto','Cinevardaphoto','Cinevardaphoto','Pod skupnim imenovalcem Cinévardaphoto je Agnès Varda združila svoje tri filme, Salut les Cubains (1964), Ulysse (1982) in zadnji kratki film Ydessa, les ours et etc. (2004). To so trije filmi, v katerih obdeluje fenomen fotografije – ne v formi monologa, temveč vedno v dialogu z gledalcem in njegovo percepcijo. V Ydessi, zadnjem delu in najdaljšem segmentu omnibusa, je njeno pozornost pritegnila kanadska umetnica in kustosinja Ydessa Hendeles, potomka evropskih Judov, ki je v Münchnu pripravila razstavo s 3000 starinskimi fotografijami in razglednicami, na katerih so se znašli plišasti medvedki. V značilnem slogu, malo raziskovalni nalogi in malo iz osebne radovednosti, se Agnès zakoplje v genezo dela Ydesse – zbirateljice, kuratorke, lastnice galerije in umetnice – ter razkrije navdušujočo zgodbo o Ydessini preteklosti in razlogih za projekt. Salut les cubains je fotoroman o kubanski revoluciji, Ulysse pa lirična analiza fotografije, ki jo je leta 1954, v času, ko je režirala svoj prvi film, posnela na egiptovski plaži. ','

scenarij Agnès Varda
fotografija Per Olaf Csongova, Claire Duguet, Jean-Yves Escoffier, John Holosko, Rick Kearney, J. Marques, Pascal Rabaud, Markus Seitz
glasba Pierre Barbaud, Didier Lockwood, Isabelle Olivier
montaža Marie-Josée Audiard, Hélène de Luze, Jean-Baptiste Morin, Agnès Varda, Janine Verneau
igrajoYdessa Hendeles


','Joined under a common title, Cinévardaphoto, are three films by Agnès Varda: Salut les Cubains (1964), Ulysse (1982) and her latest short film, Ydessa, les ours et etc. (2004). These three films deal with the phenomenon of photography – not in the form of a monologue, but always as a dialogue with the viewer and his perception. In Ydessa, her last work and the longest part of the omnibus, the author\\\'s attention was attracted by Canadian artist and curator Ydessa Hendeles, of European-Jewish descent, who held an exhibition of 3000 old photographs and postcards of teddy bears in Munich. In her characteristic style, partly as if writing a research paper and partly from curiosity, Varda explores the genesis of the oeuvre of Ydessa – a collector, curator, gallery owner and artist – and discloses the fascinating story of Ydessa\\\'s past and the reasons for the project. Salut les cubains is a photo-novel of the Cuban revolution. Ulysse is a lyrical analysis of photography made in 1954 on a beach in Egypt, when she also directed her first film.

 

','

screenplay Agnès Varda
cinematography Per Olaf Csongova, Claire Duguet, Jean-Yves Escoffier, John Holosko, Rick Kearney, J. Marques, Pascal Rabaud, Markus Seitz
music Pierre Barbaud, Didier Lockwood, Isabelle Olivier
editing Marie-Josée Audiard, Hélène de Luze, Jean-Baptiste Morin, Agnès Varda, Janine Verneau
cast Ydessa Hendeles

 

',NULL,NULL,NULL,NULL,'images/events/event548.jpg','images/events/event548_t.jpg',600,450,NULL,NULL,'Agnes Varda',96,'angleščina/francoščina','English/French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,'Agnes Varda'),(467,38,'Cmočki','Dumplings','Dumplings','

Qing, žena premožnega poslovneža, je pri štiridesetih letih zaradi opaznega staranja vse bolj nezadovoljna in osamljena. Zadnje čase zahaja k skrivnostni Mai, ki v svojem stanovanju sredi blokovskega naselja izdeluje čudežne cmoke; ti bojda polepšajo kožo in žensko vidno pomladijo, zato so njeni obiski vse pogostejši. Ne zaveda pa se, s čim Mai polni slastne in hrustljave cmoke.

','

scenarij Fruit Chan, Lilian Lee 
fotografija Christopher Doyle
glasba Kwong Wing Chan
montaža Fruit Chan, Ki-hop Chan, Sam-Fat Tin
igrajo Bai Ling (Mai), Maggie Cheung (ga.Lee), Pauline Lau, Mi Mi Lee, Tony Leung Ka Fai 

Fantazijski

','

Qing, the wife of a wealthy businessman, is growing increasingly frustrated and lonely at the age of forty due to her noticeable aging. Lately, she has been frequenting the mysterious Mai, who makes miracolous dumplings in her own flat. As these ellegedly beautify the skin and considerably rejuvenate a woman, Qing increases the number of her visits. What she is ignorant of, though, is the ingredient of Mai\\\'s scrumptuous and crunchy dumplings.

','screenplay Fruit Chan, Lilian Lee
cinematography Christopher Doyle
music Kwong Wing Chan
editing  Fruit Chan, Ki-hop Chan, Sam-Fat Tin
cast Bai Ling (Mai), Maggie Cheung (Ms Lee), Pauline Lau, Mi Mi Lee, Tony Leung Ka Fai ',NULL,NULL,NULL,NULL,'images/events/event467.jpg','images/events/event467_t.jpg',600,450,NULL,NULL,'Fruit Chan',91,'mandarinščina/kantonščina (hong kong)','Mandarin/Cantonese (Hong Kong)','slovenščina, angleščina','Slovene, English','Hong Kong 2005',NULL,NULL,NULL,NULL,NULL,'Fruit Chan'),(582,33,'Čarobno ogledalo','The Magic Mirror','O espelho magico','

Luciano se je ravnokar vrnil iz zapora; brat mu priskrbi službo v ugledni in bogati družini. Preseneti ga obsedenost gospodarjeve žene Alfrede, ki hoče na vsak način prisostvovati prikazovanju device Marije. To njenega moža Bahia, prav nič ne zanima, saj je strastno zasvojen z glasbo. Alfredina želja je še močnejša, ko družinski prijatelj in poznavalec Biblije razkrije, da je bila Marija v resnici bogata ženska. Luciano se z Alfredo zapleta v dolge pogovore o religiji in sveti družini, nekega dne na posestvu sreča starega prijatelja, uglaševalca klavirjev, ki mu predlaga majhno prevaro: zakaj ne bi inscenirala prihoda device Marije in končno potešila Alfredino željo.

','

scenarij Manoel de Oliveira, po romanu Agustine Besse-Luís
fotografija Renato Berta
montaža Valérie Loiseleux
igrajo Leonor Silveira (Alfreda), Ricardo Trepa (José Luciano), Leonor Baldaque (Abril), Luís Miguel Cintra (Filipe Quinta), Marisa Paredes (nuna), Michel Piccoli (prof.Heschel), Susana Sa (Noémia)

Drama

','

Luciano has just returned from prison and his brother finds him a job in a respectable and rich family. He is surprised to learn of the obsession of his master\\\'s wife, Alfreda, who wants to be present at an apparition of the Virgin Mary at any cost. Her husband, Bahio, is not interested in her obsessions, as he is too obsessed with music. Her wish is intensified when a family friend and expert on the Bible reveals that Mary was in fact a rich woman. Luciano and Alfreda engage in long discussions on religion and the holy family. One day, he meets an old friend on the estate, a piano tuner, who suggests a small deception: Why not stage the apparition of the Virgin Mary and finally make Alfreda’s wish come true?

','

screenplay Manoel de Oliveira, based on the novel by Agustine Besse-Luís
cinematography Renato Berta
editing Valérie Loiseleux
cast Leonor Silveira (Alfreda), Ricardo Trepa (José Luciano), Leonor Baldaque (Abril), Luís Miguel Cintra (Filipe Quinta), Marisa Paredes (nun), Michel Piccoli (Prof. Heschel), Susana Sa (Noémia)

',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Manoel de Oliveira',137,'portugalščina','Portuguese','slovenščina, angleščina','Slovene, English','Portugalska 2005',NULL,NULL,NULL,NULL,NULL,'Manoel de Oliveira'),(566,31,'Čarovnik Howl in gibljivi grad','Howl\\\'s Moving Castle','Hauru no ugoku shiro','

Sophie po očetovi smrti živi z mačeho in s polsestrama. Oče jim je zapustil trgovino s klobuki, toda družina se stežka preživlja, zato se mati odloči najmlajšo hčer Marto poslati k prijazni beli čarovnici, kjer si bo poiskala srečo in boljše preživetje, medtem ko druga hči Lettie pri lokalnem peku nastopi vajeniško dobo. Sophie je najstarejša, zato se ji ponuja malo možnosti in mora pomagati v trgovini. Stvari pa ne gredo po načrtih; Marta in Lettie s čarovnijo zamenjata mesti, saj bi se zadnja rada učila magije, prva pa ustvarila družino. Ko Sophie odkrije njuno prevaro, prečka pot zlobni čarovnici, ki jo spremeni v starko. Dekle mora v svet in poiskati možnost, kako se rešiti začaranega prekletstva.

','

scenarij Hayao Miyazaki, Cindy Davis Hewitt, Donald H. Hewitt, po romanu Diane Wynne Jones
glasba Joe Hisaishi
montaža Takeshi Seyama
igrajo (glasovi) Chieko Baisho (Sophie), Takuya Kimura (Hauru), Akihiro Miwa (Arechi no Majo), Tatsuya Gashuin (Karushifa), Ryunosuke Kamiki (Marukuru), Mitsunori Isaki (Koshô)
festivali, nagrade (izbor) Benetke 2004, Sitges 2004 (nagrada občinstva)

Animirani

','

After her father\\\'s death, Sophie lives with her stepmother and two half-sisters. Father left them a hat shop, but the family cannot make ends meet, so mother decides to send the youngest daughter, Marta, to a friendly white witch, where she will find hapiness and a better life, while the second daughter Lettie starts her apprenticeship with the local baker. Being the eldest, Sophie has very few opportunities and helps at the shop. But things soon begin to run off course: Marta and Lettie employ magic to switch places, as the latter wants to learn magic, while the first dreams of having a family. When Sophie learns of their trick, she crosses the path of the wicked witch, who turns her into an old woman. Sophie now needs to leave the shop and find a way to save herself from the evil curse.

','

screenplay Hayao Miyazaki, Cindy Davis Hewitt, Donald H. Hewitt,
music Joe Hisaishi
editing Takeshi Seyama
cast (voices) Chieko Baisho (Sophie), Takuya Kimura (Hauru), Akihiro Miwa (Arechi no Majo), Tatsuya Gashuin (Karushifa), Ryunosuke Kamiki (Marukuru), Mitsunori Isaki (Koshô)

',NULL,NULL,NULL,NULL,'images/events/event566.jpg','images/events/event566_t.jpg',600,450,NULL,NULL,'Hayao Miyazaki',119,'japonščina','Japanese','slovenščina, hrvaščina','Slovene, Croatian','Japonska 2004',NULL,NULL,NULL,NULL,NULL,'Hayao Miyazaki'),(562,30,'Čevlji umrlega','Dead Man\\\'s Shoes','Dead Man\\\'s Shoes','Richard se po parih letih vrne v mestece mladosti v škotskih višavjih. Z njim je njegov mlajši brat Anthony s posebnimi potrebami, ki ponavlja vsako Richardovo potezo. Richard se ni vrnil zaradi obujanja spominov; nazaj ga je prineslo maščevanje. Peterica malih kriminalcev in preprodajalcev drog se je pred časom iz njegovega brata malo pretirano ponorčevala. Sprva se Richard zgolj poigrava z njihovimi živci, nato začne resno igro ...

 Šifra F

','

scenarij Paddy Considine, Shane Meadows
fotografija Danny Cohen
glasba Aphex Twin
montaža Celia Haining, Lucas Roche, Chris Wyatt
igrajo Paddy Considine (Richard), Gary Stretch (Sonny), Toby Kebbell (Anthony), Emily Aston (Patti), Neil Bell (Soz), Craig Considine (Craig), Matt Considine (Matt)

triler


','

Richard returns to his home town in the Scottish Highlands after being absent for a number of years. He brings his younger, slightly retarded brother, Anthony, who mimics everything Richard does. Richard has not returned to reminisce, but has been spurred by the desire for vengeance. Five petty thugs and drug dealers made a bit too harsh a sport of his brother a while ago. At first Richard merely toys with them, but soon begins to play a serious game...  

Code F 

','

screenplay Paddy Considine, Shane Meadows
cinematography Danny Cohen
music Aphex Twin
editing Celia Haining, Lucas Roche, Chris Wyatt
cast Paddy Considine (Richard), Gary Stretch (Sonny), Toby Kebbell (Anthony), Emily Aston (Patti), Neil Bell (Soz), Craig Considine (Craig), Matt Considine (Matt)

triler

',NULL,NULL,NULL,NULL,'images/events/event562.jpg','images/events/event562_t.jpg',600,450,NULL,NULL,'Shane Meadows',90,'angleščina','English','slovenščina','Slovene','VB 2004',NULL,NULL,NULL,NULL,NULL,'Shane Meadows'),(518,30,'Dallas med nami','Dallas Among Us','Dallas pashamende','

Učitelj Radu, po poreklu Rom, se iz Bukarešte vrne v rodno vas, da bi uredil vse potrebno za očetov pogreb. Romsko barakarsko naselje, v katerem se je rodil, je tik ob orjaškem smetišču. Po začetnem občutku odtujenosti Radu, ki se je vmes že popolnoma prilagodil mestnemu življenju, znova začuti občutek pripadnosti svojim ljudem, potisnjenim na rob družbe. Znova se zaljubi v nekdanje dekle iz mladosti, pri čemer se v njem okrepi občutek dvojne identitete. Zdaj mora izbirati med svetovoma …

Šifra E

 

','

scenarij Róbert-Adrian Pejó, Géza Csemer
fotografija Vivi Dragan Vasile
glasba Lajos Káthy Horvath
montaža Réka Lemhényi
igrajo Zsolt Bogdán (Radu Dima), Dorka Gryllus (Oana), Miklós B. Székely (Dragomir), Bence Mányoki (Petru), Oszkár Nyári (Janku), Radu Amzulescu (JR), Judit Jónás (Bika), Kálmán Hollai (Tiberiu), Dorel Visan (Mircea)

Romantična drama

','

Radu, a teacher of Romany descent, returns from Bucharest to his native village to arrange for his father’s funeral. The Romany hut settlement where he was born is situated next to an enornmous garbage dump. After an initial feeling of estrangement, Radu, who has meanwhile completely adapted to urban living, is once again envelopped by a feeling of belonging to his marginalised people. He falls in love with his childhood sweetheart, which strengthens his double identity. He now has to choose between the two worlds…

Kode E

','screenplay Róbert-Adrian Pejó, Géza Csemer
cinematography Vivi Dragan Vasile
music Lajos Káthy Horvath
editing Réka Lemhényi
cast Zsolt Bogdán (Radu Dima), Dorka Gryllus (Oana), Miklós B. Székely (Dragomir), Bence Mányoki (Petru), Oszkár Nyári (Janku), Radu Amzulescu (JR), Judit Jónás (Bika), Kálmán Hollai (Tiberiu), Dorel Visan (Mircea)

Romantic drama',NULL,NULL,NULL,NULL,'images/events/event518.jpg','images/events/event518_t.jpg',600,450,NULL,NULL,'Adrian Robert Pejo',93,'madžarščina','Hungarian','slovenščina, angleščina','Slovene, English','Madžarska, Nemčija, Austrija, Romunija 2005',NULL,NULL,NULL,NULL,NULL,'Adrian Robert Pejo'),(543,41,'Delo osvobaja','Labor Equals Freedom','Delo osvobaja','

Peter je strojni tehnik in je pred časom izgubil službo. Njegovega profila ne potrebujejo, zato dan za dnem neuspešno postopa pred Zavodom za zaposlovanje. Žena Vera dela na občini in je s stanjem moža vse bolj nezadovoljna, saj s prijatelji popiva v bifeju, vse bolj se redi, predvsem pa v družinski proračun ne prispeva denarja. Njun zakon vse bolj propada, zato se Vera odloči, da se bo s hčerko odselila. Odločitev olajša še Petrovo spoznanje, da Vera že dalj časa ljubimka s svojim šefom.

','

režija Damjan Kozole
scenarij Damjan Kozole
fotografija Aleš Belak
glasba Igor Leonardi
montaža Jure Moškon
igrajo Peter Musevski (Peter), Nataša Barbara Gračner (Vera), Marjuta Slamič (Ines), Primož Petkovšek (Tomo), Manca Dorrer (soseda), Marijana Brecelj (socialna delavka), Lara Djurica (hči), Jernej Kuntner (Vinko)

Družinska drama

','

Peter, a mechanical technician, has recently been on the dole. His profile is not in demand, and so day in and day out he lingers fruitlessly in front of the Employment Agency. His wife Vera works at the municipal office and is growing increasingly dissatisfied with her husband. Peter frequents bars with his mates, has put on weight, and has not been contributing to the family budget. Their marriage is deteriorating. Vera soon decides to take their daughter and leave him. The decision is facilitated when Peter finds out that Vera has been having an affair with her boss.

','

directed by Damjan Kozole
screenplay Damjan Kozole
cinematography Aleš Belak
music Igor Leonardi
editing Jure Moškon
cast Peter Musevski (Peter), Nataša Barbara Gračner (Vera), Marjuta Slamič (Ines), Primož Petkovšek (Tomo), Manca Dorrer (neighbour), Marijana Brecelj (social worker), Lara Djurica (daughter Sonja), Jernej Kuntner (Vinko)

Family drama

',NULL,NULL,NULL,NULL,'images/events/event543.jpg','images/events/event543_t.jpg',600,450,NULL,NULL,'Damjan Kozole',71,'slovenščina','Slovenian','angleščina','English','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,'Damjan Kozole'),(579,30,'Devetdnevnica','The Novena','La Neuvaine','Jeanne se ponoči brezciljno vozi v avtomobilu. Je zdravnica, zaznamovana z občutkom krivde ob smrti ene svojih pacientk in njene hčerke. Vseskozi ima občutek, da bi ju lahko rešila. François živi z umirajočo babico. Zanjo se odloči opraviti devetdnevno molitev. Oba protagonista, povsem osamljena v nesreči, se srečata ob rečnem bregu v mali vasici. Françoisova nežnost v Jeanne znova prebudi voljo do življenja; prepriča jo, naj mu pomaga pri skrbi za babico.

Šifra AK

','

scenarij Bernard Émond
fotografija Jean-Claude Labrecque
glasba Robert M. Lepage
montaža Louise Coté
igrajo Elise Guilbault (Jeanne), Patrick Drolet (François), Lise Castonguay (Thérčse), Benoît Dagenais (Langlais), Stéphane Demers (Mari de Lise), Pierre Collin
festivali, nagrade (izbor): Locarno 2005 (najboljši igralec: Patrick Drolet), Toronto 2005

Drama


','

At night, Jeanne drives around aimlessly in her car. She is a doctor, marked by feelings of guilt following the death of one of her patients and her own daughter. She is continuously plagued by the feeling that she could have saved them. François lives with his dying grandmother. He decides to undergo a nine-day period of prayer and devotions for her. Completely alone in their misery, the protagonists meet along the riverbank in a small village. François\\\' tenderness awakens the will to live in Jeanne; he persuades her to help him look after his grandmother.  

Code AK

','

screenplay Bernard Émond
cinematography Jean-Claude Labrecque
music Robert M. Lepage
editing Louise Coté
cast Elise Guilbault (Jeanne), Patrick Drolet (François), Lise Castonguay (Thérčse), Benoît Dagenais (Langlais), Stéphane Demers (Mari de Lise), Pierre Collin
festivals, awards (selection): Locarno 2005 (best actor: Patrick Drolet), Toronto 2005

Drama

',NULL,NULL,NULL,NULL,'images/events/event579.jpg','images/events/event579_t.jpg',600,450,NULL,NULL,'Bernard Emond',97,'francoščina','French','slovenščina, angleščina','Slovene, English','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Bernard Emond'),(564,30,'Deveti dan','The Ninth Day','Der Neunte Tag','Film pripoveduje resnično zgodbo o Kremerju, mladem katoliškem duhovniku, ki se med drugo svetovno vojno skupaj z mnogimi duhovniki iz Evrope znajde v koncentracijskem taborišču Dachau. Kljub vsakodnevnim mukam nihče med njimi ne izgubi vere. Kremerja v nekem trenutku doleti presenetljiva novica: prejel bo dovolilnico za pot v rojstni Luksemburg. Tam ga pričaka SS-ovski oficir Gebhart, čigar namen je onemogočiti lokalnega škofa, ki v znak mirnega protesta proti nacističnemu režimu vsakodnevno zvoni s cerkvenimi zvonovi. Kremer se sreča z nerešljivim položajem: ali bo škofa prepričal v prenehanje upora in napisal pismo podpore nacistom ali pa se bo v devetih dneh vrnil v Dachauu.


Šifra AJ','

scenarij Eberhard Görner, Andreas Pflüger fotografija Tomas Erhart
glasba Alfred Shnitke 
montaža Peter R. Adam
igrajo Ulrich Matthes (Henri Kremer), August Diehl (Gebhardt), Hilmar Thate (Philippe), Bibiana Beglau (Marie Kremer), Germain Wagner (Roger Kremer), Jean-Paul Raths (Raymond Schmitt)


','The film is a true story about Kremer, a young Catholic priest who, during the Second World War, ends up in the Dachau concentration camp together with many other priests from across Europe. Despite the daily torture, none of them loses hope. One day, Kremer is hit by surprising news: he has received permission to travel to his hometown, Luxembourg. He is met there by an SS officer, Gebhart, who wants to prevent the local bishop from his daily tolling of church bells as a sign of peaceful protest against the Nazi regime. Kremer has to face an unsolvable situation: will he be able to convince the bishop to stop the resistance and make him write a letter of support to the Nazis, or will he have to return to Dachau in nine days?    

Code AJ','

screenplay Eberhard Görner, Andreas Pflüger
cinematography Tomas Erhart
music Alfred Shnitke 
editing Peter R. Adam
cast Ulrich Matthes (Henri Kremer), August Diehl (Gebhardt), Hilmar Thate (Philippe), Bibiana Beglau (Marie Kremer), Germain Wagner (Roger Kremer), Jean-Paul Raths (Raymond Schmitt)

',NULL,NULL,NULL,NULL,'images/events/event564.jpg','images/events/event564_t.jpg',600,450,NULL,NULL,'Volker Schlöndorff',98,'nemščina','German','slovenščina','Slovene','Nemčija, Luksemburg 2004',NULL,NULL,NULL,NULL,NULL,'Volker Schlöndorff'),(533,32,'Dežela izobilja','Land of Plenty','Land of Plenty','Dvajsetletna Lana se po desetih letih, ki jih je preživela na misijah po Afriki in Izraelu, vrača v domovino. V Los Angelesu se naseli v krščanskem misijonu. Tu pomaga revnim in brezdomcem. Rada bi obnovila stike s stricem Paulom, nekdanjim vojakom iz Vietnama, ki so ga dogodki 11. septembra povsem iztirili. Zdaj ima ta idealistični kavboj idejo, da bo branil okope svoje domovine. S predelanim starim kombijem, v katerem je komunikacijska oprema, kroži po okolici in opreza za možnimi teroristi arabskega porekla. Lane se sprva izogiba, počasi pa jo vendarle sprejme v svoj vsakdan. Potem ko sta oba priča uličnemu uboju mladega Arabca, je Paul odločen, da zadevo razišče naprej in poišče povezavo s teroristično celico.','

scenarij Wim Wenders, Michael Meredith, po zgodbi Wima Wendersa in Scotta Derricksona fotografija Franz Lustig
glasba Nackt,Thom
montaža Moritz Laube
igrajo Michelle Williams (Lana), John Diehl (Paul), Shaun Toub (Hassan), Wendell Pierce (Henry), Richard Edson (Jimmy), Burt Young (Sherman)

','

20-year-old Lana is returning to her homeland after spending ten years in various missions in Africa and Israel. She settles in a Christian mission in L.A., where she helps the poor and homeless. She wants to resume her relationship with her uncle Paul, a Vietnam war veteran, who was deeply stricken by the 9/11 events. Now this idealistic cowboy has a bee in his bonnet to defend the bastions of his homeland singlehandedly. With a remodelled old van containing communications equipment, he circles around the neighbourhood and pries after potential terrorists of Arabic descent. At first he shies away from Lana, but gradually embraces her presence. When they witness the street killing of a young Arab, Paul becomes determined to investigate the matter and find the connection with a terrorist cell.

','screenplay Wim Wenders, Michael Meredith, based on a story by Wim Wenders and Scott Derrickson
cinematography Franz Lustig
music Nackt, Thom
editing Moritz Laube
cast Michelle Williams (Lana), John Diehl (Paul), Shaun Toub (Hassan), Wendell Pierce (Henry), Richard Edson (Jimmy), Burt Young (Sherman)

Drama',NULL,NULL,NULL,NULL,'images/events/event533.jpg','images/events/event533_t.jpg',600,450,NULL,NULL,'Wim Wenders',123,'angleščina','English','slovenščina, srbščina','Slovene, Serbian','ZDA, Nemčija 2004',NULL,'images/events/logo533.jpg','images/events/logo533_t.jpg',200,200,'Wim Wenders'),(500,30,'Divji in zadeti','Stoned','Stoned','

Brian Jones je bil poleg Micka Jaggerja in Keitha Richardsa gonila sila zgodnjih Rolling Stones, angleške skupine, ki je v prvi polovici šestdesetih let skupaj z Beatli angleški rokenrol ponesla v svet. Jones je bil med tremi vodilnimi člani največja enigma, najtežje ga je bilo definirati, toda za mnoge je bil duša skupine, glasbeni genij. Šestdeseta leta je zajemal z veliko žlico, toda njegov padec je bil enako hiter kot vzpon; od prvih dosežkov slave je v manj kot sedmih letih postal senca samega sebe, odročen in nedostopen. Leta 1969 so ga našli mrtvega v bazenu; bil je prvi v seriji rock zvezdnikov, ki bodo na prelomu desetletja umrli v rosni mladosti.

Šifra AE

 

','

scenarij Neal Purvis, Robert Wade
fotografija John Mathieson
glasba David Arnold
montaža Sam Sneade
igrajo Will Adamsdale (Andrew Loog Oldham), Ras Barker (Lodger), Paddy Considine (Frank Thorogood), Nathalie Cox (Gretal), Luke de Woolfson (Mick Jagger), Leo Gregory (Brian Jones)
festivali, nagrade (izbor) Toronto 2005, Edinburgh 2005

Biografski

','

Alongside Mick Jagger and Keith Richards, Brian Jones was the driving force of the early Rolling Stones, an English band which, togehter with the Beatles, brought English rock\\\'n\\\'roll to the world in the early 1960’s. Among its three leading members, Jones was the greatest enigma, the hardest to define, yet for many people the soul of the band, a musical genius. He enjoyed the 60’s to the fullest, but his fall was as fast as his rise. In less than seven years after experiencing the first signs of  fame, he became a mere shadow of himself, distant and unapproachable. In 1969 he was found dead in a swimming pool, only the first in a series of rock stars who would die in their early youth at the turn of the decade.  

Code AE

','

screenplay Neal Purvis, Robert Wade
cinematography John Mathieson
music David Arnold
editing Sam Sneade
cast Will Adamsdale (Andrew Loog Oldham), Ras Barker (Lodger), Paddy Considine (Frank Thorogood), Nathalie Cox (Gretal), Luke de Woolfson (Mick Jagger), Leo Gregory (Brian Jones)
festivals, awards (selection): Toronto 2005, Edinburgh 2005

Biografical

',NULL,NULL,NULL,NULL,'images/events/event500.jpg','images/events/event500_t.jpg',600,450,NULL,NULL,'Stephen Woolley',102,'angleščina','English','slovenščina','Slovene','VB 2005',NULL,NULL,NULL,NULL,NULL,'Stephen Woolley'),(540,28,'Doo Wop','Doo Wop','Doo Wop','

Pariz poleti. Ziggy se zbudi, dan začne kot običajno v sosednjem bistroju. Potem se odpravi do prijatelja, ki ob Seni prodaja rabljene knjige, se snide s prijatelji v restavraciji, nato pa sreča nekdanje dekle, ki ga je zapustila že pred časom. Mimogrede spozna novo dekle Majo, natakarico s pevskimi ambicijami. Ziggy se rad predstavlja kot producent in menedžer glasbene skupine, ki bo nekoč razprodala slovito pariško Olympio. Resnično življenje je drugačno, skupina občasno nastopa v zakajenih klubih in tudi Ziggy se komaj preživlja; še več, izogibati se mora upnikom, katerim dolguje velike vsote denarja.

','scenarij David Lanzmann
fotografija Pascal Lagriffoul
glasba Les Chaussettes Sales
montaža David Lanzmann
igrajo Michaël Fitoussi (Ziggy), Caroline Ducey (Marie), Elina Löwensohn (Maya), Clovis Cornillac (Thierry), Philippe Nahon (Michel), Diego Montes (Alberti)

Francoski novi val se vrača
','

Paris in the summer. Ziggy wakes up and begins his day as usual, at the nearby bistro. Then he sees a friend who sells used books on the banks of the Seine, meets friends at a restaurant, and has a date with his ex-girlfriend, who left him a while ago. In between, he meets a new girl, Maya, a waitress and would-be singer. Ziggy likes to present himself as the producer and manager of a music group which will one day sell out the illustrious Olympia stadium in Paris. The prospects are implausible, the group occasionally has gigs in smoke-filled clubs and even Ziggy can hardly make ends meet. What\\\'s more, he shuns his creditors, to whom he owes large sums of money...

','screenplay David Lanzmann
cinematography Pascal Lagriffoul
music Les Chaussettes Sales
editing David Lanzmann
cast Michaël Fitoussi (Ziggy), Caroline Ducey (Marie), Elina Löwensohn (Maya), Clovis Cornillac (Thierry), Philippe Nahon (Michel), Diego Montes (Alberti)
',NULL,NULL,NULL,NULL,'images/events/event540.jpg','images/events/event540_t.jpg',600,450,NULL,NULL,'David Lanzmann',90,'francoščina','French','slovenščina, angleščina','Slovene, English','Francija 2004',NULL,NULL,NULL,NULL,NULL,'David Lanzmann'),(545,30,'Draga Wendy','Dear Wendy','Dear Wendy','

Osemnajstletni Dick odrašča v rudarskem mestecu v ZDA. Oče je pred leti umrl v rudniški nesreči, vzgajala ga je temnopolta Clarabelle. Ko mora za rojstni dan njenega vnuka Sebastiana kupiti darilo, izbere otroško pištolo, pozneje pa ugotovi, da gre za pravo orožje. Prijatelj mu priskrbi strelivo, prvi strelski poskusi pa Dicka in prijatelja tako prevzamejo, da ustanovita skrivno društvo, imenovano Dandies, ki ima kmalu pet članov. Skupinica v opuščenih rovih preživlja vse več časa, piše poezijo, študira knjige o orožju … in sprejme stroga interna pravila. Dandies so pacifisti, nikoli ne streljajo na sočloveka, orožje jim zagotavlja zgolj "moralno oporo". Prihod novega člana Sebastiana, nad katerim naj bi Dick med prestajanjem pogojne zaporne kazni bedel, v skupino vnese negotovost in ogrozi njihovo "čistost".

Šifra G

','

scenarij Lars von Trier
fotografija Anthony Dod Mantle
glasba Benjamin Wallfisch
montaža Mikkel E.G. Nielsen
igrajo Jamie Bell (Dick), Bill Pullman (Krugsby), Michael Angarano (Freddie), Danso Gordon (Sebastian), Novella Nelson (Clarabelle), Chris Owen (Huey)
festivali, nagrade (izbor): Moskva 2005 (najboljši režiser), Mar del Plata 2005

Satira


','

18-year-old Dick is growing up in a mining town in the U.S. His father died some years ago in a mining accident, and Dick was brought up by Clarabelle, a Black American. As a present for her grand-son Sebastian\\\'s birthday, Dick buys a toy gun, later realising it is a real weapon. His friend supplies him with amunition, and the first shots completely overwhelm Dick and his friend. They establish a secret society called the Dandies, which soon comprises five members. The group is spending more and more time in abandoned galleries, writing poetry and studying books on weapons. They soon adopt strict internal rules. Being pacifists, the Dandies see arms merely as a means of \\\'moral support\\\', and never shoot at their fellow human beings. The arrival of a new member, Sebastian, who is on parole and will have Dick as his guardian, brings uncertainty and jeopardizes the society\\\'s \\\'purity\\\'.

Code G

','screenplay Lars von Trier
cinematography Anthony Dod Mantle
music Benjamin Wallfisch
editing Mikkel E.G. Nielsen
cast Jamie Bell (Dick), Bill Pullman (Krugsby), Michael Angarano (Freddie), Danso Gordon (Sebastian), Novella Nelson (Clarabelle), Chris Owen (Huey)
festivals, awards (selection): Moskva 2005 (best director), Mar del Plata 2005

Satira',NULL,NULL,NULL,NULL,'images/events/event545.jpg','images/events/event545_t.jpg',600,450,NULL,NULL,'Thomas Vinterberg',105,'angleščina','English','slovenščina','Slovene','Danska, Francija, Nemčija, VB 2005',NULL,NULL,NULL,NULL,NULL,'Thomas Vinterberg'),(588,39,'Enosmerna vozovnica','One Way Ticket','Himmelfahrt','Vnuk in babica se odpravita na pot. Na vlaku babica nepričakovano umre. Tragikomična pripoved o smrti, ki le ni vedno najbolj tragična stvar na svetu.',NULL,'

A grandson and his grandmother set out on a journey. On the train, granny suddenly dies. A tragicomical tale of death that is not always the most tragical thing in the world.

',NULL,NULL,NULL,NULL,NULL,'images/events/event588.jpg','images/events/event588_t.jpg',600,450,NULL,NULL,'Ulrike Grote',14,'nemščina','German','slovenščina','Slovene','Nemčija 2004',NULL,NULL,NULL,NULL,NULL,'Ulrike Grote'),(544,29,'F.A.Q.','F.A.Q.','F.A.Q.','F.A.Q. je film o usodi slovenskega jezika na avstrijskem Koroškem oziroma usodi tamkajšnje slovenske manjšine. Predstavlja nenavaden pogled nove generacije na staro temo. Film začne absurdna animirana sekvenca, ko režiser Hafner po pomoti prejme paket, ki ga je Claudia Haider, žena koroškega deželnega glavarja in prepričanega desničarja, poslala hčerki. Režiserja dopuščata, da prebivalci Koroške spregovorijo in komentirajo dogodke ob meji. Govori tudi glasba; odlomek Pa Rožani pojo, da zaspati ča morem iz narodne pesmi je postal nekakšen pripev in hkrati prispodoba: dokler Slovenci na Koroškem še pojejo, še ni prepozno, glasba je torej postala tudi nosilec idej.

 

','

scenarij Stefan Hafner, Alexander Binder
fotografija Alexander Binder
glasba Blixa Bargeld, Bottervogel
montaža Karin Hammer



','F.A.Q. is a film on the fate of the Slovenian language in Austrian Carinthia, or the destiny of the Slovenian minority there. It is a unique view of an old subject voiced by the new generation. The film opens with an absurd animated sequence in which director Hafner accidentally receives a parcel sent by Claudia Haider, wife of the Carinthian Governer General and convinced right-wing upholder, to her daughter. The directors let the Carinthians speak and comment on the border events themselves. A prominent role is also given to music. The verse of a folk song, \\\'Pa Rožani pojo, da zaspati ča morem\\\', has simultaneously become a refrain and an allegory: for as long as the Slovenians in Carinthia can still sing, it is not too late. Music has thus become the carrier of ideas.','

screenplay Stefan Hafner, Alexander Binder
cinematography Alexander Binder
music Blixa Bargeld, Bottervogel
editing Karin Hammer

',NULL,NULL,NULL,NULL,'images/events/event544.jpg','images/events/event544_t.jpg',600,450,NULL,NULL,'Stefan Hafner / Alexander Binder',84,'slovenščina/nemščina','Slovenian/German','slovenščina, angleščina','Slovene, English','Avstrija 2005',NULL,'images/events/logo544.jpg','images/events/logo544_t.jpg',200,200,'Stefan Hafner / Alexander Binder'),(581,30,'Garpastum','Garpastum','Garpastum','

St. Peterburg, 1914. Ruski carski imperij je v razsulu, prva svetovna vojna pred vrati, štirje ruski mladeniči pa se odločijo ustanoviti nogometno ekipo. V ospredju sta brata Andrej in Nikolaj; njuna mama je pred časom umrla, medtem ko oče leži na smrtni postelji. Z znancem se dogovorijo o odkupu zemljišča, zdaj morajo najti še potrebnih 140 rubljev. Zbrati jih nameravajo z igranjem nogometa za denar.

Šifra K

','

scenarij Oleg Antonov, Aleksander Vajnštejn, Aleksej German, Jr.
fotografija Oleg Lukičov
glasba Igor Vdovin
montaža Ivan Lebedev
igrajo Evgenij Pronin (Andrej), Danila Kozlovski (Nikolaj), Dmitrij Vladimirov (Šust), Aleksander Bikovskij (Miša), Čulpan Hamatova (Anica)
festivali, nagrade (izbor) Benetke 2005

Zgodovinski

','

St. Petersburg, in 1914. The Russian Czarist Empire is in ruins and on the verge of the First World War. Four Russian young men decide to establish a football team. The film focuses on the brothers Andrei in Nikolai, whose mother has recently passed away, while their father lies on his deathbed. Together with their acquaintance, they make a deal to purchase a plot of land and now only have to find the necessary 140 ruble. They plan to get it by playing football for money.  

Code K

','

screenplay  Alexander Veinstein, Alexei German Jr.
cinematography Oleg Luchikov
music Igor Vdovin
editing Ivan Lebedev
cast Evgeny Pronin, Danila Kozlovsky, Dmitry Vladimirov, Alexander Bikovsky, Chulpan Khamatova
festivals, awards (selection): Venice 2005

Historical

',NULL,NULL,NULL,NULL,'images/events/event581.jpg','images/events/event581_t.jpg',600,450,NULL,NULL,'Aleksej German, Jr.',116,'ruščina','Russian','slovenščina, angleščina','Slovene; English','Rusija 2005',NULL,NULL,NULL,NULL,NULL,'Alexei German jr.'),(596,29,'George Michael: Drugačna zgodba','George Michael: A Different Story','George Michael: A Different Story','

O Georgeu Michaelu je bilo veliko povedanega in napisanega; le malo je preverjenih dejstev, še manj njegovih lastnih besed o življenju in odraščanju na angleškem podeželju, v Edgwaru v Middlesexu, od koder je šel v London in postal eden največjih idolov generacije. George Michael gledalca popelje na ekskurzijo po mestih otroštva; prvič spregovori o javnih škandalih, materi, ki ga je dolgo podpirala in umrla veliko premlada, ali o svojem nekdanjem partnerju iz skupine Wham!, s katerim se po dvajsetih letih znova sreča.

 


 

','

scenarij Southan Morris
fotografija John Sorapure
glasba George Michael 
montaža Guy Harding, Duncan Shepherd
igrajo George Michael, Sting, Mariah Carey, Elton John, Noel Gallagher, Simon Cowell, Geri Halliwell, Boy George

','

Much been said and written about George Michael, but only a few undisputed facts are known. Michael rarely spoke of his life and growing up in the English countryside, Edgware in Middlesex, which he abandoned for London to become one of the greatest idols of his generation. George Michael takes viewers on an tour of the towns of his childhood; speaks for the first time about his public scandals, about his mother, who supported him for a long time and died much too young, or about his former partner in Wham!, whom he meets again after twenty years...

','screenplay Southan Morris
cinematography John Sorapure
music George Michael 
editing Guy Harding, Duncan Shepherd
cast George Michael, Sting, Mariah Carey, Elton John, Noel Gallagher, Simon Cowell, Geri Halliwell, Boy George',NULL,NULL,NULL,NULL,'images/events/event596.jpg','images/events/event596_t.jpg',600,450,NULL,NULL,'Southan Morris',95,'angleščina','English','slovenščina','Slovene','VB 2005',NULL,NULL,NULL,NULL,NULL,'Southan Morris'),(552,28,'Iluzija','Mirage','Iluzija','

Makedonija danes. V družini odraščajočega Marka je vse narobe; oče je pijanec, za mamo se zdi, da je že pred časom izgubila vsakršen stik z resničnim svetom, sestra je sebična deklina, ki skrbi predvsem za lastno srečo. V šoli položaj ni dosti boljši, saj je Mark vsakodnevna tarča sošolcev. Edina oseba, ki mu vliva upanje, je učitelj, ki ga skuša navdušiti za pisanje poezije. Izkaže se, da je čuteči učitelj v resnici popolnoma drugačen, kot se zdi Marku.

','scenarij Svetozar Ristovski, Grace Lea Troje
fotografija Vladimir Samoilovski
glasba Klaus Hundsbichler
montaža Atanas Georgiev
igrajo Marko Kovačević (Marko), Mustafa Nadarević (profesor), Dejan Ačimović (Blaško), Nikola Djurićko (Paris), Nikola Hejko (Černobil), Vlado Jovanovski (Lazo), Martin Jovčevski (Levi)

Socialna drama
','

Macedonia today. Everything is wrong in Marko’s family. His father is a compulsive drinker, his mother seems to have lost any kind of contact with the real world a long time ago, and his sister is an egoistic hussy who is only concerned with her own happiness. The situation at school doesn’t seem much better, either, as Marko is bullied by his schoolmates on a daily basis. The only person who gives him any hope is his teacher, who tries to convince him to start writing poetry. But the apparently sympathetic man turns out to be completely different from Marko expected.

','screenplay Svetozar Ristovski, Grace Lea Troje
cinematography Vladimir Samoilovski
music Klaus Hundsbichler
editing Atanas Georgiev
cast Marko Kovačević (Marko), Mustafa Nadarević (professor), Dejan Ačimović (Blaško), Nikola Djurićko (Paris), Nikola Hejko (Černobil), Vlado Jovanovski (Lazo), Martin Jovčevski (Levi)
',NULL,NULL,NULL,NULL,'images/events/event552.jpg','images/events/event552_t.jpg',600,450,NULL,NULL,'Svetozar Ristovski',104,'makedonščina','Macedonian','slovenščina, angleščina','Slovene, English','Makedonija 2004',NULL,NULL,NULL,NULL,NULL,'Svetozar Ristovski'),(496,28,'Ivana','Joan','Johanna','

Filmska in glasbena interpretacija trpljenja Ivane Orleanske. Johanna je mlada narkomanka. Po nesreči pade v globoko komo, zdravnik ji po čudežu reši življenje. V zahvalo Bogu začne po okrevanju bolnikom ponujati telo. Glavni zdravnik je frustriran, ker ga Johanna zavrača, zato se poveže z medicinskim osebjem, ki načrtuje zaroto. Hvaležni pacienti sklenejo Johanno braniti pred zdravniki, ki v njej vidijo le cipo; na očitke Johanna odgovarja, da s telesom ljudi zdravi iz čiste dobrote in ljubezni.

»Želel sem posneti film o tem, kaj pomeni biti drugačen, drugačen, ker se odločiš za dobroto. Do kje lahko zdržiš, živeč onkraj pravil konvencionalne moralnosti. To me je privedlo k zgodbi o Ivani Orleanski. Za vlogo Johanne sem takoj sem pomislil na igralko Orsi Tóth, saj zahteva izjemno igro. Orsijina mila in močna, a krhka pojavnost prikliče dozdevno preproste in prevzemajoče lastnosti vloge.« (Kornél Mundruczó)

»Res je: izvirna opera, glasba in libreto napisani prav za ta film – pripoved o ženskemu trpljenju in odrešenju, o kateri lahko Lars Von Trier samo sanja. S temami mučeništva in transcendence je to zgodba o trpljenju in odrešenju ženske, ki jo Trier ustvarja in poustvarja v vsakem filmu. Vendar pa Mundruczó žensk ne sovraži in zaradi tega je njegov film toliko boljši. Če je Johanna na koncu kaznovana, ker je imela previsoke aspiracije, pa njen konec ne spremljajo ponižanja, katerim Von Trier junakinje rutinsko podvrže. Gre za pravo apoteozo: lastno žrtvovanje zaradi višjih ciljev. Eksaltacija.«  (Jared Brown)

','scenarij Yvette Biro, Kornél Mundruczó
fotografija Andras Nagy, Matyas Erdely, Balazs Revesz
glasba Zsófia Tallér
montaža Vanda Arányi
igrajo Orsolya Tóth (Johanna), Ildikó Cserna (zlobna sestra), Istvan Ganter (pacient), Dénes Gulyás (glavni zdravnik), Zsolt Trill

Muzikal','

A film and music interpretation of Joan of Arc\\\'s suffering. Johanna is a young drug addict. She accidentally falls into a deep coma, and the doctor miraculously saves her life. As she convalesces, Johanna begins to offer herself to patients in order to express her appreciation to God. Resentful because Johanna spurns his advances, the head doctor plots a conspiracy with the medical team. The grateful patients defend Johanna from the doctors, who see her only as a whore. Johanna vigorously rejects all reproaches, claiming that she heals people with her body out of pure goodness and love...

»I wanted to make a film about what it means to be different, to be different by choosing goodness. How far can you go, when you live outside the rules of conventional morality? This led me to the story of Joan of Arc. I immediately thought of the actress Orsi Tóth to play Johanna, as the part called for an exceptional performance. Orsi\\\'s grace and strong yet frail presence capture the seemingly simple and compelling qualities of the role.« (Kornél Mundruczó)

»That\\\'s right: an original opera, its music and libretto written specifically for this film - a tale of female suffering and redemption such as Lars Von Trier can only dream of. With its themes of martyrdom and transcendence, this is the tale of female suffering and redemption that Trier makes and remakes with each new film. However, Mundruczó is not a misogynist, and his film is all the better for it. If Johanna is punished, ultimately, for overreaching her station, then her end is at least unaccompanied by the kind of humiliations which Von Trier routinely visits upon his heroines. It is an apotheosis proper: a sacrifice of the self to a higher purpose. An exaltation.« (Jared Brown)

','screenplay Yvette Biro, Kornél Mundruczó
cinematography Andras Nagy, Matyas Erdely, Balazs Revesz
music Zsófia Tallér
editing Vanda Arányi
cast Orsolya Tóth (Johanna), Ildikó Cserna (evil sister), Istvan Ganter (patient), Dénes Gulyás (head doctor), Zsolt Trill
',NULL,NULL,NULL,NULL,'images/events/event496.jpg','images/events/event496_t.jpg',600,450,NULL,NULL,'Kornél Mundruczó',83,'madžarščina','Hungarian','slovenščina, angleščina','Slovene, English','Nemčija, Madžarska 2005',NULL,NULL,NULL,NULL,NULL,'Kornél Mundruczó'),(537,35,'Jug jugovzhodno','South Southeast','Jug jugoistok','

Beograjski policijski inšpektor zasleduje filmsko igralko Sonjo Savić, ki se je pred dnevi vrnila iz Slovenije. Sonja samotna tava po ulicah in daje vtis nezbranosti; njen polbrat Miloš se je vrnil iz Belgije, ker bi rad uredil dokumente njune nedavno preminule babice, zdaj pa je prepričan, da je Sonji nekdo ukradel štiriletno hčer Sofijo. Ali Sonja sploh ima hčerko? Ali se je ugrabitev zares zgodila? Miloš ni povsem prepričan in policija tudi ne.

','

scenarij Milutin Petrović, Saša Radojević
fotografija Predrag Bambić
glasba Milutin Petrović, Miša Savić
montaža Petar Jakonić
igrajo Sonja Savić (Sonja), Miloš Lolić (Miloš), Nedeljko Despotović (inšpektor Despotović), Mladomir \\\'Puriša\\\' Djordjević, Boris Milivojević, Radivoje Andrić

Politični triler

','

A Belgrade police inspector has been tailing a film actress, Sonja Savić, who has recently returned from Slovenia. Seemingly absent-minded Sonja roams the streets lonesomely. Her half-brother, Miloš, has returned from Belgium, where he had gone to arrange the documents of their lately deceased grandmother. He is now convinced that someone kidnapped Sonja\\\'s four-year-old daughter Sofija. But, does Sonja have a daughter at all? Has the kidnapping actually occurred? Miloš is not quite certain, neither is the police.

','screenplay Milutin Petrović, Saša Radojević
cinematography Predrag Bambić
music Milutin Petrović, Miša Savić
editing Petar Jakonić
cast Sonja Savić (Sonja), Miloš Lolić (Miloš), Nedeljko Despotović (Inspector Despotović), Mladomir \\\'Puriša\\\' Djordjević, Boris Milivojević, Radivoje Andrić',NULL,NULL,NULL,NULL,'images/events/event537.jpg','images/events/event537_t.jpg',600,450,NULL,NULL,'Milutin Petrović',86,'srbščina','Serbian','slovenščina, angleščina','Slovene, English','Rep. Srbija in Črna gora 2005',NULL,NULL,NULL,NULL,NULL,'Milutin Petrović'),(550,35,'Kaj je Iva posnela 21. oktobra 2003','What Iva Recorded On October 21st 2003','Što je Iva snimila 21. listopada 2003','

Iva za petnajsti rojstni dan dobi lepo darilo, majhno digitalno kamero. Nad novo igračo je navdušena, zato takoj začne snemati vse okrog; priprave očima Boža na prihod gosta, mamo, ki pretirano pije. Na prvem traku so tako posneti zabava za rojstni dan in spremljajoče dogajanje. Mama in Božo sta do njenega neprestanega snemanja sprva ravnodušna, pozneje pa vse bolj razdražena. V hiši namreč vlada živčnost, ne zaradi Ivinega rojstnega dne, temveč ker na obisk prihaja očimov poslovni partner iz Nemčije.

»Avtorja sta scenaristično odlično oblikovala dialoge in razvoj dogajanja, ki se začne z nedolžnimi družinskimi prepirčki okrog nakupa hrane za nemškega gosta in nadaljuje precej resneje. Nič ni postavljeno enoznačno, vse je – kot v resničnem življenju – podrejeno trenutnim spremembam. Skozi \\\'nedolžni\\\' okular Ivine kamere se snemajo tudi \\\'podkožne\\\' podrobnosti malomeščanske družine.« (Robert Jukić)

','scenarij Tomislav Radić, Ognjen Sviličić
fotografija Vedran Šamanović
montaža Kruno Kušec
igrajo Anja Šovagović - Despot (Željka), Ivo Gregurević (Božo), Masha Mati Prodan (Iva), Boris Svrtan, Barbara Prpić, Karl Menrad, Adam Končić

Družinska drama
','

Iva has received a beautiful present for her 15th birthday – a small digital camera. The girl is thrilled with her new toy and immediately begins to film everything around her: her stepfather, Božo, preparing for the arrival of a guest, and her mom, an excessive drinker. The first film features the birthday party and ensuing events. At first, her mom and Božo are indifferent to her constant shooting, but grow to be increasingly more disquietened. Namely, the house is steeped in anxiety, not because of Iva\\\'s birthday, but because Božo\\\'s business partner from Germany will be arriving for a visit.

»The authors excellently shaped the dialogues and the entanglement of the storyline, which begins with innocent domestic quarrels regarding the purchase of food for the German guest and continues in a rather more sombre mode. Nothing is devised unidimensionally, everything is – as in real life – subsceptible to momentary changes. Recorded through the \\\'innocent\\\' lenses of Iva\\\'s camera are also the \\\'obscure\\\' details of a small-minded family.« (Robert Jukić)

','screenplay Tomislav Radić, Ognjen Sviličić
cinematography Vedran Šamanović
editing Kruno Kušec
cast Anja Šovagović - Despot (Željka), Ivo Gregurević (Božo), Masha Mati Prodan (Iva), Boris Svrtan, Barbara Prpić, Karl Menrad, Adam Končić
',NULL,NULL,NULL,NULL,'images/events/event550.jpg','images/events/event550_t.jpg',600,450,NULL,NULL,'Tomislav Radić',92,'hrvaščina','Croatian','slovenščina','Slovene','Hrvaška 2005',NULL,NULL,NULL,NULL,NULL,'Tomislav Radić'),(505,30,'Kilometer nič','Kilometre Zero','Kilometre zero','Drama o usodi iraških Kurdov, ki jih je režim Sadama Husseina med iransko-iraško vojno in pozneje – vse do ameriško-angleške intervencije leta 2003 – skorajda iztrebil. Osrednji lik je Kurd Ako. Režim ga pošlje na fronto, da bi se boril proti Irancem, kmalu pa dobi nalogo, da truplo vojnega heroja z iraškim voznikom prepelje v njegovo rodno vas. Na poti se med njima krešejo ideološka in medrasna trenja. Zgodba se sklene v Parizu, petnajst let pozneje, ko Ako z ženo posluša novice o ameriški invaziji na Irak …

 Šifra O

','

scenarij Hiner Saleem
fotografija Robert Alazraki
glasba Yan Axin, Nikos Kypourgos
montaža Anna Ruiz
igrajo Nazmi Kirik (Ako), Eyam Ekrem (voznik), Belcim Bilgin (Selma), Ehmed Qeladizeni (Sami), Nezar Selami (Adnan)

Politična drama


','

A drama featuring the lives of Iraqi Kurds, who were all but eradicated by the regime of Sadam Hussein during the Iran-Iraq war and afterwards – until the American-English intervention in 2003. The main character is Kurd Ako, who is sent to the front lines to fight the Iranians. He is soon given the task of accompanying the body of a war hero to his native village together with an Iraqi driver. On the journey, angry ideological and racial clashes of opinion develop between the two men. The story ends fifteen years later in Paris, when Ako and his wife listen to the news of the American invasion of Iraq...

Code O

','

screenplay Hiner Saleem
cinematography Robert Alazraki
music Yan Axin, Nikos Kypourgos
editing Anna Ruiz
cast Nazmi Kirik (Ako), Eyam Ekrem (driver), Belcim Bilgin (Selma), Ehmed Qeladizeni (Sami), Nezar Selami (Adnan)

Political drama


',NULL,NULL,NULL,NULL,'images/events/event505.jpg','images/events/event505_t.jpg',600,450,NULL,NULL,'Hiner Saleem',91,'kurdsko/arabščina/francoščina','Kurdish/Arabic/French','slovenščina, francoščina','Slovene, French','Francija, Irak, Finska 2005',NULL,'images/events/logo505.jpg','images/events/logo505_t.jpg',200,200,'Hiner Saleem'),(558,30,'Kino, aspirini in mrhovinarji','Cinema, Aspirins and Vultures','Cinema, aspirinas e urubus','

Brazilija, 1942. V severovzhodnem delu države se srečata Nemec Johann, v Južno Ameriko je prebegnil pred vojno, in Ranulpho, domačin na begu pred sušo, ki je zajela dobršen del njegove province. Johann Ranulphu ponudi mesto asistenta operaterja; vozita se po ruralnih predelih in ljudem prikazujeta filme, mimogrede prodajata še \\\'čudežno\\\' zdravilo, aspirin. Zdi se, da sta daleč od civilizacije, toda radijski sprejemnik jima vseskozi prinaša novice z evropskih bojišč.

Šifra D

','

scenarij Karim Ainouz, Paulo Caldas, Marcelo Gomes
fotografija Mauro Pinheiro Jr.
glasba Tomás Alves de Souza
montaža Karen Harley
igrajo Peter Ketnath (Johann), Joăo Miguel (Ranulfo), Mano Fialho, Zezita Matos, Osvaldo Mil

Road Movie


.


','

Brasil, 1942. Johann, a German who defected to South America during the war, and Ranulpho, a native fleeing from the drought that has affected a good part of his province, meet in the northwestern part of the country. Johann offers the post of assistant projectionist to Ranulpho. The two tour the rural parts of the country and screen films, at the same time also selling a \\\'miraculous\\\' drug – aspirin. Seemingly removed from civilisation, the radio is nonetheless transmitting news from European battlegrounds.

Code D

','

screenplay Karim Ainouz, Paulo Caldas, Marcelo Gomes
cinematography Mauro Pinheiro Jr.
music Tomás Alves de Souza
editing Karen Harley
cast Peter Ketnath (Johann), Joăo Miguel (Ranulfo), Mano Fialho, Zezita Matos, Osvaldo Mil

Road Movie

',NULL,NULL,NULL,NULL,'images/events/event558.jpg','images/events/event558_t.jpg',600,450,NULL,NULL,'Marcelo Gomes',99,'portugalščina','Portuguese','slovenščina, francoščina','Slovene, French','Brazilija 2005',NULL,NULL,NULL,NULL,NULL,'Marcelo Gomes'),(569,30,'Kitajec','Chinaman','Kinamand','

Kelda je po dvajsetih letih zakona zaradi popolne pasivnosti in lenobe ravnokar pustila žena. Pustila mu je stanovanje, si našla novega ljubimca, s katerim si želi potovati po svetu, od bivšega moža hoče le 8000 evrov nadomestila za stanovanje. Keld je ostal sam, zlomljen in s praznim hladilnikom, zato začne obiskovati kitajsko restavracijo čez cesto. Tam se spoprijatelji z lastnikom Fengom, pomaga mu celo pri zamenjavi cevovoda. Ne mine mesec dni, ko mu Feng ponudi roko sestre Ling, ki potrebuje dovoljenje za delo na Danskem. Keld zaradi finančne stiske sprejme dobro plačano ponudbo.

Šifra C

','

scenarij Kim Fupz Aakeson
fotografija Sebastian Blenkov
glasba Gisle Kverndokk
montaža Mette Zeruneith
igrajo Bjarne Henriksen (Keld), Charlotte Fich (žena/Wife), Lin Ku Wu (Feng), Vivian Wu (Ling), Paw Henriksen

Romantična drama

','

After being married for twenty years, Keld has just been abandoned by his wife as the result of his utter inertia and laziness. She has left him the apartment and found a new lover with whom she wants to travel the world. She demands  8000 Euros in return for her half of the apartment. Keld is all alone, devastated … and with an empty fridge. He begins to frequent a Chinese restaurant across the street. There he makes friends with the owner, Feng, and even helps him replace the piping. In less than a month, Feng offers him his sister Ling’s hand in marriage because she needs a permit to work in Denmark. Because of financial problems, Keld accepts a well-paid offer…

Code C

','

screenplay Kim Fupz Aakeson
cinematography Sebastian Blenkov
music Gisle Kverndokk
editing Mette Zeruneith
cast Bjarne Henriksen (Keld), Charlotte Fich (žena/Wife), Lin Ku Wu (Feng), Vivian Wu (Ling), Paw Henriksen

Romantic drama

',NULL,NULL,NULL,NULL,'images/events/event569.jpg','images/events/event569_t.jpg',600,450,NULL,NULL,'Henrik Ruben Genz',88,'danščina','Danish','slovenščina','Slovene','Danska 2005',NULL,NULL,NULL,NULL,NULL,'Henrik Ruben Genz'),(584,30,'Kjer resnica laže','Where the Truth Lies','Where the Truth Lies','

Središče dogajanja v kriminalni drami je v petdesetih letih 20. stoletja priljubljeni televizijski par, Lanny Morris in Vince Collins. Slovita komika sta po skrivnostnem, nikoli pojasnjenem incidentu – smrti hotelske sobarice – končala skupno kariero televizijskih komikov in se poklicno razšla. Petnajst let pozneje, leta 1972, se mlada in ambiciozna novinarka odloči raziskati skrivnostne okoliščine sobaričine smrti in v knjigi opisati ozadje nepojasnjenih dogodkov. Za to pa seveda potrebuje pričevanji Vincea in Lannyja.

 Šifra AO

','

scenarij Atom Egoyan, po romanu Ruperta Holmesa
fotografija Paul Sarossy
glasba Mychael Danna
montaža Susan Shipton
igrajo Kevin Bacon (Lanny Morris), Colin Firth (Vince Collins), Alison Lohman (Karen O\\\'Connor), Sonja Bennett (Bonnie Trout), Rachel Blanchard (Maureen O\\\'Flaherty), Maury Chaykin, Rebecca Davis, Arsinée Khanjian

Kriminalna drama

','

The criminal drama focuses on a famous television couple, Lanny Morris and Vince Collins, who were popular in the fifties. After a mysterious and unsolved incident – the death of a hotel chambermaid – the famous couple end their career as television comedians and separate professionally. Fifteen years later, in 1972, a young and ambitious journalist decides to investigate the mysterious circumstances surrounding the murder and describe the background of unexplained events in a book. But for that she needs Vince’s and Lanny’s testimonies.

Code AO

','

screenplay Atom Egoyan based upon a novel by Rupert Holmes
cinematography Paul Sarossy
music Mychael Danna 
editing Susan Shipton
cast Kevin Bacon (Lanny Morris), Colin Firth (Vince Collins), Alison Lohman (Karen O\\\'Connor), Sonja Bennett (Bonnie Trout), Rachel Blanchard (Maureen O\\\'Flaherty), Maury Chaykin, Rebecca Davis, Arsinée Khanjian

Criminal Drama

',NULL,NULL,NULL,NULL,'images/events/event584.jpg','images/events/event584_t.jpg',600,450,NULL,NULL,'Atom Egoyan',108,'angleščina','English','slovenščina','Slovene','Kanada, VB, ZDA 2005',NULL,NULL,NULL,NULL,NULL,'Atom Egoyan'),(472,30,'Kockarji','Gamblers','Les mauvais joueurs','

Bliža se božič, življenje Vahéja Krikoriana pa se vse bolj zapleta. Male prevare, s katerimi si viša dohodke, se ne obnesejo več, trgovina, v kateri dela, je last njegovega očeta; kmalu jo bo prisiljen zapreti, saj ne zmore odplačevati dolgov in rednih stroškov. Lu Ann, ženska, v katero je Vahé zaljubljen, je že pustila biznis. Stvari se še poslabšajo, ko se v mestu pojavi Lu Annin brat Yuen. V Francijo je vstopil ilegalno, brez dokumentov, povrhu vsega noče delati za ljudi, ki so ga pretihotapili čez mejo. Vahé se zaveda, da je Yuen v nevarnosti, zato se mu odloči pomagati.

Šifra J

.

','

scenarij Frédéric Balekdjian
fotografija Pierre Milon
montaža Mike Fromentin
igrajo Pascal Elbé (Vahé Krikorian), Simon Abkarian (Sahak), Isaac Sharry (Toros), Linh Dan Pham (Lu Ann), Teng Fei Xiang (Yuen)

Akcijski

','

Christmas is drawing near and Vahé Krikorian\\\'s life is getting all too complicated. The swindles that have earned him a little extra money are no longer effective. He works in his father\\\'s shop, which will soon be closed down because of accrued debts and insolvency. Lu Ann, Vahé\\\'s inamorata, has already left the business. Things get from bad to worse when Lu Ann\\\'s brother, Yuen, appears. Yuen entered France illegally, without any documents, and to top it off, he refuses to work for the people who smuggled him across the border. Vahé is aware of the fact that Yuen is in danger, so he decides to help him

Code J

','

screenplay Frédéric Balekdjian
cinematography Pierre Milon
editing Mike Fromentin
cast Pascal Elbé (Vahé Krikorian), Simon Abkarian (Sahak), Isaac Sharry (Toros), Linh Dan Pham (Lu Ann), Teng Fei Xiang (Yuen)

Action

',NULL,NULL,NULL,NULL,'images/events/event472.jpg','images/events/event472_t.jpg',600,450,NULL,NULL,'Frédéric Balekdjian',85,'francoščina','French','slovenščina','slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Frédéric Balekdjian'),(525,30,'Kralji in kraljica','Kings and Queen','Rois et Reine','

Film sprva pripoveduje dve nepovezani zgodbi: studijskega dirigenta Ismaëla Vuillarda so pravkar zaprli v norišnico, ker je nekdo vložil zahtevek za psihiatrično opazovanje. Ismaël se zadnje čase res čudno obnaša, toda sebe ne dojema kot moteno osebo. Njegov odvetnik se trudi rešiti primer. Vzporedno Nora Cotterelle izve, da ima oče raka v zadnjem stadiju in da bo v kratkem umrl. Potem izvemo, da je Ismaël Norin bivši mož. Ker ima bogatega novega ljubimca, Nora Ismaëla prosi za posvojitev sina Eliasa, ki ga je rodila še pred njuno poroko.

Šifra P

','scenarij Roger Bohbot, Arnaud Desplechin fotografija Eric Gautier
montaža Laurence Briaud
igrajo Emmanuelle Devos (Nora Cotterelle), Mathieu Amalric (Ismaël Vuillard), Catherine Deneuve (ga. Vasset), Maurice Garrel (Louis Jenssens), Nathalie Boutefeu (Chloé Jenssens), Hippolyte Girardot (Marc Mamanne), Noémie Lvovsky (Elizabeth)

Drama','

The film initially treats two unconnected stories: Ismaël Vuillard, a studio conductor, has just been admitted to a mental asylum because someone had submitted a claim for his psychiatric observation. Ismaël has indeed been acting strange lately, but he does not consider himself to be soft in the head. His lawyer has done everything to have him released. In the meantime, Nora Cotterelle learns that her father is terminally ill. Nora attempts to contact her sister so as to accompany their father through his last days. We soon discover that Ismaël is Nora\\\'s ex-husband. Nora has a new and affluent lover, and asks Ismaël to adopt her child, Elias, to whom she gave birth just before marrying Ismaël and shortly after the death of Ismaël\\\'s father...

Code P

','screenplay Roger Bohbot, Arnaud Desplechin
cinematography Eric Gautier
editing Laurence Briaud
cast Emmanuelle Devos (Nora Cotterelle), Mathieu Amalric (Ismaël Vuillard), Catherine Deneuve (Mrs Vasset), Maurice Garrel (Louis Jenssens), Nathalie Boutefeu (Chloé Jenssens), Hippolyte Girardot (Marc Mamanne), Noémie Lvovsky (Elizabeth)

Drama',NULL,NULL,NULL,NULL,'images/events/event525.jpg','images/events/event525_t.jpg',600,450,NULL,NULL,'Arnaud Desplechin',150,'francoščina/angleščina','French/English','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,'Arnaud Desplechin'),(557,35,'Kukumi','Kukumi','Kukumi','

Zgodba o dneh, ko so Natove čete vstopile na Kosovo. Po podpisu vojaškega sporazuma v Kumanovem se uniformirani srbski varnostniki iz bolnišnice za mentalno prizadete umaknejo; drugi zaposleni se jim pridružijo, zato pacienti ostanejo brez vsakršne oskrbe in nadzora. Čeprav so ti ljudje umsko prizadeti, premorejo posebno življenjsko filozofijo; imajo želje in sanje, v svobodi vidijo priložnost za izpolnitev sanj. Realnost je seveda drugačna. Med pobeglimi bolniki se znajdejo tudi Kukumi, Mara in Hasan, ki se kmalu zapletejo v konflikte z običajnimi ljudmi. Svobode si niso tako predstavljali, saj jih nihče noče sprejeti.

»Mislim, da sta Kosovo in Bosna doživela podobno usodo. Vsak kraj s takšno usodo se lahko identificira z mojim filmom. Ta dehumanizacija človeka na Kosovu po koncu vojne je poanta vsega, kar sem na tej ravni ustvaril. Film je metafora o neki svobodi. Svoboda je tudi trenutek, ko nekomu pomagaš in ga razumeš. Slaba energija nikoli ne predstavlja svobode, omogoča jo samo pozitivna energija.« (Isa Qosja)

»Kukumi avtorja Ise Qosje, prvi film narejen v produkciji Kosova, ki je zdaj misija UN, je popolnoma drugačen od srbskih filmov. To metaforično pripoved o treh bolnikih umobolnice, ki tavajo po podeželju med truščem in klopotanjem Natovih tankov zaznamuje oster, izviren pogled.« (Deborah Young)

','

scenarij Mehmet Kraja, Isa Qosja
fotografija Menduh Nushi
glasba Naim Krasniqi
montaža Agron Vula
igrajo Anisa Ismaili (Mara), Luan Jaha, Donat Qosja

Politična drama


','

The story unfolds in the days when NATO troops entered Kosovo. After the signing of a military agreement in Kumanovo, the uniformed Serbian security officers retreat from the hospital for the mentally unsound; the rest of the employees follow suit, leaving the patients without adequate care or control. Although these are mentally deficient patients, they cherish a certain philosophy of life; they have their aspirations and hopes, and see an opportunity for the realisation of their dreams in freedom. Naturally, reality is nothing like they imagined it would be. Among the run-away patients are also Kukum, Mara and Hasan, who soon come into conflict with ordinary people. They did not envision freedom this way, nobody wants to take them in...

»I think that Kosovo and Bosnia experienced a similar fate. Each town with such a fate can identify with my film. The dehumanisation of people in Kosovo after the war is the objective of all my endeavours. The film is a metaphor of a certain liberty. Freedom is also the moment of helping and understanding a person. Bad energy never represents freedom, which is only facilitated by positive energy.« (Isa Qosja)

»Historically the first film to fly the label of Kosovo, which is now a United Nations Mission, Isa Qosja\\\'s The Kukum is a world apart from Serbian filmmaking. This metaphoric tale about three inmates from a mental asylum who wander through the countryside alongside rumbling NATO tanks is distinguished by a sharp, original vision.« (Deborah Young)

','

screenplay Mehmet Kraja, Isa Qosja
cinematography Menduh Nushi
music Naim Krasniqi
editing Agron Vula
cast Anisa Ismaili (Mara), Luan Jaha, Donat Qosja

',NULL,NULL,NULL,NULL,'images/events/event557.jpg','images/events/event557_t.jpg',600,450,NULL,NULL,'Isa Qosja',107,'albanščina','Albanian','slovenščina, angleščina','Slovene, English','Kosovo 2005',NULL,NULL,NULL,NULL,NULL,'Isa Qosja'),(587,39,'Ljubezen po turško','Turkish Love','Liebe Türkisch','Ljubezenske vezi med turškimi priseljenci v Nemčiji so še vedno aktualne, verska prepričanja Turkov in nemškega strahu pred njimi pa tudi. A ljubezen je močnejša …
',NULL,'Love ties between Turkish immigrants in Germany are still very topical (popular, in the forefront), as are the religious beliefs of Turks and Germans\\\' fear of them. But love is stronger…
',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Yildrim Ozgur',12,'nemščina/turščina','German/Turkish','slovenščina','Slovene','Turčija, Nemčija 2004',NULL,NULL,NULL,NULL,NULL,'Yildrim Ozgur'),(574,32,'Ljubezenski prizori s planeta Zemlja','Love Scenes From The Planet Earth','Das Merkwürdige Verhalten geschlechtsreifer Großst','Dan je čudovit in v mesto je prišel papež. V evropski metropoli se med dnevom križajo poti in združujejo mnoge usode. Kar ne preseneča, pomlad je v razcvetu in ljudje se zaljubljajo ... Neuspešni pisatelj si sposodi založnikovega ferrarija; najstnice delajo nečednosti na straniščih nakupovalnega središča; pisateljeva nekdanja žena se zaljubi v ugrabitelja hčerke; moški in ženska, ki sta hotela storiti samomor, hočeta naenkrat imeti šest otrok. Spodnje perilo in kondomi menjajo lastnike. In to je šele začetek.','

scenarij Peter Gersina
fotografija Hans-Günther Bücking
glasba Reinhard Besser
montaža Barbara von Weitershausen
igrajo Cosma Shiva Hagen (Sandra), Bernd Tauber (Kurt), Christoph Waltz (Charly), Ann-Kathrin Kramer (Manuela), Maria Wördemann (Hanna), Clara Wördemann (Hanna)

Komedija zmešnjav


','It is a beautiful day and the Pope comes to town. In the course of one day, numerous destinies intersect and unite in a European metropolis. Which is not surprising, because spring is in the air and people are falling in love… An unsuccessful writer borrows his publisher\\\'s Ferrari: teenage girls are playing indecent games in the public toilet of a shopping mall; the writer\\\'s ex-wife falls in love with her daughter’s kidnapper; a couple who wanted to commit suicide suddenly want to have six children. Undergarments and condoms change owners. And this is only the beginning.','screenplay Peter Gersina
cinematography Hans-Günther Bücking
music Reinhard Besser
editing Barbara von Weitershausen
cast Cosma Shiva Hagen (Sandra), Bernd Tauber (Kurt), Christoph Waltz (Charly), Ann-Kathrin Kramer (Manuela), Maria Wördemann (Hanna), Clara Wördemann (Hanna)',NULL,NULL,NULL,NULL,'images/events/event574.jpg','images/events/event574_t.jpg',600,450,NULL,NULL,'Marc Rothemund',89,'nemščina','German','slovenščina','Slovene','Nemčija 1998',NULL,NULL,NULL,NULL,NULL,'Marc Rothemund'),(516,41,'Ljubljana je ljubljena','Ljubljana is Loved','Ljubljana je ljubljena','

Delno avtobiografski film, posvečen stoti obletnici slovenskega filma, šestdeseti obletnici osvoboditve Ljubljane in pisatelju Rudiju Šeligu, je v osnovi pripoved o mračnem odraščanju v Ljubljani. Mlad fant Oton je vodilni lik zgodbe. Opazuje razvoj rodnega mesta od leta 1934, ko je bil v Franciji ubit kralj Aleksander, prek italijanske in nato nemške okupacije, do prihoda komunizma. Okrog njega se vrtijo zgodbe drugih ljudi, zgodovinska dogajanja se prepletajo z življenjem njegove prve ljubezni Marjane, italijanskega oficirja Giorgia, prostitutke Anite, klošarke Shirley, postreščka Jake in mnogih drugih likov.
Otonova zgodba se začne s spoznanjem razlik med žensko in moškim ter z zaobljubo, da se bosta imela z Marjano vekomaj rada. Ko leta 1941 Ljubljani zavlada italijanski okupator, gimnazijec Oton zasovraži Italijane in se poveže z ilegalci. Marjana se spremeni in oddalji od njega, ker jo prevzame nova, nora ljubezen z italijanskim oficirjem Giorgiom. Le v nočnem lokalu Vice se nič ne spreminja; tam se tuji vojaki mešajo s prebivalci mesta in skupaj poskušajo pozabiti grozote vojne. Vice so odraz minevanja družbe in dekadence ljudi v vojnem obdobju.

','

scenarij Matjaž Klopčič
pomočnik režiserja Martin Turk
direktor fotografije Tomislav Pinter
scenograf Matjaž Pavlovec
kostumograf Leo Kulaš
kreatorka maske Mirjam Kavčič
montaža Janez Bricelj
snemalec tona Jože Trtnik
oblikovalec zvoka Boris Romih
glasba Urban Koder
direktor filma Frenk Celarc
igrajo Kristijan Guček (Oton), Iva Krajnc (Marjana), Igor Samobor (Giorgio), Nataša Barbara Gračner (Anita), Polde Bibič (Martin Krpan – postrešček Jaka), Ivanka Mežan (Shirley), Barbka Cerar (Sonja), Ivo Ban (Kralj), Dare Valič (župan), Slavko Cerjak (oče), Mirjam Korbar Žlajpah (mama), Štefka Drolc (nona), Zlatko Šugman (nono/), Radko Polič (stric), Matija Vastl (Aco), Ivo Godnič (katehet), Janez Škof (Vasko), Demeter Bitenc (šef), Mojca Funkl (profa)

Drama

','

A partly autobiographical film dedicated to the centennial of Slovenian film, the sixtieth anniversary of the liberation of Ljubljana, and to author Rudi Šeligo, is a tale about growing up in Ljubljana during a dark period of its history. The main protagonist, Oton, grows into a young man watching his home town change in the period after 1934, when King Alexander is killed in France, the city is occupied by Italians and then Germans, and finally the arrival of communism. Oton meets many people who are closely involved with the city and its life. Historical events dramatically influence the lives of Oton’s first love Marjana, the Italian officer Giorgio, the prostitute Anita, the bag lady Shirley, porter Jaka, and several other characters.
Oton’s story begins at a point when he learns the difference between men and women; the experience makes him swear eternal love to Marjana. When the Italian occupying forces invade Ljubljana in 1941 Oton is in grammar school. He hates the Italians and joins the underground resistance movement. Marjana slowly changes and draws away from Oton. She falls madly in love with an Italian officer. The only place where nothing seems to change is the nightclub Purgatory, where both the townspeople and the Italian soldiers come to forget the horrors of the war. The Purgatory is a reflection of the society’s degeneration and the wartime decadence.

','

screenplay Matjaž Klopčič
first assistant director Martin Turk
director of photography  Tomislav Pinter
set designer Matjaž Pavlovec
costume designer Leo Kulaš
make-up artist Mirjam Kavčič
editing Janez Bricelj
sound engineer Jože Trtnik
sound designer Boris Romih
music Urban Koder
production manager Frenk Celarc
cast Kristijan Guček (Oton), Iva Krajnc (Marjana), Igor Samobor (Giorgio), Nataša Barbara Gračner (Anita), Polde Bibič (porter Jaka), Ivanka Mežan (Shirley), Barbka Cerar (Sonja), Ivo Ban (Kralj), Dare Valič (mayor), Slavko Cerjak (father), Mirjam Korbar Žlajpah (mother), Štefka Drolc (grandma), Zlatko Šugman (grandpa), Radko Polič (uncle France), Matija Vastl (Aco), Ivo Godnič (catechist Žužek), Janez Škof (Vasko), Demeter Bitenc (boss Vic), Mojca Funkl (prof)

Drama

',NULL,NULL,NULL,NULL,'images/events/event516.jpg','images/events/event516_t.jpg',600,450,NULL,NULL,'Matjaž Klopčič',110,'slovenščina/nemščina','Slovene/German','.','.','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,'Matjaž Klopčič'),(553,30,'Lovec','The Hunter','Okhotnik/Anshi','Zgodba se odvija v neposeljenih planinah Kazahstana. V odročni vasici z mamo živi dvanajstletni Erken. Nekega večera, ko mamo obišče lovec, Erken ukrade njegovega konja in pištolo, da bi oropal trgovino. Na begu pred policijo se zateče v gore. Lovec ga kmalu ujame in mu ponudi dve možnosti: zapor ali življenje samotarja v gorah. Erken izbere zadnje; lovec ga bo naučil, kako preživeti v naravi, kjer za človeka in živali veljajo enaki zakoni. Erken pa se mora čez čas vendarle vrniti v mesto, da bi poskrbel za svojo mamo.

Šifra AH','

scenarij Serik Aprimov
fotografija Hasan Kiriraliew
glasba Kazbek Spanow
montaža Dina Bergusurowa, Tatjana Sohurukova
igrajo Kidiraliev Dogdurbek, Dohdurbek Kidiralijev, Gulnazid Omarova, Alibek Žuasbajev

Avanturistični


','

Twelve-year-old Erken lives with his mother in a remote village in the desolate Kazakhstani mountains. One evening, a hunter visits his mother, and Erken steals his horse and gun to rob a shop. Fleeing from the police, he finds shelter in the mountains, but the hunter soon finds him and gives him two possibilities: prison or the life of a mountain hermit. Erken chooses the latter. The hunter will teach him about survival in nature, which is governed by laws that apply equally for both man and animals. After a while, Erken needs to return to town to look after his mom.

Code AH

','

screenplay Serik Aprimov
cinematography Hasan Kiriraliew
music Kazbek Spanow
editing Dina Bergusurowa, Tatjana Sohurukova
cast Kidiraliev Dogdurbek, Dogdurbek Kidiraliev, Gulnazid Omarova, Alibek Zhuasbaev

Avanturistic


 

',NULL,NULL,NULL,NULL,'images/events/event553.jpg','images/events/event553_t.jpg',600,450,NULL,NULL,'Serik Aprimov',93,'kazahstanski','Kazakh','slovenščina, angleščina','Slovene, English','Kazahstan 2004',NULL,NULL,NULL,NULL,NULL,'Serik Aprymov'),(481,28,'Mali Jeruzalem','Littlle Jerusalem','La petite Jerusalem','

Sarcelle je eno od pariških predmestij, kjer živijo pretežno Judje. Zato je znano kot Mali Jeruzalem. Laura je stara osemnajst let. Razcepljena je med rigidno religiozno vzgojo, kakršno ji daje dom, in študijem filozofije, ki jo navdušuje in ji ponuja drugačen pogled na svet. Medtem ko skuša njena sestra vdahniti svežino življenja tegobni zakonski zvezi, Laura prvič okuša ljubezen. Srečanje z izkušnjo poželenja bo razburkalo vse njene dosedanje gotovosti.

','scenarij Karin Albou
fotografija Laurent Brunet
glasba Cyril Morin
montaža Christiane Lack
igrajo Fanny Valette (Laura), Elsa Zylberstein (Mathilde), Bruno Todeschini (Ariel), Hédi Tillette de Clermont Tonnerre (Djamel), Sonia Tahar (mati)

Drama
','

Sarcelles, a Paris suburb populated mostly by Jewish emigrants, has been nicknamed Little Jerusalem. Eighteen-year-old Laura is torn between the rigid religious education provided by her family and the study of phylosophy which invigorates her and opens a different view of the world. While her sister is grappling with her marital problems, Laura is experiencing an emotional and sexual awakening. Her desire for new experiences shakes her firm beliefs and sound principles.

','screenplay Karin Albou
cinematography Laurent Brunet
music Cyril Morin
editing Christiane Lack
cast Fanny Valette (Laura), Elsa Zylberstein (Mathilde), Bruno Todeschini (Ariel), Hédi Tillette de Clermont Tonnerre (Djamel), Sonia Tahar (mother)
',NULL,NULL,NULL,NULL,'images/events/event481.jpg','images/events/event481_t.jpg',600,450,NULL,NULL,'Karin Albou',94,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,'images/events/logo481.jpg','images/events/logo481_t.jpg',200,200,'Karin Albou'),(484,30,'Manderlay','Manderlay','Manderlay','

Grace se po nasilni izkušnji iz Dogvilla z očetom in njegovimi pomočniki pelje proti Zahodu. Leto 1933, Združene države Amerike so sredi gospodarske krize. Nekje na jugu, v zvezni državi Alabama, se popotniki ustavijo ob odročnem posestvu Manderlay. Pozornost Grace pritegne temnopolta ženska, ki trdi, da za železnimi vrati Manderlaya še vedno veljajo sužnjelastniški zakoni. Upre se očetovemu nasvetu, naj ne posega v težave nesrečnikov; odloči se, da bo z nekaj oboroženimi očetovimi pomočniki ostala na posestvu, uveljavila demokracijo in sužnjem prinesla svobodo.

Šifra T

','

scenarij Lars von Trier
fotografija Anthony Dod Mantle
montaža Bodil Kjćrhauge, Molly Marlene Stensgĺrd
igrajo Bryce Dallas Howard (Grace Margaret Mulligan), Isaach De Bankolé (Timothy), Willem Dafoe (Gracejin oče), Danny Glover (Wilhelm), Lauren Bacall (mati), Jean-Marc Barr (g./Mr Robinsson), Jeremy Davies (Niels), Željko Ivanek (dr./Dr Hector)

Filozofska drama

','

After a violent experience in Dogville, Grace goes west with her father and their assistants. It is 1933, the United States are enveloped in depression. Somewhere in the south, in the state of Alabama, the travellers stop near a remote plantation named Manderlay, where Grace\\\'s attention is drawn to a black woman who claims that slavemaster\\\'s laws are still practiced behind the iron gates of Manderlay. Grace refuses to take her father\\\'s advice to ignore the downtrodden inhabitants. She decides to stay on the plantation with a few of her father\\\'s armed assistants to enforce democracy and free the slaves.

Code T

','screenplay Lars von Trier
cinematography Anthony Dod Mantle
editing Bodil Kjćrhauge, Molly Marlene Stensgĺrd
cast Bryce Dallas Howard (Grace Margaret Mulligan), Isaach De Bankolé (Timothy), Willem Dafoe (Grace\\\'s father), Danny Glover (Wilhelm), Lauren Bacall (mother), Jean-Marc Barr (g./Mr Robinsson), Jeremy Davies (Niels), Željko Ivanek (dr./Dr Hector)',NULL,NULL,NULL,NULL,'images/events/event484.jpg','images/events/event484_t.jpg',600,450,NULL,NULL,'Lars von Trier',139,'angleščna','English','slovenščina','Slovene','Danska, Švedska, Nizozemska, Francija, Nemčija, ZD 2005',NULL,'images/events/logo484.jpg','images/events/logo484_t.jpg',200,200,'Lars von Trier'),(527,28,'Maser','The Masseur','Masahista','

Dvajsetletni Iliac dela kot nočni maser v gejevskem salonu; ni ne najboljši ne posebej priljubljen v svojem poslu, njegov šarm pa vendarle očara dvomljivega pisca romantičnih zgodb. Pisatelj je agresiven, preračunljiv in zahteven mož, za majhno plačilo običajno zahteva največ. Iliac pa je navajen človeške distance; njegovo dekle od njega pričakuje predvsem spolne usluge, čustva pa so stranskega pomena. Zdaj Iliacovi družinski člani od fanta zahtevajo, da sodeluje v pripravah na pogreb očeta, ki jih je dolgo nazaj zapustil in se zapil do smrti.

','scenarij Boots Agbayani Pastor
fotografija Timmy Jimenez, Monchie Redoble glasba Jerold Tarog
montaža Nonoy Dadivas
igrajo Coco Martin, Jaclyn Jose, Alan Paule, Katherine Luna
','

Twenty-year-old Iliac works as a night masseur in a gay massage parlour. He is neither the most popular nor the best masseur, but his charm nonetheless captivates a dubious writer of romantic stories. The penman is an aggressive, calculating and exacting person, demanding the most for the smallest possible pay. Iliac is used to human distance; his girlfriend demands only sexual services from him, while emotions are cast aside. Now Iliac\\\'s family wants him to help make arrangements for his father\\\'s funeral. His father had abandoned them a long time ago and drunk himself to death.

','screenplay Boots Agbayani Pastor
cinematography Timmy Jimenez, Monchie Redoble
music Jerold Tarog
editing Nonoy Dadivas
cast Coco Martin, Jaclyn Jose, Alan Paule, Katherine Luna
',NULL,NULL,NULL,NULL,'images/events/event527.jpg','images/events/event527_t.jpg',600,450,NULL,NULL,'Brillante Mendoza',80,'talagoščina','Tagalog','slovenščina, angleščina','Slovene, English','Filipini 2005',NULL,NULL,NULL,NULL,NULL,'Brillante Mendoza'),(528,37,'Mladi Jud','Jewboy','Jewboy','

Juri, sin pravkar umrlega judovskega rabina, se z nelagodjem loteva priprav na pokop očetovih ostankov v Izraelu. Pogrebne formalnosti sklene s tradicionalnim posipanjem pokojnikovih oči, toda kmalu po vrnitvi v Sydney začne Juri dvomiti o obstoju Boga. Dvomi prestrašijo tako babico Minnie kot strica Izaka, starokopitnega zagovornika tradicionalnih hasidskih vrednot in družbenih standardov. Juri se vse bolj spogleduje z razkrivanjem tabujev fizičnih intimnosti, najprej z Rivko, pozneje še s Sarito, indijsko lepotico iz avtopralnice.

','

scenarij Tony Krawitz
fotografija Greig Fraser
glasba Decoderring
montaža Jane Moran
igrajo Saskia Burmeister (Rivka), Nicholas Eadie (Isaac), Chris Haywood (Sam), Ewen Leslie (Juri), Leah Vandenberg (Sarita), Naomi Wilson (Minnie)

Drama identitete

','

Yuri, the son of a recently deceased rabbi, faces the arrangements for the burial of his father\\\'s remains in Israel with unease. He concludes the burial formalities with the traditional scattering over the deceased\\\'s eyes. Soon after his return to Sydney, Yuri begins to question the existence of God. His doubts frighten his granny Minnie as well as uncle Isaac, an old-fashioned advocate of traditional Hasidic values and social standards. Yuri gradually violates the taboos of physical intimacy, first with Rivka, and then with Sarita, an Indian beauty who works in a car wash. 

','screenplay Tony Krawitz
cinematography Greig Fraser
music Decoderring
editing Jane Moran
cast Saskia Burmeister (Rivka), Nicholas Eadie (Isaac), Chris Haywood (Sam), Ewen Leslie (Yuri), Leah Vandenberg (Sarita), Naomi Wilson (Minnie)',NULL,NULL,NULL,NULL,'images/events/event528.jpg','images/events/event528_t.jpg',600,450,NULL,NULL,'Tony Krawitz',52,'angleščina','English','slovenščina','Slovene','Avstralija 2005',NULL,NULL,NULL,NULL,NULL,'Tony Krawitz'),(504,30,'Moj Angel','My Angel','Mon Ange','Prostitutka Colette prejme nepričakovan telefonski klic nepoznane ženske. Ta jo prosi, če lahko prevzame njenega sina prihodnji dan v mladinskem domu in ga pripelje na železniško postajo. Colette prošnja ženske tako presneti, da se ji odloči pomagati. Billy ni več deček, kakor je zatrjeval ženski glas, temveč povsem odrasel fant. Prihodnji dan na postaji ne najdeta njegove mame, še več, Colette se ne zaveda, da je Billy postal sirota ter da so njegovi problemi pravkar postali tudi njeni.

Šifra V','scenarij Serge Frydman
fotografija Vilko Filač
glasba Colin Towns
montaža Philippe Bourgueil, Valérie Deseine
igrajo Vanessa Paradis (Colette), Vincent Rottiers (Billy), Eduardo Noriega (Romain), Eric Ruf (Kovarski), Claude Perron (Peggy), Thomas Fersen

Romantični','One day, a prostitute, Colette receives a phone call she didn’t expect and was not even meant for her: a woman who will soon be released from prison, whom Colette has never heard of before, asks her to pick up her son and bring him to the train station the following day. Colette is so surprised by the woman’s request that she decides to help her. Billy is no longer a boy, as the woman had claimed, but a grown-up young man. The following day, they cannot find his mother at the train station. Even more, Colette is not aware that Billy is an orphan and that his problems have just become hers.

Code F','

screenplay Serge Frydman
cinematography Vilko Filač
music Colin Towns
editing Philippe Bourgueil, Valérie Deseine cast Vanessa Paradis (Colette), Vincent Rottiers (Billy), Eduardo Noriega (Romain), Eric Ruf (Kovarski), Claude Perron (Peggy), Thomas Fersen

Romantic

',NULL,NULL,NULL,NULL,'images/events/event504.jpg','images/events/event504_t.jpg',600,450,NULL,NULL,'Serge Frydman',94,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Serge Frydman'),(586,30,'Moj Nikifor','My Nikifor','Moj Nikifor','

80-letna Krystyna Feldman je upodobila resnično moško osebo, poljskega naivnega slikarja Epifana Drowniaka (1895–1968), imenovanega Nikifor. Bil je psihično prizadet, a kot slikar je poosebljal fenomen čistega genija. Kot takega ga je leta 1960 odkril akademski slikar Marian Wlosinski, pustil delo in družino ter se popolnoma posvetil njegovemu geniju. Leta 1967, leto pred Nikiforjevo smrtjo, je v Varšavi pripravil veliko razstavo njegovih del.

Šifra Z','

scenarij Joanna Kos, Krzysztof Krauze
fotografija Krzysztof Ptak
glasba Bartłomiej Gliniak
montaža Krzysztof Szpetmański
igrajo Krystyna Feldman (Nikifor), Roman Gancarczyk (Marian Wlosinski), Jerzy Gudejko (Ryszard Nowak), Jowita Miondlikowska (čistilka Kowalska), Lucyna Malec (Hanna Wlosinska), Katarzyna Paczynska (Ala Wlosinska)

Biografski ','80-year-old Krystyna Feldman portrayed a real-life male: the Polish naive art painter, Epifan Drowniak (1895–1968), known as Nikifor. Though mentally disabled, as an art painter he was the personification of genius. He was soon discovered in 1960 by painter Marian Wlosinski, who left his job and family to dedicate all his time to the genius of this man. A year before Nikifor\\\'s death in 1967, he organised an extensive exhibition of his works in Warsaw. 

Code F','

screenplay Joanna Kos, Krzysztof Krauze
cinematography Krzysztof Ptak
music Bartłomiej Gliniak
editing Krzysztof Szpetmański
cast Krystyna Feldman (Nikifor), Roman Gancarczyk (Marian Wlosinski), Jerzy Gudejko (Ryszard Nowak), Jowita Miondlikowska (cleaning lady Kowalska), Lucyna Malec (Hanna Wlosinska), Katarzyna Paczynska (Ala Wlosinska)

Biografical

',NULL,NULL,NULL,NULL,'images/events/event586.jpg','images/events/event586_t.jpg',600,450,NULL,NULL,'Krzysztof Krauze',97,'poljščina','Polish','slovenščina','Slovene','Poljska 2004',NULL,NULL,NULL,NULL,NULL,'Krzysztof Krauze'),(506,31,'Mongolski namizni tenis','Mongolian Ping Pong','Lü cao di','

Bilgee nikoli v življenju ni videl žogice za namizni tenis. Njegova družina živi brez elektrike in tekoče vode v šotoru sredi brezmejnih step Mongolije. Pokrajina se od časov Džingis Kana ni spremenila; a življenje v širnih prerijah je za mladeniča lahko tudi vznemirljivo, vsaka malenkost lahko postane velik dogodek, sploh za radovednega Bilgeeja in njegova najboljša prijatelja. Skrivnost male bele žogice postavlja vprašanja o svetu okrog njih. Bilgeejeva babica meni, da je žogica dragulj iz nebes, vendar dvom ostane, zato se odpravijo v oddaljeni samostan, da bi za mnenje povprašali modre mislece …

','

scenarij Hao Ning, Aina Xing, Jianguo Gao
fotografija Jie Du
glasba Jiajia Lu
montaža Yong Jiang
igrajo Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Wadamnarbuu (Bilgeejev oče), Urnaa (Bilgeejeva sestra)

','

Bilgee has never seen a table tennis ball in his life. His family lives in a tent without electricity and running water in the midst of the Mongolian steppes. The landscape has virtually not changed since the time of Genghis Khan. Yet life in the wide prairies can be exciting for a young man, each trifle can become an event, especially for the inquisitive Bilgee and his two best friends. The mystery of a small white ball raises questions about the world around them. Bilgee’s grandmother believes that the ball is a jewel from the heavens. The boys find this incredulous, so they decide to visit a distant monastery to ask the wise sages for their opinion…

','

screenplay Hao Ning, Aina Xing, Jianguo Gao
cinematography Jie Du
music Jiajia Lu
editing Yong Jiang
cast Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Wadamnarbuu (father), Urnaa (sister)

',NULL,NULL,NULL,NULL,'images/events/event506.jpg','images/events/event506_t.jpg',600,450,NULL,NULL,'Ning Hao',102,'kitajščina','Chinese','slovenščina, angleščina','Slovene, English','Kitajska 2005',NULL,NULL,NULL,NULL,NULL,'Ning Hao'),(471,34,'Morski sadeži','Mariscos Beach','Crustaces et coquillages','

Zakonca Marc in Beatrix z otrokoma prvič preživljata počitnice v obmorski vili. Marc je tu kot otrok preživljal šolske počitnice. Hči Laura komaj čaka, da s fantom na motorju odbrzi na Portugalsko, sin Charly pa čaka na obisk prijatelja Martina. Staršem se ves čas zdi, da sta Charly in Martin ljubimca. A izgledi lahko varajo, razmerja pa postajajo vse bolj zapletena. Beatrix začne nadlegovati skrivnostni ljubimec iz okolice, Marc pa po dolgih letih znova sreča nekdanjega prijatelja.

“Film je neke vrste moderna pravljica, ki se konča s številnimi ‘porokami’ in pesmijo. Gre tudi za pripoved, v kateri ni negativcev. Obstajajo le pravila, ki določene stvari prepovedujejo, tabuji in zatajitev čustev, s čimer potlačimo svoje najnaravnejše vzgibe.” (Olivier Ducastel, Jacques Martineau)

“Gejevska filmska scena je polna razburkanih spolnih fars, v katerih se rušijo predsodki in vsi skočijo med rjuhe z vsemi, vendar pa pod razpenjeno površino filma obstaja premišljenost – kar ni presenetljivo, saj sta scenarista in režiserja Olivier Ducastel in Jacques Martineau že prej našla nenavadno domiselne rešitve obrabljenim žanrom. Dovolj naj bo, če povemo, da se nikogaršnje postavke ne izkažejo za resnične, še najmanj tiste gledalcev, in da Ducastel in Martineau dosežeta vsespolno utopijo, o kateri drugi le govorijo.” (Sam Adams)

','scenarij Olivier Ducastel, Jacques Martineau
fotografija Matthieu Poirot-Delpech
glasba Philippe Miller
montaža Dominique Galliéni
igrajo Valeria Bruni Tedeschi (Béatrix), Gilbert Melki (Marc), Jean-Marc Barr (Didier), Jacques Bonnaffé (Mathieu), Edouard Collin (Martin), Romain Torres (Charly)

Komedija/muzikal
','


Marc and Beatrix are a married couple spending their holidays with their children in a seaside villa. Their daughter Laura can hardly wait to ride off to Portugal with her biker boyfriend, while their son Charly is waiting for his friend Martin to visit. The parents have the premonition that Charly and Martin are lovers, but appearances can be deceiving, and  relationships are becoming complex and perplexing. Beatrix is harassed by a mysterious admirer from the neighbourhood, while Marc meets an old friend.

“The film is a sort of modern fairytale ending in a number of \\\'marriages\\\' and a song. Yet it is also a tale in which there are no \\\'bad buys\\\' except the rules that say \\\'no\\\' and the taboos and repression that each of us carry inside, preventing the expression of our most natural impulses.” (Olivier Ducastel, Jacques Martineau)

“The gay fest circuit is clogged with frantic sex farces in which preconceptions tumble and everyone screws everyone, but there\\\'s thoughtfulness under the movie\\\'s froth — not surprising since writer-directors Olivier Ducastel and Jacques Martineau have a history of finding uncommonly thoughtful approaches to overworked genres. Suffice it to say no one\\\'s assumptions, not least the audience\\\'s, turn out right, and that Ducastel and Martineau earn the pansexual utopia others merely assert.” (Sam Adams)


','screenplay Olivier Ducastel, Jacques Martineau
cinematography Matthieu Poirot-Delpech
music Philippe Miller
editing Dominique Galliéni
cast Valeria Bruni Tedeschi (Béatrix), Gilbert Melki (Marc), Jean-Marc Barr (Didier), Jacques Bonnaffé (Mathieu), Edouard Collin (Martin), Romain Torres (Charly)
',NULL,NULL,NULL,NULL,'images/events/event471.jpg','images/events/event471_t.jpg',600,450,NULL,NULL,'Olivier Ducastel, Jacques Martineau',90,'francoščina','French','slovenščina','slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Olivier Ducastel, Jacques Martineau'),(568,30,'Mrak','Murk','Morke','

Jacob si je komaj opomogel od poskusa samomora sestre Julie, po katerem je ostala invalidna, ko mu sporoči novo šokantno novico: poročila se bo z Ankerjem, ki ga je spoznala po internetni klepetalnici. Na poročno noč sledi nov šok; Julie si je tokrat uspešno vzela življenje, v kadi hotelske sobe si je prerezala žile. Minejo meseci in Jacob je še vedno pretresen zaradi sestrine smrti, predvsem ga moti nepojasnjena podrobnost usodne noči, zato se odpravi do Ankerja, ki živi v zakotni vasici Mørke.

Šifra U

','

scenarij Jannik Johansen, Anders Thomas Jensen
fotografija Rasmus Videbaek
glasba Antony Genn
montaža Per K. Kirkegaard
igrajo Nikolaj Lie Kaas, Nicolas Bro, Lotte Bergstrřm, Laura Drasbćk, Anne Sophie Byder, Lærke Winther Andersen


','

Jacob has only just recovered from his sister’s suicide attempt, which has left Julie  disabled, when she shocks him with the news that she is going to marry Anker, a man she met in the Internet chatroom. On her wedding night, Jacob is shaken by more news: Julie has succeeded in taking her life by cutting her wrists in the bathtub of a hotel room. Months go by, and Jacob is still devastated by his sister’s death. Most of all, however, he is disturbed by an unexplained detail of that fatal night and pays a visit to Anker, who lives in the remote village of Mørke.    

Code U

','screenplay Jannik Johansen, Anders Thomas Jensen
cinematography Rasmus Videbaek
music Antony Genn
editing Per K. Kirkegaard
cast Nikolaj Lie Kaas, Nicolas Bro, Lotte Bergstrřm, Laura Drasbćk, Anne Sophie Byder, Lærke Winther Andersen',NULL,NULL,NULL,NULL,'images/events/event568.jpg','images/events/event568_t.jpg',600,450,NULL,NULL,'Jannik Johansen',124,'danščina','Danish','slovenščina, angleščina','Slovene, English','Danska 2005',NULL,NULL,NULL,NULL,NULL,'Jannik Johansen'),(526,38,'Muhasti oblak','The Wayward Cloud','Tian bian yi duo yun','

Film velja za nekakšno nadaljevanje režiserjeve transkontinentalne drame Koliko je tam ura? Dekle Shiang-chyi se po mesecih bivanja v Parizu vrne v Taipei, kjer to poletje vlada suša. Ves čas omejujejo vodo, ljudje hirajo v pregreti betonski džungli, vremenske napovedi ne prinašajo ničesar dobrega. Dekle kmalu spozna Hsiao-kanga in z njim začne prijateljevati; ne zaveda pa se, da fant nastopa v pornografskih filmih, ki jih snemajo v stanovanjih blokovskega naselja, v katerem živi.
 

','scenarij Tsai Ming-liang
fotografija Liao Pen-jung
montaža Sheng-Chang Chen
igrajo Lee Kang-sheng (Hsiao-Kang), Chen Shiang-chyi (Shiang-chyi), Lu Yi-Ching, Yang Kuei-Mei, Sumomo Yozakura

Erotična drama
','

The film is a sequel to Tsai\\\'s transcontinental drama, What Time Is it There? After a few months\\\' stay in Paris, the girl, Shiang-chyi, returns to Taipei, which this summer is enveloped in drought. Due to constant water reductions, people are languishing away in the blazing concrete jungle, while weather reports are unpromising. The girl soon meets and becomes friends with Hsiao-kang. What she does not realise is that the boy stars in pornographic films which are being shot in the apartment blocks where she herself lives.

','screenplay Tsai Ming-liang
cinematography Liao Pen-jung
editing Sheng-Chang Chen
cast Lee Kang-sheng (Hsiao-Kang), Chen Shiang-chyi (Shiang-chyi), Lu Yi-Ching, Yang Kuei-Mei, Sumomo Yozakura
',NULL,NULL,NULL,NULL,'images/events/event526.jpg','images/events/event526_t.jpg',600,450,NULL,NULL,'Ming-liang Tsai',114,'mandarinščina','Mandarin','slovenščina','Slovene','Kitajska, Francija, Tajska 2005',NULL,NULL,NULL,NULL,NULL,'Ming-liang Tsai'),(597,41,'Na domačem vrtu','In The Family Garden','Na domačem vrtu','

Ob 100-letnici slovenskega filma

Leta 1906 je pionir slovenskega filma, dr. Karol Grossmann, posnel manj kot minuto dolg film Na domačem vrtu, 100 let pozneje ga Bratko Bibič izbere za uvodno sekvenco svoje istoimenske, dobri dve uri trajajoče integralne različice filmske kompilacije oz. montaže odlomkov iz dokumentarnih, reportažnih, igranih, nemih in zvočnih posnetkov, ki so jih slovenski filmarji medtem naredili doma in v tujini. Projekt je po časovnih obdobjih razdeljen v tri dele (od 1905 do 1941, od 1945 do zgodnjih 60. let in od takrat do danes), ki se v letu 2005 združujejo v zaključeno tridelno avdiovizualno celoto. Ne gre za »historično« kompilacijo, ki bi s preprostim nizanjem izbranih podob podala zgodovinski pregled slovenskega filma; po principu ustvarjalne montaže avtor izbrane »podobe atrakcij« poveže v povsem novo »atraktivno podobo«, v izvirno filmsko zgodbo, ki je izšla na DVD. Projekcije Bibičevega Na domačem vrtu, s katerimi je pod okriljem Potujočega kina Bridka Bebiča gostoval doma in na tujem, spremlja izvirna, v živo izvajana glasba. 

','

zamisel in izbor filmskega gradiva Bratko Bibič
montaža Bratko Bibič, Boris Garb
glasba Bratko Bibič, The Madleys, Otto Lechner
obdelava zvoka Aldo Ivančič
supervizija in tehnična podpora Neven Korda

Na domačem vrtu v živo ozvočujejo Bratko Bibič, harmonika; The Madleys; Matjaž Sekne, violina, viola, klavir, viola, piano
Bogo Pečnikar, klarinet, bariton saksofon; Vasko Atanasovski, alt, sopran saksofon, flavta; Marjan Stanič, bobni, tolkala;
gosti Otto Lechner (Austria), harmonika, vokal; Godalni kvartet Godalika;
Matjaž Sekne, violina, viola; Jelena Ždrale, violina, viola; Klemen Bračko, violina, viola; Klemen Hvala, čelo

','

On the Centennial of Slovenian Film

The pioneer of Slovenian film, Dr. Karol Grossmann, made the less than minute-long film, In Our Garden, in 1906. A hundred years later, Bratko Bibič chose it for the introductory sequence of his eponymous, more than two-hour-long integral version of a film compilation of excerpts from documentary, reporting, feature, silent and sound recordings made by Slovenian filmmakers in Slovenia or abroad. The project is divided into three parts according to individual time frames (1905 to 1941, 1945 to the early 1960’s, and up to the present day), which in 2005 combine into a coherent, three-part, audiovisual whole. It is not a ‘historical’ compilation offering a historical overview of Slovenian film by the simple threading of selected images. Following the principle of creative editing, the author connects the selected ‘images of attractions’ into a completely new ‘attractive image’, an original film narrative released on DVD. The screenings of Bibič’s In Our Garden, which toured in Slovenia and abroad in Bridko Bebič’s Travelling Cinema, are accompanied by original, live music. 

','

concept and selection of film material Bratko Bibič
editing Bratko Bibič, Boris Garb
music Bratko Bibič, The Madleys, Otto Lechner
mixed by Aldo Ivančič
supervision and technical support
Neven Korda/In Our Garden has live music accompaniment
Bratko Bibič, accordion; The Madleys;
Matjaž Sekne, violin, viola, piano; Bogo Pečnikar, clarinet, baritone saxophone
Vasko Atanasovski, alto, soprano saxophone, flute; Marjan Stanič, drums, percussions
guests Otto Lechner (Austria), accordion, vocals; Godalika String Quartet;
Matjaž Sekne, violin, viola; Jelena Ždrale, violin, viola; Klemen Bračko, violin, viola; Klemen Hvala, violoncello

',NULL,NULL,NULL,NULL,'images/events/event597.jpg','images/events/event597_t.jpg',600,450,NULL,NULL,'Bratko Bibič',60,'slovenščina','Slovene','.','.','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,'Bratko Bibič'),(546,30,'Najdeni predmeti','Lost and Found','Lost and Found','

Rojevali so se v vojni in uničenju, odraščali v krhkih demokracijah. Prva postkomunistična generacija, rojena v osrednji in vzhodni Evropi, počasi stopa na svetovni zemljevid. Šest režiserjev iz omenjene regije predstavlja osebne vizije na temo mlade generacije in mnogih sprememb, ki jih loči od generacije očetov in mater. Šest filmov govori o tradicionalnih vrednotah v svetu hitrih tehnoloških sprememb, pragmatičnem pozitivnem duhu starejše generacije, upanju v zgodbi o dveh bosanskih dekletih, ločenih z etničnim prepadom,  madžarskih dvojčkih, ki se srečata s preteklostjo in materino smrtjo, romunski deklici, razpeto med ljubeznijo do mame in svojega purana. Epizode povezuje litvanski animirani prispevek o slavljenju življenja.

Šifra S

','

scenarij Stefan Arsenijević, Georgi Gospodinov, Nadejda Koseva, Mait Laas, Kornél Mundruczó, Cristian Mungiu, Viktória Petrányi, Jasmila Žbanić
fotografija Anna Faur, Aleksandar Ilić, Christine A. Maier, Oleg Mutu, Raivo Möllits, Ragnar Neljandi, Radoslav Spassov 
glasba Muta Dedić, Marko Govorćin, Hanno Höfer, Tiit Kikas, Aleksandar Simeonov, Zsófia Tallér, Taavi Tulev
montaža Nina Altaparmakova, Vanda Arányi, Guido Krajewski, Kersti Miilen, Niki Mossböck, Ksenija Orozovi, Raul Skopecz
igrajo Anna Broquet, Dan Burghelea, Ines Cule, Milena Dravić, Kroot Juurak, Orsolya Tóth

Omnibus, 6 epizod

','All directors were born during the war and destruction, and grew up in fragile democracies. The first post-communist generation born in Central and Eastern Europe is slowly entering the map of the world. Six directors from the said region present their personal visions of the young generation and the many changes that distinguish them from their fathers and their mothers. Six films speak about traditional values in a world of fast technological changes, the pragmatic positive spirit of the older generation, about hope in a story of two Bosnian girls separated by ethnic abyss, about Hungarian twins who confront themselves with their past and their mother’s death, about a Romanian girl caught between love towards her mother and her Turkey. All episodes are interlinked by a Lithuanian animated film about the celebration of life.    
 
Code S','screenplay Stefan Arsenijević, Georgi Gospodinov, Nadejda Koseva, Mait Laas, Kornél Mundruczó, Cristian Mungiu, Viktória Petrányi, Jasmila Žbanić
cinematography Anna Faur, Aleksandar Ilić, Christine A. Maier, Oleg Mutu, Raivo Möllits, Ragnar Neljandi, Radoslav Spassov 
music Muta Dedić, Marko Govorćin, Hanno Höfer, Tiit Kikas, Aleksandar Simeonov, Zsófia Tallér, Taavi Tulev
editing Nina Altaparmakova, Vanda Arányi, Guido Krajewski, Kersti Miilen, Niki Mossböck, Ksenija Orozovi, Raul Skopecz
cast Anna Broquet, Dan Burghelea, Ines Cule, Milena Dravić, Kroot Juurak, Orsolya Tóth

Omnibus',NULL,NULL,NULL,NULL,'images/events/event546.jpg','images/events/event546_t.jpg',600,450,NULL,NULL,'S. Arsenijević, N. Koseva, M. Laas, K.Mundruczó...',99,'bolgarsko/estonsko/madzarsko/romunsko/srbo-hrvasko','Bulgarian/ Estonian/Hungarian/Romanian/Serbo-Croatian','slovenščina','Slovene','Bolgarija , Estonija, Nemčija, Madžarska, Romunija 2005',NULL,NULL,NULL,NULL,NULL,'S. Arsenijević, N. Koseva, M. Laas, K.Mundruczó...'),(509,32,'Ne pridi mi trkat','Don\\\'t Come Knocking','Don\\\'t Come Knocking','

Howard Spence, nekdanji superzvezdnik vesternov, zdaj pa zapiti in napol uničeni samotar, nekega dne dobesedno izgine s snemanja novega filma. Usede se na vlak in odpelje na obisk k mami, ki je ni videl desetletje. Mama mu zaupa dolgo zamolčano novico o njegovem sinu. Pred dvajsetimi leti je bila z njim noseča natakarica v Motani, kjer je snemal enega svojih vesternov. Howard se malo iz radovednosti, malo pa iz želje po nikoli uresničenem družinskemu življenju odpravi v Montano. Tam v zakotnem mestecu znova sreča Doreen ter spozna sina, glasbenika Earla, ki nad njegovim prihodom ni ravno navdušen. Howardu je medtem vseskozi na sledi odvetnik Sutter, ki ga namerava odpeljati nazaj na snemanje.

(Film tematsko sodi v sklop V imenu očeta.)

','

scenarij Sam Shepard
fotografija Franz Lustig
glasba T-Bone Burnett
montaža Peter Przygodda, Oli Weiss
igrajo Sam Shepard (Howard), Jessica Lange (Doreen), Tim Roth (Sutter), Gabriel Mann (Earl), Sarah Polley (Sky), Fairuza Balk (Amber), Eva Marie Saint (Howardova mama)
Drama

','Howard Spence, a former western movie superstar, now a drunken and half-ruined loner,  literally disappears one day from the set of his new film. He takes the train to visit his mother whom he hasn\\\'t seen for a decade. Mother reveals the long-kept secret of Howard\\\'s son, whom he had conceived 20 years ago with a waitress from Montana, where he had been shooting one of his westerns. Party from curiosity, partly from the desire for a family, Howard sets out for Montana. In a shabby town he sees Doreen again, and meets his son, Earl, a musician, who is not so thrilled by his arrival. Howard is tailed by Sutter, a lawyer, who is supposed to bring him back to the film set.','

screenplay Sam Shepard
cinematography Franz Lustig
music T-Bone Burnett
editing Peter Przygodda, Oli Weiss
cast Sam Shepard (Howard), Jessica Lange (Doreen), Tim Roth (Sutter), Gabriel Mann (Earl), Sarah Polley (Sky), Fairuza Balk (Amber), Eva Marie Saint (Howard\\\'s mother)

 


 

',NULL,NULL,NULL,NULL,'images/events/event509.jpg','images/events/event509_t.jpg',600,450,NULL,NULL,'Wim Wenders',122,'angleščina','English','slovenščina','Slovene','Nemčija, ZDA 2005',NULL,NULL,NULL,NULL,NULL,'Wim Wenders'),(517,30,'Nepokopani človek','The Unburied Man','A temetetlen halott','Biografija Imre Nagyja, priljubljenega madžarskega politika, ki je nasprotoval sovjetskemu vplivu in Madžarsko izpisal iz Varšavskega pakta. Pred sovjetsko invazijo leta 1956 se je Nagy zatekel na jugoslovansko ambasado, od koder so ga z lažnimi obljubami kmalu zvabili nazaj domov, ga za dve leti zaprli in usmrtili. Njegovo ime je oprano šele leta 1989, ko je tudi uradno pokopan – z vsemi državniškimi častmi.

Šifra AL','

scenarij Márta Mészáros, Éva Pataki
fotografija Nyika Jancsó
glasba Zygmunt Konieczny
montaža Éva Kármentő
igrajo Jan Nowicki (Imre Nagy), Lili Horvath (Erzsébet Nagy), Marianna Moór (Mária Égető), Péter Andorai (Ferenc Münnich) Szabolcs Bede Fazekas, Enikö Börcsök, Zoltán Csankó

Politična zgodovinska drama


','

A biography of Imre Nagy, a popular Hungarian politician who opposed Soviet influence and under whose guidance Hungary ceased to be a member of the Warsaw Pact. Before the Soviet invasion of 1956, Nagy secured sanctuary at the Yugoslav Embassy. He was arrested in violation of a guarantee of free passage and brought home. He was imprisoned for two years and executed. In 1989, he was rehabilitated and his remains were reburied in a state funeral.

Code AL

','screenplay Márta Mészáros, Éva Pataki
cinematography Nyika Jancsó
music Zygmunt Konieczny
editing Éva Kármentő
cast Jan Nowicki (Imre Nagy), Lili Horvath (Erzsébet Nagy), Marianna Moór (Mária Égető), Péter Andorai (Ferenc Münnich) Szabolcs Bede Fazekas, Enikö Börcsök, Zoltán Csankó

Political historical drama',NULL,NULL,NULL,NULL,'images/events/event517.jpg','images/events/event517_t.jpg',600,450,NULL,NULL,'Marta Meszaros',127,'madžarščina','Hungarian','slovenščina, angleščina','Slovene, English','Madžarska, Poljska, Slovaška 2004',NULL,'images/events/logo517.jpg','images/events/logo517_t.jpg',200,200,'Marta Meszaros'),(498,30,'Nora ljubezen','Idiot Love','Amor Idiota','

Pere-Lluc, osrednji junak zgodbe, sebe ne jemlje pretirano resno; vsakdan doživlja s skepso in ironično distanco, njegova kaotična, ekscentrična in nekontrolirana dejanja pri petintridesetih letih pa vendarle kažejo sledi globoke osebne krize. Svoje življenje opisuje kot dolgo in dobičkonosno potovanje v idiotizem. Neke noči, ko se okajen vrača domov, se z glavo zaleti v lestev, na kateri dekle obeša izveske. Ime ji je Sandra, in ko se Pere-Lluc znova zave, se v prelestno dekle nesmrtno zaljubi.

Šifra M


 

','

scenarij Lluís-Anton Baulenas, Ventura Pons
fotografija Mario Montero
glasba Carles Cases
montaža Pere Abadal
igrajo Santi Millán (Pere-Lluc), Cayetana Guillén Cuervo (Sandra), Mercč Pons (Jordina), Marc Cartes (Alex), Jordi Dauder (Cardenas)

Komedija


','

The main character in the story is Pere-Lluc, who does not take himself seriously. He faces his daily life with scepticism and ironic distance, yet his chaotic, eccentric and uncontrolled actions at the age of 35 nonetheless show signs of a deep personal crisis. He describes his life as a long and gainful journey into idiocy. One night, when returning home in an intoxicated state, Pere-Lluc bumps into a ladder holding a girl that is hanging signs. Her name is Sandra and when Pere-Lluc regains consciousness, he falls head over heels for the gorgeous girl.

Code M

','screenplay Lluís-Anton Baulenas, Ventura Pons
cinematography Mario Montero
music Carles Cases
editing Pere Abadal
cast Santi Millán (Pere-Lluc), Cayetana Guillén Cuervo (Sandra), Mercč Pons (Jordina), Marc Cartes (Alex), Jordi Dauder (Cardenas)

Comedy',NULL,NULL,NULL,NULL,'images/events/event498.jpg','images/events/event498_t.jpg',600,450,NULL,NULL,'Ventura Pons',104,'španščina','Spanish','slovenščina, angleščina','Slovene, English','Španija 2004',NULL,NULL,NULL,NULL,NULL,'Ventura Pons'),(512,38,'Notranje vražje zadeve','Infernal Affairs','Wu jian dao','

Hongkonška policija bije dolgoletni boj z gangsterskimi triadami, vendar ima pri aretacijah vse manj uspeha. Zato policijski inšpektor Wong v tolpo najnevarnejšega in najspretnejšega kriminalca Sama pošlje svojega človeka Yana. Da bi bil Yan prepričljiv in neizsledljiv policist v civilu, Wong izbriše njegovo uradno kartoteko. Po treh letih si v Samovi tolpi pridobi zaupanje šefa, hkrati pa inšpektorju Wongu redno pošilja dragocene informacije o Samovi trgovini z drogami. Ne Wong ne Yan pa se dolgo časa ne zavedata, da si je svojega ovaduha v policiji domislil tudi Sam. Ming je končal policijsko akademijo in postal član oddelka za notranje zadeve, toda uradno je član Samove tolpe. Po ponesrečeni akciji se obe strani zavesta, da imata v svojih vrstah skrivnega ovaduha …

','scenarij Felix Chong, Alan Mak Siu Fai
fotografija Yiu-Fai Ali, Andrew Lau Wai Keung
glasba Kwong Wing Chan
montaža Ching Hei Pang, Danny Pang
igrajo Andy Lau (Lau Kin Ming), Tony Leung Chiu Wai (Chan Wing Yan), Anthony Wong (SP Wong), Eric Tsang (Sam), Kelly Chen (Dr. Lee), Sammi Cheng (Mary), Edison Chen (mladi Lau Kin Ming)

Akcijski','

The Hong Kong police has long been fighting a fierce battle with the underground Triads, but to no avail. Thus the police inspector Wong infiltrates his man, Yan, into the gang of the most dangerous and slickest criminal, Sam. In order to make Yan a plausible and untraceable undercover agent, Wong erases his official file. After three years, Yan wins his boss\\\' trust, regularly sending valuable information on Sam\\\'s drug trade to inspector Wong. Yet neither Wong nor Yan realise that, for some time now, Sam has had a spy of his own in the police force. Ming graduated from the police academy and became a member of the internal affairs department, but is in reality a member of Sam\\\'s gang. After a fruitless arrest, both sides realise they have a mysterious informer in their midst...

','screenplay Felix Chong, Alan Mak Siu Fai
cinematography Yiu-Fai Ali, Andrew Lau Wai Keung
music Kwong Wing Chan
editing Ching Hei Pang, Danny Pang
cast Andy Lau (Lau Kin Ming), Tony Leung Chiu Wai (Chan Wing Yan), Anthony Wong (SP Wong), Eric Tsang (Sam), Kelly Chen (Dr. Lee), Sammi Cheng (Mary), Edison Chen (young Lau Kin Ming)',NULL,NULL,NULL,NULL,'images/events/event512.jpg','images/events/event512_t.jpg',600,450,NULL,NULL,'Wai Keung Lau/Siu Fai Mak',101,'kantonščina (Hong kong)','Cantonese (Hong Kong)','slovenščina, hrvaščina','Slovene, Croatian','Hong Kong 2002',NULL,NULL,NULL,NULL,NULL,'Wai Keung Lau/Siu Fai Mak'),(538,30,'Obala šepetanj','The Murmuring Coast','A costa dos murmurios','Mozambik, \\\'Potrugalska vzhodna Afrika\\\', šestdeseta leta 20. stoletja. Evita je samozavestna ženska; pravkar se je poročila z Luisom, portugalskim vojakom, živečim v Mozambiku, čigar vod preganja uporniške domačine, borce za neodvisnost države. Luis je neprestano odsoten, medtem ko Evita ostaja v prestolnici Maputo, zaprta v hiši, daleč od vse bolj razboritih domačinov, ki vedno močneje simpatizirajo z uporniki. Eviti se takšno življenje upira, zato zapušča hišo in se sprehaja po mestu in plaži; tam prvič spozna resnico o zatiranih sonarodnjakih in nasilnih kolonizatorjih. Občasno obiskuje Heleno, ženo Luisovega nadrejenega oficirja, ki poslušno izpolnjuje moževe ukaze in ostaja v hiši. Počasi se zbližata.

Sifra AI','

scenarij Cedric Basso, Margarida Cardoso, po romanu Lídie Jorge
cinematography Lisa Hagstrand
glasba Bernardo Sassetti
editing Pedro Marques
igrajo Beatriz Batarda (Evita), Monica Calle (Helena), Filipe Duarte (Luis), Sandra Faleiro, Carla Bolito, Dinarte Branco, José Airosa

Drama

','Mozambique, Portuguese Eastern Africa in the 1960\\\'s. Self-confident Evita has just married Luis, a Portuguese soldier stationed in Mozambique, whose platoon persecutes the rebellious natives fighting for the country\\\'s independence. Luis is constantly absent, and Evita remains in the capital city of Maputo, locked in the house, far from the hot-blooded natives, who are increasingly more sympathetic towards the rebels. Evita refuses to lead such a life, and so she slips away to walk the city streets and stroll on the beach. It is here that she discovers the truth about the repressed compatriots and despotic colonisers. She occasionally visits Helena, the wife of Luis\\\'s commanding officer, who docilely follows her husband\\\'s orders and stays in the house. The two women become friends...

Code AI','

screenplay Cedric Basso, Margarida Cardoso, based on the novel by Lídia Jorge cinematography Lisa Hagstrand
music Bernardo Sassetti
editing Pedro Marques
cast Beatriz Batarda (Evita), Monica Calle (Helena), Filipe Duarte (Luis), Sandra Faleiro, Carla Bolito, Dinarte Branco, José Airosa

Drama

',NULL,NULL,NULL,NULL,'images/events/event538.jpg','images/events/event538_t.jpg',600,450,NULL,NULL,'Margarida Cardoso',115,'portugalščina','Portuguese','slovenščina, angleščina','Slovene, English','Portugalska 2004',NULL,NULL,NULL,NULL,NULL,'Margarida Cardoso'),(501,28,'Obljubljena dežela','The Forsaken Land','Sulanga enu pinisa','

V ruralnem, malo poseljenem delu Šrilanke, v osamljeni koči živijo stražar, njegova žena, sestra in hči. Njihov monoton vsakdan vsake toliko časa zmotijo vojaški konvoji, ki se vozijo mimo. Sestra, sicer učiteljica, ima takšnega življenja dovolj, rada bi odšla v mesto; stražarjeva sedemletna hči prav tako sanja o mestu in izobraževanju, rada bi postala zdravnica. Idilično okolje pa vendarle ni povsem mirno; vse pogosteje se dogajajo neprijetne stvari.

','scenarij Vimukthi Jayasundara
fotografija Channa Deshapriya
glasba Nadeeka Guruge
montaža Gisele Rapp-Meichler
igrajo Kaushalaya Fernando (Soma), Nilupili Jayawardena (Lata), Hemasiri Liyanage (Piyasiri), Saumya Liyanage (Palitha), Pumudika Sapurni Peiris (Batti)

Poetična drama
','

In a rural, sparsely-inhabited region of Sri Lanka, a guard lives with his wife, sister and daughter in an isolated hut. Their humdrum existence is disturbed only by ocassionally passing army convoys. His sister, a teacher, is fed up with the monotony of their lives and wants to leave for the city. Similarly, wanting to become a doctor, the guard\\\'s seven-year-old daughter dreams about the city and receiving an education. The idyllic environment is not completely serene, though; unpleasant things start to occur with increasing frequency.

','screenplay Vimukthi Jayasundara
cinematography Channa Deshapriya
music Nadeeka Guruge
editing Gisele Rapp-Meichler
cast Kaushalaya Fernando (Soma), Nilupili Jayawardena (Lata), Hemasiri Liyanage (Piyasiri), Saumya Liyanage (Palitha), Pumudika Sapurni Peiris (Batti)
',NULL,NULL,NULL,NULL,'images/events/event501.jpg','images/events/event501_t.jpg',600,450,NULL,NULL,'Vimukthi Jayasundara',107,'singalščina','Sinhala','slovenščina, angleščina','Slovene, English','Francija, Šri Lanka 2005',NULL,'images/events/logo501.jpg','images/events/logo501_t.jpg',200,200,'Vimukthi Jayasundara'),(598,41,'Odgrobadogroba','Gravehopping','Odgrobadogroba','

Pero je poklicni pogrebni govorec v majhnem slovenskem mestu. Njegov talent je, da naredi vsak pogreb poseben; ne more si pomagati, da iz pogrebnega govora ne bi nastala nekakšna osebna izpoved, ki navzočim izvabi solze iz povsem napačnih razlogov. Doma se Pero trudi preprečiti očetove ponavljajoče se in vedno neuspešne poskuse samomora, mimogrede skuša osvojiti še dekle iz domačega kraja, Renato. V vseh prigodah mu ob strani stoji zvesti prijatelj in občudovalec Šuki. Čeprav zna ta uživati življenje, pogosto razglablja o smrti in svojem pogrebu. Ida, neobičajno dekle, je Šukiju zelo naklonjena in se trudi, da bi mu čim pogosteje prekrižala pot.

Vodstvo festivala obvešča, da film Jana Cvitkoviča ODGROBADOGROBA tekmuje za nagrado vodomec z ostalimi režiserji prvih in drugih filmov. Do spremembe statusa filma je prišlo, ker je film pred LIFFe-om že tekmoval na festivalu A kategorije v San Sebastianu.

','scenarij Jan Cvitkovič
fotografija Simon Tanšek
glasba Aldo Ivančič
montaža Miloš Kalusek
igrajo Gregor Baković (Pero), Drago Milinović (Suki), Sonja Savić (Ida), Mojca Fatur (Renata), Domen Remškar (Džoni), Brane Gruber (dedo), Nataša Matjašec (Vilma), Vlado Novak (Renatin oče)','

Pero is a professional funeral eulogist in a small Slovenian town. A gifted speaker, he makes each funeral special; he cannot but turn each eulogy into a particular lyrical and intimate self-expression that brings tears to the eyes of those present for completely the wrong reasons. Privately, Pero is trying to avert his father’s recurrent and unsuccessful attempts of suicide, at the same time winning the heart of a local girl, Renata. Standing by him is Šuki, his loyal friend and admirer. Although Šuki is quite a bonvivant and indulger, he frequently contemplates death and his own funeral. Ida, an extraordinary girl, is strongly attracted to Šuki and goes out of her way to catch his eye...

','screenplay Jan Cvitkovič
cinematography Simon Tanšek
music Aldo Ivančič
editing Miloš Kalusek
cast Gregor Baković (Pero), Drago Milinović (Suki), Sonja Savić (Ida), Mojca Fatur (Renata), Domen Remškar (Džoni), Brane Gruber (Grandpa), Nataša Matjašec (Vilma), Vlado Novak (Renata’s father)',NULL,NULL,NULL,NULL,'images/events/event598.jpg','images/events/event598_t.jpg',600,450,NULL,NULL,'Jan Cvitkovič',103,'slovenščina','Slovenian','.','.','Slovenija, Hrvaška 2005',NULL,NULL,NULL,NULL,NULL,'Jan Cvitkovič'),(508,34,'Otrok','The Child','L\\\'Enfant','

Brunu je dvajset let, Sonii osemnajst. Oba sta brezposelna, pred nekaj dnevi se jima je rodil sin. Poimenovala sta ga Jimmy. Živita od njene socialne pomoči ter Brunovih malih prevar in preprodajanja ukradenega blaga. Njuna prihodnost ni rožnata, Bruno počasi tone v dolgove, zato nekega dne začne razmišljati o dobičkonosnem poslu, ki vključuje njegovega novorojenčka.

»Ne skušava posnemati resničnosti. Otroke so že od nekdaj zapuščali. Črni trg je morda sodobnejši pojav. V tem filmu naju je zanimalo, ali bo Bruno sposoben ustvariti vez z otrokom. Na začetku ga ne vidi. Dobesedno. Vprašanje, ki se je porodilo, je bilo: bo Soniina brezmejna ljubezen dovolj močna, da bo vzbudila Brunovo zavest o otrokovem obstoju? Ugotovila sva, da ljubezen ni dovolj.« (Luc Dardenne)

»Ali poleg bratov Dardenne sploh še obstaja živeči režiser, katerega filmi izražajo človečnost, ki je pogubno ganljiva v svoji izvršitvi ter obenem tako popolnoma neprisiljena, vznemirljiva in nesentimentalna? Verjetno ne, saj vrtinčastega občutka za moralni kaos, neprestane groze in poguma filma Otrok nismo videli vse od filma Sin, ki je bil tudi dovzeten za možnost, da dobro izide iz sveta, ki je nepopustljiv v svoji brezčutnosti. Kot kamera režiserjev Dardenne Bruna dozdevno poganja instinktiven mehanizem, nad katerim nima moči, mladenič misli le na preživetje in popolnoma pozabi na vlogo očeta. Brata Dardenne nam pomagata razumeti Brunovo brezmoč, a naše sočustvovanje nikoli ne zlorabita ali se z njim poigrata.« (Ed Gonzales) 

','scenarij Jean-Pierre Dardenne, Luc Dardenne fotografija Alain Marcoen
montaža Marie-Hélčne Dozo
igrajo Jérémie Renier (Bruno), Déborah François (Sonia), Fabrizio Rongione (prestopnik), Olivier Gourmet (policist v civilu), Jérémie Segard (Steve)

Socialna drama
','

A son, Jimmy, has just been born to the unemployed, 20-year-old Bruno and to 18-year-old Sonia. With only Sonia\\\'s dole as their source of income, they make ends meet with Bruno\\\'s small swindles and stolen goods dealings. Their future is all but bright, and Bruno is slowly drowning in debts. One day, he starts to contemplate a lucrative business that involves his newborn child...

»One doesn\\\'t try to copy reality. Child abandonment, for example, is an ancient practice. Black-market sales are perhaps a more recent phenomenon. But the thing that interested us in this film was to see whether Bruno would be able to create a bond with this child. At the outset, he does not see the baby. Literally. The question that then arose was: will Sonia\\\'s immense love be powerful enough to rouse Bruno\\\'s consciousness of the presence of the child? We concluded that no, love was not enough.« (Luc Dardenne)

»Beside the Dardennes, is there any director alive whose films express a humanism that, while so devastatingly heartbreaking, remains so completely unforced, exciting, and unsentimental in its execution? Probably not, because The Child\\\'s swirling sense of moral chaos, sustained horror, and courage has not been seen since The Son, which was also open to the possibility of good coming out of a world that is relentless in its callousness. Like the Dardennes\\\' camera, Bruno seems propelled by an instinctual mechanism beyond his control; keen only on self-preservation, this young man is completely oblivious to his role as a father. The Dardennes help us to understand Bruno\\\'s helplessness, but they never abuse or toy with our sympathies.« (Ed Gonzales)

','screenplay Jean-Pierre Dardenne, Luc Dardenne
cinematography Alain Marcoen
editing Marie-Hélčne Dozo
cast Jérémie Renier (Bruno), Déborah François (Sonia), Fabrizio Rongione (delinquent), Olivier Gourmet (plain clothes policeman), Jérémie Segard (Steve)
',NULL,NULL,NULL,NULL,'images/events/event508.jpg','images/events/event508_t.jpg',600,450,NULL,NULL,'Jean-Pierre Dardenne, Luc Dardenne',100,'francoščina','French','slovenščina','Slovene','Belgija, Francija 2005',NULL,NULL,NULL,NULL,NULL,'Jean-Pierre Dardenne, Luc Dardenne'),(555,30,'Padem gor','Up and Down','Horem padem','Praga, sedanjost. V zgodbi se mešajo tragikomične epizode o izgubljenih in najdenih ljubeznih, prijateljstvih, družinah in otrocih. Dva preprodajalca na begu v svojem avtomobilu najdeta novorojenčka, malega Indijančka; prodata ga Miluški, ki si je vedno želela otroka, a kaj ko je njen mož František huligan in rasist. Na drugem koncu mesta štiridesetletna Hana pomaga v centru za begunce. Njen precej starejši partner Otakar se med predavanjem na univerzi zgrudi, njuna osemnajstletna hči pa spozna, da se Otakar nikdar ni ločil od prve žene, s katero ima sina.

 Šifra AN

','

scenarij Jan Hrebejk, Petr Jarchovský
fotografija Jan Malír
glasba Aleš Brezina
montaža Vladimír Barák
igrajo Petr Forman (Martin Horecký), Emília Vásáryová (Vera Horecká), Jan Triska (Otakar Horecký), Ingrid Timková (Hana Svobodová), Kristýna Boková (Lenka Horecká), Jirí Machácek (František Fikes), Nataša Burger (Miluška)

Komedija

','Present-day Prague. The story intertwines tragicomic episodes on lost-and-found love, friendship, families and children. Two dealers on the run find an Indian infant in their car. They sell it to Miluška, who has always wanted a child, but what is she to do when her husband František is a bully and a racist. In another part of town, forty-year-old Hana works in a refugee shelter. Her much older partner, Otakar, collapses during his lecture at the university, and their eighteen-year-old daghter discovers that Otakar had never divorced his first wife, with whom he has a son...

Code AN','screenplay Jan Hrebejk, Petr Jarchovský
cinematography Jan Malír
music Aleš Brezina
editing Vladimír Barák
cast Petr Forman (Martin Horecký), Emília Vásáryová (Vera Horecká), Jan Triska (Otakar Horecký), Ingrid Timková (Hana Svobodová), Kristýna Boková (Lenka Horecká), Jirí Machácek (František Fikes), Nataša Burger (Miluška)

Comedy

 


 

',NULL,NULL,NULL,NULL,'images/events/event555.jpg','images/events/event555_t.jpg',600,450,NULL,NULL,'Jan Hrebejk',108,'češčina','Czech','slovenščina','Slovene','Češka rep. 2004',NULL,NULL,NULL,NULL,NULL,'Jan Hrebejk'),(515,33,'Padla','Fallen','Krišana','

Matiss Zelcs, arhivar v srednjih letih, gre nekega večera čez most. Zagleda žensko, ki visi čez ograjo in se očitno pripravlja na samomor. Matiss gre hladno mimo … Ženska pa se vrže v globino. Matiss začne naslednji dan – morda zaradi moralnega mačka, morda iz čiste radovednosti – zbirati podatke o samomorilki, iskati njene osebne predmete in stikati po njeni preteklosti. S fotografij in iz ljubezenskih pisem spozna, da je varala moža; čez čas celo obišče njenega ljubimca …

','scenarij Fred Kelemen
fotografija Fred Kelemen
montaža Fred Kelemen, Franka Pohl, Klaus Charbonnier
igrajo Egons Dombrovskis (Matiss Zelcs), Nikolaj Korobov (Aleksej Mesetzkis), Vigo Roga (detektiv), Aija Dzerve (Alina), Gundars Silakaktins (barman), Andris Keiss (Alinin mož)

Drama ','

Matiss Zelcs, a middle-aged archivist, is crossing a bridge one night, when he sees a woman hanging over the railing, obviously about to commit suicide. Matiss passes by coolly … and the woman thrusts herself into the depths. The following day, Matiss, in all probability propelled by a guilty conscience, starts to collect data on the suicide, searching for the victim’s personal belongings and rummaging through her past. From her photographs and love letters he learns that she was unfaithful to her husband. In time, he even visits her lover…

','screenplay Fred Kelemen
cinematography Fred Kelemen
editing Fred Kelemen, Franka Pohl, Klaus Charbonnier
cast Egons Dombrovskis (Matiss Zelcs), Nikolaj Korobov (Aleksej Mesetzkis), Vigo Roga (detective), Aija Dzerve (Alina), Gundars Silakaktins (barman), Andris Keiss (Alina\\\'s husband)
',NULL,NULL,NULL,NULL,'images/events/event515.jpg','images/events/event515_t.jpg',600,450,NULL,NULL,'Fred Kelemen',90,'latvijščina/ruščina','Latvian/Russian','slovenščina, angleščina','Slovene, English','Latvija, Nemčija 2005',NULL,NULL,NULL,NULL,NULL,'Fred Kelemen'),(502,34,'Palica za golf','3-Iron','Bin-Jip','

Tae-suk na poseben način rešuje stanovanjske težave; vlamlja v stanovanja, katerih lastniki so dalj časa odsotni, in v njih živi določen čas. Običajno jih pospravi in popravi morebitne okvare, nakar se \\\'preseli\\\' drugam. Nekega dne v stanovanju, za katerega je mislil, da je prazno, naleti na pretepeno žensko Sun-hwa. Ob moževi vrnitvi se odloči, da bo odšla s Tae-sukom. Zdaj vlamljata skupaj, toda nekega dne v novem stanovanju odkrijeta moško truplo. Tae-suk poskrbi, da ga častno pokopljeta na vrtu njegove hiše, a še isti dan ju preseneti pokojnikov sin. Tae-suk naenkrat postane osumljen umora, Sun-hwa odpelje nasilni mož. V zaporu Tae-suk doživi preobrazbo.

»Prepričan sem, da danes večina ljudi ni srečnih samo zaradi tega, ker imajo denar. Zato menim, da potrebujemo neke vrste iluzijo, in v filmu sem hotel izraziti nezadovoljstvo z resničnostjo. Želel sem ga razširiti v domišljijski svet. Včasih sem zmeden glede realnosti in iluzije. Tako zadnji podnaslov predlaga, da nikoli resnično ne razlikuješ, kaj je realnost in kaj sanje. Celo slog sedenja so lahko sanje. Želel sem izraziti te vrste zmedenost, ki jo imam o sanjah in realnosti.« (Kim Ki-duk)

»Palica za golf je Kim Ki-dukovo bizarno, hipnotično nadaljevanje izvrstnega filma Pomlad, Poletje, Jesen, Zima … in Pomlad. Njegove filme oblikuje tišina. V najbolj poznanih filmih, Pomlad, poletje ... in Otok (The Isle) igralci komajda spregovorijo besedo in Kim kot bivši slikar premore tisoč strategij, lepih ali brutalnih, za pritegnitev pozornosti. V filmu Palica za golf glavna junaka (tako moški kot ženska) igrata določen čas brez besed. Napet je tudi, ko je nesmiseln, s primesmi komedije pa film ponuja malo manj kot prejšnji, vendar najmanj, kar ponuja, je igriva izraba formalnih omejitev.« (Ed Park)   

','scenarij Kim Ki-duk
fotografija Seong-back Jang, Jang Seong-Back
glasba Slvian
montaža Kim Ki-duk
igrajo Seung-yeon Lee (Sun-hwa), Hyun-kyoon Lee (Tae-suk), Hyuk-ho Kwon (Min-gyu), Jin-mo Ju (inšpektor Cho), Jeong-ho Choi

Fantazijski
','

Tae-suk solved his housing problem in a very particular way, that is, by breaking into flats whose owners have been away for a long time. He lives in them for a while, usually cleans them and fixes any breakdowns, then ‘’moves’’ somewhere else. One day, he stumbles across a badly beaten woman, Sun-hwa, in an apartment he was convinced was empty. After her husband returns, she decides to leave with Tae-suk. They break into apartments together, and one day find a dead man’s body. Tae-suk provides for a decent burial in the garden of his house, but on the same day they are both surprised by the arrival of the deceased’s son. All of a sudden, Tae-suk becomes a murder suspect, while Sun-hwa is taken away by her aggressive husband. In prison, Tae-suk experiences a transformation…  

»I believe that most people are not happy just because they have money, especially these days. Because of that, I believe we need some kind of fantasy and throughout this movie, I wanted to express the unhappiness of reality. I wanted to take that and extend it to the fantasy world. I have confusions about reality and fantasy sometimes, and as the last subtitle in the film suggests, you never really know what is reality and what is a dream. Even the way we\\\'re sitting can be a dream. I wanted to express the confusions I have about dreams and reality.« (Kim Ki-duk)


»3-Iron is Kim Ki-duk\\\'s bizarre, hypnotic follow-up to the sublime Spring, Summer, Fall, Winter . . . and Spring. Silence is the key to Kim\\\'s cinema: in his best-known films, Spring, Summer and The Isle, hardly a word is spoken, and Kim, a former painter, has a thousand strategies, beautiful or brutal, to grab the eye. In 3-Iron, both the male and female leads keep mum for the duration. Taut even when ridiculous, with flashes of comedy, 3-Iron has a bit less to offer than its predecessors, but at minimum it\\\'s the playful exhaustion of a formal constraint.« (Ed Park)

','screenplay Kim Ki-duk
cinematography Seong-back Jang, Jang Seong-Back
music Slvian
editing Kim Ki-duk
cast Seung-yeon Lee (Sun-hwa), Hyun-kyoon Lee (Tae-suk), Hyuk-ho Kwon (Min-gyu), Jin-mo Ju (inspector Cho), Jeong-ho Choi',NULL,NULL,NULL,NULL,'images/events/event502.jpg','images/events/event502_t.jpg',600,450,NULL,NULL,'Ki-duk Kim',88,'korejščina','Korean','slovenščina, angleščina','Slovene, English','Južna Koreja, Japonska 2004',NULL,NULL,NULL,NULL,NULL,'Ki-duk Kim'),(583,28,'Pasje sanje','A Dog\\\'s Dream','A Dog\\\'s Dream','

Moški posluša zgodbo sodelavca, sanje, v katerih se je zgodil nenavaden rop. Ob vrnitvi domov zgrožen ugotovi, da je vse njegovo premoženje izginilo v skrivnostnih okoliščinah. Takoj pokliče policijo, primer prevzame izkušeni detektiv, ki pri delu uporablja neobičajne metode. V isti noči se skrivnostni dogodki širijo po vsem mestu; ljudje se znajdejo v čudnem, irealnem stanju, kot da bi nenadoma stopili v čudežno deželo.

»\\\'V sanjah sem vedno nekdo drug …\\\' Ta izraz je verjetno ključ do razumevanja zadnjega filma Angelosa Frantzisa Pasje sanje (The Dog\\\'s Dream). Eden od vtisov (kajti vse, kar lahko imamo, so vtisi o filmu, ki je neizmerno skrivnosten) je lepo oblikovan nočni portret Aten kot mesta duhov, mesta, ki je vlažno, skrivnostno in temačno. Občutek filma noir, ki ga režiser vtisne filmu, spodbudi k razmišljanju, tako kot tudi določene scene, na primer tista, ko glavna igralka v rokah drži čarobno palico. Omogoča ji, da vsakomur izpolni želje in skrivne misli. Ta romantičen, nostalgičen del filma je tudi najbolj dovršen. Ustvarja harmonijo, ki bi jo lahko predstavili v samostojnem kratkem filmu. Pred sceno in za njo je film kot morje, ki utaplja gledalca v nerazložljivih dogodkih, preskokih žarišča in nejasnem jedru.« (Maria Katsounaki - Kathimerini)

','scenarij Angelos Fratzis, Spyros Krimbalis
fotografija Evgenios Dionissopoulos
glasba Onefingermusic (Coti K, Christos Lainas)
montaža Angelos Frantzis
igrajo Konstantinos Markoulakis, Peggy Trikalioti, Aris Servetalis, Lina Sakka, Christos Stergioglou, Markos Lezes, Argiris Xafis, Fotini Baxevani, Yannis Stankoglou, Manolis Mavromatakis

Fantazijski
','

A man is listening to a story told by his colleague – a dream in which an unusual robbery takes place. When he returns home, he is horrified to discover that all his belongings have disappeared in mysterious circumstances. He immediately calls the police and the case is investigated by an experienced detective with bizarre working methods. During that same night, enigmatic events occur all over town. People find themselves in a strange, unreal state, as though they had suddenly entered wonderland…    

»\\\'In my dreams, I am always someone else...\\\' This phrase is probably the key to understanding Angelos Frantzis\\\'s latest film, The Dog\\\'s Dream. One impression (because all we can have is impressions for a film that remains so enigmatic) is that we have a beautifully crafted portrait of Athens at night as a ghost town that is humid, secretive and dark. The film-noir feel that the director has given his picture is thought-provoking, as are certain scenes like the one where the lead actress is holding a magic wand that allows her to fulfil everyone\\\'s desires and secret thoughts. This romantic, nostalgic part of the film is also the most complete. It creates a unity which could, as a short film, stand on its own. Before and after this scene, though, the film is a sea, drowning the viewer in inexplicable events, a shifting focus and an unclear core.« (Maria Katsounaki - Kathimerini)

','screenplay Angelos Fratzis, Spyros Krimbalis cinematography Evgenios Dionissopoulos
music Onefingermusic (Coti K, Christos Lainas)
editing Angelos Frantzis
cast Konstantinos Markoulakis, Peggy Trikalioti, Aris Servetalis, Lina Sakka, Christos Stergioglou, Markos Lezes, Argiris Xafis, Fotini Baxevani, Yannis Stankoglou, Manolis Mavromatakis
',NULL,NULL,NULL,NULL,'images/events/event583.jpg','images/events/event583_t.jpg',600,450,NULL,NULL,'Angelos Frantzis',88,'grščina','Greek','slovenščina, angleščina','Slovene, English','Grčija 2005',NULL,NULL,NULL,NULL,NULL,'Angelos Frantzis'),(531,28,'Pastir bizonov','The Buffalo Boy','Mua len trau','

Indokina, 1940, čas francoske okupacije. Petnajstletni Kim dobi nalogo, naj dva bivola odpelje na varno, stran od poplavljenih območij na jugu države. Živali sta edini družinski vir dohodka, zato je vznožje gorovja Ba Thé edino varno zatočišče. Nevarna pot skozi obsežno poplavljeno območje je Kimov zrelostni izpit. Na poti sreča skupino gonjačev bizonov in občasnih banditov ter z njimi svet odraslih, zaznamovan s pretepi, alkoholom in plenjenjem. Sčasoma se bo nasilje umaknilo prijateljstvu, ljubezni in užitkom svobodnega življenja.

»Gre za film o odraščanju. Prikazuje razmerje med očetom in sinom, a menim, da mora film vsebovati tudi nekaj onkraj zgodbe in čudovite fotografije. Imeti mora še neko drugo razsežnost. Za ta film sem pomislil na vodo kot zelo pomemben element. V mnogih kulturah je voda simbol življenja in očiščenja, v tem filmu pa je bolj povezana s smrtjo in razkrojem. Obenem pa si ljudje v vodi najdejo hrano: v vodi plavajo ribe in raste riž, zato življenje in smrt soobstajata. Voda je mešana metafora življenja in smrti. Večno prelivanje vode v filmu pomeni tudi minevanje: skozi film potujejo tri generacije, vojna in kolonizacija.«(Minh Nguyen-Vo)

»Ta presunljiva zgodba o odraščanju z bogato zgradbo in osupljivo vizualno refleksijo o ritmu vsakodnevnega bivanja in kulture, ki ju opredeljuje voda, se dogaja v nižavju južnega Vietnama. Poplavljena pokrajina pripoveduje zgodbo o razmerju med očetom in sinom, ciklih življenja in neustavljivem teku vseh stvari.« (Charles Bradbury)

','scenarij Minh Nguyen-Vo, po kratkih zgodbah Nam Sona
fotografija Yves Cape
glasba Tôn-Thât Tięt
montaža Rudy Maerten
igrajo The Lu Le (Kim), Zan Sram Kra (Det), Huu Thanh Nguyen (Dinh), Thi Kieu Trinh Nguyen (Ban)

Drama preživetja
','

Indochine in 1940, during the French occupation. Fifteen-year-old Kim gets an assignment to take two bufallos to safety, away from the flooded areas in the south of the country. The animals are the only source of family income, and so the foothills of the Ba Thé mountain range are the only refuge. The dangerous path through the widely flooded area is Kim\\\'s initiation into maturity. On the way, he meets a group of buffalo herdsmen and occasional bandits. Here he will discover the world of grown-ups, marked by fights, alcohol and plunders. In time, violence will be overcome by frienship, love and the joy of the freedom of living.

»This movie is a coming-of-age story. It’s a father-and-son relationship, but for me a film has to have something beyond the story and the beautiful images. It has to carry something else and for this movie I was thinking of water as a very important element. In many cultures water is a symbol of life and purification, but in this film it is more associated with death and decaying. At the same time people find food from the water: fish and rice grow out from water, so life and death coexist with each other. Water is this mixed metaphor of life and death. The constant water flowing in this movie is also metaphor of time passage: three generations, a war, colonization all pass through this film.« (Minh Nguyen-Vo)

»Set in the lowlands of southern Vietnam, this powerful coming of age tale is a richly textured and stunningly visual reflection of the rhythms of daily life and culture determined by water. The flooded landscape serves to tell the story of the relationship between a father and son, the cycles of life, and the inescapable flow of all things.« (Charles Bradbury)

','screenplay Minh Nguyen-Vo, po kratkih zgodbah Nam Sona
cinematography Yves Cape
music Tôn-Thât Tięt
editing Rudy Maerten
cast The Lu Le (Kim), Zan Sram Kra (Det), Huu Thanh Nguyen (Dinh), Thi Kieu Trinh Nguyen (Ban)
',NULL,NULL,NULL,NULL,'images/events/event531.jpg','images/events/event531_t.jpg',600,450,NULL,NULL,'Minh Nguyen-Vo',102,'vietnamščina','Vietnamese','slovenščina, angleščina','Slovene, English','Vietnam, Belgija, Francija 2004',NULL,NULL,NULL,NULL,NULL,'Minh Nguyen-Vo'),(535,28,'Pekel','Hell','L\\\'Enfer','

Osrednja pozornost zgodbe je namenjena materi in trem odraslim hčeram, ki živijo v elegantnem domovanju na podeželju. Sophie, Celine in Anne so se po travmatičnem dogodku iz otroštva, ko je oče končal v zaporu, mama pa na invalidskem vozičku, povsem odtujile. Zdaj je Sophie poročena z uspešnim fotografom, Anne je študentka arhitekture, zaljubljena v svojega profesorja, Celine pa pretežno skrbi za nemo mamo. Prihod šarmantnega tujca, ki počasi stopa v njuna življenja, sestre počasi znova povezuje in jim vrača spomine na skupno preteklost.

','scenarij Krzysztof Piesiewicz
fotografija Laurent Dailland
glasba Duško Segvić, Danis Tanović
montaža Francesca Calvelli
igrajo Emmanuelle Béart (Sophie), Karin Viard (Céline), Marie Gillain (Anne), Guillaume Canet (Sébastien), Jacques Gamblin (Pierre), Jacques Perrin (Frédéric), Carole Bouquet (mama), Miki Manojlović (oče), Jean Rochefort (Louis), Maryam d\\\'Abo (Julie)

Drama
','

The story unfolds in an elegant home in the countryside, and focuses on a mother and her three grown-up daughters. After a traumatic childhood experience, when their father ended up in prison and their mother in a wheelchair, Sophie, Celine and Anne have become complete strangers. Now, Sophie is married to a successful photographer, Anne is a student of architecture and in love with one of her professors, while Celine more or less looks after their mute mother. Over the years, the three sisters have become complete strangers, but the arrival of a charming stranger, who slowly enters their lives, gradually binds them together and reminds them of their common past.     

','screenplay Krzysztof Piesiewicz
cinematography Laurent Dailland
music Duško Segvić, Danis Tanović
editing Francesca Calvelli
cast Emmanuelle Béart (Sophie), Karin Viard (Céline), Marie Gillain (Anne), Guillaume Canet (Sébastien), Jacques Gamblin (Pierre), Jacques Perrin (Frédéric), Carole Bouquet (mother), Miki Manojlović (father), Jean Rochefort (Louis), Maryam d\\\'Abo (Julie)
',NULL,NULL,NULL,NULL,'images/events/event535.jpg','images/events/event535_t.jpg',600,450,NULL,NULL,'Danis Tanović',98,'francoščina','French','slovenščina, angleščina','Slovene, English','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Danis Tanović'),(547,28,'Pogled z Eifflovega stolpa','A View From Eiffel Tower','Pogled sa Ajfelovog tornja','

Marijana praznuje petindvajseti rojstni dan. V zgodnji mladosti jo je zlorabil očetov prijatelj in šef, kar jo je močno zaznamovalo. Njen oče ginekolog, ni naredil ničesar. Zaradi diskretnosti je poklicno bliskovito napredoval, Marijana zato pripada višjim slojem. Še vedno  ni pozabila strahopetnega očetovega dejanja, zato pripravlja posebno maščevanje. Medtem pa se je zaljubila v Vanjo.

','scenarij Irena Kikić - Stojković, Nikola Vukčević
fotografija Nikola Šekerić
glasba Vladimir Morić
montaža Olga Toni
igrajo Marija Vicković (Marijana), Svetozar Cvetković (Teda), Branislav Trifunović (Vanja), Sergej Trifunović, Darko Rundek, Lena Bogdanović, Petar Božović, Igor Lazić

Poetična družinska drama
','

Marijana is celebrating her 25th birthday. When she was 16, her short affair with her father\\\'s boss spurred an emotional trauma. Her father Teda, a gynaecologist, did nothing to protect his daughter. For his \\\'silence and discretion\\\' he was offered a rapid promotion from his boss. Today Marijana\\\'s family is well-to-do and socializes with the elite circles, yet Marijana has still not forgotten her father\\\'s cowardice, and is preparing a special revenge. But in the meantime she falls in love with Vanja.

','screenplay Irena Kikić - Stojković, Nikola Vukčević
cinematography Nikola Šekerić
music Vladimir Morić
editing Olga Toni
cast Marija Vicković (Marijana), Svetozar Cvetković (Teda), Branislav Trifunović (Vanja), Sergej Trifunović, Darko Rundek, Lena Bogdanović, Petar Božović, Igor Lazić
',NULL,NULL,NULL,NULL,'images/events/event547.jpg','images/events/event547_t.jpg',600,450,NULL,NULL,'Nikola Vukčević',92,'angleščina/srbohrvaščina','English/Serbo-Croatian','slovenščina','Slovene','Srbija in Črna gora, Hrvaška, Slovenija 2004',NULL,NULL,NULL,NULL,NULL,'Nikola Vukčević'),(599,37,'Pojdi domov','Go Home','*','Pekinški operni pevec Zhang je robat in zlovoljen moški. Hčerka, ki je že pred leti odšla, mu nekega dne pošlje svojega sina, v upanju, da ji bo lahko pomagal pri njegovi vzgoji. Vendar ji Zhang ne more odpustiti in za vnuka ne želi skrbeti. Pozneje hči umre zaradi bolezni in Zhang mora odločitev znova pretehtati.','

scenarij Li Wei
fotografija Li Chensheng
umetniški direktor Hao Jungyuan
glasba Xiang Min
igrajo Chen Xiao Yi, Fang Shu, Liu Pei Qi, Song Chun Li

V sodelovanju z Veleposlaništvom Ljudske republike Kitajske

','

Peking Opera singer Zhang is a tough and bad-tempered guy. His daughter left him years ago. One day the daughter sends him her son, hoping he could help her with the boy. But Zhang doesn’t want to forgive her and refuses to take care of the boy. Later on the daughter dies of a serious disease and now he has to reconsider his choices.

','

screenplay Li Wei
cinematography Li Chensheng  
art director Hao Jungyuan
music Xiang Min
cast Chen Xiao Yi, Fang Shu, Liu Pei Qi, Song Chun Li

In cooperation with People\\\'s Republic of China

',NULL,NULL,NULL,NULL,'images/events/event599.jpg','images/events/event599_t.jpg',600,450,NULL,NULL,'Li Chensheng',0,'mandarinščina','Mandarin','slovenščina, angleščina','Slovene, English','Kitajska 2001',NULL,NULL,NULL,NULL,NULL,'Li Chensheng'),(559,33,'Pojoč za zastori','Singing Behind Screens','Cantando dietro i paraventi','

Koncem 18. stoletja piratske ladje v Južnem kitajskem morju napadajo trgovske ladje in ogrožajo prebivalstvo, zato kitajski cesar admiralu Chingu ukaže, naj najde skupni jezik s pirati in razmere umiri. Ching doseže sporazum s pirati, toda v bitki je smrtno ranjen. Njegova vdova medtem prevzame poveljstvo nad piratsko floto in nadaljuje z napadi na trgovske ladje.

','scenarij Ermanno Olmi
fotografija Fabio Olmi
montaža Paolo Cottignola
igrajo Bud Spencer (stari kapitan), Jun Ichikawa (Ching), Sally Ming Zeo Ni (svetovalec), Camillo Grassi (Nostromo), Makoto Kobayashi (admiral Ching), Wen Li Guang

Zgodovinski','

At the end of the 18th century, pirate ships attack merchant vessels in southern Chinese Seas, plunder the land and endanger the inhabitants. The Chinese Emperor orders Admiral Ching to compromise with the pirates and slacken the terse situation. Ching reaches an agreement with the pirates, but is fatally wounded in the battle. In the meantime, his widow assumes command of the pirate\\\'s fleet and continues the attacks against the trading vessels.

','screenplay Ermanno Olmi
cinematography Fabio Olmi
editing Paolo Cottignola
cast Bud Spencer (old captain), Jun Ichikawa (Ching), Sally Ming Zeo Ni (advisor), Camillo Grassi (Nostromo), Makoto Kobayashi (admiral Ching), Wen Li Guang',NULL,NULL,NULL,NULL,'images/events/event559.jpg','images/events/event559_t.jpg',600,450,NULL,NULL,'Ermanno Olmi',98,'italijanščina','Italian','slovenščina','Slovene','Italija, VB, Francija 2003',NULL,NULL,NULL,NULL,NULL,'Ermanno Olmi'),(570,31,'Potepuški psi','Stray Dogs','Sag-haye velgard','

Na ulicah Kabula brat in sestra posvojita psička. Vsak dan obiskujeta mamo v zaporu in ker sta brezdomca, jima varnostniki pustijo tam tudi prenočevati. Ko pride odredba, da so zapori za zločince in ne sirotišnice, sta otroka popolnoma prepuščena ulici. Domislita se, kako priti do hrane in strehe nad glavo: storiti morata kaznivo dejanje in znova bosta lahko obiskovala mamo.

»Po 25 letih državljanske vojne in borbe proti tujim vojskam se morajo ljudje v Afganistanu spopadati s socialno in ekonomsko krizo, ki je podobna tisti v Italiji med letoma 1945 in 1948. Potepuški psi je film o ljudeh z ulice v času, ko so se ravno rešili pekla vojne. Zavedam se, da ameriški invaziji na Afganistan in Irak ni motivirala želja, da bi rešili narode obeh držav; kapitalistični Zahod gleda na svet kot na ogromen trg in ne kot na družino človeških bitij« (Marzieh Meshkini)

»Potepuški psi je lep in vznemirljiv film, ki navkljub omejitvam obravnava državo, ki je po besedah ustvarjalcev filma izgubila deset odstotkov prebivalstva – približno dva milijona – zaradi vojne, lakote, revščine in brezdomstva.« (Joanne Laurier)

','

scenarij Marzieh Meshkini
fotografija Ebrahim Ghafori, Maysam Makhmalbaf
glasba Mohammad Reza Darvishi
montaža Mastaneh Mohajer
igrajo Gol-Ghotai (Gol-Ghotai), Zahed (Zahed), Agheleh Rezaie (mama), Sohrab Akbari (Atef)

','

A brother and sister adopt a small dog found on the streets of Kabul in Afghanistan. Their mother is in prison, so they visit her every day. Being homeless, the prison guards also allow them to spend the night, but only until the following day, when a decree is issued, declaring that prisons are for criminals and are not orphanages. The children are left on their own to wander the streets, and soon come up with an idea how to get food and shelter: they have to commit a crime and then they’ll be able to see their mother again…

»After 25 years of civil war and fighting against foreign armies, the people of Afghanistan faced a situation very similar to the social and economic crisis in Italy during the period of 1945-48. Stray Dogs is a film about people in the streets at a time when they have just come out of the inferno of war. I am aware that the US invasions of Afghanistan and Iraq were not motivated by a wish to save the peoples of the two countries; the capitalist West looks upon the world as a vast market rather than a family of human beings.« (Marzieh Meshkini)

»Stray Dogs is a beautiful and disturbing film, despite its limitations, treating a country in which, according to the film’s creators, 10 percent of the population – some two million of its inhabitants – has died as a result of war, famine, poverty and homelessness.« (Joanne Laurier)

','

screenplay Marzieh Meshkini
cinematography Ebrahim Ghafori, Maysam Makhmalbaf
music Mohammad Reza Darvishi
editing Mastaneh Mohajer
cast Gol-Ghotai (Gol-Ghotai), Zahed (Zahed), Agheleh Rezaie (Mother), Sohrab Akbari (Atef)

',NULL,NULL,NULL,NULL,'images/events/event570.jpg','images/events/event570_t.jpg',600,450,NULL,NULL,'Marzieh Meshkini',93,'perzijščina','Persian','slovenščina, , angleščina','Slovene, English','Iran, Francija 2004',NULL,'images/events/logo570.jpg','images/events/logo570_t.jpg',200,200,'Marzieh Meshkini'),(541,35,'Povsem osebno','Totally Personal','Sasvim lično','

Sasvim lično je dokumentarno-igrani film, s katerim se 47-letni režiser spominja odraščanja in življenja v Bosni in Hercegovini. Film med drugim vsebuje iskrena in osebna pričevanja o življenju med balkansko vojno ter načine za preživetje in vzgajanje otrok v okupiranem mestu. Režiser navkljub tragedijam, ki so zaznamovale njegovo državo, zgodbo – v prvi osebi – pripoveduje v pozitivnem duhu in s skrivljenem smislom za humor, spomine pa povezuje skozi serijo ohlapno nanizanih vinjet.

','scenarij Nedžad Begović
fotografija Nedžad Begović
glasba Enes Zlatar
montaža Ismet Arnautalić, Almir ešković 
igrajo Nedžad Begović, Amina Begović, Sabrina Begović, Naida Begović, Hasiba Begović, Sujelman Begović

Dokumentarno-igrani film','

Totally Personal is a documentary feature film in which a forty-seven-year-old director is reminiscing about the time of his growing up and life in Bosnia and Herzegovina. The film also features genuine and personal testimonies of life during the Balkan war, survival tactics, and raising children in an occupied town. Despite the tragedies that marked his country, the director narrates – in the first person – the story in a positive spirit and with dry humour, linking his memories through a series of loosely related vignettes.

»In this film, like Andrei Rublev by Tarkovski, I want to make my bell.« (Nedžad Begović)

»It would be tempting to describe Nedžad Begović\\\'s Totally Personal as totally charming, or totally whimsical. But that would be unfair to a film which exhibits such subtlety and melancholic depth. Totally Personal should be its own film school class: a class in the art of imbuing bare-bones cinema with grace, mirth and personality« (John Anderson)

','screenplay Nedžad Begović
cinematography Nedžad Begović
music Enes Zlatar
editing Ismet Arnautalić, Almir Mešković
cast Nedžad Begović, Amina Begović, Sabrina Begović, Naida Begović, Hasiba Begović, Sujelman Begović',NULL,NULL,NULL,NULL,'images/events/event541.jpg','images/events/event541_t.jpg',600,450,NULL,NULL,'Nedžad Begović',80,'bosanščina','Bosnian','slovenščina, angleščina','Slovene, English','Bosna in Hercegovina 2004',NULL,'images/events/logo541.jpg','images/events/logo541_t.jpg',200,200,'Nedžad Begović'),(585,39,'Presahla zemlja','The Parched Land','Peresokhla zemlya','Nekega moškega nepričakovano \\\'zadane\\\' sreča. Spremeni se v pravega angela s krili, a ne ve, kaj naj bi v tej vlogi pravzaprav delal.
',NULL,'

One day a man is suddenly \\\'hit\\\' by luck. He turns into a true angel with wings, but is unaware of what he is supposed to do in this role.

',NULL,NULL,NULL,NULL,NULL,'images/events/event585.jpg','images/events/event585_t.jpg',600,450,NULL,NULL,'Taras Tomenko',25,'brez dialogov','no dialogues','slovenščina, angleščina','Slovene, English','Ukrajina 2005',NULL,NULL,NULL,NULL,NULL,'Taras Tomenko'),(556,28,'Prikoličar','Man Push Cart','Man Push Cart','

Medtem ko New York še spi, se Ahmad, mladi pakistanski priseljenec, odpravi na ulice. Njegov dan se začne v skladišču. Tam prevzame prikolico in robo, vleče ju po ulicah Manhattna, vse do oddaljenega prodajnega mesta, kjer bo zjutraj prodajal kavo in krofe. Je tipičen delavec, ki ga najdemo na vsakem vogalu vsakega velikega mesta, človek, ki se sprašuje, ali bo kdaj ušel usodi. Njegovo delo je težko, občasno ponižujoče, toda Ahmad zahtevni vsakdan prenaša s stoičnim dostojanstvom. Spoprijatelji se s sonarodnjakom Mohammadom in ga vzame pod svoje okrilje, ter z Noemi, Španko, ki dela v časopisnem kiosku nedaleč od njegove prikolice.

','scenarij Ramin Bahrani
fotografija Michael Simmonds
glasba Peyman Yazdanian
montaža Ramin Bahrani
igrajo Ahmad Razvi (Ahmad), Leticia Dolera (Noemi), Charles Daniel Sandoval (Mohammad), Ali Reza (Manish), Farooq \\\'Duke\\\' Muhammad (Duke)

Socialna drama
','

While New York still sleeps, Ahmad, a young Pakistani immigrant, begins his day on the streets. He gets his cart and goods at a warehouse, then pushes his cart down the streets of Manhattan all the way to a remote sales post, where he sells coffee and bagels. He is a typical worker, such as can be found round any corner of a metropolis, a man wondering if he will ever escape the clutches of his destiny. His work is backbreaking, occasionally even humiliating, but Ahmad bears the exacting quotidian chores with stoical dignity. He makes friends with a compatriot, Mohammad, who takes him under his wing, and Noemi, a Spanish woman who works at a newsagent\\\'s booth not far from Ahmad\\\'s cart.

','screenplay Ramin Bahrani
cinematography Michael Simmonds
music Peyman Yazdanian
editing Ramin Bahrani
cast Ahmad Razvi (Ahmad), Leticia Dolera (Noemi), Charles Daniel Sandoval (Mohammad), Ali Reza (Manish), Farooq \\\'Duke\\\' Muhammad (Duke)
',NULL,NULL,NULL,NULL,'images/events/event556.jpg','images/events/event556_t.jpg',600,450,NULL,NULL,'Ramin Bahrani',87,'urdu','Urdu','slovenščina, angleščina','Slovene, English','ZDA 2005',NULL,NULL,NULL,NULL,NULL,'Ramin Bahrani'),(595,30,'Proti jugu','Heading South','Vers le sud','Haiti, konec sedemdesetih let 20. stoletja. Na karibskem otoku se spoznajo tri ženske v poznih srednjih letih, dve Američanki in Angležinja, ki tja zahajajo zaradi osamljenosti, razočaranosti v ljubezni in temnopoltih mladeničev, predvsem postavnega Legbe, ki za majhno plačilo z veseljem ugodi vsaki njihovi seksualni pobudi.

Šifra L
 

','

scenarij Laurent Cantet, Robin Campillo, po kratkih zgodbah Danyja Laferriera fotografija Pierre Milon
montaža Robin Campillo
igrajo Charlotte Rampling (Ellen), Louise Portal (Sue), Karen Young (Brenda), Ménothy Cesar (Legba), Lys Ambroise

Avanturistični


','Haiti. The late 1970\\\'s. Three women in their advanced years meet on a Caribbean island – two Americans and an Englishwoman. They have been frequenting the island to dispel loneliness, forget thwarted love and chase dark-skinned young men, especially the muscular Legbe, who for a modest fee gladly satisfies every sexual desire... 

Code L','screenplay Laurent Cantet, Robin Campillo, based on short stories by Dany Laferrier
cinematography Pierre Milon
editing Robin Campillo
cast Charlotte Rampling (Ellen), Louise Portal (Sue), Karen Young (Brenda), Ménothy Cesar (Legba), Lys Ambroise

Avanturistic

 

',NULL,NULL,NULL,NULL,'images/events/event595.jpg','images/events/event595_t.jpg',600,450,NULL,NULL,'Laurent Cantet',105,'francoščina/angleščina','French/English','slovenščina, angleščina','Slovene, English','Francija, Kanada 2005',NULL,NULL,NULL,NULL,NULL,'Laurent Cantet'),(572,41,'Razdružene države Amerike','Divided States Of America / Laibach 2004 Tour','Divided States Of America / Laibach 2004 Tour','

Skupna Laibach se je novembra 2004 podala na četrto ameriško turnejo. Čas turneje je bil dovolj zgovoren, potekala je neposredno po ameriških volitvah, ko je George W. Bush v predsedniški tekmi zmagal drugič in liberalno misleče Američane pahnil v obup. Turneja, ki je obsegala predvsem mesta v \\\'demokratskih\\\' zveznih državah in Kanadi, je poleg glasbene predstave prinašala – in odražala – tudi ideološki naboj oziroma travmatične povolilne občutke. O trenutnem stanju v svetu in predvsem v ZDA z glasbo in pamfleti ne govorijo le člani skupine, temveč tudi obiskovalci koncertov in naključni mimoidoči.

','

scenarij Sašo Podgoršek
fotografija Sašo Podgoršek
glasba Laibach
montaža Sašo Podgoršek

Dokumentarni

','In November 2004, the Laibach music band embarks on their fourth American tour. The timing of the tour speaks for itself, as it took place immediately after the American elections in which George W. Bush won the presidential race for the second time, throwing liberal Americans into despair. The tour included towns of the “Democrat” federal states and Canada and, besides offering a spectacular music show, also reflected a strong ideological charge and traumatic post-election emotions. Through their music and pamphlets, the members of the band and people from the audience as well as coincidental passersby speak about the current situation in the world, especially in the USA.      ','screenplay Sašo Podgoršek
cinematography Sašo Podgoršek
music Laibach
editing Sašo Podgoršek

Documentary',NULL,NULL,NULL,NULL,'images/events/event572.jpg','images/events/event572_t.jpg',600,450,NULL,NULL,'Sašo Podgoršek',70,'angleščina','English','slovenščina, angleščina','Slovene, English','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,'Sašo Podgoršek'),(554,30,'Redna ljubimca','Everyday Lovers','Les amants regulieres','

Pariz, maj 1968. Med študentskimi demonstracijami se spoznata in spoprijateljita dvajsetletna mladeniča. Potem ko po uličnih spopadih s policijo in umiritvi položaja obema postane jasno, da so se študentski ideali razblinili, se predajata opiju, s katerim ju zalaga njun znanec, inertni, pasivni in docela asocialni malomeščanski dedič, ki je revolucijo "doživel" v opoju mamil. V tem času se eden izmed fantov zaljubi.

Šifra H

','

scenarij Philippe Garrel, Marc Cholodenko, Arlette Langmann
fotografija William Lubtchansky
glasba Jean-Claude Vannier
montaža Françoise Collin
igrajo Nicolas Bridet (Antoine), Louis Garrel (François), Clotilde Hesme (Lilie), Mathieu Genet, Julien Lucas, Eric Rulliat, François Toumarkine

Drama

','

Paris, May 1968. Two 20-year-old men meet and become friends during student protests, which culminate in street fights with the police. After the riots have died down, the boys realise that their youthful ideals are shattered, and so find release in opium supplied by their acquaintance, a torpid, apathetic and entirely anti-social bourgeois heir, who has \\\'experienced\\\' the revolution under the influence of drugs. Then one of the boys falls in love.

Code H

','

screenplay Philippe Garrel, Marc Cholodenko, Arlette Langmann
cinematography William Lubtchansky
music Jean-Claude Vannier
editing Françoise Collin
cast  Nicolas Bridet (Antoine), Louis Garrel (François), Clotilde Hesme (Lilie), Mathieu Genet, Julien Lucas, Eric Rulliat, François Toumarkine

Drama

',NULL,NULL,NULL,NULL,'images/events/event554.jpg','images/events/event554_t.jpg',600,450,NULL,NULL,'Philippe Garrel',178,'francoščina','French','Slovenščina, angleščina','Slovene, English','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Philippe Garrel'),(492,30,'Ruske lutke','Russian Dolls','Les poupées russes','

Xavier ima trideset let. Nič več študent, niti samostojen oziroma dobro situiran odrasel moški. Njegova kariera je povprečna; poslovni svet je pustil pred časom, kot romanopisec nikoli ni uspel, zato se preživlja kot občasni novinar ali anonimni pisec za druge; največji uspeh je bilo sodelovanje pri scenariju za televizijsko limonado. Njegovo ljubezensko življenje ni rožnato. Xavier zdaj sedi na vlaku med Parizom in Londonom ter na prenosni računalnik piše novo zgodbo, spomine na Barcelono in dogodivščine v St. Peterburgu, kjer je bil na poroki  Williama in ruske balerine.

Šifra AC

','scenarij Cédric Klapisch
fotografija Dominique Colin
glasba Loďc Dury, Laurent Levesque
montaža Francine Sandberg
igrajo Romain Duris (Xavier), Kelly Reilly (Wendy), Audrey Tautou (Martine), Cécile De France (Isabelle Wauquaire), Kevin Bishop (William), Evguenya Obraztsova (Natalia), Irene Montalŕ (Neus)

Ljubezenska drama','

Xavier is thirty years old. No longer a student, yet not yet independent or a well–situated, grown man. His professional life is mediocre; he abandoned the business arena a while ago, and never came through as a novelist. He makes a living as an odd-job journalist or anonymous hired writer. His greatest success was his contribution to the script of a TV soap opera. His love life is just as dissatisfying. Momentarily, Xavier rides the train between Paris and London, writing a new story on his laptop about his memories of Barcelona and his adventures in Saint Petersburg, where he attended a wedding between Wiliam and a Russian ballerina.

Code AC

','

screenplay Cédric Klapisch
cinematography Dominique Colin
music Loďc Dury, Laurent Levesque
editing Francine Sandberg
cast Romain Duris (Xavier), Kelly Reilly (Wendy), Audrey Tautou (Martine), Cécile De France (Isabelle Wauquaire), Kevin Bishop (William), Evguenya Obraztsova (Natalia), Irene Montalŕ (Neus)

Love drama


',NULL,NULL,NULL,NULL,'images/events/event492.jpg','images/events/event492_t.jpg',600,450,NULL,NULL,'Cédric Klapisch',125,'francoščina','French','slovenščina, hrvaščina','Slovene, Croatian','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Cédric Klapisch'),(479,28,'Skriti adut','Dark Horse','Voksne Mennesker','

Daniel je razigran in šarmanten grafitni umetnik, preživlja se z naročenimi ljubezenskimi izjavami, ki jih piše po zidovih kopenhagenskih stavb. Zaradi vsakdanjih problemov si ne beli glave; lovijo ga vsi, prometni redarji, lastniki stanovanja, kjer živi kot podnajemnik, davčna uprava, upniki in policija. Potem se zaljubi v Franc, dekle, ki je enako razposajeno in neodgovorno kot sam. Nenadoma je njegovega uživaškega vsakdana konec, spopasti se mora z realnim življenjem. Med drugim izve, da je v Franc zaljubljen tudi njegov dedek Roger.

','scenarij Dagur Kári, Rune Schjøtt
fotografija Manuel Alberto Claro
glasba Slowblow
montaža Daniel Dencik
igrajo Jakob Cedergren (Daniel), Tilly Scott Pedersen (Franc), Nicolas Bro (Roger), Mikael Bertelsen, Michelle Bjřrn-Andersen, Thomas L. Corneliussen 

Parodija
','

Daniel is a vivacious and charming graffiti artist who makes a living making commissioned love statements on the walls of buildings in Copenhagen. He is not troubled by his everyday predicaments, despite being tracked down by parking attendants, landlords, bill collectors and even the police. He falls in love with Franc, a girl who is just as irresponsible and frolicky as he is. He, among others, learns that his grandfather, Roger, is also in love with Franc.

','screenplay Dagur Kári, Rune Schjøtt
cinematography Manuel Alberto Claro
music Slowblow
editing Daniel Dencik
cast Jakob Cedergren (Daniel), Tilly Scott Pedersen (Franc), Nicolas Bro (Roger), Mikael Bertelsen, Michelle Bjřrn-Andersen, Thomas L. Corneliussen 
',NULL,NULL,NULL,NULL,'images/events/event479.jpg','images/events/event479_t.jpg',600,450,NULL,NULL,'Dagur Kari',106,'danščina','Danish','slovenščina','Slovene','Danska 2005',NULL,NULL,NULL,NULL,NULL,'Dagur Kari'),(483,34,'Skrito','Hidden','Cache','

Georges, voditelj priljubljene televizijske oddaje o literaturi, in Anne, literarna založnica, nekega dne pred vrati svoje pariške hiše najdeta skrivnosten paket. V njem sta videokaseta, na kateri je posnetek vhoda v njuno hišo, in otroška risba krvavega obraza. Naslednje dni prihajajo novi paketi, posnetki se vse bolj navezujejo na njuno zasebnost. Počutita se vedno bolj ogrožena, vendar policija ne more ukrepati, ker ju nihče ni napadel ali jima fizično grozil. Potem eden izmed posnetkov razkrije vhod v neznano stanovanje. Georges se odpravi tja in v stanovanju najde Arabca Majida, s katerim sta se v mladosti družila. A Majid trdi, da s posnetki nima ničesar.

','scenarij Michael Haneke
fotografija Christian Berger
montaža Michael Hudecek, Nadine Muse
igrajo Juliette Binoche (Anne Laurent), Daniel Auteuil (Georges Laurent), Maurice Bénichou (Majid), Annie Girardot (Georgesova mama), Lester Makedonsky (Pierrot Laurent), Bernard Le Coq (urednik), Daniel Duval (Pierre)

Triler
','

Georges, a TV host of a popular literary TV show, and Anne, a literary publisher, one day receive a mysterious package at the door of their Paris house. The package contains footage of their front door and a child-like drawing of a bloody face. In the days that follow, packages keep arriving, all more or less relating to the couple’s intimate life. They both feel imperilled, yet the police can do nothing because “noone has attacked or physically threatened them”. Then one of the footages reveals an entrance to an unknown flat. Georges decides to go there and finds an Arab, Majid, whom he hung out with when the two were younger. But Majid claims he doesn’t have anything to do with the tape. 

','screenplay Michael Haneke
cinematography Christian Berger
editing Michael Hudecek, Nadine Muse
cast Juliette Binoche (Anne Laurent), Daniel Auteuil (Georges Laurent), Maurice Bénichou (Majid), Annie Girardot (Georges\\\' mother), Lester Makedonsky (Pierrot Laurent), Bernard Le Coq (editor), Daniel Duval (Pierre)
',NULL,NULL,NULL,NULL,'images/events/event483.jpg','images/events/event483_t.jpg',600,450,NULL,NULL,'Michael Haneke',117,'francoščina','French','slovenščina','Slovene','Francija, Avstrija, Nemčija, Italija 2005',NULL,NULL,NULL,NULL,NULL,'Michael Haneke'),(591,39,'Skrivnost','The Secret','O Segredo','Psihološka drama med Katarino in Dudujem, srednje bogatim parom, ki živi v Riu de Janeiru. Ona je manekenka, on slikar. Kaže, da imata pristno razmerje. A le dokler se Katarina sama ne odpravi na pot, Duduja pa doma razjeda ljubosumje. Odpre njeno elektronsko pošto in se dokoplje do drugačne resnice o Katarini.
','Brazilija 2005','

A psychological drama between Katarina and Dudu, a middle-aged couple living in Rio de Janeiro. She is a model, he a painter. They seem to have a meaningful  relationship. But only until Katarina goes on a journey alone, while Dudu is torn by jealousy at home. He checks her E-mail messages and discovers a different truth about Katarina.

','Brazil 2005',NULL,NULL,NULL,NULL,'images/events/event591.jpg','images/events/event591_t.jpg',600,450,NULL,NULL,'Luis Antonio Pereira',19,'portugalščina','Portugal','slovenščina','Slovene','Brazilija 2005',NULL,NULL,NULL,NULL,NULL,'Luis Antonio Pereira'),(490,30,'Slikati ali se ljubiti','To paint or make love','Peindre ou faire l\\\'amour','

William in Madeleine uživata mirno življenje v mestecu ob vznožju gora; dolgo sta poročena, zvesta sta si in še vedno zaljubljena. Njuna edinka se je preselila v Italijo, zato nimata več starševskih skrbi. Madeleine med enim svojih sprehodov sreča privlačnega in izobraženega slepega domačina Adama, ki zakonca navduši, da kupita hišo, ki si jo je Madeleine želela naslikati. Po nakupu hiše sta presrečna, počasi se vživljata v novo bivalno okolje. Potem zgori hiša Adama in Eve, njunih novih sosedov. 

Šifra AM

','scenarij Arnaud Larrieu, Jean-Marie Larrieu
fotografija Christophe Beaucarne
glasba Philippe Katerine
montaža Annette Dutertre
igrajo Sabine Azéma (Madeleine Lasserre), Daniel Auteuil (William Lasserre), Amira Casar (Eva), Sergi López (Adam), Philippe Katerine (Mathieu), Hélčne de Saint-Pčre (Julie), Sabine Haudepin (Suzanne)

Svingerski','

William and Madeleine lead a quiet life in a town at the foothills of the mountains. Married for ages, they are still faithful to one another and still very much in love. Their only daughter has moved to Italy, so they are no longer bothered by parental concerns. During one of her strolls, Madeleine meets Adam, a sensitive and well-read blind man. He takes her to the house which she had wanted to paint, and she and William are so thrilled by it that they decide to buy it. Several weeks after the purchase, they are on cloud nine, and slowly settling in. But then the house of their new neighbours, Adam and Eve, burns down. 

Code AM

','screenplay Arnaud Larrieu, Jean-Marie Larrieu cinematography Christophe Beaucarne
music Philippe Katerine
editing Annette Dutertre
cast Sabine Azéma (Madeleine Lasserre), Daniel Auteuil (William Lasserre), Amira Casar (Eva), Sergi López (Adam), Philippe Katerine (Mathieu), Hélčne de Saint-Pčre (Julie), Sabine Haudepin (Suzanne)',NULL,NULL,NULL,NULL,'images/events/event490.jpg','images/events/event490_t.jpg',600,450,NULL,NULL,'Arnaud Larrieu, Jean-Marie Larrieu',100,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Arnaud Larrieu, Jean-Marie Larrieu'),(495,35,'Smrt gospoda Lazarescuja','The Death Of Mister Lazarescu','Moartea domnului Lazarescu','

Gospod Lazarescu, 63-letnik, živi v stanovanju s tremi mačkami. Žena mu je umrla pred osmimi leti, hči se je preselila v Kanado. Tega večera se Lazarescu ne počuti najbolje; boji se, da se mu je znova vnel čir na želodcu, zato pokliče ambulantno vozilo. Med čakanjem si hoče bolečine lajšati z zdravili, vendar mu jih je zmanjkalo, zato pozvoni pri sosedih. Ti pa mu ne morejo pomagati. Ko Lazarescuja končno odpeljejo v bolnico, se njegove težave šele začnejo; najprej ga peljejo v napačno bolnico, potem mu ugotovijo napačno bolezen, povrh vsega ima opravka s tečnimi, ciničnimi in preutrujenimi zdravniki …

','scenarij Cristi Puiu, Razvan Radulescu
fotografija Andrei Butica, Oleg Mutu
montaža Dana Bunescu
igrajo Ion Fiscuteanu (Lazarescu Dante Remus), Doru Ana (Sandu), Monica Barladeanu (Mariana), Alina Berzunteanu (dr. Zamfir)

Drama
','

63-year-old Mr. Lazarescu lives in a flat together with his three cats. His wife died 8 years ago, and his daughter moved to Canada. One night, Lazarescu does not feel very well Fearing that his gastric ulcer might have be acting up again, he calls an ambulance. Waiting for it to arrive, he needs to soothe the pain with an analgesic, but has run out of them, and the neighbours can’t help him, either. When he is finally taken to hospital, his problems all but start. He is taken to the wrong hospital, then is incorrenctly diagnosed, and to top it off, he receives medical attention from ill-tempered, cynical and overfatigued doctors …

','screenplay Cristi Puiu, Razvan Radulescu
cinematography Andrei Butica, Oleg Mutu
editing Dana Bunescu
cast Ion Fiscuteanu (Lazarescu Dante Remus), Doru Ana (Sandu), Monica Barladeanu (Mariana), Alina Berzunteanu (Dr Zamfir)
',NULL,NULL,NULL,NULL,'images/events/event495.jpg','images/events/event495_t.jpg',600,450,NULL,NULL,'Cristi Puiu',153,'romunščina','Romanian','slovenščina, angleščina','Slovene, English','Romunija 2005',NULL,'images/events/logo495.jpg','images/events/logo495_t.jpg',200,200,'Cristi Puiu'),(542,30,'Soba','Room','Room','

Julia Barker je prezaposlena ženska, z družino preživi  premalo časa. Z možem in otrokoma živi v Houstonu, družina se zaradi njenega bornega zaslužka težko preživlja. Zadnje čase se ji prikazuje podoba svetle, prostorne industrijske sobe. Ko se Julia po manjši avtomobilski nesreči na cesti blizu letališča znova zave, sledi svoji viziji in z letalom odleti v New York; tam nadaljuje z iskanjem skrivnostne sobe …

Šifra AB

','scenarij Kyle Henry
fotografija P.J. Raval
glasba Fritz Robenalt
montaža Pete Beaudreau
igrajo Kenneth Wayne Bradley (Bobby Barker), Shane Brown (mladenič),
Tracy Campoli (mladenič), Javier Checa (Portoričan), Funda Duval (Rusinja)

Eksperimentalni','

Overworked Julia Barker has been neglecting her family. She lives in Houston with her husband and two children, and her family has difficulty making ends meet owing to her poor earnings. Lately, she has had visions of a bright, spatious industrial room. When she regains consciousness after a minor car accident, Julia follows her vision and flies to New York. There she continues her search for the mysterious room...

Code AB

','

screenplay Kyle Henry
cinematography P.J. Raval
music Fritz Robenalt
editing Pete Beaudreau
cast Kenneth Wayne Bradley (Bobby Barker), Shane Brown (young man),
Tracy Campoli (young man), Javier Checa (Puerto Rican), Funda Duval (Russian woman)

',NULL,NULL,NULL,NULL,'images/events/event542.jpg','images/events/event542_t.jpg',600,450,NULL,NULL,'Kyle Henry',85,'angleščina','English','slovenščina','Slovene','ZDA 2005',NULL,NULL,NULL,NULL,NULL,'Kyle Henry'),(522,39,'Somrak','Twilight','Sumerki','Rusko žensko pretrese izginotje hčerke. Nekega dne v smeteh najde zapuščeno in izmučeno deklico. Odpelje jo domov, da bi poskrbela zanjo, a čez nekaj dni dekletce umre ... Film o trpljenju matere ob neznosni izgubi in skritih močeh človeškega srca.
',NULL,'A Russian woman is stricken by the disappearance of her daughter. One day she finds an abandoned and fatigued little girl in a rubbish heap. She takes her home to look after her. But in a few days, the girl is found dead… A film of the sufferings of a mother over an unendurable loss and the power of the human heart.
',NULL,NULL,NULL,NULL,NULL,'images/events/event522.jpg','images/events/event522_t.jpg',600,450,NULL,NULL,'Victoria Gamburg',21,'ruščina','Russian','slovenščina','Slovene','Rusija 2005',NULL,NULL,NULL,NULL,NULL,'Victoria Gamburg'),(487,34,'Strti cvetovi','Broken Flowers','Broken Flowers','

Dona, otopelega šestdesetletnika, je ravnokar pustila zadnja, veliko mlajša ljubimka. Potem na njegov naslov prispe pismo v rožnati kuverti; natipkano besedilo ga obvešča, da njegov 19-letni sin, za katerega nikoli ni vedel, verjetno prihaja na obisk. Don pismo pokaže sosedu Winstonu, ljubitelju kriminalk in samooklicanemu detektivu. Ta ga nagovori v detektivsko avanturo: Don se mora spomniti vseh žensk, možnih mater njegovega sina, s katerimi je pred dvajsetimi leti ljubimkal, on pa bo natančno premislil in določil, kako se bosta lotila podviga. Donov spisek nazadnje vsebuje štiri imena; obiskal bo vse štiri ženske in skušal ugotoviti, katera med njimi je mati njegovega sina.

','scenarij Jim Jarmusch
fotografija Frederick Elmes
glasba Mulatu Astatke
montaža Jay Rabinowitz
igrajo Bill Murray (Don Johnston), Heather Simms (Mona), Jeffrey Wright (Winston), Sharon Stone (Laura Miller), Frances Conroy (Dora), Chloë Sevigny (Carmenina asistentka), Jessica Lange (Carmen), Tilda Swinton (Penny), Julie Delpy (Sherry)

Komedija/avanturistična drama
','

Don, a lethargic 60-year-old, has just been left by his last, much younger lover. Then he receives a letter in a pink envelope, saying in typed letters that his nineteen-year-old son, whose existence Don had never been aware of, is probably coming to see him. Don shows the letter to his neighbour, Winston, a crime stories afficionado and self-styled detective, who entices him into a detective adventure: Don needs to recall all the women who might be the potential mothers of his son and with whom he had intimate relations twenty years ago. Winston will then draw up a precise itinerary of the investigation. Don\\\'s list has four names; he will visit all four women and try to find out which of them is the mother of his son.

','screenplay Jim Jarmusch
cinematography Frederick Elmes
music Mulatu Astatke
editing Jay Rabinowitz
cast Bill Murray (Don Johnston), Heather Simms (Mona), Jeffrey Wright (Winston), Sharon Stone (Laura Miller), Frances Conroy (Dora), Chloë Sevigny (Carmen\\\'s assistant), Jessica Lange (Carmen), Tilda Swinton (Penny), Julie Delpy (Sherry)',NULL,NULL,NULL,NULL,'images/events/event487.jpg','images/events/event487_t.jpg',600,450,NULL,NULL,'Jim Jarmush',105,'angleščina','English','slovenščina, hrvaščina','Slovene, Croatian','ZDA 2005',NULL,NULL,NULL,NULL,NULL,'Jim Jarmush'),(489,30,'Šanghajske sanje','Shanghai Dreams','Qing hong','

V 60. letih je kitajska oblast prebivalce urbanih predelov spodbujala, da so se začeli izseljevati v odročne, ruralne predele in s tem podpirali revnejše, industrijske regije Kitajske. Zgodba se odvija leta 1983 v provinci Guizhou med liberalnimi spremembami, ko so se ideali starejših dokončno zrušili in so začeli aktivno razmišljati o vrnitvi v velika mesta. V ospredju je devetnajstletna Qinghong; njen oče jo vzgaja s trdo roko, ji prepoveduje stike s fanti in jo povečini drži doma. Njena edina prijateljica se odkrito spogleduje s sovrstniki in celo razmišlja o begu iz vasi, podobno kot Hong Qingin oče razmišlja o dokončni selitvi v Šanghaj.

Šifra AD

','

scenarij Wang Xiaoshuai, Lao Ni
fotografija Wu Di
montaža Yang Hongyu
igrajo Gao Yuanyuan (Qinghong), Li Bin (Xiao Gen Er), Tang Yang, Wang Xueyang, Yao Anlian

Drama ','

In the 1960\\\'s, the Chinese authorities encouraged urban inhabitants to move to remote, rural areas in order to uphold the poorer, industrial Chinese regions. The story begins to enfold in 1983 in Guizhou Province, during the time of liberal changes, when the ideals of the older generation finally collapsed and they actively began to contemplate returning to the big cities. The focus is on 19-year-old Qinghong, who has had a strict upbringing. Her father forbids her to date boys and prefers that she stay at home. Her only friend openly flirts with her peers and even hopes to flee from the village. Similarly, Qinghong\\\'s father entertains the notion of moving to Shanghai for good.

Code AD','

screenplay Wang Xiaoshuai, Lao Ni
cinematography Wu Di
editing Yang Hongyu
cast Gao Yuanyuan (Qinghong), Li Bin (Xiao Gen Er), Tang Yang, Wang Xueyang, Yao Anlian

Drama',NULL,NULL,NULL,NULL,'images/events/event489.jpg','images/events/event489_t.jpg',600,450,NULL,NULL,'Xiaoshuai Wang',123,'mandarinščina','Mandarin','Slovenščina, angleščina','Slovene, English','Kitajska 2005',NULL,NULL,NULL,NULL,NULL,'Xiaoshuai Wang'),(494,30,'Štiri','Four','4','

V nočnem baru se v poznih večernih urah znajdejo trije neznanci, Marina, Volodja in Oleg. Za točilno mizo se med popivanjem začnejo pogovarjati; o vsakdanu in svojih poklicih, in jasno postane, da vsi bolj ali manj lažejo. Marina se izdaja za poslovno žensko, čeprav je v resnici prostitutka; Volodja je uglaševalec klavirjev, hvali pa se z raziskovalnim delom v genetskem laboratoriju; Oleg naj bi bil blizu predsedniku Rusije, čeprav je navaden trgovec z mesom. Po dolgi in živahni razpravi se trojica razide; očitno je, da so vsi trije zelo nezadovoljni z življenjem.

Šifra I

','

scenarij Vladimir Sorokin
fotografija Sandor Berkesi, Aleksandr Ilhovski, Ališer Hamidkodjajev, Aleksandr Ilhovski
montaža Igor Malahov
igrajo Šavkat Abdusalamov, Anatolij Adoskin, Jurij Laguta, Konstantin Murzenko, Sergej Šnurov, Irina Vovčenko

Drama

','

In the late hours of the night, three strangers meet in a night bar: Marina, Volodia and Oleg. While drinking, they start talking about their lives and occupations, and it soon becomes obvious that they are all more or less lying. Although a prostitute, Marina pretends to be a business woman. Volodia is a piano tuner and brags about his research work at the genetic laboratory. Oleg is supposed to be close to the President of Russia himself, but is in reality just a meat dealer. After a long and animated discussion, the three go their separate ways. It is clear that they are all very discontented with their lives. 

Code I

','

screenplay Vladimir Sorokin
cinematography Sandor Berkesi, Aleksandr Ilhovski, Alisher Hamidkodiaiew
editing Igor Malahov
cast Shavkat Abdusalamov, Anatoly Adoskin, Jury Laguta, Konstantin Murzenko, Sergei Shnurov, Irina Vovchenko

Drama

',NULL,NULL,NULL,NULL,'images/events/event494.jpg','images/events/event494_t.jpg',600,450,NULL,NULL,'Ilja Kržanovski',126,'ruščina','Russian','slovenščina, angleščina','Slovene, English','Rusija 2004',NULL,NULL,NULL,NULL,NULL,'Ilja Kržanovski'),(503,29,'Šutka','The Shutka Book of Records','The Shutka Book of Records','

Dokumentarec o "glavnem mestu Romov", mestecu Šutka v Makedoniji, "dolini sreče", ki jo naseljujejo bizarni, divji, zagrizeno obsedeni in resnično nenavadni junaki. Vsakdo v Šutki hoče biti v svoji kategoriji najboljši, pa naj gre za takšne absurde, kot je zbiranje kaset narodne glasbe, pisanje romske slovnice ali zbiranje elitnih, "originalnih" Versacejevih oblek. Dr. Koljo, glavni igralec iz Kusturičevega filma Črna mačka, beli mačkon, se s kamero sprehaja med prebivalci in snema vsakodnevne prepire, tekmovanja, stave in dosežke. Čeprav med prebivalci vlada revščina, so zmožni ob proslavljanju obrezovanja najmlajšega sina pripraviti zabavo za vse mesto.

 

','

scenarij Aleksandar Manić
fotografija Dominik Miskovsky
montaža Ivana Davidova
igrajo Severdžan Bajram


','A documentary on the ‘capital of Romany’, the town of Shutka in Macedonia, the ‘valley of happiness’, which is inhabited by bizarre, wild, fanatically obsessed and utterly insane characters. Everybody in Shutka wants to excel in his category, be it the absurds such as collecting tapes of national folk music, writing Romany grammar or collecting haute couture, ‘original’ Versace clothing. Dr. Koljo, the lead in Kusturica’s Black Cat, White Cat, mingles among the natives with his camera and records daily brawls, competitions, bets and achievements. Although the people live in dire poverty, they are able to organise a party for the entire town to celebrate the circumcision of their youngest son.
','

screenplay Aleksandar Manić
cinematography Dominik Miskovsky
editing Ivana Davidova
cast Severdžan Bajram

',NULL,NULL,NULL,NULL,'images/events/event503.jpg','images/events/event503_t.jpg',600,450,NULL,NULL,'Aleksandar Saša Manić',78,'srbščina/makedonščina','Serbian/Macedonian','slovenščina, angleščina','Slovene, English','Češka rep. 2005',NULL,'images/events/logo503.jpg','images/events/logo503_t.jpg',200,200,'Alexandar Sasha Manic'),(590,39,'Tak je Calypso','Calypso is like so','Calypso is like so','Ostareli filmski junak v snemalni prikolici na prizorišču snemanja.
Hommage Robertu Mitchumu',NULL,'An aged film star in a trailer on the film set.
Homage to Robert Mitchum.
',NULL,NULL,NULL,NULL,NULL,'images/events/event590.jpg','images/events/event590_t.jpg',600,450,NULL,NULL,'Bruno Collet',7,'francoščina','French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,'Bruno Collet'),(565,30,'Tapas','Tapas','Tapas','

V barviti četrti Barcelone se križajo usode in vsakodnevni rituali preprostih ljudi, starih in mladih, domačinov in priseljencev, zaljubljenih in tistih, ki hlepijo po ljubezni. Lastnika restavracije Lola je ravnokar pustila naveličana žena Rosalia, zato si mora najti novo pomoč v kuhinji; najde jo v kitajskem priseljencu Mau, čigar tortilje kmalu zaslovijo. Stari Mariano izve, da ima raka na pljučih ter da mu ostaja le par mesecev življenja; njegova žena Conchi ga ne more spraviti k zdravniku, zato pa v Lolovem lokalu občasno preprodaja mamila. Racquel, dekle, ki jo je pred dvema letoma pustil mož, najde novo \\\'spletno ljubezen\\\'. Privlači jo tudi  Cesar, dosti mlajši fant iz trgovine, ki ji nekega dne popravi videorekorder.

Šifra AF

','

scenarij José Corbacho, Juan Cruz
fotografija Guillermo Granillo
glasba Pablo Sala
montaža David Gallart, Liliana Nadal
igrajo Ángel de Andrés López (Lolo), María Galiana (Conchi), Elvira Mínguez (Raquel Merino), Rubén Ochandiano (César), Alberto de Mendoza (Don Mariano), Darío Paso (Opo), Alberto Jo Lee (Mao), Amparo Moreno (Rosalía)

Tragedija zmešnjav

','

The destinies and daily rituals of simple people, old and young, natives and immigrants, the enamoured and those pining for love, intertwine in a colourful quarter in Barcelona. A bar-owner, Lolo, has just been abandoned by his fed-up wife, Rosalia, so he needs new kitchen help. He employs a Chinese, Mao, whose tortillas soon become the talk of the town. Old Mariano has just learned he has lung cancer and that he has but a few months to live. His wife, Conchi, is unable to convince him to seek medical attention, so she occasionally sells drugs at Lolo\\\'s establishment. Racquel, who two years ago was dumped by her man, is looking for a new boyfriend in on-line chatrooms. But her intended is Cesar, a shop boy, who one day mends her video recorder...

Sifra AF

','screenplay José Corbacho, Juan Cruz
cinematography Guillermo Granillo
music Pablo Sala
editing David Gallart, Liliana Nadal
cast Ángel de Andrés López (Lolo), María Galiana (Conchi), Elvira Mínguez (Raquel Merino), Rubén Ochandiano (César), Alberto de Mendoza (Don Mariano), Darío Paso (Opo), Alberto Jo Lee (Mao), Amparo Moreno (Rosalía)',NULL,NULL,NULL,NULL,'images/events/event565.jpg','images/events/event565_t.jpg',600,450,NULL,NULL,'José Corbacho / Juan Cruz',94,'španščina','Spanish','slovenščina','Slovene','Španija 2005',NULL,NULL,NULL,NULL,NULL,'José Corbacho / Juan Cruz'),(529,33,'Tony Takitani','Tony Takitani','Tony Takitani','

Tony Takitani je vedno živel osamljeno življenje; njegov oče Shozaburo je preživel drugo svetovno vojno in ga pod ameriško oblastjo poimenoval z ameriškim imenom, zaradi česar so Tonyja vedno gledali malo postrani. Z očetom se zaradi strasti do jazza in neprestanih turnej nista dosti videla, mati je umrla tri dni po njegovem rojstvu. Zdaj, globoko v štiridesetih letih, še vedno živi sam. Potem sreča Eiko, petnajst let mlajše dekle, ki jo na petem zmenku zaprosi za roko. Eiko ponudbo sprejme, zdi se, da Tony prvič živi za nekoga drugega. Njun zakon je srečen, Tonyja moti le ena ženina razvada: obsedena je z nakupovanjem oblek.

','

scenarij Jun Ichikawa, po romanu Harukija Murakamija
fotografija Taishi Hirokawa
glasba Ryuichi Sakamoto
montaža Tomoh Sanjo
igrajo Issei Ogata (Tony/Shozaburo), Rie Miyazawa (Eiko/Hisako), Yumi Endo, Hidetoshi Nishijima, Shinohara Takahumi

Parodična drama

','

Tony Takitani has always led a lonely life. His father, Shozaburo, survived the Second World War and, under American rule, gave his son an American name. For this reason Tony was always considered a curiosity. He hasn’t seen much of his father because of his passion for jazz and constant tourings. His mother died three days after his delivery. Now, in his late forties, he still lives alone. He then meets Eiko, fifteen years his junior, and asks her to marry him on their fifth date. She accepts the proposal, and Tony seems to be living for someone else for the first time in his life. Their marriage is a happy one, the only thing that bothers Tony is his wife’s obsession with shopping for clothes.

','screenplay Jun Ichikawa, based on the novel by Haruki Murakami
cinematography Taishi Hirokawa
music Ryuichi Sakamoto
editing Tomoh Sanjo
cast Issei Ogata (Tony/Shozaburo), Rie Miyazawa (Eiko/Hisako), Yumi Endo, Hidetoshi Nishijima, Shinohara Takahumi
',NULL,NULL,NULL,NULL,'images/events/event529.jpg','images/events/event529_t.jpg',600,450,NULL,NULL,'Jun Ichikawa',75,'japonščina','Japanese','slovenščina, angleščina','Slovene, English','Japonska 2004',NULL,NULL,NULL,NULL,NULL,'Jun Ichikawa'),(580,34,'Tragedija v Omaghu','Omagh','Omagh','

Junija 1998 se je vsa Irska pripravljala za odhod na volišča, da bi se na referendumu Good Friday Agreement izjasnila za mir na Severnem Irskem. Prav v tem času se je disidentska frakcija IRE odločila izvesti bombni napad in s tem izzvati nove nemire in politično nestabilnost. Sebe so poimenovali Prava IRA, tarčo so izbrali skrbno; bombo so nastavili v Omagh, majhno trgovsko mestece, kjer so protestanti in katoliki kljub konfliktom v širši regiji živeli v sožitju več kot trideset let.

','

scenarij Paul Greengrass, Guy Hibbert
fotografija Donal Gilligan
montaža Clive Barrett
igrajo Gerard McSorley (Michael Gallagher), Michele Forbes (Patsy Gallagher), Brenda Fricker (Nuala O\\\'Loan), Stuart Graham (Victor Barker), Peter Ballance (Mark Breslin), Pauline Hutton (Sharon Gallagher)

Politična drama

','

In June, 1998 the whole of Ireland was preparing for Election Day in order to express their will for peace in Northern Ireland at the Good Friday Agreement referendum. At the same time, a dissident faction of IRA decides to execute a bomb attack and thus provoke new riots and political instability. Calling themselves the Real IRA and selecting their target carefully, they plant a bomb in Omagh, a small commercial town where, despite the conflicts in the broader region, Protestants and Catholics have co-habited peacefully for more than thirty years.

','

screenplay Paul Greengrass, Guy Hibbert
cinematography Donal Gilligan
editing Clive Barrett
cast Gerard McSorley (Michael Gallagher), Michele Forbes (Patsy Gallagher), Brenda Fricker (Nuala O\\\'Loan), Stuart Graham (Victor Barker), Peter Ballance (Mark Breslin), Pauline Hutton (Sharon Gallagher)

',NULL,NULL,NULL,NULL,'images/events/event580.jpg','images/events/event580_t.jpg',600,450,NULL,NULL,'Pete Travis',106,'angleščina','English','slovenščina','Slovene','Irska, VB 2004',NULL,'images/events/logo580.jpg','images/events/logo580_t.jpg',200,200,'Pete Travis'),(593,34,'Trčenje','Crash','Crash','

V sodobnem Los Angelesu se v 36 urah odvije večkarakterna, večetnična in večfobična drama o malih, večinoma zlomljenih posameznikih, ljudeh s številnimi predsodki, paranoikih, preračunljivcih in agresivcih. Policijski detektiv Waters se mora za zaščito brata javno osramotiti; rasistični policaj Ryan išče konflikte s priseljenci in nebelimi Američani; mehiški ključavničar mora prenašati ksenofobične izpade žene javnega tožilca Richarda Cabota; pakistanska družina ima neprestane težave z domačini; temnopolta avtomobilska tatova v vsakem belcu vidita možnega rasista. Los Angeles, mesto neštetih ras in religij, bo kot vse kaže eksplodiral.

','

scenarij Paul Haggis, Robert Moresco
fotografija James Muro, Dana Gonzales
glasba Mark Isham
montaža Hughes Winborne
igrajo Don Cheadle (Graham Waters), Sandra Bullock (Jean Cabot), Keith David (Dixon), Matt Dillon (policist Ryan), Jennifer Esposito (Ria), William Fichtner (Jake Flanagan), Brendan Fraser (Richard Cabot), Thandie Newton (Christine)

Mistična drama/kriminalka

','

Present-day Los Angeles. Within 36 hours, a multi-character, multi-ethnic and multi-phobic drama evolves, focusing on small, mostly broken individuals with numerous prejudices, as well as paranoid, selfish and aggressive persons. Police detective Waters has to compromise himself publicly in order to protect his own brother; racist policeman Ryan looks for conflicts with immigrants and non-white Americans; a Mexican locksmith has to tolerate the xenophobic fall-outs of District Attorney Richard Cabot’s wife; a Pakistani family comes into constant conflicts with the locals; coloured car-jackers see a potential racist in every white man. Los Angeles, a city of countless races and religions, seems to be on the verge of explosion.

','screenplay Paul Haggis, Robert Moresco
cinematography James Muro, Dana Gonzales music Mark Isham
editing Hughes Winborne
cast Don Cheadle (Graham Waters), Sandra Bullock (Jean Cabot), Keith David (Dixon), Matt Dillon (police officer Ryan), Jennifer Esposito (Ria), William Fichtner (Jake Flanagan), Brendan Fraser (Richard Cabot), Thandie Newton (Christine)',NULL,NULL,NULL,NULL,'images/events/event593.jpg','images/events/event593_t.jpg',600,450,NULL,NULL,'Paul Haggis',113,'angleščina','English','slovenščina','Slovene','ZDA, Nemčija 2005',NULL,NULL,NULL,NULL,NULL,'Paul Haggis'),(520,35,'Ugrabitev','Hostage','Omiros','

Nekega jutra mlad moški vstopi v avtobus, ki vsak dan vozi med Atenami in Solunom. Med vožnjo nasilno ugrabi vozilo in sedem potnikov vzame za talce. Izkaže se, da je ugrabitelj mlad albanski izseljenec, ki zdaj zahteva pol milijona evrov in varno vrnitev v domovino. Dramo talcev v živo prenaša televizija. Obdan s policijskimi vozili se avtobus počasi premika proti albanski meji. Napetost narašča ... Film je posnet po resnični zgodbi.

','

scenarij Constantine Giannaris
fotografija Panagiotis Theofanopoulos
glasba Nikos Patrelakis
montaža Ioanna Spiliopoulou
igrajo Stathis Papadopoulos (Elion Senia), Theodora Tzimou (Iliana), Yannis Stankoglou (Grigoris), Minas Hatzisavvas (policist), Arto Apartian (voznik avtobusa), Rajmonda Bullku

Triler/tragedija

','

One morning, a young man enters a bus on the route between Athens and Solun. During the ride, he hijacks the vehicle and takes seven passengers hostage. The hijacker is a young Albanian immigrant who demands half a million Euros and a safe return to his homeland. The hostage drama is televised live. Accompanied by police, the bus slowly drives towards the Albanian border. The tensions heightens. Based on a true story.

','screenplay Constantine Giannaris
cinematography Panagiotis Theofanopoulos
music Nikos Patrelakis
editing Ioanna Spiliopoulou
cast Stathis Papadopoulos (Elion Senia), Theodora Tzimou (Iliana), Yannis Stankoglou (Grigoris), Minas Hatzisavvas (policeman), Arto Apartian (bus driver), Rajmonda Bullku',NULL,NULL,NULL,NULL,'images/events/event520.jpg','images/events/event520_t.jpg',600,450,NULL,NULL,'Constantine Giannaris',102,'grščina','Greek','slovenščina, angleščina','Slovene, English','Grčija, Turčija 2005',NULL,NULL,NULL,NULL,NULL,'Constantine Giannaris'),(452,28,'Ultranova','Ultranova','Ultranova','

Dimitri, star petindvajset let, skupaj s kolegoma, prodaja prikolice, kar ga – zaprtega vase in neprilagojenega grobemu svetu – na smrt dolgočasi. Njegova skrivnostna preteklost ljudi, ki ga obdajajo in ki jih srečuje, nezadržno vleče k temu, da bi Dimitrija bolje spoznali, vendar samo elektrošok lahko k življenju obudi omrtvičene in tragikomične karakterje, ki naseljujejo Ultranovo.

','scenarij Bouli Lanners
fotografija Jean-Paul de Zaetijd
glasba Jarby McCoy
montaža Ewin Ryckaert
igrajo Vincent Lecuyer (Dimitri), Marie du Bled (Jeanne), Hélčne de Reymaeker (Cathy), Michaël Abiteboul (Phil), Ingrid Heiderscheidt, Alexandra Marotta, Vincent Belorgey

Poetična drama','

25-year-old Dimitri, an introvert who is unadapted to harsh reality, sells trailers with his two mates, which bores him insufferably. His mysterious past makes him a magnet for those who know and meet him. But it is only an electric shock that can bring to life the benumbed and tragicomical characters inhabiting Ultranova.

','

screenplay Bouli Lanners
cinematography Jean-Paul de Zaetijd
music Jarby McCoy
editing Ewin Ryckaert
cast Vincent Lecuyer (Dimitri), Marie du Bled (Jeanne), Hélčne de Reymaeker (Cathy), Michaël Abiteboul (Phil), Ingrid Heiderscheidt, Alexandra Marotta, Vincent Belorgey

',NULL,NULL,NULL,NULL,'images/events/event452.jpg','images/events/event452_t.jpg',600,450,NULL,NULL,'Bouli Lanners',86,'francoščina','French','slovenščina, angleščina','Slovene, English','Belgija 2005',NULL,'images/events/logo452.jpg','images/events/logo452_t.jpg',200,200,'Bouli Lanners'),(575,32,'Upanje umre zadnje','Hope Dies Last','Die Hoffnung stirbt zuletzt','Petindvajsetletna Corina Safranski bi rada postala policistka. Po dveh letih študija se preseli v Hamburg in se z velikim zanosom loti nove službe. Na dom v provinci je tako rekoč pozabila, prav tako na fanta Maxa, ki njeni službi nasprotuje enako kot njeni starši. Delo v izmenah je težavno, toda Corina daje od sebe najboljše, ker noče razočarati šefa Garbitscha. Slednji se ji nekega dne preveč približa, zato se odnos med njima zaostri; povrh vsega Corina izve, da je njena najboljša prijateljica Tanja zanosila z Maxom.

 

 

','

scenarij Fred Breinersdorfer
fotografija Martin Langer
montaža Hans Funck
igrajo Anneke Kim Sarnau (Corinna Safranski), Axel Prahl (Eddy Garbitsch), Wotan Wilke Möhring (Jens), Barbara Philipp (Iris), Frank Sieckel (Robert), Irmelin Beringer (Michaela)

Drama


','Twenty-five-year-old Corina Safranski wants to become a policewoman. After two years of study, she moves to Hamburg and starts her new job with great enthusiasm. She has almost forgotten her home in the province and even her boyfriend, Max, who together with Corina’s parents is against her new job. Shiftwork is exhausting, but Corina strives to do her best because she does not want to disappoint her boss, Garbitsch. One day, Garbitsch makes a pass at her and their relationship becomes strained. To make matters worse, she finds out that her best friend, Tanja, is pregnant with Max.','screenplay Fred Breinersdorfer
cinematography Martin Langer
editing Hans Funck
cast Anneke Kim Sarnau (Corinna Safranski), Axel Prahl (Eddy Garbitsch), Wotan Wilke Möhring (Jens), Barbara Philipp (Iris), Frank Sieckel (Robert), Irmelin Beringer (Michaela)',NULL,NULL,NULL,NULL,'images/events/event575.jpg','images/events/event575_t.jpg',600,450,NULL,NULL,'Marc Rothemund',88,'nemščina','German','slovenščina','Slovene','Nemčija 2002',NULL,NULL,NULL,NULL,NULL,'Marc Rothemund'),(455,30,'Utrip, ki ga je preskočilo moje srce','The Beat That My Heart Skipped','De battre mon coeur s\\\'est arreté','

Thomas je nadarjen pianist, ki je s poklicno skupino "nepremičninskih agentov" navzoč v brutalnem svetu tovrstnih poslov. Lahko bi rekli, da se giblje med legalnim poslom in kriminalom. Njegov vsakdan spremeni srečanje s priznanim glasbenim impresarijem Foxom, menedžerjem njegove pokojne matere, ki ga povabi na avdicijo za koncertnega pianista. Thomas v avdiciji vidi priložnost za preusmeritev nestanovitnega vsakdana, zato najame kitajsko inštruktorico in začne resno vaditi.

Šifra AG

','

Ssenarij Jacques Audiard, Tonino Benacquista; zasnovan po filmu Fingers Jamesa Tobacka
fotografija Stéphane Fontaine
glasba Alexandre Desplat
montaža Juliette Welfling
igrajo Romain Duris (Thomas Seyr), Niels Arestrup (Robert Seyr), Jonathan Zaccaď (Fabrice), Gilles Cohen (Sami), Linh Dan Pham (Miao Lin), Emmanuelle Devos (Chris)
festivali, nagrade (izbor): Berlin 2005 (najboljša glasba)

Avanturistični

','

Thomas is a talented pianist who has been thrust into the brutal world of real property business. One could maintain that he treads the fine line between legal business and crime. His life is changed by an encounter with a notable music impresario, Fox, the manager of his late mother, who invites Thomas to a concert pianist audition. Thomas sees a golden opportunity to improve his unpromising existence. He hires a Chinese instructor and begins to practise the piano vigorously.

Code AG

','

screenplay Jacques Audiard, Tonino Benacquista; based on the Fingers, a film by James Toback
cinematography Stéphane Fontaine
music Alexandre Desplat
editing Juliette Welfling
cast Romain Duris (Thomas Seyr), Niels Arestrup (Robert Seyr), Jonathan Zaccaď (Fabrice), Gilles Cohen (Sami), Linh Dan Pham (Miao Lin), Emmanuelle Devos (Chris)

Avanturistic

',NULL,NULL,NULL,NULL,'images/events/event455.jpg','images/events/event455_t.jpg',600,450,NULL,NULL,'Jacques Audiard',107,'francoščina/angleščina/mandarinščina/ruščina','French/English/Mandarin/Russian','slovenščina','slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Jacques Audiard'),(589,39,'V tvojih sanjah','In Your Dreams','Dans tes reves','Tri ženske iz različnih generacij med delovnim odmorom v restavraciji razpredajo o ljubezni, seksu in moških. Ena naj bi imela vse, drugi dve bistveno manj. Ko ženske sanjajo o idealnem moškem ...
',NULL,'

Three women of different generations are discussing love, sex and men during their lunch break in a restaurant. One of them has it all, the other two are enjoying it much less. When women dream of the ideal man… 


',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Blandine Lenoir',16,'francoščina','French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,'Blandine Lenoir'),(523,34,'Večna ljubezen','Enduring Love','Enduring Love','

Joe je načrtoval idilično popoldne na podeželju z dekletom Claire, lep dan skazi tragičen dogodek, saj sta priča balonarski nesreči, v kateri je človek umrl. Zvečer istega dne Joe prizna, kako ga je dogodek zaznamoval, ter da prvič v življenju občuti nemoč in krivdo. V sledečih tednih je Joe vedno bolj obseden z dogodkom in še posebej s skrivnostnim Jedom, ki je bil prav tako v bližini nesreče; še več, njegovo razmerje s Claire je vse bolj krhko, ogrožena je tudi njuna varnost.

','scenarij Joe Penhall, po romanu Iana McEwana
fotografija Haris Zambarloukos
glasba Jeremy Sams
montaža Nicolas Gaster
igrajo Daniel Craig (Joe), Samantha Morton (Claire), Bill Weston (dedek), Lee Sheward (John Logan), Nick Wilkinson (kmet), Rhys Ifans (Jed)

Drama
','

Joe planned an idyllic afternoon with his girlfriend, Claire, in the countryside, but a beautiful day is thwarted by a tragic event: the couple witnesses a balloon accident in which a man dies. In the evening of the same day, Joe admits the extent to which the incident has affected him as well as feelings of helplessness and guilt for the first time in his life. In the weeks that follow, Joe becomes increasingly more obsessed with the incident, and especially with Jed, a mysterious man who was also near the scene of the accident. To make matters worse, Joe’s relationship with Claire is beginning to crumble and their safety is jeopardized. 

','screenplay Joe Penhall, based on the novel by Ian McEwan
cinematography Haris Zambarloukos
music Jeremy Sams
editing Nicolas Gaster
cast Daniel Craig (Joe), Samantha Morton (Claire), Bill Weston (grandpa), Lee Sheward (John Logan), Nick Wilkinson (farmer), Rhys Ifans (Jed)',NULL,NULL,NULL,NULL,'images/events/event523.jpg','images/events/event523_t.jpg',600,450,NULL,NULL,'Roger Michell',101,'angleščina','English','slovenščina','Slovene','VB 2004',NULL,NULL,NULL,NULL,NULL,'Roger Michell'),(578,28,'Velika ekstaza Roberta Charmchaela','The Great Ecstasy of Robert Carmichael','The Great Ecstasy of Robert Carmichael','

Malo angleško obmorsko mestece Newhaven, čas invazije na Irak. Robert Carmichael, nadarjeni čelist, sicer pa vase zaprti mladenič, zaradi asocialnosti in nepriljubljenosti pri dekletih pade v napačno družbo. Skupina najstnikov, s katerimi se pogosto druži, vse pogumneje stopa v svet nasilja. Vsi so zdolgočaseni, problematični, izobčeni; nesposobni, da bi bodisi sprejeli bodisi prepoznali meje moralnih vrednot. V tem času se iz Londona priseli mlad par, televizijski producent in njegova privlačna žena, ki med domačini vsekakor izstopata. Dejanja najstnikov gravitirajo proti šokantnemu incidentu, ki bo pretresel malo spalno naselje.

','scenarij Thomas Clay, Joseph Lang
fotografija Yorgos Arvanitis
glasba Edward Elgar, Jonathan Henry Harvey
montaža David Wigram
igrajo Daniel Spencer (Robert Carmichael), Lesley Manville (Sarah Carmichael), Charles Mnene (Ben), Danny Dyer (Larry Haydn), Michael Howe (Jonathan Abbott), Ami Instone (Marie), Miranda Wilson (Monica Abbott), Ryan Winsley (Joe)

Grozljivka
','

The small English costal town of Newhaven, at the time of the invasion on Iraq. Robert Carmichael, a gifted cellist, but otherwise a reserved young man, falls into wrong company due to his unsociable behaviour and unpopularity with girls. The group of teenagers he usually hangs out with boldly enters the world of violence. They are all bored and problematic, outcasts incapable of either accepting or recognising moral boundaries. Then a couple moves into the neighbourhood from London, a television producer and his attractive wife, who stand out considerably from the locals. The teenagers\\\' actions gravitate towards a shocking incident that will rock the sleepy settlement.

','screenplay Thomas Clay, Joseph Lang
cinematography Yorgos Arvanitis
music Edward Elgar, Jonathan Henry Harvey
editing David Wigram
cast Daniel Spencer (Robert Carmichael), Lesley Manville (Sarah Carmichael), Charles Mnene (Ben), Danny Dyer (Larry Haydn), Michael Howe (Jonathan Abbott), Ami Instone (Marie), Miranda Wilson (Monica Abbott), Ryan Winsley (Joe)
',NULL,NULL,NULL,NULL,'images/events/event578.jpg','images/events/event578_t.jpg',600,450,NULL,NULL,'Thomas Clay',96,'angleščina','English','slovenščina, francoščina','Slovene, French','VB 2005',NULL,NULL,NULL,NULL,NULL,'Thomas Clay'),(474,37,'Veliko potovanje','The Big Journey','Le grand voyage','

Réda je mlad musliman, ki ne živi ravno po tradicionalnih zapovedih islama. Življenje v Franciji ga je deloma »vesterniziralo«, med drugim uživa alkohol in hodi z nemuslimanskim dekletom, kar njegovega očeta, strogega konservativca, še posebej jezi. Nekega dne mu izda ukaz: z avtom ga bo odpeljal v Savdsko Arabijo. Tam se bosta udeležila muslimanskega romanja v Meko. Na njuni poti bodo na svetlo privrela vsa njuna nesoglasja, generacijske in kulturne razlike. Pot pa je dolga in naporna …

','scenarij Ismaël Ferroukhi
fotografija Katell Djian
glasba Fowzi Guerdjou
montaža Tina Baz
igrajo Nicolas Cazalé (Réda), Mohamed Majd (oče), Jacky Nercessian (Mustapha), Ghina Ognianova (starka), Kamel Belghazi (Khalid)

Road movie
','

Réda is a young Muslim who does not exactly abide by traditional Islamic law. Living in France, he has partly converted to the customs of Western civilization, among others he consumes alcohol and dates an infidel, which especially angers his father, a deeply conservative man. One day, his father gives him an order: he is to drive him by car to Saudi Arabia, where they will join a Muslim pilgrimage to Mecca. During their journey, all their mutual disagreements, generational and cultural differences come out into the open. The trip is long and arduous...

','screenplay Ismaël Ferroukhi
cinematography  Katell Djian
music Fowzi Guerdjou
editing Tina Baz
cast Nicolas Cazalé (Réda), Mohamed Majd (father), Jacky Nercessian (Mustapha), Ghina Ognianova (old woman), Kamel Belghazi (Khalid)

Road movie

',NULL,NULL,NULL,NULL,'images/events/event474.jpg','images/events/event474_t.jpg',600,450,NULL,NULL,'Ismael Ferroukhi',108,'francoščina/arabščina/angleščina/italijanščina','French/Arabic/English/Italian','slovenščina','Slovene','Francija, Maroko 2004',NULL,NULL,NULL,NULL,NULL,'Ismael Ferroukhi'),(536,28,'Veter zemlje','Land Wind','Vento di terra','

Osemnajstletni Enzo živi v neapeljskem predmestju. Po očetovi smrti je njegova družina na robu preživetja; mamo hočejo lastniki vreči iz stanovanja, sestra se preseli k možu, Enzu ne preostane drugega, kot da se zateče v mali kriminal. Ko stricu prizna, da je z znanci oropal tovornjak, ga pošlje v vojaško šolo. Tam Enzo počasi spozna moralne vrednote in skupinsko odgovornost.

','scenarij Vincenzo Marra
fotografija Mario Amura
montaža Luca Benedetti
igrajo Vincenzo Pacilli, Francesco Giuffrida, Edoardo Melone, Vincenza Modica, Giovanna Ribera

Kriminalna drama
','

18-year-old Enzo lives in the suburbs of Naples. After his father’s death, his family is on the verge of ruin. His mother is facing eviction, while his sister has moved in with her husband. Enzo has but to resolve to petty crime. When he confesses to his uncle that he broke into a truck with his mates, he sends him to a military school. There Enzo learns about moral values and group responsibility.

','screenplay Vincenzo Marra
cinematography Mario Amura
editing Luca Benedetti
cast Vincenzo Pacilli, Francesco Giuffrida, Edoardo Melone, Vincenza Modica, Giovanna Ribera',NULL,NULL,NULL,NULL,'images/events/event536.jpg','images/events/event536_t.jpg',600,450,NULL,NULL,'Vincenzo Marra',90,'italijanščina','Italian','slovenščina, angleščina','Slovene, English','Italija 2004',NULL,NULL,NULL,NULL,NULL,'Vincenzo Marra'),(460,33,'Vsiljivec','The Intruder','L\\\'Intrus','

Louis Trebor živi odmaknjeno življenje v švicarskih Alpah. Po operaciji srca njegovo zdravje vse bolj peša. Kljub temu se s sinom ne skuša spraviti; bogastvo se raje odloči deliti z drugimi. Zapusti Švico; prek Ženeve in Pusana, kjer opravi par poslov, prispe na pacifiški tropski otok, ki ga je obiskal pred dolgimi leti.

','scenarij Claire Denis, Jean-Pol Fargeau, po romanu Jean-Luca Nancyja
fotografija Agnčs Godard
glasba Stuart Staples
montaža Nelly Quettier
igrajo Michel Subor (Louis Trebor), Grégoire Colin (Sidney), Katerina Golubeva (mlada Rusinja), Florence Loiret (Antoinette), Alex Descas (duhovnik), Béatrice Dalle

Drama
','

Louis Trebor leads a reclusive life in the Swiss Alps. Since having cardiac surgery, his health has been deteriorating. He nevertheless does not want to bury the hatchet with his son; he decides to share his wealth with others. Loius leaves Switzerland and, via Geneva and Pusano, where he has some business to attend to, he arrives at a tropical island in the Pacific Ocean which he had visited a long time ago.

','screenplay Claire Denis, Jean-Pol Fargeau, based on the novel by Jean-Luc Nancy
cinematography Agnčs Godard
music Stuart Staples
editing Nelly Quettier
cast Michel Subor (Louis Trebor), Grégoire Colin (Sidney), Katerina Golubeva (young Russian woman), Florence Loiret (Antoinette), Alex Descas (priest), Béatrice Dalle
',NULL,NULL,NULL,NULL,'images/events/event460.jpg','images/events/event460_t.jpg',600,450,NULL,NULL,'Claire Denis',130,'francoščina/angleščina/korejščina/ruščina','French/English/Korean/Russian','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,'Claire Denis'),(573,35,'Vstajenje od mrtvih','Awakening From The Dead','Buđenje iz mrtvih','

Srbija, marec 1999. 46-letni Miki se zbudi od mrtvih, spleza iz groba in se poda po ulicah Beograda, ki jih v teh dneh bombardirajo Natova letala. V rojstnem mestu obišče umirajočega očeta, potem še ženo in sina, sicer pa se ta razočarani demokrat bolj ali manj pogovarja s sabo: govori o izgubljenih idealih, svojem neuspešnem pisanju, poučevanju na akademiji za umetnost in prepovedanih časopisnih kolumnah. Bližnje in sebe skuša rešiti iluzij.

','scenarij Miloš Radivojević
fotografija Radoslav Vladić
glasba Kornelije Kovać
montaža Andjela Ilić
igrajo Svetozar Cvetković (Miki), Ljuba Tadić (oče), Anita Mančić (Džoja), Tihomir Stanić (Rale), Aleksandra Janković (Tamara), Ana Franić (Nagorka)

Drama
','

Serbia in March, 1999. Forty-six-year-old Miki awakes from the dead, climbs out of his grave and hits the streets of Belgrade, which has recently been bombarded by NATO aircraft. In his hometown, he visits his dying father, and then his wife and son, but otherwise this disappointed democrat more or less speaks to himself. He talks about his lost ideals, his unsuccessful writing, his lecturing at the Academy of Arts and his banned newspaper columns. He tries to rescue those close to him as well as himself of illusions…

','screenplay Miloš Radivojević
cinematography Radoslav Vladić
music Kornelije Kovać
editing Andjela Ilić
cast Svetozar Cvetković (Miki), Ljuba Tadić (Father), Anita Mančić (Džoja), Tihomir Stanić (Rale), Aleksandra Janković (Tamara), Ana Franić (Nagorka)
',NULL,NULL,NULL,NULL,'images/events/event573.jpg','images/events/event573_t.jpg',600,450,NULL,NULL,'Miloš Radivojevič',134,'srbščina','Serbian','slovenščina, angleščina','Slovene, English','Rep. Srbija in Črna gora 2005',NULL,NULL,NULL,NULL,NULL,'Miloš Radivojevič'),(507,30,'Willenbrock','Willenbrock','Willenbrock','

Bernd Willenbrock je srečen moški v srednjih letih; je uspešen trgovec z rabljenimi avtomobili, ima prikupno ženo in potrpežljivo ljubico, veliko hišo na robu mesta in razkošen vikend. Življenje ima pod kontrolo, zdi se, da ga nič ne more vreči s tira, ne vlom v njegove poslovne prostore in kraja štirih avtomobilov, ne druga, veliko mlajša ljubimka. Njegova samozavest je prvič na resni preizkušnji, ko z ženo v svojem vikendu presenetita nasilna vlomilca. Psihološko je ranjena predvsem žena, še zlasti ko ugotovita, da je policija oba osumljenca zaradi pomanjkanja dokazov izpustila. Willenbrock se prvič v življenju čuti ranljivega; na preizkušnji je tudi njegov zakon.

Šifra AP

','

scenarij Laila Stieler, po romanu Christopha Heina
fotografija Michael Hammon
montaža Jörg Hauschild
igrajo Axel Prahl (Bernd Willenbrock), Inka Friedrich (Susanne Willenbrock), Anne Ratte-Polle (Anna), Dagmar Manzel (Vera), Christian Grashof (Maler Waldersee), Andrzej Szopa (Jurek)

Družinska drama

','

Bernd Willenbrock is a happy, middle-aged man, a successful used-car dealer with a lovely wife and a patient mistress, a big house in the suburbia and a luxurious country house. Set in his ways, his life is under control and it seems as if nothing can throw him off track, neither the break-in into his business premises and four stolen cars, nor another, much younger lover. His self-confidence is first seriously put to the test when he and his wife walk in on a burglar in their weekend cottage. It is primarily his wife who suffers psychological repercussions, especially when they find out that the police released both suspects owing to lack of evidence. Willenbrock feels vulnerable for the first time in his life; his marriage is also being put to the test…

Code AP

','

screenplay Laila Stieler, based on the novel by Christophe Hein
cinematography Michael Hammon
editing Jörg Hauschild
cast Axel Prahl (Bernd Willenbrock), Inka Friedrich (Susanne Willenbrock), Anne Ratte-Polle (Anna), Dagmar Manzel (Vera), Christian Grashof (Maler Waldersee), Andrzej Szopa (Jurek)

Family drama

',NULL,NULL,NULL,NULL,'images/events/event507.jpg','images/events/event507_t.jpg',600,450,NULL,NULL,'Andreas Dresen',105,'nemščina','German','slovenščina, angleščina','Slovene, English','Nemčija 2005',NULL,NULL,NULL,NULL,NULL,'Andreas Dresen'),(485,34,'Zadnji dnevi','Last Days','Last Days','


Film so navdihnili dogodki zadnjih dni v življenju Kurta Cobaina, pevca skupine Nirvana, ki se je leta 1994, depresiven in drogiran, ustrelil. Blake, glavni junak, momlja, se prestavlja od enega konca svojega posestva do drugega, izgublja zavest, se znova ozavešča, vadi kitaro in se skriva pred neznanci in sodelavci, med drugim pred založnico, ki bi od njega rada nove posnetke.

','scenarij Gus van Sant
fotografija Harris Savides
glasba Rodrigo Lopresti
montaža Gus van Sant
igrajo Michael Pitt (Blake), Lukas Haas (Luke), Asia Argento (Asia), Scott Green (Scott), Nicole Vicius (Nicole), Ricky Jay (detektiv), Kim Gordon (producentka)
','

The inspiration for the film were the events of the final days of Kurt Cobain, lead singer of Nirvana, who, depressed and drugged-up, put a bullet into his head in 1994. Blake, the protagonist, mumbles, shuffles from one part of his estate to the other, loses and regains consciousness, practices guitar and hides from strangers and colleagues, among others from his music producer, who wants new material. 

','screenplay Gus van Sant
cinematography Harris Savides
music Rodrigo Lopresti
editing Gus van Sant
cast Michael Pitt (Blake), Lukas Haas (Luke), Asia Argento (Asia), Scott Green (Scott), Nicole Vicius (Nicole), Ricky Jay (detective), Kim Gordon (producer)',NULL,NULL,NULL,NULL,'images/events/event485.jpg','images/events/event485_t.jpg',600,450,NULL,NULL,'Gus Van Sant',97,'angleščina','English','slovenščina, hrvaščina','Slovene, Croatian','ZDA 2005',NULL,NULL,NULL,NULL,NULL,'Gus Van Sant'),(469,32,'Zadnji dnevi Sophie Scholl','Sophie Scholl - The Final Days','Sophie Scholl - Die letzten Tage','Pomlad leta 1943. Nemci so izgubili bitko za Stalingrad, v Münchnu pa pripadniki belih vrtnic mesto preplavljajo s protihitlerjevskim delovanjem in parolami. Sophie in Hans Scholl sodelujeta kot raznašalca letakov na univerzi, pri čemer ju zalotijo gestapovci in aretirajo. Od tega trenutka film teče iz Sophijine perspektive; pripoveduje podrobnosti z zaslišanja, sodnega procesa in končne obsodbe na münchenskem sodišču. Sophie se najprej zagovarja kot nedolžna, ko pa ji postaja jasno, da je smrtna obsodba neizbežna, hoče zaščititi brata in sodelavce.','

scenarij Fred Breinersdorfer
fotografija Martin Langer
glasba Reinhold Heil, Johnny Klimek
montaža Hans Funck
igrajo Julia Jentsch (Sophie Magdalena Scholl), Fabian Hinrichs (Hans Scholl), Gerald Alexander Held (Robert Mohr), Johanna Gastdorf (Else Gebel), André Hennicke (dr. Roland Freisler), Florian Stetter (Christoph Probst)

Zgodovinska drama

','Spring of 1943. The Germans have lost the battle of Stalingrad, and in Munich the White Rose Society has flooded the city with resistance activities and slogans. Sophie and Hans Scholl are distributing leaflets at the university, when the Gestapo captures and arrests them. From this moment onward the film assumes Sophie\\\'s perspective, showing details of the hearing, the court proceedings, and the final verdict at the Munich court of law. Sophie intially declares herself innocent, but after realising that the death sentence is inevitable, she wants to protect her brother and collaborators...','screenplay Fred Breinersdorfe
cinematography Martin Langer
music Reinhold Heil, Johnny Klimek
editing Hans Funck
cast Julia Jentsch (Sophie Magdalena Scholl), Fabian Hinrichs (Hans Scholl), Gerald Alexander Held (Robert Mohr), Johanna Gastdorf (Else Gebel), André Hennicke (Dr Roland Freisler), Florian Stetter (Christoph Probst)',NULL,NULL,NULL,NULL,'images/events/event469.jpg','images/events/event469_t.jpg',600,450,NULL,NULL,'Marc Rothemund',117,'nemščina','German','hrvaščina','Croatian','Nemčija 2005',NULL,NULL,NULL,NULL,NULL,'Marc Rothemund'),(513,30,'Zveza kebab','Kebab Connection','Kebab Connection','

Ibo, mlad turški priseljenec v Hamburgu, je velik oboževalec Brucea Leeja in bi se rad zapisal v zgodovino kot režiser prvega nemškega kung-fu filma. Njegovi ambiciji se po robu postavlja pomanjkanje znanja, zato Ibo začne z malim: posname reklamni spot za prodajalno kebaba svojega strica Ahmeta. Ahmet spot sovraži, vsi drugi pa ga obožujejo. Prodajalna čez noč postane ena najbolj obleganih v Hamburgu, Iba pa slavijo kot novega Spielberga. Na vrhuncu slave Ibo izve, da je njegovo dekle pričakuje otroka. Na novico se povsem napačno odzove in z dekletom se na smrt spreta, za nameček ga oče, ki ne sprejema, da sinovo dekle ni Turkinja, vrže iz stanovanja. Iba zdaj lahko reši le še ustvarjalnost …

Šifra N

','

scenarij Anno Saul, Fatih Akin, Jan Berger, Ruth Toma, Ralph Schwingel
fotografija Hannes Hubach
glasba Marcel Barsotti
montaža Tobias Haas
igrajo Adnan Maral (Kirianis), Denis Moschitto (Ibo), Kida Ramadan (Özgür), Numan Acar (Ali), Cem Akin (Altan), Adam Bousdoukos (Valid), Emrah Cokunlu (Cem), Sibil Kekilli

Avanturistični

','

Ibo, a young Turkish immigrant in Hamburg, is a great fan of Bruce Lee and wants to be immortalized as the director of the first German kung-fu film. His ambition is challenged by his lack of knowledge, and so Ibo begins to take small steps: he makes an ad for his uncle Ahmet’s kebab shop. Ahmet simply detests the ad, while everybody else loves it. Overnight the shop becomes one of the most popular shops in Hamburg, and Ibo is enthusiastically praised as the new Spielberg. Crowned in glory, Ibo learns that his girlfriend is with child. Giving the wrong answer, Ibo and his girlfriend get into a terrible scrap, and to top it off, he is thrown from the flat by his father, who cannot bear the fact that his son’s girlfriend is not Turkish. The only thing that can save Ibo now is his creativity …

Code N

','

screenplay Anno Saul, Fatih Akin, Jan Berger, Ruth Toma, Ralph Schwingel
cinematography Hannes Hubach
music Marcel Barsotti
editing Tobias Haas
cast Adnan Maral (Kirianis), Denis Moschitto (Ibo), Kida Ramadan (Özgür), Numan Acar (Ali), Cem Akin (Altan), Adam Bousdoukos (Valid), Emrah Cokunlu (Cem), Sibil Kekilli

',NULL,NULL,NULL,NULL,'images/events/event513.jpg','images/events/event513_t.jpg',600,450,NULL,NULL,'Anno Saul',96,'nemščina','German','slovenščina, angleščina','Slovene, English','Nemčija 2005',NULL,NULL,NULL,NULL,NULL,'Anno Saul'),(482,29,'Zvok Istanbula','Crossing The Bridge: The Sound of Instanbul','Crossing The Bridge: The Sound of Instanbul','

Dokumentarni film prikazuje glasbeno, kulturno in vsakodnevno življenje v Istanbulu, mestu na dveh celinah, ki ju povezuje most. Akin želi mednarodno občinstvo seznaniti z raznolikostjo in unikatnostjo glasbene kreativnosti, od tradicionalnih zvrsti do modernih glasbenih impulzov. Alexander Hacke, član kultne berlinske zasedbe Einstuerzende Neubauten in avtor glasbe za režiserjev film Z glavo ob zid, gledalca vodi skozi kulturne skrivnosti velemesta; seznani se s člani lokalne skupine Baba Zula, nakar začne glasbeno turnejo po ulicah in klubih, kjer spoznava turško rap glasbo, eksperimentalne glasbenike, kurdske žalostinke …

 


 

','

scenarij Fatih Akin
fotografija Hervé Dieu
glasba Baba Zula, Orient Expressions, Duman, Replikas, Erkin Koray Ceza, Mercan Dede, Alexander Hacke
montaža Andrew Bird

','The documentary shows musical, cultural and daily life in Istanbul, a city on two continents that is connected by a bridge. Akin\\\'s desire is to present to international audiences the diversity and uniqueness of the city\\\'s musical creativity, from traditional genres to modern music impulses. Alexander Hacke, a member of the cultic Berlin band Einstuerzende Neubauten and author of the soundtrack for Akin\\\'s Head-on, guides the viewer through the cultural mysteries of the metropolis. He meets members of a local group, Baba Zula, and sets out on a music tour of the streets and clubs, where he discovers Turkish rap music, experimental musicians, Kurdish elegies...


 

','

screenplay Fatih Akin
cinematography Hervé Dieu
music Baba Zula, Orient Expressions, Duman, Replikas, Erkin Koray Ceza, Mercan Dede, Alexander Hacke
editing Andrew Bird

',NULL,NULL,NULL,NULL,'images/events/event482.jpg','images/events/event482_t.jpg',600,450,NULL,NULL,'Fatih Akin',90,'angleščina/turščina','English/Turkish','slovenščina','Slovene','Nemčija, Turčija 2005',NULL,NULL,NULL,NULL,NULL,'Fatih Akin'),(571,28,'Železni otok','Iron Island','Jazireh Ahani','

Železni otok je star, zapuščen tanker, zasidran v Perzijskem zalivu. Na krovu in v podpalubju so si zatočišče uredili mnogi posamezniki in družine brez prave strehe nad glavo. Priložnostni \\\'hotel\\\', ki deluje kot plavajoče mesto v malem, s trdo roko upravlja kapitan Nemat, neprestano v gibanju in pripravljen za vsakršen posel: kupuje, prodaja, obenem pa tudi nadzoruje  stanovalce, saj nekateri odnašajo dele ladje in jih prodajajo za staro železo. Ladja pa se počasi potaplja, zato skušajo oblasti obupane prebivalce \\\'otoka\\\' izseliti.

','scenarij Mohammad Rasoulof
fotografija Reza Jalali
glasba Mohammad Reza Aligholi
montaža Bahram Dehghani
igrajo Ali Nassirian (kapitan Nemat), Hossein Farzi-Zadeh (Ahmad), Neda Pakdaman (dekle)

Družbeno-politična parabola
','

Iron island is an old, deserted tanker moored in the Persian Golf. Numerous homeless individuals and families have found their shelter on board the ship and below its deck. This odd \\\'\\\'hotel\\\'\\\', which functions as a small floating town, is managed by a tough captain, Nemat, who is always on the move and ready for any business. Nemat is not only a seller and trader, but also a supervisor of the residents, who are inclined towards stealing parts of the ship and selling them as scrap iron. The ship is slowly sinking and so the authorities want to move the desperate residents out of the \\\'\\\'island\\\'\\\'…  

','screenplay Mohammad Rasoulof
cinematography Reza Jalali
music Mohammad Reza Aligholi
editing Bahram Dehghani
cast Ali Nassirian (captain Nemat), Hossein Farzi-Zadeh (Ahmad), Neda Pakdaman (girl)


',NULL,NULL,NULL,NULL,'images/events/event571.jpg','images/events/event571_t.jpg',600,450,NULL,NULL,'Mohamed Rasoulof',90,'perzijščina','Persian','slovenščina, angleščina','Slovene, English','Iran 2005',NULL,NULL,NULL,NULL,NULL,'Mohamed Rasoulof'),(563,37,'Življenje z očetom','Life With My Father','La vie avec mon pere','

Paul je vihrav tridesetletnik, neuspešen pisec, ki skozi življenje jadra z nasmehom. Njegov brat Patrick je čisto nasprotje, pretirano uraden človek, lastnik farmacevtske družbe, obsedem z numerologijo, čigar zasebno življenje je na psu. Nekega dne se v mesto po dolgem času vrne njun oče, nekdanji bonvivant in nepopravljiv ženskar, danes impotenten starec s praznim bančnim računom in poslabšanim zdravstvenim stanjem; zdaj se bo trojica očitno morala navaditi drug na drugega.

','scenarij Stéfanie Lasnier, Sébastien Rose
fotografija Nicolas Bolduc
glasba Nathalie Boileau, Pierre Desrochers montaža Dominique Fortin
igrajo Raymond Bouchard (François Agira), David La Haye (Patrick), Hélčne Florent (Sylvie), Julie Du Page (Macha), Pierre-Antoine Lasnier (Rock), Nicolas Canuel (Huissier)

Satira
','

Paul is a stormy thirty-year-old, an unsuccessful writer who sails through life with a smile on his face. His brother Patrick is his complete opposite, an overly formal man, the owner of a pharmaceutical company, obsessed with numerology and whose own intimate life is in ruins. One day, their father returns to town after a long absence. An ex-bonvivant and irreparable womaniser, their father is today an impotent old man with an empty bank account and deteriorating health. Now the threesome will obviously have to get used to each other.

','screenplay Stéfanie Lasnier, Sébastien Rose
cinematography Nicolas Bolduc
music Nathalie Boileau, Pierre Desrochers
editing Dominique Fortin
cast Raymond Bouchard (François Agira), David La Haye (Patrick), Hélčne Florent (Sylvie), Julie Du Page (Macha), Pierre-Antoine Lasnier (Rock), Nicolas Canuel (Huissier)

Satira
',NULL,NULL,NULL,NULL,'images/events/event563.jpg','images/events/event563_t.jpg',600,450,NULL,NULL,'Sébastien Rose',110,'francoščina','French','slovenščina','Slovene','Kanada 2005',NULL,NULL,NULL,NULL,NULL,'Sébastien Rose'),(602,28,'Zmagovalni film Amnesty International',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL),(600,30,'Zmagovalni film iz sekcije Obzorja',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL),(601,28,'Zmagovalni film iz sekcije Perspektive',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL); /*!40000 ALTER TABLE `lifevent_bkp` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifevent_tmp` -- DROP TABLE IF EXISTS `lifevent_tmp`; CREATE TABLE `lifevent_tmp` ( `idevent` bigint(20) NOT NULL auto_increment, `idsection` bigint(20) NOT NULL default '0', `title1` varchar(80) default NULL, `title2` varchar(80) default NULL, `title3` varchar(80) default NULL, `description1` text, `shortdescription1` text, `description2` text, `shortdescription2` text, `format` varchar(80) default NULL, `runningtime` int(11) default NULL, `yearpublished` int(11) default NULL, `awards` text, `pic1` varchar(80) default NULL, `pic1t` varchar(80) default NULL, `pic1x` int(11) default NULL, `pic1y` int(11) default NULL, `eventlanguage` varchar(30) default NULL, `subtitlelanguage` varchar(30) default NULL, `director` varchar(80) default NULL, `duration` int(11) default NULL, `dialogs1` varchar(255) default NULL, `dialogs2` varchar(255) default NULL, `subtitles1` varchar(255) default NULL, `subtitles2` varchar(255) default NULL, `country1` varchar(80) default NULL, `country2` varchar(80) default NULL, `logo1` varchar(80) default NULL, `logo1t` varchar(80) default NULL, `logo1x` int(11) default NULL, `logo1y` int(11) default NULL, `director1` varchar(80) default NULL, PRIMARY KEY (`idevent`), UNIQUE KEY `title1` (`title1`,`title2`,`title3`) ) TYPE=MyISAM; -- -- Dumping data for table `lifevent_tmp` -- LOCK TABLES `lifevent_tmp` WRITE; /*!40000 ALTER TABLE `lifevent_tmp` DISABLE KEYS */; INSERT INTO `lifevent_tmp` VALUES (476,29,'2 ali 3 stvari, ki jih vem o njem','2 Or 3 Things I Know About Him','2 oder 3 dinge, die ich von ihm weiss','Film govori o družini nekdanjega nacističnega oficirja. Šestdeset let po koncu druge svetovne vojne se nekateri člani družine, čeprav je dokazano očetovo sodelovanje v tretjem rajhu, še vedno ne morejo sprijazniti z dejstvi. Hanns Elard Ludin, režiserjev oče, se je pod Hitlerjem v oficirskih krogih hitro povzpel in kmalu poveljeval 300.000 jurišnikom. Užival je vse privilegije tretjega rajha; Hitler ga je leta 1941 poslal na Slovaško, kjer naj bi \\\'uveljavljal nemške interese\\\'. Po vojni so Hannsa Ludina Američani predali češkoslovaškim oblastem, ti so ga obsodili na smrt in usmrtili; med drugim so ga bremenili iztrebljanja slovaških Judov. Ludinov najmlajši sin Malte ta dejstva vzame kot izhodiščno točko dokumentarca. S kamero obišče tri generacije številčne družine, katerih člani so raztreseni po vsem svetu.','

scenarij Malte Ludin
fotografija Franz Lustig
glasba Werner Pirchner, Hakim Ludin
montaža Iva Švarcová, Malte Ludin

','The film treats the family of a former Nazi officer. Sixty years after World War II, some members of his family still cannot embrace the fact that their father was involved in the Third Reich. Ludin\\\'s father, Hanns Elard Ludin, had soon risen to prominence as an officer under Hitler, and before long commanded a 300,000-member army of invaders. He had enjoyed all the privileges of the Third Reich; in 1941 Hitler sent him to Slovakia to \\\'enforce German interests\\\'. After the war, Hanns Ludin was turned over by the Americans to the Czech authorities, who sentenced him to death by execution. Among other things, he was charged with the extermination of Slovakian Jews. Ludin\\\'s youngest son, Malte, has taken these facts as the basis of his documentary. Armed with his camera, he has visited three generations of his extensive family, whose members are scattered all over the world.


','

screenplay Malte Ludin
cinematography Franz Lustig
music Werner Pirchner, Hakim Ludin
editing Iva Švarcová, Malte Ludin

',NULL,NULL,NULL,NULL,'images/events/event476.jpg','images/events/event476_t.jpg',600,450,NULL,NULL,'Malte Ludin',85,'nemščina','German','slovenščina, angleščina','Slovin, English','Nemčija 2005',NULL,'images/events/logo476.jpg','images/events/logo476_t.jpg',200,200,NULL),(551,30,'Adam in Paul','Adam & Paul','Adam & Paul','Dan v življenju dveh dublinskih džankijev, Adama in Paula. Njuno prijateljstvo, ki izvira iz zgodnjega otroštva, vsebuje zdaj še dodatno vez, ljubezen do heroina. Njun kolega Matthew je pred kratkim umrl od prevelike doze mamil, a fanta sta bila preveč zaposlena z iskanjem šusa, da bi se spomnila nanj, kaj šele, da bi ga pospremila na zadnji poti. Njun vsakdanjik je sestavljen iz tavanja po mestnih ulicah in iskanja droge; znance prosita za majhna posojila, preprodajalce za priložnostna dela, s katerimi bi odplačala gram ali dva. Danes je za Adama in Paula še posebej nesrečen dan …','scenarij Mark O\\\'Halloran \r\nfotografijaJames Mather \r\nglasba Stephen Rennicks \r\nmontaža Isobel Stephenson \r\nigrajo Mark O\\\'Halloran (Adam), Tom Murphy (Paul), Don Crowley (Martin), Gary Egan (Georgie), Joe Hanley (Noelie), Louise Lewis (Janine)','A day in the lives of Adam and Paul, two Dublin junkies. Their friendship, stemming from their early childhood, has been strengthened by yet another common interest – a love of heroin. Their recently deceased mate, Matthew, had overdosed a while ago, but the two young men were far too busy looking for a fix to remember him, let alone pay their respects at the funeral. Their quotidian lives involve roaming the city streets in the search of drugs. They beg their acquaintances for small loans and ask dealers for odd jobs that will help them pay off a gram or two. Today is an especially ill-starred day for Adam and Paul...','screenplay Mark O\\\'Halloran \r\ncinematography James Mather \r\nmusic Stephen Rennicks \r\nediting Isobel Stephenson \r\ncast Mark O\\\'Halloran (Adam), Tom Murphy (Paul), Don Crowley (Martin), Gary Egan (Georgie), Joe Hanley (Noelie), Louise Lewis (Janine)',NULL,NULL,NULL,NULL,'images/events/event551.jpg','images/events/event551_t.jpg',600,450,NULL,NULL,'Leonard Abrahamson',83,'angleščina','English','slovenščina','Slovene','Irska 2004',NULL,NULL,NULL,NULL,NULL,NULL),(519,29,'Afrika United','Africa United','Africa United','

Zico, nogometni navdušenec in poslovnež, se je iz rodnega Maroka na hladno Islandijo preselil pred desetletjem. S poslovnimi idejami medtem ni uspel, podjetje je propadlo, zato je ves čas in energijo vložil v ustanovitev polpoklicne nogometne ekipe. Poimenoval jo je Afrika United, zdaj želi tekmovati v tretji islandski nogometni ligi. Njegov prijatelj najde pokrovitelja, Zico pa sestavi ekipo, v kateri zbere vse eksotične priseljence, od Kolumbijcev, Srbov, Portugalcev, do številnih afriških izseljencev. Prvi ligaški obračuni so za moštvo Afrika United čista polomija, zato se Zico odpravi v London. Tam namerava poiskati nasvete pravih profesionalcev.

','

scenarij Olaf de Fleur Johannesson
fotografija Ragnar Santos
glasba Barđi Jóhannsson
montaža Olaf de Fleur Johannesson, Benedikt Jóhannesson
igrajo Zakaria Anbari (Zico), St Paul Edeh (Paul), Zlatko Krićkić (Zlatko), Alexander Munos (Alex)

','Zico, a football enthusiast and businessman, moved from his native Morrocco to cold Iceland a decade ago. His business ideas all fell through and his company proved to be a failure, so he invested all his time and energy into the establishment of a semi-professional football team. Naming it Africa United, he now wants it to compete in the third Icelandic football league. His friend finds a sponsor, while Zico puts together a team, gathering various exotic immigrants, from Columbians, Serbians and Portuguese to numerous Africans. The first matches in the league are disastrous for Africa United, so Zico sets off to London to seek advice from true professionals

','

screenplay Olaf de Fleur Johannesson
cinematography Ragnar Santos
music Barđi Jóhannsson
editing Olaf de Fleur Johannesson, Benedikt Jóhannesson
cast Zakaria Anbari (Zico), St Paul Edeh (Paul), Zlatko Krićkić (Zlatko), Alexander Munos (Alex)

',NULL,NULL,NULL,NULL,'images/events/event519.jpg','images/events/event519_t.jpg',600,450,NULL,NULL,'Olaf Johannesson',82,'angleščina','English','slovenščina','Slovene','Islandija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(497,37,'Alice','Alice','Alice','

Alice, dveletna deklica, je pred šestimi meseci izginila neznano kam. Mario, zlomljeni oče, je ne preneha iskati, še več, uporablja posebne tehnike opazovanja. Po Lizboni na ključnih mestih, tam, kjer sta še pred izginotjem običajno bila, postavi enajst digitalnih kamer, ki neprestano snemajo dogajanje. Mario upa, da bo nekega med pregledovanjem posnetkov znova odkril hčerkin obraz.

','scenarij Marco Martins
fotografija Carlos Lopes
glasba Bernardo Sassetti
montaža Joăo Braz, Roberto Perpignani
igrajo Nuno Lopes (Mario), Beatriz Batarda (Luisa), Miguel Guilherme, Ana Bustorff, Laura Soveral, Goncalo Waddington, Carla Maciel
','

Alice, a two-year-old girl, disappeared without a trace six months ago. Her crushed father, Mario, does not stop looking for her; what’s more, he employs a special technique of observation. He sets up eleven incessantly recording digital cameras at places they had frequented in Lisbon. Mario hopes that one day, while inspecting the recordings, he will see his daughter’s face again.

“In the story of Alice, I was interested in exploring the nature of obsession. It is about someone who loses a young daughter. Feeling powerless he constructs a parallel world, outside the society we live in. When Mario returns home every night and we see the films he has made of the anonymous crowd, we don\\\'t know if the scenes are real anymore or merely figments of his imagination. The city becomes an abstract place where Mario can isolate himself. While looking for Alice, Mario comes across other people who, like himself, are alone in the midst of the bustle of the city where they live. Alice is a film about absence. It is a love story between a father and a daughter.” (Marco Martins)

“A powerful study of intense grief that represents a sure-handed and insightful feature debut by former ad-director Marco Martins, Alice is steeped in despair both profound and eloquent. Enveloped in a penumbral world of pre-dawns and cloud-covered days, picture follows a father’s daily search for his missing daughter, detailing the quietly obsessive routine he follows to maintain a grip both on his sanity and his child’s memory. Pacing, learned at Manoel de Oliveira’s feet, will try some audiences’ patience, but the affecting muted rawness and standout performances are modulated beautifully.” (Jay Weissberg)

','screenplay Marco Martins
cinematography Carlos Lopes
music Bernardo Sassetti
editing Joăo Braz, Roberto Perpignani
cast Nuno Lopes (Mario), Beatriz Batarda (Luisa), Miguel Guilherme, Ana Bustorff, Laura Soveral, Goncalo Waddington, Carla Maciel
',NULL,NULL,NULL,NULL,'images/events/event497.jpg','images/events/event497_t.jpg',600,450,NULL,NULL,'Marco Martins',102,'portugalščina','Portuguese','slovenščina','Slovene','Portugalska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(462,30,'Antares','Antares','Antares','Zgodbe o življenjih, ki se križajo v kritičnih trenutkih, spretno izvezene v film o globelih ljubezni, iskanju bližine in upanju na srečo. Tri zgodbe o strasti in ena o smrti. Lahko nekaj burnih noči s tujcem, znancem iz daljne preteklosti, obrne življenje na boljše za delavno mati in ženo? Lahko obet rojstva otroka obdrži skupaj nesrečen par in ali lahko ljubezen požene korenine v lažeh? Se lahko moška nemoč pred obličjem ženske, ki ga je nekoč ljubila, iz ignorance in arogance preobrazi v sovraštvo in nasilje?
','

scenarij Götz Spielmann
fotografija Martin Gschlacht
glasba Walter W. Cikan, Marnix Veenenbos
montaža Karina Ressler
igrajo Petra Morzé (Eva), Andreas Patton (Tomasz), Hary Prinz (Alfred), Xenia Ferchner (Iris), Angelika Nidetzky (Evina kolegica), Hannes Thanheiser (starec v bolnišnici), Susanne Wuest (Sonja), Dennis Cubic (Marco)


','Stories of lives that converge in critical moments, masterly interwoven into a film on the depths of love, the search for intimacy and happiness. Three stories about passion and one about death. Can a few passionate nights spent with a stranger, an acquaintance from a past life, turn things for the better for a working mother and a wife? Can the prospect of a baby keep together an unhappy couple and can love put forth buds in lies? Can man’s weakness faced by a woman that once loved him turn from ignorance and arrogance into hate and violence?
','

creenplay Götz Spielmann
cinematography Martin Gschlacht
music Walter W. Cikan, Marnix Veenenbos
editing Karina Ressler
cast
Petra Morzé (Eva), Andreas Patton (Tomasz), Hary Prinz (Alfred), Xenia Ferchner (Iris), Angelika Nidetzky (Eva\\\'s colleague), Hannes Thanheiser (old man in hospital), Susanne Wuest (Sonja), Dennis Cubic (Marco)


 

',NULL,NULL,NULL,NULL,'images/events/event462.jpg','images/events/event462_t.jpg',600,450,NULL,NULL,'Goetz Spielmann',119,'nemščina','German','angleščina','English','Avstrija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(521,29,'Aven Čhavora','Aven Chavora','Aven Čhavora','Aven Čhavora je tematsko nadaljevanje filma Opre Roma, ki ga je avtor z istim igralcem v glavni vlogi posnel pred skoraj četrt stoletja, vendar je po vsebinski in dramaturški plati samostojen izrez iz življenja današnjih Romov in odnosa večinskega prebivalstva do njih. Bojan Tudija živi v Šmihelu pri Novem mestu. Tu si je z lastnim delom zgradil prostorno hišo, v kateri živi z ženo Cvetko in s hčerko Megi, ki jo kličejo tudi Tihana. Kljub razmeroma visokemu življenjskemu standardu so v družini ohranili romski etos, jezik in kulturo. Bojan ima obrt – zbiranje odpadnih surovin – in je eden od najbolj uglednih mož v romskem naselju. Nekaj časa je delal tudi v občinski strokovni skupini za romska vprašanja in je s preudarnostjo in konstruktivnostjo vselej pripomogel k dobremu sožitju v krajevni skupnosti. Drugačen je položaj v drugi krajevni skupnosti, Bučni vasi, kjer odnosi med večinskim prebivalstvom in Romi večkrat prerastejo v hude spore in tudi fizična obračunavanja.

 

','
scenarij Filip Robar Dorin
fotografija Primož Kastelic
glasba Jani Lipičnik (po izvirni glasbi J. P. Romanellija iz filma Opre Roma)
montaža Vesna Nikolovska Kržičnik
igrajo Bojan in Cvetka Tudija, Megi-Tihana in Rok, Janez Pezelj, Silvo Mesojedec, Roman Tasič, Jože Horvat-Muc, Tone Furlan, Naca in Dane, dolenjski in prekmurski Romi in drugi državljani

','Aven Chavora is a thematical sequel to Opre Roma, which the author made with the same male lead over a quarter of a century ago. However, its content and dramaturgy offer an a different insight into the lives of contemporary Roma and the attitudes of the rest of the population towards them. Bojan Tudija lives in Šmihel pri Novem mestu, where he built a large house with his own hands. He lives with his wife Cvetka and daughter Megi, nicknamed Tihana. Despite their relatively high standard of living, the family has preserved their Romany ethos, language and culture. Bojan has his own business – waste collection – and is one of the most respectable men in the Romany settlement. For a while he was a member of the municipal technical committee for Romany issues, and with his prudence and constructive mind contributed to the synergy in the local community. The situation is quite different in another community, the village of Bučna vas, where the relations between local inhabitants and the Roma often escalate into terrible conflicts and even fights.','screenplay Filip Robar Dorin
cinematography Primož Kastelic
music Jani Lipičnik (based upon the original music from Opre Roma)
editing Vesna Nikolovska Kržičnik
cast
Bojan in Cvetka Tudija, Megi-Tihana in Rok, Janez Pezelj, Silvo Mesojedec, Roman Tasič, Jože Horvat-Muc, Tone Furlan, Naca in Dane, dolenjski in prekmurski Romi in drugi državljani/ Romany from Dolenjska and Prekmurje region and other Slovenian citizens',NULL,NULL,NULL,NULL,'images/events/event521.jpg','images/events/event521_t.jpg',600,450,NULL,NULL,'Filip Robar Dorin',90,'romščina /slovenščina','Romany/Slovenian','slovenščina','Slovene','Slovenija 2005',NULL,'images/events/logo521.jpg','images/events/logo521_t.jpg',200,200,NULL),(486,33,'Bitka na nebu','Battle In Heaven','Batalla en el cielo','

Marcos je šofer v družini mehiškega generala. Z ženo, ulično prodajalko slaščic in budilk, ugrabita otroka Marcosove znanke, ki še istega dne umre. Marcos, ki ga zaradi otrokove smrti močno peče vest, se skrivaj videva z lepo generalovo hčerko Ano. Ana in Marcos sta iz različnih svetov, vendar imata vsak svojo veliko skrivnost, kar ju zbliža v nenavaden erotični odnos.
Samo za odrasle.

','scenarij Carlos Reygadas
fotografija Diego Martínez Vignatti
montaža Adoración G. Elipe, Benjamin Mirguet, Carlos Reygadas, Nicolas Schmerkin
igrajo Marcos Hernández (Marcos), Anapola Mushkadiz (Ana), Bertha Ruiz (Marcosova žena), David Bornstien (David), Rosalinda Ramirez (Viky)','

Marcos is a driver for a Mexican general\\\'s family. Marcos and his wife, a street vendor of sweets and alarm clocks, recently kidnapped a child, who died on that very day. Marcos wrestles with his conscience after the child\\\'s death and is secretly seeing the general\\\'s daughter, Ana. Belonging to different worlds, Ana and Marcos both guard a deep secret which draws them into an unusual erotic relationship.
For adults only.

','

screenplay Carlos Reygadas
cinematography Diego Martínez Vignatti
editing Adoración G. Elipe, Benjamin Mirguet, Carlos Reygadas, Nicolas Schmerkin
cast Marcos Hernández (Marcos), Anapola Mushkadiz (Ana), Bertha Ruiz (Marcos\\\' wife), David Bornstien (David), Rosalinda Ramirez (Viky)

',NULL,NULL,NULL,NULL,'images/events/event486.jpg','images/events/event486_t.jpg',600,450,NULL,NULL,'Carlos Reygadas',98,'španščina','Spanish','slovenščina','Slovene','Mehika, Belgija, Francija, Nemčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(548,29,'Cinevardaphoto','Cinevardaphoto','Cinevardaphoto','Pod skupnim imenovalcem Cinévardaphoto je Agnès Varda združila svoje tri filme, Salut les Cubains (1964), Ulysse (1982) in zadnji kratki film Ydessa, les ours et etc. (2004). To so trije filmi, v katerih obdeluje fenomen fotografije – ne v formi monologa, temveč vedno v dialogu z gledalcem in njegovo percepcijo. V Ydessi, zadnjem delu in najdaljšem segmentu omnibusa, je njeno pozornost pritegnila kanadska umetnica in kustosinja Ydessa Hendeles, potomka evropskih Judov, ki je v Münchnu pripravila razstavo s 3000 starinskimi fotografijami in razglednicami, na katerih so se znašli plišasti medvedki. V značilnem slogu, malo raziskovalni nalogi in malo iz osebne radovednosti, se Agnès zakoplje v genezo dela Ydesse – zbirateljice, kuratorke, lastnice galerije in umetnice – ter razkrije navdušujočo zgodbo o Ydessini preteklosti in razlogih za projekt. Salut les cubains je fotoroman o kubanski revoluciji, Ulysse pa lirična analiza fotografije, ki jo je leta 1954, v času, ko je režirala svoj prvi film, posnela na egiptovski plaži.

 

','

scenarij Agnès Varda
fotografija Per Olaf Csongova, Claire Duguet, Jean-Yves Escoffier, John Holosko, Rick Kearney, J. Marques, Pascal Rabaud, Markus Seitz
glasba Pierre Barbaud, Didier Lockwood, Isabelle Olivier
montaža Marie-Josée Audiard, Hélène de Luze, Jean-Baptiste Morin, Agnès Varda, Janine Verneau
igrajoYdessa Hendeles


','Joined under a common title, Cinévardaphoto, are three films by Agnès Varda: Salut les Cubains (1964), Ulysse (1982) and her latest short film, Ydessa, les ours et etc. (2004). These three films deal with the phenomenon of photography – not in the form of a monologue, but always as a dialogue with the viewer and his perception. In Ydessa, her last work and the longest part of the omnibus, the author\\\'s attention was attracted by Canadian artist and curator Ydessa Hendeles, of European-Jewish descent, who held an exhibition of 3000 old photographs and postcards of teddy bears in Munich. In her characteristic style, partly as if writing a research paper and partly from curiosity, Varda explores the genesis of the oeuvre of Ydessa – a collector, curator, gallery owner and artist – and discloses the fascinating story of Ydessa\\\'s past and the reasons for the project. Salut les cubains is a photo-novel of the Cuban revolution. Ulysse is a lyrical analysis of photography made in 1954 on a beach in Egypt, when she also directed her first film.

 

','

screenplay Agnès Varda
cinematography Per Olaf Csongova, Claire Duguet, Jean-Yves Escoffier, John Holosko, Rick Kearney, J. Marques, Pascal Rabaud, Markus Seitz
music Pierre Barbaud, Didier Lockwood, Isabelle Olivier
editing Marie-Josée Audiard, Hélène de Luze, Jean-Baptiste Morin, Agnès Varda, Janine Verneau
cast Ydessa Hendeles

 

',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Agnes Varda',96,'angleščina/francoščina','English/French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(467,38,'Cmočki','Dumplings','Dumplings','

Qing, žena premožnega poslovneža, je pri štiridesetih letih zaradi opaznega staranja vse bolj nezadovoljna in osamljena. Zadnje čase zahaja k skrivnostni Mai, ki v svojem stanovanju sredi blokovskega naselja izdeluje čudežne cmoke; ti bojda polepšajo kožo in žensko vidno pomladijo, zato so njeni obiski vse pogostejši. Ne zaveda pa se, s čim Mai polni slastne in hrustljave cmoke.

','

scenarij Fruit Chan, Lilian Lee 
fotografija Christopher Doyle
glasba Kwong Wing Chan
montaža Fruit Chan, Ki-hop Chan, Sam-Fat Tin
igrajo Bai Ling (Mai), Maggie Cheung (ga.Lee), Pauline Lau, Mi Mi Lee, Tony Leung Ka Fai 

','

Qing, the wife of a wealthy businessman, is growing increasingly frustrated and lonely at the age of forty due to her noticeable aging. Lately, she has been frequenting the mysterious Mai, who makes miracolous dumplings in her own flat. As these ellegedly beautify the skin and considerably rejuvenate a woman, Qing increases the number of her visits. What she is ignorant of, though, is the ingredient of Mai\\\'s scrumptuous and crunchy dumplings.

','screenplay Fruit Chan, Lilian Lee
cinematography Christopher Doyle
music Kwong Wing Chan
editing  Fruit Chan, Ki-hop Chan, Sam-Fat Tin
cast Bai Ling (Mai), Maggie Cheung (Ms Lee), Pauline Lau, Mi Mi Lee, Tony Leung Ka Fai ',NULL,NULL,NULL,NULL,'images/events/event467.jpg','images/events/event467_t.jpg',600,450,NULL,NULL,'Fruit Chan',91,'mandarinščina/kantonščina (hong kong)','Mandarin/Cantonese (Hong Kong)','angleščina','English','Hong Kong 2005',NULL,NULL,NULL,NULL,NULL,NULL),(582,33,'Čarobno ogledalo','The Magic Mirror','O espelho magico','

Luciano se je ravnokar vrnil iz zapora; brat mu priskrbi službo v ugledni in bogati družini. Preseneti ga obsedenost gospodarjeve žene Alfrede, ki hoče na vsak način prisostvovati prikazovanju device Marije. To njenega moža Bahia, prav nič ne zanima, saj je strastno zasvojen z glasbo. Alfredina želja je še močnejša, ko družinski prijatelj in poznavalec Biblije razkrije, da je bila Marija v resnici bogata ženska. Luciano se z Alfredo zapleta v dolge pogovore o religiji in sveti družini, nekega dne na posestvu sreča starega prijatelja, uglaševalca klavirjev, ki mu predlaga majhno prevaro: zakaj ne bi inscenirala prihoda device Marije in končno potešila Alfredino željo.

','scenarij Manoel de Oliveira, po romanu Agustine Besse-Luís
fotografija Renato Berta
montaža Valérie Loiseleux
igrajo Leonor Silveira (Alfreda), Ricardo Trepa (José Luciano), Leonor Baldaque (Abril), Luís Miguel Cintra (Filipe Quinta), Marisa Paredes (nuna), Michel Piccoli (prof.Heschel), Susana Sa (Noémia)','

Luciano has just returned from prison and his brother finds him a job in a respectable and rich family. He is surprised to learn of the obsession of his master\\\'s wife, Alfreda, who wants to be present at an apparition of the Virgin Mary at any cost. Her husband, Bahio, is not interested in her obsessions, as he is too obsessed with music. Her wish is intensified when a family friend and expert on the Bible reveals that Mary was in fact a rich woman. Luciano and Alfreda engage in long discussions on religion and the holy family. One day, he meets an old friend on the estate, a piano tuner, who suggests a small deception: Why not stage the apparition of the Virgin Mary and finally make Alfreda’s wish come true?

','

screenplay Manoel de Oliveira, based on the novel by Agustine Besse-Luís
cinematography Renato Berta
editing Valérie Loiseleux
cast Leonor Silveira (Alfreda), Ricardo Trepa (José Luciano), Leonor Baldaque (Abril), Luís Miguel Cintra (Filipe Quinta), Marisa Paredes (nun), Michel Piccoli (Prof. Heschel), Susana Sa (Noémia)

',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Manoel de Oliveira',137,'portugalščina','Portuguese','slovenščina','Slovene','Portugalska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(566,31,'Čarovnik Howl in gibljivi grad','Howl\\\'s Moving Castle','Hauru no ugoku shiro','

Sophie po očetovi smrti živi z mačeho in s polsestrama. Oče jim je zapustil trgovino s klobuki, toda družina se stežka preživlja, zato se mati odloči najmlajšo hčer Marto poslati k prijazni beli čarovnici, kjer si bo poiskala srečo in boljše preživetje, medtem ko druga hči Lettie pri lokalnem peku nastopi vajeniško dobo. Sophie je najstarejša, zato se ji ponuja malo možnosti in mora pomagati v trgovini. Stvari pa ne gredo po načrtih; Marta in Lettie s čarovnijo zamenjata mesti, saj bi se zadnja rada učila magije, prva pa ustvarila družino. Ko Sophie odkrije njuno prevaro, prečka pot zlobni čarovnici, ki jo spremeni v starko. Dekle mora v svet in poiskati možnost, kako se rešiti začaranega prekletstva.

»Verjamem, da so otroške duše naslednice zgodovinskega spomina prejšnjih generacij. Ko odraščajo in se starajo ter izkusijo vsakdanji svet, se spomin vedno bolj pogreza. Menim, da moram posneti film, ki sega do tiste ravni. Če bi mi to uspelo, bi umrl srečen.« (Hayao Miyazaki)

»Za risanko je težko razumljiva: metafizika je pogosto skicirana in poljubna, preobrazbe so malo nedosledne, zanosni zapleti ali uspehi včasih ne pomenijo veliko. A to je nujni del Miyazakijeve pripovedi: vzrok in posledica sta manj zanesljiva kot sanje in empatija, in hudobneže prikazuje tako dobrohotno, da sploh niso več hudobneži. Gre za utopično vizijo pogubnega sveta in Miyazakijeva obuditev staromodne vojne – mesto ponoči med mesarskim obstreljevanjem, ohromljena vojna ladja pluje v civilno pristanišče, orjaška plovila grozeče in nadnaravno grmijo z namišljenimi stroji – je lahko strašansko begajoča.« (Michael Atkinson)

','

scenarij Hayao Miyazaki, Cindy Davis Hewitt, Donald H. Hewitt, po romanu Diane Wynne Jones
glasba Joe Hisaishi
montaža Takeshi Seyama
igrajo (glasovi) Chieko Baisho (Sophie), Takuya Kimura (Hauru), Akihiro Miwa (Arechi no Majo), Tatsuya Gashuin (Karushifa), Ryunosuke Kamiki (Marukuru), Mitsunori Isaki (Koshô)

festivali, nagrade (izbor) Benetke 2004, Sitges 2004 (nagrada občinstva)


','

After her father\\\'s death, Sophie lives with her stepmother and two half-sisters. Father left them a hat shop, but the family cannot make ends meet, so mother decides to send the youngest daughter, Marta, to a friendly white witch, where she will find hapiness and a better life, while the second daughter Lettie starts her apprenticeship with the local baker. Being the eldest, Sophie has very few opportunities and helps at the shop. But things soon begin to run off course: Marta and Lettie employ magic to switch places, as the latter wants to learn magic, while the first dreams of having a family. When Sophie learns of their trick, she crosses the path of the wicked witch, who turns her into an old woman. Sophie now needs to leave the shop and find a way to save herself from the evil curse.

»I believe that children\\\'s souls are the inheritors of historical memory from previous generations. It\\\'s just that as they grow older and experience the everyday world, their memory sinks lower and lower. I feel I need to make a film that reaches down to that level. If I could do that I would die happy.« (Hayao Miyazaki)

»For a cartoon, it\\\'s not an easy read — the metaphysics are often sketchy and arbitrary, transformations are a tad inconsistent, emphatic crises or coups sometimes end up meaning little. But that\\\'s part and parcel with Miyazaki\\\'s narrative personality: cause and effect are less reliable than dreams and empathy, and villains are treated so charitably they\\\'re not villains at all. It\\\'s a utopian vision of a calamitous world, and Miyazaki\\\'s evocation of old-school war — a night city during a scarifying blitz, a crippled battleship drifting into a civilian harbor, behemoth vessels looming and roaring with imaginary engine work — can be awesomely discomfiting.« (Michael Atkinson)

Hayao Miyazaki
Rodil se je leta 1941 v Tokiu. Kariero je začel leta 1963 kot animator v studiu Toei Douga. Leta 1971 se je preselil k studiu A Pro, dve leti pozneje pa k Nippon Animation in tu ostal naslednjih pet let. Leta 1979 je za Tokyo Movie Shinsha posnel prvi celovečerni film. Sredi osemdesetih let je po številnih komercialnih in umetniških uspehih sodeloval pri ustanovitvi novega studia Sutajio Jiburi; odtlej velja za enega največjih in najuspešnejših japonskih animatorjev. Beneški filmski festival mu je letos podelil nagrado za življenjsko delo.

Born in 1941 in Tokyo. Started his career in 1963 as animator in the Toei Doug studios. Began working for A Pro Studio in 1971, and two years later for Nippon Animation, where he stayed for the next five years. In 1979 he made his first feature film for Tokyo Movie Shinsha. In the mid 1980\\\'s, after numerous commercial and artistic achievements, he contributed to the establishment of the Sutajio Jiburi Studio. Since then he has been celebrated as one of the most prominent and successful Japanese animators. This year, he received the Life Achievements Award bestowed by the Venice film festival.

','

screenplay Hayao Miyazaki, Cindy Davis Hewitt, Donald H. Hewitt,
music Joe Hisaishi
editing Takeshi Seyama
cast (voices) Chieko Baisho (Sophie), Takuya Kimura (Hauru), Akihiro Miwa (Arechi no Majo), Tatsuya Gashuin (Karushifa), Ryunosuke Kamiki (Marukuru), Mitsunori Isaki (Koshô)

',NULL,NULL,NULL,NULL,'images/events/event566.jpg','images/events/event566_t.jpg',600,450,NULL,NULL,'Hayao Miyazaki',119,'japonščina','Japanese','slovenski','Slovene','Japonska 2004',NULL,NULL,NULL,NULL,NULL,NULL),(562,30,'Čevlji umrlega','Dead Man\\\'s Shoes','Dead Man\\\'s Shoes','Richard se po parih letih vrne v mestece mladosti v škotskih višavjih. Z njim je njegov mlajši brat Anthony s posebnimi potrebami, ki ponavlja vsako Richardovo potezo. Richard se ni vrnil zaradi obujanja spominov; nazaj ga je prineslo maščevanje. Peterica malih kriminalcev in preprodajalcev drog se je pred časom iz njegovega brata malo pretirano ponorčevala. Sprva se Richard zgolj poigrava z njihovimi živci, nato začne resno igro ...

 

','

scenarij Paddy Considine, Shane Meadows
fotografija Danny Cohen
glasba Aphex Twin
montaža Celia Haining, Lucas Roche, Chris Wyatt
igrajo Paddy Considine (Richard), Gary Stretch (Sonny), Toby Kebbell (Anthony), Emily Aston (Patti), Neil Bell (Soz), Craig Considine (Craig), Matt Considine (Matt)


','

Richard returns to his home town in the Scottish Highlands after being absent for a number of years. He brings his younger, slightly retarded brother, Anthony, who mimics everything Richard does. Richard has not returned to reminisce, but has been spurred by the desire for vengeance. Five petty thugs and drug dealers made a bit too harsh a sport of his brother a while ago. At first Richard merely toys with them, but soon begins to play a serious game...  

','

screenplay Paddy Considine, Shane Meadows
cinematography Danny Cohen
music Aphex Twin
editing Celia Haining, Lucas Roche, Chris Wyatt
cast Paddy Considine (Richard), Gary Stretch (Sonny), Toby Kebbell (Anthony), Emily Aston (Patti), Neil Bell (Soz), Craig Considine (Craig), Matt Considine (Matt)

',NULL,NULL,NULL,NULL,'images/events/event562.jpg','images/events/event562_t.jpg',600,450,NULL,NULL,'Shane Meadows',90,'angleščina','English','slovenščina','Slovene','VB 2004',NULL,NULL,NULL,NULL,NULL,NULL),(518,30,'Dallas med nami','Dallas Among Us','Dallas pashamende','Učitelj Radu, po poreklu Rom, se iz Bukarešte vrne v rodno vas, da bi uredil vse potrebno za očetov pogreb. Romsko barakarsko naselje, v katerem se je rodil, je tik ob orjaškem smetišču. Po začetnem občutku odtujenosti Radu, ki se je vmes že popolnoma prilagodil mestnemu življenju, znova začuti občutek pripadnosti svojim ljudem, potisnjenim na rob družbe. Znova se zaljubi v nekdanje dekle iz mladosti, pri čemer se v njem okrepi občutek dvojne identitete. Zdaj mora izbirati med svetovoma …

 

','

scenarij Róbert-Adrian Pejó, Géza Csemer
fotografija Vivi Dragan Vasile
glasba Lajos Káthy Horvath
montaža Réka Lemhényi
igrajo Zsolt Bogdán (Radu Dima), Dorka Gryllus (Oana), Miklós B. Székely (Dragomir), Bence Mányoki (Petru), Oszkár Nyári (Janku), Radu Amzulescu (JR), Judit Jónás (Bika), Kálmán Hollai (Tiberiu), Dorel Visan (Mircea)

','

Radu, a teacher of Romany descent, returns from Bucharest to his native village to arrange for his father’s funeral. The Romany hut settlement where he was born is situated next to an enornmous garbage dump. After an initial feeling of estrangement, Radu, who has meanwhile completely adapted to urban living, is once again envelopped by a feeling of belonging to his marginalised people. He falls in love with his childhood sweetheart, which strengthens his double identity. He now has to choose between the two worlds…

','screenplay Róbert-Adrian Pejó, Géza Csemer
cinematography Vivi Dragan Vasile
music Lajos Káthy Horvath
editing Réka Lemhényi
cast Zsolt Bogdán (Radu Dima), Dorka Gryllus (Oana), Miklós B. Székely (Dragomir), Bence Mányoki (Petru), Oszkár Nyári (Janku), Radu Amzulescu (JR), Judit Jónás (Bika), Kálmán Hollai (Tiberiu), Dorel Visan (Mircea)',NULL,NULL,NULL,NULL,'images/events/event518.jpg','images/events/event518_t.jpg',600,450,NULL,NULL,'Adrian Robert Pejo',93,'madžarščina','Hungarian','angleščina','English','Madžarska, Nemčija, Austrija, Romunija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(543,41,'Delo osvobaja','Labor Equals Freedom','Delo osvobaja','

Peter je strojni tehnik in je pred časom izgubil službo. Njegovega profila ne potrebujejo, zato dan za dnem neuspešno postopa pred Zavodom za zaposlovanje. Žena Vera dela na občini in je s stanjem moža vse bolj nezadovoljna, saj s prijatelji popiva v bifeju, vse bolj se redi, predvsem pa v družinski proračun ne prispeva denarja. Njun zakon vse bolj propada, zato se Vera odloči, da se bo s hčerko odselila. Odločitev olajša še Petrovo spoznanje, da Vera že dalj časa ljubimka s svojim šefom.

','

režija Damjan Kozole
scenarij Damjan Kozole
fotografija Aleš Belak
glasba Igor Leonardi
montaža Jure Moškon
igrajo Peter Musevski (Peter), Nataša Barbara Gračner (Vera), Marjuta Slamič (Ines), Primož Petkovšek (Tomo), Manca Dorrer (soseda), Marijana Brecelj (socialna delavka), Lara Djurica (hči), Jernej Kuntner (Vinko)

 

','

Peter, a mechanical technician, has recently been on the dole. His profile is not in demand, and so day in and day out he lingers fruitlessly in front of the Employment Agency. His wife Vera works at the municipal office and is growing increasingly dissatisfied with her husband. Peter frequents bars with his mates, has put on weight, and has not been contributing to the family budget. Their marriage is deteriorating. Vera soon decides to take their daughter and leave him. The decision is facilitated when Peter finds out that Vera has been having an affair with her boss.

','

directed by Damjan Kozole
screenplay Damjan Kozole
cinematography Aleš Belak
music Igor Leonardi
editing Jure Moškon
cast Peter Musevski (Peter), Nataša Barbara Gračner (Vera), Marjuta Slamič (Ines), Primož Petkovšek (Tomo), Manca Dorrer (neighbour), Marijana Brecelj (social worker), Lara Djurica (daughter Sonja), Jernej Kuntner (Vinko)

 

',NULL,NULL,NULL,NULL,'images/events/event543.jpg','images/events/event543_t.jpg',600,450,NULL,NULL,'Damjan Kozole',71,'slovenščina','Slovenian','slovenščina','Slovene','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(579,30,'Devetdnevnica','The Novena','La Neuvaine','Jeanne se ponoči brezciljno vozi v avtomobilu. Je zdravnica, zaznamovana z občutkom krivde ob smrti ene svojih pacientk in njene hčerke. Vseskozi ima občutek, da bi ju lahko rešila. François živi z umirajočo babico. Zanjo se odloči opraviti devetdnevno molitev. Oba protagonista, povsem osamljena v nesreči, se srečata ob rečnem bregu v mali vasici. Françoisova nežnost v Jeanne znova prebudi voljo do življenja; prepriča jo, naj mu pomaga pri skrbi za babico.


','

scenarij Bernard Émond
fotografija Jean-Claude Labrecque
glasba Robert M. Lepage
montaža Louise Coté
igrajo Elise Guilbault (Jeanne), Patrick Drolet (François), Lise Castonguay (Thérčse), Benoît Dagenais (Langlais), Stéphane Demers (Mari de Lise), Pierre Collin


','At night, Jeanne drives around aimlessly in her car. She is a doctor, marked by feelings of guilt following the death of one of her patients and her own daughter. She is continuously plagued by the feeling that she could have saved them. François lives with his dying grandmother. He decides to undergo a nine-day period of prayer and devotions for her. Completely alone in their misery, the protagonists meet along the riverbank in a small village. François\\\' tenderness awakens the will to live in Jeanne; he persuades her to help him look after his grandmother.  
','

screenplay Bernard Émond
cinematography Jean-Claude Labrecque
music Robert M. Lepage
editing Louise Coté
cast Elise Guilbault (Jeanne), Patrick Drolet (François), Lise Castonguay (Thérčse), Benoît Dagenais (Langlais), Stéphane Demers (Mari de Lise), Pierre Collin

',NULL,NULL,NULL,NULL,'images/events/event579.jpg','images/events/event579_t.jpg',600,450,NULL,NULL,'Bernard Emond',97,'francoščina','French','angleščina','English','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(564,30,'Deveti dan','The Ninth Day','Der Neunte Tag','Film pripoveduje resnično zgodbo o Kremerju, mladem katoliškem duhovniku, ki se med drugo svetovno vojno skupaj z mnogimi duhovniki iz Evrope znajde v koncentracijskem taborišču Dachau. Kljub vsakodnevnim mukam nihče med njimi ne izgubi vere. Kremerja v nekem trenutku doleti presenetljiva novica: prejel bo dovolilnico za pot v rojstni Luksemburg. Tam ga pričaka SS-ovski oficir Gebhart, čigar namen je onemogočiti lokalnega škofa, ki v znak mirnega protesta proti nacističnemu režimu vsakodnevno zvoni s cerkvenimi zvonovi. Kremer se sreča z nerešljivim položajem: ali bo škofa prepričal v prenehanje upora in napisal pismo podpore nacistom ali pa se bo v devetih dneh vrnil v Dachauu.


','

scenarij Eberhard Görner, Andreas Pflüger fotografija Tomas Erhart
glasba Alfred Shnitke 
montaža Peter R. Adam
igrajo Ulrich Matthes (Henri Kremer), August Diehl (Gebhardt), Hilmar Thate (Philippe), Bibiana Beglau (Marie Kremer), Germain Wagner (Roger Kremer), Jean-Paul Raths (Raymond Schmitt)


','The film is a true story about Kremer, a young Catholic priest who, during the Second World War, ends up in the Dachau concentration camp together with many other priests from across Europe. Despite the daily torture, none of them loses hope. One day, Kremer is hit by surprising news: he has received permission to travel to his hometown, Luxembourg. He is met there by an SS officer, Gebhart, who wants to prevent the local bishop from his daily tolling of church bells as a sign of peaceful protest against the Nazi regime. Kremer has to face an unsolvable situation: will he be able to convince the bishop to stop the resistance and make him write a letter of support to the Nazis, or will he have to return to Dachau in nine days?    ','

screenplay Eberhard Görner, Andreas Pflüger
cinematography Tomas Erhart
music Alfred Shnitke 
editing Peter R. Adam
cast Ulrich Matthes (Henri Kremer), August Diehl (Gebhardt), Hilmar Thate (Philippe), Bibiana Beglau (Marie Kremer), Germain Wagner (Roger Kremer), Jean-Paul Raths (Raymond Schmitt)

',NULL,NULL,NULL,NULL,'images/events/event564.jpg','images/events/event564_t.jpg',600,450,NULL,NULL,'Volker Schlöndorff',98,'nemščina','German','slovenščina','Slovene','Nemčija, Luksemburg 2004',NULL,NULL,NULL,NULL,NULL,NULL),(533,32,'Dežela obilja','Land of Plenty','Land of Plenty','Dvajsetletna Lana se po desetih letih, ki jih je preživela na misijah po Afriki in Izraelu, vrača v domovino. V Los Angelesu se naseli v krščanskem misijonu. Tu pomaga revnim in brezdomcem. Rada bi obnovila stike s stricem Paulom, nekdanjim vojakom iz Vietnama, ki so ga dogodki 11. septembra povsem iztirili. Zdaj ima ta idealistični kavboj idejo, da bo branil okope svoje domovine. S predelanim starim kombijem, v katerem je komunikacijska oprema, kroži po okolici in opreza za možnimi teroristi arabskega porekla. Lane se sprva izogiba, počasi pa jo vendarle sprejme v svoj vsakdan. Potem ko sta oba priča uličnemu uboju mladega Arabca, je Paul odločen, da zadevo razišče naprej in poišče povezavo s teroristično celico.','

scenarij Wim Wenders, Michael Meredith, po zgodbi Wima Wendersa in Scotta Derricksona
fotografija Franz Lustig
glasba Nackt,Thom
montaža Moritz Laube
igrajo Michelle Williams (Lana), John Diehl (Paul), Shaun Toub (Hassan), Wendell Pierce (Henry), Richard Edson (Jimmy), Burt Young (Sherman)

','

20-year-old Lana is returning to her homeland after spending ten years in various missions in Africa and Israel. She settles in a Christian mission in L.A., where she helps the poor and homeless. She wants to resume her relationship with her uncle Paul, a Vietnam war veteran, who was deeply stricken by the 9/11 events. Now this idealistic cowboy has a bee in his bonnet to defend the bastions of his homeland singlehandedly. With a remodelled old van containing communications equipment, he circles around the neighbourhood and pries after potential terrorists of Arabic descent. At first he shies away from Lana, but gradually embraces her presence. When they witness the street killing of a young Arab, Paul becomes determined to investigate the matter and find the connection with a terrorist cell.

','screenplay
Wim Wenders, Michael Meredith, based on a story by Wim Wenders and Scott Derrickson
cinematography Franz Lustig
music Nackt, Thom
editing Moritz Laube
cast Michelle Williams (Lana), John Diehl (Paul), Shaun Toub (Hassan), Wendell Pierce (Henry), Richard Edson (Jimmy), Burt Young (Sherman)',NULL,NULL,NULL,NULL,'images/events/event533.jpg','images/events/event533_t.jpg',600,450,NULL,NULL,'Wim Wenders',123,'angleščina','English','srbščina','Serbian','ZDA, Nemčija 2004',NULL,'images/events/logo533.jpg','images/events/logo533_t.jpg',200,200,NULL),(500,30,'Divji in zadeti','Stoned','Stoned','

Brian Jones je bil poleg Micka Jaggerja in Keitha Richardsa gonila sila zgodnjih Rolling Stones, angleške skupine, ki je v prvi polovici šestdesetih let skupaj z Beatli angleški rokenrol ponesla v svet. Jones je bil med tremi vodilnimi člani največja enigma, najtežje ga je bilo definirati, toda za mnoge je bil duša skupine, glasbeni genij. Šestdeseta leta je zajemal z veliko žlico, toda njegov padec je bil enako hiter kot vzpon; od prvih dosežkov slave je v manj kot sedmih letih postal senca samega sebe, odročen in nedostopen. Leta 1969 so ga našli mrtvega v bazenu; bil je prvi v seriji rock zvezdnikov, ki bodo na prelomu desetletja umrli v rosni mladosti.

 

','

scenarij Neal Purvis, Robert Wade
fotografija John Mathieson
glasba David Arnold
montaža Sam Sneade
igrajo Will Adamsdale (Andrew Loog Oldham), Ras Barker (Lodger), Paddy Considine (Frank Thorogood), Nathalie Cox (Gretal), Luke de Woolfson (Mick Jagger), Leo Gregory (Brian Jones)

','

Alongside Mick Jagger and Keith Richards, Brian Jones was the driving force of the early Rolling Stones, an English band which, togehter with the Beatles, brought English rock\\\'n\\\'roll to the world in the early 1960’s. Among its three leading members, Jones was the greatest enigma, the hardest to define, yet for many people the soul of the band, a musical genius. He enjoyed the 60’s to the fullest, but his fall was as fast as his rise. In less than seven years after experiencing the first signs of  fame, he became a mere shadow of himself, distant and unapproachable. In 1969 he was found dead in a swimming pool, only the first in a series of rock stars who would die in their early youth at the turn of the decade.  

','

screenplay Neal Purvis, Robert Wade
cinematography John Mathieson
music David Arnold
editing Sam Sneade
cast Will Adamsdale (Andrew Loog Oldham), Ras Barker (Lodger), Paddy Considine (Frank Thorogood), Nathalie Cox (Gretal), Luke de Woolfson (Mick Jagger), Leo Gregory (Brian Jones)

',NULL,NULL,NULL,NULL,'images/events/event500.jpg','images/events/event500_t.jpg',600,450,NULL,NULL,'Stephen Woolley',102,'angleščina','English','slovenščina','Slovene','VB 2005',NULL,NULL,NULL,NULL,NULL,NULL),(540,28,'Doo Wop','Doo Wop','Doo Wop','

Pariz poleti. Ziggy se zbudi, dan začne kot običajno v sosednjem bistroju. Potem se odpravi do prijatelja, ki ob Seni prodaja rabljene knjige, se snide s prijatelji v restavraciji, nato pa sreča nekdanje dekle, ki ga je zapustila že pred časom. Mimogrede spozna novo dekle Majo, natakarico s pevskimi ambicijami. Ziggy se rad predstavlja kot producent in menedžer glasbene skupine, ki bo nekoč razprodala slovito pariško Olympio. Resnično življenje je drugačno, skupina občasno nastopa v zakajenih klubih in tudi Ziggy se komaj preživlja; še več, izogibati se mora upnikom, katerim dolguje velike vsote denarja.

»Doo Wop je film močnih občutkov, ki je v glavnem posnet v Parizu, Parizu bistrojev, sprehajalcev in romantikov. Doo Wop seveda odseva čas, ko je bilo pomanjkanje, vendar je bilo tudi upanje. Isto upanje, ki daje življenjsko moč meni in tudi mojemu junaku Ziggyju. Lahko bi bil trši film, bolj socialen, bolj realističen. Želel sem prikazati sanje, brezskrbnost, upanje. To je drugačen pogled na razpuščenost, pomanjkanje. Nekakšna navidezna lahkotnost.« (David Lanzmann)

»Ziggyja takoj prepoznamo kot človeka, ki ne bo upognjeno sprejel nezaslužene kazni. Spomnimo se, kaj se je zgodilo Belmondu v filmu Do zadnjega diha (A bout de souffle) in De Niru v Mean Streets. Preprosto je priklicati duha novega vala, a stvari ne smemo gledati površinsko. Pri novem valu je šlo za upor konvencijam, dokler njegov prijem ni prav tako postal konvencija. Doo Wop ne zaide na nova področja in David Lanzmann se spretno izmika ali prilagaja postopke, ki jih je razvila generacija iz leta 1959. Pariz prevzame Godardu in njegovim sodobnikom z različnimi prijemi pri vsakem prizoru; uporablja vse, od plan-séquence do prepletajočih se bližnjih posnetkov, in popolnoma izkorišča ročno kamero Pascala Lagriffoula, ki pogosto spominja na tekoče posnetke steadicam.« (Henrik Uth Jensen) 

','scenarij
David Lanzmann
fotografija
Pascal Lagriffoul
glasba
Les Chaussettes Sales
montaža
David Lanzmann
igrajo
Michaël Fitoussi (Ziggy), Caroline Ducey (Marie), Elina Löwensohn (Maya), Clovis Cornillac (Thierry), Philippe Nahon (Michel), Diego Montes (Alberti)
','

Paris in the summer. Ziggy wakes up and begins his day as usual, at the nearby bistro. Then he sees a friend who sells used books on the banks of the Seine, meets friends at a restaurant, and has a date with his ex-girlfriend, who left him a while ago. In between, he meets a new girl, Maya, a waitress and would-be singer. Ziggy likes to present himself as the producer and manager of a music group which will one day sell out the illustrious Olympia stadium in Paris. The prospects are implausible, the group occasionally has gigs in smoke-filled clubs and even Ziggy can hardly make ends meet. What\\\'s more, he shuns his creditors, to whom he owes large sums of money...

»A film of strong feelings, Doo Wop mostly unfolds in Paris, the Paris of bistros, strollers, romantics. Doo Wop reflects the time of deprivation, but the time of hope as well. That same hope which invigorates me and my hero, Ziggy… Doo Wop could have been harsher, more social, more realistic. I wanted to show dreams, carelessness, hope. It is a different perspective of the slackened times, the want. A certain apparent lightness.« (David Lanzmann)

»We instantly recognize Ziggy as a man who will take a not fully undeserved beating. We recall what happened to Belmondo in Breathless (A bout de souffle) and De Niro in Mean Streets. It\\\'s easy to evoke the spirit of Nouvelle Vague, but we must not be superficial about these things. The Nouvelle Vague was a resistance against convention until their approach became a convention in itself. Doo Wop doesn\\\'t have to chart new territories and David Lanzmann cleverly avoids or bends the techniques invented by the class of 1959. In his diverse approaches to each scene, using everything from sequence shots to inter cutting close ups, and taking full advantage of Pascal Lagriffoul\\\'s handheld camera which often suggests the fluency of the steady cam, David Lanzmann steals Paris back from Godard and his contemporaries.« (Henrik Uth Jensen)

','screenplay
David Lanzmann
cinematography
Pascal Lagriffoul
music
Les Chaussettes Sales
editing
David Lanzmann
cast
Michaël Fitoussi (Ziggy), Caroline Ducey (Marie), Elina Löwensohn (Maya), Clovis Cornillac (Thierry), Philippe Nahon (Michel), Diego Montes (Alberti)
',NULL,NULL,NULL,NULL,'images/events/event540.jpg','images/events/event540_t.jpg',600,450,NULL,NULL,'David Lanzmann',90,'francoščina','French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(545,30,'Draga Wendy','Dear Wendy','Dear Wendy','

Osemnajstletni Dick odrašča v rudarskem mestecu v ZDA. Oče je pred leti umrl v rudniški nesreči, vzgajala ga je temnopolta Clarabelle. Ko mora za rojstni dan njenega vnuka Sebastiana kupiti darilo, izbere otroško pištolo, pozneje pa ugotovi, da gre za pravo orožje. Prijatelj mu priskrbi strelivo, prvi strelski poskusi pa Dicka in prijatelja tako prevzamejo, da ustanovita skrivno društvo, imenovano Dandies, ki ima kmalu pet članov. Skupinica v opuščenih rovih preživlja vse več časa, piše poezijo, študira knjige o orožju … in sprejme stroga interna pravila. Dandies so pacifisti, nikoli ne streljajo na sočloveka, orožje jim zagotavlja zgolj "moralno oporo". Prihod novega člana Sebastiana, nad katerim naj bi Dick med prestajanjem pogojne zaporne kazni bedel, v skupino vnese negotovost in ogrozi njihovo "čistost".

','

scenarij Lars von Trier
fotografija Anthony Dod Mantle
glasba Benjamin Wallfisch
montaža Mikkel E.G. Nielsen
igrajo Jamie Bell (Dick), Bill Pullman (Krugsby), Michael Angarano (Freddie), Danso Gordon (Sebastian), Novella Nelson (Clarabelle), Chris Owen (Huey)


','18-year-old Dick is growing up in a mining town in the U.S. His father died some years ago in a mining accident, and Dick was brought up by Clarabelle, a Black American. As a present for her grand-son Sebastian\\\'s birthday, Dick buys a toy gun, later realising it is a real weapon. His friend supplies him with amunition, and the first shots completely overwhelm Dick and his friend. They establish a secret society called the Dandies, which soon comprises five members. The group is spending more and more time in abandoned galleries, writing poetry and studying books on weapons. They soon adopt strict internal rules. Being pacifists, the Dandies see arms merely as a means of \\\'moral support\\\', and never shoot at their fellow human beings. The arrival of a new member, Sebastian, who is on parole and will have Dick as his guardian, brings uncertainty and jeopardizes the society\\\'s \\\'purity\\\'.','screenplay Lars von Trier
cinematography Anthony Dod Mantle
music Benjamin Wallfisch
editing Mikkel E.G. Nielsen
cast Jamie Bell (Dick), Bill Pullman (Krugsby), Michael Angarano (Freddie), Danso Gordon (Sebastian), Novella Nelson (Clarabelle), Chris Owen (Huey)',NULL,NULL,NULL,NULL,'images/events/event545.jpg','images/events/event545_t.jpg',600,450,NULL,NULL,'Thomas Vinterberg',105,'angleščina','English','slovenščina','Slovene','Danska, Francija, Nemčija, VB 2005',NULL,NULL,NULL,NULL,NULL,NULL),(588,39,'Enosmerna vozovnica','One Way Ticket','Himmelfahrt','Vnuk in babica se odpravita na pot. Na vlaku babica nepričakovano umre. Tragikomična pripoved o smrti, ki le ni vedno najbolj tragična stvar na svetu.',NULL,'

A grandson and his grandmother set out on a journey. On the train, granny suddenly dies. A tragicomical tale of death that is not always the most tragical thing in the world.

',NULL,NULL,NULL,NULL,NULL,'images/events/event588.jpg','images/events/event588_t.jpg',600,450,NULL,NULL,'Ulrike Grote',14,'nemščina','German','slovenščina','Slovene','Nemčija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(544,29,'F.A.Q.','F.A.Q.','F.A.Q.','F.A.Q. je film o usodi slovenskega jezika na avstrijskem Koroškem oziroma usodi tamkajšnje slovenske manjšine. Predstavlja nenavaden pogled nove generacije na staro temo. Film začne absurdna animirana sekvenca, ko režiser Hafner po pomoti prejme paket, ki ga je Claudia Haider, žena koroškega deželnega glavarja in prepričanega desničarja, poslala hčerki. Režiserja dopuščata, da prebivalci Koroške spregovorijo in komentirajo dogodke ob meji. Govori tudi glasba; odlomek Pa Rožani pojo, da zaspati ča morem iz narodne pesmi je postal nekakšen pripev in hkrati prispodoba: dokler Slovenci na Koroškem še pojejo, še ni prepozno, glasba je torej postala tudi nosilec idej.

 

','

scenarij Stefan Hafner, Alexander Binder
fotografija Alexander Binder
glasba Blixa Bargeld, Bottervogel
montaža Karin Hammer



','F.A.Q. is a film on the fate of the Slovenian language in Austrian Carinthia, or the destiny of the Slovenian minority there. It is a unique view of an old subject voiced by the new generation. The film opens with an absurd animated sequence in which director Hafner accidentally receives a parcel sent by Claudia Haider, wife of the Carinthian Governer General and convinced right-wing upholder, to her daughter. The directors let the Carinthians speak and comment on the border events themselves. A prominent role is also given to music. The verse of a folk song, \\\'Pa Rožani pojo, da zaspati ča morem\\\', has simultaneously become a refrain and an allegory: for as long as the Slovenians in Carinthia can still sing, it is not too late. Music has thus become the carrier of ideas.','

screenplay Stefan Hafner, Alexander Binder
cinematography Alexander Binder
music Blixa Bargeld, Bottervogel
editing Karin Hammer

',NULL,NULL,NULL,NULL,'images/events/event544.jpg','images/events/event544_t.jpg',600,450,NULL,NULL,'Stefan Hafner / Alexander Binder',84,'slovenščina/nemščina','Slovenian/German','angleščina','English','Avstrija 2005',NULL,'images/events/logo544.jpg','images/events/logo544_t.jpg',200,200,NULL),(581,30,'Garpastum','Garpastum','Garpastum','

St. Peterburg, 1914. Ruski carski imperij je v razsulu, prva svetovna vojna pred vrati, štirje ruski mladeniči pa se odločijo ustanoviti nogometno ekipo. V ospredju sta brata Andrej in Nikolaj; njuna mama je pred časom umrla, medtem ko oče leži na smrtni postelji. Z znancem se dogovorijo o odkupu zemljišča, zdaj morajo najti še potrebnih 140 rubljev. Zbrati jih nameravajo z igranjem nogometa za denar.

','

scenarij Oleg Antonov, Aleksander Vajnštejn, Aleksej German, Jr.
fotografija Oleg Lukičov
glasba Igor Vdovin
montaža Ivan Lebedev
igrajo Evgenij Pronin (Andrej/Andrei), Danila Kozlovski (Nikolaj/Nikolai), Dmitrij Vladimirov (Šust), Aleksander Bikovskij (Miša/Misha), Čulpan Hamatova (Anica)


','St. Petersburg, in 1914. The Russian Czarist Empire is in ruins and on the verge of the First World War. Four Russian young men decide to establish a football team. The film focuses on the brothers Andrei in Nikolai, whose mother has recently passed away, while their father lies on his deathbed. Together with their acquaintance, they make a deal to purchase a plot of land and now only have to find the necessary 140 ruble. They plan to get it by playing football for money.  ','screenplay Oleg Antonov, Aleksander Vajnštejn, Aleksej German, Jr.
cinematography Oleg Lukičov
music Igor Vdovin
editing Ivan Lebedev
cast Evgenij Pronin (Andrej/Andrei), Danila Kozlovski (Nikolaj/Nikolai), Dmitrij Vladimirov (Šust), Aleksander Bikovskij (Miša/Misha), Čulpan Hamatova (Anica)


 

',NULL,NULL,NULL,NULL,'images/events/event581.jpg','images/events/event581_t.jpg',600,450,NULL,NULL,'Alexey Guerman',116,'ruščina','Russian','slovenščina','Slovene','Rusija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(596,29,'George Michael: Drugačna zgodba','George Michael: A Different Story','George Michael: A Different Story','

O Georgeu Michaelu je bilo veliko povedanega in napisanega; le malo je preverjenih dejstev, še manj njegovih lastnih besed o življenju in odraščanju na angleškem podeželju, v Edgwaru v Middlesexu, od koder je šel v London in postal eden največjih idolov generacije. George Michael gledalca popelje na ekskurzijo po mestih otroštva; prvič spregovori o javnih škandalih, materi, ki ga je dolgo podpirala in umrla veliko premlada, ali o svojem nekdanjem partnerju iz skupine Wham!, s katerim se po dvajsetih letih znova sreča.

 


 

','

scenarij Southan Morris
fotografija John Sorapure
glasba George Michael 
montaža Guy Harding, Duncan Shepherd
igrajo George Michael, Sting, Mariah Carey, Elton John, Noel Gallagher, Simon Cowell, Geri Halliwell, Boy George

','

Much been said and written about George Michael, but only a few undisputed facts are known. Michael rarely spoke of his life and growing up in the English countryside, Edgware in Middlesex, which he abandoned for London to become one of the greatest idols of his generation. George Michael takes viewers on an tour of the towns of his childhood; speaks for the first time about his public scandals, about his mother, who supported him for a long time and died much too young, or about his former partner in Wham!, whom he meets again after twenty years...

','screenplay Southan Morris
cinematography John Sorapure
music George Michael 
editing Guy Harding, Duncan Shepherd
cast George Michael, Sting, Mariah Carey, Elton John, Noel Gallagher, Simon Cowell, Geri Halliwell, Boy George,',NULL,NULL,NULL,NULL,'images/events/event596.jpg','images/events/event596_t.jpg',600,450,NULL,NULL,'Southan Morris',95,'angleščina','English','slovenščina','Slovene','VB 2005',NULL,NULL,NULL,NULL,NULL,NULL),(552,28,'Iluzija','Mirage','Iluzija','

Makedonija danes. V družini odraščajočega Marka je vse narobe; oče je pijanec, za mamo se zdi, da je že pred časom izgubila vsakršen stik z resničnim svetom, sestra je sebična deklina, ki skrbi predvsem za lastno srečo. V šoli položaj ni dosti boljši, saj je Mark vsakodnevna tarča sošolcev. Edina oseba, ki mu vliva upanje, je učitelj, ki ga skuša navdušiti za pisanje poezije. Izkaže se, da je čuteči učitelj v resnici popolnoma drugačen, kot se zdi Marku.

»Komunistična ideologija je imela družino za osnovno celico, ta pa je sestavljala družbo. Družina in družba v filmskem prvencu Svetozarja Ristovskega pa oblikujeta svet, ki vam bo naježil kožo. Iluzija prikazuje današnjo Makedonijo, a to bi lahko bila katera koli država, razklana v vojni vihri. Družina in šola sta v filmu uporabljeni kot metafora za bolno družbo. Režiser jo postavi pod povečevalno steklo in ne prizanaša nikomur. Ta družba uniči vse, kar je bilo v Marku dobrega in nedolžnega, njegovih sanj ga oropa do te mere, da tudi sam začne iskati maščevanje.« (Ludmila Cvitkova) 

»Ristovski v pripoved vnese avtentičnost in presenetljiv občutek za estetiko. Zgodba smelo niha med optimizmom in obupom. V tem ga spretno podpira sijajna in bogata fotografija Vladimirja Samoilovskega, ki preoblikuje motne barve in melanholično pokrajino v bogato kompozicijo slikovite elegance. Niansirana in rahločutna igra Kovačevića doda filmu mogočno emocionalno resonanco. Mladi igralec, ki je domala nenehno navzoč na platnu, je tista moč, ki vodi film. Njegov drobni žalostni obraz mučno priča o razočaranju, ki ga izkusi, ko mu odločno odvzamejo upanje. Končni rezultat je globoko rahločutno in prepričljivo delo omamne vizualne lepote.« (Dimitri Eipides) 

','scenarij
Svetozar Ristovski, Grace Lea Troje
fotografija
Vladimir Samoilovski
glasba
Klaus Hundsbichler
montaža
Atanas Georgiev
igrajo
Marko Kovačević (Marko), Mustafa Nadarević (profesor), Dejan Ačimović (Blaško), Nikola Djurićko (Paris), Nikola Hejko (Černobil), Vlado Jovanovski (Lazo), Martin Jovčevski (Levi)
','

Macedonia today. Everything is wrong in Marko’s family. His father is a compulsive drinker, his mother seems to have lost any kind of contact with the real world a long time ago, and his sister is an egoistic hussy who is only concerned with her own happiness. The situation at school doesn’t seem much better, either, as Marko is bullied by his schoolmates on a daily basis. The only person who gives him any hope is his teacher, who tries to convince him to start writing poetry. But the apparently sympathetic man turns out to be completely different from Marko expected.

»Communist ideology considered the family as \\\'the basic cell\\\' that comprises a society. The family and society as depicted in Svetozar Ristovski\\\'s début film create a world that will give you goose bumps. Mirage shows present-day Macedonia, but can actually stand for any country torn apart by war. The family and school are used in this film as a metaphor for a sick society which the director places under a magnifying glass, not sparing anyone. This society destroys everything that was good and innocent in Marko, depriving him of his dreams to such an extent that he seeks his own revenge.« (Ludmila Cvitkova)

»Ristovski brings authenticity and a striking aesthetic sense to a story that daringly oscillates between optimism and despair. In this, he is ably supported by the stunning cinematography of Vladimir Samoilovski, whose lush photography transforms the dingy colours and melancholy landscape into rich compositions of painterly elegance. A nuanced and sensitive performance from Kovachevic adds to the film\\\'s powerful emotional resonance. Onscreen nearly all of the time, the young actor is the force that drives the film. His small, sad face agonizingly conveys the frustration experienced when hope is categorically denied. The final result is a profoundly sensitive and compelling work of haunting visual beauty.« (Dimitri Eipides)

','screenplay
Svetozar Ristovski, Grace Lea Troje
cinematography
Vladimir Samoilovski
music
Klaus Hundsbichler
editing
Atanas Georgiev
cast
Marko Kovačević (Marko), Mustafa Nadarević (professor), Dejan Ačimović (Blaško), Nikola Djurićko (Paris), Nikola Hejko (Černobil), Vlado Jovanovski (Lazo), Martin Jovčevski (Levi)
',NULL,NULL,NULL,NULL,'images/events/event552.jpg','images/events/event552_t.jpg',600,450,NULL,NULL,'Svetozar Ristovski',104,'makedonščina','Macedonian','slovenščina','Slovene','Makedonija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(496,28,'Ivana','Joan','Johanna','

Filmska in glasbena interpretacija trpljenja Ivane Orleanske. Johanna je mlada narkomanka. Po nesreči pade v globoko komo, zdravnik ji po čudežu reši življenje. V zahvalo Bogu začne po okrevanju bolnikom ponujati telo. Glavni zdravnik je frustriran, ker ga Johanna zavrača, zato se poveže z medicinskim osebjem, ki načrtuje zaroto. Hvaležni pacienti sklenejo Johanno braniti pred zdravniki, ki v njej vidijo le cipo; na očitke Johanna odgovarja, da s telesom ljudi zdravi iz čiste dobrote in ljubezni.

»Želel sem posneti film o tem, kaj pomeni biti drugačen, drugačen, ker se odločiš za dobroto. Do kje lahko zdržiš, živeč onkraj pravil konvencionalne moralnosti. To me je privedlo k zgodbi o Ivani Orleanski. Za vlogo Johanne sem takoj sem pomislil na igralko Orsi Tóth, saj zahteva izjemno igro. Orsijina mila in močna, a krhka pojavnost prikliče dozdevno preproste in prevzemajoče lastnosti vloge.« (Kornél Mundruczó)

»Res je: izvirna opera, glasba in libreto napisani prav za ta film – pripoved o ženskemu trpljenju in odrešenju, o kateri lahko Lars Von Trier samo sanja. S temami mučeništva in transcendence je to zgodba o trpljenju in odrešenju ženske, ki jo Trier ustvarja in poustvarja v vsakem filmu. Vendar pa Mundruczó žensk ne sovraži in zaradi tega je njegov film toliko boljši. Če je Johanna na koncu kaznovana, ker je imela previsoke aspiracije, pa njen konec ne spremljajo ponižanja, katerim Von Trier junakinje rutinsko podvrže. Gre za pravo apoteozo: lastno žrtvovanje zaradi višjih ciljev. Eksaltacija.«  (Jared Brown)

','scenarij
Yvette Biro, Kornél Mundruczó
fotografija
Andras Nagy, Matyas Erdely, Balazs Revesz
glasba
Zsófia Tallér
montaža
Vanda Arányi
igrajo
Orsolya Tóth (Johanna), Ildikó Cserna (zlobna sestra), Istvan Ganter (pacient), Dénes Gulyás (glavni zdravnik), Zsolt Trill
','

A film and music interpretation of Joan of Arc\\\'s suffering. Johanna is a young drug addict. She accidentally falls into a deep coma, and the doctor miraculously saves her life. As she convalesces, Johanna begins to offer herself to patients in order to express her appreciation to God. Resentful because Johanna spurns his advances, the head doctor plots a conspiracy with the medical team. The grateful patients defend Johanna from the doctors, who see her only as a whore. Johanna vigorously rejects all reproaches, claiming that she heals people with her body out of pure goodness and love...

»I wanted to make a film about what it means to be different, to be different by choosing goodness. How far can you go, when you live outside the rules of conventional morality? This led me to the story of Joan of Arc. I immediately thought of the actress Orsi Tóth to play Johanna, as the part called for an exceptional performance. Orsi\\\'s grace and strong yet frail presence capture the seemingly simple and compelling qualities of the role.« (Kornél Mundruczó)

»That\\\'s right: an original opera, its music and libretto written specifically for this film - a tale of female suffering and redemption such as Lars Von Trier can only dream of. With its themes of martyrdom and transcendence, this is the tale of female suffering and redemption that Trier makes and remakes with each new film. However, Mundruczó is not a misogynist, and his film is all the better for it. If Johanna is punished, ultimately, for overreaching her station, then her end is at least unaccompanied by the kind of humiliations which Von Trier routinely visits upon his heroines. It is an apotheosis proper: a sacrifice of the self to a higher purpose. An exaltation.« (Jared Brown)

','screenplay
Yvette Biro, Kornél Mundruczó
cinematography
Andras Nagy, Matyas Erdely, Balazs Revesz
music
Zsófia Tallér
editing
Vanda Arányi
cast
Orsolya Tóth (Johanna), Ildikó Cserna (evil sister), Istvan Ganter (patient), Dénes Gulyás (head doctor), Zsolt Trill
',NULL,NULL,NULL,NULL,'images/events/event496.jpg','images/events/event496_t.jpg',600,450,NULL,NULL,'Kornél Mundruczó',83,'madžarščina','Hungarian','slovenščina','Slovene','Nemčija, Madžarska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(537,35,'Jug jugovzhodno','South Southeast','Jug jugoistok','

Beograjski policijski inšpektor zasleduje filmsko igralko Sonjo Savić, ki se je pred dnevi vrnila iz Slovenije. Sonja samotna tava po ulicah in daje vtis nezbranosti; njen polbrat Miloš se je vrnil iz Belgije, ker bi rad uredil dokumente njune nedavno preminule babice, zdaj pa je prepričan, da je Sonji nekdo ukradel štiriletno hčer Sofijo. Ali Sonja sploh ima hčerko? Ali se je ugrabitev zares zgodila? Miloš ni povsem prepričan in policija tudi ne.

»Jug jugovzhod je psihološki triler o krhki meji med realnostjo in navideznostjo v družbi, ki se ne želi modrenizirati in raje vidi, da se drugi odločajo namesto njih. Glavna junakinja Sonja Savić je oseba, za katero ne obstajajo tabu teme. Skozi njeno življenje, kjer je do sebe in okolice zelo iskrena, je mogoče videti dogodke iz bližne preteklosti. Film je esej o vplivu ideologije na družbo, kjer so miti imeli velik vpliv. Danes, ko se pričakuje pripravljenost vsakega posameznika in družbe, da se sreča z bližno preteklostjo, se dogodki zakrivajo ali pozabljajo. Če je bilo 20. stoletje v znamenju shizofrenije, je v 21. stoletju zmagovalka preganjavica.« (Milutin Petrović)

»Jug jugovzhod je psihološki triler, ki odkriva tanko mejo med realnostjo in navideznostjo v današnji družbi. Poudarek je na posameznikih, ki se ne želijo posodobiti, temveč sprejemajo sterotip, poln inercije in odločitev drugih o njihovem življenju. Film je esej o vplivu ideologije na družbo, kjer so miti vedno imeli veliko prednost glede na resničnost.« (Dijana Maksimović)

','scenarij
Milutin Petrović, Saša Radojević
fotografija
Predrag Bambić
glasba
Milutin Petrović, Miša Savić
montaža
Petar Jakonić
igrajo
Sonja Savić (Sonja), Miloš Lolić (Miloš), Nedeljko Despotović (inšpektor Despotović), Mladomir \\\'Puriša\\\' Djordjević, Boris Milivojević, Radivoje Andrić','

A Belgrade police inspector has been tailing a film actress, Sonja Savić, who has recently returned from Slovenia. Seemingly absent-minded Sonja roams the streets lonesomely. Her half-brother, Miloš, has returned from Belgium, where he had gone to arrange the documents of their lately deceased grandmother. He is now convinced that someone kidnapped Sonja\\\'s four-year-old daughter Sofija. But, does Sonja have a daughter at all? Has the kidnapping actually occurred? Miloš is not quite certain, neither is the police.

»South by Southeast is a psycho-thriller treating the fine line between reality and fiction in a society that does not wish to modernize, but abandons itself to inertia and the fact that somebody else always decides on your destiny. Sonja Savić is someone who does not embrace the existence of taboos. That\\\'s why she is the main character of South by Southeast, because through her life and professional story, thanks to her thruthfulness towards herself and the people around her, events from the immediate past can be viewed in a wider context. South by Southeast is an essay about the influence of ideology on society, where myths have always had a great advantage over reality. At a time when each individual and the whole of society is expected to face the immediate past, events are masked, enshrouded in half-truths or simply suppressed. If the 20th century was an era of schyzophrenia, the 21st is the era of the clear-cut victory of paranoia.« (Milutin Petrović)

»South by Southeast is a psycho-thriller treating the fine line between reality and fiction in a contemporary society, accentuating the refusal of individuals to modernize. They espouse a stereotype full of inertia and the influence of others on their lives. South by Southeast is an essay about the influence of ideology on society, where the myths have always had a great advantage over reality.« (Dijana Maksimović)

','screenplay
Milutin Petrović, Saša Radojević
cinematography
Predrag Bambić
music
Milutin Petrović, Miša Savić
editing
Petar Jakonić
cast
Sonja Savić (Sonja), Miloš Lolić (Miloš), Nedeljko Despotović (Inspector Despotović), Mladomir \\\'Puriša\\\' Djordjević, Boris Milivojević, Radivoje Andrić',NULL,NULL,NULL,NULL,'images/events/event537.jpg','images/events/event537_t.jpg',600,450,NULL,NULL,'Milutin Petrović',86,'srbščina','Serbian','slovenščina','Slovene','Rep. Srbija in Črna gora 2005',NULL,NULL,NULL,NULL,NULL,NULL),(550,35,'Kaj je Iva posnela 21. oktobra 2003','What Iva Recorded On October 21st 2003','Što je Iva snimila 21. listopada 2003','

Iva za petnajsti rojstni dan dobi lepo darilo, majhno digitalno kamero. Nad novo igračo je navdušena, zato takoj začne snemati vse okrog; priprave očima Boža na prihod gosta, mamo, ki pretirano pije. Na prvem traku so tako posneti zabava za rojstni dan in spremljajoče dogajanje. Mama in Božo sta do njenega neprestanega snemanja sprva ravnodušna, pozneje pa vse bolj razdražena. V hiši namreč vlada živčnost, ne zaradi Ivinega rojstnega dne, temveč ker na obisk prihaja očimov poslovni partner iz Nemčije.

»Avtorja sta scenaristično odlično oblikovala dialoge in razvoj dogajanja, ki se začne z nedolžnimi družinskimi prepirčki okrog nakupa hrane za nemškega gosta in nadaljuje precej resneje. Nič ni postavljeno enoznačno, vse je – kot v resničnem življenju – podrejeno trenutnim spremembam. Skozi \\\'nedolžni\\\' okular Ivine kamere se snemajo tudi \\\'podkožne\\\' podrobnosti malomeščanske družine.« (Robert Jukić)

','scenarij
Tomislav Radić, Ognjen Sviličić
fotografija
Vedran Šamanović
montaža
Kruno Kušec
igrajo
Anja Šovagović - Despot (Željka), Ivo Gregurević (Božo), Masha Mati Prodan (Iva), Boris Svrtan, Barbara Prpić, Karl Menrad, Adam Končić
','

Iva has received a beautiful present for her 15th birthday – a small digital camera. The girl is thrilled with her new toy and immediately begins to film everything around her: her stepfather, Božo, preparing for the arrival of a guest, and her mom, an excessive drinker. The first film features the birthday party and ensuing events. At first, her mom and Božo are indifferent to her constant shooting, but grow to be increasingly more disquietened. Namely, the house is steeped in anxiety, not because of Iva\\\'s birthday, but because Božo\\\'s business partner from Germany will be arriving for a visit.

»The authors excellently shaped the dialogues and the entanglement of the storyline, which begins with innocent domestic quarrels regarding the purchase of food for the German guest and continues in a rather more sombre mode. Nothing is devised unidimensionally, everything is – as in real life – subsceptible to momentary changes. Recorded through the \\\'innocent\\\' lenses of Iva\\\'s camera are also the \\\'obscure\\\' details of a small-minded family.« (Robert Jukić)

','screenplay
Tomislav Radić, Ognjen Sviličić
cinematography
Vedran Šamanović
editing
Kruno Kušec
cast
Anja Šovagović - Despot (Željka), Ivo Gregurević (Božo), Masha Mati Prodan (Iva), Boris Svrtan, Barbara Prpić, Karl Menrad, Adam Končić
',NULL,NULL,NULL,NULL,'images/events/event550.jpg','images/events/event550_t.jpg',600,450,NULL,NULL,'Tomislav Radić',92,'hrvaščina','Croatian','slovenščina','Slovene','Hrvaška 2005',NULL,NULL,NULL,NULL,NULL,NULL),(505,30,'Kilometer nič','Kilometre Zero','Kilometre zero','Drama o usodi iraških Kurdov, ki jih je režim Sadama Husseina med iransko-iraško vojno in pozneje – vse do ameriško-angleške intervencije leta 2003 – skorajda iztrebil. Osrednji lik je Kurd Ako. Režim ga pošlje na fronto, da bi se boril proti Irancem, kmalu pa dobi nalogo, da truplo vojnega heroja z iraškim voznikom prepelje v njegovo rodno vas. Na poti se med njima krešejo ideološka in medrasna trenja. Zgodba se sklene v Parizu, petnajst let pozneje, ko Ako z ženo posluša novice o ameriški invaziji na Irak …

 

','

scenarij Hiner Saleem
fotografija Robert Alazraki
glasba Yan Axin, Nikos Kypourgos
montaža Anna Ruiz
igrajo Nazmi Kirik (Ako), Eyam Ekrem (voznik/driver), Belcim Bilgin (Selma), Ehmed Qeladizeni (Sami), Nezar Selami (Adnan)


','

A drama featuring the lives of Iraqi Kurds, who were all but eradicated by the regime of Sadam Hussein during the Iran-Iraq war and afterwards – until the American-English intervention in 2003. The main character is Kurd Ako, who is sent to the front lines to fight the Iranians. He is soon given the task of accompanying the body of a war hero to his native village together with an Iraqi driver. On the journey, angry ideological and racial clashes of opinion develop between the two men. The story ends fifteen years later in Paris, when Ako and his wife listen to the news of the American invasion of Iraq...

','

screenplay Hiner Saleem
cinematography Robert Alazraki
music Yan Axin, Nikos Kypourgos
editing Anna Ruiz
cast Nazmi Kirik (Ako), Eyam Ekrem (voznik/driver), Belcim Bilgin (Selma), Ehmed Qeladizeni (Sami), Nezar Selami (Adnan)


',NULL,NULL,NULL,NULL,'images/events/event505.jpg','images/events/event505_t.jpg',600,450,NULL,NULL,'Hiner Saleem',91,'kurdsko/arabščina/francoščina','Kurdish/Arabic/French','slovenščina','Slovene','Francija, Irak, Finska 2005',NULL,'images/events/logo505.jpg','images/events/logo505_t.jpg',200,200,NULL),(558,30,'Kino, aspirini in mrhovinarji','Cinema, Aspirins and Vultures','Cinema, aspirinas e urubus','Brazilija, 1942. V severovzhodnem delu države se srečata Nemec Johann, v Južno Ameriko je prebegnil pred vojno, in Ranulpho, domačin na begu pred sušo, ki je zajela dobršen del njegove province. Johann Ranulphu ponudi mesto asistenta operaterja; vozita se po ruralnih predelih in ljudem prikazujeta filme, mimogrede prodajata še \\\'čudežno\\\' zdravilo, aspirin. Zdi se, da sta daleč od civilizacije, toda radijski sprejemnik jima vseskozi prinaša novice z evropskih bojišč','

scenarij Karim Ainouz, Paulo Caldas, Marcelo Gomes
fotografija Mauro Pinheiro Jr.
glasba Tomás Alves de Souza
montaža Karen Harley
igrajo Peter Ketnath (Johann), Joăo Miguel (Ranulfo), Mano Fialho, Zezita Matos, Osvaldo Mil


.


','Brasil, 1942. Johann, a German who defected to South America during the war, and Ranulpho, a native fleeing from the drought that has affected a good part of his province, meet in the northwestern part of the country. Johann offers the post of assistant projectionist to Ranulpho. The two tour the rural parts of the country and screen films, at the same time also selling a \\\'miraculous\\\' drug – aspirin. Seemingly removed from civilisation, the radio is nonetheless transmitting news from European battlegrounds.','screenplay Karim Ainouz, Paulo Caldas, Marcelo Gomes
cinematography Mauro Pinheiro Jr.
music Tomás Alves de Souza
editing Karen Harley
cast Peter Ketnath (Johann), Joăo Miguel (Ranulfo), Mano Fialho, Zezita Matos, Osvaldo Mil',NULL,NULL,NULL,NULL,'images/events/event558.jpg','images/events/event558_t.jpg',600,450,NULL,NULL,'Marcelo Gomes',99,'portugalščina','Portuguese','slovenščina, francoščina','French','Brazilija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(569,30,'Kitajec','Chinaman','Kinamand','

Kelda je po dvajsetih letih zakona zaradi popolne pasivnosti in lenobe ravnokar pustila žena. Pustila mu je stanovanje, si našla novega ljubimca, s katerim si želi potovati po svetu, od bivšega moža hoče le 8000 evrov nadomestila za stanovanje. Keld je ostal sam, zlomljen in s praznim hladilnikom, zato začne obiskovati kitajsko restavracijo čez cesto. Tam se spoprijatelji z lastnikom Fengom, pomaga mu celo pri zamenjavi cevovoda. Ne mine mesec dni, ko mu Feng ponudi roko sestre Ling, ki potrebuje dovoljenje za delo na Danskem. Keld zaradi finančne stiske sprejme dobro plačano ponudbo.


 

','

scenarij Kim Fupz Aakeson
fotografija Sebastian Blenkov
glasba Gisle Kverndokk
montaža Mette Zeruneith
igrajo Bjarne Henriksen (Keld), Charlotte Fich (žena/Wife), Lin Ku Wu (Feng), Vivian Wu (Ling), Paw Henriksen

','After being married for twenty years, Keld has just been abandoned by his wife as the result of his utter inertia and laziness. She has left him the apartment and found a new lover with whom she wants to travel the world. She demands  8000 Euros in return for her half of the apartment. Keld is all alone, devastated … and with an empty fridge. He begins to frequent a Chinese restaurant across the street. There he makes friends with the owner, Feng, and even helps him replace the piping. In less than a month, Feng offers him his sister Ling’s hand in marriage because she needs a permit to work in Denmark. Because of financial problems, Keld accepts a well-paid offer…','

screenplay Kim Fupz Aakeson
cinematography Sebastian Blenkov
music Gisle Kverndokk
editing Mette Zeruneith
cast Bjarne Henriksen (Keld), Charlotte Fich (žena/Wife), Lin Ku Wu (Feng), Vivian Wu (Ling), Paw Henriksen

',NULL,NULL,NULL,NULL,'images/events/event569.jpg','images/events/event569_t.jpg',600,450,NULL,NULL,'Henrik Ruben Genz',88,'danščina','Danish','slovenščina','Slovene','Danska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(584,30,'Kjer resnica laže','Where the Truth Lies','Where the Truth Lies','

Središče dogajanja v kriminalni drami je v petdesetih letih 20. stoletja priljubljeni televizijski par, Lanny Morris in Vince Collins. Slovita komika sta po skrivnostnem, nikoli pojasnjenem incidentu – smrti hotelske sobarice – končala skupno kariero televizijskih komikov in se poklicno razšla. Petnajst let pozneje, leta 1972, se mlada in ambiciozna novinarka odloči raziskati skrivnostne okoliščine sobaričine smrti in v knjigi opisati ozadje nepojasnjenih dogodkov. Za to pa seveda potrebuje pričevanji Vincea in Lannyja.

 

','

scenarij Atom Egoyan, po romanu Ruperta Holmesa
fotografija Paul Sarossy
glasba Mychael Danna
montaža Susan Shipton
igrajo Kevin Bacon (Lanny Morris), Colin Firth (Vince Collins), Alison Lohman (Karen O\\\'Connor), Sonja Bennett (Bonnie Trout), Rachel Blanchard (Maureen O\\\'Flaherty), Maury Chaykin, Rebecca Davis, Arsinée Khanjian

','

The criminal drama focuses on a famous television couple, Lanny Morris and Vince Collins, who were popular in the fifties. After a mysterious and unsolved incident – the death of a hotel chambermaid – the famous couple end their career as television comedians and separate professionally. Fifteen years later, in 1972, a young and ambitious journalist decides to investigate the mysterious circumstances surrounding the murder and describe the background of unexplained events in a book. But for that she needs Vince’s and Lanny’s testimonies.

','

screenplay Atom Egoyan based upon a novel by Rupert Holmes
cinematography Paul Sarossy
music Mychael Danna 
editing Susan Shipton
cast Kevin Bacon (Lanny Morris), Colin Firth (Vince Collins), Alison Lohman (Karen O\\\'Connor), Sonja Bennett (Bonnie Trout), Rachel Blanchard (Maureen O\\\'Flaherty), Maury Chaykin, Rebecca Davis, Arsinée Khanjian

',NULL,NULL,NULL,NULL,'images/events/event584.jpg','images/events/event584_t.jpg',600,450,NULL,NULL,'Atom Egoyan',108,'angleščina','English','slovenščina','Slovene','Kanada, VB, ZDA 2005',NULL,NULL,NULL,NULL,NULL,NULL),(472,30,'Kockarji','Gamblers','Les mauvais joueurs','

Bliža se božič, življenje Vahéja Krikoriana pa se vse bolj zapleta. Male prevare, s katerimi si viša dohodke, se ne obnesejo več, trgovina, v kateri dela, je last njegovega očeta; kmalu jo bo prisiljen zapreti, saj ne zmore odplačevati dolgov in rednih stroškov. Lu Ann, ženska, v katero je Vahé zaljubljen, je že pustila biznis. Stvari se še poslabšajo, ko se v mestu pojavi Lu Annin brat Yuen. V Francijo je vstopil ilegalno, brez dokumentov, povrhu vsega noče delati za ljudi, ki so ga pretihotapili čez mejo. Vahé se zaveda, da je Yuen v nevarnosti, zato se mu odloči pomagati.

.

','

scenarij Frédéric Balekdjian
fotografija Pierre Milon
montaža Mike Fromentin
igrajo Pascal Elbé (Vahé Krikorian), Simon Abkarian (Sahak), Isaac Sharry (Toros), Linh Dan Pham (Lu Ann), Teng Fei Xiang (Yuen)

','Christmas is drawing near and Vahé Krikorian\\\'s life is getting all too complicated. The swindles that have earned him a little extra money are no longer effective. He works in his father\\\'s shop, which will soon be closed down because of accrued debts and insolvency. Lu Ann, Vahé\\\'s inamorata, has already left the business. Things get from bad to worse when Lu Ann\\\'s brother, Yuen, appears. Yuen entered France illegally, without any documents, and to top it off, he refuses to work for the people who smuggled him across the border. Vahé is aware of the fact that Yuen is in danger, so he decides to help him','

screenplay Frédéric Balekdjian
cinematography Pierre Milon
editing Mike Fromentin
cast Pascal Elbé (Vahé Krikorian), Simon Abkarian (Sahak), Isaac Sharry (Toros), Linh Dan Pham (Lu Ann), Teng Fei Xiang (Yuen)

',NULL,NULL,NULL,NULL,'images/events/event472.jpg','images/events/event472_t.jpg',600,450,NULL,NULL,'Frédéric Balekdjian',85,'francoščina','French','slovenščina','slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(525,30,'Kralji in kraljica','Kings and Queen','Rois et Reine','Film sprva pripoveduje dve nepovezani zgodbi: studijskega dirigenta Ismaëla Vuillarda so pravkar zaprli v norišnico, ker je nekdo vložil zahtevek za psihiatrično opazovanje. Ismaël se zadnje čase res čudno obnaša, toda sebe ne dojema kot moteno osebo. Njegov odvetnik se trudi rešiti primer. Vzporedno Nora Cotterelle izve, da ima oče raka v zadnjem stadiju in da bo v kratkem umrl. Potem izvemo, da je Ismaël Norin bivši mož. Ker ima bogatega novega ljubimca, Nora Ismaëla prosi za posvojitev sina Eliasa, ki ga je rodila še pred njuno poroko.','scenarij Roger Bohbot, Arnaud Desplechin \r\nfotografija Eric Gautier \r\nmontaža Laurence Briaud \r\nigrajo Emmanuelle Devos (Nora Cotterelle), Mathieu Amalric (Ismaël Vuillard), Catherine Deneuve (ga./Mrs Vasset), Maurice Garrel (Louis Jenssens), Nathalie Boutefeu (Chloé Jenssens), Hippolyte Girardot (Marc Mamanne), Noémie Lvovsky (Elizabeth)','The film initially treats two unconnected stories: Ismaël Vuillard, a studio conductor, has just been admitted to a mental asylum because someone had submitted a claim for his psychiatric observation. Ismaël has indeed been acting strange lately, but he does not consider himself to be soft in the head. His lawyer has done everything to have him released. In the meantime, Nora Cotterelle learns that her father is terminally ill. Nora attempts to contact her sister so as to accompany their father through his last days. We soon discover that Ismaël is Nora\\\'s ex-husband. Nora has a new and affluent lover, and asks Ismaël to adopt her child, Elias, to whom she gave birth just before marrying Ismaël and shortly after the death of Ismaël\\\'s father...','screenplay Roger Bohbot, Arnaud Desplechin \r\nfcinematography Eric Gautier \r\nediting Laurence Briaud \r\ncastEmmanuelle Devos (Nora Cotterelle), Mathieu Amalric (Ismaël Vuillard), Catherine Deneuve (ga./Mrs Vasset), Maurice Garrel (Louis Jenssens), Nathalie Boutefeu (Chloé Jenssens), Hippolyte Girardot (Marc Mamanne), Noémie Lvovsky (Elizabeth)',NULL,NULL,NULL,NULL,'images/events/event525.jpg','images/events/event525_t.jpg',600,450,NULL,NULL,'Arnaud Desplechin',150,'francoščina/angleščina','French/English','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(557,35,'Kukumi','Kukumi','Kukumi','

Zgodba o dneh, ko so Natove čete vstopile na Kosovo. Po podpisu vojaškega sporazuma v Kumanovem se uniformirani srbski varnostniki iz bolnišnice za mentalno prizadete umaknejo; drugi zaposleni se jim pridružijo, zato pacienti ostanejo brez vsakršne oskrbe in nadzora. Čeprav so ti ljudje umsko prizadeti, premorejo posebno življenjsko filozofijo; imajo želje in sanje, v svobodi vidijo priložnost za izpolnitev sanj. Realnost je seveda drugačna. Med pobeglimi bolniki se znajdejo tudi Kukumi, Mara in Hasan, ki se kmalu zapletejo v konflikte z običajnimi ljudmi. Svobode si niso tako predstavljali, saj jih nihče noče sprejeti.

»Mislim, da sta Kosovo in Bosna doživela podobno usodo. Vsak kraj s takšno usodo se lahko identificira z mojim filmom. Ta dehumanizacija človeka na Kosovu po koncu vojne je poanta vsega, kar sem na tej ravni ustvaril. Film je metafora o neki svobodi. Svoboda je tudi trenutek, ko nekomu pomagaš in ga razumeš. Slaba energija nikoli ne predstavlja svobode, omogoča jo samo pozitivna energija.« (Isa Qosja)

»Kukumi avtorja Ise Qosje, prvi film narejen v produkciji Kosova, ki je zdaj misija UN, je popolnoma drugačen od srbskih filmov. To metaforično pripoved o treh bolnikih umobolnice, ki tavajo po podeželju med truščem in klopotanjem Natovih tankov zaznamuje oster, izviren pogled.« (Deborah Young)

','

scenarij
Mehmet Kraja, Isa Qosja
fotografija
Menduh Nushi
glasba
Naim Krasniqi
montaža
Agron Vula
igrajo
Anisa Ismaili (Mara), Luan Jaha, Donat Qosja

','

The story unfolds in the days when NATO troops entered Kosovo. After the signing of a military agreement in Kumanovo, the uniformed Serbian security officers retreat from the hospital for the mentally unsound; the rest of the employees follow suit, leaving the patients without adequate care or control. Although these are mentally deficient patients, they cherish a certain philosophy of life; they have their aspirations and hopes, and see an opportunity for the realisation of their dreams in freedom. Naturally, reality is nothing like they imagined it would be. Among the run-away patients are also Kukum, Mara and Hasan, who soon come into conflict with ordinary people. They did not envision freedom this way, nobody wants to take them in...

»I think that Kosovo and Bosnia experienced a similar fate. Each town with such a fate can identify with my film. The dehumanisation of people in Kosovo after the war is the objective of all my endeavours. The film is a metaphor of a certain liberty. Freedom is also the moment of helping and understanding a person. Bad energy never represents freedom, which is only facilitated by positive energy.« (Isa Qosja)

»Historically the first film to fly the label of Kosovo, which is now a United Nations Mission, Isa Qosja\\\'s The Kukum is a world apart from Serbian filmmaking. This metaphoric tale about three inmates from a mental asylum who wander through the countryside alongside rumbling NATO tanks is distinguished by a sharp, original vision.« (Deborah Young)

','screenplay
Mehmet Kraja, Isa Qosja
cinematography
Menduh Nushi
music
Naim Krasniqi
editing
Agron Vula
cast
Anisa Ismaili (Mara), Luan Jaha, Donat Qosja
',NULL,NULL,NULL,NULL,'images/events/event557.jpg','images/events/event557_t.jpg',600,450,NULL,NULL,'Isa Qosja',107,'albanščina','Albanian','slovenščina','Slovene','Kosovo 2005',NULL,NULL,NULL,NULL,NULL,NULL),(587,39,'Ljubezen po turško','Turkish Love','Liebe Türkisch','Ljubezenske vezi med turškimi priseljenci v Nemčiji so še vedno aktualne, verska prepričanja Turkov in nemškega strahu pred njimi pa tudi. A ljubezen je močnejša …
',NULL,'Love ties between Turkish immigrants in Germany are still very topical (popular, in the forefront), as are the religious beliefs of Turks and Germans\\\' fear of them. But love is stronger…
',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Yildrim Ozgur',12,'nemščina/turščina','German/Turkish','slovenščina','Slovene','Turčija, Nemčija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(574,32,'Ljubezenski prizori s planeta Zemlja','Love Scenes From The Planet Earth','Das Merkwürdige Verhalten geschlechtsreifer Großst','Dan je čudovit in v mesto je prišel papež. V evropski metropoli se med dnevom križajo poti in združujejo mnoge usode. Kar ne preseneča, pomlad je v razcvetu in ljudje se zaljubljajo ... Neuspešni pisatelj si sposodi založnikovega ferrarija; najstnice delajo nečednosti na straniščih nakupovalnega središča; pisateljeva nekdanja žena se zaljubi v ugrabitelja hčerke; moški in ženska, ki sta hotela storiti samomor, hočeta naenkrat imeti šest otrok. Spodnje perilo in kondomi menjajo lastnike. In to je šele začetek.','

scenarij Peter Gersina
fotografija Hans-Günther Bücking
glasba Reinhard Besser
montaža Barbara von Weitershausen
igrajo Cosma Shiva Hagen (Sandra), Bernd Tauber (Kurt), Christoph Waltz (Charly), Ann-Kathrin Kramer (Manuela), Maria Wördemann (Hanna), Clara Wördemann (Hanna)


','It is a beautiful day and the Pope comes to town. In the course of one day, numerous destinies intersect and unite in a European metropolis. Which is not surprising, because spring is in the air and people are falling in love… An unsuccessful writer borrows his publisher\\\'s Ferrari: teenage girls are playing indecent games in the public toilet of a shopping mall; the writer\\\'s ex-wife falls in love with her daughter’s kidnapper; a couple who wanted to commit suicide suddenly want to have six children. Undergarments and condoms change owners. And this is only the beginning.','screenplay Peter Gersina
cinematography Hans-Günther Bücking
music Reinhard Besser
editing Barbara von Weitershausen
cast Cosma Shiva Hagen (Sandra), Bernd Tauber (Kurt), Christoph Waltz (Charly), Ann-Kathrin Kramer (Manuela), Maria Wördemann (Hanna), Clara Wördemann (Hanna)',NULL,NULL,NULL,NULL,'images/events/event574.jpg','images/events/event574_t.jpg',600,450,NULL,NULL,'Marc Rothemund',89,'nemščina','German','slovenščina','Slovene','Nemčija 1998',NULL,NULL,NULL,NULL,NULL,NULL),(516,41,'Ljubljana je ljubljena','Ljubljana is Loved','Ljubljana je ljubljena','

Delno avtobiografski film, posvečen stoti obletnici slovenskega filma, šestdeseti obletnici osvoboditve Ljubljane in pisatelju Rudiju Šeligu, je v osnovi pripoved o mračnem odraščanju v Ljubljani. Mlad fant Oton je vodilni lik zgodbe. Opazuje razvoj rodnega mesta od leta 1934, ko je bil v Franciji ubit kralj Aleksander, prek italijanske in nato nemške okupacije, do prihoda komunizma. Okrog njega se vrtijo zgodbe drugih ljudi, zgodovinska dogajanja se prepletajo z življenjem njegove prve ljubezni Marjane, italijanskega oficirja Giorgia, prostitutke Anite, klošarke Shirley, postreščka Jake in mnogih drugih likov.
Otonova zgodba se začne s spoznanjem razlik med žensko in moškim ter z zaobljubo, da se bosta imela z Marjano vekomaj rada. Ko leta 1941 Ljubljani zavlada italijanski okupator, gimnazijec Oton zasovraži Italijane in se poveže z ilegalci. Marjana se spremeni in oddalji od njega, ker jo prevzame nova, nora ljubezen z italijanskim oficirjem Giorgiom. Le v nočnem lokalu Vice se nič ne spreminja; tam se tuji vojaki mešajo s prebivalci mesta in skupaj poskušajo pozabiti grozote vojne. Vice so odraz minevanja družbe in dekadence ljudi v vojnem obdobju.

','

scenarij Matjaž Klopčič
pomočnik režiserja Martin Turk
direktor fotografije Tomislav Pinter
scenograf Matjaž Pavlovec
kostumograf Leo Kulaš
kreatorka maske Mirjam Kavčič
montaža Janez Bricelj
snemalec tona Jože Trtnik
oblikovalec zvoka Boris Romih
glasba Urban Koder
direktor filma Frenk Celarc
igrajo Kristijan Guček (Oton), Iva Krajnc (Marjana), Igor Samobor (Giorgio), Nataša Barbara Gračner (Anita), Polde Bibič (Martin Krpan – postrešček Jaka), Ivanka Mežan (Shirley), Barbka Cerar (Sonja), Ivo Ban (Kralj), Dare Valič (župan), Slavko Cerjak (oče), Mirjam Korbar Žlajpah (mama), Štefka Drolc (nona), Zlatko Šugman (nono/), Radko Polič (stric), Matija Vastl (Aco), Ivo Godnič (katehet), Janez Škof (Vasko), Demeter Bitenc (šef), Mojca Funkl (profa)

','

A partly autobiographical film dedicated to the centennial of Slovenian film, the sixtieth anniversary of the liberation of Ljubljana, and to author Rudi Šeligo, is a tale about growing up in Ljubljana during a dark period of its history. The main protagonist, Oton, grows into a young man watching his home town change in the period after 1934, when King Alexander is killed in France, the city is occupied by Italians and then Germans, and finally the arrival of communism. Oton meets many people who are closely involved with the city and its life. Historical events dramatically influence the lives of Oton’s first love Marjana, the Italian officer Giorgio, the prostitute Anita, the bag lady Shirley, porter Jaka, and several other characters.
Oton’s story begins at a point when he learns the difference between men and women; the experience makes him swear eternal love to Marjana. When the Italian occupying forces invade Ljubljana in 1941 Oton is in grammar school. He hates the Italians and joins the underground resistance movement. Marjana slowly changes and draws away from Oton. She falls madly in love with an Italian officer. The only place where nothing seems to change is the nightclub Purgatory, where both the townspeople and the Italian soldiers come to forget the horrors of the war. The Purgatory is a reflection of the society’s degeneration and the wartime decadence.

','

screenplay Matjaž Klopčič
first assistant director Martin Turk
director of photography  Tomislav Pinter
set designer Matjaž Pavlovec
costume designer Leo Kulaš
make-up artist Mirjam Kavčič
editing Janez Bricelj
sound engineer Jože Trtnik
sound designer Boris Romih
music Urban Koder
production manager Frenk Celarc
cast Kristijan Guček (Oton), Iva Krajnc (Marjana), Igor Samobor (Giorgio), Nataša Barbara Gračner (Anita), Polde Bibič (porter Jaka), Ivanka Mežan (Shirley), Barbka Cerar (Sonja), Ivo Ban (Kralj), Dare Valič (mayor), Slavko Cerjak (father), Mirjam Korbar Žlajpah (mother), Štefka Drolc (grandma), Zlatko Šugman (grandpa), Radko Polič (uncle France), Matija Vastl (Aco), Ivo Godnič (catechist Žužek), Janez Škof (Vasko), Demeter Bitenc (boss Vic), Mojca Funkl (prof)

',NULL,NULL,NULL,NULL,'images/events/event516.jpg','images/events/event516_t.jpg',600,450,NULL,NULL,'Matjaž Klopčič',110,'slovenščina/nemščina','Slovene/German','slovenščina','Slovene','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(553,30,'Lovec','The Hunter','Okhotnik/Anshi','Zgodba se odvija v neposeljenih planinah Kazahstana. V odročni vasici z mamo živi dvanajstletni Erken. Nekega večera, ko mamo obišče lovec, Erken ukrade njegovega konja in pištolo, da bi oropal trgovino. Na begu pred policijo se zateče v gore. Lovec ga kmalu ujame in mu ponudi dve možnosti: zapor ali življenje samotarja v gorah. Erken izbere zadnje; lovec ga bo naučil, kako preživeti v naravi, kjer za človeka in živali veljajo enaki zakoni. Erken pa se mora čez čas vendarle vrniti v mesto, da bi poskrbel za svojo mamo.','

scenarij Serik Aprimov
fotografija Hasan Kiriraliew
glasba Kazbek Spanow
montaža Dina Bergusurowa, Tatjana Sohurukova
igrajo Kidiraliev Dogdurbek, Dohdurbek Kidiralijev, Gulnazid Omarova, Alibek Žuasbajev


','

Twelve-year-old Erken lives with his mother in a remote village in the desolate Kazakhstani mountains. One evening, a hunter visits his mother, and Erken steals his horse and gun to rob a shop. Fleeing from the police, he finds shelter in the mountains, but the hunter soon finds him and gives him two possibilities: prison or the life of a mountain hermit. Erken chooses the latter. The hunter will teach him about survival in nature, which is governed by laws that apply equally for both man and animals. After a while, Erken needs to return to town to look after his mom.

','

screenplay Serik Aprimov
cinematography Hasan Kiriraliew
music Kazbek Spanow
editing Dina Bergusurowa, Tatjana Sohurukova
cast Kidiraliev Dogdurbek, Dohdurbek Kidiralijev, Gulnazid Omarova, Alibek Žuasbajev


 

',NULL,NULL,NULL,NULL,'images/events/event553.jpg','images/events/event553_t.jpg',600,450,NULL,NULL,'Serik Aprymov',93,'kazahstanski','Kazakh','slovenščina','Slovene','Kazahstan 2004',NULL,NULL,NULL,NULL,NULL,NULL),(481,28,'Mali Jeruzalem','Littlle Jerusalem','La petite Jerusalem','

Sarcelle je eno od pariških predmestij, kjer živijo pretežno Judje. Zato je znano kot Mali Jeruzalem. Laura je stara osemnajst let. Razcepljena je med rigidno religiozno vzgojo, kakršno ji daje dom, in študijem filozofije, ki jo navdušuje in ji ponuja drugačen pogled na svet. Medtem ko skuša njena sestra vdahniti svežino življenja tegobni zakonski zvezi, Laura prvič okuša ljubezen. Srečanje z izkušnjo poželenja bo razburkalo vse njene dosedanje gotovosti.

»Laurin notranji konflikt med tradicionalnimi zapovedmi religije na eni strani ter njeno svobodno voljo in interesi na drugi je pravzaprav nazoren primer univerzalnih težav, s katerimi se srečuje vsak posameznik v vsakršni družbi. Brez svobodne volje in možnosti, da to voljo izrazimo, nismo nič drugega kot marionete.« (Karin Albou)

»Dobro odigran film žonglira z velikimi vprašanji in med drugim odkrito prikazuje golost, antisemitizem in sodobno Francijo. O samozavestnem igranem prvencu Karin Albou, ki raziskuje globok duševni nemir, bo zagotovo še veliko govora na festivalih novih talentov in zanesljiva uspešnica na festivalih judovskega filma.« (Lisa Nesselson)

','scenarij
Karin Albou
fotografija
Laurent Brunet
glasba
Cyril Morin
montaža
Christiane Lack
igrajo
Fanny Valette (Laura), Elsa Zylberstein (Mathilde), Bruno Todeschini (Ariel), Hédi Tillette de Clermont Tonnerre (Djamel), Sonia Tahar (mati)
','

Sarcelles, a Paris suburb populated mostly by Jewish emigrants, has been nicknamed Little Jerusalem. Eighteen-year-old Laura is torn between the rigid religious education provided by her family and the study of phylosophy which invigorates her and opens a different view of the world. While her sister is grappling with her marital problems, Laura is experiencing an emotional and sexual awakening. Her desire for new experiences shakes her firm beliefs and sound principles.

“Laura’s inner, emotionally disquieting struggle between traditional religious laws and free will and interests is actually a glaring example of universal problems pestering an individual in any society. Without free will and possibilities for its implementation, we are but marionettes.” (Karin Albou)

“Keenly thesped pic juggles big issues, frank contextual nudity, the matter-of-fact specter of anti-Semitism in contempo France, and more. Scripter-helmer Karin Albou\\\'s assured feature debut, which explores compound emotional disarray, will be a conversation starter for fests in search of new talent and a given for Jewish fests.” (Lisa Nesselson)

','screenplay
Karin Albou
cinematography
Laurent Brunet
music
Cyril Morin
editing
Christiane Lack
cast
Fanny Valette (Laura), Elsa Zylberstein (Mathilde), Bruno Todeschini (Ariel), Hédi Tillette de Clermont Tonnerre (Djamel), Sonia Tahar (mother)
',NULL,NULL,NULL,NULL,'images/events/event481.jpg','images/events/event481_t.jpg',600,450,NULL,NULL,'Karin Albou',94,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,'images/events/logo481.jpg','images/events/logo481_t.jpg',200,200,NULL),(484,30,'Manderlay','Manderlay','Manderlay','

Grace se po nasilni izkušnji iz Dogvilla z očetom in njegovimi pomočniki pelje proti Zahodu. Leto 1933, Združene države Amerike so sredi gospodarske krize. Nekje na jugu, v zvezni državi Alabama, se popotniki ustavijo ob odročnem posestvu Manderlay. Pozornost Grace pritegne temnopolta ženska, ki trdi, da za železnimi vrati Manderlaya še vedno veljajo sužnjelastniški zakoni. Upre se očetovemu nasvetu, naj ne posega v težave nesrečnikov; odloči se, da bo z nekaj oboroženimi očetovimi pomočniki ostala na posestvu, uveljavila demokracijo in sužnjem prinesla svobodo.

','

scenarij Lars von Trier
fotografija Anthony Dod Mantle
montaža Bodil Kjćrhauge, Molly Marlene Stensgĺrd
igraj Bryce Dallas Howard (Grace Margaret Mulligan), Isaach De Bankolé (Timothy), Willem Dafoe (Gracejin oče), Danny Glover (Wilhelm), Lauren Bacall (mati), Jean-Marc Barr (g./Mr Robinsson), Jeremy Davies (Niels), Željko Ivanek (dr./Dr Hector)

','

After a violent experience in Dogville, Grace goes west with her father and their assistants. It is 1933, the United States are enveloped in depression. Somewhere in the south, in the state of Alabama, the travellers stop near a remote plantation named Manderlay, where Grace\\\'s attention is drawn to a black woman who claims that slavemaster\\\'s laws are still practiced behind the iron gates of Manderlay. Grace refuses to take her father\\\'s advice to ignore the downtrodden inhabitants. She decides to stay on the plantation with a few of her father\\\'s armed assistants to enforce democracy and free the slaves.

','screenplay
Lars von Trier
cinematography
Anthony Dod Mantle
editing
Bodil Kjćrhauge, Molly Marlene Stensgĺrd
cast
Bryce Dallas Howard (Grace Margaret Mulligan), Isaach De Bankolé (Timothy), Willem Dafoe (Grace\\\'s father), Danny Glover (Wilhelm), Lauren Bacall (mother), Jean-Marc Barr (g./Mr Robinsson), Jeremy Davies (Niels), Željko Ivanek (dr./Dr Hector)',NULL,NULL,NULL,NULL,'images/events/event484.jpg','images/events/event484_t.jpg',600,450,NULL,NULL,'Lars von Trier',139,'angleščina','English','slovenščina','Slovene','Danska, Švedska, Nizozemska, Francija, Nemčija, ZD 2005',NULL,'images/events/logo484.jpg','images/events/logo484_t.jpg',200,200,NULL),(527,28,'Maser','The Masseur','Masahista','

Dvajsetletni Iliac dela kot nočni maser v gejevskem salonu; ni ne najboljši ne posebej priljubljen v svojem poslu, njegov šarm pa vendarle očara dvomljivega pisca romantičnih zgodb. Pisatelj je agresiven, preračunljiv in zahteven mož, za majhno plačilo običajno zahteva največ. Iliac pa je navajen človeške distance; njegovo dekle od njega pričakuje predvsem spolne usluge, čustva pa so stranskega pomena. Zdaj Iliacovi družinski člani od fanta zahtevajo, da sodeluje v pripravah na pogreb očeta, ki jih je dolgo nazaj zapustil in se zapil do smrti.

','scenarij Boots Agbayani Pastor
fotografija Timmy Jimenez, Monchie Redoble
glasba Jerold Tarog
montaža Nonoy Dadivas
igrajo Coco Martin, Jaclyn Jose, Alan Paule, Katherine Luna
','

Twenty-year-old Iliac works as a night masseur in a gay massage parlour. He is neither the most popular nor the best masseur, but his charm nonetheless captivates a dubious writer of romantic stories. The penman is an aggressive, calculating and exacting person, demanding the most for the smallest possible pay. Iliac is used to human distance; his girlfriend demands only sexual services from him, while emotions are cast aside. Now Iliac\\\'s family wants him to help make arrangements for his father\\\'s funeral. His father had abandoned them a long time ago and drunk himself to death.

','screenplay Boots Agbayani Pastor
cinematography Timmy Jimenez, Monchie Redoble
music Jerold Tarog
editing Nonoy Dadivas
cast Coco Martin, Jaclyn Jose, Alan Paule, Katherine Luna
',NULL,NULL,NULL,NULL,'images/events/event527.jpg','images/events/event527_t.jpg',600,450,NULL,NULL,'Brillante Mendoza',80,'talagoščina','Tagalog','slovenščina','Slovene','Filipini 2005',NULL,NULL,NULL,NULL,NULL,NULL),(528,37,'Mladi Jud','Jewboy','Jewboy','

Juri, sin pravkar umrlega judovskega rabina, se z nelagodjem loteva priprav na pokop očetovih ostankov v Izraelu. Pogrebne formalnosti sklene s tradicionalnim posipanjem pokojnikovih oči, toda kmalu po vrnitvi v Sydney začne Juri dvomiti o obstoju Boga. Dvomi prestrašijo tako babico Minnie kot strica Izaka, starokopitnega zagovornika tradicionalnih hasidskih vrednot in družbenih standardov. Juri se vse bolj spogleduje z razkrivanjem tabujev fizičnih intimnosti, najprej z Rivko, pozneje še s Sarito, indijsko lepotico iz avtopralnice.

','

scenarij Tony Krawitz
fotografija Greig Fraser
glasba Decoderring
montaža Jane Moran
igrajo Saskia Burmeister (Rivka), Nicholas Eadie (Isaac), Chris Haywood (Sam), Ewen Leslie (Juri), Leah Vandenberg (Sarita), Naomi Wilson (Minnie)

','

Yuri, the son of a recently deceased rabbi, faces the arrangements for the burial of his father\\\'s remains in Israel with unease. He concludes the burial formalities with the traditional scattering over the deceased\\\'s eyes. Soon after his return to Sydney, Yuri begins to question the existence of God. His doubts frighten his granny Minnie as well as uncle Isaac, an old-fashioned advocate of traditional Hasidic values and social standards. Yuri gradually violates the taboos of physical intimacy, first with Rivka, and then with Sarita, an Indian beauty who works in a car wash. 

','screenplay Tony Krawitz
cinematography Greig Fraser
music Decoderring
editing Jane Moran
cast Saskia Burmeister (Rivka), Nicholas Eadie (Isaac), Chris Haywood (Sam), Ewen Leslie (Yuri), Leah Vandenberg (Sarita), Naomi Wilson (Minnie)',NULL,NULL,NULL,NULL,'images/events/event528.jpg','images/events/event528_t.jpg',600,450,NULL,NULL,'Tony Krawitz',52,'angleščina','English','slovenščina','Slovene','Avstralija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(504,30,'Moj Angel','My Angel','Mon Ange','Prostitutka Colette prejme nepričakovan telefonski klic nepoznane ženske. Ta jo prosi, če lahko prevzame njenega sina prihodnji dan v mladinskem domu in ga pripelje na železniško postajo. Colette prošnja ženske tako presneti, da se ji odloči pomagati. Billy ni več deček, kakor je zatrjeval ženski glas, temveč povsem odrasel fant. Prihodnji dan na postaji ne najdeta njegove mame, še več, Colette se ne zaveda, da je Billy postal sirota ter da so njegovi problemi pravkar postali tudi njeni.','scenarij Serge Frydman \r\nfotografija Vilko Filač \r\nglasba Colin Towns \r\nmontaža Philippe Bourgueil, Valérie Deseine \r\nigrajo Vanessa Paradis (Colette), Vincent Rottiers (Billy), Eduardo Noriega (Romain), Eric Ruf (Kovarski), Claude Perron (Peggy), Thomas Fersen','One day, a prostitute, Colette receives a phone call she didn’t expect and was not even meant for her: a woman who will soon be released from prison, whom Colette has never heard of before, asks her to pick up her son and bring him to the train station the following day. Colette is so surprised by the woman’s request that she decides to help her. Billy is no longer a boy, as the woman had claimed, but a grown-up young man. The following day, they cannot find his mother at the train station. Even more, Colette is not aware that Billy is an orphan and that his problems have just become hers.','screenplay Serge Frydman \r\ncinematography Vilko Filač \r\nmusic Colin Towns \r\nediting Philippe Bourgueil, Valérie Deseine \r\ncast Vanessa Paradis (Colette), Vincent Rottiers (Billy), Eduardo Noriega (Romain), Eric Ruf (Kovarski), Claude Perron (Peggy), Thomas Fersen',NULL,NULL,NULL,NULL,'images/events/event504.jpg','images/events/event504_t.jpg',600,450,NULL,NULL,'Serge Frydman',94,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(586,30,'Moj Nikifor','My Nikifor','Moj Nikifor','

80-letna Krystyna Feldman je upodobila resnično moško osebo, poljskega naivnega slikarja Epifana Drowniaka (1895–1968), imenovanega Nikifor. Bil je psihično prizadet, a kot slikar je poosebljal fenomen čistega genija. Kot takega ga je leta 1960 odkril akademski slikar Marian Wlosinski, pustil delo in družino ter se popolnoma posvetil njegovemu geniju. Leta 1967, leto pred Nikiforjevo smrtjo, je v Varšavi pripravil veliko razstavo njegovih del.

','

scenarij Joanna Kos, Krzysztof Krauze
fotografija Krzysztof Ptak
Glasba Bartłomiej Gliniak
montaža Krzysztof Szpetmański
igrajo Krystyna Feldman (Nikifor), Roman Gancarczyk (Marian Wlosinski), Jerzy Gudejko (Ryszard Nowak), Jowita Miondlikowska (čistilka Kowalska), Lucyna Malec (Hanna Wlosinska), Katarzyna Paczynska (Ala Wlosinska)

','80-year-old Krystyna Feldman portrayed a real-life male: the Polish naive art painter, Epifan Drowniak (1895–1968), known as Nikifor. Though mentally disabled, as an art painter he was the personification of genius. He was soon discovered in 1960 by painter Marian Wlosinski, who left his job and family to dedicate all his time to the genius of this man. A year before Nikifor\\\'s death in 1967, he organised an extensive exhibition of his works in Warsaw. 
','

screenplay Joanna Kos, Krzysztof Krauze
cinematography Krzysztof Ptak
music Bartłomiej Gliniak
editing Krzysztof Szpetmański
cast Krystyna Feldman (Nikifor), Roman Gancarczyk (Marian Wlosinski), Jerzy Gudejko (Ryszard Nowak), Jowita Miondlikowska (cleaning lady Kowalska), Lucyna Malec (Hanna Wlosinska), Katarzyna Paczynska (Ala Wlosinska)


 

',NULL,NULL,NULL,NULL,'images/events/event586.jpg','images/events/event586_t.jpg',600,450,NULL,NULL,'Krzysztof Krauze',97,'poljščina','Polish','slovenščina','Slovene','Poljska 2004',NULL,NULL,NULL,NULL,NULL,NULL),(506,31,'Mongolski namizni tenis','Mongolian Ping Pong','Lü cao di','

Bilgee nikoli v življenju ni videl žogice za namizni tenis. Njegova družina živi brez elektrike in tekoče vode v šotoru sredi brezmejnih step Mongolije. Pokrajina se od časov Džingis Kana ni spremenila; a življenje v širnih prerijah je za mladeniča lahko tudi vznemirljivo, vsaka malenkost lahko postane velik dogodek, sploh za radovednega Bilgeeja in njegova najboljša prijatelja. Skrivnost male bele žogice postavlja vprašanja o svetu okrog njih. Bilgeejeva babica meni, da je žogica dragulj iz nebes, vendar dvom ostane, zato se odpravijo v oddaljeni samostan, da bi za mnenje povprašali modre mislece …

“Mongolci so pred 800 leti osvojili vsak košček dosegljive zemlje. V zelo kratkem času so z legendarno nepremagljivostjo ustvarili največjo mongolsko državo. Vendar se je cesarstvo v zgodovini skrivnostno izgubilo. Vrnili so se na puste pašnike, od koder izhajajo njihovi predniki. Široke stepe in negostoljubno okolje oblikujejo otroške naukrotljive značaje. Njihovo otroštvo je, podobno kot naše, polno vprašanj in dvomov. Čeprav se lahko dvomi in vprašanja skozi čas razpršijo ali pa se zanje najdejo odgovori, vseeno pomenijo naraven del življenja.” (Hao Ning)

“V filmu Mongolski namizni tenis Ning Hao raziskuje učinek, ki ga ima običajna žogica za namizni tenis na majhno mongolsko skupnost. Edini stik z zunanjim svetom so tuji popotniki, ki skušajo pripraviti domačine, da bi jim pozirali kot lokalna zanimivost. Film Mongolski namizni tenis s presunljivo fotografijo brez olepševanja ali ustvarjanja sodbe, brez pocukranosti ali stereotipov  o preprostosti prikazuje ljudi, ki jih še niso posrkali mediji. Zadnji prizor, ki se osredinja bolj na zvok kot pogled, predstavi osuplost nad najdbo čarobne žogice v reki.” (Slim Pickings)

','

scenarij Hao Ning, Aina Xing, Jianguo Gao
fotografija Jie Du
glasba Jiajia Lu
montaža Yong Jiang
igrajo Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Wadamnarbuu (Bilgeejev oče), Urnaa (Bilgeejeva sestra)

','

Bilgee has never seen a table tennis ball in his life. His family lives in a tent without electricity and running water in the midst of the Mongolian steppes. The landscape has virtually not changed since the time of Genghis Khan. Yet life in the wide prairies can be exciting for a young man, each trifle can become an event, especially for the inquisitive Bilgee and his two best friends. The mystery of a small white ball raises questions about the world around them. Bilgee’s grandmother believes that the ball is a jewel from the heavens. The boys find this incredulous, so they decide to visit a distant monastery to ask the wise sages for their opinion…

“Mongolians conquered every piece of reachbale land 800 years ago. In a very short period of time, they established the biggest empire with their legendary invincibility. However, the empire disappeared into history in an equally enigmatic way. They returned to barren grasslands, where their ancestors came from. The vast grasslands and atrocious environment shape the children\\\'s unruly characters. Their childhood, like ours, is full of questions and confusions. Although those questions of confusion may either be clarified or forgotten during their natural course of their growth, it itself is just a part of life.” (Hao Ning)

“In Mongolian Ping Pong, Ning Hao examines the effect an ordinary ping pong ball has on a tiny Mongolian community. The only contact with the outside world is the travellers who come through and get the family to pose as local color. Stunning to look at, Mongolian Ping Pong shows some of the few people still not fully in the media loop without condescension or judgment without sweetening them into stereotyped \\\'simple folk\\\'. The last scene, which relies on sound rather than sight, recaptures the wonder of first finding the magical ball in the river.” (Slim Pickings)

','

screenplay Hao Ning, Aina Xing, Jianguo Gao
cinematography Jie Du
music Jiajia Lu
editing Yong Jiang
cast Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Wadamnarbuu (father), Urnaa (sister)

',NULL,NULL,NULL,NULL,'images/events/event506.jpg','images/events/event506_t.jpg',600,450,NULL,NULL,'Ning Hao',102,'kitajščina','Chinese','angleščina','English','Kitajska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(471,34,'Morski sadeži','Mariscos Beach','Crustaces et coquillages','

Zakonca Marc in Beatrix z otrokoma prvič preživljata počitnice v obmorski vili. Marc je tu kot otrok preživljal šolske počitnice. Hči Laura komaj čaka, da s fantom na motorju odbrzi na Portugalsko, sin Charly pa čaka na obisk prijatelja Martina. Staršem se ves čas zdi, da sta Charly in Martin ljubimca. A izgledi lahko varajo, razmerja pa postajajo vse bolj zapletena. Beatrix začne nadlegovati skrivnostni ljubimec iz okolice, Marc pa po dolgih letih znova sreča nekdanjega prijatelja.

“Film je neke vrste moderna pravljica, ki se konča s številnimi ‘porokami’ in pesmijo. Gre tudi za pripoved, v kateri ni negativcev. Obstajajo le pravila, ki določene stvari prepovedujejo, tabuji in zatajitev čustev, s čimer potlačimo svoje najnaravnejše vzgibe.” (Olivier Ducastel, Jacques Martineau)

“Gejevska filmska scena je polna razburkanih spolnih fars, v katerih se rušijo predsodki in vsi skočijo med rjuhe z vsemi, vendar pa pod razpenjeno površino filma obstaja premišljenost – kar ni presenetljivo, saj sta scenarista in režiserja Olivier Ducastel in Jacques Martineau že prej našla nenavadno domiselne rešitve obrabljenim žanrom. Dovolj naj bo, če povemo, da se nikogaršnje postavke ne izkažejo za resnične, še najmanj tiste gledalcev, in da Ducastel in Martineau dosežeta vsespolno utopijo, o kateri drugi le govorijo.” (Sam Adams)

','scenarij
Olivier Ducastel, Jacques Martineau
fotografija
Matthieu Poirot-Delpech
glasba
Philippe Miller
montaža
Dominique Galliéni
igrajo
Valeria Bruni Tedeschi (Béatrix), Gilbert Melki (Marc), Jean-Marc Barr (Didier), Jacques Bonnaffé (Mathieu), Edouard Collin (Martin), Romain Torres (Charly)
','


Marc and Beatrix are a married couple spending their holidays with their children in a seaside villa. Their daughter Laura can hardly wait to ride off to Portugal with her biker boyfriend, while their son Charly is waiting for his friend Martin to visit. The parents have the premonition that Charly and Martin are lovers, but appearances can be deceiving, and  relationships are becoming complex and perplexing. Beatrix is harassed by a mysterious admirer from the neighbourhood, while Marc meets an old friend.

“The film is a sort of modern fairytale ending in a number of \\\'marriages\\\' and a song. Yet it is also a tale in which there are no \\\'bad buys\\\' except the rules that say \\\'no\\\' and the taboos and repression that each of us carry inside, preventing the expression of our most natural impulses.” (Olivier Ducastel, Jacques Martineau)

“The gay fest circuit is clogged with frantic sex farces in which preconceptions tumble and everyone screws everyone, but there\\\'s thoughtfulness under the movie\\\'s froth — not surprising since writer-directors Olivier Ducastel and Jacques Martineau have a history of finding uncommonly thoughtful approaches to overworked genres. Suffice it to say no one\\\'s assumptions, not least the audience\\\'s, turn out right, and that Ducastel and Martineau earn the pansexual utopia others merely assert.” (Sam Adams)


','screenplay
Olivier Ducastel, Jacques Martineau
cinematography
Matthieu Poirot-Delpech
music
Philippe Miller
editing
Dominique Galliéni
cast
Valeria Bruni Tedeschi (Béatrix), Gilbert Melki (Marc), Jean-Marc Barr (Didier), Jacques Bonnaffé (Mathieu), Edouard Collin (Martin), Romain Torres (Charly)
',NULL,NULL,NULL,NULL,'images/events/event471.jpg','images/events/event471_t.jpg',600,450,NULL,NULL,'Olivier Ducastel, Jacques Martineau',90,'francoščina','French','slovenščina','slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(568,30,'Mrak','Murk','Morke','

Jacob si je komaj opomogel od poskusa samomora sestre Julie, po katerem je ostala invalidna, ko mu sporoči novo šokantno novico: poročila se bo z Ankerjem, ki ga je spoznala po internetni klepetalnici. Na poročno noč sledi nov šok; Julie si je tokrat uspešno vzela življenje, v kadi hotelske sobe si je prerezala žile. Minejo meseci in Jacob je še vedno pretresen zaradi sestrine smrti, predvsem ga moti nepojasnjena podrobnost usodne noči, zato se odpravi do Ankerja, ki živi v zakotni vasici Mørke.

','

scenarij Jannik Johansen, Anders Thomas Jensen
fotografija Rasmus Videbaek
glasba Antony Genn
montaža Per K. Kirkegaard
igrajo Nikolaj Lie Kaas, Nicolas Bro, Lotte Bergstrřm, Laura Drasbćk, Anne Sophie Byder, Lærke Winther Andersen


','

Jacob has only just recovered from his sister’s suicide attempt, which has left Julie  disabled, when she shocks him with the news that she is going to marry Anker, a man she met in the Internet chatroom. On her wedding night, Jacob is shaken by more news: Julie has succeeded in taking her life by cutting her wrists in the bathtub of a hotel room. Months go by, and Jacob is still devastated by his sister’s death. Most of all, however, he is disturbed by an unexplained detail of that fatal night and pays a visit to Anker, who lives in the remote village of Mørke.    

','screenplay Jannik Johansen, Anders Thomas Jensen
cinematography Rasmus Videbaek
music Antony Genn
editing Per K. Kirkegaard
cast Nikolaj Lie Kaas, Nicolas Bro, Lotte Bergstrřm, Laura Drasbćk, Anne Sophie Byder, Lærke Winther Andersen',NULL,NULL,NULL,NULL,'images/events/event568.jpg','images/events/event568_t.jpg',600,450,NULL,NULL,'Jannik Johansen',124,'danščina','Danish','slovenščina','Slovene','Danska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(526,38,'Muhasti oblak','The Wayward Cloud','Tian bian yi duo yun','

Film velja za nekakšno nadaljevanje režiserjeve transkontinentalne drame Koliko je tam ura? Dekle Shiang-chyi se po mesecih bivanja v Parizu vrne v Taipei, kjer to poletje vlada suša. Ves čas omejujejo vodo, ljudje hirajo v pregreti betonski džungli, vremenske napovedi ne prinašajo ničesar dobrega. Dekle kmalu spozna Hsiao-kanga in z njim začne prijateljevati; ne zaveda pa se, da fant nastopa v pornografskih filmih, ki jih snemajo v stanovanjih blokovskega naselja, v katerem živi.
 

','scenarij Tsai Ming-liang
fotografija Liao Pen-jung
montaža Sheng-Chang Chen
igrajo Lee Kang-sheng (Hsiao-Kang), Chen Shiang-chyi (Shiang-chyi), Lu Yi-Ching, Yang Kuei-Mei, Sumomo Yozakura
','

The film is a sequel to Tsai\\\'s transcontinental drama, What Time Is it There? After a few months\\\' stay in Paris, the girl, Shiang-chyi, returns to Taipei, which this summer is enveloped in drought. Due to constant water reductions, people are languishing away in the blazing concrete jungle, while weather reports are unpromising. The girl soon meets and becomes friends with Hsiao-kang. What she does not realise is that the boy stars in pornographic films which are being shot in the apartment blocks where she herself lives.

','screenplay Tsai Ming-liang
cinematography Liao Pen-jung
editing Sheng-Chang Chen
cast Lee Kang-sheng (Hsiao-Kang), Chen Shiang-chyi (Shiang-chyi), Lu Yi-Ching, Yang Kuei-Mei, Sumomo Yozakura
',NULL,NULL,NULL,NULL,'images/events/event526.jpg','images/events/event526_t.jpg',600,450,NULL,NULL,'Ming-liang Tsai',114,'mandarinščina','Mandarin','slovenščina','Slovene','Kitajska, Francija, Tajska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(597,41,'Na domačem vrtu','In The Family Garden','Na domačem vrtu','

Ob 100-letnici slovenskega filma

Leta 1906 je pionir slovenskega filma, dr. Karol Grossmann, posnel manj kot minuto dolg film Na domačem vrtu, 100 let pozneje ga Bratko Bibič izbere za uvodno sekvenco svoje istoimenske, dobri dve uri trajajoče integralne različice filmske kompilacije oz. montaže odlomkov iz dokumentarnih, reportažnih, igranih, nemih in zvočnih posnetkov, ki so jih slovenski filmarji medtem naredili doma in v tujini. Projekt je po časovnih obdobjih razdeljen v tri dele (od 1905 do 1941, od 1945 do zgodnjih 60. let in od takrat do danes), ki se v letu 2005 združujejo v zaključeno tridelno avdiovizualno celoto. Ne gre za »historično« kompilacijo, ki bi s preprostim nizanjem izbranih podob podala zgodovinski pregled slovenskega filma; po principu ustvarjalne montaže avtor izbrane »podobe atrakcij« poveže v povsem novo »atraktivno podobo«, v izvirno filmsko zgodbo, ki je izšla na DVD. Projekcije Bibičevega Na domačem vrtu, s katerimi je pod okriljem Potujočega kina Bridka Bebiča gostoval doma in na tujem, spremlja izvirna, v živo izvajana glasba. 

','

zamisel in izbor filmskega gradiva Bratko Bibič
montaža Bratko Bibič, Boris Garb
glasba Bratko Bibič, The Madleys, Otto Lechner
obdelava zvoka Aldo Ivančič
supervizija in tehnična podpora Neven Korda

Na domačem vrtu v živo ozvočujejo Bratko Bibič, harmonika; The Madleys; Matjaž Sekne, violina, viola, klavir, viola, piano
Bogo Pečnikar, klarinet, bariton saksofon; Vasko Atanasovski, alt, sopran saksofon, flavta; Marjan Stanič, bobni, tolkala;
gosti Otto Lechner (Austria), harmonika, vokal; Godalni kvartet Godalika;
Matjaž Sekne, violina, viola; Jelena Ždrale, violina, viola; Klemen Bračko, violina, viola; Klemen Hvala, čelo

','

On the Centennial of Slovenian Film

The pioneer of Slovenian film, Dr. Karol Grossmann, made the less than minute-long film, In Our Garden, in 1906. A hundred years later, Bratko Bibič chose it for the introductory sequence of his eponymous, more than two-hour-long integral version of a film compilation of excerpts from documentary, reporting, feature, silent and sound recordings made by Slovenian filmmakers in Slovenia or abroad. The project is divided into three parts according to individual time frames (1905 to 1941, 1945 to the early 1960’s, and up to the present day), which in 2005 combine into a coherent, three-part, audiovisual whole. It is not a ‘historical’ compilation offering a historical overview of Slovenian film by the simple threading of selected images. Following the principle of creative editing, the author connects the selected ‘images of attractions’ into a completely new ‘attractive image’, an original film narrative released on DVD. The screenings of Bibič’s In Our Garden, which toured in Slovenia and abroad in Bridko Bebič’s Travelling Cinema, are accompanied by original, live music. 

','

concept and selection of film material Bratko Bibič
editing Bratko Bibič, Boris Garb
music Bratko Bibič, The Madleys, Otto Lechner
mixed by Aldo Ivančič
supervision and technical support
Neven Korda/In Our Garden has live music accompaniment
Bratko Bibič, accordion; The Madleys;
Matjaž Sekne, violin, viola, piano; Bogo Pečnikar, clarinet, baritone saxophone
Vasko Atanasovski, alto, soprano saxophone, flute; Marjan Stanič, drums, percussions
guests Otto Lechner (Austria), accordion, vocals; Godalika String Quartet;
Matjaž Sekne, violin, viola; Jelena Ždrale, violin, viola; Klemen Bračko, violin, viola; Klemen Hvala, violoncello

',NULL,NULL,NULL,NULL,'images/events/event597.jpg','images/events/event597_t.jpg',600,450,NULL,NULL,'Bratko Bibič',60,'slovenščina','Slovene','.','.','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(546,30,'Najdeni predmeti','Lost and Found','Lost and Found','Rojevali so se v vojni in uničenju, odraščali v krhkih demokracijah. Prva postkomunistična generacija, rojena v osrednji in vzhodni Evropi, počasi stopa na svetovni zemljevid. Šest režiserjev iz omenjene regije predstavlja osebne vizije na temo mlade generacije in mnogih sprememb, ki jih loči od generacije očetov in mater. Šest filmov govori o tradicionalnih vrednotah v svetu hitrih tehnoloških sprememb, pragmatičnem pozitivnem duhu starejše generacije, upanju v zgodbi o dveh bosanskih dekletih, ločenih z etničnim prepadom,  madžarskih dvojčkih, ki se srečata s preteklostjo in materino smrtjo, romunski deklici, razpeto med ljubeznijo do mame in svojega purana. Epizode povezuje litvanski animirani prispevek o slavljenju življenja.','

scenarij Stefan Arsenijević, Georgi Gospodinov, Nadejda Koseva, Mait Laas, Kornél Mundruczó, Cristian Mungiu, Viktória Petrányi, Jasmila Žbanić
fotografija Anna Faur, Aleksandar Ilić, Christine A. Maier, Oleg Mutu, Raivo Möllits, Ragnar Neljandi, Radoslav Spassov 
glasba Muta Dedić, Marko Govorćin, Hanno Höfer, Tiit Kikas, Aleksandar Simeonov, Zsófia Tallér, Taavi Tulev
montaža Nina Altaparmakova, Vanda Arányi, Guido Krajewski, Kersti Miilen, Niki Mossböck, Ksenija Orozovi, Raul Skopecz
igrajo Anna Broquet, Dan Burghelea, Ines Cule, Milena Dravić, Kroot Juurak, Orsolya Tóth



','All directors were born during the war and destruction, and grew up in fragile democracies. The first post-communist generation born in Central and Eastern Europe is slowly entering the map of the world. Six directors from the said region present their personal visions of the young generation and the many changes that distinguish them from their fathers and their mothers. Six films speak about traditional values in a world of fast technological changes, the pragmatic positive spirit of the older generation, about hope in a story of two Bosnian girls separated by ethnic abyss, about Hungarian twins who confront themselves with their past and their mother’s death, about a Romanian girl caught between love towards her mother and her Turkey. All episodes are interlinked by a Lithuanian animated film about the celebration of life.    
 ','screenplay Stefan Arsenijević, Georgi Gospodinov, Nadejda Koseva, Mait Laas, Kornél Mundruczó, Cristian Mungiu, Viktória Petrányi, Jasmila Žbanić
cinematography Anna Faur, Aleksandar Ilić, Christine A. Maier, Oleg Mutu, Raivo Möllits, Ragnar Neljandi, Radoslav Spassov 
music Muta Dedić, Marko Govorćin, Hanno Höfer, Tiit Kikas, Aleksandar Simeonov, Zsófia Tallér, Taavi Tulev
editing Nina Altaparmakova, Vanda Arányi, Guido Krajewski, Kersti Miilen, Niki Mossböck, Ksenija Orozovi, Raul Skopecz
cast Anna Broquet, Dan Burghelea, Ines Cule, Milena Dravić, Kroot Juurak, Orsolya Tóth',NULL,NULL,NULL,NULL,'images/events/event546.jpg','images/events/event546_t.jpg',600,450,NULL,NULL,'S. Arsenijević, N. Koseva, M. Laas, K.Mundruczó...',99,'bolgarsko/estonsko/madzarsko/romunsko/srbo-hrvasko','Bulgarian/ Estonian/Hungarian/Romanian/Serbo-Croatian','slovenščina','Slovene','Bolgarija , Estonija, Nemčija, Madžarska, Romunija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(509,32,'Ne pridi mi trkat','Don\\\'t Come Knocking','Don\\\'t Come Knocking','

Howard Spence, nekdanji superzvezdnik vesternov, zdaj pa zapiti in napol uničeni samotar, nekega dne dobesedno izgine s snemanja novega filma. Usede se na vlak in odpelje na obisk k mami, ki je ni videl desetletje. Mama mu zaupa dolgo zamolčano novico o njegovem sinu. Pred dvajsetimi leti je bila z njim noseča natakarica v Motani, kjer je snemal enega svojih vesternov. Howard se malo iz radovednosti, malo pa iz želje po nikoli uresničenem družinskemu življenju odpravi v Montano. Tam v zakotnem mestecu znova sreča Doreen ter spozna sina, glasbenika Earla, ki nad njegovim prihodom ni ravno navdušen. Howardu je medtem vseskozi na sledi odvetnik Sutter, ki ga namerava odpeljati nazaj na snemanje.

','

scenarij Sam Shepard
fotografija Franz Lustig
glasba T-Bone Burnett
montaža Peter Przygodda, Oli Weiss
igrajo Sam Shepard (Howard), Jessica Lange (Doreen), Tim Roth (Sutter), Gabriel Mann (Earl), Sarah Polley (Sky), Fairuza Balk (Amber), Eva Marie Saint (Howardova mama)

','Howard Spence, a former western movie superstar, now a drunken and half-ruined loner,  literally disappears one day from the set of his new film. He takes the train to visit his mother whom he hasn\\\'t seen for a decade. Mother reveals the long-kept secret of Howard\\\'s son, whom he had conceived 20 years ago with a waitress from Montana, where he had been shooting one of his westerns. Party from curiosity, partly from the desire for a family, Howard sets out for Montana. In a shabby town he sees Doreen again, and meets his son, Earl, a musician, who is not so thrilled by his arrival. Howard is tailed by Sutter, a lawyer, who is supposed to bring him back to the film set.','

screenplay Sam Shepard
cinematography Franz Lustig
music T-Bone Burnett
editing Peter Przygodda, Oli Weiss
cast Sam Shepard (Howard), Jessica Lange (Doreen), Tim Roth (Sutter), Gabriel Mann (Earl), Sarah Polley (Sky), Fairuza Balk (Amber), Eva Marie Saint (Howard\\\'s mother)

 


 

',NULL,NULL,NULL,NULL,'images/events/event509.jpg','images/events/event509_t.jpg',600,450,NULL,NULL,'Wim Wenders',122,'angleščina','English','slovenščina','Slovene','Nemčija, ZDA 2005',NULL,NULL,NULL,NULL,NULL,NULL),(517,30,'Nepokopani človek','The Unburied Man','A temetetlen halott','Biografija Imre Nagyja, priljubljenega madžarskega politika, ki je nasprotoval sovjetskemu vplivu in Madžarsko izpisal iz Varšavskega pakta. Pred sovjetsko invazijo leta 1956 se je Nagy zatekel na jugoslovansko ambasado, od koder so ga z lažnimi obljubami kmalu zvabili nazaj domov, ga za dve leti zaprli in usmrtili. Njegovo ime je oprano šele leta 1989, ko je tudi uradno pokopan – z vsemi državniškimi častmi.','

scenarij Márta Mészáros, Éva Pataki
fotografija Nyika Jancsó
glasba Zygmunt Konieczny
montažaÉva Kármentő
igrajo Jan Nowicki (Imre Nagy), Lili Horvath (Erzsébet Nagy), Marianna Moór (Mária Égető), Péter Andorai (Ferenc Münnich) Szabolcs Bede Fazekas, Enikö Börcsök, Zoltán Csankó


','

A biography of Imre Nagy, a popular Hungarian politician who opposed Soviet influence and under whose guidance Hungary ceased to be a member of the Warsaw Pact. Before the Soviet invasion of 1956, Nagy secured sanctuary at the Yugoslav Embassy. He was arrested in violation of a guarantee of free passage and brought home. He was imprisoned for two years and executed. In 1989, he was rehabilitated and his remains were reburied in a state funeral.

','screenplay Márta Mészáros, Éva Pataki
cinematography Nyika Jancsó
music Zygmunt Konieczny
editing Éva Kármentő
cast Jan Nowicki (Imre Nagy), Lili Horvath (Erzsébet Nagy), Marianna Moór (Mária Égető), Péter Andorai (Ferenc Münnich) Szabolcs Bede Fazekas, Enikö Börcsök, Zoltán Csankó',NULL,NULL,NULL,NULL,'images/events/event517.jpg','images/events/event517_t.jpg',600,450,NULL,NULL,'Marta Meszaros',127,'madžarščina','Hungarian','angleščina','English','Madžarska, Poljska, Slovaška 2004',NULL,'images/events/logo517.jpg','images/events/logo517_t.jpg',200,200,NULL),(498,30,'Nora ljubezen','Idiot Love','Amor Idiota','Pere-Lluc, osrednji junak zgodbe, sebe ne jemlje pretirano resno; vsakdan doživlja s skepso in ironično distanco, njegova kaotična, ekscentrična in nekontrolirana dejanja pri petintridesetih letih pa vendarle kažejo sledi globoke osebne krize. Svoje življenje opisuje kot dolgo in dobičkonosno potovanje v idiotizem. Neke noči, ko se okajen vrača domov, se z glavo zaleti v lestev, na kateri dekle obeša izveske. Ime ji je Sandra, in ko se Pere-Lluc znova zave, se v prelestno dekle nesmrtno zaljubi.


 

','

scenarij Lluís-Anton Baulenas, Ventura Pons
fotografija Mario Montero
glasba Carles Cases
montaža Pere Abadal
igrajo Santi Millán (Pere-Lluc), Cayetana Guillén Cuervo (Sandra), Mercč Pons (Jordina), Marc Cartes (Alex), Jordi Dauder (Cardenas)


','

The main character in the story is Pere-Lluc, who does not take himself seriously. He faces his daily life with scepticism and ironic distance, yet his chaotic, eccentric and uncontrolled actions at the age of 35 nonetheless show signs of a deep personal crisis. He describes his life as a long and gainful journey into idiocy. One night, when returning home in an intoxicated state, Pere-Lluc bumps into a ladder holding a girl that is hanging signs. Her name is Sandra and when Pere-Lluc regains consciousness, he falls head over heels for the gorgeous girl.

','screenplay Lluís-Anton Baulenas, Ventura Pons
cinematography Mario Montero
music Carles Cases
editing Pere Abadal
cast Santi Millán (Pere-Lluc), Cayetana Guillén Cuervo (Sandra), Mercč Pons (Jordina), Marc Cartes (Alex), Jordi Dauder (Cardenas)',NULL,NULL,NULL,NULL,'images/events/event498.jpg','images/events/event498_t.jpg',600,450,NULL,NULL,'Ventura Pons',104,'španščina','Spanish','angleščina','English','Španija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(512,38,'Notranje vražje zadeve','Infernal Affairs','Wu jian dao','

Hongkonška policija bije dolgoletni boj z gangsterskimi triadami, vendar ima pri aretacijah vse manj uspeha. Zato policijski inšpektor Wong v tolpo najnevarnejšega in najspretnejšega kriminalca Sama pošlje svojega človeka Yana. Da bi bil Yan prepričljiv in neizsledljiv policist v civilu, Wong izbriše njegovo uradno kartoteko. Po treh letih si v Samovi tolpi pridobi zaupanje šefa, hkrati pa inšpektorju Wongu redno pošilja dragocene informacije o Samovi trgovini z drogami. Ne Wong ne Yan pa se dolgo časa ne zavedata, da si je svojega ovaduha v policiji domislil tudi Sam. Ming je končal policijsko akademijo in postal član oddelka za notranje zadeve, toda uradno je član Samove tolpe. Po ponesrečeni akciji se obe strani zavesta, da imata v svojih vrstah skrivnega ovaduha …

','scenarij Felix Chong, Alan Mak Siu Fai
fotografija Yiu-Fai Ali, Andrew Lau Wai Keung
glasba Kwong Wing Chan
montaža Ching Hei Pang, Danny Pang
igrajo Andy Lau (Lau Kin Ming), Tony Leung Chiu Wai (Chan Wing Yan), Anthony Wong (SP Wong), Eric Tsang (Sam), Kelly Chen (Dr. Lee), Sammi Cheng (Mary), Edison Chen (mladi Lau Kin Ming)','

The Hong Kong police has long been fighting a fierce battle with the underground Triads, but to no avail. Thus the police inspector Wong infiltrates his man, Yan, into the gang of the most dangerous and slickest criminal, Sam. In order to make Yan a plausible and untraceable undercover agent, Wong erases his official file. After three years, Yan wins his boss\\\' trust, regularly sending valuable information on Sam\\\'s drug trade to inspector Wong. Yet neither Wong nor Yan realise that, for some time now, Sam has had a spy of his own in the police force. Ming graduated from the police academy and became a member of the internal affairs department, but is in reality a member of Sam\\\'s gang. After a fruitless arrest, both sides realise they have a mysterious informer in their midst...

','screenplay Felix Chong, Alan Mak Siu Fai
cinematography Yiu-Fai Ali, Andrew Lau Wai Keung
music Kwong Wing Chan
editing Ching Hei Pang, Danny Pang
cast Andy Lau (Lau Kin Ming), Tony Leung Chiu Wai (Chan Wing Yan), Anthony Wong (SP Wong), Eric Tsang (Sam), Kelly Chen (Dr. Lee), Sammi Cheng (Mary), Edison Chen (young Lau Kin Ming)',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Wai Keung Lau/Siu Fai Mak',101,'kantonščina (hong kong)','Cantonese (Hong Kong)','slovenščina','Slovene','Hong Kong 2002',NULL,NULL,NULL,NULL,NULL,NULL),(538,30,'Obala šepetanj','The Murmuring Coast','A costa dos murmurios','Mozambik, \\\'Potrugalska vzhodna Afrika\\\', šestdeseta leta 20. stoletja. Evita je samozavestna ženska; pravkar se je poročila z Luisom, portugalskim vojakom, živečim v Mozambiku, čigar vod preganja uporniške domačine, borce za neodvisnost države. Luis je neprestano odsoten, medtem ko Evita ostaja v prestolnici Maputo, zaprta v hiši, daleč od vse bolj razboritih domačinov, ki vedno močneje simpatizirajo z uporniki. Eviti se takšno življenje upira, zato zapušča hišo in se sprehaja po mestu in plaži; tam prvič spozna resnico o zatiranih sonarodnjakih in nasilnih kolonizatorjih. Občasno obiskuje Heleno, ženo Luisovega nadrejenega oficirja, ki poslušno izpolnjuje moževe ukaze in ostaja v hiši. Počasi se zbližata.','screenplay \r\nCedric Basso, Margarida Cardoso, po romanu Lídie Jorge/based on the novel by Lídia Jorge \r\ncinematography \r\nLisa Hagstrand \r\nmusic \r\nBernardo Sassetti \r\nediting \r\nPedro Marques \r\ncast\r\nBeatriz Batarda (Evita), Monica Calle (Helena), Filipe Duarte (Luis), Sandra Faleiro, Carla Bolito, Dinarte Branco, José Airosa','Mozambique, Portuguese Eastern Africa in the 1960\\\'s. Self-confident Evita has just married Luis, a Portuguese soldier stationed in Mozambique, whose platoon persecutes the rebellious natives fighting for the country\\\'s independence. Luis is constantly absent, and Evita remains in the capital city of Maputo, locked in the house, far from the hot-blooded natives, who are increasingly more sympathetic towards the rebels. Evita refuses to lead such a life, and so she slips away to walk the city streets and stroll on the beach. It is here that she discovers the truth about the repressed compatriots and despotic colonisers. She occasionally visits Helena, the wife of Luis\\\'s commanding officer, who docilely follows her husband\\\'s orders and stays in the house. The two women become friends...','screenplay \r\nCedric Basso, Margarida Cardoso, po romanu Lídie Jorge/based on the novel by Lídia Jorge \r\ncinematography \r\nLisa Hagstrand \r\nmusic \r\nBernardo Sassetti \r\nediting \r\nPedro Marques \r\ncast\r\nBeatriz Batarda (Evita), Monica Calle (Helena), Filipe Duarte (Luis), Sandra Faleiro, Carla Bolito, Dinarte Branco, José Airosa',NULL,NULL,NULL,NULL,'images/events/event538.jpg','images/events/event538_t.jpg',600,450,NULL,NULL,'Margarida Cardoso',115,'portugalščina','Portuguese','slovenščina','Slovene','Portugalska 2004',NULL,NULL,NULL,NULL,NULL,NULL),(501,28,'Obljubljena dežela','The Forsaken Land','Sulanga enu pinisa','

V ruralnem, malo poseljenem delu Šrilanke, v osamljeni koči živijo stražar, njegova žena, sestra in hči. Njihov monoton vsakdan vsake toliko časa zmotijo vojaški konvoji, ki se vozijo mimo. Sestra, sicer učiteljica, ima takšnega življenja dovolj, rada bi odšla v mesto; stražarjeva sedemletna hči prav tako sanja o mestu in izobraževanju, rada bi postala zdravnica. Idilično okolje pa vendarle ni povsem mirno; vse pogosteje se dogajajo neprijetne stvari.

','scenarij Vimukthi Jayasundara
fotografija Channa Deshapriya
glasba Nadeeka Guruge
montaža Gisele Rapp-Meichler
igrajo Kaushalaya Fernando (Soma), Nilupili Jayawardena (Lata), Hemasiri Liyanage (Piyasiri), Saumya Liyanage (Palitha), Pumudika Sapurni Peiris (Batti)
','

In a rural, sparsely-inhabited region of Sri Lanka, a guard lives with his wife, sister and daughter in an isolated hut. Their humdrum existence is disturbed only by ocassionally passing army convoys. His sister, a teacher, is fed up with the monotony of their lives and wants to leave for the city. Similarly, wanting to become a doctor, the guard\\\'s seven-year-old daughter dreams about the city and receiving an education. The idyllic environment is not completely serene, though; unpleasant things start to occur with increasing frequency.

','screenplay Vimukthi Jayasundara
cinematography Channa Deshapriya
music Nadeeka Guruge
editing Gisele Rapp-Meichler
cast Kaushalaya Fernando (Soma), Nilupili Jayawardena (Lata), Hemasiri Liyanage (Piyasiri), Saumya Liyanage (Palitha), Pumudika Sapurni Peiris (Batti)
',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Vimukthi Jayasundara',107,'singalščina','Sinhala','slovenščina','Slovene','Francija, Šri Lanka 2005',NULL,'images/events/logo501.jpg','images/events/logo501_t.jpg',200,200,NULL),(598,41,'Odgrobadogroba','Gravehopping','Odgrobadogroba','

Pero je poklicni pogrebni govorec v majhnem slovenskem mestu. Njegov talent je, da naredi vsak pogreb poseben; ne more si pomagati, da iz pogrebnega govora ne bi nastala nekakšna osebna izpoved, ki navzočim izvabi solze iz povsem napačnih razlogov. Doma se Pero trudi preprečiti očetove ponavljajoče se in vedno neuspešne poskuse samomora, mimogrede skuša osvojiti še dekle iz domačega kraja, Renato. V vseh prigodah mu ob strani stoji zvesti prijatelj in občudovalec Šuki. Čeprav zna ta uživati življenje, pogosto razglablja o smrti in svojem pogrebu. Ida, neobičajno dekle, je Šukiju zelo naklonjena in se trudi, da bi mu čim pogosteje prekrižala pot.

','režija Jan Cvitkovič
scenarij Jan Cvitkovič
fotografija Simon Tanšek
glasba Aldo Ivančič
montaža Miloš Kalusek
igrajo Gregor Baković (Pero), Drago Milinović (Suki), Sonja Savić (Ida), Mojca Fatur (Renata), Domen Remškar (Džoni), Brane Gruber (dedo), Nataša Matjašec (Vilma), Vlado Novak (Renatin oče)','

Pero is a professional funeral eulogist in a small Slovenian town. A gifted speaker, he makes each funeral special; he cannot but turn each eulogy into a particular lyrical and intimate self-expression that brings tears to the eyes of those present for completely the wrong reasons. Privately, Pero is trying to avert his father’s recurrent and unsuccessful attempts of suicide, at the same time winning the heart of a local girl, Renata. Standing by him is Šuki, his loyal friend and admirer. Although Šuki is quite a bonvivant and indulger, he frequently contemplates death and his own funeral. Ida, an extraordinary girl, is strongly attracted to Šuki and goes out of her way to catch his eye...

','directed by Jan Cvitkovič
screenplay Jan Cvitkovič
cinematography Simon Tanšek
music Aldo Ivančič
editing Miloš Kalusek
cast Gregor Baković (Pero), Drago Milinović (Suki), Sonja Savić (Ida), Mojca Fatur (Renata), Domen Remškar (Džoni), Brane Gruber (Grandpa), Nataša Matjašec (Vilma), Vlado Novak (Renata’s father)',NULL,NULL,NULL,NULL,'images/events/event598.jpg','images/events/event598_t.jpg',600,450,NULL,NULL,'Jan Cvitkovič',103,'slovenščina','Slovenian','.','.','Slovenija, Hrvaška 2005',NULL,NULL,NULL,NULL,NULL,NULL),(508,34,'Otrok','The Child','L\\\'Enfant','

Brunu je dvajset let, Sonii osemnajst. Oba sta brezposelna, pred nekaj dnevi se jima je rodil sin. Poimenovala sta ga Jimmy. Živita od njene socialne pomoči ter Brunovih malih prevar in preprodajanja ukradenega blaga. Njuna prihodnost ni rožnata, Bruno počasi tone v dolgove, zato nekega dne začne razmišljati o dobičkonosnem poslu, ki vključuje njegovega novorojenčka.

»Ne skušava posnemati resničnosti. Otroke so že od nekdaj zapuščali. Črni trg je morda sodobnejši pojav. V tem filmu naju je zanimalo, ali bo Bruno sposoben ustvariti vez z otrokom. Na začetku ga ne vidi. Dobesedno. Vprašanje, ki se je porodilo, je bilo: bo Soniina brezmejna ljubezen dovolj močna, da bo vzbudila Brunovo zavest o otrokovem obstoju? Ugotovila sva, da ljubezen ni dovolj.« (Luc Dardenne)

»Ali poleg bratov Dardenne sploh še obstaja živeči režiser, katerega filmi izražajo človečnost, ki je pogubno ganljiva v svoji izvršitvi ter obenem tako popolnoma neprisiljena, vznemirljiva in nesentimentalna? Verjetno ne, saj vrtinčastega občutka za moralni kaos, neprestane groze in poguma filma Otrok nismo videli vse od filma Sin, ki je bil tudi dovzeten za možnost, da dobro izide iz sveta, ki je nepopustljiv v svoji brezčutnosti. Kot kamera režiserjev Dardenne Bruna dozdevno poganja instinktiven mehanizem, nad katerim nima moči, mladenič misli le na preživetje in popolnoma pozabi na vlogo očeta. Brata Dardenne nam pomagata razumeti Brunovo brezmoč, a naše sočustvovanje nikoli ne zlorabita ali se z njim poigrata.« (Ed Gonzales) 

','scenarij
Jean-Pierre Dardenne, Luc Dardenne
fotografija
Alain Marcoen
montaža
Marie-Hélčne Dozo
igrajo
Jérémie Renier (Bruno), Déborah François (Sonia), Fabrizio Rongione (prestopnik), Olivier Gourmet (policist v civilu), Jérémie Segard (Steve)
','

A son, Jimmy, has just been born to the unemployed, 20-year-old Bruno and to 18-year-old Sonia. With only Sonia\\\'s dole as their source of income, they make ends meet with Bruno\\\'s small swindles and stolen goods dealings. Their future is all but bright, and Bruno is slowly drowning in debts. One day, he starts to contemplate a lucrative business that involves his newborn child...

»One doesn\\\'t try to copy reality. Child abandonment, for example, is an ancient practice. Black-market sales are perhaps a more recent phenomenon. But the thing that interested us in this film was to see whether Bruno would be able to create a bond with this child. At the outset, he does not see the baby. Literally. The question that then arose was: will Sonia\\\'s immense love be powerful enough to rouse Bruno\\\'s consciousness of the presence of the child? We concluded that no, love was not enough.« (Luc Dardenne)

»Beside the Dardennes, is there any director alive whose films express a humanism that, while so devastatingly heartbreaking, remains so completely unforced, exciting, and unsentimental in its execution? Probably not, because The Child\\\'s swirling sense of moral chaos, sustained horror, and courage has not been seen since The Son, which was also open to the possibility of good coming out of a world that is relentless in its callousness. Like the Dardennes\\\' camera, Bruno seems propelled by an instinctual mechanism beyond his control; keen only on self-preservation, this young man is completely oblivious to his role as a father. The Dardennes help us to understand Bruno\\\'s helplessness, but they never abuse or toy with our sympathies.« (Ed Gonzales)

','screenplay
Jean-Pierre Dardenne, Luc Dardenne
cinematography
Alain Marcoen
editing
Marie-Hélčne Dozo
cast
Jérémie Renier (Bruno), Déborah François (Sonia), Fabrizio Rongione (delinquent), Olivier Gourmet (plain clothes policeman), Jérémie Segard (Steve)
',NULL,NULL,NULL,NULL,'images/events/event508.jpg','images/events/event508_t.jpg',600,450,NULL,NULL,'Jean-Pierre Dardenne, Luc Dardenne',100,'francoščina','French','slovenščina','Slovene','Belgija, Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(555,30,'Padem gor','Up and Down','Horem padem','Praga, sedanjost. V zgodbi se mešajo tragikomične epizode o izgubljenih in najdenih ljubeznih, prijateljstvih, družinah in otrocih. Dva preprodajalca na begu v svojem avtomobilu najdeta novorojenčka, malega Indijančka; prodata ga Miluški, ki si je vedno želela otroka, a kaj ko je njen mož František huligan in rasist. Na drugem koncu mesta štiridesetletna Hana pomaga v centru za begunce. Njen precej starejši partner Otakar se med predavanjem na univerzi zgrudi, njuna osemnajstletna hči pa spozna, da se Otakar nikdar ni ločil od prve žene, s katero ima sina.

 

','

scenarij Jan Hrebejk, Petr Jarchovský
fotografija Jan Malír
glasba Aleš Brezina
montaža Vladimír Barák
igrajo Petr Forman (Martin Horecký), Emília Vásáryová (Vera Horecká), Jan Triska (Otakar Horecký), Ingrid Timková (Hana Svobodová), Kristýna Boková (Lenka Horecká), Jirí Machácek (František Fikes), Nataša Burger (Miluška)



','Present-day Prague. The story intertwines tragicomic episodes on lost-and-found love, friendship, families and children. Two dealers on the run find an Indian infant in their car. They sell it to Miluška, who has always wanted a child, but what is she to do when her husband František is a bully and a racist. In another part of town, forty-year-old Hana works in a refugee shelter. Her much older partner, Otakar, collapses during his lecture at the university, and their eighteen-year-old daghter discovers that Otakar had never divorced his first wife, with whom he has a son...','screenplay Jan Hrebejk, Petr Jarchovský
cinematography Jan Malír
music Aleš Brezina
editing Vladimír Barák
cast Petr Forman (Martin Horecký), Emília Vásáryová (Vera Horecká), Jan Triska (Otakar Horecký), Ingrid Timková (Hana Svobodová), Kristýna Boková (Lenka Horecká), Jirí Machácek (František Fikes), Nataša Burger (Miluška)

 


 

',NULL,NULL,NULL,NULL,'images/events/event555.jpg','images/events/event555_t.jpg',600,450,NULL,NULL,'Jan Hrebejk',108,'češčina','Czech','slovenščina','Slovene','Češka rep. 2004',NULL,NULL,NULL,NULL,NULL,NULL),(515,33,'Padla','Fallen','Krišana','

Matiss Zelcs, arhivar v srednjih letih, gre nekega večera čez most. Zagleda žensko, ki visi čez ograjo in se očitno pripravlja na samomor. Matiss gre hladno mimo … Ženska pa se vrže v globino. Matiss začne naslednji dan – morda zaradi moralnega mačka, morda iz čiste radovednosti – zbirati podatke o samomorilki, iskati njene osebne predmete in stikati po njeni preteklosti. S fotografij in iz ljubezenskih pisem spozna, da je varala moža; čez čas celo obišče njenega ljubimca …

','scenarij
Fred Kelemen
fotografija
Fred Kelemen
montaža
Fred Kelemen, Franka Pohl, Klaus Charbonnier
igrajo
Egons Dombrovskis (Matiss Zelcs), Nikolaj Korobov (Aleksej Mesetzkis), Vigo Roga (detektiv), Aija Dzerve (Alina), Gundars Silakaktins (barman), Andris Keiss (Alinin mož)
','

Matiss Zelcs, a middle-aged archivist, is crossing a bridge one night, when he sees a woman hanging over the railing, obviously about to commit suicide. Matiss passes by coolly … and the woman thrusts herself into the depths. The following day, Matiss, in all probability propelled by a guilty conscience, starts to collect data on the suicide, searching for the victim’s personal belongings and rummaging through her past. From her photographs and love letters he learns that she was unfaithful to her husband. In time, he even visits her lover…

','screenplay
Fred Kelemen
cinematography
Fred Kelemen
editing
Fred Kelemen, Franka Pohl, Klaus Charbonnier
cast
Egons Dombrovskis (Matiss Zelcs), Nikolaj Korobov (Aleksej Mesetzkis), Vigo Roga (detective), Aija Dzerve (Alina), Gundars Silakaktins (barman), Andris Keiss (Alina\\\'s husband)
',NULL,NULL,NULL,NULL,'images/events/event515.jpg','images/events/event515_t.jpg',600,450,NULL,NULL,'Fred Kelemen',90,'latvijščina/ruščina','Latvian/Russian','slovenščina','Slovene','Latvija, Nemčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(502,34,'Palica za golf','3-Iron','Bin-Jip','

Tae-suk na poseben način rešuje stanovanjske težave; vlamlja v stanovanja, katerih lastniki so dalj časa odsotni, in v njih živi določen čas. Običajno jih pospravi in popravi morebitne okvare, nakar se \\\'preseli\\\' drugam. Nekega dne v stanovanju, za katerega je mislil, da je prazno, naleti na pretepeno žensko Sun-hwa. Ob moževi vrnitvi se odloči, da bo odšla s Tae-sukom. Zdaj vlamljata skupaj, toda nekega dne v novem stanovanju odkrijeta moško truplo. Tae-suk poskrbi, da ga častno pokopljeta na vrtu njegove hiše, a še isti dan ju preseneti pokojnikov sin. Tae-suk naenkrat postane osumljen umora, Sun-hwa odpelje nasilni mož. V zaporu Tae-suk doživi preobrazbo.

»Prepričan sem, da danes večina ljudi ni srečnih samo zaradi tega, ker imajo denar. Zato menim, da potrebujemo neke vrste iluzijo, in v filmu sem hotel izraziti nezadovoljstvo z resničnostjo. Želel sem ga razširiti v domišljijski svet. Včasih sem zmeden glede realnosti in iluzije. Tako zadnji podnaslov predlaga, da nikoli resnično ne razlikuješ, kaj je realnost in kaj sanje. Celo slog sedenja so lahko sanje. Želel sem izraziti te vrste zmedenost, ki jo imam o sanjah in realnosti.« (Kim Ki-duk)

»Palica za golf je Kim Ki-dukovo bizarno, hipnotično nadaljevanje izvrstnega filma Pomlad, Poletje, Jesen, Zima … in Pomlad. Njegove filme oblikuje tišina. V najbolj poznanih filmih, Pomlad, poletje ... in Otok (The Isle) igralci komajda spregovorijo besedo in Kim kot bivši slikar premore tisoč strategij, lepih ali brutalnih, za pritegnitev pozornosti. V filmu Palica za golf glavna junaka (tako moški kot ženska) igrata določen čas brez besed. Napet je tudi, ko je nesmiseln, s primesmi komedije pa film ponuja malo manj kot prejšnji, vendar najmanj, kar ponuja, je igriva izraba formalnih omejitev.« (Ed Park)   

','scenarij
Kim Ki-duk
fotografija
Seong-back Jang, Jang Seong-Back
glasba
Slvian
montaža
Kim Ki-duk
igrajo
Seung-yeon Lee (Sun-hwa), Hyun-kyoon Lee (Tae-suk), Hyuk-ho Kwon (Min-gyu), Jin-mo Ju (inšpektor Cho), Jeong-ho Choi
','

Tae-suk solved his housing problem in a very particular way, that is, by breaking into flats whose owners have been away for a long time. He lives in them for a while, usually cleans them and fixes any breakdowns, then ‘’moves’’ somewhere else. One day, he stumbles across a badly beaten woman, Sun-hwa, in an apartment he was convinced was empty. After her husband returns, she decides to leave with Tae-suk. They break into apartments together, and one day find a dead man’s body. Tae-suk provides for a decent burial in the garden of his house, but on the same day they are both surprised by the arrival of the deceased’s son. All of a sudden, Tae-suk becomes a murder suspect, while Sun-hwa is taken away by her aggressive husband. In prison, Tae-suk experiences a transformation…  

»I believe that most people are not happy just because they have money, especially these days. Because of that, I believe we need some kind of fantasy and throughout this movie, I wanted to express the unhappiness of reality. I wanted to take that and extend it to the fantasy world. I have confusions about reality and fantasy sometimes, and as the last subtitle in the film suggests, you never really know what is reality and what is a dream. Even the way we\\\'re sitting can be a dream. I wanted to express the confusions I have about dreams and reality.« (Kim Ki-duk)


»3-Iron is Kim Ki-duk\\\'s bizarre, hypnotic follow-up to the sublime Spring, Summer, Fall, Winter . . . and Spring. Silence is the key to Kim\\\'s cinema: in his best-known films, Spring, Summer and The Isle, hardly a word is spoken, and Kim, a former painter, has a thousand strategies, beautiful or brutal, to grab the eye. In 3-Iron, both the male and female leads keep mum for the duration. Taut even when ridiculous, with flashes of comedy, 3-Iron has a bit less to offer than its predecessors, but at minimum it\\\'s the playful exhaustion of a formal constraint.« (Ed Park)

','screenplay
Kim Ki-duk
cinematography
Seong-back Jang, Jang Seong-Back
music
Slvian
editing
Kim Ki-duk
cast
Seung-yeon Lee (Sun-hwa), Hyun-kyoon Lee (Tae-suk), Hyuk-ho Kwon (Min-gyu), Jin-mo Ju (inspector Cho), Jeong-ho Choi',NULL,NULL,NULL,NULL,'images/events/event502.jpg','images/events/event502_t.jpg',600,450,NULL,NULL,'Ki-duk Kim',88,'korejščina','Korean','slovenščina','Slovene','Južna Koreja, Japonska 2004',NULL,NULL,NULL,NULL,NULL,NULL),(583,28,'Pasje sanje','A Dog\\\'s Dream','A Dog\\\'s Dream','

Moški posluša zgodbo sodelavca, sanje, v katerih se je zgodil nenavaden rop. Ob vrnitvi domov zgrožen ugotovi, da je vse njegovo premoženje izginilo v skrivnostnih okoliščinah. Takoj pokliče policijo, primer prevzame izkušeni detektiv, ki pri delu uporablja neobičajne metode. V isti noči se skrivnostni dogodki širijo po vsem mestu; ljudje se znajdejo v čudnem, irealnem stanju, kot da bi nenadoma stopili v čudežno deželo.

»\\\'V sanjah sem vedno nekdo drug …\\\' Ta izraz je verjetno ključ do razumevanja zadnjega filma Angelosa Frantzisa Pasje sanje (The Dog\\\'s Dream). Eden od vtisov (kajti vse, kar lahko imamo, so vtisi o filmu, ki je neizmerno skrivnosten) je lepo oblikovan nočni portret Aten kot mesta duhov, mesta, ki je vlažno, skrivnostno in temačno. Občutek filma noir, ki ga režiser vtisne filmu, spodbudi k razmišljanju, tako kot tudi določene scene, na primer tista, ko glavna igralka v rokah drži čarobno palico. Omogoča ji, da vsakomur izpolni želje in skrivne misli. Ta romantičen, nostalgičen del filma je tudi najbolj dovršen. Ustvarja harmonijo, ki bi jo lahko predstavili v samostojnem kratkem filmu. Pred sceno in za njo je film kot morje, ki utaplja gledalca v nerazložljivih dogodkih, preskokih žarišča in nejasnem jedru.« (Maria Katsounaki - Kathimerini)

','scenarij
Angelos Fratzis, Spyros Krimbalis
fotografija
Evgenios Dionissopoulos
glasba
Onefingermusic (Coti K, Christos Lainas)
montaža
Angelos Frantzis
igrajo
Konstantinos Markoulakis, Peggy Trikalioti, Aris Servetalis, Lina Sakka, Christos Stergioglou, Markos Lezes, Argiris Xafis, Fotini Baxevani, Yannis Stankoglou, Manolis Mavromatakis
','

A man is listening to a story told by his colleague – a dream in which an unusual robbery takes place. When he returns home, he is horrified to discover that all his belongings have disappeared in mysterious circumstances. He immediately calls the police and the case is investigated by an experienced detective with bizarre working methods. During that same night, enigmatic events occur all over town. People find themselves in a strange, unreal state, as though they had suddenly entered wonderland…    

»\\\'In my dreams, I am always someone else...\\\' This phrase is probably the key to understanding Angelos Frantzis\\\'s latest film, The Dog\\\'s Dream. One impression (because all we can have is impressions for a film that remains so enigmatic) is that we have a beautifully crafted portrait of Athens at night as a ghost town that is humid, secretive and dark. The film-noir feel that the director has given his picture is thought-provoking, as are certain scenes like the one where the lead actress is holding a magic wand that allows her to fulfil everyone\\\'s desires and secret thoughts. This romantic, nostalgic part of the film is also the most complete. It creates a unity which could, as a short film, stand on its own. Before and after this scene, though, the film is a sea, drowning the viewer in inexplicable events, a shifting focus and an unclear core.« (Maria Katsounaki - Kathimerini)

','screenplay
Angelos Fratzis, Spyros Krimbalis
cinematography
Evgenios Dionissopoulos
music
Onefingermusic (Coti K, Christos Lainas)
editing
Angelos Frantzis
cast
Konstantinos Markoulakis, Peggy Trikalioti, Aris Servetalis, Lina Sakka, Christos Stergioglou, Markos Lezes, Argiris Xafis, Fotini Baxevani, Yannis Stankoglou, Manolis Mavromatakis
',NULL,NULL,NULL,NULL,'images/events/event583.jpg','images/events/event583_t.jpg',600,450,NULL,NULL,'Angelos Frantzis',88,'grščina','Greek','slovenščina','Slovene','Grčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(531,28,'Pastir bizonov','The Buffalo Boy','Mua len trau','

Indokina, 1940, čas francoske okupacije. Petnajstletni Kim dobi nalogo, naj dva bivola odpelje na varno, stran od poplavljenih območij na jugu države. Živali sta edini družinski vir dohodka, zato je vznožje gorovja Ba Thé edino varno zatočišče. Nevarna pot skozi obsežno poplavljeno območje je Kimov zrelostni izpit. Na poti sreča skupino gonjačev bizonov in občasnih banditov ter z njimi svet odraslih, zaznamovan s pretepi, alkoholom in plenjenjem. Sčasoma se bo nasilje umaknilo prijateljstvu, ljubezni in užitkom svobodnega življenja.

»Gre za film o odraščanju. Prikazuje razmerje med očetom in sinom, a menim, da mora film vsebovati tudi nekaj onkraj zgodbe in čudovite fotografije. Imeti mora še neko drugo razsežnost. Za ta film sem pomislil na vodo kot zelo pomemben element. V mnogih kulturah je voda simbol življenja in očiščenja, v tem filmu pa je bolj povezana s smrtjo in razkrojem. Obenem pa si ljudje v vodi najdejo hrano: v vodi plavajo ribe in raste riž, zato življenje in smrt soobstajata. Voda je mešana metafora življenja in smrti. Večno prelivanje vode v filmu pomeni tudi minevanje: skozi film potujejo tri generacije, vojna in kolonizacija.«(Minh Nguyen-Vo)

»Ta presunljiva zgodba o odraščanju z bogato zgradbo in osupljivo vizualno refleksijo o ritmu vsakodnevnega bivanja in kulture, ki ju opredeljuje voda, se dogaja v nižavju južnega Vietnama. Poplavljena pokrajina pripoveduje zgodbo o razmerju med očetom in sinom, ciklih življenja in neustavljivem teku vseh stvari.« (Charles Bradbury)

','scenarij
Minh Nguyen-Vo, po kratkih zgodbah Nam Sona
fotografija
Yves Cape
glasba
Tôn-Thât Tięt
montaža
Rudy Maerten
igrajo
The Lu Le (Kim), Zan Sram Kra (Det), Huu Thanh Nguyen (Dinh), Thi Kieu Trinh Nguyen (Ban)
','

Indochine in 1940, during the French occupation. Fifteen-year-old Kim gets an assignment to take two bufallos to safety, away from the flooded areas in the south of the country. The animals are the only source of family income, and so the foothills of the Ba Thé mountain range are the only refuge. The dangerous path through the widely flooded area is Kim\\\'s initiation into maturity. On the way, he meets a group of buffalo herdsmen and occasional bandits. Here he will discover the world of grown-ups, marked by fights, alcohol and plunders. In time, violence will be overcome by frienship, love and the joy of the freedom of living.

»This movie is a coming-of-age story. It’s a father-and-son relationship, but for me a film has to have something beyond the story and the beautiful images. It has to carry something else and for this movie I was thinking of water as a very important element. In many cultures water is a symbol of life and purification, but in this film it is more associated with death and decaying. At the same time people find food from the water: fish and rice grow out from water, so life and death coexist with each other. Water is this mixed metaphor of life and death. The constant water flowing in this movie is also metaphor of time passage: three generations, a war, colonization all pass through this film.« (Minh Nguyen-Vo)

»Set in the lowlands of southern Vietnam, this powerful coming of age tale is a richly textured and stunningly visual reflection of the rhythms of daily life and culture determined by water. The flooded landscape serves to tell the story of the relationship between a father and son, the cycles of life, and the inescapable flow of all things.« (Charles Bradbury)

','screenplay
Minh Nguyen-Vo, po kratkih zgodbah Nam Sona
cinematography
Yves Cape
music
Tôn-Thât Tięt
editing
Rudy Maerten
cast
The Lu Le (Kim), Zan Sram Kra (Det), Huu Thanh Nguyen (Dinh), Thi Kieu Trinh Nguyen (Ban)
',NULL,NULL,NULL,NULL,'images/events/event531.jpg','images/events/event531_t.jpg',600,450,NULL,NULL,'Minh Nguyen-Vo',102,'vitnamščina','Vietnameese','slovenščina','Slovene','Vietnam, Belgija, Francija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(535,28,'Pekel','Hell','L\\\'Enfer','

Osrednja pozornost zgodbe je namenjena materi in trem odraslim hčeram, ki živijo v elegantnem domovanju na podeželju. Sophie, Celine in Anne so se po travmatičnem dogodku iz otroštva, ko je oče končal v zaporu, mama pa na invalidskem vozičku, povsem odtujile. Zdaj je Sophie poročena z uspešnim fotografom, Anne je študentka arhitekture, zaljubljena v svojega profesorja, Celine pa pretežno skrbi za nemo mamo. Prihod šarmantnega tujca, ki počasi stopa v njuna življenja, sestre počasi znova povezuje in jim vrača spomine na skupno preteklost.

','scenarij Krzysztof Piesiewicz
fotografija Laurent Dailland
glasba Duško Segvić, Danis Tanović
montaža Francesca Calvelli
igrajo Emmanuelle Béart (Sophie), Karin Viard (Céline), Marie Gillain (Anne), Guillaume Canet (Sébastien), Jacques Gamblin (Pierre), Jacques Perrin (Frédéric), Carole Bouquet (mama), Miki Manojlović (oče), Jean Rochefort (Louis), Maryam d\\\'Abo (Julie)
','

The story unfolds in an elegant home in the countryside, and focuses on a mother and her three grown-up daughters. After a traumatic childhood experience, when their father ended up in prison and their mother in a wheelchair, Sophie, Celine and Anne have become complete strangers. Now, Sophie is married to a successful photographer, Anne is a student of architecture and in love with one of her professors, while Celine more or less looks after their mute mother. Over the years, the three sisters have become complete strangers, but the arrival of a charming stranger, who slowly enters their lives, gradually binds them together and reminds them of their common past.     

','screenplay Krzysztof Piesiewicz
cinematography Laurent Dailland
music Duško Segvić, Danis Tanović
editing Francesca Calvelli
cast Emmanuelle Béart (Sophie), Karin Viard (Céline), Marie Gillain (Anne), Guillaume Canet (Sébastien), Jacques Gamblin (Pierre), Jacques Perrin (Frédéric), Carole Bouquet (mother), Miki Manojlović (father), Jean Rochefort (Louis), Maryam d\\\'Abo (Julie)
',NULL,NULL,NULL,NULL,'images/events/event535.jpg','images/events/event535_t.jpg',600,450,NULL,NULL,'Danis Tanović',98,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(547,28,'Pogled z Eifflovega stolpa','A View From Eiffel Tower','Pogled sa Ajfelovog tornja','

Marijana praznuje petindvajseti rojstni dan. V zgodnji mladosti jo je zlorabil očetov prijatelj in šef, kar jo je močno zaznamovalo. Njen oče ginekolog, ni naredil ničesar. Zaradi diskretnosti je poklicno bliskovito napredoval, Marijana zato pripada višjim slojem. Še vedno  ni pozabila strahopetnega očetovega dejanja, zato pripravlja posebno maščevanje. Medtem pa se je zaljubila v Vanjo.

»V filmu pripovedujemo o življenju v obdobju zadnjih desetih let, ki sem ga želel končati. Zgodba je ljubezenska, govori tudi o nerešenih sporih med očeti in sinovi, o norosti, imenovani Balkan. Ko se vsa vojna konča, ostanejo številne žrtve, nove meje, statistični podatki in kruta dejstva. Film govori o malih čustvenih dogodkih, ki jih ne smemo pozabiti. Poleg vojne smo se tudi ljubili, jokali, se bali in se razhajali. Film govori o upanju, o tem, kar smo danes. Krog še ni sklenjen – kdor se ne spominja, znova vse preživlja!« (Nikola Vukčević)

»Film z igralci in zgodbo pripoveduje o težkem času, ko je vse na prodaj. Hkrati tudi o ljubezni, ki je edina možnost za pobeg iz balkanske norosti. V prenesenem smislu se film ukvarja z usodo sinov in hčera, katerih starši so naredili veliko napak. Zdaj pa je nastopil trenutek, ko se morajo otroci odločiti, ali bodo popravili napake ali preprosto odšli po drugi poti.« (Matjaž Vogrinc)

','scenarij
Irena Kikić - Stojković, Nikola Vukčević
fotografija
Nikola Šekerić
glasba
Vladimir Morić
montaža
Olga Toni
igrajo
Marija Vicković (Marijana), Svetozar Cvetković (Teda), Branislav Trifunović (Vanja), Sergej Trifunović, Darko Rundek, Lena Bogdanović, Petar Božović, Igor Lazić
','

Marijana is celebrating her 25th birthday. When she was 16, her short affair with her father\\\'s boss spurred an emotional trauma. Her father Teda, a gynaecologist, did nothing to protect his daughter. For his \\\'silence and discretion\\\' he was offered a rapid promotion from his boss. Today Marijana\\\'s family is well-to-do and socializes with the elite circles, yet Marijana has still not forgotten her father\\\'s cowardice, and is preparing a special revenge. But in the meantime she falls in love with Vanja.

»Our film is the story of the circle through which we have been going for the last decade, and which I wanted to close. Besides a love story, this film is also the tale of the curse of the clash between fathers and sons, the story of the madness in the Balkans. When everything is over, numerous victims will remain, new borders... statistical data and cruel facts. A View From the Eiffel Tower tells of some small emotional things that we should never forget. Besides making war, during these ten years, we have also made love, felt pain, fear and separation. Our film is a story about hope. Through re-examination, the film shows what we are today. Because the circle is not yet closed – whoever doesn\\\'t remember, re-lives!« (Nikola Vukčević)

»The film, its characters and storyline actually talk about some hard times when everything is for sale; it also deals with love, which is the only way out of the Balkan madness. Metaphorically, A View From the Eiffel Tower treats the fate of sons and daughters to whom their fathers bequeathed the degenerated principles and chaos of a devastated society. It is a film about a generation of sons and daughters who became the hostages of bad decisions from the past. It shows the moment when these sons and daughters need to decide whether to correct their fathers\\\' past mistakes or simply take another route.« (Matjaz Vogrinc)

','screenplay
Irena Kikić - Stojković, Nikola Vukčević
cinematography
Nikola Šekerić
music
Vladimir Morić
editing
Olga Toni
cast
Marija Vicković (Marijana), Svetozar Cvetković (Teda), Branislav Trifunović (Vanja), Sergej Trifunović, Darko Rundek, Lena Bogdanović, Petar Božović, Igor Lazić
',NULL,NULL,NULL,NULL,'images/events/event547.jpg','images/events/event547_t.jpg',600,450,NULL,NULL,'Nikola Vukčević',92,'angleščina/srbohrvaščina','English/Serbo-Croatian','slovenščina','Slovene','Srbija in Črna gora, Hrvaška, Slovenija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(599,37,'Pojdi domov','Go Home','*','Pekinški operni pevec Zhang je robat in zlovoljen moški. Hčerka, ki je že pred leti odšla, mu nekega dne pošlje svojega sina, v upanju, da ji bo lahko pomagal pri njegovi vzgoji. Vendar ji Zhang ne more odpustiti in za vnuka ne želi skrbeti. Pozneje hči umre zaradi bolezni in Zhang mora odločitev znova pretehtati.','

scenarij Li Wei

fotografija Li Chensheng

umetniški direktor Hao Jungyuan

glasba Xiang Min

igrajo Chen Xiao Yi, Fang Shu, Liu Pei Qi, Song Chun Li

','

Peking Opera singer Zhang is a tough and bad-tempered guy. His daughter left him years ago. One day the daughter sends him her son, hoping he could help her with the boy. But Zhang doesn’t want to forgive her and refuses to take care of the boy. Later on the daughter dies of a serious disease and now he has to reconsider his choices.

','

screenplay Li Wei

cinematography Li Chensheng  

art director Hao Jungyuan

music Xiang Min

cast Chen Xiao Yi, Fang Shu, Liu Pei Qi, Song Chun Li

',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Li Chensheng',0,'mandarinščina','Mandarin','slovenščina','Slovene','Kitajska 2001',NULL,NULL,NULL,NULL,NULL,NULL),(559,33,'Pojoč za zastori','Singing Behind Screens','Cantando dietro i paraventi','

Koncem 18. stoletja piratske ladje v Južnem kitajskem morju napadajo trgovske ladje in ogrožajo prebivalstvo, zato kitajski cesar admiralu Chingu ukaže, naj najde skupni jezik s pirati in razmere umiri. Ching doseže sporazum s pirati, toda v bitki je smrtno ranjen. Njegova vdova medtem prevzame poveljstvo nad piratsko floto in nadaljuje z napadi na trgovske ladje.

','scenarij Ermanno Olmi
fotografija Fabio Olmi
montaža Paolo Cottignola
igrajo Bud Spencer (stari kapitan), Jun Ichikawa (Ching), Sally Ming Zeo Ni (svetovalec), Camillo Grassi (Nostromo), Makoto Kobayashi (admiral Ching), Wen Li Guang','

At the end of the 18th century, pirate ships attack merchant vessels in southern Chinese Seas, plunder the land and endanger the inhabitants. The Chinese Emperor orders Admiral Ching to compromise with the pirates and slacken the terse situation. Ching reaches an agreement with the pirates, but is fatally wounded in the battle. In the meantime, his widow assumes command of the pirate\\\'s fleet and continues the attacks against the trading vessels.

','screenplay Ermanno Olmi
cinematography Fabio Olmi
editing Paolo Cottignola
castBud Spencer (old captain), Jun Ichikawa (Ching), Sally Ming Zeo Ni (advisor), Camillo Grassi (Nostromo), Makoto Kobayashi (admiral Ching), Wen Li Guang',NULL,NULL,NULL,NULL,'images/events/event559.jpg','images/events/event559_t.jpg',600,450,NULL,NULL,'Ermanno Olmi',98,'italijanščina','Italian','slovenščina','Slovene','Italija, VB, Francija 2003',NULL,NULL,NULL,NULL,NULL,NULL),(570,31,'Potepuški psi','Stray Dogs','Sag-haye velgard','

Na ulicah Kabula brat in sestra posvojita psička. Vsak dan obiskujeta mamo v zaporu in ker sta brezdomca, jima varnostniki pustijo tam tudi prenočevati. Ko pride odredba, da so zapori za zločince in ne sirotišnice, sta otroka popolnoma prepuščena ulici. Domislita se, kako priti do hrane in strehe nad glavo: storiti morata kaznivo dejanje in znova bosta lahko obiskovala mamo.

»Po 25 letih državljanske vojne in borbe proti tujim vojskam se morajo ljudje v Afganistanu spopadati s socialno in ekonomsko krizo, ki je podobna tisti v Italiji med letoma 1945 in 1948. Potepuški psi je film o ljudeh z ulice v času, ko so se ravno rešili pekla vojne. Zavedam se, da ameriški invaziji na Afganistan in Irak ni motivirala želja, da bi rešili narode obeh držav; kapitalistični Zahod gleda na svet kot na ogromen trg in ne kot na družino človeških bitij« (Marzieh Meshkini)

»Potepuški psi je lep in vznemirljiv film, ki navkljub omejitvam obravnava državo, ki je po besedah ustvarjalcev filma izgubila deset odstotkov prebivalstva – približno dva milijona – zaradi vojne, lakote, revščine in brezdomstva.« (Joanne Laurier)

','

scenarij Marzieh Meshkini
fotografija Ebrahim Ghafori, Maysam Makhmalbaf
glasba Mohammad Reza Darvishi
montaža Mastaneh Mohajer
igrajo Gol-Ghotai (Gol-Ghotai), Zahed (Zahed), Agheleh Rezaie (mama), Sohrab Akbari (Atef)

','

A brother and sister adopt a small dog found on the streets of Kabul in Afghanistan. Their mother is in prison, so they visit her every day. Being homeless, the prison guards also allow them to spend the night, but only until the following day, when a decree is issued, declaring that prisons are for criminals and are not orphanages. The children are left on their own to wander the streets, and soon come up with an idea how to get food and shelter: they have to commit a crime and then they’ll be able to see their mother again…

»After 25 years of civil war and fighting against foreign armies, the people of Afghanistan faced a situation very similar to the social and economic crisis in Italy during the period of 1945-48. Stray Dogs is a film about people in the streets at a time when they have just come out of the inferno of war. I am aware that the US invasions of Afghanistan and Iraq were not motivated by a wish to save the peoples of the two countries; the capitalist West looks upon the world as a vast market rather than a family of human beings.« (Marzieh Meshkini)

»Stray Dogs is a beautiful and disturbing film, despite its limitations, treating a country in which, according to the film’s creators, 10 percent of the population – some two million of its inhabitants – has died as a result of war, famine, poverty and homelessness.« (Joanne Laurier)

','

screenplay Marzieh Meshkini
cinematography Ebrahim Ghafori, Maysam Makhmalbaf
music Mohammad Reza Darvishi
editing Mastaneh Mohajer
cast Gol-Ghotai (Gol-Ghotai), Zahed (Zahed), Agheleh Rezaie (Mother), Sohrab Akbari (Atef)

',NULL,NULL,NULL,NULL,'images/events/event570.jpg','images/events/event570_t.jpg',600,450,NULL,NULL,'Marzieh Meshkini',93,'perzijščina','Persian','slovenščina','Slovene','Iran, Francija 2004',NULL,'images/events/logo570.jpg','images/events/logo570_t.jpg',200,200,NULL),(541,35,'Povsem osebno','Totally Personal','Sasvim lično','

Sasvim lično je dokumentarno-igrani film, s katerim se 47-letni režiser spominja odraščanja in življenja v Bosni in Hercegovini. Film med drugim vsebuje iskrena in osebna pričevanja o življenju med balkansko vojno ter načine za preživetje in vzgajanje otrok v okupiranem mestu. Režiser navkljub tragedijam, ki so zaznamovale njegovo državo, zgodbo – v prvi osebi – pripoveduje v pozitivnem duhu in s skrivljenem smislom za humor, spomine pa povezuje skozi serijo ohlapno nanizanih vinjet.

»Kot Tarkovski s filmom Andrej Rublev sem s tem filmom želel pustiti sporočilo.« (Nedžad Begović)

»Bilo bi vabljivo opisati film Nedžada Begovića Povsem osebno kot resnično mikaven oziroma resnično čudaški film. Vendar bi bilo do filma s tako subtilno in melanholično globino to nepravično. Povsem osebno zahteva svojstveno obravnavo: kot umetnost obarvanja golega filma s privlačnostjo, radostjo in osebnostjo.« (John Anderson)

','scenarij
Nedžad Begović
fotografija
Nedžad Begović
glasba
Enes Zlatar
montaža
Ismet Arnautalić, Almir Mešković
igrajo
Nedžad Begović, Amina Begović, Sabrina Begović, Naida Begović, Hasiba Begović, Sujelman Begović','

Totally Personal is a documentary feature film in which a forty-seven-year-old director is reminiscing about the time of his growing up and life in Bosnia and Herzegovina. The film also features genuine and personal testimonies of life during the Balkan war, survival tactics, and raising children in an occupied town. Despite the tragedies that marked his country, the director narrates – in the first person – the story in a positive spirit and with dry humour, linking his memories through a series of loosely related vignettes.

»In this film, like Andrei Rublev by Tarkovski, I want to make my bell.« (Nedžad Begović)

»It would be tempting to describe Nedžad Begović\\\'s Totally Personal as totally charming, or totally whimsical. But that would be unfair to a film which exhibits such subtlety and melancholic depth. Totally Personal should be its own film school class: a class in the art of imbuing bare-bones cinema with grace, mirth and personality« (John Anderson)

','screenplay
Nedžad Begović
cinematography
Nedžad Begović
music
Enes Zlatar
editing
Ismet Arnautalić, Almir Mešković
cast
Nedžad Begović, Amina Begović, Sabrina Begović, Naida Begović, Hasiba Begović, Sujelman Begović',NULL,NULL,NULL,NULL,'images/events/event541.jpg','images/events/event541_t.jpg',600,450,NULL,NULL,'Nedžad Begović',72,'bosanščina','Bosnian','slovenščina','Slovene','Bosna in Hercegovina 2004',NULL,'images/events/logo541.jpg','images/events/logo541_t.jpg',200,200,NULL),(585,39,'Presahla zemlja','The Parched Land','Peresokhla zemlya','Nekega moškega nepričakovano \\\'zadane\\\' sreča. Spremeni se v pravega angela s krili, a ne ve, kaj naj bi v tej vlogi pravzaprav delal.
',NULL,'

One day a man is suddenly \\\'hit\\\' by luck. He turns into a true angel with wings, but is unaware of what he is supposed to do in this role.

',NULL,NULL,NULL,NULL,NULL,'images/events/event585.jpg','images/events/event585_t.jpg',600,450,NULL,NULL,'Taras Tomenko',25,'brez dialogov','no dialogues','slovenščina','Slovene','Ukrajina 2005',NULL,NULL,NULL,NULL,NULL,NULL),(556,28,'Prikoličar','Man Push Cart','Man Push Cart','

Medtem ko New York še spi, se Ahmad, mladi pakistanski priseljenec, odpravi na ulice. Njegov dan se začne v skladišču. Tam prevzame prikolico in robo, vleče ju po ulicah Manhattna, vse do oddaljenega prodajnega mesta, kjer bo zjutraj prodajal kavo in krofe. Je tipičen delavec, ki ga najdemo na vsakem vogalu vsakega velikega mesta, človek, ki se sprašuje, ali bo kdaj ušel usodi. Njegovo delo je težko, občasno ponižujoče, toda Ahmad zahtevni vsakdan prenaša s stoičnim dostojanstvom. Spoprijatelji se s sonarodnjakom Mohammadom in ga vzame pod svoje okrilje, ter z Noemi, Španko, ki dela v časopisnem kiosku nedaleč od njegove prikolice.

»Razlog za film je Ahmad, ki po ulicah New Yorka poriva prikolico. Ta evokativna podoba, ki je tako resnična, se mi zdi bistvo življenja. Največja vtis in začudenje mi je vzbudil Ahmad. Njegova pojava je tako kompleksna in tako silovita, da je med montažo vedno bolj postajal osrednja točka filma. Vedel sem, da bo dober, a si nisem predstavljal, da bo tako prevzemajoča osebnost. Zanima me vse tisto, česar danes v filmih ne vidimo. Menim, da mora zgodba izhajati iz resničnosti, občutka prostora in značaja, ki sta zakoreninjena v današnji družbi, in ne nekakšnega virtualno elektronsko proizvedenega sveta. Želim si, da bi moji filmi govorili izrecno o moji generaciji, kakršni so bili ameriški filmi šestdesetih in sedemdesetih let ali kakršni sta sodobni vzhodnoazijska in bližnjevzhodna kinematografija.« (Ramin Bahrani)

»Prefinjeni in tehnično popolni film zaznamuje odličen pogled. Najsi se v življenju protagonista dogaja kar koli drugega, film se vztrajno vrača na zgodnjo jutranjo postavitev stojnice; priprave in komunikacijo s strankami, ki kupujejo kavo, čaj in krofe. To poklanja filmu Prikoličar premišljen ritem, raziskujoč zapletenost in skrite globine junaka, ki se sredi obupa in gorja oklepa svojih malih sanj. Razplet je tragikomičen, srce trgajoč in skorajda neizogiben. Male vizije pobega determinirani usodi so se razblinile in znova se mora pobrati in začeti znova.« (Adrian Wootton) 

','scenarij
Ramin Bahrani
fotografija
Michael Simmonds
glasba
Peyman Yazdanian
montaža
Ramin Bahrani
igrajo
Ahmad Razvi (Ahmad), Leticia Dolera (Noemi), Charles Daniel Sandoval (Mohammad), Ali Reza (Manish), Farooq \\\'Duke\\\' Muhammad (Duke)
','

While New York still sleeps, Ahmad, a young Pakistani immigrant, begins his day on the streets. He gets his cart and goods at a warehouse, then pushes his cart down the streets of Manhattan all the way to a remote sales post, where he sells coffee and bagels. He is a typical worker, such as can be found round any corner of a metropolis, a man wondering if he will ever escape the clutches of his destiny. His work is backbreaking, occasionally even humiliating, but Ahmad bears the exacting quotidian chores with stoical dignity. He makes friends with a compatriot, Mohammad, who takes him under his wing, and Noemi, a Spanish woman who works at a newsagent\\\'s booth not far from Ahmad\\\'s cart.

»Ahmad dragging that cart on New York’s streets is why we made the film. That evocative image, which is so real, seems to me to be what life is about. Ahmad is what impressed me and surprised me the most. His presence is so complex and so powerful, that during editing, the film became increasingly about him. I knew he would be good, but I didn’t know he would be such a commanding presence. I’m interested in whatever we don’t see in cinema. For me, the story must come from reality, a sense of location and character that is rooted in today’s society, not some computer generated world. I want my cinema to be connected specifically to my generation, the way American films were in the 60s and 70s or current East Asian and Middle Eastern cinema is today.« (Ramin Bahrani)

»Beautifully observed, this is a subtle and technically accomplished film. Whatever else is going on in the protagonist’s life, the film returns regularly to the act of him setting up his cart in the early morning; his preparations for opening and his exchanges with customers, as they buy coffees, teas and bagels from him. This gives Man Push Cart a deliberate rhythm, whilst it explores the complex and hidden depths of the character, who we learn is desperately hanging on to his small dreams in the midst of grief and despair. The denouement of the film is tragi-comic, heart rending and almost inevitable. His little glimpse of an escape from a circumscribed world has been closed down again and he has to pick himself up and focus on the same thing he started with.« (Adrian Wootton)

','screenplay
Ramin Bahrani
cinematography
Michael Simmonds
music
Peyman Yazdanian
editing
Ramin Bahrani
cast
Ahmad Razvi (Ahmad), Leticia Dolera (Noemi), Charles Daniel Sandoval (Mohammad), Ali Reza (Manish), Farooq \\\'Duke\\\' Muhammad (Duke)
',NULL,NULL,NULL,NULL,'images/events/event556.jpg','images/events/event556_t.jpg',600,450,NULL,NULL,'Ramin Bahrani',87,'urdu','Urdu','slovenščina','Slovene','ZDA 2005',NULL,NULL,NULL,NULL,NULL,NULL),(595,30,'Proti jugu','Heading South','Vers le sud','Haiti, konec sedemdesetih let 20. stoletja. Na karibskem otoku se spoznajo tri ženske v poznih srednjih letih, dve Američanki in Angležinja, ki tja zahajajo zaradi osamljenosti, razočaranosti v ljubezni in temnopoltih mladeničev, predvsem postavnega Legbe, ki za majhno plačilo z veseljem ugodi vsaki njihovi seksualni pobudi.
 

','

scenarij Laurent Cantet, Robin Campillo, po kratkih zgodbah Danyja Laferriera fotografija Pierre Milon
montaža Robin Campillo
igrajo Charlotte Rampling (Ellen), Louise Portal (Sue), Karen Young (Brenda), Ménothy Cesar (Legba), Lys Ambroise


','Haiti. The late 1970\\\'s. Three women in their advanced years meet on a Caribbean island – two Americans and an Englishwoman. They have been frequenting the island to dispel loneliness, forget thwarted love and chase dark-skinned young men, especially the muscular Legbe, who for a modest fee gladly satisfies every sexual desire... 
','screenplay Laurent Cantet, Robin Campillo, based on short stories by Dany Laferrier
cinematography Pierre Milon
editing Robin Campillo
cast Charlotte Rampling (Ellen), Louise Portal (Sue), Karen Young (Brenda), Ménothy Cesar (Legba), Lys Ambroise

 

',NULL,NULL,NULL,NULL,'images/events/event595.jpg','images/events/event595_t.jpg',600,450,NULL,NULL,'Laurent Cantet',105,'francoščina/angleščina','French/English','slovenščina','Slovene','Francija, Kanada 2005',NULL,NULL,NULL,NULL,NULL,NULL),(572,41,'Razdružene države Amerike','Divided States Of America / Laibach 2004 Tour','Divided States Of America / Laibach 2004 Tour','

Skupna Laibach se je novembra 2004 podala na četrto ameriško turnejo. Čas turneje je bil dovolj zgovoren, potekala je neposredno po ameriških volitvah, ko je George W. Bush v predsedniški tekmi zmagal drugič in liberalno misleče Američane pahnil v obup. Turneja, ki je obsegala predvsem mesta v \\\'demokratskih\\\' zveznih državah in Kanadi, je poleg glasbene predstave prinašala – in odražala – tudi ideološki naboj oziroma travmatične povolilne občutke. O trenutnem stanju v svetu in predvsem v ZDA z glasbo in pamfleti ne govorijo le člani skupine, temveč tudi obiskovalci koncertov in naključni mimoidoči.

','

scenarij Sašo Podgoršek
fotografija Sašo Podgoršek
glasba Laibach
montaža Sašo Podgoršek

','In November 2004, the Laibach music band embarks on their fourth American tour. The timing of the tour speaks for itself, as it took place immediately after the American elections in which George W. Bush won the presidential race for the second time, throwing liberal Americans into despair. The tour included towns of the “Democrat” federal states and Canada and, besides offering a spectacular music show, also reflected a strong ideological charge and traumatic post-election emotions. Through their music and pamphlets, the members of the band and people from the audience as well as coincidental passersby speak about the current situation in the world, especially in the USA.      ','screenplay Sašo Podgoršek
cinematography Sašo Podgoršek
music Laibach
editing Sašo Podgoršek',NULL,NULL,NULL,NULL,'images/events/event572.jpg','images/events/event572_t.jpg',600,450,NULL,NULL,'Sašo Podgoršek',70,'angleščina','English','angleščina','English','Slovenija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(554,30,'Redna ljubimca','Everyday Lovers','Les amants regulieres','

Pariz, maj 1968. Med študentskimi demonstracijami se spoznata in spoprijateljita dvajsetletna mladeniča. Potem ko po uličnih spopadih s policijo in umiritvi položaja obema postane jasno, da so se študentski ideali razblinili, se predajata opiju, s katerim ju zalaga njun znanec, inertni, pasivni in docela asocialni malomeščanski dedič, ki je revolucijo "doživel" v opoju mamil. V tem času se eden izmed fantov zaljubi.

','

Scenarij Philippe Garrel, Marc Cholodenko, Arlette Langmann
fotografija William Lubtchansky
glasba Jean-Claude Vannier
montaža Françoise Collin
igrajo Nicolas Bridet (Antoine), Louis Garrel (François), Clotilde Hesme (Lilie), Mathieu Genet, Julien Lucas, Eric Rulliat, François Toumarkine

','

Paris, May 1968. Two 20-year-old men meet and become friends during student protests, which culminate in street fights with the police. After the riots have died down, the boys realise that their youthful ideals are shattered, and so find release in opium supplied by their acquaintance, a torpid, apathetic and entirely anti-social bourgeois heir, who has \\\'experienced\\\' the revolution under the influence of drugs. Then one of the boys falls in love.

','

screenplay Philippe Garrel, Marc Cholodenko, Arlette Langmann
cinematography William Lubtchansky
music Jean-Claude Vannier
editing Françoise Collin
cast  Nicolas Bridet (Antoine), Louis Garrel (François), Clotilde Hesme (Lilie), Mathieu Genet, Julien Lucas, Eric Rulliat, François Toumarkine

',NULL,NULL,NULL,NULL,'images/events/event554.jpg','images/events/event554_t.jpg',600,450,NULL,NULL,'Philippe Garrel',178,'francoščina','French','angleščina','English','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(492,30,'Ruske lutke','Russian Dolls','Les poupées russes','

Xavier ima trideset let. Nič več študent, niti samostojen oziroma dobro situiran odrasel moški. Njegova kariera je povprečna; poslovni svet je pustil pred časom, kot romanopisec nikoli ni uspel, zato se preživlja kot občasni novinar ali anonimni pisec za druge; največji uspeh je bilo sodelovanje pri scenariju za televizijsko limonado. Njegovo ljubezensko življenje ni rožnato. Xavier zdaj sedi na vlaku med Parizom in Londonom ter na prenosni računalnik piše novo zgodbo, spomine na Barcelono in dogodivščine v St. Peterburgu, kjer je bil na poroki  Williama in ruske balerine.

','scenarij Cédric Klapisch
fotografija Dominique Colin
glasba Loďc Dury, Laurent Levesque
montaža Francine Sandberg
igrajo Romain Duris (Xavier), Kelly Reilly (Wendy), Audrey Tautou (Martine), Cécile De France (Isabelle Wauquaire), Kevin Bishop (William), Evguenya Obraztsova (Natalia), Irene Montalŕ (Neus)','

Xavier is thirty years old. No longer a student, yet not yet independent or a well–situated, grown man. His professional life is mediocre; he abandoned the business arena a while ago, and never came through as a novelist. He makes a living as an odd-job journalist or anonymous hired writer. His greatest success was his contribution to the script of a TV soap opera. His love life is just as dissatisfying. Momentarily, Xavier rides the train between Paris and London, writing a new story on his laptop about his memories of Barcelona and his adventures in Saint Petersburg, where he attended a wedding between Wiliam and a Russian ballerina.

','

screenplay Cédric Klapisch
cinematography Dominique Colin
music Loďc Dury, Laurent Levesque
editing Francine Sandberg
cast Romain Duris (Xavier), Kelly Reilly (Wendy), Audrey Tautou (Martine), Cécile De France (Isabelle Wauquaire), Kevin Bishop (William), Evguenya Obraztsova (Natalia), Irene Montalŕ (Neus)


',NULL,NULL,NULL,NULL,'images/events/event492.jpg','images/events/event492_t.jpg',600,450,NULL,NULL,'Cédric Klapisch',125,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(479,28,'Skriti adut','Dark Horse','Voksne Mennesker','

Daniel je razigran in šarmanten grafitni umetnik, preživlja se z naročenimi ljubezenskimi izjavami, ki jih piše po zidovih kopenhagenskih stavb. Zaradi vsakdanjih problemov si ne beli glave; lovijo ga vsi, prometni redarji, lastniki stanovanja, kjer živi kot podnajemnik, davčna uprava, upniki in policija. Potem se zaljubi v Franc, dekle, ki je enako razposajeno in neodgovorno kot sam. Nenadoma je njegovega uživaškega vsakdana konec, spopasti se mora z realnim življenjem. Med drugim izve, da je v Franc zaljubljen tudi njegov dedek Roger.

\\\'\\\'Všeč so mi filmi, ki so bolj katalog zamisli kot zgodba, ki jo poganja zaplet. Ko sva pisala scenarij, nisva staknila glav, da bi si zamislila zgodbo; začela sva z nabiranjem idej in jih vse vnesla v pripoved. Film govori o ljudeh, ki se ne prilagajajo družbi, kateri pripadajo. Živijo v alternativni resničnosti, ki si jo sami ustvarijo, ali pa takšno resničnost na vse kriplje iščejo. Vsi najini navdihi prihajajo iz črno-belih fotografij ali filmov.” (Dagur Kári)

“Ta film je film, res je, a postavimo ga v kontekst. Svetovni film: gre za ljubezensko zgodbo na način Ostržka, polnega francoskega novega vala, ne le stilistično, temveč tudi glede duha. Režiser pravi, da ‘prikimava’ predvsem Godardovim filmom, vendar sta Truffaut in Buńuel tudi močno navzoča, kot tudi Kieslowski v paralelni zgodbi čez polovico filma, Tati v zadnjem prizoru itd. – filmska zgodovina pa ni obremenjujoča, gre le za etimologija jezika, ki ga režiser govori zelo tekoče.” (Haukur Már Helgason)

','scenarij
Dagur Kári, Rune Schjøtt
fotografija
Manuel Alberto Claro
glasba
Slowblow
montaža
Daniel Dencik
igrajo
Jakob Cedergren (Daniel), Tilly Scott Pedersen (Franc), Nicolas Bro (Roger), Mikael Bertelsen, Michelle Bjřrn-Andersen, Thomas L. Corneliussen 
','

Daniel is a vivacious and charming graffiti artist who makes a living making commissioned love statements on the walls of buildings in Copenhagen. He is not troubled by his everyday predicaments, despite being tracked down by parking attendants, landlords, bill collectors and even the police. He falls in love with Franc, a girl who is just as irresponsible and frolicky as he is. He, among others, learns that his grandfather, Roger, is also in love with Franc.

“I like movies that are more like a catalogue of ideas rather than a plot-driven story. When we wrote the script, we didn\\\'t sit down to figure out a story; we started by collecting lots of ideas and put them all on the same account. The movie is about people who do not fit into the society they belong to. Either they create an alternative reality of their own, or strive to find it. All our references either came from black and white photographs or movies.” (Dagur Kári)

“This film is a film, sure, but let’s contextualize. World cinema: this is a Pinocchio sort of love story, full of French New Wave, not merely stylistically but in spirit. The filmmaker says he’s “nodding his head” to a particular to Godard film, but both Truffaut and Buñuel are just around the corner, as is Kieslowski in a parallel story running through half the film, Tati in the final scene, etc. – cinema history, however, does not become a burden here, it’s merely the etymology of a language the director quite fluently speaks.” (Haukur Már Helgason)

','screenplay
Dagur Kári, Rune Schjøtt
cinematography
Manuel Alberto Claro
music
Slowblow
editing
Daniel Dencik
cast
Jakob Cedergren (Daniel), Tilly Scott Pedersen (Franc), Nicolas Bro (Roger), Mikael Bertelsen, Michelle Bjřrn-Andersen, Thomas L. Corneliussen 
',NULL,NULL,NULL,NULL,'images/events/event479.jpg','images/events/event479_t.jpg',600,450,NULL,NULL,'Dagur Kari',106,'danščina','Danish','slovenščina','Slovene','Danska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(483,34,'Skrito','Hidden','Cache','

Georges, voditelj priljubljene televizijske oddaje o literaturi, in Anne, literarna založnica, nekega dne pred vrati svoje pariške hiše najdeta skrivnosten paket. V njem sta videokaseta, na kateri je posnetek vhoda v njuno hišo, in otroška risba krvavega obraza. Naslednje dni prihajajo novi paketi, posnetki se vse bolj navezujejo na njuno zasebnost. Počutita se vedno bolj ogrožena, vendar policija ne more ukrepati, ker ju nihče ni napadel ali jima fizično grozil. Potem eden izmed posnetkov razkrije vhod v neznano stanovanje. Georges se odpravi tja in v stanovanju najde Arabca Majida, s katerim sta se v mladosti družila. A Majid trdi, da s posnetki nima ničesar.

»Pozaba obstaja v vsaki državi. Njene politične posledice v dani družbi so seveda različne in odvisne od preteklosti države. Francijo ni moč primerjati z Avstrijo in Avstrija se ne da primerjati z Nemčijo. Osebno nisem preveč zadovoljen, kako so se Avstrijci obnašali glede preteklosti. V vsaki državi boste naleteli na dogodke, ki ostajajo skriti, ker ljudje o njih ne želijo govoriti. Ta pojav se mi zdi resnično nevaren, kar me je vzpodbudilo, da sem se na to odzval.« (Michael Haneke)  

»Skrito je doslej nedvomno najbolj razumljiv in izključno \\\'zabaven\\\' film režiserja Michaela Hanekeja. Filmski ustvarjalec je končno našel zgodbo, ki je dovolj zanimiva, da podpira njegov vedno privlačen občutek za slog. Čeprav je film malo predolg, nikakor ne moremo zanikati, da je intenzivna, napeta in presenetljivo prevzemajoča grozljivka. Hanekejev prijem vizualizacije – še posebno njegova uporaba dolgih nepretrganih kadrov – učinkovito prežema Skrito z izrazitim občutkom groze; in zato je film presenetljivo napet in zanimiv. Hkrati je v njem vsaj en resnično presunljiv trenutek nasilja, ki pri gledalcih izzove glasne vzdihe začudenja.« (David Nusair)   

','scenarij Michael Haneke
fotografija Christian Berger
montaža Michael Hudecek, Nadine Muse
igrajo Juliette Binoche (Anne Laurent), Daniel Auteuil (Georges Laurent), Maurice Bénichou (Majid), Annie Girardot (Georgesova mama), Lester Makedonsky (Pierrot Laurent), Bernard Le Coq (urednik), Daniel Duval (Pierre)
','

Georges, a TV host of a popular literary TV show, and Anne, a literary publisher, one day receive a mysterious package at the door of their Paris house. The package contains footage of their front door and a child-like drawing of a bloody face. In the days that follow, packages keep arriving, all more or less relating to the couple’s intimate life. They both feel imperilled, yet the police can do nothing because “noone has attacked or physically threatened them”. Then one of the footages reveals an entrance to an unknown flat. Georges decides to go there and finds an Arab, Majid, whom he hung out with when the two were younger. But Majid claims he doesn’t have anything to do with the tape.  

»Oblivion exists in every country. Its political consequences for a given society are certainly different, depending on the country\\\'s past. France cannot be compared with Austria, and Austria cannot be compared to Germany. Personally, I am not very happy with the way the Austrians have behaved in relation to their past. In any country, however, you will find situations which are hidden because people are reluctant to talk about them. I find that trend quite dangerous, and thus I was driven to react.« (Michael Haneke)

»Caché undoubtedly marks director Michael Haneke\\\'s most accessible and flat-out \\\'entertaining\\\' movie to date. The filmmaker has finally found a story that\\\'s interesting enough to support his always-fascinating sense of style, and though the movie is a tad on the long side, there\\\'s no denying that Caché is an intense, suspenseful, and surprisingly gripping thriller. Haneke\\\'s visual choices - particularly his use of long, uninterrupted takes - effectively imbue Caché with a distinct feeling of dread; the film, as a result, comes off as surprisingly suspenseful and gripping, while there\\\'s at least one genuinely shocking moment of violence that sent the festival audience into extremely vocal fits of disbelief.« (David Nusair)

','screenplay Michael Haneke
cinematography Christian Berger
editing Michael Hudecek, Nadine Muse
cast Juliette Binoche (Anne Laurent), Daniel Auteuil (Georges Laurent), Maurice Bénichou (Majid), Annie Girardot (Georges\\\' mother), Lester Makedonsky (Pierrot Laurent), Bernard Le Coq (editor), Daniel Duval (Pierre)
',NULL,NULL,NULL,NULL,'images/events/event483.jpg','images/events/event483_t.jpg',600,450,NULL,NULL,'Michael Haneke',117,'francoščina','French','slovenščina','Slovene','Francija, Avstrija, Nemčija, Italija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(591,39,'Skrivnost','The Secret','O Segredo','Psihološka drama med Katarino in Dudujem, srednje bogatim parom, ki živi v Riu de Janeiru. Ona je manekenka, on slikar. Kaže, da imata pristno razmerje. A le dokler se Katarina sama ne odpravi na pot, Duduja pa doma razjeda ljubosumje. Odpre njeno elektronsko pošto in se dokoplje do drugačne resnice o Katarini.
',NULL,'

A psychological drama between Katarina and Dudu, a middle-aged couple living in Rio de Janeiro. She is a model, he a painter. They seem to have a meaningful  relationship. But only until Katarina goes on a journey alone, while Dudu is torn by jealousy at home. He checks her E-mail messages and discovers a different truth about Katarina.

',NULL,NULL,NULL,NULL,NULL,'images/events/event591.jpg','images/events/event591_t.jpg',600,450,NULL,NULL,'Luis Antonio Pereira',19,'portugalščina','Portugal','slovenščina','Slovene','Brazilija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(490,30,'Slikati ali se ljubiti','To paint or make love','Peindre ou faire l\\\'amour','

William in Madeleine uživata mirno življenje v mestecu ob vznožju gora; dolgo sta poročena, zvesta sta si in še vedno zaljubljena. Njuna edinka se je preselila v Italijo, zato nimata več starševskih skrbi. Madeleine med enim svojih sprehodov sreča privlačnega in izobraženega slepega domačina Adama, ki zakonca navduši, da kupita hišo, ki si jo je Madeleine želela naslikati. Po nakupu hiše sta presrečna, počasi se vživljata v novo bivalno okolje. Potem zgori hiša Adama in Eve, njunih novih sosedov. 

','scenarij Arnaud Larrieu, Jean-Marie Larrieu
fotografija Christophe Beaucarne
glasba Philippe Katerine
montaža Annette Dutertre
igrajo Sabine Azéma (Madeleine Lasserre), Daniel Auteuil (William Lasserre), Amira Casar (Eva), Sergi López (Adam), Philippe Katerine (Mathieu), Hélčne de Saint-Pčre (Julie), Sabine Haudepin (Suzanne)','

William and Madeleine lead a quiet life in a town at the foothills of the mountains. Married for ages, they are still faithful to one another and still very much in love. Their only daughter has moved to Italy, so they are no longer bothered by parental concerns. During one of her strolls, Madeleine meets Adam, a sensitive and well-read blind man. He takes her to the house which she had wanted to paint, and she and William are so thrilled by it that they decide to buy it. Several weeks after the purchase, they are on cloud nine, and slowly settling in. But then the house of their new neighbours, Adam and Eve, burns down. 

','screenplay Arnaud Larrieu, Jean-Marie Larrieu
cinematography Christophe Beaucarne
music Philippe Katerine
editing Annette Dutertre
cast Sabine Azéma (Madeleine Lasserre), Daniel Auteuil (William Lasserre), Amira Casar (Eva), Sergi López (Adam), Philippe Katerine (Mathieu), Hélčne de Saint-Pčre (Julie), Sabine Haudepin (Suzanne)',NULL,NULL,NULL,NULL,'images/events/event490.jpg','images/events/event490_t.jpg',600,450,NULL,NULL,'Arnaud Larrieu, Jean-Marie Larrieu',100,'francoščina','French','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(495,35,'Smrt gospoda Lazarescuja','The Death Of Mister Lazarescu','Moartea domnului Lazarescu','

Gospod Lazarescu, 63-letnik, živi v stanovanju s tremi mačkami. Žena mu je umrla pred osmimi leti, hči se je preselila v Kanado. Tega večera se Lazarescu ne počuti najbolje; boji se, da se mu je znova vnel čir na želodcu, zato pokliče ambulantno vozilo. Med čakanjem si hoče bolečine lajšati z zdravili, vendar mu jih je zmanjkalo, zato pozvoni pri sosedih. Ti pa mu ne morejo pomagati. Ko Lazarescuja končno odpeljejo v bolnico, se njegove težave šele začnejo; najprej ga peljejo v napačno bolnico, potem mu ugotovijo napačno bolezen, povrh vsega ima opravka s tečnimi, ciničnimi in preutrujenimi zdravniki …

“Smrt gospoda Lazarescuja govori o svetu, kjer ljubezen do sočloveka ne obstaja, človeku, katerega prošnja po pomoči ni uslišana … Vse življenje lahko spoznavamo resnico o določenemu položaju, pa najsi bo še tako banalen. Zgodbo spremljamo šest ur, a se je ne da povedati v realnem času. Režiser se mora odločiti, katere drobce resničnosti bo posnel. Vsakič, ko narediš rez in obrneš kamero ali pogled proti novem položaju, obrneš hrbet drugemu.” (Cristi Puiu)

»Navdušujoč verizem bolnišničnega miljeja, ki so ga z igralci in s snemalcem naštudirali v treh tednih pred snemanjem, je Cristi Puiu tako kot tipično romunsko »tranzicijsko« počasnost vkalkuliral v napeto, razosebljeno dramaturgijo zadnjih ur življenja Danteja Remusa Lazarescuja. Puiu, velik zagovornik minimalizma, pravi, da mu je blizu dokumentaristični slog socialno občutljivega Raymonda Depardona, pa tudi Johna Cassavetesa, in etika, lahkotnost ter ekonomičnost pripovedovanja Erica Rohmerja. Smrt gospoda Lazarescuja, kafkovska parabola o osamljenosti kot condition humaine, polna črnega humorja, ironije, a prav tako sočutja, usmiljenja in razumevanja človeške nemoči in krhkosti, je prvi del na temo ljubezni do bližnjega iz napovedane serije Šestih zgodb iz predmestja Bukarešte.« (Mateja Valentinčič)

','scenarij
Cristi Puiu, Razvan Radulescu
fotografija
Andrei Butica, Oleg Mutu
montaža
Dana Bunescu
igrajo
Ion Fiscuteanu (Lazarescu Dante Remus), Doru Ana (Sandu), Monica Barladeanu (Mariana), Alina Berzunteanu (dr. Zamfir)
','

63-year-old Mr. Lazarescu lives in a flat together with his three cats. His wife died 8 years ago, and his daughter moved to Canada. One night, Lazarescu does not feel very well Fearing that his gastric ulcer might have be acting up again, he calls an ambulance. Waiting for it to arrive, he needs to soothe the pain with an analgesic, but has run out of them, and the neighbours can’t help him, either. When he is finally taken to hospital, his problems all but start. He is taken to the wrong hospital, then is incorrenctly diagnosed, and to top it off, he receives medical attention from ill-tempered, cynical and overfatigued doctors …

“Mr. Lazarescu speaks about a world where love for our fellow man doesn\\\'t exist, about someone whose need for help is ignored by all round him... Learning the truth about a situation, however banal, can take a lifetime. The story takes place over six hours, but it can\\\'t be told in real time. The filmmaker has to choose those bits of reality to film. Every time you cut, you turn the camera or your eye towards one situation, you turn your back on another.” (Cristi Puiu)

“Cristi Puiu incorporated the fascinating realism of a hospital milieu that the actors and cameraman studied in three weeks before the shooting, as well as the typical Rumanian ‘transitional’ slowness into a tense, dehumanized dramaturgy of the last few hours in the life of Dante Remus Lazarescu. Puiu, a great adherent of minimalism, says that he finds affinity in the documentary style of socially impressionable Raymond Deprdon, as well as John Cassavetes, and the ethics, lightness and economy of Eric Rohmer’s narrative. The Death of Mr. Lazarescu, a Kafkaesque parable on loneliness as a human condition, replete with black humour, irony, as well as compassion, pity and understanding of human weakness and fragility, is the first in the planned series of Six Stories from the Suburbs of Bucarest, treating love for fellow man.” (Mateja Valentinčič)

','screenplay
Cristi Puiu, Razvan Radulescu
cinematography
Andrei Butica, Oleg Mutu
editing
Dana Bunescu
cast
Ion Fiscuteanu (Lazarescu Dante Remus), Doru Ana (Sandu), Monica Barladeanu (Mariana), Alina Berzunteanu (Dr Zamfir)
',NULL,NULL,NULL,NULL,'images/events/event495.jpg','images/events/event495_t.jpg',600,450,NULL,NULL,'Cristi Puiu',153,'romunščina','Rumanian','slovenščina','Slovene','Romunija 2005',NULL,'images/events/logo495.jpg','images/events/logo495_t.jpg',200,200,NULL),(542,30,'Soba','Room','Room','

Julia Barker je prezaposlena ženska, z družino preživi  premalo časa. Z možem in otrokoma živi v Houstonu, družina se zaradi njenega bornega zaslužka težko preživlja. Zadnje čase se ji prikazuje podoba svetle, prostorne industrijske sobe. Ko se Julia po manjši avtomobilski nesreči na cesti blizu letališča znova zave, sledi svoji viziji in z letalom odleti v New York; tam nadaljuje z iskanjem skrivnostne sobe …


','scenarij Kyle Henry
fotografija P.J. Raval
glasba Fritz Robenalt
montaža Pete Beaudreau
igrajo Kenneth Wayne Bradley (Bobby Barker), Shane Brown (mladenič),
Tracy Campoli (mladenič), Javier Checa (Portoričan), Funda Duval (Rusinja)','

Overworked Julia Barker has been neglecting her family. She lives in Houston with her husband and two children, and her family has difficulty making ends meet owing to her poor earnings. Lately, she has had visions of a bright, spatious industrial room. When she regains consciousness after a minor car accident, Julia follows her vision and flies to New York. There she continues her search for the mysterious room...

','

screenplay Kyle Henry
cinematography P.J. Raval
music Fritz Robenalt
editing Pete Beaudreau
cast Kenneth Wayne Bradley (Bobby Barker), Shane Brown (young man),
Tracy Campoli (young man), Javier Checa (Puerto Rican), Funda Duval (Russian woman)

',NULL,NULL,NULL,NULL,'images/events/event542.jpg','images/events/event542_t.jpg',600,450,NULL,NULL,'Kyle Henry',85,'angleščina','English','slovenščina','Slovene','ZDA 2005',NULL,NULL,NULL,NULL,NULL,NULL),(522,39,'Somrak','Twilight','Sumerki','Rusko žensko pretrese izginotje hčerke. Nekega dne v smeteh najde zapuščeno in izmučeno deklico. Odpelje jo domov, da bi poskrbela zanjo, a čez nekaj dni dekletce umre ... Film o trpljenju matere ob neznosni izgubi in skritih močeh človeškega srca.
',NULL,'A Russian woman is stricken by the disappearance of her daughter. One day she finds an abandoned and fatigued little girl in a rubbish heap. She takes her home to look after her. But in a few days, the girl is found dead… A film of the sufferings of a mother over an unendurable loss and the power of the human heart.
',NULL,NULL,NULL,NULL,NULL,'images/events/event522.jpg','images/events/event522_t.jpg',600,450,NULL,NULL,'Victoria Gamburg',21,'ruščina','Russian','slovenščina','Slovene','Rusija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(487,34,'Strti cvetovi','Broken Flowers','Broken Flowers','

Dona, otopelega šestdesetletnika, je ravnokar pustila zadnja, veliko mlajša ljubimka. Potem na njegov naslov prispe pismo v rožnati kuverti; natipkano besedilo ga obvešča, da njegov 19-letni sin, za katerega nikoli ni vedel, verjetno prihaja na obisk. Don pismo pokaže sosedu Winstonu, ljubitelju kriminalk in samooklicanemu detektivu. Ta ga nagovori v detektivsko avanturo: Don se mora spomniti vseh žensk, možnih mater njegovega sina, s katerimi je pred dvajsetimi leti ljubimkal, on pa bo natančno premislil in določil, kako se bosta lotila podviga. Donov spisek nazadnje vsebuje štiri imena; obiskal bo vse štiri ženske in skušal ugotoviti, katera med njimi je mati njegovega sina.

»Navdih za junaka Billa Murrayja sem dobil iz zamisli prijateljev pred nekaj leti. Le ohlapna zamisel, da neki tip dobi pismo bivše ljubimke – v preteklosti je imel mnogo prijateljic – v katerem piše: \\\'Imela sva otroka, morda te prav zdaj išče.\\\' In moški je popolnoma osupel. To je vse. Zamisel sem veliko let nosil v sebi. Nekega dne sem pomislil: \\\'Ah ... prav. Rad bi jo razvil za Billa.\\\' In tedaj se je rodil njegov lik.« (Jim Jarmusch)

»Jim Jarmusch in Bill Murray, suhljata mojstra minimalistične obrazne brezizraznosti, se nista našla vse do leta 2003, ko sta skupaj posnela film Kava in cigarete. Stoičen in brezkofeiniziran Murray nastopa v vsakem prizoru grenkosladkega filma Strti cvetovi, Jarmuschovi mešanici epizod, nenačrtovanega potovanja in zabavnih zmešnjav, vsaka komična prigoda pa je naravnost preprosta in izpopolnjena naprava.« (Jessica Winter)

','scenarij
Jim Jarmusch
fotografija
Frederick Elmes
glasba
Mulatu Astatke
montaža
Jay Rabinowitz
igrajo
Bill Murray (Don Johnston), Heather Simms (Mona), Jeffrey Wright (Winston), Sharon Stone (Laura Miller), Frances Conroy (Dora), Chloë Sevigny (Carmenina asistentka), Jessica Lange (Carmen), Tilda Swinton (Penny), Julie Delpy (Sherry)
','

Don, a lethargic 60-year-old, has just been left by his last, much younger lover. Then he receives a letter in a pink envelope, saying in typed letters that his nineteen-year-old son, whose existence Don had never been aware of, is probably coming to see him. Don shows the letter to his neighbour, Winston, a crime stories afficionado and self-styled detective, who entices him into a detective adventure: Don needs to recall all the women who might be the potential mothers of his son and with whom he had intimate relations twenty years ago. Winston will then draw up a precise itinerary of the investigation. Don\\\'s list has four names; he will visit all four women and try to find out which of them is the mother of his son.

»Bill Murray\\\'s character came from an idea that some friends of mine gave me years ago. Just a vague idea that a guy got a letter from a former lover - he\\\'d had a lot of girlfriends in the past - saying, \\\'We had a kid, maybe he\\\'s looking for you now.\\\' And it throws the guy for a loop. That was it. I was carrying that idea around for a number of years. And then at some point I thought, \\\'Ah ... okay. I\\\'d like to develop this for Bill.\\\' So then I came up with the character.« (Jim Jarmusch)

»Lanky maestros of minimalist deadpan, Jim Jarmusch and Bill Murray somehow never got together until 2003\\\'s Coffee and Cigarettes. Stoic and decaffeinated, Murray\\\'s in every scene of the bittersweet Broken Flowers, a Jarmuschian bouquet of episodic structure, desultory road-tripping, and droll dislocation, each comic setup as simple and plywood-dry a contraption as ever.« (Jessica Winter)

','screenplay
Jim Jarmusch
cinematography
Frederick Elmes
music
Mulatu Astatke
editing
Jay Rabinowitz
cast
Bill Murray (Don Johnston), Heather Simms (Mona), Jeffrey Wright (Winston), Sharon Stone (Laura Miller), Frances Conroy (Dora), Chloë Sevigny (Carmen\\\'s assistant), Jessica Lange (Carmen), Tilda Swinton (Penny), Julie Delpy (Sherry) ',NULL,NULL,NULL,NULL,'images/events/event487.jpg','images/events/event487_t.jpg',600,450,NULL,NULL,'Jim Jarmush',105,'angleščina','English','slovenščina','Slovene','ZDA 2005',NULL,NULL,NULL,NULL,NULL,NULL),(489,30,'Šanghajske sanje','Shanghai Dreams','Qing hong','

V 60. letih je kitajska oblast prebivalce urbanih predelov spodbujala, da so se začeli izseljevati v odročne, ruralne predele in s tem podpirali revnejše, industrijske regije Kitajske. Zgodba se odvija leta 1983 v provinci Guizhou med liberalnimi spremembami, ko so se ideali starejših dokončno zrušili in so začeli aktivno razmišljati o vrnitvi v velika mesta. V ospredju je devetnajstletna Qinghong; njen oče jo vzgaja s trdo roko, ji prepoveduje stike s fanti in jo povečini drži doma. Njena edina prijateljica se odkrito spogleduje s sovrstniki in celo razmišlja o begu iz vasi, podobno kot Hong Qingin oče razmišlja o dokončni selitvi v Šanghaj.

screenplay Wang Xiaoshuai, Lao Ni
cinematography Wu Di
editing Yang Hongyu
cast Gao Yuanyuan (Qinghong), Li Bin (Xiao Gen Er), Tang Yang, Wang Xueyang, Yao Anlian


In the 1960\\\'s, the Chinese authorities encouraged urban inhabitants to move to remote, rural areas in order to uphold the poorer, industrial Chinese regions. The story begins to enfold in 1983 in Guizhou Province, during the time of liberal changes, when the ideals of the older generation finally collapsed and they actively began to contemplate returning to the big cities. The focus is on 19-year-old Qinghong, who has had a strict upbringing. Her father forbids her to date boys and prefers that she stay at home. Her only friend openly flirts with her peers and even hopes to flee from the village. Similarly, Qinghong\\\'s father entertains the notion of moving to Shanghai for good.

','

Scenarij Wang Xiaoshuai, Lao Ni
fotografija Wu Di
montaža Yang Hongyu
igrajo Gao Yuanyuan (Qinghong), Li Bin (Xiao Gen Er), Tang Yang, Wang Xueyang, Yao Anlian

','

In the 1960\\\'s, the Chinese authorities encouraged urban inhabitants to move to remote, rural areas in order to uphold the poorer, industrial Chinese regions. The story begins to enfold in 1983 in Guizhou Province, during the time of liberal changes, when the ideals of the older generation finally collapsed and they actively began to contemplate returning to the big cities. The focus is on 19-year-old Qinghong, who has had a strict upbringing. Her father forbids her to date boys and prefers that she stay at home. Her only friend openly flirts with her peers and even hopes to flee from the village. Similarly, Qinghong\\\'s father entertains the notion of moving to Shanghai for good.

','

screenplay Wang Xiaoshuai, Lao Ni
cinematography Wu Di
editing Yang Hongyu
cast Gao Yuanyuan (Qinghong), Li Bin (Xiao Gen Er), Tang Yang, Wang Xueyang, Yao Anlian

',NULL,NULL,NULL,NULL,'images/events/event489.jpg','images/events/event489_t.jpg',600,450,NULL,NULL,'Xiaoshuai Wang',123,'mandarinščina','Mandarin','angleščina','English','Kitajska 2005',NULL,NULL,NULL,NULL,NULL,NULL),(494,30,'Štiri','Four','4','

V nočnem baru se v poznih večernih urah znajdejo trije neznanci, Marina, Volodja in Oleg. Za točilno mizo se med popivanjem začnejo pogovarjati; o vsakdanu in svojih poklicih, in jasno postane, da vsi bolj ali manj lažejo. Marina se izdaja za poslovno žensko, čeprav je v resnici prostitutka; Volodja je uglaševalec klavirjev, hvali pa se z raziskovalnim delom v genetskem laboratoriju; Oleg naj bi bil blizu predsedniku Rusije, čeprav je navaden trgovec z mesom. Po dolgi in živahni razpravi se trojica razide; očitno je, da so vsi trije zelo nezadovoljni z življenjem.

','scenarij Vladimir Sorokin
fotografija Sandor Berkesi, Aleksandr Ilhovski, Ališer Hamidkodjajev / Sandor Berkesi, Aleksandr Ilhovski, Alisher Hamidkodiaiew
montaža Igor Malahov
igrajo Šavkat Abdusalamov, Anatolij Adoskin, Jurij Laguta, Konstantin Murzenko, Sergej Šnurov, Irina Vovčenko / Shavkat Abdusalamov, Anatoly Adoskin, Jury Laguta, Konstantin Murzenko, Sergei Shnurov, Irina Vovchenko','

In the late hours of the night, three strangers meet in a night bar: Marina, Volodia and Oleg. While drinking, they start talking about their lives and occupations, and it soon becomes obvious that they are all more or less lying. Although a prostitute, Marina pretends to be a business woman. Volodia is a piano tuner and brags about his research work at the genetic laboratory. Oleg is supposed to be close to the President of Russia himself, but is in reality just a meat dealer. After a long and animated discussion, the three go their separate ways. It is clear that they are all very discontented with their lives. 

','

screenplay: Vladimir Sorokin
cinematography Sandor Berkesi, Aleksandr Ilhovski, Ališer Hamidkodjajev / Sandor Berkesi, Aleksandr Ilhovski, Alisher Hamidkodiaiew
editing Igor Malahov
cast: Marina Vovchenko, Irina Vovchenko, Svetlana Vovchenko, Sergei Shnurov, Yuri Laguta, Konstantin Murzenko, Anatoly Adoskin, Alexei Khvostenko, Leonid Fyodorov, Andrei Kudriashov, Shavkat Abdusalamov

',NULL,NULL,NULL,NULL,'images/events/event494.jpg','images/events/event494_t.jpg',600,450,NULL,NULL,'Ilja Kržanovski',126,'ruščina','Russian','angleščina','English','Rusija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(503,29,'Šutka','The Shutka Book of Records','The Shutka Book of Records','

Dokumentarec o "glavnem mestu Romov", mestecu Šutka v Makedoniji, "dolini sreče", ki jo naseljujejo bizarni, divji, zagrizeno obsedeni in resnično nenavadni junaki. Vsakdo v Šutki hoče biti v svoji kategoriji najboljši, pa naj gre za takšne absurde, kot je zbiranje kaset narodne glasbe, pisanje romske slovnice ali zbiranje elitnih, "originalnih" Versacejevih oblek. Dr. Koljo, glavni igralec iz Kusturičevega filma Črna mačka, beli mačkon, se s kamero sprehaja med prebivalci in snema vsakodnevne prepire, tekmovanja, stave in dosežke. Čeprav med prebivalci vlada revščina, so zmožni ob proslavljanju obrezovanja najmlajšega sina pripraviti zabavo za vse mesto.

 

','

scenarij Aleksandar Manić
fotografija Dominik Miskovsky
montaža Ivana Davidova
igrajo Severdžan Bajram


','A documentary on the ‘capital of Romany’, the town of Shutka in Macedonia, the ‘valley of happiness’, which is inhabited by bizarre, wild, fanatically obsessed and utterly insane characters. Everybody in Shutka wants to excel in his category, be it the absurds such as collecting tapes of national folk music, writing Romany grammar or collecting haute couture, ‘original’ Versace clothing. Dr. Koljo, the lead in Kusturica’s Black Cat, White Cat, mingles among the natives with his camera and records daily brawls, competitions, bets and achievements. Although the people live in dire poverty, they are able to organise a party for the entire town to celebrate the circumcision of their youngest son.
','

screenplay Aleksandar Manić
cinematography Dominik Miskovsky
editing Ivana Davidova
cast Severdžan Bajram

',NULL,NULL,NULL,NULL,'images/events/event503.jpg','images/events/event503_t.jpg',600,450,NULL,NULL,'Alexandar Sasha Manic',78,'srbščina/makedonščina','Serbian/Macedonian','angleščina','English','Češka rep. 2005',NULL,'images/events/logo503.jpg','images/events/logo503_t.jpg',200,200,NULL),(590,39,'Tak je Calypso','Calypso is like so','Calypso is like so','Ostareli filmski junak v snemalni prikolici na prizorišču snemanja.
Hommage Robertu Mitchumu',NULL,'An aged film star in a trailer on the film set.
Homage to Robert Mitchum.
',NULL,NULL,NULL,NULL,NULL,'images/events/event590.jpg','images/events/event590_t.jpg',600,450,NULL,NULL,'Bruno Collet',7,'francoščina','French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(565,30,'Tapas','Tapas','Tapas','

V barviti četrti Barcelone se križajo usode in vsakodnevni rituali preprostih ljudi, starih in mladih, domačinov in priseljencev, zaljubljenih in tistih, ki hlepijo po ljubezni. Lastnika restavracije Lola je ravnokar pustila naveličana žena Rosalia, zato si mora najti novo pomoč v kuhinji; najde jo v kitajskem priseljencu Mau, čigar tortilje kmalu zaslovijo. Stari Mariano izve, da ima raka na pljučih ter da mu ostaja le par mesecev življenja; njegova žena Conchi ga ne more spraviti k zdravniku, zato pa v Lolovem lokalu občasno preprodaja mamila. Racquel, dekle, ki jo je pred dvema letoma pustil mož, najde novo \\\'spletno ljubezen\\\'. Privlači jo tudi  Cesar, dosti mlajši fant iz trgovine, ki ji nekega dne popravi videorekorder.

','

scenarij José Corbacho, Juan Cruz
fotografija Guillermo Granillo
glasba Pablo Sala
montaža David Gallart, Liliana Nadal
igrajo Ángel de Andrés López (Lolo), María Galiana (Conchi), Elvira Mínguez (Raquel Merino), Rubén Ochandiano (César), Alberto de Mendoza (Don Mariano), Darío Paso (Opo), Alberto Jo Lee (Mao), Amparo Moreno (Rosalía)

','

The destinies and daily rituals of simple people, old and young, natives and immigrants, the enamoured and those pining for love, intertwine in a colourful quarter in Barcelona. A bar-owner, Lolo, has just been abandoned by his fed-up wife, Rosalia, so he needs new kitchen help. He employs a Chinese, Mao, whose tortillas soon become the talk of the town. Old Mariano has just learned he has lung cancer and that he has but a few months to live. His wife, Conchi, is unable to convince him to seek medical attention, so she occasionally sells drugs at Lolo\\\'s establishment. Racquel, who two years ago was dumped by her man, is looking for a new boyfriend in on-line chatrooms. But her intended is Cesar, a shop boy, who one day mends her video recorder...

','screenplay José Corbacho, Juan Cruz
cinematography Guillermo Granillo
music Pablo Sala
editing David Gallart, Liliana Nadal
cast Ángel de Andrés López (Lolo), María Galiana (Conchi), Elvira Mínguez (Raquel Merino), Rubén Ochandiano (César), Alberto de Mendoza (Don Mariano), Darío Paso (Opo), Alberto Jo Lee (Mao), Amparo Moreno (Rosalía)',NULL,NULL,NULL,NULL,'images/events/event565.jpg','images/events/event565_t.jpg',600,450,NULL,NULL,'José Corbacho / Juan Cruz',94,'španščina','Spanish','slovenščina','Slovene','Španija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(529,33,'Tony Takitani','Tony Takitani','Tony Takitani','

Tony Takitani je vedno živel osamljeno življenje; njegov oče Shozaburo je preživel drugo svetovno vojno in ga pod ameriško oblastjo poimenoval z ameriškim imenom, zaradi česar so Tonyja vedno gledali malo postrani. Z očetom se zaradi strasti do jazza in neprestanih turnej nista dosti videla, mati je umrla tri dni po njegovem rojstvu. Zdaj, globoko v štiridesetih letih, še vedno živi sam. Potem sreča Eiko, petnajst let mlajše dekle, ki jo na petem zmenku zaprosi za roko. Eiko ponudbo sprejme, zdi se, da Tony prvič živi za nekoga drugega. Njun zakon je srečen, Tonyja moti le ena ženina razvada: obsedena je z nakupovanjem oblek.

','

scenarij Jun Ichikawa, po romanu Harukija Murakamija
fotografija Taishi Hirokawa
glasba Ryuichi Sakamoto
montaža Tomoh Sanjo
igrajo Issei Ogata (Tony/Shozaburo), Rie Miyazawa (Eiko/Hisako), Yumi Endo, Hidetoshi Nishijima, Shinohara Takahumi

','

Tony Takitani has always led a lonely life. His father, Shozaburo, survived the Second World War and, under American rule, gave his son an American name. For this reason Tony was always considered a curiosity. He hasn’t seen much of his father because of his passion for jazz and constant tourings. His mother died three days after his delivery. Now, in his late forties, he still lives alone. He then meets Eiko, fifteen years his junior, and asks her to marry him on their fifth date. She accepts the proposal, and Tony seems to be living for someone else for the first time in his life. Their marriage is a happy one, the only thing that bothers Tony is his wife’s obsession with shopping for clothes.

','screenplay Jun Ichikawa, based on the novel by Haruki Murakami
cinematography Taishi Hirokawa
music Ryuichi Sakamoto
editing Tomoh Sanjo
cast Issei Ogata (Tony/Shozaburo), Rie Miyazawa (Eiko/Hisako), Yumi Endo, Hidetoshi Nishijima, Shinohara Takahumi
',NULL,NULL,NULL,NULL,'images/events/event529.jpg','images/events/event529_t.jpg',600,450,NULL,NULL,'Jun Ichikawa',75,'japonščina','Japanese','slovenščina','Slovene','Japonska 2004',NULL,NULL,NULL,NULL,NULL,NULL),(580,34,'Tragedija v Omaghu','Omagh','Omagh','

Junija 1998 se je vsa Irska pripravljala za odhod na volišča, da bi se na referendumu Good Friday Agreement izjasnila za mir na Severnem Irskem. Prav v tem času se je disidentska frakcija IRE odločila izvesti bombni napad in s tem izzvati nove nemire in politično nestabilnost. Sebe so poimenovali Prava IRA, tarčo so izbrali skrbno; bombo so nastavili v Omagh, majhno trgovsko mestece, kjer so protestanti in katoliki kljub konfliktom v širši regiji živeli v sožitju več kot trideset let.

»Posnet v resničnostnem slogu in naravni svetlobi je film Tragedija v Omaghu nepozabno silovit, razkrivajoč in brezkompromisen prikaz dogodkov 15. avgusta 1998, ko je bomba, nastavljena v avtomobilu na prometnem trgu mirne in povezane skupnosti na Severnem Irskem, ubila 29 in ranila 200 civilistov. Učinkovit in zgoščen film obtožujoče oriše jalovo prizadevanje preživetih v iskanju resnice in pravice za povzročeno grozodejstvo ter je posnet s perspektive Michaela Gallagherja in njegove družine, lastnika mehanične delavnice, ki je izgubil sina in poslovnega partnerja Aidana.« (Acquarello)

»Napet, ganljiv in neizmerno aktualen film Tragedija v Omaghu pripoveduje krvavo zgodovino Severne Irske, kot jo vidijo njene resnične žrtve – navadni ljudje, ujeti v vrtinec napadov. Prikazuje ljudi, ki se ne želijo predati in skujejo trajne odnose med narodi, razredi in religijo ter stojijo kot živi spomeniki vsem padlim.« (Human Rights Watch)

','

scenarij
Paul Greengrass, Guy Hibbert
fotografija
Donal Gilligan
montaža
Clive Barrett
igrajo
Gerard McSorley (Michael Gallagher), Michele Forbes (Patsy Gallagher), Brenda Fricker (Nuala O\\\'Loan), Stuart Graham (Victor Barker), Peter Ballance (Mark Breslin), Pauline Hutton (Sharon Gallagher)

','

In June, 1998 the whole of Ireland was preparing for Election Day in order to express their will for peace in Northern Ireland at the Good Friday Agreement referendum. At the same time, a dissident faction of IRA decides to execute a bomb attack and thus provoke new riots and political instability. Calling themselves the Real IRA and selecting their target carefully, they plant a bomb in Omagh, a small commercial town where, despite the conflicts in the broader region, Protestants and Catholics have co-habited peacefully for more than thirty years.

»Shot in vérité-styled camerawork and natural lighting, Omagh is a hauntingly powerful, illuminating, and uncompromisingly rendered account of the August 15, 1998 car bombing of a high-traffic market square in the peacefully integrated Northern Ireland community that massacred 29 civilians and injured over 200 others. Shot from the perspective of Michael Gallagher and his family, an automobile repair shop owner who lost his son and business partner, Aidan, the film is a taut and indicting account of the surviving families\\\' frustrated quest for truth and justice for the atrocity.« (Acquarello)

»Suspenseful, moving and immensely relevant to current affairs, Omagh tells Northern Ireland’s bloody history from the point of view of its true victims—ordinary people caught between the militants. It shows people who refuse to be beaten, forging enduring relationships across nation, class, and religion, and standing as a living monument to those who died.« (Human Rights Watch)

','

screenplay
Paul Greengrass, Guy Hibbert
cinematography
Donal Gilligan
editing
Clive Barrett
cast
Gerard McSorley (Michael Gallagher), Michele Forbes (Patsy Gallagher), Brenda Fricker (Nuala O\\\'Loan), Stuart Graham (Victor Barker), Peter Ballance (Mark Breslin), Pauline Hutton (Sharon Gallagher)

',NULL,NULL,NULL,NULL,'images/events/event580.jpg','images/events/event580_t.jpg',600,450,NULL,NULL,'Pete Travis',106,'angleščina','English','slovenščina','Slovene','Irska, VB 2004',NULL,'images/events/logo580.jpg','images/events/logo580_t.jpg',200,200,NULL),(593,34,'Trčenje','Crash','Crash','

V sodobnem Los Angelesu se v 36 urah odvije večkarakterna, večetnična in večfobična drama o malih, večinoma zlomljenih posameznikih, ljudeh s številnimi predsodki, paranoikih, preračunljivcih in agresivcih. Policijski detektiv Waters se mora za zaščito brata javno osramotiti; rasistični policaj Ryan išče konflikte s priseljenci in nebelimi Američani; mehiški ključavničar mora prenašati ksenofobične izpade žene javnega tožilca Richarda Cabota; pakistanska družina ima neprestane težave z domačini; temnopolta avtomobilska tatova v vsakem belcu vidita možnega rasista. Los Angeles, mesto neštetih ras in religij, bo kot vse kaže eksplodiral.

»Nisem hotel izpodbijati rasnih stereotipov, ki prevladujejo v velikemu delu ameriške kinematografije. Ob pisanju in režiranju poskušam odmisliti druge filme. Mislim, da rasizem in rasne nemire dobro razumem, saj sem jih doživel pri delu in v Los Angelesu. Priča smo jim in se zgrozimo. Presunjeni smo! In potem čez leto rečemo: \\\'Hvala bogu, da smo rešili ta problem.\\\' Naredili pa nismo ničesar. Veliko denarja smo porabili za nekakšno študijo in dejali: \\\'Najlepša hvala za vaše modre besede,\\\' in potem spet nismo ukrepali. Tri leta pozneje se sprašujemo, zakaj so ljudje še vedno nesrečni. (Paul Haggis)

»V provokativni kinematografski razpravi Los Angeles Plays Itself se režiser Thom Andersen pritožuje, da je hollywoodska filmska industrija obrusila grobo sestavo svojega mesta ter da zanika rasna in etnična trenja, ki preplavljajo gosto naseljene dele mesta. Na površju se Haggisov pogumen večkarakterni mozaik Trčenje s presunljivo neposrednimi izrazi dotika Andersenovih strahov in predstavlja mesto belih, črnih in latinskih Američanov ter Azijcev, ki se gledajo sumničavo in sovražno ter se pogosto obmetavajo z žaljivkami. Zelo redko ameriški film prizna problem rasizma, še redkeje je celoten film postavljen na strgano platno rasnih problemov.« (Scott Tobias)

','scenarij
Paul Haggis, Robert Moresco
fotografija
James Muro, Dana Gonzales
glasba
Mark Isham
montaža
Hughes Winborne
igrajo
Don Cheadle (Graham Waters), Sandra Bullock (Jean Cabot), Keith David (Dixon), Matt Dillon (policist Ryan), Jennifer Esposito (Ria), William Fichtner (Jake Flanagan), Brendan Fraser (Richard Cabot), Thandie Newton (Christine)

','

Present-day Los Angeles. Within 36 hours, a multi-character, multi-ethnic and multi-phobic drama evolves, focusing on small, mostly broken individuals with numerous prejudices, as well as paranoid, selfish and aggressive persons. Police detective Waters has to compromise himself publicly in order to protect his own brother; racist policeman Ryan looks for conflicts with immigrants and non-white Americans; a Mexican locksmith has to tolerate the xenophobic fall-outs of District Attorney Richard Cabot’s wife; a Pakistani family comes into constant conflicts with the locals; coloured car-jackers see a potential racist in every white man. Los Angeles, a city of countless races and religions, seems to be on the verge of explosion.

 »I didn\\\'t set out to challenge the racial stereotypes that have dominated a lot of American cinema. I try not to think about other films when I\\\'m writing or directing. I guess the images that I have are pretty clear from seeing these small instances of racism on studio lots to the LA riots. To have these riots and then we\\\'re all horrified! Shocked! And then a year later we go, \\\'Thank God we have cured this problem.\\\' And we\\\'ve done nothing. We spent a lot of money on some study and said, \\\'Thank you so much for your wise words,\\\' and then did nothing. Three years later we wonder why people are still unhappy.« (Paul Haggis)

 »In his provocative cinematic essay Los Angeles Plays Itself, director Thom Andersen complains that Hollywood has scrubbed away his home city\\\'s coarse texture, denying the racial and ethnic frissons that rip through its dense sprawl. On the surface, Paul Haggis\\\' bold multi-character tapestry Crash addresses Andersen\\\'s concerns in startlingly explicit terms, presenting a city of whites, blacks, Latinos, and Asians who not only eye each other with suspicion and hate, but frequently let the epithets fly. It\\\'s rare enough for an American movie to even acknowledge the race problem, and it\\\'s rarer still for one to be constructed entirely out of the torn fabric of race relations.« (Scott Tobias)

','screenplay
Paul Haggis, Robert Moresco
cinematography
James Muro, Dana Gonzales
music
Mark Isham
editing
Hughes Winborne
cast
Don Cheadle (Graham Waters), Sandra Bullock (Jean Cabot), Keith David (Dixon), Matt Dillon (police officer Ryan), Jennifer Esposito (Ria), William Fichtner (Jake Flanagan), Brendan Fraser (Richard Cabot), Thandie Newton (Christine)',NULL,NULL,NULL,NULL,'images/events/event593.jpg','images/events/event593_t.jpg',600,450,NULL,NULL,'Paul Haggis',113,'angleščina','English','slovenščina','Slovene','ZDA, Nemčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(520,35,'Ugrabitev','Hostage','Omiros','

Nekega jutra mlad moški vstopi v avtobus, ki vsak dan vozi med Atenami in Solunom. Med vožnjo nasilno ugrabi vozilo in sedem potnikov vzame za talce. Izkaže se, da je ugrabitelj mlad albanski izseljenec, ki zdaj zahteva pol milijona evrov in varno vrnitev v domovino. Dramo talcev v živo prenaša televizija. Obdan s policijskimi vozili se avtobus počasi premika proti albanski meji. Napetost narašča ... Film je posnet po resnični zgodbi.

','scenarij Constantine Giannaris
fotografija Panagiotis Theofanopoulos
glasba Nikos Patrelakis
montaža Ioanna Spiliopoulou
igrajo Stathis Papadopoulos (Elion Senia), Theodora Tzimou (Iliana), Yannis Stankoglou (Grigoris), Minas Hatzisavvas (policist), Arto Apartian (voznik avtobusa), Rajmonda Bullku','

One morning, a young man enters a bus on the route between Athens and Solun. During the ride, he hijacks the vehicle and takes seven passengers hostage. The hijacker is a young Albanian immigrant who demands half a million Euros and a safe return to his homeland. The hostage drama is televised live. Accompanied by police, the bus slowly drives towards the Albanian border. The tensions heightens. Based on a true story.

','screenplay Constantine Giannaris
cinematography Panagiotis Theofanopoulos
music Nikos Patrelakis
editing Ioanna Spiliopoulou
cast Stathis Papadopoulos (Elion Senia), Theodora Tzimou (Iliana), Yannis Stankoglou (Grigoris), Minas Hatzisavvas (policeman), Arto Apartian (bus driver), Rajmonda Bullku',NULL,NULL,NULL,NULL,'images/events/event520.jpg','images/events/event520_t.jpg',600,450,NULL,NULL,'Constantine Giannaris',102,'grščina','Greek','slovenščina','Slovene','Grčija, Turčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(452,28,'Ultranova','Ultranova','Ultranova','


Dimitri, star petindvajset let, skupaj s kolegoma, prodaja prikolice, kar ga – zaprtega vase in neprilagojenega grobemu svetu – na smrt dolgočasi. Njegova skrivnostna preteklost ljudi, ki ga obdajajo in ki jih srečuje, nezadržno vleče k temu, da bi Dimitrija bolje spoznali, vendar samo elektrošok lahko k življenju obudi omrtvičene in tragikomične karakterje, ki naseljujejo Ultranovo.

“Globoko v sebi so vsi moji liki neznosno zdolgočaseni. Upajo, da jim bo naproti prišla kakšna drugačna izkušnja, a si je ne omogočijo. Kot vsi mi so ranljivi, razrvani zaradi dvomov, potrebujejo nežnost. A namesto, da bi si to priznali, počasi tonejo. Ne doumejo, da se počasi potapljajo v sen. Moji junaki so kot majhne zvezde, katerih toploto začutimo šele ob imploziji, so kot supernova, ki še zadnjič zasveti preden za vedno umre. Vem pa, da ne bodo za ‘vedno’ umrli. Upam, da bodo šli preko tega. Zame so vsi ‘ultranove’.” (Bouli Lanners)

“Zlahka nas na smrt dolgočasi, če o resnih zadevah preresno govorimo. Zelo pomembno je malo spremeniti ton, če želiš stvari narediti prebavljivejše. Na pogrebih vedno pride do največjih osvobajajočih salv smeha. To pa ni nenaravno, popolnoma človeško je. Smeh nam pomeni zaščito pred najhujšim.” (Bouli Lanners)

','scenarij Bouli Lanners
fotografija Jean-Paul de Zaetijd
glasba Jarby McCoy
montaža Ewin Ryckaert
igrajo Vincent Lecuyer (Dimitri), Marie du Bled (Jeanne), Hélčne de Reymaeker (Cathy), Michaël Abiteboul (Phil), Ingrid Heiderscheidt, Alexandra Marotta, Vincent Belorgey
','

25-year-old Dimitri, an introvert who is unadapted to harsh reality, sells trailers with his two mates, which bores him insufferably. His mysterious past makes him a magnet for those who know and meet him. But it is only an electric shock that can bring to life the benumbed and tragicomical characters inhabiting Ultranova.

“Deep down, my characters are all bored out of their minds. They hope to experience something different but don\\\'t give themselves the means to. Like us, they are all fragile, they are wracked by doubts, they all need tenderness. But, rather than admit this, they slowly let themselves go under. They don\\\'t realize that they are slowly falling asleep. My heroes are like little stars whose heat we only perceive when they implode, like \\\'supernovae\\\' that shine one last time before dying for good. I know they won\\\'t die "for good". I hope they will go beyond that. For me, they are \\\'ultranovas\\\'.” (Bouli Lanners)

“Talking too seriously about serious things can easily bore people to tears. If you want to make things easily digestible, it\\\'s important to create a slight shift in tone. You always have the best fits of helpless laughter at funerals. And that\\\'s not unnatural, it\\\'s perfectly human. Laughter protects us from the worst.” (Bouli Lanners)

','screenplay Bouli Lanners
cinematography Jean-Paul de Zaetijd
music Jarby McCoy
editing Ewin Ryckaert
cast Vincent Lecuyer (Dimitri), Marie du Bled (Jeanne), Hélčne de Reymaeker (Cathy), Michaël Abiteboul (Phil), Ingrid Heiderscheidt, Alexandra Marotta, Vincent Belorgey
',NULL,NULL,NULL,NULL,'images/events/event452.jpg','images/events/event452_t.jpg',600,450,NULL,NULL,'Bouli Lanners',86,'francoščina','French','slovenščina','Slovene','Belgija 2005',NULL,'images/events/logo452.jpg','images/events/logo452_t.jpg',200,200,NULL),(575,32,'Upanje umre zadnje','Hope Dies Last','Die Hoffnung stirbt zuletzt','Petindvajsetletna Corina Safranski bi rada postala policistka. Po dveh letih študija se preseli v Hamburg in se z velikim zanosom loti nove službe. Na dom v provinci je tako rekoč pozabila, prav tako na fanta Maxa, ki njeni službi nasprotuje enako kot njeni starši. Delo v izmenah je težavno, toda Corina daje od sebe najboljše, ker noče razočarati šefa Garbitscha. Slednji se ji nekega dne preveč približa, zato se odnos med njima zaostri; povrh vsega Corina izve, da je njena najboljša prijateljica Tanja zanosila z Maxom.

 

 

','

scenarij Fred Breinersdorfer
fotografija Martin Langer
montaža Hans Funck
igrajo Anneke Kim Sarnau (Corinna Safranski), Axel Prahl (Eddy Garbitsch), Wotan Wilke Möhring (Jens), Barbara Philipp (Iris), Frank Sieckel (Robert), Irmelin Beringer (Michaela)


','Twenty-five-year-old Corina Safranski wants to become a policewoman. After two years of study, she moves to Hamburg and starts her new job with great enthusiasm. She has almost forgotten her home in the province and even her boyfriend, Max, who together with Corina’s parents is against her new job. Shiftwork is exhausting, but Corina strives to do her best because she does not want to disappoint her boss, Garbitsch. One day, Garbitsch makes a pass at her and their relationship becomes strained. To make matters worse, she finds out that her best friend, Tanja, is pregnant with Max.','screenplay Fred Breinersdorfer
cinematography Martin Langer
editing Hans Funck
cast Anneke Kim Sarnau (Corinna Safranski), Axel Prahl (Eddy Garbitsch), Wotan Wilke Möhring (Jens), Barbara Philipp (Iris), Frank Sieckel (Robert), Irmelin Beringer (Michaela)',NULL,NULL,NULL,NULL,'images/events/event575.jpg','images/events/event575_t.jpg',600,450,NULL,NULL,'Marc Rothemund',88,'nemščina','German','slovenščina','Slovene','Nemčija 2002',NULL,NULL,NULL,NULL,NULL,NULL),(455,30,'Utrip, ki ga je preskočilo moje srce','The Beat That My Heart Skipped','De battre mon coeur s\\\'est arreté','

Thomas je nadarjen pianist, ki je s poklicno skupino "nepremičninskih agentov" navzoč v brutalnem svetu tovrstnih poslov. Lahko bi rekli, da se giblje med legalnim poslom in kriminalom. Njegov vsakdan spremeni srečanje s priznanim glasbenim impresarijem Foxom, menedžerjem njegove pokojne matere, ki ga povabi na avdicijo za koncertnega pianista. Thomas v avdiciji vidi priložnost za preusmeritev nestanovitnega vsakdana, zato najame kitajsko inštruktorico in začne resno vaditi.

','

Ssenarij Jacques Audiard, Tonino Benacquista; zasnovan po filmu Fingers Jamesa Tobacka
fotografija Stéphane Fontaine
glasba Alexandre Desplat
montaža Juliette Welfling
igrajo Romain Duris (Thomas Seyr), Niels Arestrup (Robert Seyr), Jonathan Zaccaď (Fabrice), Gilles Cohen (Sami), Linh Dan Pham (Miao Lin), Emmanuelle Devos (Chris)

','

Thomas is a talented pianist who has been thrust into the brutal world of real property business. One could maintain that he treads the fine line between legal business and crime. His life is changed by an encounter with a notable music impresario, Fox, the manager of his late mother, who invites Thomas to a concert pianist audition. Thomas sees a golden opportunity to improve his unpromising existence. He hires a Chinese instructor and begins to practise the piano vigorously.

','

screenplay Jacques Audiard, Tonino Benacquista; based on the Fingers, a film by James Toback
cinematography Stéphane Fontaine
music Alexandre Desplat
editing Juliette Welfling
cast Romain Duris (Thomas Seyr), Niels Arestrup (Robert Seyr), Jonathan Zaccaď (Fabrice), Gilles Cohen (Sami), Linh Dan Pham (Miao Lin), Emmanuelle Devos (Chris)

',NULL,NULL,NULL,NULL,'images/events/event455.jpg','images/events/event455_t.jpg',600,450,NULL,NULL,'Jacques Audiard',107,'francoščina/angleščina/mandarinščina/ruščina','French/English/Mandarin/Russian','slovenščina','slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(589,39,'V tvojih sanjah','In Your Dreams','Dans tes reves','Tri ženske iz različnih generacij med delovnim odmorom v restavraciji razpredajo o ljubezni, seksu in moških. Ena naj bi imela vse, drugi dve bistveno manj. Ko ženske sanjajo o idealnem moškem ...
',NULL,'

Three women of different generations are discussing love, sex and men during their lunch break in a restaurant. One of them has it all, the other two are enjoying it much less. When women dream of the ideal man… 


',NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,NULL,'Blandine Lenoir',16,'francoščina','French','slovenščina','Slovene','Francija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(523,34,'Večna ljubezen','Enduring Love','Enduring Love','


Joe je načrtoval idilično popoldne na podeželju z dekletom Claire, lep dan skazi tragičen dogodek, saj sta priča balonarski nesreči, v kateri je človek umrl. Zvečer istega dne Joe prizna, kako ga je dogodek zaznamoval, ter da prvič v življenju občuti nemoč in krivdo. V sledečih tednih je Joe vedno bolj obseden z dogodkom in še posebej s skrivnostnim Jedom, ki je bil prav tako v bližini nesreče; še več, njegovo razmerje s Claire je vse bolj krhko, ogrožena je tudi njuna varnost.

»V knjigi Iana McEwana najdemo veliko premišljenih tem, vendar je tudi grozljivka, torej ni ne eno ne drugo. Ni samo lahkoten akcijski film, ni tudi dolgočasno konverzacijsko delo, in to absolutno ustreza zahtevam. Gre za film in tudi knjigo o ljubezni ter tem, ali ljubezen resnično traja. To se mi je zdelo zelo prevzemajoče in zanimivo področje.« (Roger Michell)

»Z razmišljanjem o ljubezni v obliki psihološke grozljivke film Enduring Love ostaja blizu bistvu in vsebini romana Iana McEwana in londonskega prizorišča. Da bi priznan gledališki pisec in scenarist Joe Penhall bolje razkril psihološke zapletenosti romana, ga je rahlo razširil. Roger Michell se je filma, študije o odnosih, omajanih zaradi izrednih dogodkov, lotil z radovednostjo v sodelovanju z nekaj najslavnejšimi in s smelimi britanskimi igralci. Kot njegov prejšnji film The Mother je tudi ta moderna pustolovska ljubezenska zgodba postavljena v London a se dotika univerzalnih tem.« (Dana Andrew)   

','scenarij
Joe Penhall, po romanu Iana McEwana
fotografija
Haris Zambarloukos
glasba
Jeremy Sams
montaža
Nicolas Gaster
igrajo
Daniel Craig (Joe), Samantha Morton (Claire), Bill Weston (dedek), Lee Sheward (John Logan), Nick Wilkinson (kmet), Rhys Ifans (Jed)
','

Joe planned an idyllic afternoon with his girlfriend, Claire, in the countryside, but a beautiful day is thwarted by a tragic event: the couple witnesses a balloon accident in which a man dies. In the evening of the same day, Joe admits the extent to which the incident has affected him as well as feelings of helplessness and guilt for the first time in his life. In the weeks that follow, Joe becomes increasingly more obsessed with the incident, and especially with Jed, a mysterious man who was also near the scene of the accident. To make matters worse, Joe’s relationship with Claire is beginning to crumble and their safety is jeopardized. 

»In Ian McEwan\\\'s book, there’s quite a lot of thoughtful issues, but it’s also a thriller, so that it’s neither one thing nor the other. It’s not just a mindless action movie, but it’s also not a boring conversation piece, and this seemed to absolutely fit the bill. It’s really a film, and a book, about love and about whether love really truly lasts. I found that a very compelling and interesting area.« (Roger Michell)

 »A deliberation of love in the form of a psychological thriller, Enduring Love stays close to the essence and substance of Ian McEwan\\\'s novel and to its London setting. Acclaimed theatre and screen writer Joe Penhall has slightly opened out the novel, the better to reveal its psychological complexities. Working with some of Britain\\\'s brightest and boldest actors, Roger Michell brings a sense of his own curiosity to this study of relationships destabilised by extraordinary events. Like his last film, The Mother, this is an adventurous, modern love story, firmly located in London, but with universal themes.« (Dana Andrew)

','screenplay
Joe Penhall, based on the novel by Ian McEwan
cinematography
Haris Zambarloukos
music
Jeremy Sams
editing
Nicolas Gaster
cast
Daniel Craig (Joe), Samantha Morton (Claire), Bill Weston (grandpa), Lee Sheward (John Logan), Nick Wilkinson (farmer), Rhys Ifans (Jed)',NULL,NULL,NULL,NULL,'images/events/event523.jpg','images/events/event523_t.jpg',600,450,NULL,NULL,'Roger Michell',101,'angleščina','English','slovenščina','Slovene','VB 2004',NULL,NULL,NULL,NULL,NULL,NULL),(578,28,'Velika ekstaza Roberta Charmchaela','The Great Ecstasy of Robert Carmichael','The Great Ecstasy of Robert Carmichael','

Malo angleško obmorsko mestece Newhaven, čas invazije na Irak. Robert Carmichael, nadarjeni čelist, sicer pa vase zaprti mladenič, zaradi asocialnosti in nepriljubljenosti pri dekletih pade v napačno družbo. Skupina najstnikov, s katerimi se pogosto druži, vse pogumneje stopa v svet nasilja. Vsi so zdolgočaseni, problematični, izobčeni; nesposobni, da bi bodisi sprejeli bodisi prepoznali meje moralnih vrednot. V tem času se iz Londona priseli mlad par, televizijski producent in njegova privlačna žena, ki med domačini vsekakor izstopata. Dejanja najstnikov gravitirajo proti šokantnemu incidentu, ki bo pretresel malo spalno naselje.

»Začelo se je kot niz zamisli, ki sva jih imela s producentom in soscenaristom Josephom Langom, o izvoru nasilja oziroma analizi vzrokov, povodov za takšno dejanje. V strukturi je bil najbolj pomemben lik Roberta kot osrednjega gibala, okrog katerega se vrti vse drugo.« (Thomas Clay)

»Kot čezmerno nasilnemu in odvratnemu, vendar tehnično sijajnemu, se je celovečernemu prvencu Thomasa Claya Velika ekstaza Roberta Carmichaela usojeno kosati s filmom Bitka v nebesih (Battle in Heaven) za najbolj šokanten film leta 2005. Neprijazna scena obalnega domačega mesteca ne oriše samo enega, pač pa dve nasilni skupinski posilstvi, enega opiše in drugega prikaže, v primerjavi s tem je film Peklenska pomaranča videti kot video Britney Spears. Občinstvo bo globoko razdvojeno, ali je slikovito prikazano nasilje upravičeno s sklicevanjem na grozote vojne ali preprosto svojevoljno in ali uporablja lažno globino za cinično iskanje pozornosti v lovu za učinki.« (Leslie Felperin)  

','scenarij Thomas Clay, Joseph Lang
fotografija Yorgos Arvanitis
glasba Edward Elgar, Jonathan Henry Harvey
montaža David Wigram
igrajo Daniel Spencer (Robert Carmichael), Lesley Manville (Sarah Carmichael), Charles Mnene (Ben), Danny Dyer (Larry Haydn), Michael Howe (Jonathan Abbott), Ami Instone (Marie), Miranda Wilson (Monica Abbott), Ryan Winsley (Joe)
','

The small English costal town of Newhaven, at the time of the invasion on Iraq. Robert Carmichael, a gifted cellist, but otherwise a reserved young man, falls into wrong company due to his unsociable behaviour and unpopularity with girls. The group of teenagers he usually hangs out with boldly enters the world of violence. They are all bored and problematic, outcasts incapable of either accepting or recognising moral boundaries. Then a couple moves into the neighbourhood from London, a television producer and his attractive wife, who stand out considerably from the locals. The teenagers\\\' actions gravitate towards a shocking incident that will rock the sleepy settlement.

»It started as a series of ideas which we had together with producer and co-screenwriter Joseph Lang, the origins of violence or the analysis of causes, reasons for such actions. Structure-wise, the role of Robert was the most important as a central motive around which all the rest keeps whirling.« (Thomas Clay)

»Ultra violent and nauseating, but technically dazzling, Thomas Clay\\\'s feature debut The Great Ecstasy of Robert Carmichael is destined to vie with Battle in Heaven for 2005\\\'s Most Shocking Film of the year. Criss-crosser set in a coastal, blighty town features not one, but two violent gang rapes, one offscreen and one on, which make A Clockwork Orange look like a Britney Spears video. Audiences will be deeply divided on whether picture\\\'s graphic violence is justified by references to the horrors of war or just gratuitous, using faux-profundity for cynical, attention-seeking showmanship.« (Leslie Felperin)

','screenplay Thomas Clay, Joseph Lang
cinematography Yorgos Arvanitis
music Edward Elgar, Jonathan Henry Harvey
editing David Wigram
cast Daniel Spencer (Robert Carmichael), Lesley Manville (Sarah Carmichael), Charles Mnene (Ben), Danny Dyer (Larry Haydn), Michael Howe (Jonathan Abbott), Ami Instone (Marie), Miranda Wilson (Monica Abbott), Ryan Winsley (Joe)
',NULL,NULL,NULL,NULL,'images/events/event578.jpg','images/events/event578_t.jpg',600,450,NULL,NULL,'Thomas Clay',96,'angleščina','English','slovenščina','Slovene','VB 2005',NULL,NULL,NULL,NULL,NULL,NULL),(474,37,'Veliko potovanje','The Big Journey','Le grand voyage','

Réda je mlad musliman, ki ne živi ravno po tradicionalnih zapovedih islama. Življenje v Franciji ga je deloma »vesterniziralo«, med drugim uživa alkohol in hodi z nemuslimanskim dekletom, kar njegovega očeta, strogega konservativca, še posebej jezi. Nekega dne mu izda ukaz: z avtom ga bo odpeljal v Savdsko Arabijo. Tam se bosta udeležila muslimanskega romanja v Meko. Na njuni poti bodo na svetlo privrela vsa njuna nesoglasja, generacijske in kulturne razlike. Pot pa je dolga in naporna …

','scenarij Ismaël Ferroukhi
fotografija Katell Djian
glasba Fowzi Guerdjou
montaža Tina Baz
igrajo Nicolas Cazalé (Réda), Mohamed Majd (oče), Jacky Nercessian (Mustapha), Ghina Ognianova (starka), Kamel Belghazi (Khalid)
','

Réda is a young Muslim who does not exactly abide by traditional Islamic law. Living in France, he has partly converted to the customs of Western civilization, among others he consumes alcohol and dates an infidel, which especially angers his father, a deeply conservative man. One day, his father gives him an order: he is to drive him by car to Saudi Arabia, where they will join a Muslim pilgrimage to Mecca. During their journey, all their mutual disagreements, generational and cultural differences come out into the open. The trip is long and arduous...

','screenplay Ismaël Ferroukhi
cinematography  Katell Djian
music Fowzi Guerdjou
editing Tina Baz
cast Nicolas Cazalé (Réda), Mohamed Majd (father), Jacky Nercessian (Mustapha), Ghina Ognianova (old woman), Kamel Belghazi (Khalid)
',NULL,NULL,NULL,NULL,'images/events/event474.jpg','images/events/event474_t.jpg',600,450,NULL,NULL,'Ismael Ferroukhi',108,'francoščina/arabščina/angleščina/italijanščina','French/Arabic/English/Italian','slovenščina','Slovene','Francija, Maroko 2004',NULL,NULL,NULL,NULL,NULL,NULL),(536,28,'Veter zemlje','Land Wind','Vento di terra','

Osemnajstletni Enzo živi v neapeljskem predmestju. Po očetovi smrti je njegova družina na robu preživetja; mamo hočejo lastniki vreči iz stanovanja, sestra se preseli k možu, Enzu ne preostane drugega, kot da se zateče v mali kriminal. Ko stricu prizna, da je z znanci oropal tovornjak, ga pošlje v vojaško šolo. Tam Enzo počasi spozna moralne vrednote in skupinsko odgovornost.

“Skušam ustvarjati tisto, kar me veseli s čim več svobode. Ljudje bodo morda moje filme videli kot dokumentarce, osebno pa menim, da je Veter zemlje predvsem fikcija z redkimi prizori, ki težijo k dokumentarnosti. Vendar skušam ostati čim bližje resničnosti, saj se mi zdi, da je povezana s filmom, ki ga želim posneti, le da so v igranem filmu stvari nasprotne: tu obstaja tehnična priprava, ko želiš orisati nekaj blizu resničnosti, medtem ko med snemanjem dokumentarca prikažeš resničnost takšno, kot je, in iz tega skušaš narediti film.” (Vincenzo Marra)

“Stvar, po kateri se Vincenzo Marra razlikuje od večine sodobnih režiserjev, je poudarek filmskega tempa in ne njegovih oblikovnih lastnosti. Veter zemlje, njegov čudovito dodelani drugi celovečerec, preoblikuje znano tematiko o težavah in obupanosti delavskega razreda skozi ustaljen ritem pripovedi, jedrnatost in hitrost, s katerima se giblje skozi zgodbo. S premišljenim reduciranjem na gol, matematično minimalen in skorajda znakoven zapis življenja in sveta, Marra pritira čustveno naelektrenost vsakega dejanja/prizora do vrhunca. Kumulativni učinek je vse prej kot redukcijski. Marrova skrbna selektivnost želi ustvariti zgovorno pritajenost, dozdevno zanikanje, namesto tega pa povzroči nenavadno, silovito razgibanost, razširjajoč oba dela enačbe.” (Andrew Tracy)

','scenarij
Vincenzo Marra
fotografija
Mario Amura
montaža
Luca Benedetti
igrajo
Vincenzo Pacilli (Vincenzo), Francesco Giuffrida, Edoardo Melone, Vincenza Modica, Giovanna Ribera
','

18-year-old Enzo lives in the suburbs of Naples. After his father’s death, his family is on the verge of ruin. His mother is facing eviction, while his sister has moved in with her husband. Enzo has but to resolve to petty crime. When he confesses to his uncle that he broke into a truck with his mates, he sends him to a military school. There Enzo learns about moral values and group responsibility.

»I try to do whatever pleases me with as much freedom as I can. My films might make people think about documentaries but I personally guess that Land Wind is mainly about fiction, with very few documentary-oriented scenes. Though, I do want to remain as close as possible to reality because it seems to me it is coherent with the film I want to make, only that in fiction things are inversed: there is this technical preparation to catch something close to reality, while when I make a documentary I catch that reality as it is and try to make a film out of it.« (Vincenzo Marra)

»If one thing distinguishes Vincenzo Marra from most contemporary directors, it is his emphasis on the tempo of the film rather than its plastic qualities. Vento di terra, his marvellously accomplished second feature, transforms familiar festival fodder of working-class difficulty and despair through the confident rhythm of his narrative, the concision and swiftness with which he moves through his story. Marra maximizes the emotional impact of each episode by studiedly reducing it to its bare, mathematical minimum, an almost notational rendering of a life and a world. The cumulative effect is anything but reductive. Marra’s careful selectiveness works in the service of a great exclusion, a seeming negation, which instead produces a strange, powerful dynamic that expands both terms of the equation.« (Andrew Tracy)

','
screenplay
Vincenzo Marra
cinematography
Mario Amura
editing
Luca Benedetti
cast
Vincenzo Pacilli (Vincenzo), Francesco Giuffrida, Edoardo Melone, Vincenza Modica, Giovanna Ribera ',NULL,NULL,NULL,NULL,'images/events/event536.jpg','images/events/event536_t.jpg',600,450,NULL,NULL,'Vincenzo Marra',90,'italijanščina','Italian','slovenščina','Slovene','Italija 2004',NULL,NULL,NULL,NULL,NULL,NULL),(460,33,'Vsiljivec','The Intruder','L\\\'Intrus','

Louis Trebor živi odmaknjeno življenje v švicarskih Alpah. Po operaciji srca njegovo zdravje vse bolj peša. Kljub temu se s sinom ne skuša spraviti; bogastvo se raje odloči deliti z drugimi. Zapusti Švico; prek Ženeve in Pusana, kjer opravi par poslov, prispe na pacifiški tropski otok, ki ga je obiskal pred dolgimi leti.

','scenarij Claire Denis, Jean-Pol Fargeau, po romanu Jean-Luca Nancyja
fotografija Agnčs Godard
glasba Stuart Staples
montaža Nelly Quettier
igrajo Michel Subor (Louis Trebor), Grégoire Colin (Sidney), Katerina Golubeva (mlada Rusinja), Florence Loiret (Antoinette), Alex Descas (duhovnik), Béatrice Dalle
','

Louis Trebor leads a reclusive life in the Swiss Alps. Since having cardiac surgery, his health has been deteriorating. He nevertheless does not want to bury the hatchet with his son; he decides to share his wealth with others. Loius leaves Switzerland and, via Geneva and Pusano, where he has some business to attend to, he arrives at a tropical island in the Pacific Ocean which he had visited a long time ago.

','screenplay Claire Denis, Jean-Pol Fargeau, based on the novel by Jean-Luc Nancy
cinematography Agnčs Godard
music Stuart Staples
editing Nelly Quettier
cast Michel Subor (Louis Trebor), Grégoire Colin (Sidney), Katerina Golubeva (young Russian woman), Florence Loiret (Antoinette), Alex Descas (priest), Béatrice Dalle
',NULL,NULL,NULL,NULL,'images/events/event460.jpg','images/events/event460_t.jpg',600,450,NULL,NULL,'Claire Denis',130,'francoščina/angleščina/korejščina/ruščina','French/English/Korean/Russian','slovenščina','Slovene','Francija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(573,35,'Vstajenje od mrtvih','Awakening From The Dead','Buđenje iz mrtvih','

Srbija, marec 1999. 46-letni Miki se zbudi od mrtvih, spleza iz groba in se poda po ulicah Beograda, ki jih v teh dneh bombardirajo Natova letala. V rojstnem mestu obišče umirajočega očeta, potem še ženo in sina, sicer pa se ta razočarani demokrat bolj ali manj pogovarja s sabo: govori o izgubljenih idealih, svojem neuspešnem pisanju, poučevanju na akademiji za umetnost in prepovedanih časopisnih kolumnah. Bližnje in sebe skuša rešiti iluzij.

»Čutil sem potrebo, da posnamem osebno izkaznico. Ne želim zveneti pretirano patetično, toda mislim, da se nas bodo otroci in vnuki bolj spominjali po filmih kot po zgodovinskih dejstvih. Prepričan sem, da bo delo v gledališču, na filmu ali v glasbi edino puščalo sled, na osnovi katere se bo nekoč lahko konstruirala slika o dogajanju leta 2000. To bo veliko bolj kompetentna slika od tiste uradne, zgodovinske.« (Miloš Radivojević)

 »Vstajenje od mrtvih je potovanje v pekel, morasto potovanje v srce teme: zgodovina se sreča z osebnimi spomini posameznika in moralnimi odločitvami, in rezultati so pogubni. Potovanje v grozo glavne osebe ni portretirano le z vsakim srečanjem s preteklostjo v sedanjosti, pač pa z grozovitimi sanjami, mislimi in barvami, ki postopoma bledijo. To je film, ki je krut in briljanten miselni stroj, resno močna in pogubna estetska izkušnja.« (Javier Porta Fouz)

','scenarij
Miloš Radivojević
fotografija
Radoslav Vladić
glasba
Kornelije Kovać
montaža
Andjela Ilić
igrajo
Svetozar Cvetković (Miki), Ljuba Tadić (oče), Anita Mančić (Džoja), Tihomir Stanić (Rale), Aleksandra Janković (Tamara), Ana Franić (Nagorka)
','

Serbia in March, 1999. Forty-six-year-old Miki awakes from the dead, climbs out of his grave and hits the streets of Belgrade, which has recently been bombarded by NATO aircraft. In his hometown, he visits his dying father, and then his wife and son, but otherwise this disappointed democrat more or less speaks to himself. He talks about his lost ideals, his unsuccessful writing, his lecturing at the Academy of Arts and his banned newspaper columns. He tries to rescue those close to him as well as himself of illusions…

»I felt the urge to shoot an identity card. I don\\\'t want to sound too pathetic, but I believe that our children and grandchildren will remember us for our films and not for some historical facts. I\\\'m convinced that only work in the theatre, on film or in music will leave a trace, on the basis of which at some time in the future, a picture will be constructed about the events in 2000. This shall be a far more competent picture than those official, historical ones.« (Miloš Radivojević)

 »Awakening from the Dead  is a journey into hell, a nightmarish travel into the heart of darkness: history meets with the personal memories and moral decisions of individuals, and the results are devastating. The journey into the horror of the main character is portrayed not only by each encounter with his past in the present, but also through terrible dreams and thoughts and progressively fading colours. This is a film that is a harsh and brilliant thinking machine, a seriously strong and devastating aesthetic experience.« (Javier Porta Fouz)

','screenplay
Miloš Radivojević
cinematography
Radoslav Vladić
music
Kornelije Kovać
editing
Andjela Ilić
cast
Svetozar Cvetković (Miki), Ljuba Tadić (Father), Anita Mančić (Džoja), Tihomir Stanić (Rale), Aleksandra Janković (Tamara), Ana Franić (Nagorka)
',NULL,NULL,NULL,NULL,'images/events/event573.jpg','images/events/event573_t.jpg',600,450,NULL,NULL,'Miloš Radivojevič',134,'srbščina','Serbian','slovenščina','Slovene','Rep. Srbija in Črna gora 2005',NULL,NULL,NULL,NULL,NULL,NULL),(507,30,'Willenbrock','Willenbrock','Willenbrock','

Bernd Willenbrock je srečen moški v srednjih letih; je uspešen trgovec z rabljenimi avtomobili, ima prikupno ženo in potrpežljivo ljubico, veliko hišo na robu mesta in razkošen vikend. Življenje ima pod kontrolo, zdi se, da ga nič ne more vreči s tira, ne vlom v njegove poslovne prostore in kraja štirih avtomobilov, ne druga, veliko mlajša ljubimka. Njegova samozavest je prvič na resni preizkušnji, ko z ženo v svojem vikendu presenetita nasilna vlomilca. Psihološko je ranjena predvsem žena, še zlasti ko ugotovita, da je policija oba osumljenca zaradi pomanjkanja dokazov izpustila. Willenbrock se prvič v življenju čuti ranljivega; na preizkušnji je tudi njegov zakon

','

scenarij Laila Stieler, po romanu Christopha Heina
fotografija Michael Hammon
montaža Jörg Hauschild
igrajo Axel Prahl (Bernd Willenbrock), Inka Friedrich (Susanne Willenbrock), Anne Ratte-Polle (Anna), Dagmar Manzel (Vera), Christian Grashof (Maler Waldersee), Andrzej Szopa (Jurek)

','

Bernd Willenbrock is a happy, middle-aged man, a successful used-car dealer with a lovely wife and a patient mistress, a big house in the suburbia and a luxurious country house. Set in his ways, his life is under control and it seems as if nothing can throw him off track, neither the break-in into his business premises and four stolen cars, nor another, much younger lover. His self-confidence is first seriously put to the test when he and his wife walk in on a burglar in their weekend cottage. It is primarily his wife who suffers psychological repercussions, especially when they find out that the police released both suspects owing to lack of evidence. Willenbrock feels vulnerable for the first time in his life; his marriage is also being put to the test…

','

screenplay Laila Stieler, based on the novel by Christophe Hein
cinematography Michael Hammon
editing Jörg Hauschild
cast Axel Prahl (Bernd Willenbrock), Inka Friedrich (Susanne Willenbrock), Anne Ratte-Polle (Anna), Dagmar Manzel (Vera), Christian Grashof (Maler Waldersee), Andrzej Szopa (Jurek)

',NULL,NULL,NULL,NULL,'images/events/event507.jpg','images/events/event507_t.jpg',600,450,NULL,NULL,'Andreas Dresen',105,'nemščina','German','angleščina','English','Nemčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(485,34,'Zadnji dnevi','Last Days','Last Days','


Film so navdihnili dogodki zadnjih dni v življenju Kurta Cobaina, pevca skupine Nirvana, ki se je leta 1994, depresiven in drogiran, ustrelil. Blake, glavni junak, momlja, se prestavlja od enega konca svojega posestva do drugega, izgublja zavest, se znova ozavešča, vadi kitaro in se skriva pred neznanci in sodelavci, med drugim pred založnico, ki bi od njega rada nove posnetke.

»Prva zamisel je bila posneti biografski film o Kurtu Cobainu in številnih epizodah njegovega življenja. To bi pomenilo preveč podatkov. Pozneje sem poslušal ljudi, ki so pripovedovali male stvari o Kurtovem življenju – da je rad jedel makarone, posute s sirom – kar se mi je zdelo mnogo bolj smiselno kot borba z založbo glede tisočev naslovnic albumov. Sprva sem najel igralca Holgerja Thaarupa iz Danske, ki je igral v filmu Thomasa Vinterberga in je imel 14 let. Holger ni govoril angleško in nameraval sem posneti junaka, ki v filmu ne spregovori, pozneje pa sem srečal Michaela, ki je imel 17 let in tedaj sva se začela o tem pogovarjati. Vse je izmišljeno. To me je pritegnilo, popolnoma izmišljeno delo z drobci resničnega življenja in osebe.« (Gus van Sant)

»Zadnji dnevi, odlično zadnje poglavje v trilogiji o smrtih, ki je navdihnila umetniški preporod Gusa Van Santa, preleti skozi zadnjih 48 ur življenja rockovskega zvezdnika, ki spominja na Kurta Cobaina. Ljubitelji Nirvane, opozarjam vas: ta čutno entropična žalostinka je najbolj elementarna in omejena biografija. O velikanu pop kulture, ki je zaznamoval celo generacijo, ne pove ničesar novega in niti približno ne osvetli ideje iz delovnega naslova albuma In Utero, I Hate Myself and I Want to Die. Namesto psihološke jasnosti Zadnji dnevi ponuja majavo eksistencialno koherenco. Zadnji dnevi je biografija brez zgodbe, komajda slišen nepretrgan monolog, notranji portret, ki zavrača dostop do notranjega življenja.« (Dennis Lim) 

','scenarij
Gus van Sant
fotografija
Harris Savides
glasba
Rodrigo Lopresti
montaža
Gus van Sant
igrajo
Michael Pitt (Blake), Lukas Haas (Luke), Asia Argento (Asia), Scott Green (Scott), Nicole Vicius (Nicole), Ricky Jay (detektiv), Kim Gordon (producentka)
','

The inspiration for the film were the events of the final days of Kurt Cobain, lead singer of Nirvana, who, depressed and drugged-up, put a bullet into his head in 1994. Blake, the protagonist, mumbles, shuffles from one part of his estate to the other, loses and regains consciousness, practices guitar and hides from strangers and colleagues, among others from his music producer, who wants new material. 

»The first thought was to make a biopic that was on a guy named Kurt Cobain and it was about many parts of his life. It would have been too much information. Later when I was listening to some people talk about small things about Kurt\\\'s life - that he liked macaroni and cheese - which to me started to make a lot more sense than fighting with the record company over a thousand cover designs. I originally cast an actor named Holger Thaarup from Denmark who was in a Thomas Vinterberg film, who was 14. Holger didn\\\'t speak English and I was going to have the character be silent, but later I met Michael, he was 17 at the time and we started talking about it then. It\\\'s all fiction. That was the appeal, to make a complete fiction with small ideas about his life and about him.« (Gus van Sant)

»Last Days, the brilliant concluding chapter in the death trilogy that inspired Gus Van Sant\\\'s artistic rebirth, wafts through the final 48 or so hours of a Kurt Cobain–like rock star. Nirvana fans, be forewarned: This sensuously entropic elegy is the most elemental and circumscribed of biopics. It sheds no new light on a generation\\\'s defining pop-cultural tombstone and doesn\\\'t come close to illustrating In Utero\\\'s working title, I Hate Myself and I Want to Die. But in place of psychological clarity, Last Days affords a woozy existential coherence. Last Days is a biography without a story, a sustained monologue that can barely be heard, an interior portrait that denies access to inner life.« (Dennis Lim)

','screenplay
Gus van Sant
cinematography
Harris Savides
music
Rodrigo Lopresti
editing
Gus van Sant
cast
Michael Pitt (Blake), Lukas Haas (Luke), Asia Argento (Asia), Scott Green (Scott), Nicole Vicius (Nicole), Ricky Jay (detective), Kim Gordon (producer) ',NULL,NULL,NULL,NULL,'images/events/event485.jpg','images/events/event485_t.jpg',600,450,NULL,NULL,'Gus Van Sant',97,'angleščina','English','slovenščina','Slovene','ZDA 2005',NULL,NULL,NULL,NULL,NULL,NULL),(469,32,'Zadnji dnevi Sophie Scholl','Sophie Scholl - The Final Days','Sophie Scholl - Die letzten Tage','Pomlad leta 1943. Nemci so izgubili bitko za Stalingrad, v Münchnu pa pripadniki belih vrtnic mesto preplavljajo s protihitlerjevskim delovanjem in parolami. Sophie in Hans Scholl sodelujeta kot raznašalca letakov na univerzi, pri čemer ju zalotijo gestapovci in aretirajo. Od tega trenutka film teče iz Sophijine perspektive; pripoveduje podrobnosti z zaslišanja, sodnega procesa in končne obsodbe na münchenskem sodišču. Sophie se najprej zagovarja kot nedolžna, ko pa ji postaja jasno, da je smrtna obsodba neizbežna, hoče zaščititi brata in sodelavce.','

scenarij Fred Breinersdorfer
fotografija Martin Langer
glasba Reinhold Heil, Johnny Klimek
montaža Hans Funck
igrajo Julia Jentsch (Sophie Magdalena Scholl), Fabian Hinrichs (Hans Scholl), Gerald Alexander Held (Robert Mohr), Johanna Gastdorf (Else Gebel), André Hennicke (dr./Dr Roland Freisler), Florian Stetter (Christoph Probst)




','Spring of 1943. The Germans have lost the battle of Stalingrad, and in Munich the White Rose Society has flooded the city with resistance activities and slogans. Sophie and Hans Scholl are distributing leaflets at the university, when the Gestapo captures and arrests them. From this moment onward the film assumes Sophie\\\'s perspective, showing details of the hearing, the court proceedings, and the final verdict at the Munich court of law. Sophie intially declares herself innocent, but after realising that the death sentence is inevitable, she wants to protect her brother and collaborators...','screenplay Fred Breinersdorfe
cinematography Martin Langer
music Reinhold Heil, Johnny Klimek
editing Hans Funck
cast Julia Jentsch (Sophie Magdalena Scholl), Fabian Hinrichs (Hans Scholl), Gerald Alexander Held (Robert Mohr), Johanna Gastdorf (Else Gebel), André Hennicke (dr./Dr Roland Freisler), Florian Stetter (Christoph Probst)',NULL,NULL,NULL,NULL,'images/events/event469.jpg','images/events/event469_t.jpg',600,450,NULL,NULL,'Marc Rothemund',117,'nemščina','German','hrvaščina','Croatian','Nemčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(513,30,'Zveza kebab','Kebab Connection','Kebab Connection','

Ibo, mlad turški priseljenec v Hamburgu, je velik oboževalec Brucea Leeja in bi se rad zapisal v zgodovino kot režiser prvega nemškega kung-fu filma. Njegovi ambiciji se po robu postavlja pomanjkanje znanja, zato Ibo začne z malim: posname reklamni spot za prodajalno kebaba svojega strica Ahmeta. Ahmet spot sovraži, vsi drugi pa ga obožujejo. Prodajalna čez noč postane ena najbolj obleganih v Hamburgu, Iba pa slavijo kot novega Spielberga. Na vrhuncu slave Ibo izve, da je njegovo dekle pričakuje otroka. Na novico se povsem napačno odzove in z dekletom se na smrt spreta, za nameček ga oče, ki ne sprejema, da sinovo dekle ni Turkinja, vrže iz stanovanja. Iba zdaj lahko reši le še ustvarjalnost …

','

scenarij Anno Saul, Fatih Akin, Jan Berger, Ruth Toma, Ralph Schwingel
fotografija Hannes Hubach
glasba Marcel Barsotti
montaža Tobias Haas
igrajo Adnan Maral (Kirianis), Denis Moschitto (Ibo), Kida Ramadan (Özgür), Numan Acar (Ali), Cem Akin (Altan), Adam Bousdoukos (Valid), Emrah Cokunlu (Cem), Sibil Kekilli

','

Ibo, a young Turkish immigrant in Hamburg, is a great fan of Bruce Lee and wants to be immortalized as the director of the first German kung-fu film. His ambition is challenged by his lack of knowledge, and so Ibo begins to take small steps: he makes an ad for his uncle Ahmet’s kebab shop. Ahmet simply detests the ad, while everybody else loves it. Overnight the shop becomes one of the most popular shops in Hamburg, and Ibo is enthusiastically praised as the new Spielberg. Crowned in glory, Ibo learns that his girlfriend is with child. Giving the wrong answer, Ibo and his girlfriend get into a terrible scrap, and to top it off, he is thrown from the flat by his father, who cannot bear the fact that his son’s girlfriend is not Turkish. The only thing that can save Ibo now is his creativity …

','

screenplay Anno Saul, Fatih Akin, Jan Berger, Ruth Toma, Ralph Schwingel
cinematography Hannes Hubach
music Marcel Barsotti
editing Tobias Haas
cast Adnan Maral (Kirianis), Denis Moschitto (Ibo), Kida Ramadan (Özgür), Numan Acar (Ali), Cem Akin (Altan), Adam Bousdoukos (Valid), Emrah Cokunlu (Cem), Sibil Kekilli

',NULL,NULL,NULL,NULL,'images/events/event513.jpg','images/events/event513_t.jpg',600,450,NULL,NULL,'Anno Saul',96,'nemščina','German','slovenščina','Slovene','Nemčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(482,29,'Zvok Istanbula','Crossing The Bridge: The Sound of Instanbul','Crossing The Bridge: The Sound of Instanbul','

Dokumentarni film prikazuje glasbeno, kulturno in vsakodnevno življenje v Istanbulu, mestu na dveh celinah, ki ju povezuje most. Akin želi mednarodno občinstvo seznaniti z raznolikostjo in unikatnostjo glasbene kreativnosti, od tradicionalnih zvrsti do modernih glasbenih impulzov. Alexander Hacke, član kultne berlinske zasedbe Einstuerzende Neubauten in avtor glasbe za režiserjev film Z glavo ob zid, gledalca vodi skozi kulturne skrivnosti velemesta; seznani se s člani lokalne skupine Baba Zula, nakar začne glasbeno turnejo po ulicah in klubih, kjer spoznava turško rap glasbo, eksperimentalne glasbenike, kurdske žalostinke …

 


 

','

scenarij Fatih Akin
fotografija Hervé Dieu
glasba Baba Zula, Orient Expressions, Duman, Replikas, Erkin Koray Ceza, Mercan Dede, Alexander Hacke
montaža Andrew Bird

','The documentary shows musical, cultural and daily life in Istanbul, a city on two continents that is connected by a bridge. Akin\\\'s desire is to present to international audiences the diversity and uniqueness of the city\\\'s musical creativity, from traditional genres to modern music impulses. Alexander Hacke, a member of the cultic Berlin band Einstuerzende Neubauten and author of the soundtrack for Akin\\\'s Head-on, guides the viewer through the cultural mysteries of the metropolis. He meets members of a local group, Baba Zula, and sets out on a music tour of the streets and clubs, where he discovers Turkish rap music, experimental musicians, Kurdish elegies...


 

','

screenplay Fatih Akin
cinematography Hervé Dieu
music Baba Zula, Orient Expressions, Duman, Replikas, Erkin Koray Ceza, Mercan Dede, Alexander Hacke
editing Andrew Bird

',NULL,NULL,NULL,NULL,'images/events/event482.jpg','images/events/event482_t.jpg',600,450,NULL,NULL,'Fatih Akin',90,'angleščina/turščina','English/Turkish','slovenščina','Slovene','Nemčija, Turčija 2005',NULL,NULL,NULL,NULL,NULL,NULL),(571,28,'Železni otok','Iron Island','Jazireh Ahani','


Železni otok je star, zapuščen tanker, zasidran v Perzijskem zalivu. Na krovu in v podpalubju so si zatočišče uredili mnogi posamezniki in družine brez prave strehe nad glavo. Priložnostni \\\'hotel\\\', ki deluje kot plavajoče mesto v malem, s trdo roko upravlja kapitan Nemat, neprestano v gibanju in pripravljen za vsakršen posel: kupuje, prodaja, obenem pa tudi nadzoruje  stanovalce, saj nekateri odnašajo dele ladje in jih prodajajo za staro železo. Ladja pa se počasi potaplja, zato skušajo oblasti obupane prebivalce \\\'otoka\\\' izseliti.

»S turbanom in haljo se veteran med igralci Nassirian kot diktatorski kapitan Nemat z nadnaravno močno pojavo postavlja ob bok kapitanoma Nemu in Ahabu v panteonu veličastnih, a poraženih pomorščakov. Režiser Mohammad Rasoulof in njegova ekipa poskrbijo, da je dogajanje filma hitro, v odločnem tempu in s popolnim posredovanjem zajedljive ironije te drzne in nekovencionalne alegorije.« (Dimitri Eipides)

','scenarij Mohammad Rasoulof
fotografija Reza Jalali
glasba Mohammad Reza Aligholi
montaža Bahram Dehghani
igrajo Ali Nassirian (kapitan Nemat), Hossein Farzi-Zadeh (Ahmad), Neda Pakdaman (dekle)
','

Iron island is an old, deserted tanker moored in the Persian Golf. Numerous homeless individuals and families have found their shelter on board the ship and below its deck. This odd \\\'\\\'hotel\\\'\\\', which functions as a small floating town, is managed by a tough captain, Nemat, who is always on the move and ready for any business. Nemat is not only a seller and trader, but also a supervisor of the residents, who are inclined towards stealing parts of the ship and selling them as scrap iron. The ship is slowly sinking and so the authorities want to move the desperate residents out of the \\\'\\\'island\\\'\\\'…  

»In his turban and robes, veteran actor Nassirian is a larger-than-life presence as the dictatorial Captain Nemat, taking his place alongside both his namesake Nemo and Ahab in the pantheon of grandiose, flawed mariners. Director Mohammad Rasoulof and his crew keep the film moving at a speedy, energetic pace, perfectly conveying the wry ironies of this daring, unconventional allegory.« (Dimitri Eipides)

','screenplay Mohammad Rasoulof
cinematography Reza Jalali
music Mohammad Reza Aligholi
editing Bahram Dehghani
cast Ali Nassirian (captain Nemat), Hossein Farzi-Zadeh (Ahmad), Neda Pakdaman (girl)


',NULL,NULL,NULL,NULL,'images/events/event571.jpg','images/events/event571_t.jpg',600,450,NULL,NULL,'Mohamed Rasoulof',90,'perzijščina','Persian','slovenščina','Slovene','Iran 2005',NULL,NULL,NULL,NULL,NULL,NULL),(563,37,'Življenje z očetom','Life With My Father','La vie avec mon pere','

Paul je vihrav tridesetletnik, neuspešen pisec, ki skozi življenje jadra z nasmehom. Njegov brat Patrick je čisto nasprotje, pretirano uraden človek, lastnik farmacevtske družbe, obsedem z numerologijo, čigar zasebno življenje je na psu. Nekega dne se v mesto po dolgem času vrne njun oče, nekdanji bonvivant in nepopravljiv ženskar, danes impotenten starec s praznim bančnim računom in poslabšanim zdravstvenim stanjem; zdaj se bo trojica očitno morala navaditi drug na drugega.

','scenarij Stéfanie Lasnier, Sébastien Rose
fotografija Nicolas Bolduc
glasba Nathalie Boileau, Pierre Desrochers montaža Dominique Fortin
igrajo Raymond Bouchard (François Agira), David La Haye (Patrick), Hélčne Florent (Sylvie), Julie Du Page (Macha), Pierre-Antoine Lasnier (Rock), Nicolas Canuel (Huissier)
','

Paul is a stormy thirty-year-old, an unsuccessful writer who sails through life with a smile on his face. His brother Patrick is his complete opposite, an overly formal man, the owner of a pharmaceutical company, obsessed with numerology and whose own intimate life is in ruins. One day, their father returns to town after a long absence. An ex-bonvivant and irreparable womaniser, their father is today an impotent old man with an empty bank account and deteriorating health. Now the threesome will obviously have to get used to each other.

','screenplay Stéfanie Lasnier, Sébastien Rose
cinematography Nicolas Bolduc
music Nathalie Boileau, Pierre Desrochers
editing Dominique Fortin
cast Raymond Bouchard (François Agira), David La Haye (Patrick), Hélčne Florent (Sylvie), Julie Du Page (Macha), Pierre-Antoine Lasnier (Rock), Nicolas Canuel (Huissier)
',NULL,NULL,NULL,NULL,'images/events/event563.jpg','images/events/event563_t.jpg',600,450,NULL,NULL,'Sébastien Rose',110,'francoščina','French','slovenščina','Slovene','Kanada 2005',NULL,NULL,NULL,NULL,NULL,NULL); /*!40000 ALTER TABLE `lifevent_tmp` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifeventconnection` -- DROP TABLE IF EXISTS `lifeventconnection`; CREATE TABLE `lifeventconnection` ( `idevent` bigint(20) NOT NULL default '0', `idsubject` bigint(20) NOT NULL default '0', `ideventconnectiontype` bigint(20) NOT NULL default '0', PRIMARY KEY (`idevent`,`idsubject`) ) TYPE=MyISAM; -- -- Dumping data for table `lifeventconnection` -- LOCK TABLES `lifeventconnection` WRITE; /*!40000 ALTER TABLE `lifeventconnection` DISABLE KEYS */; INSERT INTO `lifeventconnection` VALUES 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/*!40000 ALTER TABLE `lifeventconnection` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifeventconnectiontype` -- DROP TABLE IF EXISTS `lifeventconnectiontype`; CREATE TABLE `lifeventconnectiontype` ( `ideventconnectiontype` bigint(20) NOT NULL auto_increment, `description` varchar(80) default NULL, PRIMARY KEY (`ideventconnectiontype`) ) TYPE=MyISAM; -- -- Dumping data for table `lifeventconnectiontype` -- LOCK TABLES `lifeventconnectiontype` WRITE; /*!40000 ALTER TABLE `lifeventconnectiontype` DISABLE KEYS */; INSERT INTO `lifeventconnectiontype` VALUES (1,'Liffe Director'),(2,'Screenplay'),(3,'Cinematography'),(4,'Music'),(5,'Editing'),(6,'Actor'),(7,'Producer'),(8,'Production house'),(9,'World sales'); /*!40000 ALTER TABLE `lifeventconnectiontype` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifeventcountry` -- DROP TABLE IF EXISTS `lifeventcountry`; CREATE TABLE `lifeventcountry` ( `idcountry` varchar(16) NOT NULL default '', `idevent` bigint(20) NOT NULL default '0', `priority` int(11) default '0', PRIMARY KEY (`idcountry`,`idevent`) ) TYPE=MyISAM; -- -- Dumping data for table `lifeventcountry` -- LOCK TABLES `lifeventcountry` WRITE; /*!40000 ALTER TABLE `lifeventcountry` DISABLE KEYS */; INSERT INTO `lifeventcountry` VALUES 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/*!40000 ALTER TABLE `lifeventcountry` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifhall` -- DROP TABLE IF EXISTS `lifhall`; CREATE TABLE `lifhall` ( `idhall` bigint(20) NOT NULL auto_increment, `description` varchar(80) default NULL, `description1` varchar(100) default NULL, PRIMARY KEY (`idhall`) ) TYPE=MyISAM; -- -- Dumping data for table `lifhall` -- LOCK TABLES `lifhall` WRITE; /*!40000 ALTER TABLE `lifhall` DISABLE KEYS */; INSERT INTO `lifhall` VALUES (6,'Linhartova dvorana','Linhart Hall'),(7,'Kosovelova dvorana','Kosovel Hall'),(10,'Kinoklub Vič','Kinoklub Vic Cinema'),(9,'Kino Komuna','Komuna Cinema'),(8,'Kinodvor','Kinodvor'); /*!40000 ALTER TABLE `lifhall` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifpersonalschedule` -- DROP TABLE IF EXISTS `lifpersonalschedule`; CREATE TABLE `lifpersonalschedule` ( `idhall` bigint(20) NOT NULL default '0', `idevent` bigint(20) NOT NULL default '0', `datetime` timestamp(14) NOT NULL, `idsubject` bigint(20) NOT NULL default '0', PRIMARY KEY (`idhall`,`idevent`,`datetime`,`idsubject`) ) TYPE=MyISAM; -- -- Dumping data for table `lifpersonalschedule` -- LOCK TABLES `lifpersonalschedule` WRITE; /*!40000 ALTER TABLE `lifpersonalschedule` DISABLE KEYS */; INSERT INTO `lifpersonalschedule` VALUES (4,34,20041110100000,17915),(7,452,20051110190000,17915),(7,482,20051110164500,17915),(8,566,20051110110000,17915),(8,566,20051110160000,17915),(10,94,20041110160000,17915),(11,34,20041110160000,17915); /*!40000 ALTER TABLE `lifpersonalschedule` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifschedule` -- DROP TABLE IF EXISTS `lifschedule`; CREATE TABLE `lifschedule` ( `idhall` bigint(20) NOT NULL default '0', `idevent` bigint(20) NOT NULL default '0', `datetime` timestamp(19) NOT NULL, `canceled` smallint(6) NOT NULL default '0', `soldout` smallint(6) NOT NULL default '0', `idshortevent` bigint(20) default NULL, PRIMARY KEY (`idhall`,`idevent`,`datetime`) ) TYPE=MyISAM; 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`lifsection` ( `idsection` bigint(20) NOT NULL auto_increment, `description1` varchar(80) default NULL, `description2` varchar(80) default NULL, PRIMARY KEY (`idsection`) ) TYPE=MyISAM; -- -- Dumping data for table `lifsection` -- LOCK TABLES `lifsection` WRITE; /*!40000 ALTER TABLE `lifsection` DISABLE KEYS */; INSERT INTO `lifsection` VALUES (28,'Perspektive','Prespectives'),(29,'Dokumentarni','Documentary'),(30,'Obzorja','Horizons'),(33,'Proti vetru','Against the wind'),(34,'Predpremiere','Avantpremieres'),(35,'Jug jugovzhodno','South by Southeast'),(38,'Ekstravaganca','Extravaganza'),(39,'Kratki','Short'),(56,'Fokus','Focus'),(58,'Posebni poklon','Special tribute'); /*!40000 ALTER TABLE `lifsection` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `lifsubjectactor` -- DROP TABLE IF EXISTS `lifsubjectactor`; CREATE TABLE `lifsubjectactor` ( `idsubject` bigint(20) NOT NULL default '0', `rolename` varchar(80) default NULL, PRIMARY KEY (`idsubject`) ) TYPE=MyISAM; -- -- 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default '0', `idmaillistsystem` bigint(20) default NULL, `idmailfoldertype` bigint(20) NOT NULL default '0', `name` varchar(30) default NULL, `description` varchar(150) default NULL, PRIMARY KEY (`idmailfolder`) ) TYPE=MyISAM; -- -- Dumping data for table `mailfolder` -- LOCK TABLES `mailfolder` WRITE; /*!40000 ALTER TABLE `mailfolder` DISABLE KEYS */; INSERT INTO `mailfolder` VALUES (1,1,1,'Osnutki','Osnutki'),(2,1,2,'Poslano','Poslano'),(3,2,1,'Osnutki','Osnutki'),(4,2,2,'Poslano','Poslano'); /*!40000 ALTER TABLE `mailfolder` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `mailfoldertype` -- DROP TABLE IF EXISTS `mailfoldertype`; CREATE TABLE `mailfoldertype` ( `idmailfoldertype` bigint(20) NOT NULL default '0', `description` varchar(80) default NULL, PRIMARY KEY (`idmailfoldertype`) ) TYPE=MyISAM; -- -- Dumping data for table `mailfoldertype` -- LOCK TABLES `mailfoldertype` WRITE; /*!40000 ALTER TABLE `mailfoldertype` DISABLE KEYS */; INSERT INTO `mailfoldertype` VALUES (1,'Drafts'),(2,'Sent'); /*!40000 ALTER TABLE `mailfoldertype` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `mailgroup` -- DROP TABLE IF EXISTS `mailgroup`; CREATE TABLE `mailgroup` ( `idmailgroup` bigint(20) NOT NULL auto_increment, `idmaillistsystem` bigint(20) default NULL, `idmailgrouptype` bigint(20) NOT NULL default '0', `idparent` bigint(20) default NULL, `name` varchar(30) default NULL, `description` varchar(150) default NULL, `private` smallint(6) default NULL, PRIMARY KEY (`idmailgroup`) ) TYPE=MyISAM; -- -- Dumping data for table `mailgroup` -- LOCK TABLES `mailgroup` WRITE; /*!40000 ALTER TABLE `mailgroup` DISABLE KEYS */; INSERT INTO `mailgroup` VALUES (1,1,3,NULL,NULL,'Privzeta skupina',0),(3,2,1,NULL,NULL,'Filmi',0),(4,2,1,NULL,NULL,'Novinarji',0); /*!40000 ALTER TABLE `mailgroup` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `mailgroupdynamic` -- DROP TABLE IF EXISTS `mailgroupdynamic`; CREATE TABLE `mailgroupdynamic` ( `idmailgroup` bigint(20) NOT NULL default '0', `query` text, PRIMARY KEY (`idmailgroup`) ) TYPE=MyISAM; -- -- Dumping data for table `mailgroupdynamic` -- LOCK TABLES `mailgroupdynamic` WRITE; /*!40000 ALTER TABLE `mailgroupdynamic` DISABLE KEYS */; /*!40000 ALTER TABLE `mailgroupdynamic` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `mailgroupreceipient` -- DROP TABLE IF EXISTS `mailgroupreceipient`; CREATE TABLE `mailgroupreceipient` ( `idmessage` bigint(20) NOT NULL default '0', `idmailgroup` bigint(20) NOT NULL default '0', PRIMARY KEY (`idmessage`,`idmailgroup`) ) TYPE=MyISAM; -- -- Dumping data for table `mailgroupreceipient` -- LOCK TABLES `mailgroupreceipient` WRITE; /*!40000 ALTER TABLE `mailgroupreceipient` DISABLE KEYS */; INSERT INTO `mailgroupreceipient` VALUES (1,1),(2,1),(3,1),(4,1),(5,1),(6,3),(7,3),(8,3),(9,3); /*!40000 ALTER TABLE `mailgroupreceipient` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `mailgroupstatic` -- DROP TABLE IF 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\r\n\r\n

Hvala

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FILMSKO OGREVANJE PRED ZAČETKOM 17. LJUBLJANSKEGA MEDNARODNEGA FILMSKEGA FESTIVALA

19., 20., 21. in 22. oktober 2006
18.30. Razpoložena za ljubezen, režija Wong Kar wai, 2000
20.20. 2046, režija Wong Kar Wai, 2004

Če ste zamudili zadnja dva filma velikega filmskega esteta Wong Kar Wai-a se ponuja nova priložnost.
 
Med 19. in 22. oktobrom si boste lahko v Cankarjevem domu ponovno ogledali filma Razpoložena za ljubezen (vsak dan ob 18.30) in 2046 (vsak dan ob 20.20) – vrhunski umetniški deli  hongkonškega režiserja, ki je letos predsedoval žiriji filmskega festivala v Cannesu in trenutno snema dva nova filma, My Blueberry nights z Norah Jones in Lady from Shanghai z Nicole Kidman.

Če ste filma Razpoložena za ljubezen in 2046 že videli, si ju oglejte ponovno!

','2006-10-18 10:22:54','text/html',NULL,NULL,NULL),(8,4,'17. LIFFe','

10.–24. novembra 2006
17. ljubljanski mednarodni filmski festival – LIFFe


Filmoljube, ki nestrpno odštevajo dni do začetka 17. ljubljanskega mednarodnega filmskega festivala – LIFFe obveščamo, da so na spletni strani www.liffe.si že na voljo vse programske vsebine in urnik letošnjih filmov.

Letos si bomov okviru LIFFe lahko ogledali 100 celovečernih in 11 kratkih filmov, in sicer na naslednjih lokacijah: v Linhartovi in Kosovelovi dvorani Cankarjevega doma ter v kinih Komuna, Kinoklub Vič in Kinodvor.

Veliko filmskih užitkov vam želimo!


10 – 24 November 2006
17th Ljubljana International Film Festival – LIFFe


We would like to inform all film lovers, who impatiently count the days remaining till the beginning of the 17th Ljubljana International Film Festival – LIFFe, that this year\\\\\\\'s programme and the schedule have already been published on www.liffe.si .

This year, LIFFe is offering 100 feature films and 11 short films at the following venues: Linhart and Kosovel Halls in Cankarjev dom, Komuna, Kinoklub Vič and Kinodvor cinemas.

We wish you many film delights!

','2006-10-26 12:57:45','text/html',NULL,NULL,NULL),(9,4,'LIFFe','

10.–24. novembra 2006
17. ljubljanski mednarodni filmski festival – LIFFe

PREDPRODAJA VSTOPNIC ŠE DO ČETRTKA, 9. 11.!

Filmski navdušenci že težko čakamo petek, 10. november, ko bo slovenska prestolnica za dva tedna postala tudi središče svetovnega filmskega dogajanja. 17. ljubljanski mednarodni filmski festival bo platna v Linhartovi in Kosovelovi dvorani ter v kinih Komuna, Kinoklub Vič in Kinodvor osvetlil s 101 celovečernimi in 11 kratkimi filmi.

Odprtje 17. LIFFe bo v petek, 10. novembra, ob 20. uri, v Linhartovi dvorani, ko si bodo obiskovalci ogledali kratki film POLJUB legendarnega slovenskega režiserja Boštjana Hladnika in TRANSILVANIJO Tonyja Gatlifa, igrala pa bo skupina ETHNODELIA JAM.

Vstopnice: za projekcije do 18. ure 900 SIT (3,76 EUR), pozneje 1100 SIT (4,59 EUR)

Predprodaja od 26. 10. do vključno 9. 11.
Popusti:
– za dijake in študente: za projekcije do 18. ure 700 SIT (2,92 EUR), pozneje 900 SIT (3,76 EUR)
– pri nakupu 6 vstopnic za različne filme 20 %
– 9 vstopnic za različne filme 25 %
– 12 vstopnic za različne filme 30 %

Redna prodaja od 10. do 24. 11.
Popusti:
– za dijake in študente: za projekcije do 18. ure 700 SIT (2,92 EUR), pozneje 900 SIT (3,76 EUR)
– pri nakupu 6 vstopnic za različne filme 10 %
– 9 vstopnic za različne filme 15 %
– 12 vstopnic za različne filme 20 %

Popusti se ne seštevajo.
Ob nakupu 12 vstopnic za različne filme podarimo tudi katalog 17. LIFFe.

Vstopnice za nekatere festivalske filmske projekcije bo mogoče uro pred začetkom kupiti po ugodnejši ceni. Več o tem dnevno na spletni strani www.liffe.si.

Obiskovalci lahko kupijo vstopnice tudi prek S vstopnice@cd-cc.si.

Veliko filmskih užitkov vam želimo!

10 – 24 November 2006
17th Ljubljana International Film Festival – LIFFe

ADVANCE SALE OF TICKETS UNTIL THURSDAY, 9 NOVEMBER!

Film buffs can hardly wait for Friday, 10 November, when the capital of Slovenia will turn into the centre of world\\\\\\\'s film happening for two weeks. 101 feature films and 11 short films will be screened at 17th LIFFe in Linhart and Kosovel Halls, Komuna, Kinoklub Vič, and Kinodvor cinemas.

The opening of 17th LIFFe will take place on 10 November, at 20:00, in Linhart Hall, where visitors will be able to see THE KISS, a short film by legendary Slovene director Boštjan Hladnik, and Tony Gatlif’s TRANSYLVANIA. They will also be able to enjoy the music of ETHNODELIA JAM.

Tickets: screenings before 18:00 - 900 SIT (3,76 EUR), after 18:00 - 1100 SIT (4,59 EUR)

Advance sale: 26 October – 9 November inclusive
Discounts:
– Secondary and university students for screenings before 18:00 - 700 SIT (2,92 EUR); after 18:00 - 900 SIT (3,76 EUR)
– Set of 6 tickets for different films 20 %;
– Set of 9 tickets for different films 25 %;
– Set of 12 tickets for different films 30 % as well as the 17th LIFFe catalogue.

Regular sale: 10 – 24 November
Discounts:
– Secondary and university students for screenings before 18:00 - 700 SIT (2,92 EUR) ); after 18:00 - 900 SIT (3,76 EUR)
– Set of 6 tickets for different films 10 %;
– Set of 9 tickets for different films 15 %;
– Set of 12 tickets for different films 20 % as well as the 17th LIFFe catalogue.

Discounts are non-combinable.

It will be possible to purchase tickets for some of the screenings at a better price one hour before the screening. More information daily on www.liffe.si.

Tickets can also be purchased via vstopnice@cd-cc.si.

We wish you many film delights!

','2006-11-08 16:37:48','text/html',NULL,NULL,NULL); /*!40000 ALTER TABLE `mailmessage` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `mailsubjectactivated` -- DROP TABLE IF EXISTS `mailsubjectactivated`; CREATE TABLE `mailsubjectactivated` ( `idmaillistsystem` bigint(20) NOT NULL default '0', `idsubject` bigint(20) NOT NULL default '0', `activehash` varchar(32) default NULL, `active` smallint(6) default NULL, PRIMARY KEY (`idmaillistsystem`,`idsubject`) ) TYPE=MyISAM; -- -- Dumping data for table `mailsubjectactivated` -- LOCK TABLES `mailsubjectactivated` WRITE; /*!40000 ALTER TABLE `mailsubjectactivated` DISABLE KEYS */; INSERT INTO `mailsubjectactivated` VALUES 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00:00:00','IMG_1021_resize_1.jpg',400,300,'IMG_1021_resize_thumb_1.jpg',250,187,NULL,0,0,'Milena Marković'),(376,120,'Jazz klub Gajo','','2006-11-22 00:00:00','IMG_1075_resize.jpg',400,300,'IMG_1075_resize_thumb.jpg',250,187,NULL,0,0,'Jazz club Gajo'),(375,120,'','','2006-11-22 00:00:00','IMG_1060_resize.jpg',400,300,'IMG_1060_resize_thumb.jpg',250,187,NULL,0,0,''),(377,121,'','','2006-11-22 00:00:00','IMG_0929_resize.jpg',400,300,'IMG_0929_resize_thumb.jpg',250,187,NULL,0,0,''),(378,121,'','','2006-11-22 00:00:00','IMG_0938_resize_2.jpg',400,300,'IMG_0938_resize_thumb_2.jpg',250,187,NULL,0,0,''),(379,121,'','','2006-11-22 00:00:00','IMG_0935_resize.jpg',300,400,'IMG_0935_resize_thumb.jpg',187,250,NULL,0,0,''),(380,121,'','','2006-11-22 00:00:00','IMG_0958_resize.jpg',300,400,'IMG_0958_resize_thumb.jpg',187,250,NULL,0,0,''),(381,122,'','','2006-11-22 00:00:00','IMG_0966_resize_1.jpg',400,300,'IMG_0966_resize_thumb_1.jpg',250,187,NULL,0,0,''),(382,122,'','','2006-11-22 00:00:00','IMG_0972_resize.jpg',300,400,'IMG_0972_resize_thumb.jpg',187,250,NULL,0,0,''),(372,120,'Oleg Novković','','2006-11-22 00:00:00','IMG_1029_resize_1.jpg',400,300,'IMG_1029_resize_thumb_1.jpg',250,187,NULL,0,0,'Oleg Novković'),(371,120,'Oleg Novković','','2006-11-22 00:00:00','IMG_1041_resize.jpg',300,400,'IMG_1041_resize_thumb.jpg',187,250,NULL,0,0,'Oleg Novković'),(369,119,'','','2006-11-21 00:00:00','IMG_0901_resize.jpg',400,300,'IMG_0901_resize_thumb.jpg',250,187,NULL,0,0,''),(370,120,'','','2006-11-22 00:00:00','IMG_1034_resize.jpg',300,400,'IMG_1034_resize_thumb.jpg',187,250,NULL,0,0,''),(358,117,'Jazz klub Gajo','','2006-11-20 00:00:00','IMG_0791_resize.jpg',400,300,'IMG_0791_resize_thumb.jpg',250,187,NULL,0,0,'Jazz club Gajo'),(359,117,'Jazz klub Gajo','','2006-11-20 00:00:00','IMG_0745_resize_1.jpg',400,300,'IMG_0745_resize_thumb_1.jpg',250,187,NULL,0,0,'Jazz club Gajo'),(360,118,'','','2006-11-20 00:00:00','IMG_0837_resize.jpg',400,300,'IMG_0837_resize_thumb.jpg',250,187,NULL,0,0,''),(361,118,'','','2006-11-20 00:00:00','IMG_0845_resize.jpg',400,300,'IMG_0845_resize_thumb.jpg',250,187,NULL,0,0,''),(362,118,'','','2006-11-20 00:00:00','IMG_0843_resize.jpg',400,300,'IMG_0843_resize_thumb.jpg',250,187,NULL,0,0,''),(363,118,'','','2006-11-20 00:00:00','IMG_0847_resize.jpg',400,300,'IMG_0847_resize_thumb.jpg',250,187,NULL,0,0,''),(364,118,'','','2006-11-20 00:00:00','IMG_0872_resize.jpg',400,300,'IMG_0872_resize_thumb.jpg',250,187,NULL,0,0,''),(365,118,'','','2006-11-20 00:00:00','IMG_0874_resize.jpg',400,300,'IMG_0874_resize_thumb.jpg',250,187,NULL,0,0,''),(366,119,'','','2006-11-21 00:00:00','IMG_0896_resize.jpg',300,400,'IMG_0896_resize_thumb.jpg',187,250,NULL,0,0,''),(367,119,'Bonka Ilieva-Boni','','2006-11-21 00:00:00','IMG_0897_resize.jpg',300,400,'IMG_0897_resize_thumb.jpg',187,250,NULL,0,0,'Bonka Ilieva-Boni'),(368,119,'','','2006-11-21 00:00:00','IMG_0883_resize.jpg',400,300,'IMG_0883_resize_thumb.jpg',250,187,NULL,0,0,''),(357,117,'Ian Watskon, Q&A Linhartova dvorana','','2006-11-20 00:00:00','IMG_0720_resize.jpg',400,300,'IMG_0720_resize_thumb.jpg',250,187,NULL,0,0,'Ian Watson, Q&A Linhart Hall'),(356,117,'Ian Watson, Q&A Linhartova dvorana','','2006-11-20 00:00:00','IMG_0741_resize.jpg',300,400,'IMG_0741_resize_thumb.jpg',187,250,NULL,0,0,'Ian Watson, Q&A Linhart Hall'),(355,117,'Ian Watson, Jazz klub Gajo','','2006-11-20 00:00:00','IMG_0798_resize.jpg',300,400,'IMG_0798_resize_thumb.jpg',187,250,NULL,0,0,'Ian watson, Jazz club Gajo'),(354,117,'Ian Watson, Jazz klub Gajo','','2006-11-20 00:00:00','IMG_0802_resize.jpg',400,300,'IMG_0802_resize_thumb.jpg',250,187,NULL,0,0,'Ian Watson, Jazz club Gajo'),(352,116,'','','2006-11-19 00:00:00','IMG_0778_resize.jpg',300,400,'IMG_0778_resize_thumb.jpg',187,250,NULL,0,0,''),(353,116,'','','2006-11-19 00:00:00','IMG_0796_resize.jpg',300,400,'IMG_0796_resize_thumb.jpg',187,250,NULL,0,0,''),(347,116,'Q&A, Kinodvor','','2006-11-19 00:00:00','IMG_0674_resize.jpg',300,400,'IMG_0674_resize_thumb.jpg',187,250,NULL,0,0,'Q&A, Kinodvor Cinema'),(348,116,'Q&A, Kinodvor','','2006-11-19 00:00:00','IMG_0683_resize_1.jpg',300,400,'IMG_0683_resize_thumb_1.jpg',187,250,NULL,0,0,'Q&A, Kinodvor Cinema'),(349,116,'Jazz klub Gajo','','2006-11-19 00:00:00','IMG_0768_resize.jpg',400,300,'IMG_0768_resize_thumb.jpg',250,187,NULL,0,0,'Jazz club Gajo'),(350,116,'Jazz klub Gajo','','2006-11-19 00:00:00','IMG_0745_resize.jpg',400,300,'IMG_0745_resize_thumb.jpg',250,187,NULL,0,0,'Jazz club Gajo'),(389,123,'Eyal Halfon','','2006-11-23 00:00:00','IMG_1273_resize_1.jpg',400,300,'IMG_1273_resize_thumb_1.jpg',250,187,NULL,0,0,'Eyal Halfon'),(340,115,'Mikal P. 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00:00:00','IMG_0597_resize.jpg',400,300,'IMG_0597_resize_thumb.jpg',250,187,NULL,0,0,''),(332,114,'','','2006-11-18 00:00:00','IMG_0627_resize.jpg',400,300,'IMG_0627_resize_thumb.jpg',250,187,NULL,0,0,''),(333,114,'','','2006-11-18 00:00:00','IMG_0620_resize_1.jpg',400,300,'IMG_0620_resize_thumb_1.jpg',250,187,NULL,0,0,''),(334,114,'','','2006-11-18 00:00:00','IMG_0623_resize.jpg',300,400,'IMG_0623_resize_thumb.jpg',187,250,NULL,0,0,''),(330,113,'Goran Dukić','','2006-11-18 00:00:00','IMG_0595_resize.jpg',400,300,'IMG_0595_resize_thumb.jpg',250,187,NULL,0,0,'Goran Dukić'),(327,112,'Feliks Falk, Nataša Bučar','','2006-11-17 00:00:00','IMG_0517_resize.jpg',400,267,'IMG_0517_resize_thumb.jpg',250,166,NULL,0,0,'Feliks Falk, Nataša Bučar'),(326,112,'Feliks Falk, Nataša Bučar','','2006-11-17 00:00:00','IMG_0475_resize.jpg',400,276,'IMG_0475_resize_thumb.jpg',250,172,NULL,0,0,'Feliks Falk, Nataša Bučar'),(325,112,'Feliks Falk','','2006-11-17 00:00:00','IMG_0495_resize_1.jpg',300,400,'IMG_0495_resize_thumb_1.jpg',187,250,NULL,0,0,'Feliks Falk'),(329,113,'','','2006-11-18 00:00:00','IMG_0599_resize.jpg',400,300,'IMG_0599_resize_thumb.jpg',250,187,NULL,0,0,''),(328,113,'','','2006-11-18 00:00:00','IMG_0612_resize.jpg',400,300,'IMG_0612_resize_thumb.jpg',250,187,NULL,0,0,''),(324,112,'Feliks Falk','','2006-11-17 00:00:00','IMG_0478_resize.jpg',300,400,'IMG_0478_resize_thumb.jpg',187,250,NULL,0,0,'Feliks Falk'),(344,115,'Q & A','','2006-11-19 00:00:00','IMG_0438_resize.jpg',300,400,'IMG_0438_resize_thumb.jpg',187,250,NULL,0,0,'Q & A'),(343,115,'Q & A','','2006-11-19 00:00:00','IMG_0469_resize_1.jpg',300,400,'IMG_0469_resize_thumb_1.jpg',187,250,NULL,0,0,'Q & A'),(341,115,'Q & A','','2006-11-19 00:00:00','IMG_0455_resize_1.jpg',400,300,'IMG_0455_resize_thumb_1.jpg',250,187,NULL,0,0,'Q & A'),(342,115,'Q & A','','2006-11-19 00:00:00','IMG_0441_resize_1.jpg',400,267,'IMG_0441_resize_thumb_1.jpg',250,166,NULL,0,0,'Q & 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00:00:00','IMG_9239_resize.jpg',300,200,'IMG_9239_resize_thumb.jpg',250,166,NULL,0,0,'Birol Ünel'),(250,96,'Jelka Stergel, Aleš Čerin','','2006-11-11 00:00:00','IMG_9374_resize.jpg',300,200,'IMG_9374_resize_thumb.jpg',250,166,NULL,0,0,'Jelka Stergel, Aleš Čerin'),(251,96,'Etnodelija','','2006-11-11 00:00:00','IMG_9345_resize.jpg',300,200,'IMG_9345_resize_thumb.jpg',250,166,NULL,0,0,'Etnodelija'),(319,110,'Jasmin Duraković, Senad Bašić','','2006-11-16 00:00:00','IMG_0406_resize.jpg',640,457,'IMG_0406_resize_thumb.jpg',250,178,NULL,0,0,'Jasmin Duraković, Senad Bašić'),(318,110,'Jasmin Duraković, Senad Bašić','','2006-11-16 00:00:00','IMG_0433_resize_1.jpg',640,457,'IMG_0433_resize_thumb_1.jpg',250,178,NULL,0,0,'Jasmin Duraković, Senad Bašić'),(278,102,'Mohammad-Reza Forutan','','2006-11-14 00:00:00','IMG_9766.jpg',300,200,'IMG_9766_thumb.jpg',250,166,NULL,0,0,'Mohammad-Reza Forutan'),(277,102,'Mohammad-Reza Forutan','','2006-11-14 00:00:00','IMG_9762_1.jpg',300,200,'IMG_9762_thumb_1.jpg',250,166,NULL,0,0,'Mohammad-Reza Forutan'),(276,101,'Hans Steinbechler','','2006-11-13 00:00:00','IMG_9796_resize.jpg',200,300,'IMG_9796_resize_thumb.jpg',166,250,NULL,0,0,'Hans Steinbechler'),(275,101,'Hans Steinbechler','','2006-11-13 00:00:00','IMG_9754_resize_1.jpg',300,200,'IMG_9754_resize_thumb_1.jpg',250,166,NULL,0,0,'Hans Steinbechler'),(274,100,'','','2006-11-13 00:00:00','IMG_9709_resize_1.jpg',300,200,'IMG_9709_resize_thumb_1.jpg',250,166,NULL,0,0,''),(273,100,'Ahmed Rhuhel, Rasul Shafiq, Matjaž Ličer','','2006-11-13 00:00:00','IMG_9702_resize.jpg',300,200,'IMG_9702_resize_thumb.jpg',250,166,NULL,0,0,'Ahmed Rhuhel, Rasul Shafiq, Matjaž Ličer'),(272,100,'Ahmed Rhuhel, Rasul Shafiq','','2006-11-13 00:00:00','IMG_9696_resize.jpg',300,200,'IMG_9696_resize_thumb.jpg',250,166,NULL,0,0,'Ahmed Rhuhel, Rasul Shafiq'),(268,99,'Stanislav Babić','','2006-11-13 00:00:00','IMG_9579_resize.jpg',200,300,'IMG_9579_resize_thumb.jpg',166,250,NULL,0,0,'Stanislav Babić'),(269,99,'','','2006-11-13 00:00:00','IMG_9600_resize_1.jpg',300,200,'IMG_9600_resize_thumb_1.jpg',250,166,NULL,0,0,''),(270,100,'Ahmed Rhuhel','','2006-11-13 00:00:00','IMG_9655_resize.jpg',300,200,'IMG_9655_resize_thumb.jpg',250,166,NULL,0,0,'Ahmed Rhuhel'),(271,100,'Rasul Shafiq','','2006-11-13 00:00:00','IMG_9660_resize_1.jpg',300,200,'IMG_9660_resize_thumb_1.jpg',250,166,NULL,0,0,'Rasul Shafiq'),(267,99,'Branko Schmidt','','2006-11-13 00:00:00','IMG_9572_resize.jpg',200,300,'IMG_9572_resize_thumb.jpg',166,250,NULL,0,0,'Branko Schmidt'),(266,98,'Fatemeh Motamed Arya','','2006-11-13 00:00:00','IMG_9563_resize.jpg',200,300,'IMG_9563_resize_thumb.jpg',166,250,NULL,0,0,'Fatemeh Motamed Arya'),(265,98,'Ahmad Alij Hamed','','2006-11-13 00:00:00','IMG_9542_resize.jpg',200,300,'IMG_9542_resize_thumb.jpg',166,250,NULL,0,0,'Ahmad Alij Hamed'),(259,96,'','','2006-11-11 00:00:00','IMG_9444_resize.jpg',300,200,'IMG_9444_resize_thumb.jpg',250,166,NULL,0,0,''),(260,97,'Nataša Janjić, Antonio Nuić','','2006-11-12 00:00:00','IMG_9310_resize_1.jpg',300,200,'IMG_9310_resize_thumb_1.jpg',250,166,NULL,0,0,'Nataša Janjić, Antonio Nuić'),(261,97,'Matjaž Ličer, Nataša Janjić','','2006-11-12 00:00:00','IMG_9463_resize.jpg',300,200,'IMG_9463_resize_thumb.jpg',250,166,NULL,0,0,'Matjaž Ličer, Nataša Janjić'),(262,97,'Nataša Janjić, Antonio Nuić','','2006-11-12 00:00:00','IMG_9497_resize.jpg',200,300,'IMG_9497_resize_thumb.jpg',166,250,NULL,0,0,'Nataša Janjić, Antonio Nuić'),(263,98,'Matjaž Ličer, Ahmad Alij Hamed, Fatemeh Motamed Arya, Raymond Tarabay','','2006-11-13 00:00:00','IMG_9506_resize_1.jpg',300,200,'IMG_9506_resize_thumb_1.jpg',250,166,NULL,0,0,'Matjaž Ličer, Ahmad Alij Hamed, Fatemeh Motamed Arya, Raymond Tarabay'),(264,98,'Ahmad Alij Hamed, Fatemeh Motamed Arya','','2006-11-13 00:00:00','IMG_9530_resize_1.jpg',300,200,'IMG_9530_resize_thumb_1.jpg',250,166,NULL,0,0,'Ahmad Alij Hamed, Fatemeh Motamed Arya'),(294,105,'Mohammad Reza Foroutan, Ahmed Rhuhel','','2006-11-14 00:00:00','IMG_0041_resize.jpg',400,266,'IMG_0041_resize_thumb.jpg',250,166,NULL,0,0,'Mohammad Reza Foroutan, Ahmed Rhuhel'),(293,105,'','','2006-11-14 00:00:00','IMG_0059_resize.jpg',400,266,'IMG_0059_resize_thumb.jpg',250,166,NULL,0,0,''),(292,105,'Marzia Tedeschi, Feliks Falk','','2006-11-14 00:00:00','IMG_0063_resize.jpg',300,200,'IMG_0063_resize_thumb.jpg',250,166,NULL,0,0,'Marzia Tedeschi, Feliks Falk'),(291,105,'Fatemeh Motamed Arya, Marzia Tedeschi','','2006-11-14 00:00:00','IMG_0047_resize.jpg',400,266,'IMG_0047_resize_thumb.jpg',250,166,NULL,0,0,'Fatemeh Motamed Arya, Marzia Tedeschi'),(290,105,'Paulus Manker, Erika Bernhard','','2006-11-14 00:00:00','IMG_0037_resize.jpg',400,266,'IMG_0037_resize_thumb.jpg',250,166,NULL,0,0,'Paulus Manker, Erika Bernhard'),(289,105,'Erika Bernhard, Fatemeh Motamed Arya, Marzia Tedeschi','','2006-11-14 00:00:00','IMG_0010_resize.jpg',400,266,'IMG_0010_resize_thumb.jpg',250,166,NULL,0,0,'Erika Bernhard, Fatemeh Motamed Arya, Marzia Tedeschi'),(288,104,'Martin Srebotnjak, Ana Lašič','','2006-11-14 00:00:00','IMG_9976_resize_1.jpg',400,266,'IMG_9976_resize_thumb_1.jpg',250,166,NULL,0,0,'Martin Srebotnjak, Ana Lašič'),(287,104,'Ana Lasič','','2006-11-14 00:00:00','IMG_9975_resize.jpg',400,266,'IMG_9975_resize_thumb.jpg',250,166,NULL,0,0,'Ana Lasič'),(286,104,'Marko Naberšnik','','2006-11-14 00:00:00','IMG_9960_resize.jpg',400,266,'IMG_9960_resize_thumb.jpg',250,166,NULL,0,0,'Marko Naberšnik'),(285,104,'Dušan Šarotar','','2006-11-14 00:00:00','IMG_9926_resize.jpg',400,266,'IMG_9926_resize_thumb.jpg',250,166,NULL,0,0,'Dušan Šarotar'),(284,104,'Metod Pevec','','2006-11-14 00:00:00','IMG_9895_resize_1.jpg',400,266,'IMG_9895_resize_thumb_1.jpg',250,166,NULL,0,0,'Metod Pevec'),(279,103,'','','2006-11-14 00:00:00','IMG_9828_resize_2.jpg',300,200,'IMG_9828_resize_thumb_2.jpg',250,166,NULL,0,0,''),(280,103,'','','2006-11-14 00:00:00','IMG_9842_resize.jpg',200,300,'IMG_9842_resize_thumb.jpg',166,250,NULL,0,0,''),(281,104,'Clare Downs, Marko Naberšnik, Ana Lasič, Metod Pevec, Maja Weis,Dušan Šarotar','','2006-11-14 00:00:00','IMG_9933_resize.jpg',400,266,'IMG_9933_resize_thumb.jpg',250,166,NULL,0,0,'Clare Downs, Marko Naberšnik, Ana Lasič, Metod Pevec, Maja Weis,Dušan Šarotar'),(282,104,'Maja Weis','','2006-11-14 00:00:00','IMG_9870_resize_1.jpg',400,266,'IMG_9870_resize_thumb_1.jpg',250,166,NULL,0,0,'Maja Weis'),(283,104,'Clare Downs','','2006-11-14 00:00:00','IMG_9879_resize.jpg',400,266,'IMG_9879_resize_thumb.jpg',250,166,NULL,0,0,'Clare Downs'),(310,108,'','','2006-11-15 00:00:00','IMG_0161_resize.jpg',640,457,'IMG_0161_resize_thumb.jpg',250,178,NULL,0,0,''),(309,108,'','','2006-11-15 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Hauck'),(301,107,'Meike Hauck','','2006-11-15 00:00:00','IMG_0197_resize.jpg',457,640,'IMG_0197_resize_thumb.jpg',178,250,NULL,0,0,'Meike Hauck'),(296,106,'Feliks Falk','','2006-11-15 00:00:00','IMG_0264_resize_1.jpg',640,457,'IMG_0264_resize_thumb_1.jpg',250,178,NULL,0,0,'Feliks Falk'),(297,106,'Feliks Falk','','2006-11-15 00:00:00','IMG_0242_resize_1.jpg',640,457,'IMG_0242_resize_thumb_1.jpg',250,178,NULL,0,0,'Feliks Falk'),(298,106,'Feliks Falk, Matjaž Ličer','','2006-11-15 00:00:00','IMG_0257_resize.jpg',640,457,'IMG_0257_resize_thumb.jpg',250,178,NULL,0,0,'Feliks Falk, Matjaž Ličer'),(299,106,'Feliks Falk','','2006-11-15 00:00:00','IMG_0278_resize.jpg',457,640,'IMG_0278_resize_thumb.jpg',178,250,NULL,0,0,'Feliks Falk'),(300,107,'Meike Hauck','','2006-11-15 00:00:00','IMG_0174_resize.jpg',457,640,'IMG_0174_resize_thumb.jpg',178,250,NULL,0,0,'Meike Hauck'),(317,110,'Jasmin Duraković','','2006-11-16 00:00:00','IMG_0403_resize.jpg',457,640,'IMG_0403_resize_thumb.jpg',178,250,NULL,0,0,'Jasmin Duraković'),(316,110,'Senad Bašić','','2006-11-16 00:00:00','IMG_0427_resize_1.jpg',640,457,'IMG_0427_resize_thumb_1.jpg',250,178,NULL,0,0,'Senad Bašić'),(315,109,'','','2006-11-16 00:00:00','IMG_0290_resize.jpg',640,457,'IMG_0290_resize_thumb.jpg',250,178,NULL,0,0,''),(314,109,'','','2006-11-16 00:00:00','IMG_0294_resize_1.jpg',640,457,'IMG_0294_resize_thumb_1.jpg',250,178,NULL,0,0,''),(313,109,'Marzia Tedeschi','','2006-11-16 00:00:00','IMG_0314_resize.jpg',457,640,'IMG_0314_resize_thumb.jpg',178,250,NULL,0,0,'Marzia Tedeschi'),(312,109,'Marzia Tedeschi','','2006-11-16 00:00:00','IMG_0312_resize_1.jpg',640,457,'IMG_0312_resize_thumb_1.jpg',250,178,NULL,0,0,'Marzia Tedeschi'),(311,108,'','','2006-11-15 00:00:00','IMG_0095_resize.jpg',640,457,'IMG_0095_resize_thumb.jpg',250,178,NULL,0,0,''),(243,95,'Jelka Stergel, programska direktorica','Miha Bratina','2006-11-02 00:00:00','jelka p.jpg',200,300,'jelka p_thumb.jpg',166,250,NULL,0,0,'Jelka Stergel, Programme Director'),(244,95,'','Miha Bratina','2006-11-02 00:00:00','tk 3.jpg',200,300,'tk 3_thumb.jpg',166,250,NULL,0,0,''),(249,95,'','Miha Bratina','2006-11-02 00:00:00','tk novinarji.jpg',300,200,'tk novinarji_thumb.jpg',250,166,NULL,0,0,''),(246,95,'Janina Pintar, vodja promocije','Miha Bratina','2006-11-02 00:00:00','janina p.jpg',200,300,'janina p_thumb.jpg',166,250,NULL,0,0,'Janina Pintar, Head of Promotion'),(247,95,'Jelka Stergel, programska direktorica; Mitja Rotovnik, Generalni direktor; Nataša Bučar, vodja projekta','Miha Bratina','2006-11-02 00:00:00','jelka_rotovnik_natsa 2.jpg',300,200,'jelka_rotovnik_natsa 2_thumb.jpg',250,166,NULL,0,0,'Jelka Stergel, Programme Director; Mitja Rotovnik, Director General; Nataša Bučar, Project Manager'),(248,95,'Breda Pečovnik, direktorica kongresne dejavnosti; Breda Prezovar Papež, Tobačna, d.o.o.','','2006-11-02 00:00:00','breda sponzor.jpg',300,200,'breda sponzor_thumb.jpg',250,166,NULL,0,0,'Breda Pečovnik, Congress Depertment Director; Breda Prezovar Papež, Tobačna, d.o.o.'),(424,129,'','','2006-11-24 00:00:00','IMG_1412_resize.jpg',400,300,'IMG_1412_resize_thumb.jpg',250,187,NULL,0,0,''),(425,129,'Matjaž Ličer, Dominique Deruddere','','2006-11-24 00:00:00','IMG_1579_resize_2.jpg',400,300,'IMG_1579_resize_thumb_2.jpg',250,187,NULL,0,0,'Matjaž Ličer, Dominique Deruddere'),(426,129,'','','2006-11-24 00:00:00','IMG_1592_resize_2.jpg',400,300,'IMG_1592_resize_thumb_2.jpg',250,187,NULL,0,0,''),(427,130,'','','2006-11-25 00:00:00','IMG_1662_resize.jpg',400,300,'IMG_1662_resize_thumb.jpg',250,187,NULL,0,0,''),(428,130,'','','2006-11-25 00:00:00','IMG_1653_resize_1.jpg',400,300,'IMG_1653_resize_thumb_1.jpg',250,187,NULL,0,0,''),(429,130,'','','2006-11-25 00:00:00','IMG_1684_resize_1.jpg',400,300,'IMG_1684_resize_thumb_1.jpg',250,187,NULL,0,0,''),(430,130,'','','2006-11-25 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Z domišljeno komedijo je obiskovalce ljubljanskega festivala zopet spravil v smeh na LIFFe že nagrajeni belgijski režiser Dominique Deruddere. Ohcet, ki prikazuje skrajne razsežnosti nesmiselnega spora na poročni pojedini, je navdihnil belgijski strip, ki je resnični zgodbi dodal še nekaj streljanja in umiranja. »To je film o konfliktu,« je komentiral režiser, »o tem, kako malo je potrebno, da konflikt nastane, in kako ga ni mogoče rešiti, če samo stojimo poleg in ga opazujemo. Konflikt se ne reši sam, potreben je konstruktiven pogovor.« Ohcet je tako v prvi vrsti metaforičen film, ob katerem se lahko zamislijo tako oblikovalci aktualne politične stvarnosti kot pasivni opazovalci. Konec pa je kljub vsemu pozitiven in zgladitev konflikta ne zahteva nobenih žrtev. »Če bi zaključil drugače, s smrtnimi žrtvami, bi sporočal le – z nami je konec, ta svet nima več prihodnosti,« je še povedal Deruddere.',NULL,'2006-11-23','The Wedding Party','

Bloody Wedding Party and smiling audience

 

Belgian director Dominique Deruddere, who had already been awarded at LIFFe, made the audience in Ljubljana laugh again with an elaborated comedy. The Wedding Party, showing the extreme extent of an absurd quarrel at a wedding party, was inspired by a Belgian comic strip, adding some shooting and dying to a real story. “This is a film on conflict” said the director. “It doesn’t take much for a conflict to appear and it is not possible to solve it if we are standing next to it, just observing. A conflict is not resolved by itself. A constructive talk is necessary.” The Wedding Party is, above all, a metaphorical film, causing contemplation on the part of creators of current political reality as well as passive observers. In spite of all, the end is positive and smoothing down of the conflict does not require any casualties. “If the ending was different, with casualties, I would only be announcing one thing – we’re done, this world has no future any more” said Deruddere.

'),(130,'Zaključna slovesnost','

Gledalce in žirije je prepričala drugačnost


S podelitvijo nagrad in predvajanjem Režiserja porok, zadnjega filma režiserja Marca Bellocchia, ki mu je bila posvečena sekcija Posebni poklon, se je končal letošnji LIFFe.


V slavnostno ozračje sta nas z zvoki harmonike in saksofona vpeljala Janez Dovč in Vasko Atanasovski, v sedmo umetnost pa smo prestopili z zgodbo o menihu, ki vztrajno zaliva svoje drevo, dokler to čudežno ne zacveti ─ klasika filmske umetnosti Andreja Tarkovskega. V tej metafori se zrcalijo tudi izjemne filmske produkcije z letošnjega festivala, katerih najboljše so nagradili tri mednarodne žirije in zvesta festivalska publika.


Nagrado fipresci za najboljši film iz sklopa Jug─jugovzhodno je v imenu tričlanske žirije njena predsednica Janine Euvrard podelila madžarski drami iz sveta gimnastike ─ Bele dlani. Žirijo sta prepričala predvsem močna zgodba in izreden psihološki izris glavnih likov, nagrado pa je prevzel namestnik madžarskega veleposlanika.


Z močno in dodelano filmsko zgodbo je navdušil tudi prejemnik nagrade Amnesty International, ki že drugo leto nagrajuje filme s problematiko človekovih pravic. Film Offside prikazuje zgodbo iranskih nogometnih navijačic, ki jim je prepovedan vstop na stadion. Nagrado je podelil predsednik žirije Hans Van Gerven ter poudaril zanimivo in pozitivno filmsko zgodbo, ki kot glavno odliko filma na novo izpostavlja boj iranskih žensk za emancipacijo. Režiser Jafar Panahi je v zahvalnem govoru predstavil avtobiografsko podlago filma, saj sta velika oboževalca nogometa tako on sam kot njegova hči. Nagrado je posvetil ženski organizaciji Bele rutke, ki se bori za emancipacijo in dostojanstvo žensk v Iranu.


Tudi letos smo zlati kolut filmom v sklopu Obzorij podeljevali gledalci. Na odru sta se nam pridružili generalna direktorica Tobačne Ljubljana, Pia Barborič Jurjaševič (darovalke nagrade) in Aleksandra Balmazović, predsednica komisije. »Ta izbor dokazuje, da Slovenci nismo ksenofobi ─ vsaj kadar gre za tujce na filmskem platnu,« je ob podelitvi povedala Balmazovićeva. Nagrado je prejela irsko-britanska komedija Zajtrk na Plutonu, ki so jo gledalci ocenili z izjemno visoko povprečno oceno 4,7, prevzel pa jo je namestnik irskega veleposlanika.


Filmski izbor je navdušil tudi žirijo nagrade vodomec, ki jo filmom iz sklopa Perspektive vsako leto podeljuje Mobitel. Po mnenju žirije si je posebno omembo zaslužila družinska drama Namizni tenis, ki z močno zgodbo ter z izjemno dobro izdelanimi in odigranimi liki snema masko navidez urejeni družini in prikazuje nasilje, ki se skriva pod njo. Nagrado je podelila programska direktorica LIFFe Jelka Stergel, prevzel pa jo je igralec Clemens Berg in poudaril, da je nad nagrado navdušen, saj je to njegova prva filmska vloga, zasluge zanjo pa gredo vsekakor celotni ekipi. Prestižno nagrado vodomec pa je prejel film 1:1, ki je žirijo navdušil z izjemno zgodbo, ki prikazuje medrasne konflikte v sodobni demokratični Evropi. Ana Maria Percavassi, predsednica žirije, je med predstavitvijo zmagovalca poudarila predvsem odlično delo režiserke Annete K. Olesen in celotne igralske ekipe. Režiserka je v zahvalnem govoru poudarila, da je to film, ki presega medrasno problematiko in prikazuje, da so čustva, ki so vsem skupna, močnejša od kulturnih razlik.


Po podelitvi nagrad sta sledili projekciji kratkega filma Potepuški čevlji in Režiserja porok, s katerima smo se filmoljubi še za eno leto poslovili od osrednjega slovenskega filmskega festivala.

',NULL,'2006-11-24','Closing ceremony','

The audience and the juries chose something different


17th LIFFe was brought to an end with the bestowal of awards and the screening of Marco Bellochio\\\\\\\'s latest film The Wedding Director (part of this year\\\\\\\'s Special Tribute section).

The sounds of accordeon (Janez Dovč) and saxophone (Vasko Atanasovski) opened tha gala ceremony. The seventh art was brought to us by the story of a monk who persistently watered his tree until one day it miraculously started to bloom – Andrei Tarkovsky\\\\\\\'s film classic. This metaphor reflects exceptional film productions of this year\\\\\\\'s festival, the best of which were awarded by three international juries and loyal festival audience.


Janine Euvrard, president of the three-member Fipresci jury bestowed the Fipresci Award to the best film of the South by Southeast section – Hungarian drama White Palms. The jury was especially impressed by a powerful story and an exceptional psychological portrait of protagonists. The award was received by the deputy Hungarian ambassador.


The receiver of the Amnesty International Award also enraptured the audience with a powerful and elaborated story. This award has been bestowed for the second time now to the best film dealing with the problem of human rights. Offside depicts the story of Iranian soccer fans who are not allowed to enter the stadium. The award was given away by Hans van Gerven, president of the jury, who highlighted an interesting and positive story, depicting the issues of the emancipation of women in Iran in a fresh way. In his speech, director Jafar Panahi presented us the autobiographical basis of the film – he and his daughter are both big soccer fans. He dedicated the award to women\\\\\\\'s organisation White Scarfs, which fights for emancipation and dignity of Iranian women.


The Golden Reel was, as every year, bestowed by the audience to the best film of the Horizons. Director of Tobačna Pia Barbarič Jurjaševič  Ljubljana (donor) and Aleksandra Balmazović (president of the commission) joined us on stage. »This selection proves that the Slovene are not xenophobes – at least when it comes to foreigners on the big screen« said Balmazović. The award went to the Irish-British comedy Breakfast on Pluto, which got the highest average grade - 4,7 – and was received by the deputy Irish ambassador.


The selection of films also enraptured the jury of the Kingfisher Award, which is bestowed each year to the best film of the Perspectives section by Mobitel. The jury gave Special Mention to the family drama Pingpong. Its well constructed storyline and vigorous support of talented young actors lays bare the semblance of middleclas decency under which lurks the invariable threat of moral and physical violence. The award was given away by Jelka Stergel, LIFFe\\\\\\\'s programme director, and received by actor Clemens Berg. He said he was thrilled by the award as this was his first film role and that the credits go to the entire crew.  The prestigious Kingfisher Award was bestowed to 1:1, which enraptured the jury with an exceptional story on interracial conflicts in culturally mixed democracies of modern Europe. Annamaria Percavassi, president of the jury, stressed the excellent achievement of director Annete K. Olesen and the entire team of actors. In her speech, the director stressed that the film went beyond interracial problems and wanted to show that emotions, common to all, were stronger than cultural differencies.


After the bestowal of awards, short film Vagabond Shoes and The Wedding Director served as a way of saying good-bye to the main Slovene film festival for yet another year.

'),(125,'Sprejem Romunskega veleposlaništva','

Po filmu Kako sem preživel konec sveta je romunsko veleposlaništvo v Prvem preddverju Cankarjevega doma pripravilo sprejem za vse gledalce.


',NULL,'2006-11-23','Romanian Embassy reception','

After the screening a reception in the 1st Foyer of Cankarjev dom was organised by the Romanian embassy for all viewers of the film The Way I Spent the End of the World.

'),(126,'Sprejem belgijskega veleposlaništva','

Belgijsko veleposlaništvo je pripravilo sprejem v počastitev na LIFFe že nagrajenega belgijskega režiserja Dominiqua Deruddera.

',NULL,'2006-11-23','Belgian Embassy reception','The Belgian embassy held a reception honouring Belgian director Dominique Deruddere, who had already been awarded at LIFFe.'),(127,'Predstavitev projektorjev Panasonic','

',NULL,'2006-11-23','Panasonic projectors – presentation',NULL),(128,'Stik','

Stik med različnimi značaji, različnimi narodi, različnimi izkušnjami


Makedonski Stik je tragikomedija o Janku in Žani – dveh nasprotujočih si značajih, ki jima je sprva skupna le izločenost iz »normalne družbe«, dokler se postopoma ne zbližata in presežeta svoje različnosti.

Povezovalna pa ni le filmska zgodba. Nemško-makedonska koprodukcija Stik je povezala pisano druščino ustvarjalcev, kar pripomore tudi k inovativnosti in večplastnosti filma. Pisano ozadje snemanja nam je na filmskem klepetu predstavil tudi režiser Sergej Stanojkovski. Združili sta se tako mlajša in že izkušena generacija ustvarjalcev na čelu z legendarnim Tomislavom Pinterjem kot tudi različno govoreči igralci. »Glavni igralec se je moral makedonščine šele naučiti,« je povedal Stanojkovski, ki že načrtuje, kako bo ideje, ki so se porodile ob snemanju Stika, prenesel na novi projekt.

',NULL,'2006-11-23','Contact','

Contact between different characters, different nations and different experience


Macedonian Contact is a tragicomedy about Janko and Žana – two opposite characters who are at first both not part of the »normal society« but are later gradually brought together, surpassing their differences.


The German-Macedonian coproduction linked together a diverse bunch of filmmakers, which contributed to inventive and multilayered film. Director Sergej Stanojkovski described us the motley background of the shooting. On the set there were young as well as already experienced filmmakers led by Tomislav Pinter and actors speaking different languages. »The protagonist had yet to learn the Macedonian language« said Stanojkovski, who is already planning how to carry out the ideas that occurred to him during the shooting of Contact in a new project. 

'),(124,'Kako sem preživel konec sveta','

Film, ki ga je treba videti dvakrat


Romunski film Kako sem preživel konec sveta prikazuje Romunijo v času padca Ceausescujevega režima. Gledalcu se približa z osredotočenjem na mlajšo generacijo, ki svet dojema bolj rahločutno in neposredno. »Zdi se mi, da želi film slediti nekakšnemu dnevniškemu zapisu,« je na filmskem klepetu v Jazz Clubu Gajo povedal igralec Cristian Vararu, »kot šolski spisi z naslovom – Kako sem preživel poletne počitnice.«

Ta tragikomedija prikazuje obdobje diktature, ki sega v zgodnja otroška leta ustvarjalcev, po drugi strani pa pomeni odmeven del romunske zgodovine. »Takrat sem bil star dve leti, dogodkov se ne spominjam prav dobro, vem pa, da sem bil pravi revolucionar, gledal sem televizijo in sovražil Ceausescuja, filmska ekipa mi tega ni verjela, ampak je res,« je komentiral Vararu, ki svetuje, da si film ogledate dvakrat. »Ta film je drugič še mnogo boljši. Res. To ni (le) trženjska poteza.« S prvim ogledom filma lahko danes v Kinoklubu Vič zaključite letošnje festivalsko doživetje.

',NULL,'2006-11-23','The Way I Spent the End of the World','

A film that you need to see twice


Romanian film The Way I Spent the End of the World depicts Romania during the fall of the Ceausescu regime. It focuses on young generation, which perceives the world in a more sensitive and direct way. »I think the film wants to follow a kind of a diary« said actor Cristian Vararu in Jazz Club Gajo. »It is like a school essay titled How I Spent My School Holidays.«

This tragicomedy describes us the dictatorship period, stretching to creators\\\\\\\' early childhood and presents an important part of Romanian history. »I was two years old then and don\\\\\\\'t remember the events very well, but I know that I was a real revolutionary – I watched TV and hated Ceausescu. The crew didn\\\\\\\'t believe me, but it was true« said Vararu. He advised us to see the film twice. »This film is much better the second time. Really. It\\\\\\\'s not (just) marketing.« You can conclude this year\\\\\\\'s festival experience by seeing it once tonight in Kinoklub Vič.

'),(96,'Otvoritev LIFFe','

Sinoči smo na štirinajstdnevno pot slovesno pospremili že 17. LIFFe po vrsti.

Ob nagovoru programske direktorice Jelke Strgel in predsednika sveta Cankarjevega doma Aleša Čerina smo filmskemu najstniku zaželi nadaljnje uspešno življenje.

V pričakovanju romantičnega večera nas je kratki film Boštjana Hladnika v napetosti pripeljal do strastnega poljuba sredi velikega prometnega križišča.

Prijeten ogled Transilvanije nam je zaželel tudi najbolj pričakovani gost večera, Birol Ünel.

Za pravi uvod v lirično pravljico je poskrbela Ethnodelia jam s svojimi intenzivnimi ritmi, ki so nas popeljali v osrčje Romunije, v pokrajino Transilvanija. Skozi oči Zingarine in Čangala smo spoznali čisto nov, drugačen svet, z značilnimi pravili in običaji, ter kot pravi Čangalo Zingarini, samo ti, jaz in živali imajo radi cigane.

Mi pa ostajamo v pričakovanju sledi, ki jo bo pustil letošnji LIFFe.

',NULL,'2006-11-10','LIFFE oppening','

Last night at the gala opening we saw the 17th LIFFe set out on a two-week journey. Jelka Stergel, programme director, and Aleš Čerin, president of the CD Council, addressed the audience and wished our film teenager a successful future.

Looking forward to a romantic evening, a short film by Boštjan Hladnik led us to a passionate kiss in the middle of a busy crossroads. 

Birol Ünel, the longed-for guest of the evening, wished us to enjoy viewing Transylvania. 

Ethnodelia with their intense rythms made a just right introduction into a lyrical fairy tale and took us to Transylvania, the heart of Romania. Through the eyes of Zingarina and Tchangal, we discovered a whole new world with its own rules and habits and, as Tchangal said to Zingarina – only you, me and animals love gypsies. 

Our hope remains that this year\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s LIFFe will also leave its trace.

'),(97,'Vse zastonj','

V tej tragikomični odisejadi Goran, razočaran nad življenjem, kupi gostinski kombi in z njim potuje po bosanskih vaseh. Vsak dan se ustavi v drugem kraju in deli pijačo – vse zastonj. Zapravi vse, ostane sam, a pridobi ljubezen.

Tudi režiser in scenarist filma Antonio Nuić in glavna igralka Nataša Janjić sta se v Ljubljani ustavila le za en dan in se nam v Komuni pridružila po projekciji filma. Duh Bosne kot živa podlaga celotnega filma, predvsem pa značajskih potez glavnega junaka, se je v filmu prelil z ustvarjalčevo povezanostjo z domovino, ki povsod potuje z njim. Prav ta spontana odslikava sodobne Bosne, ki se končuje z grenko-sladko sevdalinko o skrivnosti ljubezni, je navdušila tudi ljubljanske gledalce.

',NULL,'2006-11-10','All For Free','

In this tragicomical odyssey Goran, disillusioned with life, buys a catering van and travels through Bosnian villages. Each day he stops at a different place and gives out drinks – all for free. He spends everything he has, remains alone, but finds love.

Director and scriptwriter Antonio Nuić and leading actress Nataša Janjić also stayed in Ljubljana just for one day. They joined us in Komuna cinema after the screening. The spirit of Bosnia as live foundation of the entire film and, above all, character traits of the protagonist spread into the film through creator\\\\\\\\\\\\\\\'s attachment to his country, which travels with him everywhere he goes. It was precisely this spontaneouss reflection of contemporary Bosnia, concluded with a bitter-sweet love song on mysterious love, that enraptured the audience in Ljubljana.

'),(98,'Ljudje pri delu','

Ta komedija absurda ne sodi med stereotipe, ki smo si jih gledalci ustvarili o iranskem filmu. Namesto značilne perzijske melodrame nam režiser Mani Haghighi ponuja svojevrstno komedijo o obsedenem podiranju falične skale. Religiozno-socialno tematiko iz okolja nižjih slojev, ki nam je poznana iz iranskih filmov, zamenja iz družbenega dogajanja iztrgana in povsem absurdna akcija skupine prijateljev, ki se vrača s smučanja. Film se tako idejno približuje sodobnemu evropskemu prikazovanju popačenja in izgube smisla, hkrati pa s svojo estetskostjo in sposobnostjo osredotočenja na posamezne nianse ostaja vseskozi iranski.

Na filmskem klepetu v Jazz Clubu Gajo sta nam ozadje in filmske podrobnosti razkrila igralca Fatemeh Motamed Arya in Ahmad Alij Hamed. In kaj pravita o mogočih skritih in manj skritih pomenih, ki jih daje slutiti film? Ne gre za globoko skrito abstraktno idejo. V življenju ves čas srečujemo skale, manjše in nekoliko večje, ta je bila pač zares velika.

',NULL,'2006-11-11','Men at Work','

This comedy of the absurd tears down stereotypes we created regarding Iranian film. Instead of a typical Persian melodrama, director Mani Haghighi offers us a unique comedy on an obsessive knocking over of a phallic rock. Religious and social topics of lower classes that we are familiar with from other Iranian films are replaced by a socially isolated and entirely absurd activity of a group of friends returning from a skiing trip. The idea of the film is similar to contemporary European displaying of disfiguration and loss of meaning, but at the same time remains entirely Iranian with its aesthetics and ability to focus on individual nuances.

Actors Fatemeh Motamed Arya and Ahmad Alij Hamed revealed us the background of the film during the talk in Jazz Club Gajo. And what did they say about possible hidden and less hidden meanings that can be suspected in the film? It is not about a deeply hidden abstract idea. We encounter rocks in life all the time – small ones, bigger ones... this was a really big one, that is all. 

'),(99,'Pot lubenic','S Potjo lubenic je ironično označena linija trgovine z ljudmi na bosansko-hrvaški meji. Obzorje obravnave te aktualne teme je tokrat intimno, osredotočeno na odnos med Mirkom, zasanjano dušo, ujeto v mafijsko trgovanje s prebežniki, in mlado Kitajko, po tragični nesreči ujeto v svetu, ki ga ne razume.

Na projekciji filma in pogovoru v Clubu Gajo sta se nam pridružila režiser filma Branko Schmidt in producent Stanislav Babić. Po ustvarjalčevih besedah osredinjanje na težavni položaj ujete Kitajke prikazuje tudi sodobno problematiko strahu pred vsem, kar nismo mi sami, in posledično zavračanje vsega tujega. Zanimiv pristop ob prikazovanju trka dveh svetov pomeni tudi umanjkanje podnapisov ob Kitajkinih poskusih navezave dialoga. S tem je gledalcu odvzeta vloga vsevednega opazovalca, njegov vpogled je omejen in združen z Mirkovim. Izjemno uspešna poglobitev v položaj glavnih likov in domišljeni prikaz aktualne problematike sta očitno prepričala tudi filmske kritike, saj je film v minulem letu dosegel priznanja na več festivalih, med drugimi veliko nagrado na festivalu v Montpellieru.',NULL,'2006-11-11','The Melon Route','The Melon Route ironically labels the route of human trafficking on the border between Bosnia and Croatia. The horizon of this topical subject is an intimate one, focusing on the relationship between Mirko, a dreamy soul, cought in mafia trading with illegal immigrants, and a young Chinese woman, who is, after a tragic accident, cought in a world she does not understand.

Director Branko Schmidt and producer Stanislav Babić joined us at the screening and in Jazz Club Gajo. Focusing on the problem of a Chinese woman, cought in a situation, also displays the contemporary problem of fear of everything that is not us, consequently rejecting everything unknown. Nonexistent subtitles when the Chinese woman tries to establish a dialogue is also an interesting approach to displaying collision of two worlds. Spectator is deprived of his omniscient observer role, his insight is limited and, in this way, united with the one of Mirko. Extremely successful absorption into circumstances of protagonists and elaborate display of topical problems obviously also convinced the critics – the film was awarded at several festivals last year, receiving the Grand Prix at the Montpellier festival, among others.'),(100,'Pot v Guantanamo','

Odmevni britanski dokumentarec prikazuje usodo štirih Muslimanov, ki so bili med ameriškim napadom zajeti v Afganistanu in brez obtožnice ali smiselne podlage zanjo poslani v vojno oporišče Guantanamo. Film je nastal kot osmislitev skoraj treh let, izgubljenih v peklu na Kubi, njegov glavni namen pa je prikazati guantanamsko resničnost in poziv k zaprtju nelegitimnega vojnega oporišča.

Ob okrogli mizi po filmu sta se nam v nabito polni sejni dvorani pridružila junaka dokumentarca Ahmed Rhuhel in Rasul Shafiq ter predstavila še širši okvir svoje »poti v Guantanamo«: »Bila sva mlada in naivna, položaj v Afganistanu sva slabo poznala in nikakor nisva pričakovala, da se lahko prestop pakistansko-afganistanske meje konča z vojaškim zaporom,« sta nam povedala Britanca. Preživela sta dve leti in pol psihičnega in fizičnega nasilja, vsak dan so ju spraševali, kje se skriva Osama Bin Laden. Pomagala jima je predvsem vera, pravita: »Globoko verna sva postala šele na Kubi; zanimalo naju je, kaj v islamu Američani tako sovražijo, poglobila sva se vanj in pomagal nama je preživeti.« Danes Ahmed in Rasul potujeta skupaj s svojim filmom ter poskušata ljudem prikazati grozo dogajanja in absurdnost vojaških zaporov demokratične države. Vsak ogled filma, ki je na festivalu prikazovan v sklopu predpremier, bo tako njunim izgubljenim letom odvzel droben del nesmiselnosti.

',NULL,'2006-11-12','The Road to Guantanamo','

This resounding British documentary shows the destiny of four Muslims who were captured in Afghanistan during the American assault and sent to the military base in Guantanamo without any indictment or reasonable grounds for it. The film puts reason to almost three years lost in Cuban hell; its main purpose is to show the Guantanamo reality and appeal to close down this illegitimate military base. 

Ahmed Rhuhel and Rasul Shafiq, protagonists of the documentary, joined us at the well attended round table and presented the broader perspective of their “road to Guantanamo”. “We were young and naïve, we did not know well what the situation in Afghanistan was like, and we definitely did not expect that crossing the Pakistani-Afghan border could end in military prison,” told us the Brits. They survived two and a half years of psychological and physical violence, during which they were asked questions about the location of Osama Bin Laden every day. Faith was what helped them survive. “We only became deeply devout in Cuba. We wanted to know what it was in Islam that Americans hated so much. We began to study it and it helped us survive.” Today, Ahmed and Rasul travel with their film and try to show people the horror of reality and the absurdity of military prisons existing in a democratic country. Each viewing of the film (part of the Avantpremieres section) will take away a small part of nonsense from their lost years.

 

'),(101,'Zimsko potovanje','S snemanjem dokumentarnih filmov se je začela tudi ustvarjalna pot Hansa Steinbechlerja, režiserja filma Zimsko potovanje. Na klepetu v Jazz Clubu Gajo nam je zaupal, da se je k domišljijskemu filmu preusmeril, ker ima občutek, da je dokumentarna objektivnost zgolj navidezna, fikcija pa zahteva večjo verjetnost. Tako se je poglobil tudi v vlogo Franza, glavnega junaka Zimskega potovanja, ter ustvaril izredno živ in prepričljiv lik. Franz, uspešen mož, oče in poslovnež v zrelih letih, nasede prevari in vloži denar v posel v Afriki, nato pa v želji, da bi dobil denar nazaj, odpotuje za njim. K prepričljivosti je pripomogla tudi izbira igralcev, saj je v glavni vlogi nastopil amaterski igralec, kmet Josef Bierbichler. Snemanje z nešolanim igralcem, iz katerega je treba vleči igralske sposobnosti, je Hans Steinbechler opisal kot izredno naporno, a zabavno, o uspešnosti njunega sodelovanja pa se lahko prepričate na današnjih dveh projekcijah.',NULL,'2006-11-12','Winter Journey','The creative path of Hans Steinbechler, director of Winter Journey, also began by making documentaries. In Jazz Club Gajo he told us that he switched to fiction films because he had a feeling that objectiveness of documentaries was only apparent and that it was fiction which demanded stronger likelihood. He approached the role of Franz, protagonist of Winter Journey, in the same way and created a hero who is very much alive and convincing. Franz, a successful middle-aged husband, father and businessman, is tricked into investing money in Africa and then travels there in order to get it back. Casting was very important also; amateur actor, farmer Josef Bierbichler, created a convincing leading role. Filming with untrained actor, where he needed to pull out his acting abilities, was for Hans Steinbechler extremely difficult but fun. You can see the result of their successful cooperation at today’s two screenings.'),(102,'Postopoma','

Na pogovoru v Jazz Clubu Gajo se nam je pridružil tudi Mohammad-Reza Forutan, glavni igralec iranskega filma Postopoma. Film se osredotoča na lik Mahmuda, razpetega med pričakovanja predsodkov polnega družbenega okolja in ljubeznijo do žene, ki z odhodom od doma vso družino podvrže kritičnim očem družbe. Umetniku je bil lik Mahmuda blizu, vživel se je vanj ter si pri njegovem ustvarjanju pomagal predvsem z intuicijo in poglobitvijo v svoje čustvovanje. »Končna Mahmudova odločitev za nov začetek z ljubljeno žensko zbuja upanje in v tem vidim največji čar tega filma,« nam je zaupal Forutan, ki se bo gledalcem na filmskem klepetu pridružil tudi danes po projekciji filma v Kinoklubu Vič.

',NULL,'2006-11-12','Winter Journey','

The creative path of Hans Steinbechler, director of Winter Journey, also began by making documentaries. In Jazz Club Gajo he told us that he switched to fiction films because he had a feeling that objectiveness of documentaries was only apparent and that it was fiction which demanded stronger likelihood. He approached the role of Franz, protagonist of Winter Journey, in the same way and created a hero who is very much alive and convincing. Franz, a successful middle-aged husband, father and businessman, is tricked into investing money in Africa and then travels there in order to get it back. Casting was very important also; amateur actor, farmer Josef Bierbichler, created a convincing leading role. Filming with untrained actor, where he needed to pull out his acting abilities, was for Hans Steinbechler extremely difficult but fun. You can see the result of their successful cooperation at today’s two screenings. 

'),(103,'Postopanje','

Film prikazuje preplet samosvojega brezciljnega postopanja Sebastijana in Alexa, mladih dunajskih poslovnežev brez življenjske vizije, ki čas zabijata z neokusnimi šalami na tuj račun. Tudi Kallmanovo življenje je precej enolično, razpeto med alkohol in stare pivske prijatelje, dokler ga zabave željna delomrzneža spečega in polzavestnega ne spravita v svoj avto, odpeljeta čez mejo in ga brez dokumentov pustita v češkem mestecu. Šokirani pijanec sedaj tava po zasneženih čeških gozdovih, naveličana Alex in Sebastijan pa po dunajskih ulicah, ki jim ne uspe prebiti njune otopelosti.

Po projekciji filma se nam je pridružil Paulus Manker, ki je blestel v vlogi Kallmana. Prav moč njegove igre je lik klateža iz pasivne vloge žrtve postavila v ospredje. »Počasi sem preraščal meje stranskega lika,« je povedal Manker, »ljudi pač bolj zanima obzorje klateškega pesnika kot pa dveh razvajenih bogatašev in na koncu smo nekatere moje prizore celo izrezali, da se ne bi tehtnica povsem prevesila v moj prid.« Vlogo je tako prepričljivo odigral predvsem zato, ker ni šlo za golo igranje, tako po trikratni ponovitvi prizora s padcem v zamrznjeno jezero ni bilo treba igrati drgetanja in šklepetanja z zobmi, k domišljeni koordinaciji telesa ob pijanskem opotekanju pa je pripomogel alkohol. V lik je vnesel tudi velik del svoje osebnosti, s pomočjo vživetja in improvizacije, ki jo je omogočil precej odprt scenarij, sta se Manker in Kallman zlila v enoten, živ in prepričljiv lik.

Največji igralski izziv pa je Mankerju pomenila prevladujoča monoigra. »Prek sogovornika izoblikuješ svoj lik, v tem filmu pa v večini prizorov nastopam sam in lik sem moral tvoriti prek dialoga s kamero,« nam je še zaupal avstrijski igralec.

',NULL,'2006-11-13','Slumming','

The film shows the intertwining of aimless slumming of Sebastian and Alex, young Viennese yuppies without any vision of life who spend their time playing insipid tricks on people, and Kallmann, whose monotonous life is torn between alcohol and old drinking buddies until one day the two shirkers looking for fun find him sleeping half conscious, stow him into their car, drive him across the border and leave him without any documents in a Czech town. The shocked drunkard now wanders through Czech snow-covered forests and bored Alex and Sebastian wander through the streets of Vienna, not being able to change their apathy.

Paulus Manker, starring as Kallmann, joined us after the screening. It was the power of his acting that put the character of a vagabond from a passive role of a victim into the foreground. »I slowly outgrew the limits of a supporting character,« said Manker. »People are more interested in the world of a vagabond poet than that of two spoiled rich guys. In the end we even cut out some of my scenes, in order not to tip the scale in my favour entirely.« He was so convincing in his role because it was not pure acting; after repeating the scene of falling into a frozen lake three times, it was not necessary to act shivering and teeth chattering and alcohol contributed its share to the elaborated coordination of the body when staggering. He also put a lot of his own personality into the character. With improvisation, enabled by quite an open script, Manker and Kallmann merged into a unified, live and convincing character.

The prevailing mono-acting was the biggest challenge for Manker. »You form your character through the person you talk to, but I was on my own in most of the scenes in this film and I had to form my character through a dialogue with the camera,« told us the Austrian actor.

'),(104,'Duh današnje zgodbe v filmu in literaturi','

Na okrogli mizi Duh današnje zgodbe v filmu in literaturi, ki smo jo pripravili v sodelovanju z MEDIA deskom, povezoval jo je Martin Srebotnjak, so sodelovali: Clare Downs, Marko Naberšnik, Ana Lasič, Metod Pevec, Maja Weis in Dušan Šarotar.


Beseda je tekla predvsem o predelavi literarne zgodbe v filmski scenarij, o problemu, da v Sloveniji na platnu ne vidimo velikih zgodb, da te ne obravnavajo nujno vojn in velikih političnih sprememb, da je zgodba velika tudi, če se osredini na človeško trpljenje, preživetje ljudi v slabih razmerah, se pravi, da film dobi dobrega glavnega junaka, da je njegov značaj dodelan.

Veliko je bilo povedanega tudi o »script doctoring«, prvi pomoči, ki jo lahko dobijo slovenski scenariji od tujih strokovnjakov. To pomoč nekateri že uporabljajo, tako da upamo, da bomo v prihodnje na platnih gledali večje slovenske zgodbe.

',NULL,'2006-11-13','The Spirit of Contemporary Story in Film and Literature','

The Spirit of Contemporary Story in Film and Literature, round table organised together with MEDIA desk, was hosted by Martin Srebotnjak. Participants: Clare Downs, Marko Naberšnik, Ana Lasič, Metod Pevec, Maja Weis and Dušan Šarotar.


The topics of discussion were: adaptation of a literary story into a film script; the problem related to not having great stories on the screen in Slovenia; great stories do not necessarily deal with war and huge political changes; a story can also be great if focusing on human suffering and survival in bad conditions, in other words, a film should have a good protagonist, his character should be elaborated.

A lot was said about »script doctoring«, first aid that Slovene scripts can get from foreign experts. Some already use this help, so there is still hope that we will be seeing great Slovene stories on the screen in the future.

'),(105,'Sprejem Avstrijskega veleposlaništva','Avstrijsko veleposlaništvo je včeraj v Penklubu priredilo večerjo za goste in vodje festivala.',NULL,'2006-11-13','Reception of The Austiam Embassy','The Austrian embassy organised a dinner for festival guests and management yesterday evening in Penklub.'),(106,'Rubežnik','

V tej poljski drami spremljamo osebni razvoj Luceka, sprva neusmiljenega, z zakonom in redom obsedenega rubežnika, ki pa ga tragične posledice lastnih dejanj spreobrnejo, zato se poskuša odkupiti za svoje grehe.

Feliks Falk, režiser Rubežnika, nam je zaupal, da ga je scenarij navdušil predvsem z izjemno osebnostjo glavnega lika. Falk je glavnega junaka opisal kot obsedenega z redom. Bil naj bi kot diktatorji, ki se nam ne zdijo nevarni, dokler jim obsedenost z neko idejo ne zameji pogleda. Pomemben del k filmski zgodbi pa dodaja tudi rubežnikovo okolje, v katerem spoznavamo enega najmanj razvitih delov Poljske. »Takšni so bili najrevnejši predeli Poljske, ko sem začel snemati film. Sedaj, po priključitvi v Evropsko unijo, je drugače, saj brezposelnost upada,« je povedal režiser. Beda, v katero stopa rubežnik in jo še poudarijo temni prizori, tako prikazuje predvsem manj prijazno plat te slovanske države.

',NULL,'2006-11-14','The Collector','

This Polish drama follows the personal growth of Lucek, a ruthless bailiff obsessed with law and order at first, but later converted by tragic consequences of his acts. He then tries to redeem for his sins.

Director Feliks Falk joined us after the screenings and told us that it was the exceptional personality of the protagonist which impressed him in the script. Falk described the main character as a person obsessed with order. He is like dictators who do not seem dangerous until they become obsessed with certain idea that blurs their vision. The collector’s surroundings contribute an important part of the story, reflecting one of Poland’s least developed parts. »The poorest parts of Poland were like that when we started to shoot the film. After joining the EU things have changed; unemployment is decreasing,« said the director. Misery, into which the collector is entering, is stressed by dark scenes, displaying the less agreeable part of this Slavic country.  

'),(107,'Namizni tenis','

Na filmskem klepetu se nam je pridružila tudi scenaristka filma Namizni tenis Meike Hauck. Zaupala nam je, da je scenarij – prikazuje zapletena nesoglasja v bogati nemški družini, ki do prihoda katalizatorja iz zunanjega okolja ostajajo potlačena, nato pa z vso silo udarijo na plan – delno avtobiografski. »Tudi v moji družini je bilo vedno vsega dovolj, ur klavirja, baleta … manjkala pa je ljubezen,« je povedala Hauckova. Odtujitev, otopelost, potlačitev in beg v naslado so glavne niti, po katerih poteka scenarij, ter delajo film še kako aktualen. Njegova glavna odlika pa je gotovo izjemna poglobitev v duševne značilnosti glavnih likov, podkrepljena z dobro igro razmeroma mladih igralcev.

Za vse, ki vas je družinska zgodba Namiznega tenisa prepričala, pa morda še podatek, da Meike Hauck že oblikuje nova scenarija, na kratko opisana kot politična spletka in umor brez motiva.  

',NULL,'2006-11-14','Pingpong','

Meike Hauck, scriptwriter of Pingpong, also joined us for a talk. She told us that the script – showing complex conflicts within a rich German family, which remain suppressed until the arrival of an outside catalyst and then break out withal their might – is partially autobiographical. »My family also always had everything. Piano lessons, ballet … What was missing was love,« said Hauck. Alienation, apathy, suppression and escape into pleasure being the main threads of the script make the film even more topical. Its distinctive feature is certainly an exceptional absorption into psychological profiles of protagonists, supported by good performance of relatively young actors.

Additional information for all of you who found the family story of Pingpong convincing - Meike Hauck is already working on two new scripts, which could, in a few words, be described as political intrigue and murder without a motive.   

'),(108,'Francoski Inštitut Charles Nodier, sprejem','Pred filmom Parter je Francoski inštitut Charlesa Nodiera priredil sprejem v Klubu Cankarjevega doma, večer je pripravil direktor francoskega inštituta. Prijazno pa nas je nagovorila nova francoska veleposlanica.',NULL,'2006-11-14','Institut Francais Charles Nodier, reception','

The French Institute Charles Nodier held a reception in CD Club before the screening of Orchestra Seats. The evening was organised by the director of the Institute and the new French ambassador kindly addressed the audience.

'),(109,'Za ljubi kruhek','Film je naslovljen po prvencu Mohameda Choukrija, izjemno uspešnega in kontroverznega severnoafriškega pisatelja. Ta avtobiografski roman je bil podlaga za filmsko zgodbo o Choukrijevem življenju, polnem globokih padcev in izjemnih vzponov. Roman je v nekaterih muslimanskih deželah še vedno prepovedan, film kot njegov glasnik pa si utira pot in v Maroku, kjer je prešel strogo cenzuro, je bil odziv gledalcev izjemno dober. Z njim potuje igralka Marzia Tedeschi, ki se nam je pridružila tudi v Ljubljani in je, kot pravi sama, postala že nekakšna glasnica filma. Ozračje na snemanju je opisala kot sveto, saj je film v enoten projekt povezal izredno različne ljudi, v dialogih med ustvarjalci pa so se mešale francoščina, italijanščina in arabščina, zato je bilo treba premagati jezikovne barikade. Nekaj posebnega je bila v snemalnem ozračju in tudi samem filmu gotovo tudi navzočnost samega Mohameda Choukrija, ki v zadnjem prizoru celo nastopi. Film pomeni tudi počastitev tega izjemnega ustvarjalca, ki je preminil med ustvarjanjem filmskega spomenika njegovemu življenju.',NULL,'2006-11-15','For Bread Alone','The title of the film is taken from Mohammed Choukri\\\'s first book. This autobiographical novel was a basis for the story about this extremely successful and controversial North-African author, whose life was full of deep downfalls and exceptional ascents. The novel is still forbidden in some Muslim countries, but the film as its herald has been making its way and was very well received by the audience in Morocco, where it passed severe censorship. Actress Marzia Tedeschi is travelling with the film. She also joined us in Ljubljana, describing the atmosphere at the filming as holy, because the film united many different people in one project. They had to pass over linguistic barriers as there were French, Italian and Arab languages used in dialogues among the creators. Mohammed Choukri being present at filming contributed a personal note to the atmosphere at the set and to the film itself. He even appears in the last scene of the film. The film is a tribute to this exceptional author, who died during the making of the memorial to his life.'),(110,'Nafaka','

V prvi vrsti je Nafaka film o ljudeh, prebivalcih Sarajeva, šele nato tudi vojni film o Sarajevu. Po projekciji sta se nam pridružila igralec Senad Bašić in režiser Jasmin Duraković, ki je poudaril, da je ena glavnih filmskih idej upanje, saj film navsezadnje prikazuje možnost življenja v slogi, ne glede na različno narodnostno in kulturno poreklo, ki ga združita prostor in čas. Sooblikovala naj bi ga množica avtobiografskih elementov, ki pa so razpršeni med različne like in dogodke, mnogi prizori pa temeljijo tudi na vojnih anekdotah in tako vnašajo živi tragikomični duh medvojne Bosne. Nafako v prihodnjih mesecih čaka odisejada po deželah nekdanje Jugoslavije, med njimi tudi vrnitev v zasneženo Ljubljano.

',NULL,'2006-11-15','Nafaka','

Above all, Nafaka is a film about people, about the people of Sarajevo. Only then it is also a war film, a film about the Sarajevo war. Actor Senad Bašić and director Jasmin Duraković joined us after the screening. The director stressed that hope is one of the film\\\'s main ideas. The film shows a possibility of living in concord, irrespective of different national and cultural origins which are merged by space and time. It was co-created by a number of autobiographical elements, which are dispersed between different characters and events. Many scenes are based on war anecdotes, bringing to the film live tragicomical spirit of wartime Bosnia. Nafaka will face an odyssey through the countries of former Yugoslavia in the next months and will also re-visit the snow-covered Ljubljana.

'),(116,'Divje kampiranje','

Resnična zgodba o Romeu in Juliji


Christophe Ali in Nicolas Bonilauri, ki sta nas obiskala tudi v Ljubljani, sta film Divje kampiranje ustvarila na podlagi resničnih dogodkov. Ljubezenska zgodba med najstniško Camille in poročenim učiteljem jadranja je ujeta v okolje kampa, ki deluje kot miniaturna podoba zadrgnjene malomeščanske družbe. Želja po svobodi, katere priokus v filmsko zgodbo vnašajo dolge nočne pasaže ob morju, se konča s Camillinim samomorom in Blaisovim zlomom ob nezmožnosti slediti dejanju ljubljene. »Ljubše nama bi bilo, če bi Blais sledil Camilli, a sva ostala zvesta resnični zgodbi,« sta povedala ustvarjalca. »Spremenila sva le imena in kraj dogajanja, vse drugo je odslikava resničnosti.« Zgodba o nesrečnih ljubimcih, razpetih med zatohlo družbo in oddaljeno obljubo skupne svobode, je torej še kako aktualna, in to ne le v umetnosti, temveč tudi v okviru vsakdanjega življenja. Nekaj posebnega je Divje kampiranje tudi zaradi izjemne vzpostavitve intimnega ozračja, tako z naravnim okoljem, prevladujočo poltemo in zanimivimi snemalnimi koti kot tudi s poudarjeno telesno govorico obeh glavnih likov.

',NULL,'2006-11-18','Wild Camp','

Romeo and Juliet – a true story


Our guests, Christophe Ali and Nicolas Bonilauri, based Wild Camp on a true story. The love story between teenage Camille and a married sailing instructor is trapped in the holiday camp environment, functioning as a miniature image of a reserved, narrow-minded society. The desire for freedom, reflected in long night passages at sea, ends with Camille\\\'s suicide and Blaise\\\'s breakdown when he is not capable of following her beloved. »We would have preferred it if Blaise followed Camille, but we stuck to the original story« told us the filmmakers. »We only changed the names and the place, everything else is a reflection of reality.« The story of unhappy lovers, torn between the stuffy society and a remote promise of freedom is more than topical, not only in art but also in everyday life. Wild Camp is also special because of an exceptional setting up of intimate atmosphere – natural environment, prevailing semidarkness, interesting filming angles, as well as exposed body language of the protagonists.

'),(112,'Solidarnost, Solidarnost …','

Na 17. LIFFe smo si lahko ogledali omnibus trinajstih poljskih režiserjev, ki so se lotili obravnave današnjega deleža kohezivne moči delavskega gibanja iz zgodnjih osemdesetih. Režijski komentarji pomena te legendarne delavske stavke se sicer v odtenkih razhajajo, a v enem so si enotni: danes na Poljskem duha solidarnosti ni več. Kar je ostalo od Solidarnosti, so zgolj cinične pripombe tranzicijskih tajkunov, ki se v svojih poslovnih palačah dobro zavedajo dvomljivosti svoje poti na oblast. Naš gost je gospod Feliks Falk, eden od režiserjev omnibusa in režiser filma Rubežnik, ki bo rad odgovarjal na vprašanja v zvezi s svojim delom.

',NULL,'2006-11-16','Solidarity, Solidarity ...','

An omnibus of thirteen Polish directors was shown at the 17th LIFFe. In Solidarity, Solidarity... they wonder to what extent the cohesive power of the labour movement from the early eighties has been preserved until today. Directors\\\' comments contribute different meanings to this legendary strike, but they agree in one point – the spirit of solidarity no longer exists in Poland. What is left of Solidarity are just cynical remarks of transition tycoons, who are, sitting in their palaces, well aware of their questionable way to the top. We are hosting Feliks Falk, one of the directors of the omnibus and director of The Collector. He will gladly answer your questions regarding his projects.

 

'),(113,'Sprejem Irskega veleposlaništva','Po projekciji filma Veter, ki trese ječmen je irsko veleposlaništvo v Klubu Cankarjevega doma priredilo sprejem za goste in organizatorje festivala.',NULL,'2006-11-17','Reception of the Irish embassy','The Irish embassy held a reception for guests and organisers after the screening of The Wind that Shakes the Barley in Club CD.
'),(114,'Zbogom, Berlusconi!','S tiho italijansko cenzuro se srečuje Zbogom, Berlusconi!, film o snemanju filma, ki prikazuje ugrabitev takrat še aktualnega italijanskega predsednika vlade. Ta domišljena iluzija dokumentarca navdušuje po vsem svetu, medtem ko mu vrata k italijanskemu občinstvu ostajajo zaprta. »Takšna je sodobna cenzura,« je dogajanje komentirala Lucia Chiarla, igralka in scenaristka filma, ki nas je obiskala v Ljubljani. »Nihče ti ne reče – tega ne smeš početi! Pa vendarle ...« Najprej se je zapletlo pri produkciji, zato je film o aktualni italijanski politiki pravzaprav nemški. Sedaj, ko je film objadral že vso Evropo in Združene države Amerike, pa njihov italijanski distributer zavlačuje s predvajanjem, tudi na domače festivale niso vabljeni. Izjema je bil festival v Torinu, kamor je bil Zbogom, Berlusconi! sprva povabljen, po grožnji države, da v primeru prikazovanja festival ne bo prejel državne podpore, pa je bila ponudba umaknjena.

Vsekakor ne navdušujejo le škandali, ki spremljajo prikazovanje filma. Aktualna tematika, dodelan humor in metafikcijski postmoderni elementi tvorijo zabavno in v vseh pogledih sodobno satiro. Lucia Chiarla pa že načrtuje snemanje nove, morda prav tako kontroverzne iluzije dokumentarnega filma, tokrat o brezposelnih v Nemčiji.',NULL,'2006-11-17','Bye Bye Berlusconi!','Silent Italian censorship is what Bye Bye Berlusconi! is facing. It is a film about making of a film on kidnapping of the then Italian prime minister. This elaborated illusion of a documentary is successful all over the world, however, the doors to Italian audience remain closed. »Such is modern censorship« commented actress and scriptwriter Lucia Chiarla, who visited us in Ljubljana. »Nobody says – You cannot do that! – but still…« First there were problems with production, that is why the film on current Italian politics is actually German. After the film has travelled throughout Europe and USA, there are delays on the part of the Italian distributor and the film is not invited to Italian festivals. The festival in Torino was an exception – Bye Bye Berlusconi! was at first invited there but their offer was withdrawn after the state had threatened not to finance the festival.

Not only accompanying scandals is what enraptures the audience. Topical subject, elaborated humour, and meta-fictional postmodern elements create an entertaining, contemporary satire. Lucia Chiarla is already planning to make a new, perhaps just as well controversial illusion of a documentary on the enemployment in Germany.'),(115,'Picerija Kamikaze','

»Ta film je naravnost srčkan«

Tako je na filmskem klepetu Picerijo Kamikaze, absurdno komedijo o vicah za samomorilce, komentirala navdušena gledalka. Ameriški film hrvaškega režiserja Gorana Dukića, ki se je pridružil pogovoru v Jazz Clubu Gajo skupaj z igralko in producentko filma Mikal P. Lazarev, gradi pravo pot uspeha že od samega začetka. »Nič ni šlo narobe z ničimer,« je povedal Dukić, a Lazareva kot predstavnica producentov je dodala: »Vse je šlo narobe, kot ponavadi.« Prikupni film, zasnovan na izvirni ideji in začinjen s sladkimi malenkostmi, je postal ljubljenec občinstva. Tako na festivalih po Združenih državah Amerike kot na Hrvaškem – v drugi domovini filma ─ je požel kar nekaj nagrad, predvsem od občinstva. Na Ljubljanskem filmskem festivalu, na katerem je vključen v Perspektive, pa sta očitno navdušili tako zamisel kot njena izvedba, o čemer pričajo nabito polne dvorane in komentarji o preprosto navdušujočem filmu.

',NULL,'2006-11-17','Wristcutters: A Love Story','

This film is absolutely cute!

said enthusiastically one of the viewers at our talk on Wristcutters: A Love Story, absurd comedy on purgatory for suicides. This American film made by Croatian director Goran Dukić, who joined us in Jazz Club Gajo together with actress and producer Mikal P. Lazarev, is on the right path of success from the very beginning. »Nothing went wrong« said Dukić, but Lazarev, as a representative of producers, added »Everything went wrong, as usual«. Attractive film, based on an original idea and spiced with sweet details, became audience\\\\\\\'s favourite. It received several awards (mainly audience awards) at festivals in USA as well as in Croatia, film\\\\\\\'s second homeland. The idea and the realisation of the film also enraptured the audience at LIFFe, where the film is included into the Perspectives. The theatres are crammed and the comments are simply enthusiastic.

'),(117,'Ahlaam','Po ugrabitvi, grožnji s smrtjo in zaporu je režiser nadaljeval snemanje

Po dolgem času iraškega filmskega molka v kinodvorane prihaja Ahlam – preplet treh zgodb, ujetih v okolje vojnega Bagdada leta 2003. Izjemno konflikten položaj v iraški družbi pionirski filmski ekipi še zdaleč ni pustil proste poti pri ustvarjanju in samo zaradi skrajne predanosti in trme režiserja in scenarista Mohameda Al-Daradjija si lahko na festivalu ogledamo ta iraški vojni film. Na filmskem klepetu nam je ozadje snemanja razkril montažer Ian Watson. Ustvarjanju so nasprotovali predvsem zagovorniki politike Sadama Huseina, saj so trdili, da gre za ameriški propagandni film. Med snemanjem je prišlo do streljanja, ugrabitve štirih oseb iz filmske ekipe, brutalnega pretepanja in groženj s smrtjo, ki so ji ušli le po spletu srečnih okoliščin. Po prekinitvi nočne more pa so jih iz bolnišnice, kamor so pripeljali ranjene, ugrabili še Američani. Kalvarija se je nadaljevala v ameriškem zaporu, od koder so jih spustili šele po posredovanju nizozemskega veleposlaništva. Vse to pa filmske ekipe ni ustavilo in Al-Daradji je nadaljeval snemanje svojega celovečernega prvenca. Ahlam ima tako izjemno umetniško kot tudi dokumentarno vrednost.

Ljubljanski gledalci so s projekcij prihajali tihi in zamišljeni, s solzami na licih. Film se gledalca dotakne prav z osredotočenjem na male zgodbe posameznikov, ujetih v grozljivi primež vojne.

Medtem ko gledalce po svetu pretresa grozljiva resničnost minule iraške vojne, pa se za filmsko ekipo nadaljuje življenje pod grožnjo smrti. Glavna igralka Aseel Adel si zaradi prizora, ki namiguje na posilstvo, v strahu za življenje ne upa več zapustiti doma.',NULL,'2006-11-19','Ahlaam','

The director continued filming after kidnapping, death threats and prison


After a long period of Iraqi film silence, Ahlaam is coming to the big screen – three intertwined stories, trapped in wartime Baghdad of 2003. The extremely conflict Iraqi society was far from letting the film crew have free play in their creation. We are able to see this Iraqi war film only because of exceptional commitment and stubbornness of the director and scriptwriter Mohamed Al-Daradji. Editor Ian Watson talked to us about the background of filming. Supporters of Sadam Husein’s politics were mainly against this film, because they saw it as an American propaganda film. During the making of the film, there was shooting, kidnapping of four crew members, brutal beatings and death threats. They were lucky to escape death. After the nightmare was over, the Americans kidnapped them from the hospital where they took the wounded. The calvary continued in the American prison, from which they were only released after the intervention of the Dutch embassy. But all this did not stop the crew and Al-Daradji continued shooting his feature debut. 

Ahlaam is a film of exceptional artistic as well as documentary importance. The audience in Ljubljana was leaving the hall quiet and thoughtful, with tears in their eyes. The film touches the viewer with its focus on small stories of individuals, trapped in horrible vice of war.

While viewers all over the world are shocked by the horrible reality of the Iraqi war, the film crew continues to live under death threat. Protagonist Aseel Adel, in fear of her life, is afraid to leave her home because of the scene insinuating rape. 

'),(118,'Sprejem Turškega veleposlaništva','Po filmu Podnebje je turško veleposlaništvo v Prvem preddverju Cankarjevega doma pripravilo sprejem za vse gledalce.',NULL,'2006-11-19','Turkish Embassy reception','

After the screening, a reception in the 1st Foyer of Cankarjev dom was organised by the Turkish embassy for all viewers of the film Climates.

'),(119,'Opice pozimi','

Materinska ljubezen v senci družbenih predsodkov

V filmu Opice pozimi, celovečernem prvencu bolgarske režiserke Milene Andonove, se prepletajo tri zgodbe. Vsaka od njih se osredotoča na drug ženski lik, primarno povezan s svojimi potomci ter hkrati ujet v primež tradicionalistične in šovinistične družbe, ki po eni strani odslikava specifično bolgarsko resničnost, po drugi pa drži zrcalo vsej evropski družbi.

Na pogovoru po projekciji je Andonova kot glavno gonilo spornih dogodkov poudarila trk med naravnim in notranjim ter želenim in zunanjim. Tudi naslov naj bi nakazoval predvsem človekovo živalskost, vezano na notranje vzgibe, ki jih prepogosto zatiramo, in hkrati izpostavil človekovo večplastno povezavo z okoljem.

Po projekciji se nam je na filmskem klepetu pridružila tudi Bonka Ilieva-Boni, ena od glavnih igralk. Boni – bolgarska zvezda pop-folk glasbe – nam je razkrila, da je bila med svojo prvo igralsko preizkušnjo najprej zelo previdna in zadržana, saj se je bala, da gre za skrito kamero, pozneje pa se je sprostila in v igranju zelo uživala. Strah pred skrito kamero pa ni bil tako neupravičen, saj se je v njeno past pred mesecem dni ujela ob neki drugi priložnosti.

',NULL,'2006-11-20','Monkeys in Winter','

Love of a mother in the shadow of social prejudice

Monkeys in Winter, feature debut of Bulgarian director Milena Andonova, shows us three intertwined stories. Each of them focuses on another female character, who is linked to her children and at the same time trapped in a vice of traditionalist chauvinistic society, reflecting specific Bulgarian reality on one hand and entire European society on the other. 

After the screening, Andonova highlighted the crash between the natural and the inner and between the wanted and the outer as the main driving power of conflict situations. The title itself indicates man\\\'s bestiality linked to inner impetus that we often suppress and at the same time stresses man\\\'s multi-layered connection to the environment.

Bonka Ilieva-Boni, one of the protagonists, also joined us after the screening. Boni – Bulgarian pop-folk star – told us that she was at first very careful and reserved during her first-time filming experience, because she was afraid that it was a hidden camera. Later she relaxed and enjoyed acting very much. Her fear of a hidden camera was not unjustified, though, she had an experience with it a month ago. 

'),(120,'Jutri zjutraj','

Biti tujec v dveh domovinah

S problematiko izseljencev se v svojem tretjem celovečercu Jutri zjutraj ukvarja Oleg Novković, srbski  režiser, ki se nam je skupaj z Mileno Marković – scenaristko filma pridružil tudi na filmskem klepetu v Jazz Clubu Gajo. »Problem izseljevanja je v Srbiji še vedno aktualen,« je povedal Novković. »Izseljenec nikoli ne postane del nove družbe; ko se vrne domov, pa je vse tuje.« Na to tragiko odtujenosti, ki se na koncu zgrne na večnega »tujca« in se odslikava tudi v človekovem notranjem svetu, se osredotoča tudi Jutri zjutraj. Ta nizkoproračunski celovečerec, označen tudi kot prvi srbski film, ki se spogleduje z načeli Dogme 95, je bil do sedaj nagrajen na kar 17 festivalih.

',NULL,'2006-11-21','Tomorrow Morning','

A foreigner in two homelands

In his third feature, Tomorrow Morning, Serbian director Oleg Novković deals with the problem of expatriates. He and scriptwriter Milena Marković joined us in Jazz Club Gajo. »The problem of emigration was and still is present in Serbia« said Novković. »An emigrant never becomes a part of the new society and everything is strange to him when he returns home.« Tomorrow Morning focuses on the tragedy of alienation, which in the end throngs the eternal »foreigner« and is also reflected in man\\\'s inner world. This low-budget feature film, said to be the first Serbian film flirting with the principles of Dogma 95, has received awards at as many as 17 festivals.

'),(121,'Kaj je moški brez brkov?','»Cerkev pametno molči, s tako pametno politiko se je namreč obdržala 2000 let,«

je nemi odziv katoliške Cerkve na svoj najnovejši film Kaj je moški brez brkov? komentiral režiser Hrvoje Hribar. Dalmatinska komedija prikazuje ljubezensko iskrenje med mlado vdovo in očarljivim župnikom. »Prepričan sem, da so si nune ogledale ta film in sanjarile ob očarljivem duhovniku.« Kaj je moški brez brkov? je prikupna in zabavna komedija, ki jemlje pod drobnogled najstarejši in najmočnejši organizaciji – Cerkev in vojsko. »Nekateri festivali so nad filmom navdušeni, drugje trdijo, da gre za komedijo, namenjeno množicam,« nam je zaupal Hrvoje. »Tu v Ljubljani je bil film zelo dobro sprejet. Čeprav sem bil opozorjen, da ste zadržana publika, sem po projekciji v Cankarjevem domu doživel enega najprijetnejših klepetov z gledalci. Publika je bila nasmejana in zgovorna.« Hrvojev film, ki je bil na Hrvaškem prava uspešnica, decembra prihaja tudi v Ljubljano.',NULL,'2006-11-21','What is a Man Without a Moustache?.','»The church is wisely quiet; such a clever policy has kept it in place for 2000 years«

This is how director Hrvoje Hribar commented the silent response of the catholic church to his latest film What is a Man Without a Moustache?. Dalmatian comedy shows us love sparkling between a young widow and a charming priest. »I am convinced that nuns saw this film and daydreamed when seeing the charming priest.« What is a Man Without a Moustache? Is a pleasant and entertaining comedy, taking under a microscope the oldest and strongest institutions – the church and the army. »Some festivals are thrilled about the film; others claim it is a mainstream comedy for the crowds« said Hribar. »The film was very well accepted here in Ljubljana. Even though they had told me the audience here was reserved, I witnessed one of the warmest talks with viewers after the screening in Cankarjev dom. The audience was laughing and talking.« Hribar’s film, a real success in Croatia, is coming to Ljubljana in December.'),(122,'Zamrznjen čas','Takšne ljubezni je zmožna le ženska

V Zamrznjenem času spremljamo popotovanje mlade noseče ženske, ki se poskuša čez mejo prebiti do svojega ljubljenega. Zgodbo vodijo njeni monologi, naslovljeni na Boga, ljubimca, nerojenega otroka ali pa na obnemogli in prestrašeni del same sebe, ki skozi sneg in pretečo nevarnost tujih vojakov ne zna in ne more več naprej. Zgodba ni enosmerna, gre za splet trenutkov, ki po besedah režiserja Ali-Reze Aminija sledi budističnemu načelu osredotočenja na sedanjost. »Izbira ženskega lika nikakor ni naključna,« nam je na filmskem klepetu še povedal Amini, »ne le nosečnost kot vzrok in spodbuda na poti, tudi izjemna predanost ljubezni je vezana na ženski lik. Ne vem, če bi bil moški zmožen tega.« Zamznjen čas je kombinacija izdelane ideje Alija-Reze Aminija v vlogah scenarista in režiserja ter izjemne igre Hanieh Tavassoli. Oba sta se poglobila v lik noseče in ljubezni predane ženske, film pa je nastajal ob sprotnem sodelovanju in improvizaciji.',NULL,'2006-11-21','Time Froze','Only a woman is capable of such love

Time Froze follows a journey of a young pregnant woman, trying to cross the border to find her loved one. Her monologues are addressed to God, her lover, her unborn child, or the exhausted and scared part of herself, when she cannot continue through the snow and because of threatening danger of foreign soldiers. The story is not linear, but intertwined of moments – director Ali-Reza Amini says it follows the Buddhist principle of focusing on the present moment. »Choosing a female character was by no means accidental« told us Amini. »Not only pregnancy as a reason and motivation for the journey, exceptional devotion to love is also linked to the female character. I do not know if a man would be capable of this.« Time Froze is a combination of Amini’s elaborated idea and an exceptional performance by Hanieh Tavasoli. Both absorbed themselves into the character of a pregnant woman devoted to love and the film was made with the help of improvisation.'),(123,'Tako lepa dežela','

»Ni Izraelca, ki ne bi poznal vsaj enega priseljenca,«


nam je na pogovoru po projekciji filma Tako lepa dežela povedal režiser in scenarist Eyal Halfon. Prav zato se je odločil posneti film o problematiki nezakonitega priseljevanja, kar je problem vsega zahodnega sveta, vendar nikjer niso tuji delavci tako pomemben sestavni del družbe kot v Izraelu. Halfon meni, da izraelska zgodovina ne vpliva odločujoče na njihov pogled na zdomce in trgovino z ljudmi: »V tem pogledu smo takšni kot drugi narodi – nič slabši, nič boljši.« Prizori iz filma niso pretirani, množica žensk na egiptovsko-izraelski meji je temna plat resničnosti. 

Socialno-realistični film, ki v ospredje postavlja eno najbolj perečih problematik sodobnega sveta, pa zaokroža srečen konec. »Del mene je optimističen in včasih ga spustim na plan,« je povedal Halfon, »tak zaključek mi je všeč, pravzaprav ne bi hotel drugačnega.«

Lik tujca je za Halfonove filme značilen. »Tako lažje postavim ogledalo svoji deželi,« pravi. V naslednjem filmskem projektu pa se Halfon želi osredotočiti na odnose v izraelski družini prelomnega leta 1967. Napoveduje velik projekt, za katerega pa še išče producente. Izraelski ustvarjalec se nam bo danes zvečer pridružil tudi na filmskem klepetu v Jazz Clubu Gajo.

',NULL,'2006-11-22','What a Wonderful Place','

»There is no Israeli who does not know at least one immigrant«


told us director and scriptwriter Eyal Halfon after the screening of What a Wonderful Place. That is why he decided to make a film on illegal immigration. The problem is present throughout the entire western world, but nowhere are foreign workers such an important integral part of society as in Israel. In Halfon\\\'s opinion the Israeli history does not have a decisive influence on their view of migrants and human trafficking. »We are as other nations in this respect – not better, not worse.« The scenes in the film are not exaggerated; the crowd of women on the Egyptian-Israeli border is the dark side of reality.  

Social-realistic film, focusing on one of the burning issues of modern world, is rounded off with a happy ending. »There is an optimistic part inside of me and I sometimes let it out« said Halfon. »I like this ending, I would not have another.«

An alien is a typical character of Halfon\\\'s films. »This way, it is easier for me to put a mirror in front of my country\\\'s face.« In his next project, Halfon would like to focus on relationships within an Israeli family in the turning 1967. He is anticipating a big project, for which he is still looking for producers. The Israeli filmmaker will join us tonight in Jazz Club Gajo.

'),(95,'Novinarska konferenca','

O natančnem programu in poteku letošnjega LIFFe smo vas  seznanili na novinarski konferenci, ki  je bila 26. oktobra ob 11. uri v Klubu Cankarjevega doma.

',NULL,'2006-10-26','Press conference','

You were informed about a detailed programme and course of this year\\\'s LIFFe at the press conference taking place on 26 October at 11:00 in the CD Club.

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